Radio America

http://globaltlcteam.com Total Life Changes TLC Your Total Life Changes start now. Get in shape for summer 2018. Iaso Tea, TLC We are so sure it will make a positive difference in your life that it is backed by a 30-Day, No Questions Asked, 100% Money Back Guarantee.The Abbott and Costello Show is an American television sitcom starring the popular comedy team of Bud Abbott and Lou Costello that premiered in syndication in the fall of 1952 to 1954.

goerge burns, purple tiger diet pills | vista health William Nettles Goodwin, known as Bill Goodwin (July 28, 1910 - May 9, 1958),[1] was for many years the announcer and a recurring character of the Burns and Allen radio program, and subsequently The George Burns and Gracie Allen Show on television from 1950-1951. Upon his departure, he was replaced by Harry von Zell. Here is a word from our sponsor , if you needing to lose weight or just need some areas of your life a little better , check out Vista health and purple tiger diet products. with the purple tiger energy pill

V3 Diet pills | Voyager health Technologies | Order V3 Diet Red Skelton, born Richard Bernard Skelton, was an American comedian who was best known as a top radio and television star from 1937 to 1971. Skelton's show business career began in his teens as a circus clown and went on to vaudeville, Broadway, films, radio, TV, night clubs and casinos, all while pursuing another career as a painter. On October 7, 1941, Skelton premiered his own radio show, The Raleigh Cigarette Program, developing a number of recurring characters including punch-drunk boxer "Cauliflower McPugg," inebriated "Willy Lump-Lump" and "'Mean Widdle Kid' Junior," whose favorite phrase ("I dood it!") soon became part of the American lexicon. That, along with "He bwoke my widdle arm!" (or other body part) and "He don't know me vewy well, do he?" all found their way into various Warner Bros. cartoons. Skelton himself was referenced in a Popeye cartoon in which the title character enters a haunted house and encounters a "red skeleton." The Three Stooges also referenced Skelton in Creeps (1956): Shemp: "Who are you?" Talking Skeleton: "Me? I’m Red." Shemp: "Oh, Red Skeleton."   Ready to try V3 for yourself? scroll down below and buy the 225.00 package and get the 6 bottles, or you can get any of the higher packages, --V3 wholesale option--- Rather pay the LOWER Wholesale prices for your V3? Voyager Health members always save up to 40% on V3! CLICK HERE to become a Voyager Health V3 Member! If so, CLICK HERE to visit our main Voyager Health V3 ordering and product information website! CLICK HERE TO ORDER V3 If you have any questions, call us toll free at: 1.800.706.0162 --V3 wholesale option--- Rather pay the LOWER Wholesale prices for your V3? Voyager Health members always save up to 40% on V3! CLICK HERE to become a Voyager Health V3 Member! New Package specials for 2013 order them now Our most popular V3 at wholesale package Item #: VOY004 - V3 Diet 6-PAK Consisting of 6 V3 Weight Management System 30-Capsule Bottles. Only $37.50 per bottle! *when purchased by the 6-PAK *Sign up now and receive up to 40% off this order, plus all future V3 orders. In addition, you'll receive your own website and a Voyager Health Welcome Package!

This quick easy download takes your skills to the next level and beyond, with no stress and zero aggravation. http://internetcoachpro.com For the first time ever learning is actually fun quick and very easy. A huge library of the world's best free software is also included! Speed Gibson of the International Secret Police was a radio adventure series written by Virginia Cooke. It was centered on the adventures of Speed Gibson, a fifteen year old pilot who, through his uncle Clint Barlow, becomes a member of the International Secret Police. Speed was described as “a typical American boy: interested in short wave radio, aviation and most of all - The International Secret Police . More of the FRee Otr Visit http://radioamerica.podomatic.com Are you needing to Promote your Business Please Send HD Video With Talk Fusion

Untitled Find out how to make money Sending Video http://myprofitbuilder.org or call me 704-269-8183 Also For your Free Video Professor University dl this Great software and Video http://smartmedialearninguniversity.com Fibber McGee and Molly was a popular radio show during the era of classic, old-time radio. It was one of the longest-running comedies in the history of classic radio in the United States. The series premiered on NBC in 1935 and remained popular until its demise in 1959, long after radio had ceased to be the dominant form of entertainment in American popular culture.

This quick easy download takes your skills to the next level and beyond, with no stress and zero aggravation. http://internetcoachpro.com For the first time ever learning is actually fun quick and very easy. A huge library of the world's best free software is also included! The Six Shooter was a weekly old-time radio program in the USA. It was created by Frank Burt, who also wrote many of the episodes, and lasted only one season of 39 episodes on NBC (Sept. 20, 1953-June 24, 1954). Through March 21, 1954 it was broadcast Sundays at 8 p.m. Beginning April 1, 1954 through the final episode it was on Thursdays at 8 p.m. Also Visit http://radioamerica.biz

