Podcasts about mairzy doats

February 13, 1944 - From March Field Jack tells the story of buying calmels in Egypt last summer. Larry Adler the harmonica player joins him to re-create a portion of thier USO act. Refrences include liquid stockings, Pepsi Cola, Wendel Willkie and FDR, The Andrews Sisters, Louis "Satchmo" Armstrong, the songs "Mairzy Doats" and "Deep In The Heart Of Texas".

"The things I tell you will not be wrong!" This week Stacie and Mike talk giants, owls and Mairzy Doats in the epic, 90 minute season 2 premiere!  Hosted by Mike Muncer & Stacie Ponder Produced & Edited by Mike Muncer Part of the Evolution of Horror Network Email us! logladypodcast@gmail.com Check out Stacie's website, finalgirl.rocks! Follow Stacie on INSTAGRAM For more of Mike's work, check out his WEBSITE Follow EOH network on TWITTER Follow the EOH network on INSTAGRAM Like us on FACEBOOK

Actual rockstar, Boston's Mary Widow is a true creature of the night, from performing with Walter Sickert and the Army of Broken Toys, stripping in ridiculous and glorious costumes in burlesque shows, and recently completing the horror film MAIRZY DOATS.  She goes into her catalog of musical memories, from playing Magenta in Rocky Horror, her dizzying adventure as backup cheerleader for Weird Al Yankovic, and icons like Bowie and Gene Kelly who influenced Mary as a triple threat. The Music That Made WE is a creation of WEBurlesque Podcast Network, produced by Viktor Devonne. Mary Widow on WEBurlesque Mary Widow on IMDB: https://www.imdb.com/name/nm5452613/ Mary on IG: @mary_widow https://armyoftoys.bandcamp.com/ Mary performing with Weird Al Yankovic at the Orpheum Theater in 2011: https://youtu.be/3aGZ4V2J3FM [Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for “Fair Use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit go directly to its rightful owners. No copyright infringement intended.]  – Produced by Viktor Devonne, reigning Mr Hollywood Burlesque Produced by Viktor Devonne, reigning Mr Hollywood Burlesque WEBurlesque Podcast Nework is the creation of Viktor Devonne. Podcast Network logo artwork by Logan Laveau, WEBurlesque the Podcast cover art photography by Atticus Stevenson. Incidental music via pixabay.com under fair use. Visit weburlesquepodcast.com for notes on this and every episode. Follow @weburlesque and @viktordevonne on just about every platform, and support the podcast via patreon.com/weburlesque or via Venmo @Viktor-Devonne. Don't got the cash? Please follow, subscribe, and give 5 stars on every platform you can get your hands on. It really does help. All original material is owned by Viktor Devonne and White Elephant Burlesque Corporation; all other materials property of their respective copyright. No infringement, while likely, is intended.

Co-creator of Boston's seminal Black Cat Burlesque Mary Widow has made brilliant waves in Massachusetts as a singer, dancer, actor, and writer in burlesque and the theatre.  You may hear her voice as part of Walter Sickert and the Army of the Broken Toys, ridiculous striptease routines with the Slaughterhouse Society, or her impending appearance in the short horror film Mairzy Doats. We chat out backstage fun, stage triumphs, and the betrayls from casting directors for the musical Annie.  [rec: April 6, 2022] Mary Widow on IG: @mary_widow @jimmyshelter1973 @armyoftoys https://www.facebook.com/profile.php?id=1731476206 — WEBurlesque Podcast Nework is the creation of Viktor Devonne. Episode 161 call hook by Ellie Quinn. Podcast artwork by Logan Laveau, WEBurlesque the Podcast cover art photography by Atticus Stevenson. Theme song, “On a 45” by This Way to the Egress, used with permission. Incidental music via pixabay.com under fair use. Visit weburlesquepodcast.com for notes on this and every episode. Follow @weburlesque and @viktordevonne on just about every platform, and support the podcast via patreon.com/weburlesque or via Venmo @Viktor-Devonne. Don't got the cash? Please follow, subscribe, and give 5 stars on every platform you can get your hands on. It really does help. All original material is owned by Viktor Devonne and White Elephant Burlesque Corporation; all other materials property of their respective copyright. No infringement, while likely, is intended.  

What do mares and does have in common?

