Podcast appearances and mentions of Walter B Gibson

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

Dorian Price, Alexis Hejna, Chae Tate and Mark Radulich review movies currently on streaming services and in theaters: Dick Tracy/The Phantom/The Shadow Movie Review! First up is Dick Tracy (1990). Then we move on to The Phantom (1996). Finally we review The Shadow (1994).Dick Tracy is a 1990 American action crime film based on the 1930s comic strip created by Chester Gould. Warren Beatty produced, directed and starred in the film, whose supporting cast includes Al Pacino, Madonna, Glenne Headly and Charlie Korsmo, with appearances by Dustin Hoffman, James Keane, Charles Durning, William Forsythe, Seymour Cassel, Mandy Patinkin, Catherine O'Hara, Ed O'Ross, James Caan, James Tolkan, R. G. Armstrong and Dick Van Dyke. Dick Tracy depicts the detective's romantic relationships with Breathless Mahoney and Tess Trueheart, as well as his conflicts with crime boss Alphonse "Big Boy" Caprice and his henchmen. Tracy also begins fostering a young street urchin named Kid.The Phantom is a 1996 superhero film directed by Simon Wincer. Based on Lee Falk's comic strip The Phantom by King Features, the film stars Billy Zane as a seemingly immortal crimefighter and his battle against all forms of evil. The Phantom also stars Treat Williams, Kristy Swanson, Catherine Zeta-Jones, James Remar and Patrick McGoohan.The Phantom was released on June 7, 1996, and received mixed reviews from film critics. Despite financial failure in its theatrical release, the film has enjoyed success on VHS, DVD and Blu-ray, and has developed a cult following.The Shadow is a 1994 American superhero film from Universal Pictures, produced by Martin Bregman, Willi Bear, and Michael Scott Bregman, and directed by Russell Mulcahy. It stars Alec Baldwin, supported by John Lone, Penelope Ann Miller, Peter Boyle, Ian McKellen, Jonathan Winters, and Tim Curry. The film is based on the pulp fiction character of the same name created in 1931 by Walter B. Gibson.The film was released to theaters on July 1, 1994, received mixed reviews, and was a commercial failure.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

In the realm of old-time radio crime dramas, two iterations of "The Avenger" emerged in the United States. The first installment, broadcast weekly on WHN in New York City, aired from July 18, 1941, until November 3, 1942. The second version, syndicated nationally, ran from October 25, 1945, to April 18, 1946. In the 1941-1942 version, Richard Henry Benson, a crime-fighter with super-strength known as "The Avenger," was joined by his sidekick Fergus "Mac" MacMurdie. Benson was considered a blend of the Shadow and Doc Savage characters, combining elements of each in an attempt to replicate their commercial success. The 1945-1946 version of "The Avenger" was described as a "poor man's version of The Shadow" by radio historian John Dunning. Jim Brandon, the alter ego of the new Avenger, was a biochemist who used inventions like the Telepathic Indicator and Secret Diffusion Capsule to combat crime. Despite their differences, the two versions of "The Avenger" shared some similarities. The Avenger in both iterations had a loyal subordinate who knew his true identity, was hidden by a black light of invisibility, and could interpret the "thought flashes" of others. These similarities could be attributed to the fact that Walter B. Gibson, the creator of The Shadow, also played a role in shaping the character of The Avenger. In terms of personnel, the 1941-1942 version featured an unknown New York actor as Richard Henry Benson and Humphrey Davis as Fergus "Mac" MacMurdie, with Maurice Joachim as the director and Paul Ernst (writing as Kenneth Robeson) and Henry Ralston as writers. The 1945-1946 version had James Monks initially playing the lead role, later replaced by Dick Janaver, with Helen Adamson as assistant Fern Collier, George Ansbro as the announcer, Doc Whipple providing the music, and Charles Michelson as the producer. Writers for this version included Gil Braun, Ruth Braun, and Walter Gibson. The 1945-1946 version of "The Avenger," distributed by Charles Michelson Inc. of New York City, was syndicated via transcription, with 52 episodes available to stations across the nation. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

