POPULARITY
Abonnez-vous à ma Newsletter-> Newsletter les Voix de la PhotoIn this episode, I am with Daria Bonera, who chose to carve her own path in the photography industry rather than follow in her mother's footsteps. After studying at Central St Martins, she began her career at Grazia Neri Agency, representing international photographers. Daria shares her experiences transitioning from Milan to New York and the insights she gained about the differing photography markets. Now working as an independent consultant and producer, she offers valuable advice for aspiring photographers about collaboration, confidence, and humility.2'15 – She did not want to be a photographer like her mother, but she wanted to work in the field of photography.5'30 – She studied fashion at Central St Martins, and her courses were not focused on photography. She started working at Grazia Neri Agency, the agency that represents her mother.8'10 – She represented international photographers. Her job involved presenting photos to the sales team of the agency and finding new photographers.10' – She went to New York when she was 30 years old because the market was changing (online content and the financial crisis), and she was looking for a new challenge. She worked as a consultant for Grazia Neri and for Donna Ferrato, a prominent photographer represented by Grazia Neri in the States. She decided not to stay in New York and went back to Milan.14' – The main differences she observed between the photography industries in New York and Milan are that New York is a huge market, home to the bibles of photojournalism like The New York Times and the National Geographic Society, while the design and fashion market is significant in Italy, with fewer opportunities but also fewer competitors.16' – She started working as an independent consultant because the big agency couldn't survive (Grazia Neri closed down in 2009).18' – She decided to be a photography consultant and producer, working with photographers, as well as videomakers and film directors.21'45 – Now, she works more and more directly with clients rather than through an agency. Advertising agencies are also having a hard time these days, and brands often have their own marketing offices.25' – Her advice to young photographers seeking to enter the industry is to build a team around them. They should be confident, never stop dreaming, and be humble. Young photographers can't be snobby when it comes to commercial jobs.31' – The qualities she looks for when she meets a photographer are technique, composition, light, choice of subject, unique vision, and magic!DB Agency website : https://www.dariabonera.com/Pour devenir partenaire du podcast : https://bit.ly/sponsoriserLVDLPPour vous inscrire à la newsletter du podcast : https://bit.ly/lesvoixdelaphotonewsletterLe site du podcast : https://lesvoixdelaphoto.fr/Et vous pouvez retrouvez le podcast sur Instagram, Facebook et LinkedIn @lesvoixdelaphotoLes Voix de la Photo est un podcast produit et réalisé par Marine Lefort. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
(by Alex Patterson-Jones) Donna Ferrato is an internationally acclaimed photojournalist known for her groundbreaking documentation of the hidden world of domestic violence. Her seminal book Living With the Enemy published by Aperture in 1991 went into four printings and sparked a national discussion on sexual violence. In 2014, Ferrato launched the I Am Unbeatable campaign … Continue reading "Episode 118: Donna Ferrato (Documentary Photography)" The post Episode 118: Donna Ferrato (Documentary Photography) first appeared on A Photojournalism Podcast for Everyone.
Donna Ferrato è una fotografa autodidatta e freelance nata in Ohio nel 1949. Il suo primo lavoro riconosciuto è stato Living with the Enemy, un libro fotografico che raccogli gli scatti da lei raccolti nelle case delle coppie dell'Amerca borghese e ricca degli anni 80 del 1900.Ferrato si è occupata anche di altri temi sociali, ma quello della violenza domestica, partito da quella che trovò in quel suo primo reportage, rappresenta uno dei fondamentali della sua narrazione.Di Donna Ferrato Radio 21 aprile Web ha parlato con Ilaria Grasso, poeta, in questa intervista che non poteva non essere profondamente influenzata dal tema della Giornata Mondiale contro la violenza sulle donne, e dagli ultimi accadimenti di cronaca.Le fotografie di cui si dice nella puntata sono a questi link: foto di Elisabeth e foto nel bagnoL'episodio di Stories di Cecilia Sala è il 440 del 21 novembre 2023 Le fonti che ho consultato per questa puntata sono: https://ilfotografo.it/il-fotografo/storie-di-donne-storie-universali-intervista-a-donna-ferrato/ https://www.elle.com/it/magazine/libri/a35266876/donna-ferrato-libro-holy/ https://27esimaora.corriere.it/articolo/la-fotogiornalista-donna-ferrato-la-violenza-domestica-non-ce-tempo-per-il-dolore-aiutiamo-le-donne/ https://www.icp.org/browse/archive/constituents/donna-ferrato?all/all/all/all/0 https://www.cortonaonthemove.com/wp-content/uploads/traveling/Donna%20Ferrato_SCHEDA%20TECNICA.pdfMusica sotto licenza Artlist.io
