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56 episodes with Frank Readick
9 episodes with Frank Readick
4 episodes with Frank Readick
2 episodes with Frank Readick
4 episodes with Frank Readick
2 episodes with Frank Readick
2 episodes with Frank Readick
2 episodes with Frank Readick
2 episodes with Frank Readick
The conversation delves into a thrilling narrative involving ancient Egyptian relics, a mysterious curse, and a murder mystery intertwined with supernatural elements. The characters explore the implications of their past actions related to an archaeological discovery, leading to a series of events that reveal threats of vengeance and deadly encounters with poisonous spiders. The story unfolds with suspense and intrigue, culminating in a chilling confrontation with the unknown.takeawaysThe allure of ancient relics often comes with dark histories.Curses and legends can have real psychological effects on people.The consequences of greed can lead to tragic outcomes.Vengeance can drive individuals to irrational actions.The presence of danger can be masked by familiarity.Murder mysteries often reveal deeper truths about human nature.Supernatural elements can heighten the tension in storytelling.The symbolism of spiders can represent fear and death.Friendship can be tested in times of crisis.The past can haunt individuals in unexpected ways.Sound Bites"He who was dead is returning.""We could spy the world!""I was very young.""It's the bite of a poisonous insect.""What are you doing?"The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.Egyptian relics, pharaoh's curse, murder mystery, black widow spider, ancient curses, vengeance, archaeology, supernatural, suspense, thriller
In this thrilling episode titled 'The Oracle of Death', Lamont Cranston encounters a man with psychic abilities who predicts a series of crimes, including a bank heist. As the story unfolds, Cranston, alongside his companion Margo Lane, navigates the complexities of crime and supernatural predictions, ultimately leading to a confrontation with the criminals. The episode explores themes of trust, the supernatural, and the battle between good and evil, culminating in a dramatic resolution where justice prevails.TakeawaysThe story revolves around a psychic who predicts crimes.Cranston's skepticism leads him to investigate further.The police commissioner is under pressure to solve petty crimes.The psychic's predictions create tension and urgency.Cranston believes the predictions are part of a larger scheme.The Shadow intervenes to thwart the criminals' plans.The episode highlights the theme of trust in uncertain situations.Cranston's character embodies the fight against evil.The resolution showcases the triumph of good over evil.The narrative intertwines elements of suspense and supernatural intrigue.Chapters00:00 Introduction to The Shadow01:30 The Shadow's Character and Abilities03:36 The Police Commissioner's Dilemma05:58 The Oracle of Death's Predictions10:50 The Investigation Unfolds14:10 The Power of Prediction20:06 The Threat of Terrorism24:07 Confrontation with the Criminals29:13 Resolution and ReflectionThe Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.Oracle of Death, psychic predictions, crime, mystery, The Shadow, bank heist, supernatural, Lamont Cranston, suspense, drama
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.
Support Breaking Walls at https://www.patreon.com/thewallbreakers Despite a loyal audience, by January of 1956 it was clear that Yours Truly Johnny Dollar was failing to attract any kind of national sponsorship. The road to would have been difficult. Airing at 8:15PM weeknights on CBS radio, it was up against CBS's own TV schedule, with Burns and Allen broadcast at 8PM eastern time on Mondays, The Phil Silvers Show on Tuesdays, Arthur Godfrey on Wednesdays, The Bob Cummings Show on Thursdays, and Mama on Fridays. The serial format was great for character development, but it also meant audiences needed to tune into all five parts to know what was going on. In April of 1956 Yours Truly Johnny Dollar was shifted to 9:15PM. By the summer CBS radio executives were looking to cut costs. Bob Bailey's daughter Roberta remembered that time. CBS aired these five-part episodes until November 2nd, 1956. The show moved to Sunday afternoons where it enjoyed continuous airtime in a half-hour time slot. Bob Bailey became the actor most closely associated with the Dollar character, keeping the title role until November of 1960. It was then that CBS decided to move all remaining dramatic productions with the exception of Gunsmoke to New York. Neither Jack Johnstone or Bob Bailey would move with the production. The last Hollywood episode was appropriately entitled “The Empty Threat Matter.” It aired on November 27th, 1960. The trade papers made no mention of the production change. On December 4th, 1960, New York's version of Yours Truly Johnny Dollar took to the air starring Bob Readick, son of New York radio legend Frank Readick. Former show director Jack Johnstone continued to write scripts, but Bob Readick had the unenviable task of following Bailey, who played Dollar in almost five-hundred episodes. Readick was replaced after just six months as of June 25th, 1961 by the final Johnny Dollar, Mandel Kramer. For Bob Bailey, the end of Dollar meant the end of his radio career.