In the realm of old-time radio crime dramas, two iterations of "The Avenger" emerged in the United States. The first installment, broadcast weekly on WHN in New York City, aired from July 18, 1941, until November 3, 1942. The second version, syndicated nationally, ran from October 25, 1945, to April 18, 1946. In the 1941-1942 version, Richard Henry Benson, a crime-fighter with super-strength known as "The Avenger," was joined by his sidekick Fergus "Mac" MacMurdie. Benson was considered a blend of the Shadow and Doc Savage characters, combining elements of each in an attempt to replicate their commercial success. The 1945-1946 version of "The Avenger" was described as a "poor man's version of The Shadow" by radio historian John Dunning. Jim Brandon, the alter ego of the new Avenger, was a biochemist who used inventions like the Telepathic Indicator and Secret Diffusion Capsule to combat crime. Despite their differences, the two versions of "The Avenger" shared some similarities. The Avenger in both iterations had a loyal subordinate who knew his true identity, was hidden by a black light of invisibility, and could interpret the "thought flashes" of others. These similarities could be attributed to the fact that Walter B. Gibson, the creator of The Shadow, also played a role in shaping the character of The Avenger. In terms of personnel, the 1941-1942 version featured an unknown New York actor as Richard Henry Benson and Humphrey Davis as Fergus "Mac" MacMurdie, with Maurice Joachim as the director and Paul Ernst (writing as Kenneth Robeson) and Henry Ralston as writers. The 1945-1946 version had James Monks initially playing the lead role, later replaced by Dick Janaver, with Helen Adamson as assistant Fern Collier, George Ansbro as the announcer, Doc Whipple providing the music, and Charles Michelson as the producer. Writers for this version included Gil Braun, Ruth Braun, and Walter Gibson. The 1945-1946 version of "The Avenger," distributed by Charles Michelson Inc. of New York City, was syndicated via transcription, with 52 episodes available to stations across the nation. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

In the realm of old-time radio crime dramas, two iterations of "The Avenger" emerged in the United States. The first installment, broadcast weekly on WHN in New York City, aired from July 18, 1941, until November 3, 1942. The second version, syndicated nationally, ran from October 25, 1945, to April 18, 1946. In the 1941-1942 version, Richard Henry Benson, a crime-fighter with super-strength known as "The Avenger," was joined by his sidekick Fergus "Mac" MacMurdie. Benson was considered a blend of the Shadow and Doc Savage characters, combining elements of each in an attempt to replicate their commercial success. The 1945-1946 version of "The Avenger" was described as a "poor man's version of The Shadow" by radio historian John Dunning. Jim Brandon, the alter ego of the new Avenger, was a biochemist who used inventions like the Telepathic Indicator and Secret Diffusion Capsule to combat crime. Despite their differences, the two versions of "The Avenger" shared some similarities. The Avenger in both iterations had a loyal subordinate who knew his true identity, was hidden by a black light of invisibility, and could interpret the "thought flashes" of others. These similarities could be attributed to the fact that Walter B. Gibson, the creator of The Shadow, also played a role in shaping the character of The Avenger. In terms of personnel, the 1941-1942 version featured an unknown New York actor as Richard Henry Benson and Humphrey Davis as Fergus "Mac" MacMurdie, with Maurice Joachim as the director and Paul Ernst (writing as Kenneth Robeson) and Henry Ralston as writers. The 1945-1946 version had James Monks initially playing the lead role, later replaced by Dick Janaver, with Helen Adamson as assistant Fern Collier, George Ansbro as the announcer, Doc Whipple providing the music, and Charles Michelson as the producer. Writers for this version included Gil Braun, Ruth Braun, and Walter Gibson. The 1945-1946 version of "The Avenger," distributed by Charles Michelson Inc. of New York City, was syndicated via transcription, with 52 episodes available to stations across the nation. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

