Podcast appearances and mentions of Bette Davis

Front Row Classics welcomes back our friends from Sweet Tea and TV to take a look at another movie with a southern flavor. Brandon welcomes back Nikki and Salina to take a look at 1938's Jezebel. The three discuss the Oscar-winning performance from Bette Davis and why it remains one of the standouts of her career. We also discuss the direction of William Wyler as well as the portrayal of the South throughout the movie.

Jezebel Front Row Classics welcomes back our friends from Sweet Tea and TV to take a look at another movie with a southern flavor. Brandon welcomes back Nikki and Salina to take a look at 1938’s Jezebel. The three discuss the Oscar-winning performance from Bette Davis and why it remains one of the standouts of … Continue reading Ep. 319- Jezebel →

GGACP celebrates the birthday of Emmy-winning actress Carol Kane (b. June 18) with this ENCORE presentation of an interview from 2020. In this episode, Carol talks about the cinema of the 1970s, Oscar acceptance speeches, the generosity of Jack Nicholson, the inventiveness of Andy Kaufman and her admiration for (and friendship with) the legendary Bette Davis. Also, Bill Murray takes a beating, Mike Nichols performs a magic trick, Gilbert kibitzes with Charles Durning and Carol takes a (career-changing) call from Gene Wilder. PLUS: Fritz Feld! Defending “Ishtar”! Saluting Hal Ashby! “Harry and Walter Go to New York”! And Carol Kane fills in for…Carole King? Learn more about your ad choices. Visit megaphone.fm/adchoices

Judy Holliday unexpectedly won the 1950 Best Actress Oscar instead of Bette Davis in All About Eve and Gloria Swanson in Sunset Blvd, but the Judes IS outstandingly funny in Born Yesterday. George Cukor's classic comedy actually gets funnier as it goes along, as the likable ditz Holliday grows curious about history, politics, word origins...and bettering herself. Broderick Crawford plays her uncouth, corrupt, long-time boyfriend who's in Washington to buy himself his very own politician while William Holden is the journalist paid to teach Holliday things she didn't know. And fun ensues. This 672nd episode on Have You Ever Seen is a one-Ryan edition, so shuffle through your dictionary to find exactly the right words as even Born Yesterday gets a thorough reviewin'...even. Try the goods at Sparkplug Coffee. Our "HYES" promo code is the key to getting a onetime 20% discount. The website is "sparkplug.coffee/hyes". Subscribe to Have You Ever Seen on your podcasting application, but track us down on YouTube too (throw @hyesellis into the search bar). Rate, review, comment, etc. Want to give us some feedback? Try the social stuff: Ryan is @moviefiend51 on Twi-X and ryan-ellis on Bluesky while Bev is @bevellisellis and bevellisellis on those 2 apps. Or email us: haveyoueverseenpodcast@gmail.com.

El 16 de junio se cumplen 70 años del estreno de “Historias de la radio”, uno de los grandes clásicos de nuestro cine que nos toca muy de cerca ya que se rodó en buena parte en nuestra casa, en los antiguos estudios de Radio Madrid de la Cadena SER. Os lo contamos todo sobre esta divertida y entrañable película. Le damos también un repaso a la figura y a la carrera de Ingrid Bergman la actriz sueca a la que el American Film Institute sitúa como la cuarta estrella femenina más importante de la Historia del Cine, solo superada por Katharine Hepburn, Bette Davis y Audrey Hepburn. Charlamos con Rafael Alberola de la Escuela de Cine de la Comunidad de Madrid sobre el programa “La incubadora” que impulsa proyectos cinematográficos. Y la película que nos trae Bourbon esta semana en su sección es “Buffalo Bill” de Cecil B. De Mille, que a pesar de su título no va sobre el famoso cazador de bisontes sino sobre otro legendario personaje del Oeste: Wild Bill Hickok.

Welcome to It's A Wonderful Podcast!Celebrating one of our favourites, and one of Old Hollywood's greatest directors at the height of his powers throughout June as we journey through the 1930s with a series on FRANK CAPRA!A fun double feature for the show this week as we look at and compare two different eras of Capra's career with his first Best Director nomination with LADY FOR A DAY (1933) starring Warren William & May Robson, and his own remake of the story, POCKETFUL OF MIRACLES (1961) starring Bette Davis & Glenn Ford; his last feature!Our YouTube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & More⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The It's A Wonderful Podcast Theme by David B. Music.Donate:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IT'S A WONDERFUL PODCAST STORE:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/g9design⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Morgan:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jeannine:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠_Keep being wonderful!!

The fourteenth episode of our season on the awesome movie year of 1941 features our audience choice poll winner, William Wyler's The Little Foxes. Directed by William Wyler from a screenplay by Lillian Hellman (based on her play) and starring Bette Davis, Herbert Marshall, Teresa Wright, Charles Dingle, Dan Duryea and Carl Benton Reid, The Little Foxes defeated two other Davis films in our 1941 audience choice poll.The contemporary reviews quoted in this episode come from Bosley Crowther in The New York Times (https://www.nytimes.com/1941/08/22/archives/the-little-foxes-full-of-evil-reaches-the-screen-of-the-music-hall.html) and Variety (https://variety.com/1940/film/reviews/the-little-foxes-2-1200413463/).Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyear You can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at https://www.facebook.com/groups/piecingpod for more movie discussion and our...

In this ever-present, culturally prescient episode of Tubi or Not Tubi, we evaluate mob mentality in the 1956 film, Storm Center, written and directed by Daniel Taradash and starring Bette Davis. Tubi has a pesky habit of preseving fascinating cinematic works of the past, and on this show, Bette Davis always draws a crowd. But does the message of Storm Center hold up to this day? Does the gut punch taste the same? Stick around and find out...

This round of Warner Bros. 1931 brings us two gems by a couple of Pre-Code masters, Roy Del Ruth's Blonde Crazy and William A. Wellman's Night Nurse, showing off the early star charisma of Jimmy Cagney (oozing vulnerability) and Barbara Stanwyck (spitting fire), ably supported by Joan Blondell in both cases. Bonus: Young Clark Gable shows up for another, even nastier 1931 turn. Dave makes the case for Blonde Crazy as a proto-screwball comedy (Warner Bros. does Trouble in Paradise?). And in another Fear and Moviegoing discussion of Now, Voyager, we discuss the Bette Davis melodrama's authentic ties to Transcendentalism and what it means to not have sex for the right reasons.  Time Codes: 0h 00m 25s:    NIGHT NURSE [dir. William A. Wellman] 0h 31m 33s:    BLONDE CRAZY (dir. Roy Del Ruth] 0h 46m 59s:    Fear and Moviegoing in Toronto –Irving Rapper's Now, Voyager (1942) at TIFF Lightbox +++ Studio Film Capsules provided by The Warner Brothers Story by Clive Hirschhorn Additional studio information from: The Hollywood Story by Joel W. Finler Additional 1930 information from: Forgotten Films to Remember by John Springer              +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join! 

