Podcasts about Elia Kazan

Welcome to the twelfth episode of our ongoing series: Fascism On Film. Each episode of this series, the Holmes Brothers look and review a film that has to do with fascism. During the episodes, the brothers look and see how the aspects and portrayal of fascism shown in the film relate to current and/or past events.On this Fascism on Film episode, the Holmes Brothers look at and discuss the historical drama from Italian director Gillo Pontecorvo: Burn!. The film stars Marlon Brando, Renato Salvatori and Evaristo Márquez. Brando stars as a British agent provocateur called Sir William Walker who is sent to the island of Queimada, an island in the Lesser Antilles and a Portuguese colony. He is asked to overthrow the island through a slave revolt in order for the British sugar trade to profit from. Walker meets and befriends José Dolores who becomes a leader of the slave rebellion. Things turn complicated when Dolores leads a revolt against the new rulers. Brando said he did the best acting of his career on the film Burn! despite how difficult it was to make. Even though they quarrelled on set, Evaristo Márquez had to act as mediator between them, Brando said Pontecorvo was one of the three best directors he ever worked with. The other two were Elia Kazan and Bernardo Bertolucci. We hope you enjoy this episode and stay tuned for more episodes of this Fascism On Film series.Be sure to check out our Monument Valley Film on our YouTube Channel.Anders's screenwriter work can also be seen at work in the horror, car chase thriller Delivery Run, co-written with & directed by Joey Palmroos. The film has been released digitally and also in select cinemas in the US and the UK. In Finland it was released on Apple TV after finishing its limited cinema run and was the Number 1 film for multiple weeks. You can read a review about it here on the Fangoria website. The film is now available to watch in the other Nordic territories like Sweden, Oslo and of course Denmark. If you live in Denmark, you can watch the movie here on Apple TV by clicking this link.Follow us on our Instagram page. For obvious reasons, we are no longer on Twitter. You won't find us there. Perhaps we will make a BlueSky account, so keep an eye out for that.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic.Check out our blog and read Anders's recent review on David Lynch and Mark Frost's iconic TV show Twin Peaks. Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

Welcome back to The Conner & Smith Show!This week, Ryan Dean Halbrook and Stephen begin a brand-new three-part series exploring the complete film career of one of our favorite actors of all time — James Dean.We start where it all began with East of Eden, Elia Kazan's emotionally explosive 1955 adaptation of the John Steinbeck novel that introduced James Dean to the world and instantly changed movie acting forever.Raw, vulnerable, rebellious, and deeply human, Dean's performance as Cal Trask still feels startlingly modern — and this episode dives deep into why his work continues to resonate decades later.This is the first chapter in our James Dean trilogy series, where over the next three weeks we'll also explore Rebel Without a Cause and Giant — the only three films Dean completed before his tragic death at just 24 years old.If you love classic Hollywood, intense performances, film history, and actors who changed cinema forever… this episode is for you.

« Je ne veux pas de réalisme… Je veux… de la magie ! »Dans cet épisode, Victoire, Pascale et Jeanne comparent la célèbre pièce Un tramway nommé Désir de Tennessee Williams (1947) et son adaptation en film réalisée par Elia Kazan (1951).Blanche DuBois, ancienne aristocrate du Sud des Etats-Unis en pleine déchéance, débarque chez sa sœur Stella et son beau-frère Stanley Kowalski. Entre cette femme raffinée et pleine d'illusions, et cet homme brutal et animal, le choc est immédiat. Et dans le minuscule appartement de la Nouvelle-Orléans, la tension va monter et faire voler en éclats les apparences...Dès sa première mise en scène à Broadway, Un tramway nommé Désir suscite la fascination et le scandale. Mais adapter cette pièce au cinéma, à l'époque du Code Hays qui censure toutes les pulsions, a été un défi pour les producteurs. Au programme, on vous raconte : Comment Elia Kazan a-t-il traduit en images le théâtre de Tennessee Williams ? Comment ce film a-t-il consacré Vivien Leigh et révélé le jeune Marlon Brando ? Et comment la censure du cinéma des années 1950 a-t-elle modifié des éléments de la pièce ?Ecoutez cet épisode pour découvrir si on est Team Livre ou Team Film !Et vous, avez-vous lu ou vu Un tramway nommé Désir ?Recommandations :La Ménagerie de verre, une pièce de Tennessee Williams (1944)True Detective, Saison 1, une série créée par Nic Pizzolatto (2014)Autant en emporte le vent, réalisé par Victor Fleming et George Cukor (1939)En attendant Bojangles, écrit par Olivier Bourdeaut (2015)Die My Love, réalisé par Lynne Ramsay (2025)Vol au-dessus d'un nid de coucou, réalisé par Milos Forman (1975)

SEASON 2 - EPISODE 188 - Nick Kazan - Writer In this episode of the Team Deakins Podcast, we speak with writer Nick Kazan (BICENTENNIAL MAN, MATILDA, DREAM LOVER). Nick has been writing professionally for decades, and we spend much of our conversation with him discussing what he finds to work and not work in a screenplay. Nick also shares his relationship to a script after it's entered production, and we discuss how changes made during production can enhance a scene. We also learn how he's balanced writing spec scripts with assignments, what his opinion of the three act structure is, what he needs to know before he begins writing, and when he recognizes his writing is working. Nick also shares how a Harold Pinter play inspired him to begin writing in the first place, and we learn how he's been chasing the experience of writing for the very first time ever since. Plus, Nick reveals why he didn't leverage his the reputation of his father (director Elia Kazan) to build his own career, and we ask Nick: "What makes a good writer?" - Recommended Viewing: SHAMPOO - This episode is sponsored by Aputure

