Podcast appearances and mentions of camille saint sa

This Day in Legal History: Nevada Admitted as 36th StateOn October 31, 1864, Nevada was officially admitted as the 36th state of the United States, a move driven as much by wartime politics as by the territory's readiness for statehood. With President Abraham Lincoln seeking re-election and needing support for the proposed 13th Amendment to abolish slavery, the Republican-controlled Congress saw strategic value in adding another loyal Union state. Although Nevada's population was below the threshold typically required for statehood, its vast mineral wealth and political alignment with the Union helped accelerate the process. To meet the tight timeline ahead of the 1864 election, Nevada's leaders moved quickly to draft a state constitution.Facing logistical challenges in sending the document from Carson City to Washington, D.C., Nevada officials made the unprecedented decision to transmit the entire text—over 16,000 words—via telegraph. The transmission took over 12 hours and cost more than $4,000, making it the longest and most expensive telegram ever sent at the time. The decision proved effective: the telegram reached the capital in time, and Congress formally approved Nevada's admission on the same day.The speed and cost of Nevada's telegraphic constitution became a symbol of the urgency and improvisation of Civil War-era governance. The state's motto, “Battle Born,” reflects both its literal birth during the Civil War and the political battle over slavery and Union preservation. Nevada's admission also helped secure support for Lincoln's re-election and for the 13th Amendment, which passed Congress in January 1865.In a recently disclosed legal filing, Immigration and Customs Enforcement (ICE) sought taxpayer information on over 1.28 million individuals from the IRS, though only about 47,000 records matched. The request, part of a broader effort to access data on individuals under final removal orders, was submitted under a carve-out in Section 6103 of the Internal Revenue Code, which permits limited disclosures during criminal investigations. The IRS initially rejected ICE's requests citing legal constraints, but a memorandum of understanding in April allowed for limited data sharing. A subsequent refined request from ICE in June targeted a smaller group of 1.27 million, but again, only a small percentage matched IRS records, and many failed to meet legal standards for processing.The case arose from a lawsuit filed by taxpayer advocacy groups and unions, which argue that these disclosures violate the Tax Reform Act, the Privacy Act, and the Administrative Procedure Act. Plaintiffs are seeking a preliminary injunction to halt further sharing. Internal emails reveal IRS officials were concerned about the unprecedented scale and legality of the request, and officials emphasized the need to keep the data sharing confidential. The IRS typically handles about 30,000 such data requests a year, each requiring detailed justification and high-level agency approval. Critics warn that this massive data handover poses urgent threats to taxpayer privacy and due process rights.ICE Sought Records on 1.3 Million Taxpayers, Filing Shows (1)U.S. District Judge Carl Nichols praised two federal prosecutors, Samuel White and Carlos Valdivia, for their handling of a case against Taylor Taranto, despite both being suspended by the Justice Department the day before. The suspension followed their reference to January 6 rioters as “a mob of rioters” and mention of Donald Trump allegedly sharing Barack Obama's address in a sentencing memo. Judge Nichols commended their work as professional and exemplary, stating they upheld the highest prosecutorial standards.Taranto was sentenced to 21 months in prison for firearm and hoax-related charges after being arrested near Obama's D.C. residence in 2023. However, he will not serve additional time due to pretrial detention. Though originally charged for participating in the Capitol riot, those charges were dropped under President Trump's mass clemency order for January 6 defendants issued at the start of his second term. Taranto's defense claimed his statements about explosives were meant as “dark humor” and that he hadn't committed any violence.After White and Valdivia's suspension, a revised sentencing memo—stripped of January 6 and Trump references—was filed by two replacement prosecutors, including a senior DOJ official. The incident reflects broader tensions under the Trump administration, which has repeatedly moved to minimize references to Capitol riot violence and penalize prosecutors involved in politically sensitive cases.US judge praises prosecutors who were suspended after referring to January 6 ‘mob' | ReutersA federal judge allowed the Trump administration to move forward with firing nearly all remaining employees of the Department of Justice's Community Relations Service (CRS), an agency established in the 1960s to mediate racial and ethnic conflicts. U.S. District Judge Indira Talwani, while denying a temporary restraining order sought by civil rights groups, noted that the plaintiffs failed to show immediate, irreparable harm. However, she also stated that the groups are likely to succeed in proving that the executive branch cannot lawfully dissolve a congressionally created agency.The lawsuit, brought by 11 organizations including the NAACP and the Ethical Society of Police, challenges the Justice Department's recent “reduction in force” that would leave just one CRS employee. The move follows a pattern under the Trump administration, which has rejected all new requests for CRS services and proposed no funding for the agency in its budget. Plaintiffs argue that a termination notice stating the layoffs aim to “effectuate the dissolution” of CRS confirms unlawful intent.Although Talwani's ruling allows the firings to proceed, she emphasized that the final outcome may favor the plaintiffs as the case continues. The layoffs coincide with a government shutdown that began October 1, meaning the employees would have been furloughed regardless. The DOJ claims it is merely reorganizing, not eliminating, the agency, though it concedes that only Congress has the authority to formally abolish it.Judge allows Trump administration to fire most of DOJ race-relations agency's employees | ReutersHagens Berman Sobol Shapiro, a prominent plaintiffs' law firm, is under scrutiny in two high-profile class actions, facing judicial criticism and potential sanctions. In Seattle, a federal judge sanctioned the firm for over $223,000 after finding it misled the court and opposing counsel about its client's withdrawal from an antitrust case against Apple and Amazon. The judge said Hagens Berman failed to disclose that their client, who later disappeared from proceedings, had expressed his intent to exit the case months earlier. The firm argues it acted ethically under client confidentiality rules and has asked the judge to revise her dismissal ruling.In a separate matter in Philadelphia, the firm faces possible new sanctions in long-running litigation over thalidomide-related birth defect claims. A special master found misconduct, including altering an expert report and advancing claims lacking legal merit. While Hagens Berman disputes the findings, calling them outside the master's authority and biased, U.S. District Judge Paul Diamond upheld the report. The firm has now requested that Diamond recuse himself, citing an appearance of bias due to his close coordination with the special master.In both cases, Hagens Berman maintains its actions were in good faith and within legal and ethical bounds, while critics and courts point to patterns of misrepresentation and overreach.Law firm Hagens Berman battles sanctions in Apple, thalidomide cases | ReutersThis week's closing theme is by Camille Saint-Saëns.Camille Saint-Saëns was a French composer, organist, conductor, and pianist whose long career spanned the Romantic era and touched the early 20th century. Born in Paris in 1835, he was a child prodigy who began composing at the age of three and gave his first public performance at ten. Saint-Saëns was celebrated for his extraordinary versatility, writing symphonies, concertos, operas, chamber music, and choral works. Though deeply rooted in classical forms, he was an early supporter of contemporary composers like Liszt and Wagner, even as he remained skeptical of more radical modernism. His music often combined technical brilliance with elegance, and his clear, structured style made him a bridge between tradition and innovation. He was also a prolific writer and amateur astronomer, and his intellectual breadth sometimes earned him criticism from those who found his music too refined or academic. Still, Saint-Saëns maintained influence across Europe, and his works remain staples of the concert repertoire.This week's closing theme is Saint-Saëns' Danse Macabre. Originally a song for voice and piano based on a poem by Henri Cazalis, Saint-Saëns later reworked Danse Macabre into a tone poem for orchestra. It depicts Death summoning the dead from their graves at midnight on Halloween for a wild, skeletal waltz. A solo violin—tuned unconventionally to evoke a harsh, eerie sound—plays Death's dance theme, while xylophone rattles mimic clacking bones. The piece was controversial at its premiere in 1875 but quickly became a concert favorite, especially around Halloween. With its vivid orchestration and playful macabre imagery, Danse Macabre is one of classical music's most iconic musical depictions of the supernatural, perfectly capturing the spirit of the season.Without further ado, Saint-Saëns Danse Macabre—enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Send us a textNow in a nutshell, the history of Halloween and how it developed can be described in a few sentences.  You see, Halloween originated from the ancient Celtic festival of Samhain, which marked the end of summer and the harvest, and the beginning of the dark, cold winter. The Celts believed that on the night of October 31st, the boundary between the worlds of the living and the dead became blurred, allowing spirits to return to Earth. They would light bonfires and wear costumes to ward off ghosts. Later, the Roman Empire combined Samhain with their own festivals, and as Christianity spread, the church established All Saints' Day on November 1st, making October 31st "All Hallows' Eve," or Halloween.  In this episode,I would like to describe what I believe are the five best pieces of classical music associated with Halloween - in other words the scariest music.I would like to start - in each case after an introduction and description -  with a beautiful piece of music by the great French composer Camille Saint-Saëns.  This music is from a CD I did called FallingWater Dreams where I used basic midi files to start with, and do some arrangements of classical music.  You know this was many years ago ago, because this was back in a time when basic midi files were not copyright. This selection is called Aquarium and is from the Carnival of Animals. In the spirit of this podcast episode, I think Aquarium has a beautiful, but extremely eerie quality about it - not the kind of hard-core horror that is associated with some upcoming pieces in this podcast episode.  You could almost call aquarium to be creepy creepy.  Again, first before playing each specific piece of music - and there should be five - I am going to make some comments about that piece of music, it's history, and in some cases = it's influences.Support the showThank you for experiencing Celebrate Creativity.