In the realm of old-time radio crime dramas, two iterations of "The Avenger" emerged in the United States. The first installment, broadcast weekly on WHN in New York City, aired from July 18, 1941, until November 3, 1942. The second version, syndicated nationally, ran from October 25, 1945, to April 18, 1946. In the 1941-1942 version, Richard Henry Benson, a crime-fighter with super-strength known as "The Avenger," was joined by his sidekick Fergus "Mac" MacMurdie. Benson was considered a blend of the Shadow and Doc Savage characters, combining elements of each in an attempt to replicate their commercial success. The 1945-1946 version of "The Avenger" was described as a "poor man's version of The Shadow" by radio historian John Dunning. Jim Brandon, the alter ego of the new Avenger, was a biochemist who used inventions like the Telepathic Indicator and Secret Diffusion Capsule to combat crime. Despite their differences, the two versions of "The Avenger" shared some similarities. The Avenger in both iterations had a loyal subordinate who knew his true identity, was hidden by a black light of invisibility, and could interpret the "thought flashes" of others. These similarities could be attributed to the fact that Walter B. Gibson, the creator of The Shadow, also played a role in shaping the character of The Avenger. In terms of personnel, the 1941-1942 version featured an unknown New York actor as Richard Henry Benson and Humphrey Davis as Fergus "Mac" MacMurdie, with Maurice Joachim as the director and Paul Ernst (writing as Kenneth Robeson) and Henry Ralston as writers. The 1945-1946 version had James Monks initially playing the lead role, later replaced by Dick Janaver, with Helen Adamson as assistant Fern Collier, George Ansbro as the announcer, Doc Whipple providing the music, and Charles Michelson as the producer. Writers for this version included Gil Braun, Ruth Braun, and Walter Gibson. The 1945-1946 version of "The Avenger," distributed by Charles Michelson Inc. of New York City, was syndicated via transcription, with 52 episodes available to stations across the nation. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

In the realm of old-time radio crime dramas, two iterations of "The Avenger" emerged in the United States. The first installment, broadcast weekly on WHN in New York City, aired from July 18, 1941, until November 3, 1942. The second version, syndicated nationally, ran from October 25, 1945, to April 18, 1946. In the 1941-1942 version, Richard Henry Benson, a crime-fighter with super-strength known as "The Avenger," was joined by his sidekick Fergus "Mac" MacMurdie. Benson was considered a blend of the Shadow and Doc Savage characters, combining elements of each in an attempt to replicate their commercial success. The 1945-1946 version of "The Avenger" was described as a "poor man's version of The Shadow" by radio historian John Dunning. Jim Brandon, the alter ego of the new Avenger, was a biochemist who used inventions like the Telepathic Indicator and Secret Diffusion Capsule to combat crime. Despite their differences, the two versions of "The Avenger" shared some similarities. The Avenger in both iterations had a loyal subordinate who knew his true identity, was hidden by a black light of invisibility, and could interpret the "thought flashes" of others. These similarities could be attributed to the fact that Walter B. Gibson, the creator of The Shadow, also played a role in shaping the character of The Avenger. In terms of personnel, the 1941-1942 version featured an unknown New York actor as Richard Henry Benson and Humphrey Davis as Fergus "Mac" MacMurdie, with Maurice Joachim as the director and Paul Ernst (writing as Kenneth Robeson) and Henry Ralston as writers. The 1945-1946 version had James Monks initially playing the lead role, later replaced by Dick Janaver, with Helen Adamson as assistant Fern Collier, George Ansbro as the announcer, Doc Whipple providing the music, and Charles Michelson as the producer. Writers for this version included Gil Braun, Ruth Braun, and Walter Gibson. The 1945-1946 version of "The Avenger," distributed by Charles Michelson Inc. of New York City, was syndicated via transcription, with 52 episodes available to stations across the nation. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

The Shadow is a collection of serialized dramas that originated in the 1930s as pulp novels. It has since expanded to include radio dramas, pulp magazines, comic books, television, serials, video games, and films. The title character was initially created as a radio show narrator but was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