Get your Free Tutor Software now http://internetcoachpro.com Blondie was a radio situation comedy adapted from the long-run Blondie comic strip by Chic Young. The radio program had a long run on several networks from 1939 to 1950. After Penny Singleton was cast in the title role of the feature film Blondie (1938), co-starring with Arthur Lake as Dagwood, she and Lake repeated their roles December 20, 1938, on The Bob Hope Show. The appearance with Hope led to their own show, beginning July 3, 1939, on CBS as a summer replacement for The Eddie Cantor Show. However, Cantor did not return in the fall, so the sponsor, Camel Cigarettes chose to keep Blondie on the air Mondays at 7:30pm. Camel remained the sponsor through the early WWII years until June 26, 1944. In 1944, Blondie was on the Blue Network, sponsored by Super Suds, airing Fridays at 7pm from July 21 to September 1. The final three weeks of that run overlapped with Blondie's return to CBS on Sundays at 8pm from August 13, 1944, to September 26, 1948, still sponsored by Super Suds. Beginning in mid-1945, the 30-minute program was heard Mondays at 7:30pm. Super Suds continued as the sponsor when the show moved to NBC on Wednesdays at 8pm from October 6, 1948, to June 29, 1949. For all your Health Need Visit http://allnaturalhealthyliving.com

http://radioamerica.biz Market your Business with Talk Fusion Video http://myprofitbuilder.org Duffy's Tavern, an American radio situation comedy (CBS, 1941-1942; NBC-Blue Network, 1942-1944; NBC, 1944â??1951), often featured top-name stage and film guest stars but always hooked those around the misadventures, get-rich-quick-scheming, and romantic missteps of the title establishment's malaprop-prone, metaphor-mixing manager, Archie, played by the writer/actor who co-created the show, Ed Gardner. The final show on radio was broadcast on December 28, 1951. For your Free Smart media Tools http://internetcoachpro.com

Remember the good old Days, when we could just sit down and listen to a good ole story, the days of glory and honor, come join us at the living room and listen to some fun times. How we could let our hair down and relax. ENJOY THE OTR Save money on Medical,Dental,freedom Pass 

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Gunsmoke is an American radio and television Western drama series created by director Norman MacDonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The radio version ran from 1952 to 1961 and, according to John Dunning[1], amongst old-time radio fans, "Gunsmoke is routinely placed among the best shows of any kind and any time." The television version ran from 1955 to 1975 and is the longest running prime time drama and the second-longest running prime time fictional program in U.S. television history, its record surpassed only by the Disney anthology television series and Hallmark Hall of Fame. Care for some needed energy try Whitelightning http://www.acaiplusenergy.com

The Great Gildersleeve (1941-1957), initially written by Leonard L. Levinson, [1] was arguably the first spin-off program in broadcast history. Built around a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis ("You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catch phrase). But he also became a popular enough windbag that Kraft Foods — looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Throckmorton P. Gildersleeve (the character was given several conflicting first names on Fibber McGee and Molly, and on one episode of that show revealed his middle name as Philharmonic) as the central, slightly softened, and slightly befuddled focus of a lively new family.

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00 Affordable Web Hosting $6.99 A month A Date with Judy was an American radio program during the 1940s. It was a teenage comedy that began as a summer replacement for Bob Hope's show, sponsored by Pepsodent and airing on NBC from June 24 to September 16, 1941, with 14-year-old Ann Gillis in the title role. Dellie Ellis portrayed Judy when the series returned the next summer (June 23–September 15, 1942). Louise Erickson took over the role the following summer (June 30–September 22, 1943) when the series, sponsored by Bristol Myers, replaced The Eddie Cantor Show. Louise Erickson continued as Judy for the next seven years, as the series, sponsored by Tums, aired from January 18, 1944 to January 4, 1949. As the popularity of the radio series peaked, Jane Powell starred as Judy in the MGM movie, A Date with Judy (1948). Co-starring with Powell were Elizabeth Taylor, Wallace Beery, Robert Stack, and Carmen Miranda. Ford Motors and Revere Cameras were the sponsors for the final season of the radio series on ABC from October 13, 1949 to May 25, 1950. A Date with Judy was also a comic book (based on the radio program) published by National Periodical Publications from October-November 1947 to October-November 1960.

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00 Affordable Web Hosting $5.99 A month Big-nosed and boisterous, Durante was a vaudeville favorite who remained a hit in the early days of radio and TV. Originally a saloon piano player, he combined his ragged musical talents with a rumpled charm and endless jokes about his nose, a mighty instrument which earned him the nickname "Schnozzola" or just "the Schnoz." The 1935 stage musical Jumbo paired Durante with an elephant and boosted his career; he was a popular guest on the radio shows of stars like Bob Hope and Bing Crosby, and eventually hosted his own shows as well. Durante's dese-and-dose New York accent was much parodied by impressionists of the day. He had a musical hit with the novelty tune "Inka Dinka Doo" and his famous sign-off phrase was "Goodnight, Mrs. Calabash, wherever you are."

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00 Affordable Web Hosting $5.99 A month The Marx Brothers were a team of sibling comedians that appeared in vaudeville, stage plays, film, and television. Born in New York City, the Marx Brothers were the sons of Jewish immigrants from different parts of Germany (Plattdeutsch was the boys' first language). Their mother, Minnie Schönberg, hailed from Dornum in East Frisia, Germany, and their father Simon "Frenchie" Marrix (whose name was anglicized to Sam Marx) from Alsace, now a part of France. The family lived in the Upper East Side of New York City between the Irish, German and Italian Quarters.

