Podcasts about Oxford Brookes University

In episode 422 UNP founder and curator Grant Scott is reflecting on the big and small things that impact on the everyday engagement we all have with photography. Mentioned in this episode: Do Not Bend: The Photographic Life of Bill Jay www.youtube.com/watch?v=wd47549knOU Minimata www.youtube.com/watch?v=UzQv5nVH85o Funny Face www.youtube.com/watch?v=Hs6ASCq9YtY Fur: An Imaginary Portrait of Diane Arbus www.youtube.com/watch?v=SODvv2xxvgI Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), What Does Photography Mean To You? (Bluecoat Press 2020) and Inside Vogue House: One building, seven magazines, sixty years of stories, (Orphans Publishing 2024). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. © Grant Scott 2026

In this episode, Adam Marycz - Early Childhood Educationalist at TTS and host of this podcast - is joined by Professor Julie Fisher, an independent Early Years Adviser and Visiting Professor of Early Childhood Education at Oxford Brookes University. They discuss the vital role of play in early childhood and Key Stage 1 education and explore research evidence, practical strategies, and policy implications for embedding play-based learning to enhance children's development and educational outcomes. TTS is proud to be the Strategic Partner of the Play is Learning Campaign. Get involved today by visiting https://mmtplay.com/pages/play-is-learning-campaign If you enjoyed this episode or learned something new, be sure to comment, leave us a review and keep up to date with our social media channels for future activities. (The views expressed throughout this podcast are the speakers' own, and TTS does not take responsibility for the views and guidance highlighted as part of this recording.)  Please note: When referencing the speakers views, theory and work for development of your own materials, please ensure academic reference of the speaker is cited.

Guest host Dr. Margaret Mbindyo welcomes Ben Walker from Oxford Brookes University in the UK, and Chiara Bertolini and Dr. Alessandra Landini from the University of Modena and Reggio Emilia in Italy, for a rich discussion on academic advising, student success, belonging, mental health, disability support, and the changing needs of today's college students.From the UK's “personal tutoring” model to Italy's orientation practices and student support, this episode explores how advising looks across borders, and what higher education professionals can learn from one another. Along the way, they discuss the importance of building community, recognizing student struggles early, setting healthy boundaries as advisors, and seeing international students as whole people, not just paperwork.Follow the podcast on your favorite podcast platform!The Instagram, and Facebook handle for the podcast is @AdvisingPodcastAlso, subscribe to our Adventures in Advising YouTube Channel!Connect with Matt and Ryan on LinkedIn.

In this monthly conversation series Grant Scott speaks with editor, writer and curator of photography Bill Shapiro. In an informal conversation each month Grant and Bill comment on the photographic environment as they see it. This month Bill and Grant take on the process and the reality of selling photographic prints. Bill Shapiro Bill Shapiro served as the Editor-in-Chief of LIFE, the legendary photo magazine; LIFE's relaunch in 2004 was the largest in Time Inc. history. Later, he was the founding Editor-in-Chief of LIFE.com, which won the 2011 National Magazine Award for digital photography. Shapiro is the author of several books, among them Gus & Me, a children's book he co-wrote with Rolling Stones guitarist Keith Richards and, What We Keep, which looks at the objects in our life that hold the most emotional significance. A fine-art photography curator for New York galleries and a consultant to photographers, Shapiro is also a Contributing Editor to the Leica Conversations series. He has written about photography for the New York Times Magazine, Vanity Fair, the Atlantic, Vogue, and Esquire, among others. Every Friday — more or less — he posts about under-the-radar photographers on his Instagram feed, where he's @billshapiro. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. ©Grant Scott 2026

In this week's episode documentary photographer and photo editor Cengiz Yar takes on our ‘Proust Photo Quiz'. The Proust Questionnaire is a set of questions answered by the French writer Marcel Proust. Proust answered the questionnaire in a confession album, a form of parlour game popular at the end of the 1890s. The album, titled An Album to Record Thoughts, Feelings, etc. was found in 1924 and published in the French literary journal Les Cahiers du Mois. Our ‘Proust Photo Quiz' is an adaption of the original text. Cengiz Yar Yar is a New Jersey born documentary photographer and editor now based in El Paso, Texas who has worked in visual journalism for over a decade. He currently works as a visuals editor at ProPublica, where he edits, photographs, and art-directs stories across the site focusing on the visual coverage of projects in the US Midwest, Southwest, and Texas. Before joining ProPublica, Yar edited for publications such as Rest of World, Roads & Kingdoms, and the Guardian. As a photographer his work has primarily focused on human migration and the conflicts in Iraq and Syria. He is the inaugural recipient of the James Foley Award for Conflict Reporting, a Pulitzer Prize finalist, and a Dart Center Ochberg Fellow in Journalism and Trauma. His photography clients include Vanity Fair, Rolling Stone, WIRED, The Guardian, The Wall Street Journal, Instagram, Google, UNHCR, and The New York Times among others. He is a HEFAT, RISC, and FAA drone certified pilot and his first monograph, This Alabaster Grave, exploring the overwhelming destruction faced by the Iraqi city of Mosul was published in 2025. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006), Crash Happy: A Night at The Bangers (Cafe Royal Books 2012) and Inside Vogue House: One building, seven magazines, sixty years of stories (Orphans Publishing 2024). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. © Grant Scott 2026

Episode 23: The Linklaters Ideas Foundry Speakers: Lila Vialat, Ian Rodwell, Dr Sylwia Ciuk and Dr Kay Galpin Far from being a temporary phenomenon, it now seems that hybrid working is here to stay. But what does that mean for young people entering the workplace? Do they experience it as liberation or something more problematic? In this episode, we are joined by Dr Sylwia Ciuk and Dr Kay Galpin from Oxford Brookes University who talk about their groundbreaking research into what it is really like to be an early‑career hybrid worker – and the implications for the organisations they work for. During this thought-provoking discussion, we explore the BOND framework (belonging, opportunities for connection, new routines and skills, dedicated support), the reality of “green dot” anxiety and blurred boundaries, and the small, deliberate actions that help young talent thrive. So, if you feel your hybrid model is working just fine or assume that graduates have it all worked out perfectly, this conversation may surprise you. To watch all episodes in The Linklaters Ideas Foundry, visit our website.