With so much money and power, royals were able to invent some pretty unique and creative ways to slay their enemies, or accidentally seal their own doom. From a Chinese Emperor's deadly elixir of life to a steamy Roman romance that got a little too scalding hot. From a court jester so hilarious he made a Spanish king litrally die laughing, to a Swedish King's massive last meal of caviar, champagne and cream puffs. Let's dig up 10 truly bizarre royal deaths. 1. Hatshepsut, Pharaoh of Egypt 1507–1458 BC, Toxic Lotion 2. Qin Shi Huangdi, Emperor of China 259 - 210 BC, Deadly Elixir of Life 3. Valerian, Roman Emperor 199 – 264, Forced to Drink Molten Gold 4. Fausta, Roman Empress 326, Boiled in the Bath 5. Henry I, King of England, 1068 – 1135, Over indulged in lampreys 6. Phillippe, Prince of France, 1116-1131, Horse tripped by a pig 7. Martin, King of Aragon & Sicily 1356 – 1410, Laughed to death 8. Charles II, King of Navarre 1332 – 1387, Soaked in brandy, caught fire 9. Adolf Frederick King of Sweden 1710 – 1771, Ate himself to death 10. Alexander King of Greece 1893 – 1920, bite by monkey Join me every Tuesday when I'm Spilling the Tea on History! Check out my Youtube Channel: https://www.youtube.com/c/lindsayholiday Follow me on Facebook: https://www.facebook.com/profile.php?id=100091781568503 Instagram: https://www.instagram.com/historyteatimelindsayholiday/ Tik Tok: https://www.tiktok.com/@historyteatime Please consider supporting me at https://www.patreon.com/LindsayHoliday and help me make more fascinating episodes! Intro Music: Baroque Coffee House by Doug Maxwell Music: Danse Macabre by Camille Saint-Saëns, Public Domain, Performed by Kevin MacLeod #HistoryTeaTime #LindsayHoliday Please contact ⁠advertising@airwavemedia.com⁠ if you would like to advertise on this podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Konzertantes Mini-Drama mit mehr als einer Melodie für die Geige: Julius Heile über Camille Saint-Saëns‘ Violinkonzert Nr. 3. Mit "Klassik to Go", der digitalen Werkeinführung zum Download können Sie sich überall auf das nächste Konzert einstimmen. Schon gewusst? Zahlreiche Konzerte der NDR Ensembles finden Sie auf YouTube im Channel "ARD Klassik" oder in der ARD Mediathek. https://www.youtube.com/@ARDKlassik https://www.ardmediathek.de/kultur_klassik Abonnieren Sie "Klassik to Go" und finden Sie weitere spannende Angebote des NDR in der ARD Audiothek! https://www.ardaudiothek.de/sendung/klassik-to-go/10778959/