Affordable Web Hosting $5.99 A month Jack Benny (February 14, 1894 in Chicago, Illinois – December 26, 1974 in Beverly Hills, California), born Benjamin Kubelsky, was an American comedian, vaudeville performer, and radio, television, and film actor. He was one of the biggest stars in classic American radio and was also a major television personality. Benny may have been the first standup comedian, as the term is known, as well as one of the first to work with what became the situation comedy. He was renowned for his flawless comic timing and (especially) his ability to get laughs with either a pregnant pause or a single expression, such as his signature exasperated "Well!". In hand with his dear friend and great "rival" Fred Allen — their long-running "feud" was one of the greatest running gags in comedy history — Benny helped establish a basic palette from which comedy since has rarely deviated, no matter how extreme or experimental it has become in their wake.

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00 Affordable Web Hosting $5.99 A month The Life of Riley was one of several blue-collar, ethnic sitcoms popular in the 1950s. Chester A. Riley was the breadwinner of an Irish-American nuclear family living in suburban Los Angeles. Although most of the program took place within the Riley household, his job as an airplane riveter sometimes figured prominently in weekly episodes. Riley's fixed place in the socio-economic structure also allowed for occasional barbs directed at the frustrations of factory employment and at the pretensions of the upper classes. After The Life of Riley was canceled, blue-collar protagonists like Riley would not reappear until premiered in the 1970s. A pilot for The Life of Riley starred Herb Vigran and was broadcast on NBC in 1948. Six month later, the series appeared on NBC with Riley played by Gleason; however, Riley's malapropisms and oafish behavior were poorly suited to Gleason's wisecracking nightclub style. Bendix, who had played Riley on radio and in a movie version, was originally unable to play the part on television due to film obligations. When he did assume the role, however, he became synonymous with the character. COME CLICK THE BUTTON BELOW AND HERE RADIOAMERICA ON TALKSHOE type in id # 19082

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clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00 Affordable Web Hosting $5.99 A month Duffy's Tavern, an American radio situation comedy (CBS, 1941-1942; NBC-Blue Network, 1942-1944; NBC, 1944-1952), often featured top-name stage and film guest stars but always hooked those around the misadventures of the title establishment's malaprop-prone manager, Archie, played by the writer/actor who created the show, Ed Gardner. In the show's familiar opening, "When Irish Eyes Are Smiling," either solo on an old-sounding piano or by a larger orchestra, was interrupted by the ring of a telephone and Gardner's New Yorkese accent as he answered, "Duffy's Tavern, where the elite meet to eat. Archie the manager speakin'. Duffy ain't here---oh, hello, Duffy." Duffy, the owner, was never heard (or seen, when a film based on the show was made in 1945 or when a bid to bring the show to television was tried in 1954). But Archie always was---bantering with Duffy's man-crazy daughter, Miss Duffy (played by several actresses, beginning with Gardner's real-life first wife, Shirley Booth); with Eddie, the waiter/janitor (Eddie Green); and, especially, with Clifton Finnegan (Charlie Cantor), a likeable soul with several screws loose and a knack for falling for every other salesman's scam. The show featured many high-profile guest stars, including Fred Allen, Mel Allen, Nigel Bruce, Bing Crosby, Boris Karloff, Veronica Lake,Peter Lorre, Tony Martin, Gene Tierney, Arthur Treacher and Shelley Winters. As the series progressed, Archie sllipped in and out of a variety of quixotic, self-imploding plotlines---from writing an opera to faking a fortune to marry an heiress. Such situations mattered less than did the show's quietly clever depiction of earthbound-but-dreaming New York city life and its individualistic, often bizarre characters. COME CLICK THE BUTTON BELOW AND HERE RADIOAMERICA ON TALKSHOE type in id # 19082

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00 Affordable Web Hosting $5.99 A month The series detailed the adventures of Britt Reid, debonair newspaper publisher by day, crime-fighting masked hero at night, along with his sidekick, Kato, a Filipino of Japanese descent. A widespread urban legend has been the claim that the show's writers switched from one nationality to the other immediately after the 1941 attack on Pearl Harbor, but the first disappeared well before direct U. S. involvement in the war, and the latter was not initially given until much later, with nothing more specific than "Oriental" being said in the interim. (When the characters were used in the first of a pair of movie serials, the politically perceptive producers of 1939 had Kato's nationality given as Korean.) Britt Reid is a blood relative of The Lone Ranger. The character of Dan Reid, who appeared on the Lone Ranger program as the Masked Man's nephew, was also featured on the Green Hornet as Britt Reid's father, making the Green Hornet the grand-nephew of the Lone Ranger. Originally, the show was to be called "The Hornet", but the name was changed to "The Green Hornet" so that it could be copyrighted. The color was chosen because green hornets were reputed to be the angriest. Jim Jewell directed the series until 1938. Jewell's sister, Lee Allman (Lenore Jewell Allman) wanted to play a part in a radio series at WXYZ so Jim had her written into The Green Hornet. She was the only actress to play Lenore Case, Britt Reid's secretary, during the entire run of the series. "Casey" was aware of her boss's double life, but only in the later years of the run. Similarly, another well known confidante, Police Commissioner Higgins, did not come into existence until near the end of the series. COME CLICK THE BUTTON BELOW AND HERE RADIOAMERICA ON TALKSHOE type in id # 19082