Get the commercial-free version by joining the Darkness Syndicate at https://weirddarkness.com/syndicate! Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!One of the most popular radio shows in history, “The Shadow” went on the air in August of 1930. "Who knows what evil lurks in the hearts of men? The Shadow knows!" The opening lines of the "Detective Story" program captivated listeners and are instantly recognizable even today. Originally the narrator of the series of macabre tales, the eerie voice known as The Shadow became so popular to listeners that "Detective Story" was soon renamed "The Shadow," and the narrator became the star of the old-time mystery radio series, which ran until 1954. A figure never seen, only heard, the Shadow was an invincible crime fighter. He possessed many gifts which enabled him to overcome any enemy. Besides his tremendous strength, he could defy gravity, speak any language, unravel any code, and become invisible with his famous ability to "cloud men's minds." Along with his team of operatives, the Shadow battled adversaries with chilling names like The Black Master, Kings of Crime, The Five Chameleons, and, of course, The Red Menace. The Shadow's exploits were also avidly followed by readers in The Shadow magazine, which began in 1931 following the huge success of the old-time mystery radio program. The magazine was published by Street & Smith, who had also sponsored the old-time mystery radio program. Over the course of 18 years, Street & Smith published 325 issues of The Shadow, each one containing a novel about the sinister crime fighter. These stories were written by Maxwell Grant, a fictional name created by the publishing company. Although several different people wrote under the pseudonym, Walter B. Gibson wrote most of the stories, 282 in all. Most of the novels published have been reprinted in paperback and The Shadow adventures remain popular today, with Shadow comic books, magazines, toys, games, cds and cassettes of old-time radio shows, and books bringing top dollar among collectors the world over.YOUTUBE CHAPTERS GUIDE...00:00:00.000 = Introduction00:01:54.735 = The Wig Makers of Doom Street (November 28, 1948)00:32:02.306 = Death And The Crown Odalph (January 02, 1949)00:59:51.393 = Trail of the Knifer (February 20, 1949)01:29:55.434 = Collectors of Death (February 27, 1949)01:59:37.365 = Unto Death Do Us Part (March 06, 1949)02:29:56.952 = The Ring of Mahlalaylee (March 13, 1949)02:55:44.114 = Monkey Woman (May 29, 1949)03:21:46.493 = The Bridge of Tragedy – Australian Episode (March 22, 1951)03:49:37.714 = Return To Life – Australian Episode (September 23, 1951)04:16:14.876 = The Vengeance of Angela Nolan (June 27, 1954)04:42:52.794 = Death House Rescue (September 26, 1937)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/theshadow-marathon-014

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com! Get the commercial-free version by joining the Darkness Syndicate at https://weirddarkness.com/syndicate!One of the most popular radio shows in history, “The Shadow” went on the air in August of 1930. "Who knows what evil lurks in the hearts of men? The Shadow knows!" The opening lines of the "Detective Story" program captivated listeners and are instantly recognizable even today. Originally the narrator of the series of macabre tales, the eerie voice known as The Shadow became so popular to listeners that "Detective Story" was soon renamed "The Shadow," and the narrator became the star of the old-time mystery radio series, which ran until 1954. A figure never seen, only heard, the Shadow was an invincible crime fighter. He possessed many gifts which enabled him to overcome any enemy. Besides his tremendous strength, he could defy gravity, speak any language, unravel any code, and become invisible with his famous ability to "cloud men's minds." Along with his team of operatives, the Shadow battled adversaries with chilling names like The Black Master, Kings of Crime, The Five Chameleons, and, of course, The Red Menace. The Shadow's exploits were also avidly followed by readers in The Shadow magazine, which began in 1931 following the huge success of the old-time mystery radio program. The magazine was published by Street & Smith, who had also sponsored the old-time mystery radio program. Over the course of 18 years, Street & Smith published 325 issues of The Shadow, each one containing a novel about the sinister crime fighter. These stories were written by Maxwell Grant, a fictional name created by the publishing company. Although several different people wrote under the pseudonym, Walter B. Gibson wrote most of the stories, 282 in all. Most of the novels published have been reprinted in paperback and The Shadow adventures remain popular today, with Shadow comic books, magazines, toys, games, cds and cassettes of old-time radio shows, and books bringing top dollar among collectors the world over.00:00:00.000 = INTRODUCTION00:01:54.735 = The Giant of Madras (May 16, 1948)00:27:03.054 = The Ruby of Karavahl (May 30, 1948)00:57:26.772 = Revenge Is Murder (September 19, 1948)01:27:54.467 = Death Is A Colored Dream (September 26, 1948)01:58:59.079 = Phantom Racketeer (October 03, 1948)02:27:47.080 = A Mask For Murder (October 10, 1948)02:55:44.830 = Dead Man's Ride (October 17, 1948)03:26:14.433 = The Drum of Obi (October 24, 1948)03:56:23.501 = Murder By A Corpse (October 31, 1948)04:26:31.122 = Evil In The House (November 07, 1948)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/theshadow-marathon-013