In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Mentioned in this episode: https://photolondon.org www.peckham24.com https://tomwoodarchive.com www.theguardian.com/artanddesign/gallery/2026/may/07/twiggy-bella-freud-steven-meisel-london-portraits-in-pictures-photo-london Ute Mahler www.ostkreuz.de/en/photoseries/photographer/ute-mahler/ Mona Lisas of the Suburbs” by Ute Mahler & Werner Mahler here. Jane Evelyn Atwood, "Women in Prisons": https://agencevu.com/en/serie/women-in-prison-1990/ https://agencevu.com/en/photographer/jane-evelyn-atwood/ Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale now wherever you buy your books. © Grant Scott 2026

In episode 418 UNP founder and curator Grant Scott is reflecting on the big and small things that impact on the everyday engagement we all have with photography. Mentioned in this episode: David Sylvian 'Red Guitar' www.youtube.com/watch?v=7tTX49CjAgo Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), What Does Photography Mean To You? (Bluecoat Press 2020) and Inside Vogue House: One building, seven magazines, sixty years of stories, (Orphans Publishing 2024). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. © Grant Scott 2026

Max Morris's Not Sex Work: Queer Intimacy, Post-identity, and Incidental Encounters in the Digital Era (Routledge, 2025) brings together feminist theory, media studies, and queer research methodologies to offer new, compelling insight the relationships between money, digital platforms, and sex. Through longstanding engagement with gay, queer, and bisexual men who do not describe themselves as sex workers and who exchange sex or sexual services for money through digital platforms, Morris highlights how ‘incidental sex work' problematizes commonly-held assumptions of both work and intimacy. By starting from the position of unsettling what sex work might be, Morris holds space for ambivalences about labour, risk, and sex itself—destabilizing binaries found within both research and policy work. Not Sex Work's attention to how economics and intimacy shapes identity offers important analyses of not only what we might understand sex work to be, but also how digital platforms shape and reshape understandings of gender and sexuality. Max Morris is a Senior Lecturer in Criminology and Sociology at Oxford Brookes University. Using creative and feminist methodologies, their research focuses on gender, sexuality, HIV, digital platforms, and sex work. Rine Vieth is an FRQ Postdoctoral Fellow at Université Laval. They are currently studying how anti-gender mobilization shapes migration policy, particularly in regards to asylum determinations in the UK and Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this special episode of The Conversation series Grant Scott speaks with award winning graphic designer Mike Dempsey. In an informal conversation they discuss the importance of understanding design, what is successful design and how this can be applied to photobooks. Mike Dempsey From the late 1960s, Dempsey worked in British book publishing houses. He has created stamps for the Royal Mail, the brand identity for English National Opera, and the South Bank Centre, London. After a decade in publishing, Dempsey formed the highly successful design consultancy Carroll, Dempsey and Thirkell in 1979, which he ran for 27 years. In 2007, he left to set up Studio Dempsey. His awards include the New York Art Director's Club Silver Cube, the CSD Minerva Award, the Reginald M. Phillips Medal for Postage Stamp Design, ten D&AD (Design and Art Direction) Silvers, the coveted Gold award, and in 2012, he received a unique D&AD Black Pencil for the most awarded designer in their 50-year history. He is a member of Alliance Graphic International, a past President of D&AD, a past Master of The Faculty of Royal Designers for Industry, and in 1994, he was made a Royal Designer for Industry. Dempsey's expertise also encompasses design for posters for art exhibitions, theatre and dance to film titles. He is a writer, photographer, broadcaster, painter, blogger and he studied acting at the Method Studio, London. Today, he lives and works in London and Dorset. https://studiodempsey.co.uk Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. ©Grant Scott 2026

Max Morris's Not Sex Work: Queer Intimacy, Post-identity, and Incidental Encounters in the Digital Era (Routledge, 2025) brings together feminist theory, media studies, and queer research methodologies to offer new, compelling insight the relationships between money, digital platforms, and sex. Through longstanding engagement with gay, queer, and bisexual men who do not describe themselves as sex workers and who exchange sex or sexual services for money through digital platforms, Morris highlights how ‘incidental sex work' problematizes commonly-held assumptions of both work and intimacy. By starting from the position of unsettling what sex work might be, Morris holds space for ambivalences about labour, risk, and sex itself—destabilizing binaries found within both research and policy work. Not Sex Work's attention to how economics and intimacy shapes identity offers important analyses of not only what we might understand sex work to be, but also how digital platforms shape and reshape understandings of gender and sexuality. Max Morris is a Senior Lecturer in Criminology and Sociology at Oxford Brookes University. Using creative and feminist methodologies, their research focuses on gender, sexuality, HIV, digital platforms, and sex work. Rine Vieth is an FRQ Postdoctoral Fellow at Université Laval. They are currently studying how anti-gender mobilization shapes migration policy, particularly in regards to asylum determinations in the UK and Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Max Morris's Not Sex Work: Queer Intimacy, Post-identity, and Incidental Encounters in the Digital Era (Routledge, 2025) brings together feminist theory, media studies, and queer research methodologies to offer new, compelling insight the relationships between money, digital platforms, and sex. Through longstanding engagement with gay, queer, and bisexual men who do not describe themselves as sex workers and who exchange sex or sexual services for money through digital platforms, Morris highlights how ‘incidental sex work' problematizes commonly-held assumptions of both work and intimacy. By starting from the position of unsettling what sex work might be, Morris holds space for ambivalences about labour, risk, and sex itself—destabilizing binaries found within both research and policy work. Not Sex Work's attention to how economics and intimacy shapes identity offers important analyses of not only what we might understand sex work to be, but also how digital platforms shape and reshape understandings of gender and sexuality. Max Morris is a Senior Lecturer in Criminology and Sociology at Oxford Brookes University. Using creative and feminist methodologies, their research focuses on gender, sexuality, HIV, digital platforms, and sex work. Rine Vieth is an FRQ Postdoctoral Fellow at Université Laval. They are currently studying how anti-gender mobilization shapes migration policy, particularly in regards to asylum determinations in the UK and Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Max Morris's Not Sex Work: Queer Intimacy, Post-identity, and Incidental Encounters in the Digital Era (Routledge, 2025) brings together feminist theory, media studies, and queer research methodologies to offer new, compelling insight the relationships between money, digital platforms, and sex. Through longstanding engagement with gay, queer, and bisexual men who do not describe themselves as sex workers and who exchange sex or sexual services for money through digital platforms, Morris highlights how ‘incidental sex work' problematizes commonly-held assumptions of both work and intimacy. By starting from the position of unsettling what sex work might be, Morris holds space for ambivalences about labour, risk, and sex itself—destabilizing binaries found within both research and policy work. Not Sex Work's attention to how economics and intimacy shapes identity offers important analyses of not only what we might understand sex work to be, but also how digital platforms shape and reshape understandings of gender and sexuality. Max Morris is a Senior Lecturer in Criminology and Sociology at Oxford Brookes University. Using creative and feminist methodologies, their research focuses on gender, sexuality, HIV, digital platforms, and sex work. Rine Vieth is an FRQ Postdoctoral Fellow at Université Laval. They are currently studying how anti-gender mobilization shapes migration policy, particularly in regards to asylum determinations in the UK and Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Max Morris's Not Sex Work: Queer Intimacy, Post-identity, and Incidental Encounters in the Digital Era (Routledge, 2025) brings together feminist theory, media studies, and queer research methodologies to offer new, compelling insight the relationships between money, digital platforms, and sex. Through longstanding engagement with gay, queer, and bisexual men who do not describe themselves as sex workers and who exchange sex or sexual services for money through digital platforms, Morris highlights how ‘incidental sex work' problematizes commonly-held assumptions of both work and intimacy. By starting from the position of unsettling what sex work might be, Morris holds space for ambivalences about labour, risk, and sex itself—destabilizing binaries found within both research and policy work. Not Sex Work's attention to how economics and intimacy shapes identity offers important analyses of not only what we might understand sex work to be, but also how digital platforms shape and reshape understandings of gender and sexuality. Max Morris is a Senior Lecturer in Criminology and Sociology at Oxford Brookes University. Using creative and feminist methodologies, their research focuses on gender, sexuality, HIV, digital platforms, and sex work. Rine Vieth is an FRQ Postdoctoral Fellow at Université Laval. They are currently studying how anti-gender mobilization shapes migration policy, particularly in regards to asylum determinations in the UK and Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices

Max Morris's Not Sex Work: Queer Intimacy, Post-identity, and Incidental Encounters in the Digital Era (Routledge, 2025) brings together feminist theory, media studies, and queer research methodologies to offer new, compelling insight the relationships between money, digital platforms, and sex. Through longstanding engagement with gay, queer, and bisexual men who do not describe themselves as sex workers and who exchange sex or sexual services for money through digital platforms, Morris highlights how ‘incidental sex work' problematizes commonly-held assumptions of both work and intimacy. By starting from the position of unsettling what sex work might be, Morris holds space for ambivalences about labour, risk, and sex itself—destabilizing binaries found within both research and policy work. Not Sex Work's attention to how economics and intimacy shapes identity offers important analyses of not only what we might understand sex work to be, but also how digital platforms shape and reshape understandings of gender and sexuality. Max Morris is a Senior Lecturer in Criminology and Sociology at Oxford Brookes University. Using creative and feminist methodologies, their research focuses on gender, sexuality, HIV, digital platforms, and sex work. Rine Vieth is an FRQ Postdoctoral Fellow at Université Laval. They are currently studying how anti-gender mobilization shapes migration policy, particularly in regards to asylum determinations in the UK and Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices

Between 1997 and 2007, New Labour sought to reshape Britain into a more cohesive and forward-thinking society. The decade saw the rise of socially liberal attitudes and flourishing public services under a government committed to rebuilding and investing in them. Yet New Labour's track record was far from flawless and its legacy remains complicated and contested. Glen O'Hara, Professor of Modern and Contemporary History at Oxford Brookes University, examines both the intentions behind New Labour's policies and their real-world effects, and traces the lasting impact of the Blair years. Chaired by Nick Pearce, Institute for Policy Research. This Institute for Policy Research event took place on 5 May 2026.

In this inspiring episode, Sarah Short sits down with Fran McSweeney, a veteran of the UK charity sector who transformed her career at age 60. Fran shares her unique journey of navigating leadership with hidden disabilities and her passionate mission to bring the next generation of disabled leaders into senior rolesAbout the Guest: Fran McSweeneyFran has dedicated over 30 years to major UK charities, including Citizens Advice, Shelter, and the RNIB, specialising in service delivery and management. Despite being born with visual impairments and later discovering a benign brain tumour that affected her vocal cords, Fran successfully navigated a high-level career in leadership, often without even realising she was officially "disabled" until her mid-30s. Today, she combines her Master's degree in Coaching and Mentoring from Oxford Brookes University with her lived experience to coach emerging leaders with disabilities.About the EpisodeSarah and Fran discuss the intersection of professional coaching, personal identity, and the commercial realities of building a business. Key highlights include:The "Hidden" Disability: Fran shares the astonishing story of how she "winged it" through school and the first decade of her career as a legally blind person without a formal diagnosis until age 36. Breaking the Leadership Glass Ceiling: Why there is a lack of representation for disabled people in senior leadership and how Fran is working to change the internal narrative that keeps talented individuals from stepping up. The "Nail Your Niche" Game Changer: How a five-day challenge helped Fran realise that coaching expertise and marketing expertise are two entirely different scales—and why clarity is the ultimate confidence booster. The Pro Bono Trap: A candid discussion on the value of professional coaching and why "getting over ourselves" regarding money is essential to building a sustainable business. Communicating Value: Why most coaches struggle to articulate what they do in a way that non-coaches can understand, and how Fran finally "found her voice" to explain her worth. Ready to find your own focus?Join our next free Nail Your Niche challenge. You can register at ⁠thecoachingrevolution.com/nailyourniche⁠Have you enjoyed this episode? Find out more and take the FREE quiz at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://thecoachingrevolution.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the FREE Facebook group at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/groups/buildacoachingbusiness⁠⁠⁠⁠⁠

In episode 416 UNP founder and curator Grant Scott is reflecting on the big and small things that impact on the everyday engagement we all have with photography. Mentioned in this episode: Cengiz Yar www.cengizyar.com Sayuri Ichida www.sayuriichida.com Angine de Poitrine - Full Performance (Live on KEXP) https://youtu.be/0Ssi-9wS1so?si=6ThZCxvnFibNcu0j Captain Beefheart & His Magic Band - Trout Mask Replica [Full Album] https://youtu.be/aF0g-2SeoMM?si=I8hFqowFRJzUsqb8 The Fall - Eat Y'Self Fitter https://youtu.be/yFCOt6wbm80?si=s6tMQgV8VolqKavU Can - Future Days [Full Album] https://youtu.be/wQxMB4Wk_y8?si=v_OVCxUY3e3IhIO8 Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), What Does Photography Mean To You? (Bluecoat Press 2020) and Inside Vogue House: One building, seven magazines, sixty years of stories, (Orphans Publishing 2024). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. © Grant Scott 2026

In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Mentioned in this episode: https://nederlandsfotomuseum.nl/en/ www.edvanderelsken.nl www.vivianesassen.com https://antoncorbijn.com/index.html Charles Bukowski https://en.wikipedia.org/wiki/Charles_Bukowski Bas Jan Ader www.meliksetianbriggs.com/artists/bas-jan-ader Stacii Samidin www.staciisamidin.com/videography/ Hans Poley www.imdb.com/title/tt1691153/ Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, Cosmopolitan, House & Garden, GQ India, Myself, Germany and Russian Vogue (twice). Between 2013 and 2019, sh was Art Director of New Markets and Brand Development for Condé Nast International, and oversaw 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded her photography magazine DayFour. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. She has been Art Director of contemporary art auction house Phillips de Pury in London and New York and currently divides her time between design consultancy for commercial clients, and lecturing. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. © Grant Scott 2026

John Maytham speaks to Valerie van Mulukom, Senior Lecturer in Psychology at Oxford Brookes University, who explains that flow is more than just deep concentration — it’s a state where the brain becomes highly efficient, quieting internal noise like self-doubt and rumination. First conceptualised by Mihaly Csikszentmihalyi, flow allows individuals to become fully immersed in an activity, often improving both performance and wellbeing. Presenter John Maytham is an actor and author-turned-talk radio veteran and seasoned journalist. His show serves a round-up of local and international news coupled with the latest in business, sport, traffic and weather. The host’s eclectic interests mean the program often surprises the audience with intriguing book reviews and inspiring interviews profiling artists. A daily highlight is Rapid Fire, just after 5:30pm. CapeTalk fans call in, to stump the presenter with their general knowledge questions. Another firm favourite is the humorous Thursday crossing with award-winning journalist Rebecca Davis, called “Plan B”. Thank you for listening to a podcast from Afternoon Drive with John Maytham Listen live on Primedia+ weekdays from 15:00 and 18:00 (SA Time) to Afternoon Drive with John Maytham broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/BSFy4Cn or find all the catch-up podcasts here https://buff.ly/n8nWt4x Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