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00 Affordable Web Hosting $5.99 A month The Great Gildersleeve (1941-1957) was arguably the first spin-off program, as well as one of the first true situation comedies (as opposed to sketch programs) in broadcast history. Built around a character who had been a staple on the classic radio sit-com, Fibber McGee and Molly, The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off, and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis ("You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catch phrase). But he also became a popular enough windbag that Kraft Foods — looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Throckmorton P. Gildersleeve (the character was given several conflicting first names on Fibber McGee and Molly, and on one episode of that show revealed his middle name as Philharmonic) as the central, slightly softened, and slightly befuddled focus of a lively new family. COME CLICK THE BUTTON BELOW AND HERE RADIOAMERICA ON TALKSHOE

Affordable Web Hosting $5.99 A month The Boston Blackie radio series, starring Chester Morris, began June 23, 1944, on NBC as a summer replacement for The Amos 'n' Andy Show. Sponsored by Rinso, the series continued until September 15 of that year. Lesley Woods appeared as Blackie's girlfriend Mary Wesley, and Harlow Wilcox was the show's announcer. On April 11, 1945, Richard Kollmar took over the title role in a radio series syndicated by Frederic W. Ziv to Mutual and other network outlets. Over 200 episodes of this series were produced between 1944 and October 25, 1950. Other sponsors included Lifebuoy Soap, Champagne Velvet beer and R&H beer. While investigating mysteries, Blackie invaribly encountered harebrained Police Inspector Faraday (Maurice Tarplin) and always solved the mystery to Faraday's amazement. Initially, friction surfaced in the relationship between Blackie and Faraday, but as the series continued, Faraday recognized Blackie's talents and requested assistance. Blackie dated Mary Wesley (Jan Miner), and for the first half of the series, his best pal Shorty was always on hand. The humorless Faraday was on the receiving end of Blackie's bad puns and word play.

Affordable Web Hosting $5.99 A month "The Battle of Midway," directed by John Ford, provides a relatively brief account of the Japanese attack of American ships at Midway atoll. The film is comprised mostly of authentic footage from the battle, with dramatic narration by Henry Fonda. "Behind every cloud, there may be an enemy," he intones as American fighter pilots search the sky. The rest of the film mocks Emporer Tojo of Japan and portrays him as ruthless, bombing hospitals and churches as he tries to conquer the Pacific.

Affordable Web Hosting $5.99 A month In addition to his landmark radio work, Bud Colyer was the first person to portray Superman in motion pictures, once again lending his voice when the Man of Steel made his big-screen debut in animated cartoons. These innovative science fiction spectaculars remain among the most technically polished examples of the "short film" art form. Launched in September 1941 with the release of the initial entry, Superman, the cartoons were produced by Max Fleischer. The Fleischer studio was initially based in New York and was famous for its rambunctios, rough-and-ready presentation of characters like Betty Boop and Popeye. The studio had just relocated to an enlarged modern facility in Florida. Joe Shuster drew the model sheets for Lois Lane, Clark Kent, and Superman. The first cartoon was received to critical acclaim and was nominated for an Academy Award. The Superman shorts look like feature films, complete with tracking shots and a stunning variety of camera angles, each of which necessitates a new background. Artists duplicate real illumination, molding the characters with light and dark, and providing them with dramatic shadows. The films move at an accelerating pace, with cuts coming faster and faster toward the climaxes, propelled by Sammy Timberg's dynamic musical scores. Special effects involving fires, rays, and explosions set the screen ablaze. The second cartoon, The Mechanical Monsters, was released near the end of 1941. It features Superman battling an army of gigantic, flame-spewing, flying robots in a series of sensational scenes. Later special effects extravaganzas include The Bulleteers, in which an airborn torpedo smashes through the skyscrapers of Metropolis, and The Magnetic Telescope, in which an astronomer's harebrained invention sends an asteroid hurtling earthward. When not struggling with mad scientists, Superman takes on ferocious forces of nature like gorillas (in Terror on the Midway) or dinosaurs (The Arctic Giant). In 1942 Paramount Studios acquired Fleischer Studios and gave it the new name of "Famous Studios." They produced the last 8 of the 17 shorts and continued the series until 1943.

Affordable Web Hosting $5.99 A month This article is about the comic book superhero Robin as he appears in other media, such as films, television and radio. Dick Grayson, the first Robin, is generally the Robin which is portrayed. For decades, Robin rarely appeared withh Batman. The only exceptions have been animated stories featuring Robin as a member of the Teen Titans. Furthermore, from the 1940s to 1980s, Grayson was generally portrayed as being a teenager or adult. This was somewhat different from comic books, as Grayson started out at the age of eight. Also from the 1940s to 1980s, Robin has appeared in the clalsic comic book suit of Grayson. However, since the 1990s, Dick Grayson's original "pixie" outfit has been avoided in other media. Instead, Robin usually wears a costume similar to the original uniform of Tim Drake, the third and current Robin in the comics. Drake, who was introduced near the end of the 1980s, has only been identified as the secret identity of Robin once in other media.