Esta noche nos deslizamos por las aguas serenas y algo inquietantes de una de las melodías más acariciadas por el público: El cisne (Le Cygne), y por la figura que la concibió, Camille Saint-Saëns. Un viaje breve y profundo que entrelaza biografía, atmósferas sonoras y murmullos apenas susurrados que convierten la historia musical en un misterio íntimo. Abrimos con el dato que marca el carácter: París, 9 de octubre de 1835 — nace un niño prodigio que será pianista, organista y un hombre de oficio perfecto. Recorremos su vida de virtuosismo, viajes y opiniones filosas; vemos al autor riguroso y revestido de orden, y a la vez al dandi cosmopolita con humor mordaz. Esa contradicción —prestigio público versus picardía privada— es la sombra que proyecta sobre la obra que hoy escuchamos. Retrocedemos a 1886, cuando Saint-Saëns compone Le Carnaval des Animaux, una suite juguetona de catorce movimientos pensada para el entretenimiento privado. Temiendo que la ligereza dañara su reputación como compositor serio, prohibió la interpretación pública del conjunto… salvo por una excepción: El cisne. Ese gesto —cerrar la puerta y dejar una ventana entreabierta— convierte a la pieza en confidencia deliberada: no sólo música, sino mensaje contenido, elegido para asomar al mundo. Analizamos la partitura: la voz del violonchelo es casi humana—fraseos largos, respiraciones íntimas, una noble sencillez que sugiere plegaria más que exhibición. Los pianos, en su función pictórica, dibujan olas y nieblas; el acompañamiento fluidifica sin competir. La economía expresiva —pocas notas, enorme efecto— es la técnica del enigma: belleza que no se proclama, sino que interroga. Escuchamos además la historia de su acogida: intérpretes como Pablo Casals llevaron la pieza a la memoria colectiva y, con los años, El cisne se independizó del resto del Carnaval y, paradójicamente, llegó a encapsular la imagen pública del compositor, a veces en detrimento de su amplitud creativa. ¿Qué pesa más para la posteridad: una melodía pura o una vida entera de obras complejas? Esa es otra pregunta que el episodio deja flotando. Al final, una llamada a escuchar: apaguen lo accesorio, permitan que la línea del violonchelo les hable al oído. Imaginen un lago al atardecer; la superficie brilla y un cisne lo atraviesa dejando una estela —pequeña, perfecta, enigmática—. Esa huella sonora es el legado de Camille Saint-Saëns. https://www.edenex.es

Esta noche nos deslizamos por las aguas serenas y algo inquietantes de una de las melodías más acariciadas por el público: El cisne (Le Cygne), y por la figura que la concibió, Camille Saint-Saëns. Un viaje breve y profundo que entrelaza biografía, atmósferas sonoras y murmullos apenas susurrados que convierten la historia musical en un misterio íntimo. Abrimos con el dato que marca el carácter: París, 9 de octubre de 1835 — nace un niño prodigio que será pianista, organista y un hombre de oficio perfecto. Recorremos su vida de virtuosismo, viajes y opiniones filosas; vemos al autor riguroso y revestido de orden, y a la vez al dandi cosmopolita con humor mordaz. Esa contradicción —prestigio público versus picardía privada— es la sombra que proyecta sobre la obra que hoy escuchamos. Retrocedemos a 1886, cuando Saint-Saëns compone Le Carnaval des Animaux, una suite juguetona de catorce movimientos pensada para el entretenimiento privado. Temiendo que la ligereza dañara su reputación como compositor serio, prohibió la interpretación pública del conjunto… salvo por una excepción: El cisne. Ese gesto —cerrar la puerta y dejar una ventana entreabierta— convierte a la pieza en confidencia deliberada: no sólo música, sino mensaje contenido, elegido para asomar al mundo. Analizamos la partitura: la voz del violonchelo es casi humana—fraseos largos, respiraciones íntimas, una noble sencillez que sugiere plegaria más que exhibición. Los pianos, en su función pictórica, dibujan olas y nieblas; el acompañamiento fluidifica sin competir. La economía expresiva —pocas notas, enorme efecto— es la técnica del enigma: belleza que no se proclama, sino que interroga. Escuchamos además la historia de su acogida: intérpretes como Pablo Casals llevaron la pieza a la memoria colectiva y, con los años, El cisne se independizó del resto del Carnaval y, paradójicamente, llegó a encapsular la imagen pública del compositor, a veces en detrimento de su amplitud creativa. ¿Qué pesa más para la posteridad: una melodía pura o una vida entera de obras complejas? Esa es otra pregunta que el episodio deja flotando. Al final, una llamada a escuchar: apaguen lo accesorio, permitan que la línea del violonchelo les hable al oído. Imaginen un lago al atardecer; la superficie brilla y un cisne lo atraviesa dejando una estela —pequeña, perfecta, enigmática—. Esa huella sonora es el legado de Camille Saint-Saëns. https://www.edenex.es

1.Schoenberg : Pierrot Lunaire Op.21 Part.I - II. Colombine 2.Camille Saint-Saëns : Le carnaval des animaux -Aquarium 3.Bartok : Music For Strings, Percussion And Celesta Sz.106 - III. Adagio

Die Uraufführung von Camille Saint-Saëns‘ 13. Oper „L'Ancêtre“ – „die Alte“ fand 1906 im prunkvollen Opernhaus in Monte-Carlo statt. Doch dann wurde der kurze Dreiakter vergessen. Bei der konzertanten Neu-Aufführung im Oktober 2024 in Monaco, mit dem Orchestre Philharmonique de Monte-Carlo stand der japanische Dirigent Kazuki Yamada am Pult. Damals ist „L'Ancêtre“ erstmals aufgenommen worden.

durée : 00:58:57 - La Série musicale - par : Zoé Sfez - Pianiste et organiste de génie, longtemps mal aimé, Camille Saint-Saëns a excellé dans tout et s'est essayé à tous les styles. - réalisation : Thomas Jost

durée : 00:58:57 - La Série musicale - par : Zoé Sfez - Pianiste et organiste de génie, longtemps mal aimé, Camille Saint-Saëns a excellé dans tout et s'est essayé à tous les styles. - réalisation : Thomas Jost

Sel kuul möödub 190 aastat helilooja Camille Saint-Saënsi sünnist (9.