Moving along in Decades Month to the 50's with the 1954 crime drama On the Waterfront. Directed by Elia Kazan it tells the tale of an ex-prize fighter turned New Jersey longshoreman who struggles to stand up to his corrupt union bosses. It stars Marlon Brando, and features Karl Malden, Lee J. Cobb, Rod Steiger, Pat Henning and Eva Marie Saint in her film debut. Come join us!! Website : https://tortelliniatnoon.com/ Instagram: https://www.instagram.com/tortelliniatnoonpodcast/ Facebook: https://www.facebook.com/TortelliniAtNoon Twitter: https://twitter.com/PastaMoviePod

HOLLYWOOD ROYALTY: MINISODE EP 7: THE ARRANGEMENT For our next venture into 60s/70s Faye, we look at the reunion between the actress and her early mentor, writer/director Elia Kazan with 1969's The Arrangement, adapted from his own novel. The film tells the story of a top advertising executive named Eddie (Kirk Douglas), who experiences a […]

JEOPARDY! champion Buzzy Cohen returns to Better Than the Movie for a third short-story-to-film adaptation discussion. This time it's the tragicomic showbiz/political tale A FACE IN THE CROWD (1957), written by Budd Schulberg and directed by Elia Kazan, based on Schulberg's short story, "Your Arkansas Traveler." Future lovable sitcom dad Andy Griffith stars as Larry "Lonesome" Rhodes, a vagabond folk singer who becomes a TV sensation and fledgling demagogue. It's a film chock full of great performances that also acts as a sad reflection on the times -- both then and now. There are lots of Lonesome Rhodes in the world, at varying points of the good-evil continuum. Some of the Lonesomes the BTTM crew discuss here include Ronald Reagan, Donald Trump, Bruce Springsteen, and Dhar Mann. You won't want to miss this one. Hosted by Tyler Austin, Allan Traylor, and Justin Remer. Produced by Justin Remer.  Recorded at the LAPL Octavia Lab. Check out the "Better Than the Movie" audiobook playlist on Libro.fm - https://libro.fm/playlists/skylight-better-than-the-movie Opening music: "Optimism (Instrumental)" by Duck the Piano Wire   Closing music: "Rule of 3s (Solemnity Child)" by Elastic No-No Band 

O que você sabe sobre a Revolução Mexicana?No episódio #109, apresentado pelos petianos Victor Coutinho e Luiza Fagundes, recebemos o doutor em História comparada pela UFRJ, Felipe Deveza, para nos ensinar um pouco sobre a Revolução Mexicana. O episódio estreia uma nova série do PETCast intitulada de “AS REVOLUÇÕES”, na qual iremos conversar um pouco sobre algumas revoluções que ocorreram em diferentes lugares e temporalidades. Nesse episódio discutimos sobre a primeira revolução de cunho social da América Latina no século XX: a Revolução Mexicana.

Geniální filmový režisér Elia Kazan, oceněný Oscarem za celoživotní dílo, dodnes rozděluje americký umělecký svět. V roce 1952 totiž udal osm svých kolegů, že byli členy komunistické strany. Je důležitější morální profil umělce – nebo jeho dílo?

Geniální filmový režisér Elia Kazan, oceněný Oscarem za celoživotní dílo, dodnes rozděluje americký umělecký svět. V roce 1952 totiž udal osm svých kolegů, že byli členy komunistické strany. Je důležitější morální profil umělce – nebo jeho dílo?Všechny díly podcastu Portréty můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

“Pop Culture Happy Hour” co-host Aisha Harris was herself a confused teen when she first watched Elia Kazan and William Inge's confused-teen tale “Splendor in the Grass”; she joins us to discuss the timelessness of its conflicts, the mastery of Kazan's direction, and the absolutely scorching chemistry of leads Natalie Wood and Warren Beatty.Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

#realconversations #playwright #screenwriter #filmmaker#editor #producer #9-1-1-dispatcher #AsburyPark CONVERSATIONS WITH CALVIN — WE THE SPECIESHosted by Calvin SchwartzMeet TOM CAVANAUGH…. “Remember when you were a little kid,and your parents took you to your first amusement park…you're overcome withglee and awe. Where do you go first? Here was Tom Cavanaugh on my Zoom screen.Where do I go first? Playwright. Screenwriter. Member of Actors' Gym. LovesCasablanca. ‘Bedbuggers', Best Feature Screenplay, Garden State Film Festival.Elia Kazan. Documentary, Franny's Cookies.' It's a Wonderful Life.' 9-1-1-Dispatcher. Brilliant. Incisive. Human Condition. Editor. Director. I ranaround on Zoom. Tom accommodates. Then the joint realization that we have to domore of these. My day was made hanging out with Tom. And he's back in Jerseynow after LA. Oh, and I finally know what a multi-hyphenate is.   Calvin 700+ Interviews &Videos

Drama on a ThursdayFirst,  a look at this day in History.Then, Lux Radio Theater,  originally broadcast March 5, 1951, 75 years ago, Panic In The Street starring Richard Widmark.  Widmark stars in an adaptation of his 1950 Elia Kazan motion picture.  A doctor and a policeman in New Orleans have only 48 hours to locate a killer infected with pneumonic plague.Followed by Mr. President starring Edward Arnold, originally broadcast March 5, 1950, 76 years ago, Quid Pro Quo.  The President is facing opposition on his appointments to office – from inside his own party!Then, Escape,  originally broadcast March 5, 1949, 77 years ago, Conquerors Isle starring David Ellis.  A flyer is forced down on a strange island and discovers a race of superior humans preparing to take over the Earth. Finally,  Claudia,  originally broadcast March 5, 1948, 78 years ago,  Telephone Woes.   Claudia and the telephone.  Kathryn Bard and Paul Crabtree star.  Thanks to Richard G for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! Find the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.html