In this week's episode photographer Lynn Goldsmith takes on our ‘Proust Photo Quiz'… Lynn Goldsmith's photography has appeared on and between the covers of Life, Newsweek, Time, Vanity Fair, Rolling Stone, Sports Illustrated, National Geographic Traveler, People, Elle, Interview, and the The New Yorker amongst many others. Her subjects have varied from entertainment personalities to sports stars, from film directors to authors and her work is held in numerous museum collections and personal art collections. Fifteen books of Goldsmith's imagery have been published and she has also received two New York Art Direction awards. In 1971, she was a director for the first company to present video magnification for rock groups entertaining at large venues and in 1972, she became a director for the first rock show on late night television titled In Concert. In 1973, she stopped directing TV to co-manage the band Grand Funk Railroad. In 1976 Goldsmith left management to focus on a career as a photographer and founded a photo agency that licensed her work and others to publications across the globe. By the early 80's she expanded her creativity as 'Will Powers', and wrote and produced the album Dancing For Mental Health. Working with noted musicians Sting, Steve Winwood, Todd Rundgren and Nile Rodgers, the album won critical acclaim. In 2016 a lawsuit was brought against her by the Andy Warhol Foundation for her studio portrait of Prince. For seven years she fought to protect her copyright, and that of all artists, to their work. The legal battle went to the Supreme Court, and 2023, she won a 7-2 victory. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott continues to work as a photographer, writer and filmmaker and is the Subject Coordinator for both undergraduate and post graduate study of photography at Oxford Brookes University, Oxford, England. © Grant Scott 2026

In episode 413 UNP founder and curator Grant Scott is reflecting on the big and small things that impact on the everyday engagement we all have with photography. Mentioned in this episode: https://fwo3.com www.mattmahurin.com Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), What Does Photography Mean To You? (Bluecoat Press 2020) and Inside Vogue House: One building, seven magazines, sixty years of stories, (Orphans Publishing 2024). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. © Grant Scott 2026

For the second time in 12 years Glasgow is preparing to host the Commonwealth Games after Australia's Victoria state pulled out because of increased costs. Victoria's withdrawal raised questions about whether the 2026 games would go ahead before Glasgow agreed to step in. Staging a sporting mega-event is expensive and governments face increasing scrutiny over public spending. Victoria's decision raised wider questions about affordability for potential hosts. At the same time, critics question the Games' political relevance, given its origins in Britain's colonial past.The Commonwealth Games Federation says the event can be delivered in a more sustainable way and argues that it brings cultural and economic benefits to host cities, but recent editions have run into significant costs and budget pressures.This week on The Inquiry, Tanya Beckett asks ‘Is it time to scrap the Commonwealth Games?'ContributorsDr Stuart Whigham, Senior Lecturer in Sport, Coaching and Physical Education at Oxford Brookes University, UKDr Matthew McDowell, Lecturer in Sport Policy, Management, and International Development at the University of Edinburgh, UK Dr Verity Postlethwaite, Lecturer in Strategic Event Management at Loughborough University, UKProfessor Gayle McPherson, Associate Dean for Research at the University of the West of Scotland, and Director of Legacy and Community Engagement for Commonwealth Games Scotland, UKPresenter: Tanya Beckett Producer: Matt Toulson Researcher: Evie Yabsley Technical Producer: Craig Boardman Editor: Tom Bigwood Production Management: Phoebe Lomas and Liam Morrey(Photo: Commonwealth Games Gold Medal. Credit: Adrian Dennis/Getty Images)

In this monthly conversation series Grant Scott speaks with editor, writer and curator of photography Bill Shapiro. In an informal conversation each month Grant and Bill comment on the photographic environment as they see it. This month Bill and Grant take on the photo competition. Bill Shapiro Bill Shapiro served as the Editor-in-Chief of LIFE, the legendary photo magazine; LIFE's relaunch in 2004 was the largest in Time Inc. history. Later, he was the founding Editor-in-Chief of LIFE.com, which won the 2011 National Magazine Award for digital photography. Shapiro is the author of several books, among them Gus & Me, a children's book he co-wrote with Rolling Stones guitarist Keith Richards and, What We Keep, which looks at the objects in our life that hold the most emotional significance. A fine-art photography curator for New York galleries and a consultant to photographers, Shapiro is also a Contributing Editor to the Leica Conversations series. He has written about photography for the New York Times Magazine, Vanity Fair, the Atlantic, Vogue, and Esquire, among others. Every Friday — more or less — he posts about under-the-radar photographers on his Instagram feed, where he's @billshapiro. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. ©Grant Scott 2026

What's the episode about?In this episode, hear Professor Beverley Clack on philosophyof religion, failure, loss, neoliberalism, thinking about death and not freaking out, women, gender and good public conversations about difficult topics Who is Bev? Beverley Clack is Visiting Fellow at Harris Manchester College, Oxford. She is funded by the Westminster College Oxford Trust to research and create projects which enable flourishing in and outside the Methodist Church. Beverley taught for many yearsat Oxford Brookes University, where she is Professor Emerita in the Philosophy of Religion at Oxford Brookes University.  Her publications include Feminism, Religion and Practical Reason (Cambridge 2021); How to be a Failure andStill Live Well (2020); Philosophy of Religion: A Critical Introduction, co-authored with Brian R Clack (3rd edition published in 2019); Freud on the Couch (2013); Sex and Death: A Reappraisal of Human Mortality (2002); and Misogyny in the Western Philosophical Tradition (1999). She is currently working on How to Think about Death (And Not Freak Out) for Bloomsbury. How do I cite the episode in my research and reading lists?To cite this episode, you can use the following citation: Clack, B. (2026) Interview on The Death Studies Podcast hosted by Michael-Fox, B. and Visser, R. Published 1 April 2026. Available at: www.thedeathstudiespodcast.com, DOI: 10.6084/m9.figshare.31916916 What next?Check out more episodes or find out more about the hosts! Gota question? Get in touch.

In this week's episode photographer Perry Ogden takes on our 'Proust Photo Quiz'. The Proust Questionnaire is a set of questions answered by the French writer Marcel Proust. Proust answered the questionnaire in a confession album, a form of parlour game popular at the end of the 1890s. The album, titled An Album to Record Thoughts, Feelings, etc. was found in 1924 and published in the French literary journal Les Cahiers du Mois. Our 'Proust Photo Quiz' is an adaption of the original text. Perry Ogden Perry Ogden was born in Shropshire, England, grew up in London and now lives in Dublin, Ireland. His photographs have appeared in countless magazines worldwide including Italian Vogue, Luomo Vogue, British Vogue, W, The Face and Arena. He has photographed advertising campaigns for Ralph Lauren, Chloe and Calvin Klein amongst many others. These have supplemented his personal projects including his Pony Kids body of work, which was published by Jonathan Cape/Aperture in 1999. His photographs of the artist Francis Bacon's studio,7 Reece Mews, were published by Thames and Hudson in 2001 and exhibited widely at galleries and museums including The Hugh Lane in Dublin, the Fondation Beyeler in Basle and the Fondation van Gogh in Arles. His first film Pavee Lackeen (The Traveller Girl) premiered in 2005 and won numerous awards around the world including the Satyajit Ray award for Best First Film at the London Film Festival and the Irish Film & Television Award for Best Film. Exhibitions of his work since 2010 include: Inspiration at the Sebastian Guinness Gallery, Dublin, 2010. Twenty at the Irish Museum of Modern Art in 2011, a group show celebrating the first twenty-years of the museum and Reined In, 2020, at The National Gallery of Ireland. Ogden's most recent book Paddy & Liam documenting two Traveller brothers Paddy and Liam Doran was published in 2018. In 2019 his 16 minute film FÍ made for the Design and Craft Council of Ireland was screened in Dublin, Paris, Tokyo and New York. A film about Perry's work Skin & Soul:The Life and Work of Perry Ogden was premiered at the Dublin International Film Festival in March 2020. www.perryogden.com and www.ifiinternational.ie/film/skin-soul/ Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006), Crash Happy: A Night at The Bangers (Cafe Royal Books 2012) and Inside Vogue House: One building, seven magazines, sixty years of stories (Orphans Publishing 2024). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. © Grant Scott 2026