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!One of the most popular radio shows in history, “The Shadow” went on the air in August of 1930. "Who knows what evil lurks in the hearts of men? The Shadow knows!" The opening lines of the "Detective Story" program captivated listeners and are instantly recognizable even today. Originally the narrator of the series of macabre tales, the eerie voice known as The Shadow became so popular to listeners that "Detective Story" was soon renamed "The Shadow," and the narrator became the star of the old-time mystery radio series, which ran until 1954. A figure never seen, only heard, the Shadow was an invincible crime fighter. He possessed many gifts which enabled him to overcome any enemy. Besides his tremendous strength, he could defy gravity, speak any language, unravel any code, and become invisible with his famous ability to "cloud men's minds." Along with his team of operatives, the Shadow battled adversaries with chilling names like The Black Master, Kings of Crime, The Five Chameleons, and, of course, The Red Menace. The Shadow's exploits were also avidly followed by readers in The Shadow magazine, which began in 1931 following the huge success of the old-time mystery radio program. The magazine was published by Street & Smith, who had also sponsored the old-time mystery radio program. Over the course of 18 years, Street & Smith published 325 issues of The Shadow, each one containing a novel about the sinister crime fighter. These stories were written by Maxwell Grant, a fictional name created by the publishing company. Although several different people wrote under the pseudonym, Walter B. Gibson wrote most of the stories, 282 in all. Most of the novels published have been reprinted in paperback and The Shadow adventures remain popular today, with Shadow comic books, magazines, toys, games, cds and cassettes of old-time radio shows, and books bringing top dollar among collectors the world over.00:00:00.000 = INTRODUCTION00:01:54.735 = The Chill of Death (January 04, 1948)00:27:16.807 = The Bones Of The Dragon (January 11, 1948)00:55:36.028 = Death And The Black Fedora (January 18, 1948)01:24:05.208 = The House That Death Built (January 25, 1948)01:49:32.626 = The Terror At Wolf's Head Knoll (February 15, 1948)02:14:05.683 = The Nursery Rhyme Murders (February 22, 1948)02:36:41.262 = The Man Who Was Death (February 29, 1948)03:00:35.094 = The Beast of Darrow House (March 07, 1948)03:29:23.314 = Stake Out (March 14, 1948)03:53:26.506 = Death And The Easter Bonnet (March 28, 1948)04:22:13.636 = The Ghost That Gleams (April 04, 1948)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/theshadow-marathon-012

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!One of the most popular radio shows in history, “The Shadow” went on the air in August of 1930. "Who knows what evil lurks in the hearts of men? The Shadow knows!" The opening lines of the "Detective Story" program captivated listeners and are instantly recognizable even today. Originally the narrator of the series of macabre tales, the eerie voice known as The Shadow became so popular to listeners that "Detective Story" was soon renamed "The Shadow," and the narrator became the star of the old-time mystery radio series, which ran until 1954. A figure never seen, only heard, the Shadow was an invincible crime fighter. He possessed many gifts which enabled him to overcome any enemy. Besides his tremendous strength, he could defy gravity, speak any language, unravel any code, and become invisible with his famous ability to "cloud men's minds." Along with his team of operatives, the Shadow battled adversaries with chilling names like The Black Master, Kings of Crime, The Five Chameleons, and, of course, The Red Menace. The Shadow's exploits were also avidly followed by readers in The Shadow magazine, which began in 1931 following the huge success of the old-time mystery radio program. The magazine was published by Street & Smith, who had also sponsored the old-time mystery radio program. Over the course of 18 years, Street & Smith published 325 issues of The Shadow, each one containing a novel about the sinister crime fighter. These stories were written by Maxwell Grant, a fictional name created by the publishing company. Although several different people wrote under the pseudonym, Walter B. Gibson wrote most of the stories, 282 in all. Most of the novels published have been reprinted in paperback and The Shadow adventures remain popular today, with Shadow comic books, magazines, toys, games, cds and cassettes of old-time radio shows, and books bringing top dollar among collectors the world over.00:00:00.000 = INTRODUCTION00:01:54.735 = The Phantom Of The Lighthouse (September 07, 1947)00:31:07.218 = When The Grave Is Open (September 14, 1947)00:59:43.429 = The Face (September 21, 1947)01:28:09.034 = Death Takes The Wheel (September 28, 1947)01:53:31.546 = The Ruby Of Karavahl (October 19, 1947)02:23:06.173 = Dream of Death (November 09, 1947)02:53:49.190 = Doom And The Limping Man (November 16, 1947)03:23:46.663 = The Comic Strip Killer (November 23, 1947)03:48:44.704 = Murder And The Medium (November 30, 1947)04:11:29.916 = Gift Of Murder (December 21, 1947)04:35:05.483 = The Legend of Crownshield Castle (December 28, 1947)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/theshadow-marathon-011