Black History Month has inspired me to cover 3 (of what will be 4) race-related movies in February, but Pinky is the most overt about that charged topic. Ethel Waters has a key role as Jeanne Crain's granny in Elia Kazan's complicated movie...while Crain plays a mixed-race woman who passes for white, dealing with mean-spirited racism in the south while her boyfriend just wants her to go back up north and be white. Pinky turns into a courtroom movie after the dying Ethel Barrymore's racist rich neighbour decides to leave her house to her nurse (Crain)...and the will ends up being contested. I also spent some time talking earnestly about the evolution of race and racism...and about my own history with it. So don't let me guilt you into doing something you don't want to do. Except I'll collapse and probably DIE if you don't put your ears to the 719th ep on Have You Ever Seen. (now THAT's guilt!) Well, Actually: the line about "sometimes when you win, you actually lose" is of course not from When Harry Met Sally...it's from White Men Can't Jump. Also, Kazan was nominated 5 times for Best Director, not 6. Become a subscriber to the channel and help the podcast grow. Rate and review the show as well. And hunt me down on Letterboxd: RyanHYES. The email address is "haveyoueverseenpodcast@gmail.com". The Twitter handle is "@moviefiend51". And the Bluesky nickname is "ryan-ellis".

Episode 154: Continuing our One F'n Year series with arguably the most influential film of 1954, Elia Kazan's groundbreaking ON THE WATERFRONT which features game-changing performances from Marlon Brando, Eva Marie Saint, Lee J. Cobb, and Rod Steiger. Also, we announce the winner of the "SUDDEN FEAR SNAPPER" contest!! If you are able to support Tom Fitzgerald, please sign up for the OFH Patreon: http://patreon.com/onefuckinghour.

On the latest episode of A Life In Movies, the movie interview podcast by All The Right Movies, we're talking to legendary actor James Woods.With a career spanning five decades, James has built a reputation as one of cinema's most compelling performers. An actor drawn to morally complex characters and unafraid to inhabit the darkest corners of human nature. A two-time Academy Award nominee with multiple Emmy wins to his name, his filmography reads like a masterclass in intensity.Speaking to us from Los Angeles, James takes us through the key moments that shaped his remarkable career. From his early days studying Political Science at MIT before the pull of acting proved too strong, to his film debut working with the legendary Elia Kazan. We dive deep into five landmark films: David Cronenberg's prophetic body-horror Videodrome, Sergio Leone's epic Once Upon a Time in America opposite Robert De Niro, Oliver Stone's raw and urgent Salvador (which earned him his first Oscar nomination), the action-comedy The Hard Way with Michael J. Fox, and Martin Scorsese's Casino where he brought the slippery Lester Diamond to unforgettable life.James also shares insights into his approach to those morally ambiguous characters that have become his trademark, his acclaimed television work, the compelling story behind his Executive Producer credit on Christopher Nolan's Oppenheimer and his most recent artistic endeavour in music. A fascinating conversation with one of American cinema's most distinctive talents.Connect with ATRM: To join our fantastic community of film fans, support what we do, access our archive, listen to exclusive episodes, and a whole lot more, become an ATRM patron:⁠⁠⁠⁠⁠Join the ATRM Community⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ We're available on any podcast platform:Listen on ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠Listen on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our channel⁠⁠⁠⁠⁠⁠⁠⁠We're across all major social channels too:Twitter: ⁠⁠⁠⁠⁠⁠⁠@ATRightMovies⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠@allthe_rightmovies ⁠⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠⁠Join our movie group⁠⁠⁠⁠⁠⁠⁠Bluesky: ⁠⁠⁠⁠⁠⁠⁠@alltherightmovies.com⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠@alltherightmovies⁠⁠⁠⁠⁠⁠⁠Website: ⁠⁠⁠⁠⁠⁠⁠alltherightmovies.com⁠⁠

Following recent conversations about the disposability of material attachments and the generative aspect of consciousness, this week's episode examines the nature of the self and identity through the lens of Terry Gilliam's underrated masterpiece from 1991, The Fisher King. We also briefly discuss:On the Waterfront (1954) d. Elia Kazan

This week our focus centers on Mart Crowley, American Playwright most well known for his 1968 play The Boys In The Band. Within this episode, we take Mart from a terrible childhood in Mississippi to Catholic University, to Elia Kazan and Natalie Wood, and all the spiderwebs of his career before creating this pioneering work.  Continue your investigation with ad-free and bonus episodes on Patreon! To advertise on Done & Dunne, please reach out to info@amplitudemediapartners.com.