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
Campbell Playhouse | (25) Things We Have (An American Cavalcade) | May 26, 1939An original and moving drama by Orson Welles about a young immigrant who discovers what makes America unique. Moving! Orson Welles and Cornelia Otis Skinner each play five different roles! About the great American dream of personal liberty and independence. Mr and Mrs Scott arrive at the port to adopt Simon Lang a nine-year-old orphaned boy from Europe who is all set to become an American citizen. His new parents teach him all about this country and its famous countrymen and how throughout the years people have come to America for freedom.Starring: Agnes Moorehead; Ray Collins; Kingsley Colton; Kenny Delmar; William Harrigan; Frank Readick; Cornelia Otis Skinner; Everett Sloane; Howard Smith; Orson Welles: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#orsonwelles #oldtimeradio #otr #radioclassics #citizenkane #oldtimeradioclassics #classicradio #mercurytheatre #duaneotr:::: :
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
Campbell Playhouse | The Bad Man || Broadcast: May 19, 1939Comedy-Adventure about a Mexican Bandito and the mixed bag of Americans who cross his path.Starring: Ida Lupino; William Alland; Ray Collins; Edwin Jerome; Frank Readick; Everett Sloane; Diana Stevens
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
Several great actors gave voice to The Shadow, but today we're shining a spotlight on those stars and their roles outside of the cloak of radio's invisible avenger. We'll hear Frank Readick as a crook in "The Case of the Cincinnati Narcotics Ring" from Gang Busters (originally aired on ABC on September 25, 1948). Then, Bill Johnstone is a newlywed with a secret in "Devoted Couple" from The Whistler (orignally aired on CBS on July 9, 1950) and Lt. Ben Guthrie in "The Cop Killer" from The Line-Up (originally aired on CBS on November 30, 1950). Finally, Orson Welles stars in "The Dead Enchantress" from The Lives of Harry Lime and narrates "The Bed Sheet" from The Black Museum.
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
The Shadow is a collection of serialized dramas that originated in the 1930s as pulp novels. It has since expanded to include radio dramas, pulp magazines, comic books, television, serials, video games, and films. The title character was initially created as a radio show narrator but was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
Tune in to Vintage Classic Radio's "Sunday Night Playhouse" this week as we transport you back to October 1st, 1939, with a captivating broadcast of "Campbell Playhouse" featuring Orson Welles in the timeless tale of "The Count of Monte Cristo." Dive into Alexandre Dumas' epic story of justice, vengeance, and redemption as brilliantly adapted for radio. This gripping episode stars Orson Welles as Edmond Dantès, a man who transforms from a wrongfully imprisoned sailor into a wealthy noble seeking retribution against those who wronged him. Alongside Welles, the talented Agnes Moorehead portrays Mercedes, while Ray Collins takes on the role of Fernand. The cast also includes Everett Sloane as Danglars, Frank Readick as Caderousse, and George Coulouris as Villefort, each adding depth and intrigue to this thrilling narrative. Don't miss this classic performance that brings the dramatic depths of Dumas' masterpiece to life, making it a must-listen for both new and longtime enthusiasts of classic literature and vintage radio dramas.
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
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