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!One of the most popular radio shows in history, “The Shadow” went on the air in August of 1930. "Who knows what evil lurks in the hearts of men? The Shadow knows!" The opening lines of the "Detective Story" program captivated listeners and are instantly recognizable even today. Originally the narrator of the series of macabre tales, the eerie voice known as The Shadow became so popular to listeners that "Detective Story" was soon renamed "The Shadow," and the narrator became the star of the old-time mystery radio series, which ran until 1954. A figure never seen, only heard, the Shadow was an invincible crime fighter. He possessed many gifts which enabled him to overcome any enemy. Besides his tremendous strength, he could defy gravity, speak any language, unravel any code, and become invisible with his famous ability to "cloud men's minds." Along with his team of operatives, the Shadow battled adversaries with chilling names like The Black Master, Kings of Crime, The Five Chameleons, and, of course, The Red Menace. The Shadow's exploits were also avidly followed by readers in The Shadow magazine, which began in 1931 following the huge success of the old-time mystery radio program. The magazine was published by Street & Smith, who had also sponsored the old-time mystery radio program. Over the course of 18 years, Street & Smith published 325 issues of The Shadow, each one containing a novel about the sinister crime fighter. These stories were written by Maxwell Grant, a fictional name created by the publishing company. Although several different people wrote under the pseudonym, Walter B. Gibson wrote most of the stories, 282 in all. Most of the novels published have been reprinted in paperback and The Shadow adventures remain popular today, with Shadow comic books, magazines, toys, games, cds and cassettes of old-time radio shows, and books bringing top dollar among collectors the world over.00:00:00.000 = INTRODUCTION00:01:54.735 = Dreams of Death (April 28, 1946)00:32:38.460 = They Kill With a Silver Hatchet (May 26, 1946)01:00:10.724 = Death In a Minor Key (June 02, 1946)01:28:05.300 = The Juggernaut (November 06, 1946 – Australian Episode)01:56:34.171 = The Gang Doctor (November 24, 1946)02:24:56.565 = The Devil Takes a Wife (December 08, 1946)02:52:52.835 = Murder On The Main Stem (December 15, 1946)03:22:44.071 = The Scent of Death (February 02, 1947)03:50:55.383 = The Shadow's Revenge (May 11, 1947)04:16:05.859 = Seance With Death (May 25, 1947)04:46:03.957 = Air Freight Fracas (June 08, 1947)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/theshadow-marathon-010

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!One of the most popular radio shows in history, “The Shadow” went on the air in August of 1930. "Who knows what evil lurks in the hearts of men? The Shadow knows!" The opening lines of the "Detective Story" program captivated listeners and are instantly recognizable even today. Originally the narrator of the series of macabre tales, the eerie voice known as The Shadow became so popular to listeners that "Detective Story" was soon renamed "The Shadow," and the narrator became the star of the old-time mystery radio series, which ran until 1954. A figure never seen, only heard, the Shadow was an invincible crime fighter. He possessed many gifts which enabled him to overcome any enemy. Besides his tremendous strength, he could defy gravity, speak any language, unravel any code, and become invisible with his famous ability to "cloud men's minds." Along with his team of operatives, the Shadow battled adversaries with chilling names like The Black Master, Kings of Crime, The Five Chameleons, and, of course, The Red Menace. The Shadow's exploits were also avidly followed by readers in The Shadow magazine, which began in 1931 following the huge success of the old-time mystery radio program. The magazine was published by Street & Smith, who had also sponsored the old-time mystery radio program. Over the course of 18 years, Street & Smith published 325 issues of The Shadow, each one containing a novel about the sinister crime fighter. These stories were written by Maxwell Grant, a fictional name created by the publishing company. Although several different people wrote under the pseudonym, Walter B. Gibson wrote most of the stories, 282 in all. Most of the novels published have been reprinted in paperback and The Shadow adventures remain popular today, with Shadow comic books, magazines, toys, games, cds and cassettes of old-time radio shows, and books bringing top dollar among collectors the world over.00:00:00.000 = INTRODUCTION00:01:54.735 = The Crystal Globe (October 03, 1943)00:30:34.896 = The Juggernaut (December 26, 1943)00:59:03.948 = Death To The Shadow (March 12, 1944)01:28:07.124 = Brief Fame of John Cooper (March 11, 1945)01:56:57.513 = The Case of the Burning Skull (March 18, 1945)02:22:28.431 = The Destroyer (March 25, 1945)02:51:02.158 = The Little Man Who Wasn't There (April 08, 1945)03:20:16.979 = Out of This World (October 21, 1945)03:47:50.972 = Spotlight On The Duchess (November 04, 1945)04:15:16.627 = Etched With Acid (Marcy 17, 1946) – LOW QUALITY04:40:16.669 = The Walking Corpse (March 24, 1946) – LOW QUALITYSOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/theshadow-marathon-009