This week our focus centers on Mart Crowley, American Playwright most well known for his 1968 play The Boys In The Band. Within this episode, we take Mart from a terrible childhood in Mississippi to Catholic University, to Elia Kazan and Natalie Wood, and all the spiderwebs of his career before creating this pioneering work. Continue your investigation with ad-free and bonus episodes on Patreon!To advertise on Done & Dunne, please reach out to info@amplitudemediapartners.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Emigré d'Anatolie en Amérique, Elia Kazan se révèle à Hollywood et échappe au Maccarthisme, non sans douleur…Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Bob and Brad dive into the iconic 1954 film On the Waterfront, starring Marlon Brando and directed by Elia Kazan. The hosts explore the film's themes of power, corruption, and social justice while analyzing standout performances from Brando, Karl Malden, and Rod Steiger. In the second half of the episode, the hosts review Gentleman Jack Tennessee Whiskey, delving into its smooth, double-mellowed flavor profile and discussing how it stacks up against Jack Daniel's Single Barrel Select and other Tennessee whiskeys.(0:00) Intro(09:21) Brad Explains(12:45) Performances, Themes(37:47) Gentleman Jack Tennessee Whiskey review(47:47) Two Facts and a Falsehood(53:12) Final Analysis(1:04:38) Let's Make it a Double and Final ScoresFilm & Whiskey Podcast. New episodes every Tuesday.Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For more episodes and engaging content, visit Film & Whiskey's website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.filmwhiskey.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Welcome to The B-Side! Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we discuss Richard Linklater! He's an American indie legend who we recently just spoke to! With two new films out here at the end of 2025 (Blue Moon and Nouvelle Vague), we discuss his B-Sides: SubUrbia, The Newton Boys, Me and Orson Welles, and Apollo 10½: A Space Age Childhood. Our guest is Ryland Aldrich, our dear friend, an accomplished producer and experienced writer on film, as well as the creator of FYCit App,“the number one smartphone app for awards voters and guild members to find awards screenings, events, and content for all the season's top contenders.” Conor, Ryland, and I dig into our love for Linklater, the highs and lows of his long, accomplished career, and his continued improvement as a stylist. We debate Ethan Hawke's chances of getting an Oscar nomination for his Blue Moon performance, the lasting cultural relevance of School of Rock, and Orson Welles' famous response to a question about Elia Kazan many years ago. There's also mention of the Mercury Theater's famous 1938 broadcast of “The War of the Worlds,” the documentary Chasing Chasing Amy, and those real-life clips of The Newton Boys.

"CG: The Woolner brothers came to the Garden of Allah and we had a meeting in the Garden, where all the stars used to sneak away to make out. They wanted a gang picture, as it was the time of the street gangs and juvenile delinquents. I told them I had one called "The Rat Pack" and they said they wanted a girl gang. So I got to work on Teenage Doll, which was Larry Woolner taking the title of [Elia] Kazan's Baby Doll [1956]. But the Johnson Bureau, or the Hays Office – I forget which was in at the time – rejected the story. AG: So you had to re-write it over the weekend? CG: Well I had to ruin it over the weekend."

Front Row Classics is taking a look at the first in James Dean's trilogy of starring roles. Brandon and Peter Martin are discussing 1955's East of Eden. We discuss Dean's relationship with director Elia Kazan and how it affected his unique performance. The wonderful supporting cast includes Julie Harris, Raymond Massey and Jo Van Fleet (in an Oscar winning performance). The conversation also turns to the differences between the movie and John Steinbeck's novel. 

East of Eden Front Row Classics is taking a look at the first in James Dean’s trilogy of starring roles. Brandon and Peter Martin are discussing 1955’s East of Eden. We discuss Dean’s relationship with director Elia Kazan and how it affected his unique performance. The wonderful supporting cast includes Julie Harris, Raymond Massey and … Continue reading Ep. 377- East of Eden →

The fourth installment of Fresh Immigrants, Rotten Fascists focuses on the rise and fall of Lonesome Rhodes, as depicted in Elia Kazan's A FACE IN THE CROWD. The story of a populist media superstar that grows to wield immense influence over the American public? How could that be relevant today? And yes, that's America's Grandpa Andy Griffith playing the maniacal Rhodes in his feature film debut.Thank you for checking this new project out, whether you are a long-time Contrarians fan or someone who's just trying to listen to people talking positively about immigrants and negatively about fascism. If you have any recommendations for future entries in the series, let us know!- Many thanks to the amazing Jordan Cooper for composing our intro and outro. Fantastic collaborator to work with - and he has a They Might Be Giants podcast: DON'T LET'S START. You can also check out Jordan's band TROUBLE'S AFOOT on Bandcamp!- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemoniospe on Instagram or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!

Voltamos com mais um dicas triplas do PFC e neste episódio, Alexandre Cataldo e Fred Almeida convidam o colaborador, cinéfilo e crítico Renato Félix para um papo sobre três filmes muitas vezes esquecidos ou desconhecidos do público que curte cinema.  Trazemos como de costume três produções de nacionalidades diferentes.  Começamos com "Um Rosto na Multidão" (A Face in The Crowd, 1957) drama visionário dirigido por Elia Kazan, partimos então para "O Poeta do Castelo" (1959) curta brasileiro de estreia de Joaquim Pedro de Andrade e terminamos com a peça  transformada em filme britânico, "Muito Barulho Por Nada" (Much Ado About Nothing, 1993),  dirigido por Kenneth Branagh e até hoje um dos filmes adaptados de Shakespeare de maior sucesso no cinema.Capítulos00:00:00 Introdução00:04:41 Um Rosto na Multidão00:36:45 O Poeta do Castelo01:03:08 Muito Barulho Por Nada01:32:58 Spoilers de "Um Rosto na Multidão" 01:39:34 Spoilers de "O Poeta do Castelo" 01:45:29 Spoilers de "Muito Barulho Por Nada" -------------------------------LINKS PARA ADQUIRIR O LIVRO DO PFC ("Uma Jornada pelo Cinema - Anos 1950"):UICLAP - ⁠https://loja.uiclap.com/titulo/ua98290/⁠AMAZON (capa dura e e book) - ⁠https://www.amazon.com.br/dp/6501481376⁠-------------------------------Acesse nosso site: ⁠⁠http://www.filmesclassicos.com.br⁠⁠Instagram: @podcastfcProcure "Podcast Filmes Clássicos" no seu aplicativo de podcast do celular, no Spotify, YouTube, Anchor ou iTunes.