In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Mentioned in this episode: Don Mcullin https://holburne.org/opening-in-january-don-mccullin-broken-beauty/ and https://www.hauserwirth.com/hauser-wirth-exhibitions/don-mccullin-90/ Gordon Parks https://alisonjacques.com/exhibitions/gordon-parks-we-shall-not-be-moved Catherine Opie https://www.npg.org.uk/whatson/exhibitions/2026/catherine-opie-to-be-seen Jack Davison https://www.cobgallery.com/exhibitions/131-portraits-1416-november-jack-davison/ Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale now wherever you buy your books. © Grant Scott 2026

In episode 409 UNP founder and curator Grant Scott is reflecting on the big and small things that impact on the everyday engagement we all have with photography. Mentioned in this episode: W. Eugene Smith: Shadow and Substance - The Life and Work of an American Photographer: Jim Hughes, 1989. Gene Smith's Sink: A Wide-Angle View - Sam Stephenson, 2017. Minamata (2020) theatrical trailer https://www.youtube.com/watch?v=hOXN6zgNwfk W. Eugene Smith: Photography Made Difficult (1989) https://www.youtube.com/watch?v=E3nNDOrJWjA W.Eugene Smith: The Camera as Conscience (1998) Thames & Hudson Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), What Does Photography Mean To You? (Bluecoat Press 2020) and Inside Vogue House: One building, seven magazines, sixty years of stories, (Orphans Publishing 2024). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. © Grant Scott 2026

In this monthly conversation series Grant Scott speaks with editor, writer and curator of photography Bill Shapiro. In an informal conversation each month Grant and Bill comment on the photographic environment as they see it. This month Bill and Grant rigorously respond to listeners questions and comments concerning Instagram for photographers. Mentioned in this episode: Ezra Klein podcast https://overcast.fm/+AAoiPULZ3V4 Bill Shapiro Bill Shapiro served as the Editor-in-Chief of LIFE, the legendary photo magazine; LIFE's relaunch in 2004 was the largest in Time Inc. history. Later, he was the founding Editor-in-Chief of LIFE.com, which won the 2011 National Magazine Award for digital photography. Shapiro is the author of several books, among them Gus & Me, a children's book he co-wrote with Rolling Stones guitarist Keith Richards and, What We Keep, which looks at the objects in our life that hold the most emotional significance. A fine-art photography curator for New York galleries and a consultant to photographers, Shapiro is also a Contributing Editor to the Leica Conversations series. He has written about photography for the New York Times Magazine, Vanity Fair, the Atlantic, Vogue, and Esquire, among others. Every Friday — more or less — he posts about under-the-radar photographers on his Instagram feed, where he's @billshapiro. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. ©Grant Scott 2026

In this week's episode photographer Pete Souza takes on our 'Proust Photo Quiz'... The Proust Questionnaire is a set of questions answered by the French writer Marcel Proust. Proust answered the questionnaire in a confession album, a form of parlour game popular at the end of the 1890s. The album, titled An Album to Record Thoughts, Feelings, etc. was found in 1924 and published in the French literary journal Les Cahiers du Mois. Our 'Proust Photo Quiz' is an adaption of the original text. Pete Souza is a best-selling author, speaker and freelance photographer. He started his career working for two small newspapers in Kansas. From there, he worked as a staff photographer for the Chicago Sun-Times;  an Official Photographer for President Reagan; a freelancer for National Geographic  and other publications; the national photographer for the Chicago Tribune based in their Washington, D.C. bureau; and an assistant professor of photojournalism at Ohio University. While at the Tribune, Souza was part of the staff awarded the Pulitzer Prize in 2001. After 9/11, he was among the first journalists to cover the fall of Kabul, Afghanistan. In 1992, Souza published, Unguarded Moments: Behind-the-Scenes Photographs of President Reagan, based on his 5 1/2 years in the Reagan White House. Souza was also the official photographer for the 2004 funeral of President Reagan. His 2008 book, The Rise of Barack Obama, includes exclusive photographs of Obama's rise to power. For all eight years of the Obama administration, Souza was the Chief Official White House Photographer and the Director of the White House photo office. His book, Obama: An Intimate Portrait, was published in 2017. His 2018 book, Shade: A Tale of Two Presidents, tells the tale of the Obama and Trump administrations. In 2021, Souza was inducted into the International Photography Hall of Fame. In 2022, he was honored with the Lifetime Achievement Award from the Professional Photographers of America. Based on his best-selling books, Souza became the subject of a documentary film in 2020, The Way I See It. The film was nominated for an Emmy. Souza's most recent photography book, The West Wing and Beyond: What I Saw Inside the Presidency, was published in 2022. He has won numerous photojournalism awards and had solo exhibits of his photographs at numerous galleries. He is also Professor Emeritus of Visual Communication at Ohio University. www.petesouza.com Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott continues to work as a photographer, writer and filmmaker and is the Subject Coordinator for both undergraduate and post graduate study of photography at Oxford Brookes University, Oxford, England. © Grant Scott 2026

In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Mentioned in this episode: https://gagosian.com/exhibitions/2026/nan-goldin-the-ballad-of-sexual-dependency https://gagosian.com/exhibitions/2026/richard-avedon-facing-west/ www.npg.org.uk/whatson/exhibitions/2025/taylor-wessing-photo-portrait-prize/ https://website-artlogicwebsite0087.artlogic.net/viewing-room/69/ Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale now wherever you buy your books. © Grant Scott 2025

In episode 405 UNP founder and curator Grant Scott is reflecting on the big and small things that impact on the everyday engagement we all have with photography. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), What Does Photography Mean To You? (Bluecoat Press 2020) and Inside Vogue House: One building, seven magazines, sixty years of stories, (Orphans Publishing 2024). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. © Grant Scott 2026