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!One of the most popular radio shows in history, “The Shadow” went on the air in August of 1930. "Who knows what evil lurks in the hearts of men? The Shadow knows!" The opening lines of the "Detective Story" program captivated listeners and are instantly recognizable even today. Originally the narrator of the series of macabre tales, the eerie voice known as The Shadow became so popular to listeners that "Detective Story" was soon renamed "The Shadow," and the narrator became the star of the old-time mystery radio series, which ran until 1954. A figure never seen, only heard, the Shadow was an invincible crime fighter. He possessed many gifts which enabled him to overcome any enemy. Besides his tremendous strength, he could defy gravity, speak any language, unravel any code, and become invisible with his famous ability to "cloud men's minds." Along with his team of operatives, the Shadow battled adversaries with chilling names like The Black Master, Kings of Crime, The Five Chameleons, and, of course, The Red Menace. The Shadow's exploits were also avidly followed by readers in The Shadow magazine, which began in 1931 following the huge success of the old-time mystery radio program. The magazine was published by Street & Smith, who had also sponsored the old-time mystery radio program. Over the course of 18 years, Street & Smith published 325 issues of The Shadow, each one containing a novel about the sinister crime fighter. These stories were written by Maxwell Grant, a fictional name created by the publishing company. Although several different people wrote under the pseudonym, Walter B. Gibson wrote most of the stories, 282 in all. Most of the novels published have been reprinted in paperback and The Shadow adventures remain popular today, with Shadow comic books, magazines, toys, games, cds and cassettes of old-time radio shows, and books bringing top dollar among collectors the world over.00:00:00.000 = INTRODUCTION00:01:54.735 = The Ghost Building (January 12, 1941)00:31:29.737 = The Shadow Challenged (January 19, 1941)01:00:32.084 = Nightmare at Gaelsbury (February 02, 1941)01:24:46.816 = The Man Who Lived Twice (February 09, 1941)01:48:01.716 = The Phantom Voyage (February 16, 1941)02:12:49.315 = The Chess Club Murders (February 23, 1941)02:41:44.100 = Death Rides a Broomstick (March 02, 1941)03:09:46.149 = The Ghost Walks Again (March 16, 1941)03:34:30.812 = Death Prowls at Night (March 23, 1941)04:00:26.672 = The Gibbering Thing (September 26, 1943)04:28:51.731 = The Murder Underground (March 09, 1941) – LOW QUALITYSOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/theshadow-marathon-008