Revisitamos, analizamos y discutimos la película ON THE WATERFRONT con Marlo Brando y del cineasta Elia Kazan (1954). Fico CangianoJose MoralesAlexis Leon

Krista Errickson joined me and we discussed her Wikipedia page; her grandfather, a famous Broadway set designer; her godfather, Elia Kazan; her father's family, the McIntyre's being the family written about in James Michener's Hawaii; watching Mr. Rogers & Captain Kangaroo; Lawrence Welk; the earwig episode of Night Gallery; becoming a model at 13; being a contemporary of Brooke Shields; shooting a movie with her that got scrapped; Little Darlings; improvising in her scenes; her helping to compile the film's soundtrack; Alexa Kenin; Cynthia Nixon; fighting with Kristy McNichol; not wanting to do Hello, Larry; John Femia; Joey Travolta; crossover episode with Diff'rent Strokes; seeing the trauma in Dana Plato; the production company "banking" school hours by making them go to school during vacation; her pilot The First Time; appearing in the Doors LA Woman video; having to audition in a bikini for Mr. Belvedere; appearing on 21 Jump Street and pissing Richard Grieco's girlfriend off; befriending Johnny Depp & Peter DeLuise; meeting Brad Pitt; 90210 made her want to quit acting; getting to be the first western woman in Iran since 1978; producing documentaries; being friends with Joe Dicso, Dan Aykroyd, John Belushi, and the Murray brothers; dating Peter Aykroyd; being with Belushi three days before his death; drinking double Remy Martin's at 15; negotiating with the Taliban for a hostages release; most Muslim fundamentalists are illiterate; Christian fundamentalism; a 21 Jump Street episode that echoes Charlie Kirk that was made 4 years before he was born; Studio 54

In this week's episode of the Gloria Grahame Acteurist Oeuvre-view series, our heroine battles an organized crime ring in Fritz Lang's classic noir The Big Heat and the Soviets, or in any case her beleaguered circus capitalist husband, Fredric March, in Elia Kazan's Man on a Tightrope (both 1953). Dave and Elise are somewhat at odds about the effectiveness of Tightrope's anti-censorship message, but united on the effectiveness of Lang's use of the noir genre, and Grahame, to depict heroism in a world familiar with the horrors of fascism.  Time Codes: 0h 00m 25s:    Man on a Tightrope (1953) [dir. Elia Kazan] 0h 22m 10s:    THE BIG HEAT (1953) [dir. Fritz Lang] +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

THE SWIMMER (1968) We dive deep in to The Swimmer and discuss and analyze, maybe just a little bit the glorious film directed by Frank Perry, based on a screenplay by Eleanor Perry, from the 12 page short story by John Cheever. "Well-off ad man Ned Merrill (Burt Lancaster) is visiting a friend when he notices the abundance of backyard pools that populate their upscale suburb. Ned suddenly decides that he'd like to travel the eight miles back to his own home by simply swimming across every pool in town."If you're reading this I would like to thank you from the bottom of my heart for your support. Death By DVD has almost existed for 2 solid decades, please consider supporting Death By DVD directly on Patreon to secure the future of this very show. ★ Support this podcast on Patreon ★ Thank you for choosing Death. DEATH BY DVD FOREVER. FOREVER DEATH BY DVD. ★ Support this podcast on Patreon ★ CHECK OUT DEATH BY DVD ON YOUTUBE : https://www.youtube.com/@DeathByDVDDon't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES 

durée : 00:58:38 - Toute une vie - par : Hubert Prolongeau - Elia Kazan est le plus célèbre Janus du cinéma américain. Cinéaste génial et reconnu comme tel, son passage volontaire devant la commission des activités anti-américaines du sénateur Mac Carthy pour y dénoncer certains de ses amis communistes lui a valu aussi de devenir le symbole du traître. - invités : Catherine Fruchon-Toussaint Journaliste littéraire et culturelle, spécialiste de littérature étrangère.; Noël Burch Théoricien du cinéma, réalisateur.; Pierre Rissient Cinéaste.; Michel Ciment Critique de cinéma, écrivain, producteur de radio

Send us a textGeorge Feltenstein joins Tim Millard to discuss the Warner Archive's June Blu-ray releases, spanning from 1938 to 1961 and featuring newly restored classics across multiple genres.• The Citadel (1938) stars Robert Donat as a doctor whose idealism is tested when he moves from a Welsh mining town to wealthy London practice• A Date with Judy (1948) showcases Jane Powell and Elizabeth Taylor in a vibrant Technicolor musical with restored color that eliminates previous transfer issues• The Enchanted Cottage (1945) tells the story of a disfigured war veteran and plain young woman whose love transforms how they see each other• Executive Suite (1954) features an all-star cast including William Holden and Barbara Stanwyck in a corporate drama that remains relevant today• His Kind of Woman (1951) pairs Robert Mitchum and Jane Russell in a noir that transforms into comedy when Vincent Price's character appears• Splendor in the Grass (1961) presents Natalie Wood's powerful performance and Warren Beatty's screen debut in Elia Kazan's emotionally raw drama about young love• All releases feature 4K scans from original camera negatives, with Warner Archive addressing previous transfer issues• Many releases include period-appropriate shorts, cartoons, radio adaptations, and other special features that enhance the viewing experienceAmazon purchase links:HIS KIND OF WOMAN (1951)SPLENDOR IN THE GRASS (1961)EXECUTIVE SUITE (1954)A DATE WITH JUDY (1948)THE ENCHANTED COTTAGE (1945)THE CITADEL (1938) The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog Group As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv

This week, Roy Scheider appears as the villain in a thriller that poses the question, "What if MEMENTO happened to the dumbest guy you know?" - plus, Mike D really recommends everybody check out Elia Kazan's PANIC IN THE STREETS!

Join me (Jay) and my friend and former co-host Paul Kastava as we discuss the 1957 Elia Kazan film A Face In The Crowd starring Andy Griffith.