In this monthly conversation series Grant Scott speaks with editor, writer and curator of photography Bill Shapiro. In an informal conversation each month Grant and Bill comment on the photographic environment as they see it. This month Bill and Grant talk about the past present and future of Instgram for photographers. Mentioned in this episode: https://www.instagram.com/p/DS7pz7-DuZG/?utm_source=ig_embed&ig_rid=7dce65f3-a428-4e8e-9c20-99bc26bb5cd8&img_index=1 Bill Shapiro Bill Shapiro served as the Editor-in-Chief of LIFE, the legendary photo magazine; LIFE's relaunch in 2004 was the largest in Time Inc. history. Later, he was the founding Editor-in-Chief of LIFE.com, which won the 2011 National Magazine Award for digital photography. Shapiro is the author of several books, among them Gus & Me, a children's book he co-wrote with Rolling Stones guitarist Keith Richards and, What We Keep, which looks at the objects in our life that hold the most emotional significance. A fine-art photography curator for New York galleries and a consultant to photographers, Shapiro is also a Contributing Editor to the Leica Conversations series. He has written about photography for the New York Times Magazine, Vanity Fair, the Atlantic, Vogue, and Esquire, among others. Every Friday — more or less — he posts about under-the-radar photographers on his Instagram feed, where he's @billshapiro. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. ©Grant Scott 2026

Charles Acknin is Co-Founder and CEO of Skyways.  Skyways is building unmanned aircraft systems designed to revolutionize autonomous cargo transportation. Unlike many competitors still in development, Skyways' aircraft are operational today — carrying meaningful payloads over significant distances for both military and commercial customers. Based in Austin, Skyways is now shifting toward mass production of its autonomous aircraft, building confidence through real-world cargo missions that could ultimately enable future passenger applications. At Skyways, Charles leads the company's strategic vision and oversees operations, product development, and growth initiatives in autonomous aviation. Prior to Skyways, Charles co-founded and served as CEO of Elixir Labs. Before that, he was a Senior Software Engineer at Google, where he worked on the company's search engine for nearly five years and spent a year advancing Google's mission of universal accessibility. Earlier in his career, Charles held engineering roles at Oracle, Cosworld-Asia in Shanghai, and Amadeus. He also participated in Google Summer of Code, contributing to the open-source version control system Subversion. Charles holds a Master of Science in Software Engineering from Oxford Brookes University and a Master of Science in Computer Science from SUPINFO. In this episode of the Drone Radio Show, Charles shares how Skyways is turning autonomous cargo drones from experimental technology into dependable, scalable logistics systems.

In this weeks episode we launch the new 'Proust Photo Quiz'. Friend of the podcast photographer Harry Borden is the first to take the questions on... The Proust Questionnaire is a set of questions answered by the French writer Marcel Proust. Proust answered the questionnaire in a confession album, titled An Album to Record Thoughts, Feelings, etc. The album was found in 1924 and published in the French literary journal Les Cahiers du Mois. Our 'Proust Photo Quiz' is an adaption of the original text. Harry Borden was born in New York and brought up on a farm in Devon in the South West of England. He studied photography at Plymouth College of Art and Design. Borden moved to London after graduation, where he worked as an assistant for the photographer Lester Bookbinder. He received his first commission from The Observer in 1994 and continued to work for the title until the present day photographing celebrities, musicians, creatives and politicians. Examples of Borden's work are held in the collections of the National Portrait Gallery, London and National Portrait Gallery, Australia and appeared regularly in Harpers & Queen, Vogue and The New Yorker. In June 2005, he had his first solo exhibition at the National Portrait Gallery, London titled Harry Borden: On Business which included 30 portraits of leading business leaders. In 2017 his book Survivor, A Portrait of the Survivors of the Holocaust was published having been shortlisted for the European Publishers Award for Photography in 2014. It was later judged among the 10 best photography books of 2018 by the Kraszna-Krausz Foundation. In 2021 his second book Single Dad was published by Hoxton Mini Press. He continues to work on a commissioned basis and on personal work, whilst also lecturing on the MA Professional Photography at Oxford Brookes University. Borden's YouTube channel which contains films made with his son Fred can be found at www.youtube.com/@fredandharryborden his photography at www.harryborden.com Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott continues to work as a photographer, writer and filmmaker and is the Subject Coordinator for both undergraduate and post graduate study of photography at Oxford Brookes University, Oxford, England. Scott's book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is now on sale. © Grant Scott 2026

In episode 402 UNP founder and curator Grant Scott reflects on the big and small things that impact on the everyday engagement we all have with photography. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), What Does Photography Mean To You? (Bluecoat Press 2020) and Inside Vogue House: One building, seven magazines, sixty years of stories, (Orphans Publishing 2024). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. © Grant Scott 2026

In episode 401 UNP founder and curator Grant Scott is reflecting on the big and small things that impact on the everyday engagement we all have with photography. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), What Does Photography Mean To You? (Bluecoat Press 2020) and Inside Vogue House: One building, seven magazines, sixty years of stories, (Orphans Publishing 2024). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. © Grant Scott 2026

In this special 400th episode UNP founder and curator Grant Scott looks back over the podcast's evolution from idea to reality, from shed to garage and from one man talking into a microphone to live events. Engaging in trans-Atlantic conversations and building an incredible archive of photographers thoughts on photography. Contributors to the mega mix in order of appearance: Tom Stoddart Daniel Meadows Alys Tomlinson Ilona Langbroek Ashleigh Coleman David Rothenberg The Guzman Harry Borden Fabio Ponzio Jason Langer Kenneth Jarecke Katherine MacDaid Jill Hannes Mark Klett Greg Marinovich Paul Lowe Anna Boyiazis Andrew Jackson Jeremy Nicholl Simon Roberts Yukari Chikura Polly Alderton Seamus Murphy Sirrka Konttinen Yael Martinez Venetia Dearden Derek Ridgers Dan Burn Forti David Eustace Julia Fullerton Batten JM Golding Stephen Dupont Tim Davis Robert Trachtenberg Ruth Lauer Manetti Richard Ansett Reuben Wu Pixy Liao Paul Russell Mona Kuhn Melissa Breyer Buku Sarker Chris Floyd Alys Tomlinson Aaron Turner AD Coleman Brian Griffin Claire Thomas Cathal McNaughton Craig Easton Dafydd Jones Danna Singer Ed Kashi Jim Mortram Daniel Meadows David Eustace Art Streiber Tom Oldham Clare Strand Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), What Does Photography Mean To You? (Bluecoat Press 2020) and Inside Vogue House: One building, seven magazines, sixty years of stories, (Orphans Publishing 2024). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. © Grant Scott 2026

In this special episode, editor, writer and curator of photography Bill Shapiro, art director, creative director and lecturer Fiona Hayes and UNP founder and curator Grant Scott look back on 2025 and forward to 2026 reflecting on photo exhibitions, books, social media, publishing and the expectations of the Twenty First Century photographer. Bill Shapiro Bill Shapiro served as the Editor-in-Chief of LIFE, the legendary photo magazine. He was the founding Editor-in-Chief of LIFE.com, which won the 2011 National Magazine Award for digital photography. A fine-art photography curator for New York galleries and a consultant to photographers, Shapiro is also a Contributing Editor to the Leica Conversations series. He has written about photography for the New York Times Magazine, Vanity Fair, the Atlantic, Vogue, and Esquire, among others. Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. She currently divides her time between design consultancy for commercial clients, and lecturing. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), What Does Photography Mean To You? (Bluecoat Press 2020) and Inside Vogue House: One building, seven magazines, sixty years of stories, (Orphans Publishing 2024). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. © Grant Scott 2025