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!One of the most popular radio shows in history, “The Shadow” went on the air in August of 1930. "Who knows what evil lurks in the hearts of men? The Shadow knows!" The opening lines of the "Detective Story" program captivated listeners and are instantly recognizable even today. Originally the narrator of the series of macabre tales, the eerie voice known as The Shadow became so popular to listeners that "Detective Story" was soon renamed "The Shadow," and the narrator became the star of the old-time mystery radio series, which ran until 1954. A figure never seen, only heard, the Shadow was an invincible crime fighter. He possessed many gifts which enabled him to overcome any enemy. Besides his tremendous strength, he could defy gravity, speak any language, unravel any code, and become invisible with his famous ability to "cloud men's minds." Along with his team of operatives, the Shadow battled adversaries with chilling names like The Black Master, Kings of Crime, The Five Chameleons, and, of course, The Red Menace. The Shadow's exploits were also avidly followed by readers in The Shadow magazine, which began in 1931 following the huge success of the old-time mystery radio program. The magazine was published by Street & Smith, who had also sponsored the old-time mystery radio program. Over the course of 18 years, Street & Smith published 325 issues of The Shadow, each one containing a novel about the sinister crime fighter. These stories were written by Maxwell Grant, a fictional name created by the publishing company. Although several different people wrote under the pseudonym, Walter B. Gibson wrote most of the stories, 282 in all. Most of the novels published have been reprinted in paperback and The Shadow adventures remain popular today, with Shadow comic books, magazines, toys, games, cds and cassettes of old-time radio shows, and books bringing top dollar among collectors the world over.00:00:00.000 = INTRODUCTION00:01:54.735 = Hypnotic Death (February 12, 1939)00:30:37.690 = Friend of Darkness (February 19, 1939)00:59:26.424 = Carnival of Death (November 10, 1940)01:23:18.161 = The House of Horror (November 17, 1940)01:46:02.572 = The Green Man (November 24, 1940)02:10:06.073 = The Curse of Shiva (December 01, 1940)02:33:49.325 = The Voice of Death (December 08, 1940)02:57:54.813 = The Killer's Rendezvous (December 15, 1940)03:22:49.052 = Joey's Christmas Story (December 22, 1940)03:51:52.042 = The Ghost of the Stair (December 29, 1940)04:20:54.694 = The Leopard Strikes (January 05, 1941)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/theshadow-marathon-007

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!"One of the most popular radio shows in history, “The Shadow” went on the air in August of 1930."Who knows what evil lurks in the hearts of men? The Shadow knows!" The opening lines of the "Detective Story" program captivated listeners and are instantly recognizable even today. Originally the narrator of the series of macabre tales, the eerie voice known as The Shadow became so popular to listeners that "Detective Story" was soon renamed "The Shadow," and the narrator became the star of the old-time mystery radio series, which ran until 1954.A figure never seen, only heard, the Shadow was an invincible crime fighter. He possessed many gifts which enabled him to overcome any enemy. Besides his tremendous strength, he could defy gravity, speak any language, unravel any code, and become invisible with his famous ability to "cloud men's minds."Along with his team of operatives, the Shadow battled adversaries with chilling names like The Black Master, Kings of Crime, The Five Chameleons, and, of course, The Red Menace.The Shadow's exploits were also avidly followed by readers in The Shadow magazine, which began in 1931 following the huge success of the old-time mystery radio program. The magazine was published by Street & Smith, who had also sponsored the old-time mystery radio program. Over the course of 18 years, Street & Smith published 325 issues of The Shadow, each one containing a novel about the sinister crime fighter. These stories were written by Maxwell Grant, a fictional name created by the publishing company. Although several different people wrote under the pseudonym, Walter B. Gibson wrote most of the stories, 282 in all.Most of the novels published have been reprinted in paperback and The Shadow adventures remain popular today, with Shadow comic books, magazines, toys, games, cds and cassettes of old-time radio shows, and books bringing top dollar among collectors the world over.00:00:00.000 = INTRODUCTION00:01:54.735 = The Precipice Called Death (January 21, 1940)00:27:04.426 = The Return of Carnation Charlie (February 04, 1940)00:50:15.620 = Death is An Art (February 11, 1940)01:13:44.998 = Death On The Bridge (March 03, 1940)01:38:19.390 = The Laughing Corpse (March 10, 1940)02:04:02.790 = Murderer's Vanity (March 17, 1940)02:28:02.362 = The Plot That Failed (March 24, 1940)02:51:16.130 = Death In a Minor Key (September 29, 1940)03:20:43.782 = Ghost Town (October 06, 1940)03:47:51.880 = Oracle of Death (October 20, 1940)04:17:05.469 = The Mark of the Black Widow (October 27, 1940)04:42:22.744 = The Creeper (November 903, 1940)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/theshadow-marathon-006