Affordable Web Hosting $5.99 A month There were several radio adaptations. Gasoline Alley during the 1930s starred Bill Idelson as Skeezix Wallet with Jean Gillespie as his girlfriend Nina Clock. Jimmy McCallon was Skeezix in the series that ran on NBC from February 17 to April 11, 1941, continuing on the Blue Network from April 28 to May 9 of that same year. The 15-minute series aired weekdays at 5:30pm. Along with Nina (Janice Gilbert), the characters included Skeezix's boss Wumple (Cliff Soubier) and Ling Wee (Junius Matthews), a waiter in a Chinese restaurant. Charles Schenck directed the scripts by Kane Campbell. The syndicated series of 1948-49 featured a cast of Bill Lipton, Mason Adams and Robert Dryden. Sponsored by Autolite, the 15-minute episodes focused on Skeezix running a gas station and garage, the Wallet and Bobble Garage, with his partner, Wilmer Bobble. In New York this series aired on WOR from July 16, 1948 to January 7, 1949.

Affordable Web Hosting $5.99 A month Popeye made his first animated appearance in Betty Boop Meets Popeye the Sailor (1933), one of several cartoons in which the popular Fleischer cartoon star met various comic strip characters, in hopes that some might prove popular enough to merit cartoon series of their own. The trial balloon didn't fly with Henry or The Little King, but it did with Popeye. The same year saw the release of I Yam What I Yam, the first of a long series of animated shorts in which Popeye received top billing. The Fleischer Studio was taken over by Paramount Pictures in 1942, and renamed Famous Studios. Although it never achieved the heights of the Fleischer quality, Famous continued the Popeye series until 1957. In that year, the entire package of 228 cartoons started appearing on television. During the 1960s, more short Popeye cartoons were made as TV originals. These were mass-produced in several animation studios, all over the world, and varied in quality. Many cartoon aficionados consider these to have diluted the product, and hold that the original Fleischer cartoons are the best.

Affordable Web Hosting $5.99 A month This Is Your FBI was a radio crime drama which aired in the United States on ABC from April 6, 1945 to January 30, 1953. FBI chief J. Edgar Hoover gave it his endorsement, calling it "the finest dramatic program on the air." Producer-director Jerry Devine was given access to FBI files by Hoover, and the resulting dramatizations of FBI cases were narrated by Frank Lovejoy (1945), Dean Carleton (1946-47) and William Woodson (1948-53). Stacy Harris had the lead role of Special Agent Jim Taylor. Others in the cast were William Conrad, Bea Benaderet and Jay C. Flippen.

Affordable Web Hosting $5.99 A month This Is Your FBI was a radio crime drama which aired in the United States on ABC from April 6, 1945 to January 30, 1953. FBI chief J. Edgar Hoover gave it his endorsement, calling it "the finest dramatic program on the air." Producer-director Jerry Devine was given access to FBI files by Hoover, and the resulting dramatizations of FBI cases were narrated by Frank Lovejoy (1945), Dean Carleton (1946-47) and William Woodson (1948-53). Stacy Harris had the lead role of Special Agent Jim Taylor. Others in the cast were William Conrad, Bea Benaderet and Jay C. Flippen.

Affordable Web Hosting $5.99 A month This Is Your FBI was a radio crime drama which aired in the United States on ABC from April 6, 1945 to January 30, 1953. FBI chief J. Edgar Hoover gave it his endorsement, calling it "the finest dramatic program on the air." Producer-director Jerry Devine was given access to FBI files by Hoover, and the resulting dramatizations of FBI cases were narrated by Frank Lovejoy (1945), Dean Carleton (1946-47) and William Woodson (1948-53). Stacy Harris had the lead role of Special Agent Jim Taylor. Others in the cast were William Conrad, Bea Benaderet and Jay C. Flippen.

Affordable Web Hosting $5.99 A month click here Visit the Radio America Store web site. Buy your 50 mp3 for &5.00 Gunsmoke is a long-running American radio and television Western drama created by director Norman MacDonnell and writer John Meston. The stories took place in and around Dodge City, Kansas, during the settlement of the American West. The radio version ran from 1952 to 1961 and is commonly regarded as one of the finest radio dramas of all time. The television version ran from 1955 to 1975 and is the second longest running prime time fictional television program, its record surpassed only by the Disney anthology television series, which, though essentially the same in every incarnation, has appeared on TV under several titles.