In deze aflevering van Kalm met Klassiek binnen het thema 'Dieren' klinkt een werk van de bekendste dierenreeks uit de klassieke muziekwereld: het 'Carnaval der Dieren' van Camille Saint-Saëns. Presentator Ab Nieuwdorp neemt je mee naar de wondere onderwaterwereld met 'Aquarium'. Het is een arrangement voor celesta, en met een klank als een muziekdoosje leent deze uitvoering zich er ultiem voor om weg te zinken, in een fonkelende, diepe oceaan...  Klik hier (https://npo.nl/luister/stem/klassieke-top-400-2025) om te stemmen op jouw favoriete klassieke muziek voor de Klassieke Top 400. Je hebt nog tot en met vrijdag. Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/thema/kalm-met-klassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=be36463468d84e37).

Après une série consacrée au(x) mythe(s) de la Licorne, Baleine sous Gravillon a invité Léah Thomas-Bion pour une nouvelle aventure au sein du bestiaire fantastique. Léah est sémiologue (spécialiste des signes et des symboles), et elle nous a cette fois décrypté les légendes qui entourent l'une des créatures les plus flamboyantes de l'Imaginaire : le Dragon.Pour en savoir plus sur les gros monstres marins, voilà le 1er épisode de la série Tout un Art !_______

Lil Buck est aujourd'hui reconnu comme l'un des danseurs les plus singuliers de sa génération. Mais derrière son succès international se cache une histoire profondément ancrée dans une ville, un style et une rencontre.Originaire de Memphis, Lil Buck a grandi dans un environnement difficile, marqué par les inégalités sociales mais aussi par une énergie créative hors du commun. Memphis, c'est à la fois la ville du blues, du rock'n'roll et de la soul, avec des figures mythiques comme Elvis Presley, Otis Redding ou Isaac Hayes. Mais c'est aussi une ville où la jeunesse afro-américaine a transformé la rue en scène, donnant naissance au jookin, une danse fluide et acrobatique, faite de glissés de pieds et de pivots de chevilles.Très vite, Lil Buck s'impose comme l'un des plus brillants représentants de ce style. Ce qui fait sa force, c'est sa capacité à garder les racines de cette danse tout en osant l'emmener ailleurs. Et ce « ailleurs » prend une forme inattendue en 2011, lorsqu'une vidéo le montre dansant Le Cygne de Camille Saint-Saëns aux côtés du violoncelliste Yo-Yo Ma. Le choc est immédiat. Des millions d'internautes découvrent un langage inédit : le dialogue entre danse urbaine et musique classique.À partir de là, la carrière de Lil Buck bascule. Madonna l'invite à rejoindre sa tournée mondiale, Benjamin Millepied l'intègre au L.A. Dance Project, Spike Jonze le filme. La Fondation Cartier, l'Opéra de Paris et la Fondation Vuitton ouvrent leurs portes à son art. Lil Buck devient un pont vivant entre deux univers que tout semblait opposer : la rue et les institutions de la culture légitime.Pourquoi cette histoire est-elle essentielle aujourd'hui ? Parce qu'elle incarne une brèche. Lil Buck a montré qu'une danse née dans les quartiers populaires pouvait trouver sa place dans les temples de la culture classique, sans rien perdre de son authenticité.C'est cette brèche que poursuit aujourd'hui Yann Antonio, danseur français que vous avez découvert dans un autre épisode de Les Sens de la Danse. Lui aussi ose l'improvisation hip-hop face à des orchestres symphoniques, à la Philharmonie de Berlin ou à l'Alte Oper de Francfort. Lui aussi prouve que la danse n'a pas besoin de choisir entre la rue et le classique : elle peut être les deux à la fois.

It's time for a spooky (but silly!) musical adventure as we wrap up our 3-part series on the brilliant French composer Camille Saint-Saëns. In today's episode of Busy Kids Love Music, we're exploring one of Saint-Saëns' most imaginative and well-known pieces: Danse Macabre — or “Dance of Death.” But don't worry — while the title sounds a bit eerie, this piece is more like a playful Halloween dance party than a fright fest. With dancing skeletons, chiming midnight bells, and a dramatic story told entirely through music, Danse Macabre is the perfect mix of spooky and fun. Inside this episode, your child will: Learn the meaning behind the title Danse Macabre Discover how Saint-Saëns uses musical instruments like the xylophone, violin, and oboe to paint a vivid scene Hear how a spooky-sounding interval called a tritone helps set the mood Use their imagination to picture the skeleton dance party in full swing Listen for musical clues like midnight chimes and a rooster crowing at dawn Don't forget to download your FREE Audio Treasure Hunt! I've hidden six questions throughout the episode for your child to uncover as they listen.

durée : 01:28:04 - Une heure et plus, un compositeur : Camille Saint-Saëns - par : Aurélie Moreau - Né en 1835, Saint-Saëns fut enfant prodige, organiste virtuose et compositeur prolifique. De Samson et Dalila au Carnaval des animaux, il marqua la musique française et créa la Société nationale de musique pour défendre les jeunes talents. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Get ready to explore a musical zoo like no other! In this episode of Busy Kids Love Music, we're diving into one of Camille Saint-Saëns' most imaginative and beloved works—Carnival of the Animals. This whimsical suite features 14 short movements, each representing a different animal or creature, from regal lions and squawking roosters to gliding swans and even... piano students!  You'll hear musical excerpts that bring each animal to life and learn: Why Saint-Saëns wrote Carnival of the Animals in secret What instrument represents the elephant Why The Swan was the only movement published during his lifetime How this suite became one of his most popular works after his death PLUS: It's an Audio Treasure Hunt episode! Hidden throughout today's episode are six musical clues. Download your free Treasure Hunt printable and see if you can answer them all as you listen. Want to explore even more? Sign up for my FREE 5-Day Online Music Camp inspired by Carnival of the Animals! Each day features music exploration, fun piano activities, and creative ways to bring the animals to life. Perfect for music-loving kids of all ages!