Highly awarded for her vast humanitarian impact with over 500 global exhibitions, Ferrato is known for documenting the truth of domestic violence over the past 50 years. Holy is her call to action to celebrate the powerful complexity of all who identify as female. Combined for the first time are her intimate and unflinching images of survivors, swingers and activists. Three chapters are framed by her recreated Holy Trinity; Mother, Daughter and Other, for all those who honor and protect women.In this book group, Donna Ferrato discusses, among other thingsTaking time to build narrative (she took 10 years before publishing her legislature-changing images)Knowing and protecting your image rights While an image can influence, collective action is what leads to changeBe loud about the images you take - aim point blank at your intention/pointIterate ideas and refine output till power is embedded in the workThe need for men to “heal thy penis”Find the right publisher and advocate for your workProvoke, be combative and have a good timeLove has nothing to do with violenceReferenced in the episodeNational Domestic Violence Hotline (in the US). Helpline: 1-800-799-SAFE (7233)Hot Peach Pages. International abuse information in over 115 languages.I Am UnbeatableBritish Journal of PhotographyAchieving Gender Equity - Radcliffe Harvard InstituteUndue Motherhood - Kickstarter by Diana KarklinBlood Speaks - Paloma BasuFerrato exhibit at Vanderbilt University 2014 Current Ferrato exhibit at Newport Art Museum After the eclipse - New York Magazine, 2017 He Threw the Last Punch Too Hard by Hannah KozakReproductive: Health, Fertility, Agency, on show at the Museum of Contemporary Photography in Chicago.Bristol Photo Festival GirlTrek - Black History Bootcamp podcast Donna Ferrato Website | InstagramEngage with J. Sybylla Smith https://www.jsybyllasmith.com Instagram @jsybylla and Facebook @j.sybylla.smith
Er det fremdeles slik at vi forbinder vold med fysiske slag og handlinger? Hva er egentlig vold? Du får høre om fotografen Donna Ferrato som foreviget volden med kameralinsen og gjorde den umulig å overse. Jeg serverer forskernes definisjoner av voldsbegrepet, mine tanker og gir deg kanskje noen nye perspektiver?
Reivindicamos el papel de los festivales en la escena fotográfica española y, en un momento de gran expansión de estos certámenes, analizamos su coyuntura: su financiación, su modelo, su propuesta. Responsables de tres festivales de distinto formato y modelo participan en el programa. De una parte, Pep Minguez, de Revela-T, en Barcelona, un certamen internacional especialmente indicado para apasionados de la fotografía analógica que este año presentará en su cartel a Cristina García-Rodero y Brian Schutmatt, entre una larga lista de grandes presencias o expos. Mili Sanchez, de Festival Ojos Rojos, un certamen de fotografía española y latinoamericana que se celebra en Xábia y que este año presentará trabajos de Juan Manuel Díaz Burgos o Bernard Plossu, entre otros Y Francesc Fabregas, de Formentera Fotográfica, un certamen próximo, ecléctico y familiar que, sin embargo, no le impide presentar el reclamo de grandes figuras como, este año, Donna Ferrato o Antoine D´Agata. Dirige y presenta: Juan María Rodríguez Con: Leire Etxazarra Emisión: 03 / 03 / 20
Reivindicamos el papel de los festivales en la escena fotográfica española y, en un momento de gran expansión de estos certámenes, analizamos su coyuntura: su financiación, su modelo, su propuesta. Responsables de tres festivales de distinto formato y modelo participan en el programa. De una parte, Pep Minguez, de Revela-T, en Barcelona, un certamen internacional especialmente indicado para apasionados de la fotografía analógica que este año presentará en su cartel a Cristina García-Rodero y Brian Schutmatt, entre una larga lista de grandes presencias o expos. Mili Sanchez, de Festival Ojos Rojos, un certamen de fotografía española y latinoamericana que se celebra en Xábia y que este año presentará trabajos de Juan Manuel Díaz Burgos o Bernard Plossu, entre otros Y Francesc Fabregas, de Formentera Fotográfica, un certamen próximo, ecléctico y familiar que, sin embargo, no le impide presentar el reclamo de grandes figuras como, este año, Donna Ferrato o Antoine D´Agata. Dirige y presenta: Juan María Rodríguez Con: Leire Etxazarra Emisión: 03 / 03 / 20