In this special episode recorded at our A Photographic Life Live 2025 event at Oxford Brookes University Grant speaks with photographic historian Dr Michael Pritchard concerning the importance of creating an organised archive, making money from an archive and how to leave your archive for those who will inherit it. Dr Michael Pritchard Dr Michael Pritchard has a practical knowledge of studio and location photography, darkroom processing and printing, and digital photography.  He joined Christie's, the fine art auction house, as a photography specialist in 1986 and grew auctions of cameras and photographic equipment and associated material, setting many world auction records. He was also an auctioneer, and became a Christie's Director and International Business Director for collectibles across the company. In 2007 he became a consultant for Christie's working on a new cataloguing and property control system. He also undertook a PhD in history of photography between 2007 and 2010. His thesis examined photographic manufacturing and retailing from 1839-1914.  He has taught history of photography at MA level at De Montfort University and catalogued and organised the Kodak Historical Collection at the British Library for public access. Pritchard was recruited to the Royal Photographic Society (RPS) in 2011 as Chief Executive, becoming Director of Programmes from 2018-2023. During his tenure he brought a renewed public profile for the RPS  and oversaw an expansion in its public activities, not least growing its membership to the largest in its history. In 2024 he established his own consultancy. He continues to support the RPS. Pritchard continues to actively research the history of photography and regularly delivers conference papers and publishes across the field. He edits the British Photographic History blog and The PhotoHistorian. His knowledge is regularly sought and he shares his expertise and knowledge of photography and its history with other academics and institutions, students, collectors and the general public.  He gives regular talks and has broadcast on a wide range of photographic subjects. His most recent book is A History of Photography in 50 Cameras (Bloomsbury).  https://mpritchard.squarespace.com Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale February 2024. © Grant Scott 2025

In this special episode recorded at our A Photographic Life Live 2025 event at Oxford Brookes University Grant speaks with photographer and filmmaker Chris Floyd focusing on his approach to the photographic portrait, and the physical, spiritual and mental requirements of photographing celebrities. Chris Floyd Chris Floyd is a British photographer and film maker.  His photographic work has appeared in some of the world's most highly respected publications, including Vogue, Vanity Fair, The New Yorker, Harpers Bazaar, GQ, Esquire, The New York Times Magazine, The Sunday Times Magazine and Wallpaper* among others. In April 2021 Floyd was commissioned by The Duke and Duchess of Cambridge to photograph them at Kensington Palace in London in honour of their tenth wedding anniversary. In 2022 he published his first monograph dedicated to the broad sweep of his career 'NOT JUST PICTURES' is a 320 page volume, of portraits, with 60 pieces of written text that tell the stories behind some of his favourite pictures. Floyd has produced commercial work for Apple, Avis, Berry Bros. & Rudd, Glenfiddich, Haleon, Open University, Philips, Sony, The National Lottery, and Virgin Radio. As a director he has produced moving image work for Avis, BMW, Anthropologie, Nissan, Mr Porter, Sleaford Mods, The Smithsonian, Space NK, UBS, and Virgin Radio. www.chrisfloyd.com Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. © Grant Scott 2025

Show Notes In this episode Simon speaks with Tatiana Bachkirova, a leading scholar in coaching psychology. They explore how AI is impacting on the field of coaching and what it means to remain human in a world increasingly driven by algorithms. The discussion moves fluidly between neuroscience, pseudo-science, identity, belonging, and ethics, reflecting on the tensions between performance culture and authentic human development. They discuss how coaching must expand beyond individual self-optimization toward supporting meaningful, value-based projects and understanding the broader social and organisational contexts in which people live and work.  AI underscores the need for ethical grounding in coaching. Ultimately, the episode reclaims coaching as a moral and relational practice, reminding listeners that the future of coaching depends not on technology, but on how we choose to stay human within it. Key Reflections AI is often a solution in search of a problem, revealing more about our anxieties than our needs. Coaching must evolve with the changing world, engaging complexity rather than retreating to technique. The focus should be on meaningful, value-driven projects that connect personal purpose with collective good. AI coaching risks eroding depth, ethics, and relational presence if not grounded in human awareness. Critical thinking anchors coaching in understanding rather than compliance, enabling ethical discernment. The relational quality defines coaching effectiveness - authentic dialogue remains its living core. Coaching should move from performance and self-optimization to reflection, purpose, and contribution. Human connection and ethical practice sustain trust, belonging, and relevance in the digital age. The future of coaching lies in integrating technology without losing our humanity. Keywords Coaching psychology, AI in coaching, organisational coaching, identity, belonging, neuroscience, critical thinking, human coaching, coaching ethics, coaching research Brief Bio Tatiana Bachkirova is Professor of Coaching Psychology in the International Centre for Coaching and Mentoring Studies at Oxford Brookes University, UK. She supervises doctoral students as an academic, and human coaches as a practitioner. She is a leading scholar in Coaching Psychology and in recent years has been exploring themes such as the role of AI in coaching, the deeper purpose of organisational coaching, what leaders seek to learn at work, and critical perspectives on the neuroscience of coaching.  In her over 80 research articles in leading journals, book chapters and books and in her many speaking engagements she addresses most challenging issues of coaching as a service to individuals, organisations and wider societies.

In this special episode recorded at our A Photographic Life Live 2025 event at Oxford Brookes University Grant speaks with photographer and filmmaker focusing on her dedication to the long form project, her film Mother Vera and the the need for dedicated research when building a body of work. Alys Tomlinson Tomlinson was born and grew up in Brighton, UK and studied English, literature and communications at the University of Leeds.After graduating in the mid-1990s, she moved to New York City for a year, where she undertook her first commission as a photographer, shooting all the pictures for the Time Out Guide to the city. She returned to London to study photography at Central Saint Martins College of Art and Design and later completed a part-time MA in the anthropology of travel, tourism and pilgrimage at SOAS University of London. During each of several later trips to New York City over four years, she walked the 14 mile length of Broadway, first in full taking 10 hours then in sections, and making street portraits. This resulted in the book Following Broadway (2013). Tomlinson's book Ex-Voto (2019) documents ex-voto (votive offerings made to a saint or to a divinity) left at several European destinations of Christian pilgrimage: the Sanctuary of Our Lady of Lourdes, France; Ballyvourney, Ireland; and the Grabarka Holy Mount in Podlaskie Voivodeship, Poland, close to the border with Belarus. Tomlinson's film Mother Vera, accompanies her Ex-Voto work. https://www.motherverafilm.co.uk Lost Summer (2020) is a book of black and white portraits of young people aged between 15 and 19 in north London. With the cancellation of final exams and ritual events such as proms and graduations due to the COVID-19 pandemic, Tomlinson photographed her subjects in the outfits they would have worn to prom, in their gardens and local parks. Her latest project Gli Isolani (The Islanders) was published by GOST Books in 2022. Alys's work is collected privately and is in the following collections: National Portrait Gallery (London), The Rencontres d'Arles Collection, The Bodleian Library, AmberSide Collection. https://alystomlinson.co.uk Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale February 2024. Image: Vera by Alys Tomlinson © Grant Scott 2025