La vie du pianiste virtuose Camille Saint-Saëns reflète un XIXe siècle fait de guerres et de transition culturelle. Franck Ferrand vous raconte ce compositeur de génie, dont le destin est marqué par des tragédies, mais aussi des zones d'ombres. Frappé par la défaite de 1870, ce nomade fera rayonner la culture française au-delà des frontières. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Ready to slow down and explore music in a whole new way? Join Ms. Elizabeth, Forte the Lion, and our very slow (but very sweet!) friend Adagio the Tortoise as we learn about tempo — how music can be slow like adagio or super fast like presto! With playful characters, guided movement, original songs, and a silly musical game, this episode will help your child feel the speed of music in their body and their imagination.

Send us a text Krysti leads off with the tale of Clipperton Island. This island is now the home to poisonous crabs and that's about it. This island was “owned” by many countries by the end of its saga. This island was the source of mass amounts of guano which was in high demand for fertilizer. There were fights between countries over this itty bitty island. This led to Mexico claiming the island and leaving a contingent of folks to guard it. These settlers get stuck due to things like WWI and the Mexican Revolution. This also prevented the supply ships from coming. All the things proceed to go wrong and bat shit crazy is a term for a reason. This island is now a French island. Tori takes us to Edinburgh Castle. This castle has been in use since AD 638. This castle has been a source of conflict between the English and the Scottish. The Scots did retain it and is home to the Lia Fail and the Honours of Scotland. This castle has been the home to kings, queens, sheriffs, and soldiers. The castle itself is made of limestone, we've talked about limestone and stone tape theory before. And guess what? This sucker is haunted with many ghosts. Our Sources: historydefined.net, damninteresting.com, historicmysteries.com, historic-uk.com, edinburghcastle.scot, great-castles.com, thelittlehouseofhorrors.com, mercattours.comOur theme music:   Camille Saint-Saëns: Danse Macabre - Busy Strings by Kevin MacLeod is licensed under a Creative Commons Attribution License. Support the show

We're kicking off a brand-new composer series—and this one's all about the brilliant French composer Camille Saint-Saëns!

Send us a textTori leads off with King's Chapel Burying Grounds. This is the oldest cemetery in Boston and has some disturbing tales that go along with it. Krys regales us with the Matamoros Cult killings in the late 80's. This was a jurisdictional nightmare due to this being on the border between the US and Mexico. This cult was present and caused all sorts of chaos in Mexico in the 80s. This cult mixed both drug running and religious belief. The head of this cult was bribing the authorities to look the other way for the drug running and then told his followers that he was making them invisible. As you can imagine, this ended badly. Krys tells us of the Red Onion Saloon in Alaska. This is still standing in Skagway to this day. This saloon is still in operation at this point but the brothel part of the business is now a museum. Not shocking…it's haunted. Our Sources:nightlyspirits.com, bostonghosts.com, nps.gov, thefreedomtrail.org, newsnationnow.com, cvltnation.com, nypost.com, history.com, skagwayshoretours.com, jahernandez.com, alaska.org, pizzatoday.com, redonion1898.comOur theme music:   Camille Saint-Saëns: Danse Macabre - Busy Strings by Kevin MacLeod is licensed under a Creative Commons Attribution License.Support our show on Patreon: https://www.patreon.com/trendylobotomypodcast Find us at FB/Instagram @TrendyLobotomyPod as well as our blog trendylobotomypodcast.blogspot.comSupport the show

Camille Saint-Saëns - Andromaque: OvertureMalmo Symphony OrchestraJun Markl, conductorMore info about today's track: Naxos 8.574033Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

In this fun-filled episode, Forte the Lion takes us on a musical journey to the Philippines, where we learn a silly and catchy folk song called “Tong Tong Tong Pakitong-Kitong”—all about a giant crab!

durée : 01:28:30 - En pistes ! du mercredi 23 avril 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - La violoncelliste est à retrouver dans un coffret qui réunit les grands concertos du répertoire : aujourd'hui, Camille Saint-Saëns. Mais aussi quelques raretés avec l'oratorio Jephtha de Maurice Green, contemporain de Haendel, et un répertoire pianistique méconnu de la Belle Epoque... - réalisé par : Antoine Courtin

durée : 01:28:30 - En pistes ! du mercredi 23 avril 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - La violoncelliste est à retrouver dans un coffret qui réunit les grands concertos du répertoire : aujourd'hui, Camille Saint-Saëns. Mais aussi quelques raretés avec l'oratorio Jephtha de Maurice Green, contemporain de Haendel, et un répertoire pianistique méconnu de la Belle Epoque... - réalisé par : Antoine Courtin

En s'inspirant du héros biblique, doté d'une force surhumaine, Camille Saint-Saëns a changé la portée du mythe et a fait de Samson une victime de l'amour. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Send us a textKrys tells of the Gettysburg Orphanage. This was started due to a picture of a family of a perished soldier in the area. Sergeant Amos Hurniston was the soldier that started this by dying with the picture of his fam. The orphanage was built to house the orphans of Union soldiers. While this began as a noble idea, this soon turned into something more sinister. Yeah, not good and a breeding ground for ghosts. Tori takes us to another battlefield, Yorktown. Seemed like it was time for Revolutionary War battlefields. This was the most well known as the last land battle of the Revolutionary War. This was a siege that finally gave the US its independence. Fun fact, The World Turned Upside Down is an actual British drinking song and not just a Hamilton reference. You want ghosts, they got ghosts. Our Sources:nps.gov, battlefields.org, colonialghosts.com, agreatbighunkofworld.com, pastlanetravels.com, gettysburgbattlefieldtours.com, achs-pa.org, usaghostadventures.com, gettysburgghosttours.com, truthorscares.com, civilwartalk.com, therebeghosts.com, imdb.comOur theme music:   Camille Saint-Saëns: Danse Macabre - Busy Strings by Kevin MacLeod is licensed under a Creative Commons Attribution License.Support our show on Patreon: https://www.patreon.com/trendylobotomypodcast Find us at FB/Instagram @TrendyLobotomyPod as well as our blog trendylobotomypodcast.blogspot.com Support the show

durée : 00:12:46 - Le Disque classique du jour du lundi 24 mars 2025 - C'est la musique française qui est au programme de ce disque du violoniste James Ehnes, avec la Symphonie espagnole d'Edouard Lalo, le Concerto n°3 de Camille Saint-Saëns, et la Fantaisie sur Carmen de Pablo de Sarasate, qui reprend plusieurs extraits du célèbre opéra de Bizet.