Lee and Daniel are joined by friend and previous guest host Matt Anderson to tackle two films from the 1950s with some surprising similarities. First up they try not to catch the plague as they talk about Elia Kazan's "Panic in the Streets" (1950), starring Richard Widmark and a debuting Jack Palance. Then they try to keep the Earth from being blown apart in Fred F. Sears' "The Night the World Exploded" (1957), starring the lovely Kathryn Grant. It's a super-sized episode this week, but if you have three hours to kill, this might be the podcast injection you need! "Panic in the Streets" IMDB  "The Night the World Exploded" IMDB  Check out Matt Anderson on Bluesky, and the podcast he writes for Truth in the Barrel. Also check out the podcasts he hosts/appears on: The Bloody Bits Horror Show, and The Mighty Peculiar. Also, as mentioned, he'll be on Random Acts of Comics sometime next month, and check out his recent appearance on the Grindbin covering "Karate Raider". Check out Daniel on Bluesky, his other Podcast, and his Patreon. Featured Music: "Rockin' Pneumonia And The Boogie Woogie Flu" by Huey Piano Smith, "Doctor to My Disease" by Jethro Tull, and "The Final Countdown" by Europe.

It's Time To Smile. January 15, 1941. Red net. Sponsored by: Ipana, Sal Hepatica. Eddie's opening monologue is about winter sports and skiing. Dinah Shore sings, "Number Ten, Lullaby Lane." Eddie is in charge of his own motion picture company and guest Phil Harris is going to star in his next picture. Eddie Cantor, Dinah Shore, Cookie Fairchild and His Orchestra, Phil Harris, Harry Von Zell (announcer).Love Story. August 13, 1937. Program #21. MacGregor and Sollie syndication, RCA transcription. "Devil Wind". Sponsored by: Music fill for local commercial insert.Radio Guild. April 13, 1940. Blue Network. "The Ineffable Essence Of Nothing". Sustaining. "A fantasy for radio." A truly creative experiment in radio drama, and thoroughly enjoyable. A man walks through an enchanted doorway into his own future. The script was broadcast twice previously in 1938, "the second performace in its second version.". Ian Martin, Ian MacAllaster, Ranald MacDougall (writer), Eric Dressler, Howard Smith, Harry Nevel, Lotte Stavisky, Kay Lee, Gene Hamilton (? announcer)Rogers Of The Gazette. June 10, 1953. CBS net. Sustaining. Will is planning to write a story about Lance O'Neill, Illyria's famous artist, despite the opposition of the powerful Mrs. Hannibal. No music cues. The date above is possibly the recording date, July 8, 1953 is possibly the broadcast date. See cat. #65176 for the final show with music cues. Will Rogers Jr., E. Jack Neuman (writer), Georgia Ellis, Parley Baer, Byron Kane, John Dehner, Mary McGovern, Howard McNear, Bob Lemond (announcer), Norman Macdonnell (producer, director), Walter Brown Neuman (writer).Rocky Fortune. February 16, 1954. NBC net. "One Husband Too Many". Sustaining. Fine cops and robbers with Frank in a straight non-singing role. Well-written and fine Sinatra. A case of too many husbands after Rocky is hired by a beautiful woman to kill her husband...for $5000!. Frank Sinatra, Betty Lou Gerson, Barney Phillips, Norm Sickle (writer), Andrew C. Love (director), John Stevenson, Maurice HartSuspicion_1935_e001_Double_CrossThe Shadow. September 26, 1937. Mutual net. "The Death House Rescue". Sponsored by: Blue Coal. The first show of the series with "The Shadow" as a force against crime and not just a phantom announcer. Just before an innocent man is to be executed for murder, The Shadow uses mental telepathy to get the goods on the real killers. A good show with an intelligent plot. Orson Welles, Agnes Moorehead, William Johnstone, Jeanette Nolan, Ray Collins (triples), Paul Stewart, Elia Kazan, Everett Sloane (quadruples), Paul Huber (commercial spokesman), Frank Readick (opening and closing voice), Arthur Whiteside (announcer), Edward Hale Bierstadt (writer), Elsie Thompson (organist), Clark Andrews (producer), Martin Gabel (director), Edith Meiser (story editor), Walter B. Gibson (story consultant), J. R. Poppele (sound engineer), Thomas Coffin Cooke (commercial spokesman, as "John Barclay"), Walter Gibson (writer). TOTAL TIME: 2:53:47.643SOURCES: Wikipedia and The RadioGoldindex.com

The 'AnotherLook' duo goes classical with a revisit of a cherished masterwork - Elia Kazan's On The Waterfront. Listen up as Will and Corey examine the film's synthesis of realism and style, Marlon Brando as a star and actor, not to mention the controversy surrounding Elia Kazan. Join us as we aim to be contenders of this lauded favorite.

GGACP celebrates the birthday (b. June 4) of Oscar-nominated actor Bruce Dern by presenting this ENCORE of a memorable 2016 interview. In this episode, Bruce joins the boys for a refreshingly candid conversation about acting, risk taking, the definition of genius and the value of teamwork. Also, Bette Davis bashes Joan Crawford, Alfred Hitchcock “punks” Karen Black, Jack Nicholson coins a new phrase and Bruce attends the “University of Corman.” PLUS: Paging Dr. Death! The wisdom of Elia Kazan! The brilliance of Douglas Trumbull! Bruce “kills” the Duke! And “The Incredible 2-Headed Transplant”! Learn more about your ad choices. Visit megaphone.fm/adchoices