In this monthly conversation series Grant Scott speaks with editor, writer and curator of photography Bill Shapiro. In an informal conversation each month Grant and Bill comment on the photographic environment as they see it. This month Bill reflects on his recent trip to Paris Photo, whilst he and Grant lock horns over AI and agree about the importance of experts. Mentioned in this episode: Jack Davison www.jackdavison.co.uk Marie-Laure de Decker www.mep-fr.org/en/event/marie-laure-de-decker-3/ Nino Migliori www.keithdelellisgallery.com/artists/nino-migliori Erica Lennard https://ericalennardphotography.com Fred Herzog www.equinoxgallery.com/our-artists/fred-herzog/ Emma Hartvig www.emmahartvig.com Kit Young www.kityoung.co.uk Henry O. Head www.henryohead.com Michael Wolf https://photomichaelwolf.com The Hulett Collection https://thehulettcollection.com Louis Stettner https://louisstettner.co Todd Webb www.toddwebbarchive.com Phillip Toledano https://mrtoledano.com Sean Scully www.tate.org.uk/art/artists/sean-scully-1917 Paul Strand www.icp.org/browse/archive/constituents/paul-strand www.bluephoto.co Bill Shapiro Bill Shapiro served as the Editor-in-Chief of LIFE, the legendary photo magazine; LIFE's relaunch in 2004 was the largest in Time Inc. history. Later, he was the founding Editor-in-Chief of LIFE.com, which won the 2011 National Magazine Award for digital photography. Shapiro is the author of several books, among them Gus & Me, a children's book he co-wrote with Rolling Stones guitarist Keith Richards and, What We Keep, which looks at the objects in our life that hold the most emotional significance. A fine-art photography curator for New York galleries and a consultant to photographers, Shapiro is also a Contributing Editor to the Leica Conversations series. He has written about photography for the New York Times Magazine, Vanity Fair, the Atlantic, Vogue, and Esquire, among others. Every Friday — more or less — he posts about under-the-radar photographers on his Instagram feed, where he's @billshapiro. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. ©Grant Scott 2025

David A. Hughes discusses his excellent book on the history of the deep state, the many parallels between the totalitarianism of one century ago and the current tyranny being constructed, and their renewed push to establish a global technocratic biodigital concentration camp once more. Watch on BitChute / Brighteon / Rumble / Substack / YouTube *Support Geopolitics & Empire! Become a Member https://geopoliticsandempire.substack.com Donate https://geopoliticsandempire.com/donations Consult https://geopoliticsandempire.com/consultation **Visit Our Affiliates & Sponsors! Above Phone https://abovephone.com/?above=geopolitics easyDNS (15% off with GEOPOLITICS) https://easydns.com Escape The Technocracy (15% off with GEOPOLITICS) https://escapethetechnocracy.com/geopolitics Outbound Mexico https://outboundmx.com PassVult https://passvult.com Sociatates Civis https://societates-civis.com StartMail https://www.startmail.com/partner/?ref=ngu4nzr Wise Wolf Gold https://www.wolfpack.gold/?ref=geopolitics Websites Substack https://dhughes.substack.com Books https://www.amazon.com/stores/David-A-Hughes/author/B0D4X8J3KH Support https://davidahughes.net/support About David A. Hughes David A. Hughes was Senior Lecturer in International Relations at the University of Lincoln (UK). He received his undergraduate and master's degrees from Oxford University and holds doctorates in German Studies from Duke University and International Relations from Oxford Brookes University. His research focuses on psychological warfare, 9/11, COVID-19, the deep state, technocracy, global class relations, and resurgent totalitarianism. He is author of “Covid-19,” Psychological Operations, and the War for Technocracy: Volume 1″ and “Wall Street, the Nazis, and the Crimes of the Deep State”. *Podcast intro music used with permission is from the song “The Queens Jig” by the fantastic “Musicke & Mirth” from their album “Music for Two Lyra Viols”: http://musicke-mirth.de/en/recordings.html (available on iTunes or Amazon)

In episode 394 UNP founder and curator Grant Scott is in his shed reflecting on the big and small things that impact on the everyday engagement we all have with photography. Mentioned in this episode: https://jeanloupsieff.com www.corinneday.com www.rankinphoto.co.uk Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is now on sale. © Grant Scott 2025

In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Mentioned in this episode: https://thephotographersgallery.org.uk/whats-on/boris-mikhailov-ukrainian-diary www.npg.org.uk/whatson/exhibitions/2025/cecil-beaton/ https://www.youtube.com/watch?v=rLjkQyp2Bjk www.saatchigallery.com/exhibition/futurespective Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale now wherever you buy your books. ©Grant Scott 2025

In episode 392 UNP founder and curator Grant Scott is in his shed reflecting on the big and small things that impact on the everyday engagement we all have with photography. Mentioned in this episode: Huger Foote https://hugerfoote.com Gille Tapie www.fashionmodeldirectory.com/photographers/gilles-tapie/ Dewey Nicks https://deweynicks.com Javier Vallonrat www.mfilomeno.com/artist/javier-vallhonrat/gallery/commercial-2/ Michel Momy https://michelmomy.photography/?photo=0 Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is now on sale. © Grant Scott 2025

In this monthly conversation series Grant Scott speaks with editor, writer and curator of photography Bill Shapiro. In an informal conversation each month Grant and Bill comment on the photographic environment as they see it. This month they throw quotes from famous photographers at each other and reflect on the meanings of those quotes. Bill Shapiro Bill Shapiro served as the Editor-in-Chief of LIFE, the legendary photo magazine; LIFE's relaunch in 2004 was the largest in Time Inc. history. Later, he was the founding Editor-in-Chief of LIFE.com, which won the 2011 National Magazine Award for digital photography. Shapiro is the author of several books, among them Gus & Me, a children's book he co-wrote with Rolling Stones guitarist Keith Richards and, What We Keep, which looks at the objects in our life that hold the most emotional significance. A fine-art photography curator for New York galleries and a consultant to photographers, Shapiro is also a Contributing Editor to the Leica Conversations series. He has written about photography for the New York Times Magazine, Vanity Fair, the Atlantic, Vogue, and Esquire, among others. Every Friday — more or less — he posts about under-the-radar photographers on his Instagram feed, where he's @billshapiro. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale now wherever you buy your books. © Grant Scott 2025

The MAGA cult's idol worship is the fuel for Trump's war on American democracy. As British politics lurches to the right, could something similar ever happen here? Could violent racist nationalism and conspiracy thinking build a know-nothing cult of personality that would threaten our society? Prof Roger Griffin is one of the world's top experts on the dynamics of fascism and emeritus professor in Modern History at Oxford Brookes University. He explains the crucial differences between American populism and the British far-right… why a movement doesn't have to be strictly fascist to threaten a liberal democracy… and what ordinary citizens can do to hold back the authoritarian mob.  • We are sponsored by Indeed. Go to Indeed.com/bunker for £100 sponsored credit. www.patreon.com/bunkercast  Written and presented by Andrew Harrison. Producer: Liam Tait. Audio production: Robin Warren. Music by Kenny Dickinson. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. THE BUNKER is a Podmasters Production. www.podmasters.co.uk  Learn more about your ad choices. Visit podcastchoices.com/adchoices