durée : 00:12:46 - Le Disque classique du jour du lundi 24 mars 2025 - C'est la musique française qui est au programme de ce disque du violoniste James Ehnes, avec la Symphonie espagnole d'Edouard Lalo, le Concerto n°3 de Camille Saint-Saëns, et la Fantaisie sur Carmen de Pablo de Sarasate, qui reprend plusieurs extraits du célèbre opéra de Bizet.

durée : 00:30:56 - France Musique est à vous junior du samedi 22 mars 2025 - par : Gabrielle Oliveira-Guyon - Si vous souhaitez savoir comment fonctionne une guitare électrique, quel est le premier quintette composé par Camille Saint-Saëns ou encore quels sont les concerts pédagogiques à venir près de chez vous, vous êtes au bon endroit !

Don't Miss This Freebie! Head over to www.clapforclassics.com/episode67 to download a FREE printable that brings today's episode to life! What's Inside? A lyric sheet for our fun, interactive song "I Am a Fossil" A musical map to help your little one follow along with Fossils from Carnival of the Animals It's the perfect way to extend the learning and play beyond the podcast! ✨

Send us a textTori leads off with the Capuchin Crypt in Rome. The monks used the bones to make works of art throughout the Crypt and the chapels therein. The next one was the Palermo Capuchin Crypt. This one is even creepier because the whole place is full of mummies. You heard me right, mummies. This was apparently a very big status symbol to be a mummy interred in the crypt. Guess what y'all, there are ghosts and they like hanging out with prettiest mummy in the world. Krys tells us of the Witches Village. This site has striking parallels with Salem in the States. This was yet another story about demonizing women. This strife ended up pitting villagers against their neighbors. Triora stands to this day and they embrace history both bad and good. Tori comes back with the island of Poveglia. Now you want ghosts, all of these places are how you get ghosts. ‘Nough said…Our Sources: romesite.com, palermocatacombs.com, walksofitaly.com, atlasobscura.com, littlehouseofhorrors.com, sightseeing-experience.com, italy-trails.com, agriturismolegrandole.com, thegrandwinetour.com, beautifulliguria.comOur theme music:   Camille Saint-Saëns: Danse Macabre - Busy Strings by Kevin MacLeod is licensed under a Creative Commons Attribution License.Support our show on Patreon: https://www.patreon.com/trendylobotomypodcast Find us at FB/Instagram @TrendyLobotomyPod as well as our blog trendylobotomypodcast.blogspot.com Support the show

durée : 00:15:04 - Le Disque classique du jour du vendredi 14 mars 2025 - Pour son deuxième album, la violoniste María Dueñas met en regard les Caprices de Paganini avec d'autres compositeurs de son époque Pablo De Sarasate, Camille Saint-Saëns et Henryk Wieniawski

durée : 00:15:04 - Le Disque classique du jour du vendredi 14 mars 2025 - Pour son deuxième album, la violoniste María Dueñas met en regard les Caprices de Paganini avec d'autres compositeurs de son époque Pablo De Sarasate, Camille Saint-Saëns et Henryk Wieniawski

SBS Programm Malti - It-Tlieta 11 ta' Marzu 2025 - 12pm - Preżentazzjoni u produzzjoni ta' Joe Axiaq. Jinkludi fost affarijiet oħra, l-aħbarijiet mill-Awstralja, servizz ta' aħbarijiet minn Malta mill-korrispondent, Leonard Callus, aħbarijiet bil-kollaborazzjoni ta' TVM News/SBS World Watch, Doris Meilak titkellem dwar il-ġnien u Victor Vella jitkellem dwar il-kompożitur Franċiż, Camille Saint-Saëns.

Interpreten: Mela Guitar QuartetLabel: trptkEAN: 6096041298203Zum zehnjährigen Bestehen schenkt sich das britische Mela Guitar Quartet eine neue CD, auf der die vier Musikerinnen und Musiker mit Ouvertüren und Tänzen zu erleben sind. Michael Gmasz gratuliert ganz herzlich!2015 von Absolventen der Guidhall School of Music und der Royal Academy of Music gegründet, hat sich das Mela Gitarren Quartett in den vergangenen zehn Jahren als eines der herausragenden Ensembles seiner Art etabliert und feiert heuer sein 10-Jahresjubiläum mit einer neuen CD Einspielung. 2023 hat eine größere Umbesetzung stattgefunden, die nun einen qualitätvollen Schritt in die Zukunft erlaubt, und mit dem Gewinn des prestigeträchtigen Wettbewerbes der Guitar Foundation of America jüngst einen Höhepunkt gefeiert hat. Auf CD melden sich die Melas nun erstmals in neuer Besetzung ausschließlich mit Bearbeitungen von Ouvertüren und Tänzen, die ursprünglich für Orchester bzw. Klavier entstanden sind.Die Auswahl von Werken ist dabei genauso abwechslungsreich wie die Bearbeitung derselben. Das reicht von hochvirtuosen Arrangements wie der eröffnenden Ruslan und Ljudmilla Ouvertüre von Glinka oder Camille Saint-Saëns Danse Bacchanale aus der Oper Samson et Dalila bis hin zu sehr zarten und einfühlsamen Tönen und Klängen bei Debussys zwei Arabesken oder der Ouvertüre zu Humperdincks Hänsel und Gretel. Dazwischen wird mit Holst, Elgar, Ravel, Rachmaninow oder auch Joe Hisaishi getanzt. Hier wird Gitarrenensemblemusik auf allerhöchstem Niveau geboten, technisch brillant, mit allen Spielarten, die modernes „klassisches“ Gitarrenspiel kennt und musikalisch absolut überzeugend. Eine CD, die einfach Spaß macht! (mg)