A life lost way too soon at 24 years old, James Dean will always be remembered as one of Hollywood's greatest actors. Add to that feat the fact that he only had leading roles in three films and his potential becomes infinitely more devastating. In honoring him seventy years after his passing, Sophia and Nick look back at two of his films that were also released that same year: Elia Kazan's triumphant adaptation of John Steinbeck's epic novel, East of Eden, and Nicholas Ray's definitive portrait of 1950's America, Rebel Without a Cause (34:24). Listen as they discuss Dean's career highlights and how his performances stand out even among many other Oscar nominees (and a winner!) and CinemaScope beauty that transports us back in time. Follow us on Twitter, Instagram, Bluesky, and TikTok @oscarwildpodFollow Sophia @sophia_cimFollow Nick @sauerkraut27Music: “The Greatest Adventure” by Jonathan Adamich

Send us a textWarner Archive announces six spectacular Blu-ray releases for June, along with new value-priced four-film collections and the Looney Tunes Collectors Vault Vol. 1. George Feltenstein shares details about each release, including the meticulous 4K restorations from original camera negatives that bring these classics to life like never before.• Four-film collections featuring Clark Gable, Gary Cooper, and Elizabeth Taylor are coming in June, with 24 collections planned overall• High Society 4K street date moved to June 10th to ensure "magnificent" presentation with Dolby Atmos and original mono tracks• Looney Tunes Collectors Vault Vol. 1 offers 50 cartoons for just $3 more than the previous single-disc releases• The Citadel (1938) - King Vidor's critically acclaimed drama about the medical profession with Robert Donat and Rosalind Russell• A Date with Judy (1948) - Technicolor MGM musical starring Jane Powell and a 16-year-old Elizabeth Taylor• The Enchanted Cottage (1945) - Fantasy romance restored to its full 92-minute version after decades of circulation in a cut form• Executive Suite (1954) - Corporate drama featuring a stellar cast including William Holden and Barbara Stanwyck, with Oliver Stone commentary• His Kind of Woman (1951) - Noir comedy starring Robert Mitchum and Jane Russell with a scene-stealing Vincent Price• Splendor in the Grass (1961) - Elia Kazan's powerful drama with Natalie Wood and Warren Beatty, now properly restored after years of poor transfersPurchase links:Clark Gable 4 Film Collection releasing June 10thElizabeth Taylor 4 Film Collection releasing June 10thGary Cooper  4 Film Collection releasing June 17th The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog Group As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv

This episode looks at On the Waterfront, the celebrated 1954 American film directed by Elia Kazan and written by Budd Schulberg. The film stars Marlon Brando as the ex-prize fighter turned New Jersey longshoreman Terry Malloy. Malloy struggles to stand up to mob-affiliated union boss Johnny Friendly (Lee J. Cobb) after Malloy is lured into setting up a fellow dockworker whom Friendly has murdered to prevent him from testifying before the Waterfront Crime Commission about violence and corruption at the docks. The pressure on Malloy rises as he falls in love with Edie Doyle (Eva Marie Saint), the murdered dockworker's sister, and as Edie, along with local priest Father Pete Barry (Karl Malden), urge Malloy to do the right thing. Malloy ultimately testifies against Friendly and challenges Friendly's leadership at great personal risk. While the film is about a courageous fight against a corrupt power structure and injustice, it is also influenced by director Elia Kazan's own controversial decision to act as an informant against fellow directors, writers, and actors during the McCarthy-era Red Scare.Timestamps:0:00     Introduction2:20      Corruption on the docks9:18       Boxing: I could have been a contender17:07     The priest on the waterfront23:44    Testifying before waterfront crime commission32:10     Informants34:48    Elia Kazan and the House Un-American Activities Committee47:04    The film's relevance today48:39    Some people who stood up to HUAC50:40   Separating the art and the artistFurther reading:Demeri, Michelle J., “The ‘Watchdog' Agency: Fighting Organized Crime on the Waterfront in New York and New Jersey,” 38 New Eng. J. on Crim. & Civ. Confinement 257 (2012)Murphy, Sean, “An Underworld Syndicate': Malcolm Johnson's ' On the Waterfront' Articles,” The Pulitzer Prizes Archive (1948)Navasky, Victor S., Naming Names (Viking Press 1980)Rebello, Stephen, A City Full of Hawks: On the Waterfront Seventy Years Later—Still the Great American Contender (Rowman & Littlefield 2024)Pjevach, Julia, Note, “A Comparative Look at the Response to Organized Crime in the Ports of New York-New Jersey and Vancouver,” 6 Cardozo Int'l & Comp. L. Rev. 283 (2022)Smith, Wendy, “The Director Who Named Names,” The American Scholar (Dec. 10, 2014)                  Law on Film is created and produced by Jonathan Hafetz. Jonathan is a professor at Seton Hall Law School. He has written many books and articles about the law. He has litigated important cases to protect civil liberties and human rights while working at the ACLU and other organizations. Jonathan is a huge film buff and has been watching, studying, and talking about movies for as long as he can remember. For more information about Jonathan, here's a link to his bio: https://law.shu.edu/profiles/hafetzjo.htmlYou can contact him at jonathanhafetz@gmail.comYou can follow him on X (Twitter) @jonathanhafetz You can follow the podcast on X (Twitter) @LawOnFilmYou can follow the podcast on Instagram @lawonfilmpodcast

Tyler reviews and talks about one of the "forgotten" best picture winners, the chaos surrounding the making of Cleopatra, the signifance of Sidney Poitiers win and the history of Cinerama

Today, I'm thrilled to announce my interview with Lane Bradbury, who played the role of Dainty June in the original Broadway cast of GYPSY. Tune in to hear some of the stories of her legendary career, including why Ethel Merman wasn't a good co-star, joining the Actor's Studio, method acting with Elia Kazan for J.B., why Bette Davis was suspicious of her during THE NIGHT OF THE IGUANA, watching Patrick O'Neill and Bette Davis in rehearsal, the moment in GYPSY that caused a rift between her and Jerome Robbins, Lee Strasberg's favorite acting exercises, why she didn't audition for FIDDLER ON THE ROOF, working with June Havoc herself on MARATHON '33, how an audition for GREENWILLOW led her to move to California, putting together her cabaret act, why Audra McDonald is Broadway's best Mama Rose, why she doesn't own the OBC of GYPSY, and so much more. You won't want to miss this episode with a true theater veteran.