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Affordable Web Hosting $5.99 A month This Is Your FBI was a radio crime drama which aired in the United States on ABC from April 6, 1945 to January 30, 1953. FBI chief J. Edgar Hoover gave it his endorsement, calling it "the finest dramatic program on the air." Producer-director Jerry Devine was given access to FBI files by Hoover, and the resulting dramatizations of FBI cases were narrated by Frank Lovejoy (1945), Dean Carleton (1946-47) and William Woodson (1948-53). Stacy Harris had the lead role of Special Agent Jim Taylor. Others in the cast were William Conrad, Bea Benaderet and Jay C. Flippen. The show was created by producer-director Jerry Devine, a former comedy writer for Kate Smith and Tommy Riggs, who had turned his scripting talents to radio thrillers like Mr. District Attorney. This is Your FBI received the full cooperation of J. Edgar; Hoover gave Devine carte blanche to closed cases in the Bureau’s files for inspiration in writing the show’s weekly dramatizations. They were prefaced, of course, with the Dragnet-like disclaimer “All names used are fictitious and any similarity thereof to the names of persons or places, living or dead, is accidental.” (This led Jim Cox, author of Radio Crime Fighters, to observe: “Some listeners must have pondered that for a while—‘So did these events happen or not?’”) Debuting over ABC Radio on April 6, 1945, This is Your FBI broadcast from New York in its early run (1945-47), showcasing the talents of New York radio veterans like Mandel Kramer, Karl Swenson, Santos Ortega, Elspeth Eric, Joan Banks, and Frank Lovejoy (who narrated many of the shows). In 1948, though, the program relocated to Hollywood, and with the move established a regular weekly character in Special Agent Jim Taylor, a representative of all of the Bureau’s special agents, played by actor Stacy Harris.

Affordable Web Hosting $5.99 A month This Is Your FBI was a radio crime drama which aired in the United States on ABC from April 6, 1945 to January 30, 1953. FBI chief J. Edgar Hoover gave it his endorsement, calling it "the finest dramatic program on the air." Producer-director Jerry Devine was given access to FBI files by Hoover, and the resulting dramatizations of FBI cases were narrated by Frank Lovejoy (1945), Dean Carleton (1946-47) and William Woodson (1948-53). Stacy Harris had the lead role of Special Agent Jim Taylor. Others in the cast were William Conrad, Bea Benaderet and Jay C. Flippen.

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Affordable Web Hosting $5.99 A month click here Visit the Radio America Store web site. Buy your 50 mp3 for &5.00 The Marx Brothers were a team of sibling comedians that appeared in vaudeville, stage plays, film, and television. Born in New York City, the Marx Brothers were the sons of Jewish immigrants from different parts of Germany (Plattdeutsch was the boys' first language). Their mother, Minnie Schönberg, hailed from Dornum in East Frisia, Germany, and their father Simon "Frenchie" Marrix (whose name was anglicized to Sam Marx) from Alsace, now a part of France. The family lived in the Upper East Side of New York City between the Irish, German and Italian Quarters.

Affordable Web Hosting $5.99 A month click here Visit the Radio America Store web site. Buy your 50 mp3 for &5.00 There were several radio adaptations. Gasoline Alley during the 1930s starred Bill Idelson as Skeezix Wallet with Jean Gillespie as his girlfriend Nina Clock. Jimmy McCallon was Skeezix in the series that ran on NBC from February 17 to April 11, 1941, continuing on the Blue Network from April 28 to May 9 of that same year. The 15-minute series aired weekdays at 5:30pm. Along with Nina (Janice Gilbert), the characters included Skeezix's boss Wumple (Cliff Soubier) and Ling Wee (Junius Matthews), a waiter in a Chinese restaurant. Charles Schenck directed the scripts by Kane Campbell. The syndicated series of 1948-49 featured a cast of Bill Lipton, Mason Adams and Robert Dryden. Sponsored by Autolite, the 15-minute episodes focused on Skeezix running a gas station and garage, the Wallet and Bobble Garage, with his partner, Wilmer Bobble. In New York this series aired on WOR from July 16, 1948 to January 7, 1949

Affordable Web Hosting $5.99 A month Death Valley Days was a long-running American radio and television anthology about true stories of the old American West, particularly the Death Valley area. It was created in 1930 by Ruth Woodman and ran on radio until 1945. It ran from 1952 to 1975 as a syndicated television show. The 558 television stories, which had different actors, were introduced by a host. The longest-running was "The Old Ranger" from 1952-1965, played by Stanley Andrews. The hosts following were actors Ronald Reagan, Robert Taylor, John Payne, Dale Robertson and Merle Haggard. During his time as host, Reagan also frequently appeared in the program as a performer. It has been rerun under other names and with other hosts, since the hosting segment at the beginning and the end could be easily reshot with another performer with no effect on the story. Alternate hosts and titles have included Frontier Adventure (Dale Robertson), The Pioneers (Will Rogers, Jr.), Trails West (Ray Milland), Western Star Theatre (Rory Calhoun) and Call of the West (John Payne). The last title was also often applied to the series' memorable, haunting theme music. Under the Death Valley Days title, the program was invariably sponsored by Pacific Coast Borax Company, which during the program's run changed its name to U.S. Borax Company following a merger. Advertisements for the company's best-known products, 20 Mule Team Borax, a laundry additive, and Boraxo, a powdered hand soap, were often done by the program's host. Death Valley was the scene of much of the company's borax mining operations. The "20-Mule Team Borax" consumer products division of U.S. Borax was eventually bought out by the Dial Corporation, which as of 2006 still manufactures and markets them. U.S. Borax continued to mine and refine the borates and maintained Dial as one of its customers. In 2006, Rio Tinto, the parent company of U.S. Borax. Inc., decided to merge USB with two of its other holdings, Dampier Salt and Luzenac Talc, to form Rio Tinto Minerals and has moved its corporate headquarters to Denver, Colorado. Death Valley Days is, judging from sheer number of episodes broadcast, by far the most successful syndicated television Western, the most successful television Western ever in the half-hour format, and arguably the most successful syndication of any genre in the history of the U.S. television market (Baywatch had a larger international market among U.S.-produced syndicated programs.)