SynopsisToday's date in 1886 marks the premiere in Paris of The Carnival of the Animals, the most popular work of French composer Camille Saint-Saëns, who steadfastly refused to allow it to be published until after his death, fearing its frivolity might damage his reputation as a “serious” composer.Saint-Saëns had a point. The work was first heard at a pre-Lenten house concert, and a few days later at Émile Lemoine's exclusive members-only chamber music series, where it became an annual Shrove Tuesday Carnival tradition. Once the famous pianist Harold Bauer was one of the Shrove Tuesday performers, as he recalled in his autobiography: “Everyone who participated had to wear makeup representing the animal whose music he was supposed to be playing. The flutist had a carboard head showing him as a nightingale. The cellist was a very flabby swan; the distinguished players of the string quartet were shown as donkeys of various breeds. Saint-Saëns and I were the two pianists — he made up to look like our host Lemoine, and I, furnished with a wig and beard, disguised as Saint-Saëns. [We two] pianists were provided with immense carboard hands and feet that were clipped off at the moment of performance, which was extremely hilarious.”Music Played in Today's ProgramCamille Saint-Saëns (1835-1921): Carnival of the Animals; David Owen Norris, piano; I Musici Montreal; Yuli Turovsky, conductor; Chandos 9246

Writer, bookseller, and Malick fanatic, Matt Zoller Seitz joins me to talk A Hidden Life. Visit Matt's online shop here. The Magic Hours: The Films and Hidden Life of Terrence Malick is now available from all good book shops and online sources, including here. Camille Saint-Saëns: Le Carnaval des Animaux Performers Pianos: Neil and Nancy O'Doan Orchestra: Seattle Youth Symphony, conducted by Vilem Sokol. Composed 1886; recorded c. 1980. Source The Al Goldstein collection in the Pandora Music repository at ibiblio.org. Used under the license. Get NordVPN 2Y plan + 4 months extra here ➼ https://nordvpn.com/fspn It's risk-free with Nord's 30-day money-back guarantee! - Learn more about your ad choices. Visit megaphone.fm/adchoices

Greetings, scummers!Due to a subtle decrease in pollution from the industrial sectors of level 359, we are pleased to bring you another transmission from the number 1 social entertainment mega show, The Upperhive Lorekeepers!This episode, the noble sons from high above us all bring the ins and outs of two more of their noble equals, the houses of Ty and Ko'Iron.House Ty may be a young house, but their power and influence is rapidly climbing. Their knowledge of Psykers and connections to the Adeptus Astra Telepathica make them truly formidable. Their short tenure as a noble house on Necromunda shadows a long and powerful history, drawing their influences from some of the mightiest peoples of ancient Terra...The matriarchal house of Ko'Iron are the truest people of the faith on Necromunda.Their daughters and sons serving The Emperor in prayer and battle with equal vigour. Their armies march upon one thousand worlds on one hundred battlefields with one mission on their mind.Faith.So join us once again, as we travel the noble paths, spreading the glorious knowledge from our minds to your ears. This is Upperhive Lorekeepers and you're welcome. If you have questions, complaints, corrections or suggestions, email us at  Underhivelorekeepers@gmail.com. Want to support the show? ⁠https://linktr.ee/underhivelorekeepersUpperhive Lorekeepers theme is Camille Saint-Saëns: Danse Macabre - Xylophone by Kevin MacLeod. Available at https://freemusicarchive.org/music/Kevin_MacLeod/Classical_Sampler/Danse_Macabre_-_Xylophone/

Camille Saint-Saëns: RomanceGabriel Schwabe, celloMalmo Symphony Orchestra Marc Soustrot, conductorMore info about today's track: Naxos 8.573737Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Send us a text105. Return of the Soundboard GremlinsTori leads the scene of a well known murder, the Black Dahlia. The Sowden House has been a fixture of LA since the 1920s. This house was designed by Lloyd Wright. This houses sordid history has fascinated people both in LA and beyond. Krys tells us the tale of Nellie Butler. Want a famous ghost, we got you.  Krys continues with us the story of Axe Murder Hollow. Hitting up the urban legends with this one. Can we say trope?Our sources: la.curbed.com, Nightmare Houses- The Sowden House, History Goes Bump ep.305 The Dahlia House, laconservancy.org, californiabychoice.com, housebeautiful.com, americanghostwalks.com, newengland.com, goerie.com, eriereader.com, theramblernews.com, creepypasta.comOur theme music:   Camille Saint-Saëns: Danse Macabre - Busy Strings by Kevin MacLeod is licensed under a Creative Commons Attribution License.Support our show on Patreon: https://www.patreon.com/trendylobotomypodcast Find us at FB/Instagram @TrendyLobotomyPod as well as our blog trendylobotomypodcast.blogspot.com Support the show

Robert Sinnerbrink is an Australian academic, a philosopher and writer of numerous books, including Cinematic Ethics: Exploring Ethical Experience through Film and New Philosophies of Film: Thinking Images. The Magic Hours: The Films and Hidden Life of Terrence Malick is now available from all good book shops and online sources, including here. Camille Saint-Saëns: Le Carnaval des Animaux Performers Pianos: Neil and Nancy O'Doan Orchestra: Seattle Youth Symphony, conducted by Vilem Sokol. Composed 1886; recorded c. 1980. Source The Al Goldstein collection in the Pandora Music repository at ibiblio.org. Used under the license. Get NordVPN 2Y plan + 4 months extra here ➼ https://nordvpn.com/fspn It's risk-free with Nord's 30-day money-back guarantee! - Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textKrysti leads off with the Curran Theater in San Francisco. This was a hotbed of crime as well as the theater arts. From murder to catching criminals in front of the building, guess what, you want ghosts, that's how you get ghosts. Tori comes in second with terrible pronunciation and Dragholm Castle in Zealand Denmark. This castle survived several iterations and has a shady past. It's been known to have over 100 ghosts. Several tropes show up in this story, including a lady in white, a gray lady, a mad squire, and prisoner bishop. Tori keeps it going with the Skirrid Inn in Wales, which at being over 900 years o;d has seen it's share of history and ghosts. Krys finishes us off with the Watson-Curtze Mansion at Hagen History Center. This mansion on Erie's millionaire's row has it's own checkered past, not to mention it's share of ghosts.Our Sources: atgenentertainment.com, sanfranciscotheatres.blogspot.com, Kqed.com, weirdca.com, sfghosthunt.com, sfweekly.com, goerie.com, eriebuildings.info, hauntedrooms.com, eriehistory.org, Huz Ghost Stories Podcast, nps.gov, britannica.com, youtube.com, littlefhouseofhorrors.com, relaischateaux.com, skirridinn.comOur theme music:   Camille Saint-Saëns: Danse Macabre - Busy Strings by Kevin MacLeod is licensed under a Creative Commons Attribution License.Support our show on Patreon: https://www.patreon.com/trendylobotomypodcast Find us at FB/Instagram @TrendyLobotomyPod as well as our blog trendylobotomypodcast.blogspot.com Support the show