ANEM AL CINE AMB ELS JAUMES amb “SAMUEL BRONSTON: Productor de cine a Espanya”. Tenim previst comentar properament la pel·lícula Doctor Zhivago, una coproducció de la Metro-Goldwyn-Mayer i el productor italià Carlo Ponti, però abans, per entendre el per què aquesta producció es va filmar pràcticament la seva totalitat a Espanya, cal aprofundir en el personatge de Samuel Bronston. En Samuel, va comprar tres productores espanyoles (Sevilla Films, Estudios CEA i Estudios Chamartín) per crear una colossal productora, la “Samuel Bronston Productions” amb immensos terrenys a Las Rozas (Madrid) on van produir grans pel·lícules èpiques com Rei de Reis, El Cid, 55 dies a Pequín, La caiguda del Imperi Romà... Van venir els millors actors de l'època: Robert Stack, Peter Cushing i Bette Davis, Robert Ryan, Rip Torn, Viveca Lindfors i Carmen Sevilla, Charlton Heston i Sofia Loren, Ava Gardner, Stephen Boyd... Va situar Espanya com un Hollywood Europeu. Per entendre-ho més i millor, escoltem tot seguit als nostres experts cinèfils, els Jaume's, i els seus experts comentaris. Valen molt la pena! Agafeu crispetes!!! Podeu veure el vídeo al enllaç https://youtu.be/MO1MpDfIfBc Escolta el podcast a Ona Bitlles Cine https://www.onabitlles.cat/Cine @bibliotecamat @cineclubvilafranca @kubrick_cinema #Sala Sazie @escolesvellescultura @ajspriudebitlles @informer_riudebitlles @Riudebitlles #onabitlles #Jaume Felipe #Jaume Font @ramonvila123 #Ramon Vila podcast recorded with enacast.com

GGACP celebrates the birthday (b. June 4) of Oscar-nominated actor Bruce Dern by presenting this ENCORE of a memorable 2016 interview. In this episode, Bruce joins the boys for a refreshingly candid conversation about acting, risk taking, the definition of genius and the value of teamwork. Also, Bette Davis bashes Joan Crawford, Alfred Hitchcock “punks” Karen Black, Jack Nicholson coins a new phrase and Bruce attends the “University of Corman.” PLUS: Paging Dr. Death! The wisdom of Elia Kazan! The brilliance of Douglas Trumbull! Bruce “kills” the Duke! And “The Incredible 2-Headed Transplant”! Learn more about your ad choices. Visit megaphone.fm/adchoices

"MARK STEVENS: CLASSIC CINEMA STAR OF THE MONTH" The name MARK STEVENS probably doesn't ring a bell with moviegoers today. However, he's one of those actors who once you see him on screen, you say, “Oh, yeah, THAT guy!” Still, at one time, he was a very in-demand leading man who was always compelling and had a tough-guy likability that brightened up many a hum-drum movie. He may not have reached the upper echelon of fame like contemporaries ALAN LADD or DANA ANDREWS, but he certainly left his mark — particularly in “The Dark Corner” with a pre-TV LUCILLE BALL. Like CHARLES LAUGHTON, DICK POWELL, and IDA LUPINO, he also became a pioneer of the actor-turned-director. Today, we take a look at his long and varied career and celebrate him as our Star of the Month. SHOW NOTES:  Sources: The Bad Boys of Film Noir (2008), by Karen Burroughs Hannsberry; “Today's Underrated Actor Spotlight: Mark Stevens,” February 20, 2018, by Baynum, TheTinselTownTwins.com; “Mark Stevens: Patience is Poison!, (2012), Noir City Annual; “Mark Stevens: Man of Many Talents,” February 2003, Classic Images; “Romance of Actor With Hedy Ended,” September 24, 1947, Daily News; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned:  Destination Tokyo (1943), starring Cary grant & John Garfield; The Doughgirls (1944), starring Ann Sheridan; Hollywood Canteen (1944), starring Bette Davis & John Garfield; God Is My Co-Pilot (1945), starring Dennis Morgan & Dane Clark; Rhapsody In Blue (1945), starring Robert ALda & Joan Leslie;  Within These Walls (1945), starring Thomas Mitchell & Mary Anderson; From This Day Forward (1946), starring Joan Fontaine & Mark Stevens; The Dark Corner (1946), starring Mark Stevens & Lucille Ball; I Wonder Who's Kissing Her Now (1947), starring June Haver & Mark Stevens; The Street With No Name (1948), starring Richard Widmark & mark Stevens; The Snake Pit (1948), starring Olivia de Havilland; Sand (1949), starring Mark Stevens, Coleen Gray, & Rory Calhoun; Oh, You Beautiful Doll (1949), starring June Haver & Mark Stevens; Dancing In the Dark (1949), staring Wiliam Powell; Please Believe Me (1950), starring Deborah Kerr, Mark Stevens, Robert Walker, & Peter Lawford; Before Midnight and Dawn (1950), starring Mark Stevens, Edmond O'Brien, & Gale Storm; Katie Did It (1950), starring Ann Blyth & Mark Stevens; Target Unknown (1951),staring Mark Stevens; In Little Egypt (1951), starring Mark Stevens & Rhonda Fleming; Reunion in Rio (1952), starring Gigi Perreau, Mark Stevens, & Frances Dee; Jack Slade (1953), starring Mark Stevens Cry Vengeance (1954), starring Mark Stevens & Martha Hyer; Time Table (1956), starring Mark Stevens & Felicia Farr; September Storm (1960), starring Mark Stevens & Joanne Dru Escape From Hell Island (1963), starring Mark Stevens; Fate is the Hunter (1964), starring Glenn Ford, Nancy Kwan, Rod Taylor, & Suzanne Pleshette; Frozen Alive (1964), starring Mark Stevens; Sunscorched (1965), starring Mark Stevens; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

WHAT EVER HAPPENED TO BETTE & JOAN? EPISODE 6 – I Saw What You Did and Burnt Offerings Welcome to another episode of What Ever Happened to Bette & Joan?, an ongoing journey through late-era Bette Davis & Joan Crawford. This week, our travels through grand dame guignol cinema comes to a close as we […]

We kick off our regular Pride series for 2025 with a camp classic that was embraced by gay audiences almost immediately upon release. Warner Brothers brought together two legends of Hollywood, Joan Crawford and Bette Davis, introduced the world to Victor Buono, and put it all under the careful, deliberate direction of Hollywood iconoclast, Robert Aldrich for a movie that spawned a cultural obsession with movies about older ladies losing their god damn minds. It's the psycho-biddy, hagsploitation nightmare of What Ever Happened To Baby Jane?We'll explore what it is about this movie that was so immediately appealing to gay audiences of the 1960's and beyond. We'll talk about the simmering, mostly made-up feud between Joan Crawford and Bette Davis and Crawford's petty, bizarre stunt at the 35th Academy Awards as payback for the perceived slight of Bette Davis getting all the attention. And we'll break it all down in our usual fashion to tell you exactly why this movie is so god damn good and why it persists in the world's imagination as we celebrate Pride all month long with a series highlight and celebrate queer film and filmmakers.Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠Support Bring Me The Axe! on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠Buy Bring Me The Axe merch here:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠

“Bill's thirty-two. He looks thirty-two. He looked it five years ago; he'll look it twenty years from now. I hate men.” We watched “All About Eve” with our friend Jack Fields, and it was indeed a bumpy night. We really don't have an answer as to how it took us this long to cover this titan of a movie, but here we are, and we had a blast. It doesn't get any better than Bette Davis lashing out at anyone and anything with some of the shadiest lines in movie history. Anne Baxter more than holds her own against Miss Davis, and yes… we discuss the famed Best Actress Oscar race of 1950. Some of us are team Bette, others are team Gloria Swanson, but we can all agree 1950 was a hell of a year for queer-coded cinema, and “All About Eve” has stood the test of time as one of the gayest movies of all time.  Thanks for listening and don't forget to subscribe, rate and review us on Apple Podcasts! www.patreon.com/moviesthatmadeusgay Facebook/Instagram: @moviesthatmadeusgay Bluesky: @MTMUGPod.bsky.social Scott Youngbauer: Twitter @oscarscott / Instagram @scottyoungballer Peter Lozano: Twitter/Instagram @peterlasagna

WHAT EVER HAPPENED TO BETTE & JOAN? EPISODE 5 – BERSERK! & THE NANNY Welcome to another episode of What Ever Happened to Bette & Joan?, our ongoing journey on late-era Bette Davis & Joan Crawford. This week, we head across the pond to England for a pair of British chillers starring our two legendary […]

This month on Arts in the City…we tour the Noguchi Museum in Queens; visit the immersive exhibits at Mercer Labs; check out a play about Hollywood icon Bette Davis; take a look at inspiring murals with Groundswell; and chat with the creative team and stars of the Broadway hit Boop!

EPISODE 87 -  “2025 TCM FILM FESTIVAL WRAP UP” - 5/12/2025 For the second year in a row, Steve and Nan were honored to be invited to cover the Turner Classic Movies Film Festival as part of the press corp. After four glorious days of non-stop film action, this episode is dedicated to the Festival and the fantastic movies shown this year. Steve and Nan will be discussing their favorite films, as well as giving a behind-the-scenes look at the festival and all the movie lovers who come annually to bow at the altar of Eddie Muller, Ben Mankiewicz and the TCM gang.   SHOW NOTES:  AVA GARDNER MUSEUM: If you would like to make a donation to help support the Ava Gardner Museum in Smithfield, N.C. (Ava'a hometown!), please click on the following link: https://ava-gardner-museum.myshopify.com/products/donations Sources: Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned:  Suddenly Last Summer (1959), starring Elizabeth Taylor, Katharine Hepburn, Montgomery Clift, Mercedes McCambridge, & Albert Dekker; The Divorcée (1930), starring Norma Shearer, Chester Morris, Robert Montgomery, & Conrad Nagel; Heaven Knows, Mr. Allison (1957), starring Robert Mitchum & Deborah Kerr; The Enchanted Cottage (1945), starring Dorothy McGuire, Robert Young, Herbert Marshall, Mildred Natwick, Spring Byington, & Richard Gaines; Daisy Kenyon (1947), starring Joan Crawford, Dana Andrews, & Henry Fonda; Rhapsody in Blue (1945), starring Robert Alda, Joan Leslie, Alexis Smith, Oscar Levant, Morris Carnovsky, Rosemary DeCamp & Charles Coburn; Gunman's Walk (1958), starring Van Heflin, Tab Hunter, James Darren, Kathryn Grant, Burt Convy & Edward Platt; We're No Angels (1955), starring Humphrey Bogart, Joan Bennett, Peter Ustinov, Aldo Ray, Leo G,. Carroll, Gloria Talbot, & Basil Rathbone; The Big Combo (1955), starring Cornel Wilde, Jean Wallace, Richard Conti, Helen Walker, Brain Donlevy, Lee Van Cleef, Earl Holliman,  All This and Heaven Too (1940), starring Bette Davis, Charles Boyer, Barbara O'Neil, Virginia Weidler, Jeffry Lynn, Harry Davenport, & June Lockhart; Diamond Jim (1935), starring Edward Arnold, Jean Arthur, Binnie Barnes, Ceasar Romero, William Demarest, and Eric Blore;  The Talk of the Town (1942), starring Jean Arthur, Cary Grant, Ronald Colman, Edgar Buchanan, Glenda Farrell, Emma Dunn, Rex Ingram, & Charles Dingle; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

I would like to recommend a new podcast by critic and podcaster Frank Calvillo. What Ever Happened to Bette and Joan looks at the later careers of Bette Davis and Joan Crawford following the success of What Ever Happened to Baby Jane?, exploring the variety of projects they took on and the committed performances the two legends gave. From Strait-Jacket to The Nanny, Trog to Wicked Stepmother, join Frank as he traces What Ever Happened to Bette & Joan? Available on Spotify and on Apple Podcasts as part of the One of Us network.

The girlies dive into some of Hollywood's most infamous celebrity feuds — Joan Didion vs Eve Babitz, Joan Crawford vs Bette Devis, Kim Cattrall vs Sarah Jessica Parker, and the recent lawsuits between Justin Baldoni and Blake Lively. Digressions include Kim Cattrall's scatting, Ryan Murphy being a constant threat to society, and the age-old pattern of women fighting over the worst man you've ever heard of. We're going on tour!!!! Find tickets at (https://linktr.ee/binchtopia) This episode was originally released on January 22, 2025 as a Patreon exclusive, and we're unlocking it for you to make the most of the extra week in April. Become a patron today to support the show, keep us ad-free and unlock our backlog of over 50 bonus episodes at patreon.com/binchtopia. SOURCES Didion and Babitz by Lili Anolik Why Gossip Is Fatal to Good Writing  Joan Didion, Eve Babitz, and the Biographer Who Missed the Point  Joan Didion and Eve Babitz Shared an Unlikely, Uneasy Friendship—One That Shaped Their Worlds and Work Forever Everything You Need To Know About Kim Cattrall And Sarah Jessica Parker's Famous Feud  Inside Joan Didion And Eve Babitz's Rivalry.  Joan Didion vs Eve Babitz  A Timeline of Kim Cattrall and Sarah Jessica Parker's Rumored Sex and the City Feud  ‘Sex and the City' Director Details Kim Cattrall Drama, Tension Began Over Parity You Truly Won't Believe How Much Money the Cast of 'And Just Like That...' Is Making The Sex and the City Cast Salary Explains SJP & Kim Cattrall's Feud  ‘Sex and the City' Salaries: How Much Sarah Jessica Parker, Kristin Davis, Cynthia Nixon and Kim Cattrall Made From the Show, Movies and Revival  The Story Behind Joan Crawford and Bette Davis's Storied Feud  Feud: The Craziest Joan Crawford and Bette Davis Stories That Didn't Make the Show What “Feud” Misses About Bette Davis, Joan Crawford, and the Art of Movies Bette Davis v. Joan Crawford: The Hateful History Behind Old Hollywood's Nastiest Feud Joan Crawford Quotes About Bette Davis Are Savage    A Timeline of the Real Feud Between Bette Davis and Joan Crawford   Behind Hollywood's biggest feud  

Keep Retro Radio going… buy us a coffee here! https://www.buymeacoffee.com/retroradioIf you like what you hear, consider giving this show a like! Liking these shows helps us to know what you like to hear more of.Take Retro Radio wherever you go! Subscribe today, and share it with your friends!———————As these shows have been in the public domain for quite some time, the audio quality of these episodes can vary. So don't adjust your dial… it's most likely the audio file itself :)Disclaimer: The content featured here originated from the “Golden Age of Radio” (1920-1962), and may contain racial, ethnic, and gender stereotypes that are incompatible with our values today. They were wrong then, as they are today. These representations do not reflect the views of Retro Radio and are presented here solely for historical, educational, and/or entertainment purposes. We denounce any form of discrimination and aim to foster a respectful and inclusive atmosphere, while still respecting the talent, entertainment value, and historical value these recordings may bring. Please approach this material with sensitivity, recognizing that they may reflect attitudes of its time. Your engagement with this content is appreciated, and we encourage thoughtful consideration and discussion.——————Vintage radio classic radioshow OTR old time radio Hollywood movie stars shows suspense detective comedy sci-fi science fiction variety music guest star

WHAT EVER HAPPENED TO BETTE & JOAN? EPISODE 3: WHAT EVER HAPPENED TO BABY JANE & HUSH…HUSH SWEET CHARLOTTE “Oh, really, did she like it?” In this sisters and cousins episode of What Ever Happened to Bette & Joan?, podcaster Jerry Downey and I look at the film that took Bette Davis and Joan Crawford […]

Mark and Kenny get their Reggaeton swagger going to discuss the sassy shoulda-been-a-single from Rebel Heart. Topics include Toby Gad, Garcia & Teenwolf, the primal urge to get up and go out post-break-up, Justin Bieber, ex-boyfriend group texts, shooting weekends with Guy Ritchie, Kieran Culkin, The Weekend, tsunami alarms, Bette Davis, James Baldwin, and a surprise encounter with a favorite bitch (and pioneer) … TINA! Plus, a detour into that deranged Bond tribute at the 2025 Academy Awards and Mark writes a fan letter to his spirit animal Stockard Channing ahead of his trip back to the UK.

National Go for broke day.  Entertainment from 1962.  Pocahontas married, lava lamp invented, Easter Island found, First Dr. to remove a lung.  Todays birhdays - Joseph Lister, Booker T. Washinton, Spencer Tracy, Bette Davis, Gregory Peck, Tony Williams, Allan Clark, Agnetha Falstskog, Troy Gentry, Pharrell Williams.  Kurt Cobain died.Intro - God did good - Dianna Corcoran  https://www.diannacorcoran.com/ Go for broke - Machine Gun KellyDon't break the heart that loves you - Connie FrancisShe's got you - Patsy ClineBirthdays - In da club - 50 CentBette Davis eyes - Kim CarnesThe great pretender - The PlattersCarrie Anne - The HolliesDancing queen - ABBAHell Yea - Montgomery GentryHappy - Pherrell WilliamsSmells like teen spirit - NirvanaExit - Ramblin Woman - Payton Howie   https://paytonhowie.com/countryundergroundradio.com cooolmedia.com

“RICHARD CARLSON: CLASSIC CINEMA STAR OF THE MONTH” (081) - 3/31/2025 Tall, dark-haired, and handsome, RICHARD CARLSON was always a welcomed addition to any cast. From the beginning, when he was playing preppy college students opposite LANA TURNER, to his reign in the 1950s as the King of Sci-Fi thrillers, Carlson brought believability and authority to each role but also a sense of introspective thoughtfulness. You looked into his deep blue eyes and chiseled face and believed him. Whatever he was selling, we were buying. And while he never became an A-list leading man, he enjoyed a long and steady career and enhanced many a mediocre film with his special appeal. This week, we celebrate RICHARD CARLSON as our Star of the Month.  SHOW NOTES:  Sources: Monsters in the Machine (2016), by Steffen Hantke; Keep Watching the Skies (2009), by Bill Warren; “Richard Carlson: Albert Lea's Other Film & Television Star,” December 24, 2016, by Ed Shannon; “Today's Underrated Actor Spotlight: Richard Carlson,” June 24, 2105, by Bynum, www.thetinseltoentwins.com; “A Tribute To Richard Carlson,' January 9, 2014, www.scififilmfiesta.com; “Richard Carlson, Actor, Dies at 65,” November 27, 1977, New York Times; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Desert Death (1935), starring Raymond Hatton; The Young in Heart (1938), starring Janet Gaynor, Roland Young, Douglas Fairbanks, Jr & Paulette Goddard; The Duke of West Point (1938), starring Louis Hayward & Joan Fontaine; Winter Carnival (1939), starring Ann Sheridan, Richard Carlson, & Robert Mitchum; These Glamour Girls (1939), starring Lana Turner & Lew Ayres; Dancing Co-Ed (1939), starring Lana Turner & Richard Carlson; Beyond Tomorrow (1940), starring Haley Carey & Charles Winning; No, No, Nanette (1940), starring Anna Neagle; The Howards of Virginia (1940), starring Cary Grant & Martha Scott; Back Street (1941), starring Margaret Sullavan & Charles Boyer; The Little Foxes (1941Ol staring Bette Davis & Teresa Wright; The Affairs of Martha (1942), starring Marsha Hunt & Richard Carlson; My Heart Belongs to Daddy (1942), starring Richard Carlson & Martha O'Driscoll; Fly By Night (1942) starring Richard Carlson & Nancy Kelly; Hold That Ghost (1941), starring Bud Abbot & Lou Costello; White Cargo (1942), staring Hedy Lamarr& Walter Pidgeon; Presenting Lily Mars (1943), starring Judy Garland & Van Heflin; The Man From Down Under (1943), starring Charles Laughton & Donna Reed; So Well Remembered (1947), starring John Mills & Martha Scott; Behind Locked Doors (1948), starring Richard Carlson & Lucille Bremer; The Amazing Mr. X (1948), starring Turban Bey, Lynn Bari, & Cathy O'Donnell; King Solomon's Mines (1950), starring Stewart Granger & Deborah Kerr; The Sound of Fury (1950), starring Frank Lovejoy; The Blue Veil (1951), starring Jane Wyman, Charles Laughton, & Joan Blondell; The Magnetic Monster (1953), starring Richard Carlson; It Came from Outer Space (1954), starring Richard Carlson & Barbara Rush; The Maze (1953), starring Richard Carlson & Hillary Brooke; The Creature from The Black Lagoon (1954), starring Richard Carlson & Julie Adams; All I Desire (1953), starring Barbara Stanwyck & Richard Carlson; Riders To the Stars (1954), starring William Lundigan; Appointment with a Shadow (1957), starring George Nadar; The Saga of Hemp Brown (1957), starring Rory Calhoun; Johnny Rocco (1958), starring Richard Evers & Coleen Gray; Tormented (1960), starring Richard Carlson; Kid Rodelo (1966), starring Broderick Crawford & Janet Leigh; Change of Habit (1969), starring Elvis Pressly, Mary Tyler moore, & Richard Carlson; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Don't let's talk here." Deception (1946) directed by Irving Rapper and starring Bette Davis, Paul Henreid, Claude Rains and Benson Fong. Next Time: Dog Day Afternoon (1975)

Bette Davis brings the melodrama, right here in the imperial phase of her Warner Brothers career. She’s rich, she’s spoiled. Oopsie. She has a health crisis! Will she become a better person? Will she find love? Will she out-act Humphrey Bogart, George Brent (yeah she will) and Geraldine Fitzgerald? Will your host have a take almost none of the reviews she’s read have? Let’s find out together. Shelly Brisbin with Annette Wierstra, Nathan Alderman and Micheline Maynard.

Bette Davis brings the melodrama, right here in the imperial phase of her Warner Brothers career. She’s rich, she’s spoiled. Oopsie. She has a health crisis! Will she become a better person? Will she find love? Will she out-act Humphrey Bogart, George Brent (yeah she will) and Geraldine Fitzgerald? Will your host have a take almost none of the reviews she’s read have? Let’s find out together. Shelly Brisbin with Annette Wierstra, Nathan Alderman and Micheline Maynard.

Movie reviews #49 coming in hot today.
Just 5 70's movies to review, sooooo let's review the review.
1. (The Andromeda Strain 1971) Epic movie Director Robert Wise is at the helm here, with a movie Based on a Michael Crichton novel way before it was a 90's standard thing to do. 
That statement is dead wrong though, there are 9 MC novels or short stories adapted into films in the 70's, 3 in the 80's, and 7 in the 90's. I think it's only because Jurassic Park had the hype of like 6 70's movies, shit, I dunno. This movie is about a deadly element from space, SCIENCE, and a real cool facility that gives you paper clothes.
2. (Boxcar Bertha 1972) Not to jump the shark but I think this one's easy, we all agree that we love Bertha, but not so much this early Martin Scorsese film. Barbara Hershey rules, also Bill of Kill Bill, and the history teacher of Bill and Ted are here. 
3. (In this house of Brede 1975) Don't yuk this bizarre recovering catholic's yum, but here we have Diana Ring as Nun, say no more!
ok just a bit more she is a woman who is sick of all the shitty men and bullshit and goes to the convent to get away from it all and do rad shit in peace, apparently I should read the book too.
4. (Death on the Nile 1978) I'm sorry but I do love me some Peter Ustinov, He is Agatha Christie's Poirot here, along with flippin every one else.
Mia Farrow, Bette Davis, Miss murder she done sat down and wrote, David Niven, Jack Warden, and Professor McGonagall, to name a few. 
This time they are on a boat not a train.
5. (Birth of the Beatles 1979) Waited for the encore tv airing of this so I could record it with a video cassette that I had bought. This one hugely influenced me to want to play music. Wonderful to finally see this again with friends and review. This movie is from the director of Return of the Jedi. 
we out, thanks for listening.

PREVIEW: WHAT EVER HAPPENED TO BETTE & JOAN Critic, blogger, and podcaster Frank Calvillo examines the later careers of Bette Davis and Joan Crawford following the success of 1962's What Ever Happened to Baby Jane? and the resurgence in popularity it brought. In looking at the various roles the two actresses took on throughout the […]

In this episode I discuss the Producer Hal B. Wallis. He is best known for producing Casablanca, The Adventures of Robin Hood, and True Grit, along with many other major films for Warner Bros. featuring such film stars as Humphrey Bogart, John Wayne, Bette Davis, and Errol Flynn.

Kim Carnes never set out to be a pop star. In fact, if you asked her in the early days, she'd probably tell you she just wanted to write songs. But life had a way of nudging her toward the spotlight, and before she knew it, she was belting out hits that defined an era. Growing up in Los Angeles, Kim was the kind of kid who could lose herself in a song, spending hours at the piano, crafting melodies. She started as a songwriter, penning tunes for others long before the world ever heard her own husky, unmistakable voice. Her first real break came when she landed a songwriting contract in the late ‘60s. It wasn't long before people started to notice that this young woman wasn't just writing good songs—she had a voice that could make them unforgettable.In the ‘70s, Kim found herself working with some of the best. She teamed up with David Essex. Their friendship led to collaboration. She also became close with Kenny Rogers. Kim co-wrote Don't Fall in Love with a Dreamer with her husband, Dave Ellingson, and when she and Kenny recorded it as a duet in 1980, magic happened. But it was Bette Davis Eyes that changed everything. The song was originally recorded by Jackie DeShannon in the mid-'70s. But when Kim got her hands on it, she and producer Val Garay transformed it into something completely new. The arrangement was stripped down, the synths were bold, and Kim's raw, smoky vocals carried a haunting kind of power."When I first heard Jackie's version, I loved it," Kim says. "But it was so different from what we ended up doing. The minute we started playing around with it, I knew we had something special. That intro, those drums, the way it just pulls you in—I still get chills when I hear it."When Bette Davis Eyes hit the airwaves in 1981, it was like a shockwave. It climbed the charts fast, sitting at No. 1 for nine weeks—longer than any other song that year. It wasn't just a hit; it was THE hit. Even Bette Davis herself loved it, sending Kim flowers and thanking her for the song that made her a household name all over again. "Getting that letter from Bette Davis was surreal," Kim recalls. "She was so gracious, so kind. She told me she played the song at her parties, which just blew my mind."Kim could have ridden that wave forever, but she was never one to rest on past success. She kept writing, kept recording, and kept working with the people she admired. One of those people was Barbra Streisand."Barbra is a force," Kim says. "When we worked together on Make No Mistake, He's Mine, I knew I had to bring my A-game. She has this presence—she knows exactly what she wants, and she'll work until it's perfect. And that's why she's Barbra Streisand."The song felt like a conversation between two women who knew exactly what heartbreak sounded like. Their voices blended in an unexpected way—Barbra's controlled precision meeting Kim's gravelly warmth—and the result was stunning.Through the ‘80s and into the ‘90s, Kim remained a force in the industry, both as a performer and a songwriter. She wrote for some of the biggest artists out there, proving again and again that she had a gift not just for melody, but for telling stories that stuck with people.Fast forward to today, and Kim is still making music, still revisiting the songs that made her who she is. In 2024, she released Bette Davis Eyes (Kim's Version), a new take on her signature song. This wasn't just a rehash—it was a love letter to the original, re-recorded with some of the same musicians who helped shape it the first time around. "I wanted to do it justice," Kim explains. "I wasn't interested in just re-recording it for the sake of it. I wanted to feel that magic again."And the response? Incredible. Looking back, Kim Carnes' career wasn't about chasing fame—it was about making music that mattered. Whether writing for others or stepping up to the microphone herself, she's always been an artist first. And that's exactly why, all these years later, we're still listening.

"STRANGE CHARACTERS: WHAT IS FILM NOIR? (PART II)" (079) Welcome to the second episode of our special 3-part series on Film Noir. In this episode, we'll explore the iconic character types that define the genre—characters who live in the grey areas of morality, driven by desire, deceit, and danger. From the hard-boiled detective to the femme fatale, we'll unpack the timeless archetypes that give film noir its signature edge. So, grab your trench coat, dim the lights, and join us as we explore the complex, shadowy figures who walk the fine line between good and evil in the world of noir cinema. SHOW NOTES:  Sources: Film Noir (2017), by Alian Silver & James Ursini; Into the Darkness: The Hidden World of Film Noir 1941-1959 (2016), by Mark A. Viera; More than Night: film Noir in Its Contexts (2008), by James Naremore; Dark City: The Lost World of Film Noir (1998), by Eddie Muller; Voices in the Dark: The Narrative Patterns of Film Noir (1989), by J.P. Telotte; Film Noir: An Encyclopedia Reference to the American Style (1979), edited by Alain Silver & Elizabeth Ward; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Born To Kill (1947), starring Lawrence Tierney & Claire Trevor; Murder My Sweet (1944), starring Dick Powell & Claire Trevor; They Drive By Night (1940), starring George Raft & Ann Sheridan; Thieves Highway (1949), starring Richard Conte & Valentina Cortese; Body and Soul (1947), starring John Garfield & Lilli Palmer; The Killers (1946), starring Burt Lancaster & Ava Gardner; The Set-Up (1949), starring Robert Ryan & Audrey Totter;  Act of Violence (1948), starring Van Heflin, Robert Mitchum, Janet Leigh & Mary Astor; In a Lonely Place (1950), starring Humphrey Bogart & Gloria Grahame; Nightmare Alley (1947(, starring Tyrone Power & Coleen Gray; Leave Her To Heaven (1944), starring Gene Tierney, Cornel Wilde & Jeanne Crain; The Lady From Shanghai (1947), starring Orson Welles & Rita Hayworth; Out of the Past (1947), starring Robert Mitchum & Jane Greer; Scarlet Street (1947), starring Edward G. Robinson, Joan Bennett & Dan Duryea; Detour (1945), starring Tom Neal & Ann Savage;  Dead Reckoning (1947), starring Humphrey Bogart & Lizabeth Scott; Criss Cross (1949), starring Burt Lancaster & Yvonne DeCarlo; Gun Crazy (1950), starring John Dall & Peggy Cummins; The Killing (1956), starring Sterling Hayden & Coleen Gray; Impact (1949), starring Brian Donlevy & Ella Raines; Kiss of Death (1947), starring Victor Mature, Richard Widmark & Coleen Gray; Kansas City Confidential (1952), starring John Payne & Coleen Gray; Raw Deal (1948), starring Dennis O'Keefe, Claire Trevor & Marsha Hunt; Phantom Lady (1944), starring Ella Raines & Alan Curtis; They Live By Night (1948), starring Farley Granger & Cathy O'Donnell; Fallen Angel (1945), starring Dana Andrews, Alice Faye & Linda Darnell; White Heat (1949), starring James Cagney, Virginia Mayo & Margaret Wycherly; Night In The City (1950), starring Richard Widmark & Gene Tierney; The Big Combo (1955), starring Cornell Wilde, Jean Wallace, Richard Conte & Helen Walker; Pick Up On South Street (1953), starring Richard Widmark, Jean Peters, & Thelma Ritter; Too Late For Tears (1949), starring Lizabeth Scott & Dan Duryea: The Woman In The Window (1944), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; Manhandled (1949), starring Sterling Hayden, Dorothy Lamour & Dan Duryea; Desert Fury (1947), starring Burt Lancaster & Lizabeth Scott; The Letter (1940), starring Bette Davis, Herbert Marshall, & Gale Sondergaard; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode was originally released on January 6, 2015. Listen to help prep for the next episode of our new season, The Old Man is Still Alive. This is the story of how Bette Davis evolved from a wannabe starlet who was constantly told she was too ugly for movies, to the most powerful woman in Hollywood, by playing heroines that had never been seen on screen before — to borrow a term from Davis herself, sympathetic “bitches.” After Pearl Harbor, the tenacious Bette became the figurehead of the Hollywood Canteen, a nightclub for servicemen staffed by stars, which was the locus of the industry's most visible support of the troops on the home front. The Hollywood Canteen was a catalyst for propaganda in more ways than one, aims Hollywood furthered by telling the story of the Hollywood Canteen in a movie called, um, Hollywood Canteen, starring Davis, John Garfield, Barbara Stanwyck, Peter Lorre and other celebrities as “themselves.” The movie and most press accounts of the Canteen portray it as a miraculous force for good in the world, which it probably was, but that narrative leaves out a lot, including illicit affairs, a murder, and an FBI investigation whose findings would have an impact on the blacklist of the following decade To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Fasten your seatbelts because Natalie and Angela are talking about this iconic BETTE DAVIS classic. No spoilers! But can we just say, “REALLY, KAREN?” #podcastersofinstagram #podcastersoffacebook #putyourbooksdown #gentlecomedy #nataliecsandersonjones #angelabingham #gentlecomedy #genx     Follow Put Your Books Down on social media:     Facebook: https://www.facebook.com/putyourbooksdown     Instagram: https://www.instagram.com/putyourbooksdown/     Natalie on IG:  https://www.instagram.com/nataliesanderson/     Angela on IG:  https://www.instagram.com/angelabinghamofficial/     Podcast produced by http://clantoncreative.com

EPISODE 78 - “FILM NOIR - Part 1 - WHAT IS NOIR?” - 3/10/2025 Have you ever wondered what exactly is film noir? TCM's EDDIE MULLER describes it this way: “Film Noir is all about treachery, deceit, and paranoia. You're never quite sure what is going on, who you can trust, or what dreadful pitfall waits around the corner.” This dark and twisted film genre popped up after WWII as a quiet cynicism began to creep into the national consciousness. In film noir, there is always an underbelly of darkness that comes out to play. And within the darkness, the shadows, and the neon lights, lie many stories of crime, dishonesty, adultery, murder, and mayhem. This week, we present the first in a special three-part series that delves into the darkest of genres where crooked cops, gangsters, torch singers, barflies, and other seedy character's live, love and kill. Join us as we discuss Film Noir!  SHOW NOTES:  Sources: Film Noir (2017), by Alian Silver & James Ursini; Into the Darkness: The Hidden World of Film Noir 1941-1959 (2016), by Mark A. Viera; More than Night: film Noir in Its Contexts (2008), by James Naremore; Dark City: The Lost World of Film Noir (1998), by Eddie Muller; Voices in the Dark: The Narrative Patterns of Film Noir (1989), by J.P. Telotte; Film Noir: An Encyclopedia Reference to the American Style (1979), edited by Alain Silver & Elizabeth Ward; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Leave Her To Heaven (1945), starring Gene Tierney, Cornell Wilde, & Jeanne Crain; Desert Fury (1947), starring Burt Lancaster & Lizabeth Scott; Niagara (1953), starring Joseph Cotten, Jean Peters, & Marilyn Monroe; Mildred Pierce (1945), starring Joan Crawford, Ann Blyth, & Zachary Scott; Johnny O'Clock (1947), starring Dick Powell, Evelyn Keyes, & Ellen Drew; Double Indemnity (1944), starring Barbara Stanwyck, Fred MacMurray, & Edward G. Robinson; Strangers On A Train (1951), starring Farley Granger, Robert Walker, & Ruth Roman; The Big Heat (1953), starring Glenn Ford & Gloria Grahame; I Wake Up Screaming (1941), starring Betty Grable, Victor Mature, Carole Landis, & Laird Cregar; Out of the Past (1947), starring Robert Mitchum, Jane Greer, & Kirk Douglas; Phantom Lady (1944), starring Ella Raines, Alan Curtis, & Franchot Tone; The Killers (1946), starring Burt Lancaster & Ava Gardner; The Spiral Staircase (1946), starring Dorothy McGuire, George Brent, & Ethel Barrymore; Suspicion (1941), starring Cary Grant & Joan Fontaine; The Amazing Mr. X (1948), starring Turban Bay, Lynn Bari, Cathy O'Donnell, & Richard Carlson; Two O'Clock Courage (1945), starring Tom Conway & Ann Rutherford; The Letter (1940), starring Bette Davis, Herbert Marshall, & Gale Sondergaard; The Third Man (1949), starring Jospeh Cotten, Orson Welles, & Alida Valle; Kiss Me Deadly (1955), starring Ralph Meeker & Cloris Leachman; The Narrow Margin (1952), starring Charles McGraw, Marie Windsor, & Jacqueline White; The Dark Mirror (1946), starring Olivia de Haviland & Lew Ayres; The Woman In The Window (1944), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; The Lady In The Lake (1947), starring Robert Montgomery & Audrey Totter; The Lady From Shanghai (1947), starring Rita Hayworth & Orson Welles; Night of The Hunter (1955), starring Robert Mitchum, Shelley Winters, & Lillian Gish; The Naked City (1948), starring Howard Duff & Barry Fitzgerald; Pick Up On South Street (1953), starring Richard Widmark, Jean Peters, & Thelma Ritter; ‘ He Walked By Night (1948), starring Richard Basehart, Scott Brady & Jack Webb; Impact (1949), starring Brian Donlevy, Ella Raines, Charles Coburn, Helen Walker, & Anna May Wong; The Asphalt Jungle (1950), starring Sterling Hayden & Jean Hagen; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

A shot rings out, waking the household. A man stumbles out the front door followed by a dowdy woman with a revolver who shoots him again and again. W. Somerset Maugham, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   If you'd like to ensure the future of The Classic Tales, please visit the website, classictalesaudiobooks.com, and either make a donation, buy an audiobook, or pick up one of our many support options.   And if you can't support us monetarily, leave us a review or share an episode with a friend. It all helps.   Today's story was originally written in 1922, appearing in a collection of stories that came from Maugham's travels in the Malay provinces. The racism in the story can be hard on the modern ear, but reflects the views of the time. Maugham uses racism as a literary device to fuel the tension in the story, to show the prejudices of the British toward the people they are exploiting. It also demonstrates how the native people in the region resent the British. So, if you're feeling a bit uncomfortable, it's by design.   This is one of Maugham's most famous short stories, and the 1940 Bette Davis film is an excellent adaptation.     And now, The Letter, by W. Somerset Maugham.       Follow this link to become a monthly supporter:     Follow this link to subscribe to our YouTube Channel:     Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:       Follow this link to follow us on TikTok:

A shot rings out, waking the household. A man stumbles out the front door followed by a dowdy woman with a revolver who shoots him again and again. W. Somerset Maugham, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   If you'd like to ensure the future of The Classic Tales, please visit the website, classictalesaudiobooks.com, and either make a donation, buy an audiobook, or pick up one of our many support options.   And if you can't support us monetarily, leave us a review or share an episode with a friend. It all helps.   Today's story was originally written in 1922, appearing in a collection of stories that came from Maugham's travels in the Malay provinces. The racism in the story can be hard on the modern ear, but reflects the views of the time. Maugham uses racism as a literary device to fuel the tension in the story, to show the prejudices of the British toward the people they are exploiting. It also demonstrates how the native people in the region resent the British. So, if you're feeling a bit uncomfortable, it's by design.   This is one of Maugham's most famous short stories, and the 1940 Bette Davis film is an excellent adaptation.     And now, The Letter, by W. Somerset Maugham.       Follow this link to become a monthly supporter:     Follow this link to subscribe to our YouTube Channel:     Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:       Follow this link to follow us on TikTok:

Today, I'm thrilled to announce my interview with Lane Bradbury, who played the role of Dainty June in the original Broadway cast of GYPSY. Tune in to hear some of the stories of her legendary career, including why Ethel Merman wasn't a good co-star, joining the Actor's Studio, method acting with Elia Kazan for J.B., why Bette Davis was suspicious of her during THE NIGHT OF THE IGUANA, watching Patrick O'Neill and Bette Davis in rehearsal, the moment in GYPSY that caused a rift between her and Jerome Robbins, Lee Strasberg's favorite acting exercises, why she didn't audition for FIDDLER ON THE ROOF, working with June Havoc herself on MARATHON '33, how an audition for GREENWILLOW led her to move to California, putting together her cabaret act, why Audra McDonald is Broadway's best Mama Rose, why she doesn't own the OBC of GYPSY, and so much more. You won't want to miss this episode with a true theater veteran.

Hollywood stars: they don't make ‘em like they used to. While there are still many fine actors and actresses working in film and television today, very few have the megawatt star power that used to bring audiences to the theaters from the mid- to late 20th Century. And as we move further and further away from the Golden and Silver ages of Tinseltown, the Great Pop Culture Debate podcast wants to determine: who WAS the Best Classic Hollywood Movie Star? We consider 16 film actors and actresses who made their big breaks prior to 1969, including: Cary Grant, Paul Newman, Judy Garland, Ingrid Bergman, Humphrey Bogart, Fred Astaire, Joan Crawford, Katharine Hepburn, Jimmy Stewart, Elizabeth Taylor, Marilyn Monroe, Audrey Hepburn, Bette Davis, Gene Kelly, Gregory Peck, and Barbara Stanwyck. Join host Eric Rezsnyak and GPCD panelists Derek Mekita, Jonny Minogue, and Karissa Kloss as they discuss 16 of the biggest Hollywood legends who made their big breaks prior to 1969. Play along at home by finding the listener bracket here. Make a copy for yourself, fill it out, and see if your picks match up with ours! For more exclusive content, including the warm-up in which we discuss even more iconic Hollywood legends that didn't make the bracket, become a Patreon supporter of the podcast today. Looking for more reasons to become a Patreon supporter? Check out our Top 10 Patreon Perks. Want to play along at home? Download the Listener Bracket and see if your picks match up with ours! Sign up for our weekly newsletter! Subscribe to find out what's new in pop culture each week right in your inbox! Vote in more pop culture polls! Check out our Open Polls. Your votes determine our future debates! Then, vote in our Future Topic Polls to have a say in what episodes we tackle next. Episode Credits Host: Eric Rezsnyak Panelists: Derek Mekita, Jonny Minogue, Karissa Kloss Producer: Bob Erlenback Editor: Bob Erlenback Theme Music: “Dance to My Tune” by Marc Torch #classicfilm #classicmovies #hollywood #moviestar #goldenage #oscars #elizabethtaylor #katharinehepburn #paulnewman #carygrant #audreyhepburn #marilynmonroe #humphreybogart #ingridbergman #judygarland #jimmystewart #bettedavis #joancrawford Learn more about your ad choices. Visit megaphone.fm/adchoices

Get your award speech ready, because it's time to maniacally infiltrate a famous actor's life and steal her job! That's right, we're diving into ALL ABOUT EVE -- and it's double the fun, because it's Steph's first Bette Davis movie! Along the way, we discuss woman's intuition, the merit of black and white movies, and the always-thrilling piping-hot tea of 1950s Hollywood! Head to our PATREON to hear (and watch!) ad-free episodes, weekly bonus episodes, and more! Insta, TikTok, & YouTube: @filmbrospod

Israeli tanks have been sent into the northern part of the occupied West Bank for the first time in decades. Israel has expelled the residents of three refugee camps in the territory as it steps up its military presence there. Israel's defence minister, Israel Katz, said Palestinian camps in Jenin, Tulkarm and Nur Shams were now empty and would be occupied by the military for a year.Also on the programme: Germans are voting in one of the country's most consequential parliamentary elections of recent times; and we hear from a former BBC entertainment correspondent about the changing art of interviewing stars from Bette Davis to Ethan Hawke. (Photo: Israeli soldiers stand near a tank as it is positioned just outside the occupied West Bank on the Israeli side of the north barrier between Israel and the occupied West Bank on February 23, 2025. Credit: REUTERS/Rami Amichay)

On this week's episode we celebrate Brandy Joe's birthday with a Bette Davis double featch as we take a bath with The Nanny (1965) and get gothic with Hush…Hush, Sweet Charlotte. Time Stamps: The Nanny (1965) - 35:10 // Hush…Hush, Sweet Charlotte - 49:40 We'd love to hear from you! Send your terrorgrams to scaringissharing@gmail.com. Also, check out all the other awesome shows coming at you from the Planet Ant/Planet Ant Podcast multiverse! For merch & more: https://linktr.ee/scaringissharing,

CONTENT WARNING: Discussion of abuse, car accidents, aging, mental illness.. If last week was about a world war, this film is about a two-woman war. Joan Crawford and Bette Davis were two of the bitterest rivals in the 30's and 40's, but by 1962 both were desperate for a hit. So was director Robert Aldrich, and the three combined to create a unique blend of gothic horror and Hollywood cynicism that still resonates today. We continue Oscars ‘62 with What Ever Happened to Baby Jane? onMacintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the film What Ever Happened to Baby Jane?, copyright 1962 The Associates & Aldrich Company Inc.; 1962 Warner Bros. Entertainment Inc. All rights reserved. Excerpt taken from the main title to the film Days of Wine and Roses, composed and conducted by Henry Mancini with lyrics by Johnny Mercer. Copyright 1962 Warner Bros. Entertainment Inc. All Rights Reserved.

Sean is feeling the pressure this week as he and Sarah review his Auntie's favourite film: What Ever Happened To Baby Jane? (1963).Discussion Points:-What the hell happened to acting and film-making.-The tour de force performances from Bette Davis and Joan Crawford.-Sarah and Sean were surprised by the sheer class of the entire production.-The career of Davis and Crawford.-The golden age of Hollywood.-The outstanding performances of the supporting cast.-Sarah loves a sad and cynical film.-The impeccable sound design.-Sean and Sarah can't wait to watch 'The Letter' (1940).-Whether Award-winning films have become more forgettable.-The death of Hollywood star power and 'learning your craft'.-Sean has nothing personally against Zendaya, he was just making a point about the lack of acting prowess in the "go-to actors and actresses" of today.-The promotional tours the actresses went on.Raised Questions:-Have you ever made up your own words?-Why don't we get films like this anymore?-Why do older films see to be so much better than what we get now?-Did the film make you question your own sanity?-How have the Jane sister's become so isolated from the world?-Are they in a cage of their own making?-Who is the one really orchestrating the situation?-Why doesn't Blanche just shout out of the window?-Why are leading ladies pushed so much in modern-day films and series, when we had amazing actresses like Joan Crawford and Bette Davis in the past?-How amazing was Bette Davis?-Have we collectively dropped our expectations for films?Time Stamps:0:11 Introduction3:43 Film Overview: What Ever Happened to Baby Jane8:34 The Performances: A Masterclass in Acting21:33 The Complex Relationship of Jane and Blanche29:00 Cinematic Techniques: Lighting and Sound Design35:42 The Twisted Backstory Unveiled44:00 The Climax: Tension Builds50:21 The Film's Conclusion: Layers of Manipulation and Resentment52:28 Talent and Resentment59:16 Playing the Victim?1:08:20 Hollywood's Shifting Star Power1:20:37 The Art of Acting1:26:55 Behind the Scenes of Baby Jane1:33:19 The Real-Life Drama1:40:58 A Plea for Quality Modern-Day Cinema1:44:07 Listener Engagement and Future TopicsThanks for Listening!Find us here: X: @YourselfReviewInstagram: reviewityourselfpodcast2021YouTube: https://www.youtube.com/@ReviewItYourself⁠ Hosted on Acast. See acast.com/privacy for more information.

Longevity in Hollywood is no easy feat, but 'Happy Days' icon Anson Williams shares his secret to a long and successful career.What he remembers about directing several episodes of 90210, and how Bette Davis impacted his career in a major way!Plus, his special project with Tori's TV husband and why he says the 'Happiest' moments on Happy Days weren't even on the set. See omnystudio.com/listener for privacy information.

This is the first time Christy has brought in two people at the same time. Bette Davis and Joan Crawford came in together as they always do, but this time as enemies. They explain that the concept of twin flames is not what we think it is. They had a feud which fueled them to be resilient and seek higher perspectives. It's a fascinating episode For more info, click below: Gary Temple Bodley Christy Levy  

EPISODE 70 - “COLIN CLIVE” - 1/13/2024 The moment he uttered the iconic line, “It's Alive! It's Alive,” in the 1931classic horror film “Frankenstein, actor COLIN CLIVE secured his place in film history. The handsome, talented British actor went on to appear in several other films, but his life and career were cut short due to his acute alcoholism and other personal demons. This week, we remember and celebrate this beloved horror legend.  SHOW NOTES:  Sources: One Man Crazy . . .! The Life and Death of Colin Clive (2018), by Gregory W. Mank; James Whale: A New World of Gods and Monsters (1998), by James Curtis; The Wisdom of Colette (1980), by Bennitt Gardiner; Colette O'Niel: A Season in Repertory (1976), by Bennitt Gardiner; “R.C. Sherriff: Soldier, Writer and Oarsman,” November 30, 2020, HearTheBoatSing.com; “Mae Clarke Remembers James Whale,” May 1985, Films in Review; “Jeanne De Casalis, 69, Is Dead,” August 20, 1966, New York Times;  “Colin Clive, Actor, Dies In Hollywood,” June 27, 1937, New York Times; TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned:  Frankenstein (1931), starring Boris Karloff, Colin Clive, & Mae Clake; Journey's End (1930), starring Colin Clive, Ian Maclaren, & David Manners; The Public Enemy (1931), starring James Cagney, Jean Harlow, Joan Blondell, Mae Clarke, & Edward Woods; Christopher Strong (1933), starring Katharine Hepburn, Colin Clive, & Billie Burke; Looking Forward (1933), string Lionel Barrymore, Lewis Stone, Elizabeth Allen & Benita Hume; Jane Eyre (1934), starring Virginia Bruce, Edith Fellows, & Colin Clive; The Girl From 10th Avenue (1935), starring Bette Davis, Colin Clive, & Ian Hunter; The Man Who Broke The Bank At Monte Carlo (1935), starring Ronald Colman, Joan Bennett, Colin Clive, & Nigel Bruce; Clive of India (1935), starring Ronald Colman, Loretta Young, Colin Clive, Cesar Romero, Leo G. Carroll, & C. Aubrey Smith; Mad Love (1935), starring Peter Lorre, Colin Clive, & Frances Drake; Bride of Frankenstein (1935), Boris Karloff, Elsa Lancaster, Colin Clive, Una O'Connor, & Valerie Hobson; History is Made At Night (1937), starring Jean Arthur, Charles Boyer, & Colin Clive; The Woman I Love (1937), starring Miriam Hopkins, Paul Muni, Louis Hayward, & Colin Clive; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Grab your gun and watch out for falling planters because we're back in Hagsploitation territory with Hush...Hush, Sweet Charlotte (1964), the defacto sequel to What Ever Happened to Baby Jane? There's so much to enjoy in this delectable thriller, including gorgeous B/W cinematography, another empathetic lead performance from Bette Davis and a scenery chewing Olivia de Havilland. Plus: Another epic Bette vs Joan showdown, surprising Oscar noms, double bill recommendations, and why de Havilland should have played more bitches Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, BlueSky, Youtube, Letterboxd, Facebook, or join the Facebook Group to get in touch with other listeners > Trace: @tracedthurman > Joe: @bstolemyremote Be sure to support the boys on Patreon!   Theme Music: Alexander Nakarada    Learn more about your ad choices. Visit megaphone.fm/adchoices

GGACP looks back on its 6th anniversary -- and the release of Episode #300 -- by revisiting PART TWO of a live evening of story and song from New York City's Cutting Room, featuring Mario Cantone, Marilu Henner, Richard Kind, Paul Shaffer and surprise guest performer David Yazbek (as well as special guests Susie Essman, Barbara Feldon, Tom Leopold, Jackie Martling, Jeff Ross and Alan Zweibel). Also in this episode: Gilbert and Jeff star in “CSI,” David and Paul pay tribute to Ed McMahon, Tony Curtis puts the moves on Bette Davis and Richard and Mario (finally!) debate the merits of “Mr. Magoo's Christmas Carol.” PLUS: Mason Reese! “Wait Until Dark”! The Island of Misfit Toys! The musical stylings of the Gilbert Gottfried Orchestra! And a Broadway icon drops by to join the fun! Learn more about your ad choices. Visit megaphone.fm/adchoices