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Affordable Web Hosting $5.99 A month The mysterious black rider who leaves his mark on all those who are bad in the world, Zorro zips about on his stallion slashing Zs about the countryside. Listen as "the champion of the poor and oppressed" slings his wild sword about galliantly. A show with a short run, only five programs are known to be in existance today. This short collection includes several of these rare and exciting episodes as well as the first show, which was broadcast on Preview Theater of the Air, a program "designed to introduce to the airwaves radio's outstanding hits of the future." Zorro rides again!

click here Visit the Radio America Store web site. Buy your 50 mp3 for &5.00 Affordable Web Hosting $5.99 A month Gunsmoke was a long-running American radio and television Western drama created by director Norman MacDonnell and writer John Meston. The stories took place in and around Dodge City, Kansas, during the settlement of the American West. The radio version ran from 1952 to 1961 and is commonly regarded as one of the finest radio dramas of all time. The television version ran from 1955 to 1975 and still holds the record for the longest-running U.S. prime time fictional television program.

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click here Visit the Radio America Store web site. Buy your 50 mp3 for &5.00 Affordable Web Hosting $5.99 A month   Ellery Queen is both a fictional character and a pseudonym used by two American cousins from Brooklyn, New York: Daniel (David) Nathan, alias Frederic Dannay (October 20, 1905–September 3, 1982) and Manford (Emanuel) Lepofsky, alias Manfred Bennington Lee (January 11, 1905–April 3, 1971), to write detective fiction. In a successful series of novels that covered forty-two years, Ellery Queen was not only the name of the author, but also that of the detective-hero of the stories. Movies, radio shows, and television shows have been based on their works. The two, particularly Dannay, were also responsible for co-founding and directing Ellery Queen's Mystery Magazine, generally considered as one of the most influential English crime fiction magazines of the last sixty-five years. They were also prominent historians in the field, editing numerous collections and anthologies of short stories such as The Misadventures of Sherlock Holmes. Their 994-page anthology for The Modern Library, 101 Years' Entertainment, The Great Detective Stories, 1841-1941, was a landmark work that remained in print for many years.

click here Visit the Radio America Store web site. Buy your 50 mp3 for &5.00 Affordable Web Hosting $5.99 A month Box 13 was a syndicated radio series about the escapades of newspaperman-turned-mystery novelist Dan Holliday, played by film star Alan Ladd. Created by Ladd's company, Mayfair Productions, Box 13 premiered August 22, 1948, on Mutual's New York flagship, WOR, and aired in syndication on the East Coast from August 22, 1948, to August 14. 1949. On the West Coast, Box 13 was heard from March 15, 1948 to March 7, 1949. To seek out new ideas for his fiction, Holliday ran a classified ad in the Star-Times newspaper where he formerly worked. "Adventure wanted, will go anywhere, do anything -- Box 13." The stories followed Holliday's adventures when he responded to the letters sent to him by such people as a psycho killer and various victims. Sylvia Picker appeared as Holliday's scatterbrained secretary, Suzy, while Edmund MacDonald played police Lt. Kling. Supporting cast members included Betty Lou Gerson, Frank Lovejoy, Lurene Tuttle, Alan Reed, Luis Van Rooten and John Beal. Vern Carstensen, who directed Box 13 for producer Richard Sanville, was also the show's announcer. Among the 52 episodes in the series were such mystery adventures as "The Sad Night," "Hot Box," "Last Will And Nursery Rhyme," "Hare And Hounds," "Hunt And Peck," "Death Is A Doll," "Tempest In a Casserole" and "Mexican Maze." The dramas featured music by Rudy Schrager. Russell Hughes, who had previously hired Ladd as a radio actor in 1935 at a $19 weekly salary, wrote the scripts, sometimes in collaboration with Ladd. The partners in Mayfair Productions were Ladd and Bernie Joslin, who had previously run the chain of Mayfair Restaurants.

click here Visit the Radio America Store web site. Buy your 50 mp3 for &5.00 Affordable Web Hosting $5.99 A month The most famous radio broadcast of all time is still considered to be "The War of the Worlds", by Orson Welles and the Mercury Theater on the Air, October 30, 1938. Produced by John Houseman, it caused a near-panic, and lots and lots of press coverage. It also spurred legislation banning the "news" format from radio drama for years following. And although Orson Welles himself said they had no idea they were causing such an uproar, he actually knew it was happening and was thrilled with all the attention. The script, by the late Howard Koch (who also won an Academy Award for the screenplay of "Casablanca"), was actually titled "The Invasion From Mars", but was based on H.G. Wells' novella. The story goes like this: That October evening most Americans tuned in to the "The Edgar Bergen-Charlie McCarthy Show", which was the most popular radio show of the time. Twelve minutes into the show they went to their usual musical break. At that point many people changed the channel, and came upon reporter Carl Philips in the field near Grover's Mills, New Jersey. By the time the break came, with the announcement that this was just a play, most of them had already gone off screaming. The "War" became famous, and the Bergen-McCarthy Show opposite it seems to have vanished. "The War of the Worlds" story itself has been performed on radio many times since 1938, in a variety of formats. Gordon Payton claims to have 25 different audio versions of the story. The NBC Network anthology series Dimension X and X Minus One each offered a few alien invasion stories. (See "The Embassy", "The Seventh Order", "The Last Martian", and "Zero Hour", for example.

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00 Affordable Web Hosting $5.99 A month The African Queen is a story of survival and how two mismatched people pull together. These people, Charlie and Rose, learn to accommodate each other and function together to achieve a goal: Get a boat down a treacherous jungle river. They are civilians who are caught in enemy territory at the beginning of World War I. Rose is a crisp, prim, and proper minister’s sister. Charlie is a irreverent, unsophisticated somewhat crude mechanic. On the surface level The African Queen is a love story of sorts and a tale of revenge. Rose wants to blow up a German gunboat down river because the Germans destroyed the mission and her brother died after being overwhelmed by the strain of the loss and the conditions of the jungle. Charlie just wants to get out of harms way but reluctantly goes along with her even though he thinks what she wants to do is "crazy" and believes it’s impossible to get a boat down the river. In the course of this venture they become closer and develop affection for each other as they respond to hardship and danger. In watching The African Queen it is important to realize that blowing up the gunboat is a story gimmick. This gives Charlie and Rose a challenging goal and a reason to do something dangerous. It also heightens the tension between Rose and Charlie, creating a situation that helps us to realize something important about the character and qualities of these two and how they learn to tolerate and get along with each other. What makes The African Queen such an important and popular movie is its fundamental story: Two people, who are basically strangers, learn to function together and care for each other as they contend with very unpleasant realities during a difficult, unwanted ordeal.

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00 Affordable Web Hosting $5.99 A month The Abbott and Costello Show was heard on radio throughout the 1940s. They began by hosting a summer replacement series for Fred Allen on NBC in 1940, then joined Edgar Bergen and Charlie McCarthy on The Chase and Sanborn Hour in 1941. During the same period, two of their films, Buck Privates and Hold That Ghost, were adapted for radio and presented on Lux Radio Theater. On October 8, 1942 they launched their weekly NBC show, sponsored by Camel cigarettes, moving five years later to ABC, the former NBC Blue Network,). The additional cast and crew on that series included Sid Fields as the Melonheads, Artie Auerbrook as Ketsel, regulars Elvira Allman, Iris Adrian, Mel Blanc, Wally Brown, Sharon Douglas, Verna Felton, Lou Krogman, Pat McGeehan, Frank Nelson, Martha Wentworth and Benay Venuta. The featured vocalists were Amy Arnell, Connie Haines, Marilyn Maxwell, Susan Miller, Marilyn Williams, the Delta Rhythm Boys and the Les Baxter Singers with the orchestras of Skinnay Ennis, Charles Hoff, Matty Matlock, Jack Meakin, Will Osborne, Freddie Rich, Leith Stevens and Peter van Streeden. Frank Bingman, Jim Doyle, Ken Niles and Michael Roy did the announcing, Writers included Howard Harris, Hal Fimberg, Don Prindle, Ed Cherokee, Len Stern, Martin Ragaway, Paul Conlan and Ed Forman and producer Martin Gosch. Sound effects were supplied by Floyd Caton. At ABC, they also hosted a 30-minute children's radio program, the The Abbott and Costello Children's Show), which aired Saturday mornings with vocalist Anna Mae Slaughter and announcer Johnny McGovern.

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00 Affordable Web Hosting $5.99 A month When Skelton was drafted, Ozzie Nelson was prompted to create his own family situation comedy. The Adventures of Ozzie and Harriet launched on CBS October 8, 1944, making a mid-season switch to NBC in 1949. The final years of the radio series were on ABC (the former NBC Blue Network) from October 14, 1949, to June 18, 1954. In an arrangement that amplified the growing pains of American broadcasting, as radio "grew up" into television (as George Burns once phrased it), the Nelsons' deal with ABC gave the network itself the right to move the show to television whenever it wanted to do it---they wanted, according to the Museum of Broadcast Communications, to have talent in the bullpen and ready to pitch, so to say, on their own network, rather than risk it defecting to CBS (where the Nelsons began) or NBC. Their sons, David and Ricky, did not join the cast until five years after the radio series began. The two boys felt frustrated at hearing themselves played by actors and continually requested they be allowed to portray themselves. Prior to April 1949, the role of David was played by Joel Davis (1944-45) and Tommy Bernard, and Henry Blair appeared as Ricky. Since Ricky was only nine years old when he began on the show, his enthusiasm outstripped his ability at script reading, and at least once he jumped a cue, prompting Harriet to say, "Not now, Ricky." Other cast members included John Brown as Syd "Thorny" Thornberry, Lurene Tuttle as Harriet's mother, Bea Benaderet as Gloria, Janet Waldo as Emmy Lou, and Dick Trout as Roger. Vocalists included Harriet Nelson, the King Sisters, and Ozzie Nelson. The announcers were Jack Bailey and Verne Smith. The music was by Billy May and Ozzie Nelson. The producers were Dave Elton and Ozzie Nelson. [1]