Chapters 37-40: Eneasz Flickers In and Out of Reality Suddenly John Mulaney For next week — Chapters 41-44 41. Truth and Reconciliation 42. A Pleasant Interlude in Kansas 43. In Search of a Quest 44. Mairzy Doats and Dozy Doats Cakoluchiam’s stellar Character Sheet Steven’s Predictions – Everything is a… Continue reading

March 19, 1944 - Dennis Dreams he has his own show. Barbara Stanwyck is the guest star. References include the Merry Mac's hit song "Mairzy Doats", Queen Elizabeth, Winston Churchill, Henry Morgenthau, Paul Lukas, Dorothy Lamour, Nelson Eddie and Jeanette MacDonald, Gypsy Rose Lee and more.

This is another of our salutes to the music and service that the Stage Door Canteens provided to military personnel during World War II. The Stage Door Canteen refers to the famous World War II-era Times Square social club for soldiers temporarily stationed in New York City awaiting deployment, usually to the war in Europe. It opened March 2, 1942, in a space underneath the 44th Street Theatre. The canteen was open seven nights a week and offered servicemen dancing, entertainment, food and nonalcoholic drinks, and even opportunities to rub shoulders with celebrities. And it all was FREE. The New York acting community did everything. They would perform songs, comedy, and short versions of the plays and musicals that were playing on Broadway. Actresses also served as hostesses and dancing partners. The New York Stage Door Canteen was immediately popular. The space was 40-by-80 feet and could accommodate 500 people, but it was filled to capacity from the start. Seven other canteens were later located in Boston, Washington DC, Philadelphia, Cleveland, San Francisco and Newark and Los Angeles. In 1943 the success of New York’s Stage Door Canteen prompted a movie about the popular service men's center and featured stars of the big screen and popular Big Bands. One of the many praiseworthy qualities of the canteens was their credo. They were open to all servicemen of every Allied nation, and without any form of segregation. As the war dragged on, the popularity of the canteens never wavered. By November 1945, Stage Door Canteens were operating in eight US cities and London and Paris. Together, they entertained and fed 11 million Allied servicemen. The only canteen to rival the original’s fame was the Hollywood Canteen in Los Angeles, thanks to its proximity to the country’s biggest stars. Instead of theater people, movie stars and crew members did the work. Hollywood Canteen, the movie, was the fourth highest grossing film of 1944. Watch both movies. You’ll be entertained and hear some great music. If you ever visit the National World War II Museum in New Orleans, you’ll see a replica of the Stage Door Canteen. We hope you enjoy this music of the Stage Door Canteens. Please accept this as a tribute to the Greatest Generation. To all our service members past and present, thank you from the bottom of my heart, for your service. Enjoy. - - - Join the conversation on Facebook at - - - https://www.facebook.com/profile.php?id=100008232395712 or by email at - - - dannymemorylane@gmail.com - - - You’ll hear: 1) When Johnny Comes Marching Home by Glenn Miller & His Orchestra (with Marion Hutton, Tex Beneke & The Modernaires, vocals) 2) Comin' In On A Wing And A Prayer by The Song Spinners [The only song with a war connection to appear in the top twenty best-selling songs of 1943 in the US] 3) I'll Get By (As Long As I Have You) by Harry James & His Orchestra (with Dick Haymes, vocal) [Reached #1 on the Juke Box chart on 6/10/44 - Lasted 6 wks] 4) They're Either Too Young or Too Old by Bette Davis [From Thank Your Lucky Stars (1943), a film made as a World War II fundraiser, with the stars donated their salaries to the Hollywood Canteen, which was founded by John Garfield and Bette Davis] 5) Jingle, Jangle, Jingle by Kay Kyser & His Orchestra (with Julie Conway and Harry Babbitt & The Group, vocals) [A fan favorite from the Stage Door Canteen (1943) era] 6) Rosie The Riveter by Four Vagabonds [Rosie the Riveter was the star of a campaign aimed at recruiting female workers for defense industries during World War II] 7) She's a Bombshell from Brooklyn by Xavier Cugat [From the original film soundtrack of Stage Door Canteen (1943)] 8) Somebody Else Is Taking My Place by Benny Goodman & His Orchestra (with Peggy Lee, vocal) [Featured in the movie, Stage Door Canteen (1943)] 9) Don't Sit Under The Apple Tree (With Anyone Else But Me) by Glenn Miller & His Orchestra (with Marion Hutton, Tex Beneke & The Modernaires, vocals) [Featured in the movie, Stage Door Canteen (1943)] 10) Till The End Of Time by Perry Como [Spent 19 weeks on the Best Seller chart, 9 weeks at #1 and a million seller] 11) V-Day Stomp by The Four Clefs (Johnny Green, Adam Cato, Melvin Chapman, Jack Martin) [A World War II classic] 12) Saturday Night (Is The Loneliest Night In The Week) by Frank Sinatra [Featured in the movie, Stage Door Canteen (1943)] 13) Mairzy Doats by The Merry Macs [Reached #1 on the Juke Box chart on 3/18/44 - Lasted 5 weeks] 14) Don't Worry Island by Freddy Martin & His Orchestra [From the original film soundtrack of Stage Door Canteen (1943)] 15) Why Don't You Do Right? by Benny Goodman & His Orchestra (with Peggy Lee, vocal) [Featured in the 1943 film, Stage Door Canteen and sold 1 million records] 16) Corns for My Country by The Andrews Sisters [From the original film soundtrack of The Hollywood Canteen (1944)] 17) Now Is The Hour (Maori Farewell Song) by Bing Crosby (with The Ken Darby Choir, vocals) [Became known as Po Atarau and was used as a farewell to Māori (the indigenous Polynesian people of New Zealand) soldiers going to off War] 18) Katharine Hepburn’ advice. [A clip from the original film soundtrack of Stage Door Canteen (1943)] 19) We Mustn't Say Goodbye by Lanny Ross [From the original film soundtrack of Stage Door Canteen (1943)] 20) Goodnight, Sweetheart by Ray Noble & His Orchestra (with Snooky Lanson, vocal) [A best seller from the WWII era] 21) I Left My Heart At The Stage Door Canteen by Jan Garber & His Orchestra [From the Broadway All-Soldier Show "This Is The Army" (1942) written by Irving Berlin]

On this weeks edition of MAKE BELIEVE BALLROOM songs and stories featuring the De Marco Sisters and a nickname given to a star, how the song Linda got its name, how the song Beyond the Sea changed from an ode to the sea to a love song, why it took so long to get Mairzy Doats recorded, the underrated Charioteers, a special song for the troops, the tragedy of Russ Columbo and part 2 of an interview with the Chairman of the Board.

What do mares and does have in common?

Lucas & Will are back in Daylight Savings Time, and ready for another look at Arthur season 6! The fellas welcome George to the Arthur canon and Lucas discusses his experiences with dyslexia in "The Boy With His Head in the Clouds"; then, it's all about allowance in "More!"...plus, Stickin' Around (again), French accents, Mairzy Doats and the Rattlin' Bog, and oh yeah, HAMMER!

Hey! Welcome to season 3 of Storyburst! My guest for this episode is my friend Tom Sweeney, and it's a pretty heavy one.. you know how it goes though, right? No judgements. I hope you enjoy it! Edited and Produced by: Jamie Lebrun Music by: Aaron Costain and Jamie Lebrun Also made possible by Justin Putnam and Euni Morrow Also, check out Mairzy Doats, and The Bad Larrys! A Foxloon Production

REMEMBERING an era of wonderful nonsense from the middle of the Twentieth Century. From “The Hut-Sut Song” to “Mairzy Doats” to “Chickery Chick” and everything in between, we’ll be entertained with crazy words and crazy tunes.

Bruce Ackerman is the guest. Bruce is a rennaisance man. He's a sculptor, painter, cartoonist, musician, bon vivant. On this show, he's playing a tasty arrangement on the guitar of Mairzy Doats and Dozy Doats. Also, Harry needs to take his afternoon nap and decides to count sheep like you've never heard anyone count sheep before. Hilarious. From Steve's Best of... CD's volume 4, there's a routine from his stage act performed live, of Harry putting him down. What more could you ask for in a podcast? 

Episode 6 in this series which chronologically details and discusses every Twin Peaks episode has Mark and Becky talking about Albert, sunglasses, chewing pitch, Mairzy Doats and the story of Ed and Nadine. Link to all Twin Peaks Log Episodes: Twin Peaks Log RSS Feed for the Twin Peaks Log: http://feeds.feedburner.com/twinpeakslog Feedback to: info@thegoodthebadandtheodd.com Or […]

And Emmy Streaks discussed. This week, Katey, Patches and David are here to debate the merits of Ryan Adam's cover of Taylor Swift's 1989 album and how this cover album should be followed by a Mandy Moore cover album of Katey Perry. Then: The Emmys were this week and unlike the Oscars, the Emmys are […]

DirectorSeth ChatfieldWritersDerek CurleyMary WidowStarsDerek CurleyGinny NightshadeWill Smalley