Send us a textTori leads off with Taunton State Hospital in Massachusetts. Not surprisingly this hospital didn't have a great reputation. But guess what it does have, you got it, ghosts. Parts of this hospital are still in operation today. Krys follows up with the Presidio and its illustrious history. This has been a landmark of San Francisco for years upon years. From pet cemeteries, to military bases, to apartments, this place has it all. Tori rounds it out with El Campto Santo Cemetery. This cemetery has every reason to be become haunted.Our Sources: presidio.gov, presidioassociation.org. sfweekly.com, yelp.com, Sfghosthunt.com, Sftourismtips.con, backpackerverse.com,sfghosts.com, nps.gov, kqed.org, https://www.imdb.com/title/tt1121370/, mass.gov, nps.gov, abandonedamerica.us, thetravel.com, suecolletta.com, usghostadventures.com, hiddensandiego.com, ghostsandgravestones.comOur theme music:   Camille Saint-Saëns: Danse Macabre - Busy Strings by Kevin MacLeod is licensed under a Creative Commons Attribution License.Support our show on Patreon: https://www.patreon.com/trendylobotomypodcast Find us at FB/Instagram @TrendyLobotomyPod as well as our blog trendylobotomypodcast.blogspot.comSupport the show

This interview with Jack Fisk was recorded as part of my research for the book The Magic Hours: The Films and Hidden Life of Terrence Malick. As such it was never meant for broadcast but with Jack's permission I'm presenting this edited version. Jack picks up from part one to talk about his later collaborations with Malick on The Thin Red Line and The New World, as well as his work on the Weightless Trilogy. My book is now available from all good book shops and online sources, including here. Camille Saint-Saëns: Le Carnaval des Animaux Performers Pianos: Neil and Nancy O'Doan Orchestra: Seattle Youth Symphony, conducted by Vilem Sokol. Composed 1886; recorded c. 1980. Source The Al Goldstein collection in the Pandora Music repository at ibiblio.org. Used under the license. Get NordVPN 2Y plan + 4 months extra here ➼ https://nordvpn.com/fspn It's risk-free with Nord's 30-day money-back guarantee! - Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textGuess what kids?! Your favorite weird ass Hoosier girls are back in your ears. This week we hit up California for our stories. Krys leads off with the Sutro Baths. These were mainstays of San Francisco for years before shockingly taken out by a mysterious fire. Sutro had a tendency to accumulate relics from around the world, sounds like a great idea right? Oh,  can someone figure out what land this was built on? Cliff House was next up and that was another problem waiting to happen. And it did. Tori covers the Queen Mary that has been a popular Long Beach attraction at this point. This ship saw it's share of deaths and has ghost tours to this day. This luxury liner made 1001 trips before coming to port for the last time. The Grey Ghost had a more interesting past than expected. Krys rounds the episode off with the San Francisco City Hall. An earthquake managed to take that sucker out. Also proves that when you build on old cemetery, bad things may happen. Our Sources: thehauntghosttours.com, sfghosts.com, journiest.com, kqed.org, sfgate.com, amyscrypt.com, sfbaytimes.com, nancydbrown.com, nps.gov, paranormalghostsociety.org, queenmary.com, USghostadventures,com, travelandleisure.com, thehauntghosttours.com, californiahauntedhouses.com, brokeassstuart.com, thetowersatrincon.com, weddingphotographersanfranciscocityhall.comOur theme music:   Camille Saint-Saëns: Danse Macabre - Busy Strings by Kevin MacLeod is licensed under a Creative Commons Attribution License.Support our show on Patreon: https://www.patreon.com/trendylobotomypodcast Find us at FB/Instagram @TrendyLobotomyPod as well as our blog trendylobotomypodcast.blogspot.com Support the show

Terrence Malick's 6th film premiered at the Venice Film Festival and starred Ben Affleck and Olga Kurylenko as a pair of lovers watching their relationship fall apart. My biography of Terrence Malick The Magic Hours: The Films and Hidden Life of Terrence Malick is available from all good book shops and online sources, including here. Camille Saint-Saëns: Le Carnaval des Animaux Performers Pianos: Neil and Nancy O'Doan Orchestra: Seattle Youth Symphony, conducted by Vilem Sokol. Composed 1886; recorded c. 1980. Source The Al Goldstein collection in the Pandora Music repository at ibiblio.org. Used under the license. Get NordVPN 2Y plan + 4 months extra here ➼ https://nordvpn.com/fspn It's risk-free with Nord's 30-day money-back guarantee! - Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode we sample and rate Craigellachie's 13 Year Armagnac Cask while talking about being squarely in December, worm tubs, bonfire night aromas, a long weekend in armagnac casks, getting your feelings blended, creating a special label and charging more for it, whiny Scotch, aggressively swirling, muting the scotch with a heavy cognac blanket, Kyle's upping his sophistication levels, Camille Saint-Saëns, podcast sponsors NPR with that Amazon money, normal sized people in a smaller room, the artist on autopilot, Nick is clearly skilled in the pottery arts, 3 hours and 37 years, serious art versus play, and Schlermindinger as a major composer. Support Us On Patreon: https://www.patreon.com/DrepandStone We'd love to hear from you! https://linktr.ee/DrepandStone Don't forget to subscribe! Music by @joakimkarudmusic Episode #272

Camille Saint-Saëns - Africa FantasieRomain Descharmes, piano Malmo Symphony Orchestra Marc Soustrot, conductorMore info about today's track: Naxos 8.573477Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon