Podcast appearances and mentions of james mollison

Full show: https://kNOwBETTERHIPHOP.com Artists Played: MoZaic, Skyzoo, Black Metaphor, conshus, EyeQ, Anton Corazza, Banda Maje, 14KT, C-Red, The Allergies, Buck 65, Brian Jackson, Masters At Work, Raheem DeVaughn, J. Ivy, Lords Of The Underground, Snowgoons, Footshooter, James Mollison, Jorok, Kristen Warren, Nolan The Tadpole Warren, Tali Rodriguez, FLUDUST, Jalen Ngonda, LS Camp, EDO. G, Knaladeus, WITCH, MxNxSTxR, DESTRUCTO, Thunder Cat, Channel Tres, Gnarly, Killer Mike, OutKast, GOODie MOb, IMAKEMADBEATS

Soul from Joy Crookes, Amaria, Kinny, SAULT, and Leena Conquest. Broken Beat from Footshooter feat James Mollison (Ezra Collective), Streeton, After ‘Ours feat Omar. Deep House from Masaki Morii. Hip Hop from Ahmed With Love, Sonnyjim, Doechii and Jurassic 5. Raw-Artes remixes Amy Winehouse. Jungle from Potential Badboy (from 1992), Sl8r, Pete Cannon & Ghost Writerz, K Jah remixing Chopstick Dubplate feat Mr Williamz. Plus plenty more music treats.

Nell’ultima tappa del viaggio in Nepal, Michele Lupi, James Mollison e Alex Healey incontrano DB Chowdry, che da anni si dedica alla protezione degli avvoltoi. Decimati negli anni ’90 a causa di un medicinale letale, oggi lo scienziato continua il suo lavoro di tutela di questi animali, utili per l’ambiente e per evitare lo sviluppo di epidemie.See omnystudio.com/listener for privacy information.

Michele Lupi, James Mollison e Alex Healey incontrano Deepak, il ’goat herder’ di 200 capre. A piò di 3500 metri di quota, completamente isolati dal resto del mondo, Deepak e la sua famiglia conducono un’esistenza che gli occidentali potrebbero definire umile (vivendo in una stanza sola con due bambini) ma che loro considerano libera.See omnystudio.com/listener for privacy information.

Michele Lupi, James Mollison e Alex Healey incontrano un timidissimo animale a rischio di estinzione: il panda rosso. Pema Sherpa, ricercatrice dell’Università di Katmandu, in questa tappa accompagna il team Fay nella città di Jamuna, nell’Ilam District, per mostrare il lavoro che viene portato avanti, insieme alle popolazioni locali, per salvaguardare il red panda e gli altri animali in via d’estinzione.See omnystudio.com/listener for privacy information.

The London quintet known as Ezra Collective looks like a jazz band, with their dueling horns, keys, bass and drums.  But their music reflects the lively artistic ferment happening now in South London, where the sounds of Caribbean music, hip hop, and especially the Nigerian style known as Afrobeat have all become part of the scene. Ezra Collective's drummer and bandleader Femi Koleoso studied with the late, great Nigerian drummer Tony Allen, and with his brother TJ on bass, the two Koleosos form a propulsive rhythm section, but one that's full of surprises. Add in keyboardist Joe Armon-Jones, trumpeter Ife Ogunjobi, and tenor saxophonist James Mollison, and the quintet brings audiences a hybrid jazz with killah beats for dancing. - John Schaefer Set list: "Ego Killah", "No Confusion", "Belonging" Watch "Ego Killah": Watch "No Confusion":  Watch "Belonging":

Michele Lupi, James Mollison e Alex Healey sono nella Langtang Valley e si trovano a fare i conti con l’altitudine: a ben 5500 metri dal livello del mare, il corpo inizia a mostrare segni di cedimento. Ma accompagnati da Sonam e Ongchhu, il team di Fay Archive scopre il villaggio di Langtam, gli Sherpa e la loro ospitalità.See omnystudio.com/listener for privacy information.

Michele Lupi, James Mollison e Alex Healey incontrano Dev Tamang, l’autista che ogni giorno percorre la Beni-Jomsom Highway, una delle strade piò pericolose del mondo. Lunga 106 km, questa strada arriva a un’altitudine di 3700 metri sul livello del mare: Dev Tamang, la percorre ogni giorno con il suo autobus, affrontando i precipizi, le buche e i pericoli che incontra lungo il percorso e rendendo un servizio sociale importantissimo per la popolazione, che riesce così a muoversi lungo il Nepal.See omnystudio.com/listener for privacy information.

Il Nepal, tra le sue gole profonde, le montagne imponenti e le pianure verdeggianti, e’ un luogo in cui natura e spiritualita’ entrano inevitabilmente in contatto. Mai colonizzato, il Nepal si mostra subito agli occhi dei viaggiatori come un paese genuino nella sua natura incredibile e nel suo popolo orgoglioso. “In Nepal’ racconta l’esplorazione che il giornalista Michele Lupi, il fotografo James Mollison e il videomaker Alex Healey hanno fatto in questo Stato, ma, soprattutto, racconta la loro ricerca di tester per Fay Archive, cioe’ di persone che hanno scelto di vivere e lavorare a diretto contatto con una natura a volte dura, a volte selvaggia, ogni tanto gentile.See omnystudio.com/listener for privacy information.

Ezra Collective, tout comme leur complices de Kokoroko ou Yussef Dayes, font rayonner la scène jazz britannique en proposant une lecture nouvelle ouverte sur les musiques de l'atlantique noire, l'afrobeat, le highlife, le reggae, le dancehall ou bien le hip-hop, ces cultures musicales africaines et afro-descendantes qui ont été amenés en partie par les diasporas pour reconstruire Londres après la seconde guerre mondiale. Ce collectif incarne avec brio le bouillonnement culturelle la capitale anglaise. Véritable laboratoire, cette formation fondé par le batteur anglo-nigérian Femi Koleoso, rassemble de nombreux talents, dont son frère TJ à la basse, le claviériste Joe Armon-Jones, le trompettiste Ife Ogunjobi et le saxophoniste ténor James Mollison. Cette bande de pote, va mêler toutes leur influences au sein de leur EP et albums et vont parcourir les scènes internationales et surprendre par leur maîtrise du groove et leur façon de combiner créativité et héritages musicaux. Biberonnés à Fela, ayant collaboré avecTony Allen ou Damon Albarn, le collectif veut rendre son pouvoir dansant au jazz. C'est le cas de leur nouvel album Where I'm Meant To Be, sorti en novembre dernier sur le label Partisan Records. Ezra Colletive nous fait voyager dans le Londres afrobeat, jazz, dub des sound-systems ainsi que dans la scène hip-hop, grime, des musiques qui ont nourries leur leader Femi, qui se remémore les souvenirs du groupe et les détails de la création de leur nouveau disque. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Afternoon Tea - Weakness Saison, Miss Yankey - Making Shapes (Original Instrumental Mix) Latasha, Sebb Junior, N-You-Up - Play (Sebb Junior Remix) The African Sunset Project - Latin Nights Boriqua Bandits - Midnight Expresso (Mario Marques Remix) Stacy Kidd - Therapy Session (Main Mix) Micky More & Andy Tee, Cevin Fisher - All About The Culture (Extended Mix) DJ Disciple & Harmonies - I Will Shine Again (Marc Cotterells Factory Mix) DJ Oji, Richard Payton - Take 5 (Richard Payton-s Club Mix) Mike Delgado - Little Pieces (Vocal Mix) Mario Marques feat. Latasha Jordan - Come See About Me (Jonny Montana Remix) Kyoto Jazz Massive- Get Up ft.Roy Ayers (Kaidi Tatham Remix Inst) SAUL - Can't Wait (ft James Mollison) Mop Mop - Let I Go (Mr Raoul K's Version) Fizzikx - Plato De Salsa Gabriels - Love And Hate In A Different Time (Kerri Chandler Remix)Aaron Sevilla, Mijangos, Toth De La Vega, MixJay - Coketa (Extended Mix) Artwork Sounds, Unqle Chriz - You Give Me Love (Mijangos Afro Soul Mix) Ridney - The Inside (Richard Earnshaw Clubside Mix) Max Palmer - Clouds (African Sunset Project Remix)

In this episode I sit down with James Mollison, someone I met whilst doing some speaking engagements throughout the 2022 Federal Election campaign. We go through some of the lessons he learnt in life, from almost dying at birth, to becoming the family's 'protector' through to a career in corporate advisory before encountering a major health crisis in Guillain Barre Syndrome. I can't begin to imagine what it would have felt like, losing control of how your hands or feet operate let alone the amount of self reflection, loneliness and time spent with yourself throughout the recovery process. I really enjoyed this conversation and I hope that you all get something out of this.  

"Pop Punk Politik - Die 1980er Jahre in München". Bis 31. März in der Monacensia in München / "Where Children sleep". Ein Foto-Projekt von James Mollison. Bis 6. Februar im Edwin-Scharff-Museum Neu-Ulm.

Catherine and Leo interview the great photographers at the 2012 Nordic Light festival. This episode features Morten Krogvold, Bruce Davidson, and James Mollison. Morten Krogvold is a Norwegian photographer know for his portraiture. As a photographer, artist, and teacher, he has published numerous books and held exhibitions. Bruce Davidson has been a member of Magnum photo agency since 1958. Known for his photographs of Harlem, New York City, and Civil Rights movement. James Mollison grew up in England, he moved to Italy to work at Benetton's creative lab after studying Art and Design at Oxford Brookes University. He's known for his work on the great apes which was featured at the Natural History Museum. Hosts: Catherine Hall and Leo Laporte Guests: Morten Krogvold, Bruce Davidson, and James Mollison Follow Catherine on Twitter. You can also check out her blog here. Don't miss a chance to watch or listen to your favorite photographers – download and subscribe to TWiT Photo podcast for free at twit.tv/shows/twit-photo. Thanks to CacheFly for providing the bandwidth for this show. Sponsors: Squarespace Offer Code twitphoto5 Netflix

Catherine and Leo interview the great photographers at the 2012 Nordic Light festival. This episode features Morten Krogvold, Bruce Davidson, and James Mollison. Morten Krogvold is a Norwegian photographer know for his portraiture. As a photographer, artist, and teacher, he has published numerous books and held exhibitions. Bruce Davidson has been a member of Magnum photo agency since 1958. Known for his photographs of Harlem, New York City, and Civil Rights movement. James Mollison grew up in England, he moved to Italy to work at Benetton's creative lab after studying Art and Design at Oxford Brookes University. He's known for his work on the great apes which was featured at the Natural History Museum. Hosts: Catherine Hall and Leo Laporte Guests: Morten Krogvold, Bruce Davidson, and James Mollison Follow Catherine on Twitter. You can also check out her blog here. Don't miss a chance to watch or listen to your favorite photographers – download and subscribe to TWiT Photo podcast for free at twit.tv/shows/twit-photo. Thanks to CacheFly for providing the bandwidth for this show. Sponsors: Squarespace Offer Code twitphoto5 Netflix

Catherine and Leo interview the great photographers at the 2012 Nordic Light festival. This episode features Morten Krogvold, Bruce Davidson, and James Mollison. Morten Krogvold is a Norwegian photographer know for his portraiture. As a photographer, artist, and teacher, he has published numerous books and held exhibitions. Bruce Davidson has been a member of Magnum photo agency since 1958. Known for his photographs of Harlem, New York City, and Civil Rights movement. James Mollison grew up in England, he moved to Italy to work at Benetton's creative lab after studying Art and Design at Oxford Brookes University. He's known for his work on the great apes which was featured at the Natural History Museum. Hosts: Catherine Hall and Leo Laporte Guests: Morten Krogvold, Bruce Davidson, and James Mollison Follow Catherine on Twitter. You can also check out her blog here. Don't miss a chance to watch or listen to your favorite photographers – download and subscribe to TWiT Photo podcast for free at twit.tv/shows/twit-photo. Thanks to CacheFly for providing the bandwidth for this show. Sponsors: Squarespace Offer Code twitphoto5 Netflix

Catherine and Leo interview the great photographers at the 2012 Nordic Light festival. This episode features Morten Krogvold, Bruce Davidson, and James Mollison. Morten Krogvold is a Norwegian photographer know for his portraiture. As a photographer, artist, and teacher, he has published numerous books and held exhibitions. Bruce Davidson has been a member of Magnum photo agency since 1958. Known for his photographs of Harlem, New York City, and Civil Rights movement. James Mollison grew up in England, he moved to Italy to work at Benetton's creative lab after studying Art and Design at Oxford Brookes University. He's known for his work on the great apes which was featured at the Natural History Museum. Hosts: Catherine Hall and Leo Laporte Guests: Morten Krogvold, Bruce Davidson, and James Mollison Follow Catherine on Twitter. You can also check out her blog here. Don't miss a chance to watch or listen to your favorite photographers – download and subscribe to TWiT Photo podcast for free at twit.tv/shows/twit-photo. Thanks to CacheFly for providing the bandwidth for this show. Sponsors: Squarespace Offer Code twitphoto5 Netflix

PF: I was very fortunate to meet Rosalie. I met Rosalie at a time when I had left teaching and was starting to make work myself, and had struggled with painting, which I was not happy with, and it wasn’t right for me. And I met Rosalie and we just hit it off so well, and she immediately invited me down to her house, and to her studio, and this became a regular monthly event, and I used to really look forward to it, and I’d even take my own fledgling works down there, and Rosalie would give me a very severe but very wonderful crit., about work, and about what I was doing, and enormous encouragement, and it was as a result of seeing this piece, Down to the silver sea, which had been done in sort of a reverence or a sort of homage to James Mollison, reflecting the piece by Braque that the Gallery had tried to buy. But after the brouhaha of the Blue poles purchase there was an embargo on certain works over a certain value, and this work which Mollison desperately wanted for the Gallery; Grand Nu by Braque, was denied him. And Rosalie’s done this piece based on it; a collage, and it was that doll’s leg that she detached - the moment I saw that I knew I didn’t want to be a painter; I knew that I wanted to be involved with the placement of objects. It was the most delicately placed leg, just coming off that collage. And suddenly the whole impetus in my art-making went from my shoulder down into my fingers, and I suddenly felt so liberated, and so alive to the sensibilities of touch, that the painting certainly didn’t show anything of. So I’m thrilled that the piece has come back to the Gallery, because it was obviously meant to be there; it has so many references to, as you said, Rosalie and her work in the collection, the extraordinary collection that the Gallery holds, as well as the personal journey that I’ve come across through this work, and I’m really thrilled that it’s in the collection now, and it has those sort of personal references for me.