Hablamos de fotografía y redes sociales con Pollobarba (Madrid, 1976), "fotógrafo sumergente", licenciado en Publicidad, profesor en EFTI, donde hizo el Máster Internacional de Fotografía, gestor de redes sociales, sobre las que imparte talleres y autoproclamado Premio Nacional de Fotografía 2035 y con Irene Cruz (Madrid, 1987), fotógrafa, directora de fotografía, videoartista, creadora visual con presencia en más de 400 exposiciones y también community manager de proyectos fotográficos y artísticos. Además, y coincidiendo con su presencia y premio en PhotoEspaña, repasamos la trayectoria de Donna Ferrato (1949), una fotógrafa documentalista comprometida con la denuncia de la violencia sobre las mujeres, la igualdad de género y la revolución sexual. Ferrato ha obtenido, entre otros, los premios Eugene Smith y Robert F. Kennedy. Y, por último, glosamos el trabajo del fotógrafo checo Miroslav Tichy (1926 - 2011) a propósito de una exposición en la Universidad de Sevilla. Dirige y presenta: Juan María Rodríguez Con Alfredo Oliva, Leire Etxazarra y Juan Carlos Cazalla Emisión: 11 / 06 / 19
Hablamos de fotografía y redes sociales con Pollobarba (Madrid, 1976), "fotógrafo sumergente", licenciado en Publicidad, profesor en EFTI, donde hizo el Máster Internacional de Fotografía, gestor de redes sociales, sobre las que imparte talleres y autoproclamado Premio Nacional de Fotografía 2035 y con Irene Cruz (Madrid, 1987), fotógrafa, directora de fotografía, videoartista, creadora visual con presencia en más de 400 exposiciones y también community manager de proyectos fotográficos y artísticos. Además, y coincidiendo con su presencia y premio en PhotoEspaña, repasamos la trayectoria de Donna Ferrato (1949), una fotógrafa documentalista comprometida con la denuncia de la violencia sobre las mujeres, la igualdad de género y la revolución sexual. Ferrato ha obtenido, entre otros, los premios Eugene Smith y Robert F. Kennedy. Y, por último, glosamos el trabajo del fotógrafo checo Miroslav Tichy (1926 - 2011) a propósito de una exposición en la Universidad de Sevilla. Dirige y presenta: Juan María Rodríguez Con Alfredo Oliva, Leire Etxazarra y Juan Carlos Cazalla Emisión: 11 / 06 / 19
This week, making art because you have to and how context can elevate humble materials to something extraordinary. Also, connecting to the past through the tangential experiences of the present. Plus, why is serious subject matter taken more...seriously as important work? Donna Ferrato is our Photographer of the Week.
This week, making art because you have to and how context can elevate humble materials to something extraordinary. Also, connecting to the past through the tangential experiences of the present. Plus, why is serious subject matter taken more...seriously as important work? Donna Ferrato is our Photographer of the Week.
Donna Ferrato is an internationally-known documentary photographer. Her gifts for exploration, illumination, and documentation coupled with a commitment to revealing the darker sides of humanity, have made her a giant in the medium. She has four books including Living with the Enemy which sold over 40,000 copies, and Love & Lust, published by Aperture. She has participated in over 500 one-woman shows and has received awards such as the Robert F. Kennedy Award for Humanistic Photography (1987), the Missouri Honor Medal for Distinguished Service in Journalism (2003), and the Gender Fairness Award from the New York State Supreme Court Judges (2009). She founded a non-profit called Domestic Abuse Awareness for over a decade and in 2014 launched a campaign called I Am Unbeatable, which features women who have left their abusers. In November 2016, TIME magazine announced her photograph of a woman being hit by her husband (1982) as one of the “100 Most Influential Photographs of All Time.” Currently, Ferrato is documenting her rapidly-changing New York neighborhood of Tribeca for a new book, and leads experimental photo workshops called The Erotic Eye. Resources: Download the free Candid Frame app for your favorite smart device. Click here to download for . Click here to download Click here to download for Support the work we do at The Candid Frame with contributing to our Patreon effort. You can do this by visiting or visiting the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .
Emilio Banuelos has worked as an editorial photographer and consultant for newspapers in Mexico, Panama and the United States. His documentary work earned him fellowships from the Poynter Institute, The Marty Forscher Fellowship for Humanistic Photography and an award from EnFoco Inc. In the San Francisco Bay Area, Emilio teaches documentary photography for the Academy of Art University, and has conducted workshops for the University of California Santa Cruz-Extension, the University of Coahuila and Black Boots Inc. www.blackbootsink.com www.embaphoto.com Emilio recommends the work of Donna Ferrato (www.donnaferrato.com) www.thecandidframe.com info@thecandidframe.com