Aaaaaaand we're back. Episode 1 of season 14 of the Dana Gould Hour Podcast. Has anything of interest happened since the last episode? Don't think so. Certainly not here in Los Angeles, or America. Okay. Great. Let's get at it!  Drew Friedman is here. Drew Friedman is one of the premiere illustrators and cartoonists in America. You know his work from The New York Observer, the New Yorker, his books, Warts And All, Old Jewish Comedians, More Old Jewish Comedians, Still More Old Jewish Comedians, Too Soon, Drew Friedman's Sideshow Freaks, Heroes Of The Comics, More Heroes Of The Comics, the list goes on and on. In 1987 I discovered his book Any Similarity to Persons Living Or Dead is Purely Coincidental and it quite literally redefined my sense of humor. It is hard to articulate the impact the book had on me. No kidding. Drew has a new book out called Schtick Figures, portraits of people important to Drew. And me. People he refers to as The Cool, The Comical and The Crazy. Portraits of people like Gilbert Gottfried, #2 and #3 as only Drew can draw them. Drew is also the subject of a new documentary that's about to be released entitled The Vermeer Of The Borscht Belt, Drew Friedman is here.  Kurt Sayenga is a writer, director and producer. We first met when Kurt ran the series Eli Roth's History Of Horror. Kurt now has a series on Shudder called Horror's Greatest. Season #2 just dropped, with guests like Davi Dastmalchian, Joe Hill, Jonah Ray, Alex Winter, Mick Garris, yours truly and many, many more. Kurt's here to talk about the show and the topics covered this season as it continues to explore our fascination with all things cinematically horrific.  Cinematically horrific. If you want to examine the realistically horrific, True Tales From Weirdsville takes a deep dive into the 1957 classic A Face In Crowd, starring Andy Griffith, written by Budd Schulberg and directed by Elia Kazan. It tells the cautionary tale of what happens when a corrupt, amoral grifter gains a position of power and influence in America. It was made in 1957 and it was a FREAKISHLY predictive film.  https://www.DanaGould.com

Hosts Josh and Jamie and special returning guest Meg Shields conclude Noirvember by discussing the rare subgenre of black plague pandemic noirs via Terence Fisher's gothic disappearing hotel room gaslighting thriller (with an infectious twist!) SO LONG AT THE FAIR and Elia Kazan's merging of manhunt procedural with epidemic-thriller PANIC IN THE STREETS. Next week's episode is a patron-exclusive bonus episode on BRINGING OUT THE DEAD (1999) + THE AMBULANCE (1990), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-12:42 SO LONG AT THE FAIR // 12:42-1:02:54 PANIC IN THE STREETS // 1:02:54-2:17:22 Outro // 2:17:22-2:23:30 MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667 WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller

A masterpiece of movies, On the Waterfront, came out 70 years ago, and this week the writer Stephen Rebello reveals how the classic film almost did not get made due to a feud between Marlon Brando and director Elia Kazan. Then John Beck reports on foreign diplomats who turn to bootlegging, drug dealing, and more in order to keep the lights on at their consulates. And on the subject of foreign affairs and cloak-and-dagger exploits, Aatish Taseer joins us from Tokyo with an incredible yarn. It's the story of how, in the 1990s, the Iranian government traded a painting by Willem de Kooning for a priceless copy of an illustrated manuscript—and how the secret buyer of the painting was David Geffen.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Front Row Classics is taking a look at one of the most daring, satirical films to ever come out of Hollywood. Brandon is joined, once again, by author & film historian Chris Yogerst. Chris recently penned "The Warner Brothers" for the University Press of Kentucky. A Face in the Crowd is a signature Warner film directed by Elia Kazan and written by Budd Schulberg. The movie features topics relating to politics & media that are still scarily relevant today. Brandon and Chris discuss those topics as well as the powerhouse performance of Andy Griffith as Lonesome Rhodes. The hosts also praise the performances of Patricia Neal, Walter Matthau, Anthony Franciosa and Lee Remick.  

In this special fan Q&A episode, I'm answering some incredible questions you've all sent me! From the future of A Bronx Tale and the possibility of A Bronx Tale 2, to the likelihood of my original one-man show being available for streaming, I'm covering it all. I also discuss my time working with the legendary Sylvester Stallone in Oscar—a movie that brought a lot of laughs and great memories. Plus, I share my take on the much-debated ending of The Sopranos and talk about some of the genius directors I've had the honor of collaborating with, including Quentin Tarantino, Robert De Niro, Elia Kazan, William Friedkin, Woody Allen, and Steven Spielberg.   Ever wondered if I really drove that Cadillac Coupe DeVille in reverse during A Bronx Tale? I reveal whether that iconic scene was pure movie magic or not. And for those curious about the casting of young Cee—was he actually Kathrine Narducci's real son? I answer that, too!   Let's address challenges, spread awareness, and inspire positive action. It's time to stand up for what's right. Tune in now and be a part of the change we wish to see in the world.

We begin our series celebrating classic movies with Terry Gross' 1988 interview with On the Waterfront director Elia Kazan, as well as a 2020 interview with his granddaughter, actor Zoe Kazan. Plus, we'll hear from the film's romantic lead, actor Eva Marie Saint, who told Fresh Air in 2000 that she got the part after improvising with Marlon Brando.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy