Podcasts about allied

Upcoming Election in Honduras. Mary Anastasia O'Grady discusses Honduran fears that the current left-wing party, allied with Venezuela and Cuba, will attempt to steal the upcoming election. This follows a playbook where elected leaders consolidate power by seizing control of institutions like the military and courts to avoid subsequent fair elections. The OAS and US State Department have issued warnings against election theft. Guest: Mary Anastasia O'Grady. 1890

From the streets of London to the beaches of North Africa, Marines carried their purpose into every corner of a world at war. They trained with the Royal Marines, guarded embassies under fire, planned Allied landings, and fought in places where no division would ever march. When Japan fell, they raised the flag over Yokosuka and Nagasaki, guarded surrendered fleets, and kept order through the uneasy calm that followed. Peace offered no rest. The Corps faced demobilization, doubt, and then a new kind of war in Korea's frozen mountains. At Pusan, Inchon, and Chosin, they proved the spirit of the Pacific had not dimmed.  Support the Series Listen ad-free and a week early on historyofthemarinecorps.supercast.com Donate directly at historyofthemarinecorps.com Try a free 30-day Audible trial at audible.com/marinehistory Social Media Instagram - @historyofthemarines Facebook - @marinehistory Twitter - @marinehistory

November 2025 During the second half of World War 2, the Allied air forces launched a large-scale heavy bomber offensive against German cities and war industries. This was designed to damage Germany's ability and will to continue the war. It also represented a way for Britain and the USA to support the Soviet Union before the D-Day invasion. The whole campaign was guided by intelligence, to identify the right targets, determine how badly they were damaged, and assess the effects on the German war effort. This huge undertaking taxed Allied intelligence capabilities to their limits. It has since become one of the many contended issues in the debates around this costly and controversial campaign. In this 'It Happened Here' episode, we are joined by Research Officer Dr Thomas Cheetham to explain the ways Signals Intelligence from Bletchley Park did - and didn't - guide Allied bombing strategy. Our thanks go to Owen Moogan and Sarah Langston for voicing our historical documents. Image: © National Museum of the US Air Force (Public Domain) This episode is a follow up to episodes E170 & E171. #BPark, #Bletchleypark, #WW2, #Enigma, #BomberCommand, #USAAF,

The Battle of the Atlantic was World War II's longest continuous military campaign, spanning from 1939 to 1945 and pitting the Allied powers against Nazi Germany's U-boat fleet. Its central objective was to control the Atlantic sea lanes that supplied Britain with troops, food, and war materiel from the Americas. Early in the war, German U-boats achieved stunning success, severing convoys and threatening Britain's survival by starving its population and weakening its war effort. The Allies answered with improved anti-submarine tactics, radar and sonar technologies, and the crucial development of the convoy system—groups of merchant ships escorted by warships and aircraft to reduce individual vulnerability. Air cover from long-range patrol planes and escort carriers extended reach far into the mid-Atlantic, while improved cryptography allowed Allied forces to break German codes and reroute convoys away from wolfpacks. Depth charges, hedgehog mortars, and improved depth estimation increased anti-submarine effectiveness, though losses remained high for both sides. The turning point came with better air superiority, more resilient merchant ships (including the standardized, sturdier Liberty and later victory ships), and the integration of ever more powerful anti-submarine weapons. Allied production capacity outpaced German losses, while strategic escorts and improved logistics regained control of the sea lanes. By 1943–1944, sustained Allied dominance choked off U-boat operations, reducing their impact and allowing a steady flow of materials to sustain ground campaigns in Europe. The campaign's outcome underscored the vital importance of air power, intelligence, technology, and industrial mass production in securing victory.

While the first half of 1942 was characterized by small-scale raids and minor skirmishes between Allied forces and the Empire of Japan in the Pacific, the summer of 1942 witnessed one of the largest and most significant naval battles in world history as the Imperial Japanese Navy tried to lure US aircraft carriers into a trap only to find themselves trapped as a result.Support the show My latest novel, "Califia's Crusade," is now available at Amazon, Barnes & Noble, Kobo, Apple Books, Bookshop.org, and many other online platforms!

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Powerleegirl hosts, the mother daughter team of Miko Lee, Jalena & Ayame Keane-Lee speak with artists about their craft and the works that you can catch in the Bay Area. Featured are filmmaker Yuriko Gamo Romer, playwright Jessica Huang and photographer Joyce Xi.   More info about their work here: Diamond Diplomacy Yuriko Gamo Romer Jessica Huang's Mother of Exiles at Berkeley Rep Joyce Xi's Our Language Our Story at Galeria de la Raza     Show Transcript Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.    Ayame Keane-Lee: [00:00:46] Thank you for joining us on Apex Express Tonight. Join the PowerLeeGirls as we talk with some powerful Asian American women artists. My mom and sister speak with filmmaker Yuriko Gamo Romer, playwright Jessica Huang, and photographer Joyce Xi. Each of these artists have works that you can enjoy right now in the Bay Area. First up, let's listen in to my mom Miko Lee chat with Yuriko Gamo Romer about her film Diamond Diplomacy.    Miko Lee: [00:01:19] Welcome, Yuriko Gamo Romer to Apex Express, amazing filmmaker, award-winning director and producer. Welcome to Apex Express.   Yuriko Gamo Romer: [00:01:29] Thank you for having me.    Miko Lee: [00:01:31] It's so great to see your work after this many years. We were just chatting that we knew each other maybe 30 years ago and have not reconnected. So it's lovely to see your work. I'm gonna start with asking you a question. I ask all of my Apex guests, which is, who are your people and what legacy do you carry with you?    Yuriko Gamo Romer: [00:01:49] Oh, who are my people? That's a hard one. I guess I'm Japanese American. I'm Asian American, but I'm also Japanese. I still have a lot of people in Japan. That's not everything. Creative people, artists, filmmakers, all the people that I work with, which I love. And I don't know, I can't pare it down to one narrow sentence or phrase. And I don't know what my legacy is. My legacy is that I was born in Japan, but I have grown up in the United States and so I carry with me all that is, technically I'm an immigrant, so I have little bits and pieces of that and, but I'm also very much grew up in the United States and from that perspective, I'm an American. So too many words.    Miko Lee: [00:02:44] Thank you so much for sharing. Your latest film was called Diamond Diplomacy. Can you tell us what inspired this film?   Yuriko Gamo Romer: [00:02:52] I have a friend named Dave Dempsey and his father, Con Dempsey, was a pitcher for the San Francisco Seals. And the Seals were the minor league team that was in the West Coast was called the Pacific Coast League They were here before the Major League teams came to the West Coast. So the seals were San Francisco's team, and Con Dempsey was their pitcher. And it so happened that he was part of the 1949 tour when General MacArthur sent the San Francisco Seals to Allied occupied Japan after World War II. And. It was a story that I had never heard. There was a museum exhibit south of Market in San Francisco, and I was completely wowed and awed because here's this lovely story about baseball playing a role in diplomacy and in reuniting a friendship between two countries. And I had never heard of it before and I'm pretty sure most people don't know the story. Con Dempsey had a movie camera with him when he went to Japan I saw the home movies playing on a little TV set in the corner at the museum, and I thought, oh, this has to be a film. I was in the middle of finishing Mrs. Judo, so I, it was something I had to tuck into the back of my mind Several years later, I dug it up again and I made Dave go into his mother's garage and dig out the actual films. And that was the beginning. But then I started opening history books and doing research, and suddenly it was a much bigger, much deeper, much longer story.   Miko Lee: [00:04:32] So you fell in, it was like synchronicity that you have this friend that had this footage, and then you just fell into the research. What stood out to you?    Yuriko Gamo Romer: [00:04:41] It was completely amazing to me that baseball had been in Japan since 1872. I had no idea. And most people,   Miko Lee: [00:04:49] Yeah, I learned that too, from your film. That was so fascinating.    Yuriko Gamo Romer: [00:04:53] So that was the first kind of. Wow. And then I started to pick up little bits and pieces like in 1934, there was an American All Star team that went to Japan. And Babe Ruth was the headliner on that team. And he was a big star. People just loved him in Japan. And then I started to read the history and understanding that. Not that a baseball team or even Babe Ruth can go to Japan and prevent the war from happening. But there was a warming moment when the people of Japan were so enamored of this baseball team coming and so excited about it that maybe there was a moment where it felt like. Things had thawed out a little bit. So there were other points in history where I started to see this trend where baseball had a moment or had an influence in something, and I just thought, wow, this is really a fascinating history that goes back a long way and is surprising. And then of course today we have all these Japanese faces in Major League baseball.   Miko Lee: [00:06:01] So have you always been a baseball fan?   Yuriko Gamo Romer: [00:06:04] I think I really became a fan of Major League Baseball when I was living in New York. Before that, I knew what it was. I played softball, I had a small connection to it, but I really became a fan when I was living in New York and then my son started to play baseball and he would come home from the games and he would start to give us the play by play and I started to learn more about it. And it is a fascinating game 'cause it's much more complex than I think some people don't like it 'cause it's complex.    Miko Lee: [00:06:33] I must confess, I have not been a big baseball fan. I'm also thinking, oh, a film about baseball. But I actually found it so fascinating with especially in the world that we live in right now, where there's so much strife that there was this way to speak a different language. And many times we do that through art or music and I thought it was so great how your film really showcased how baseball was used as a tool for political repair and change. I'm wondering how you think this film applies to the time that we live in now where there's such an incredible division, and not necessarily with Japan, but just with everything in the world.   Yuriko Gamo Romer: [00:07:13] I think when it comes down to it, if we actually get to know people. We learn that we're all human beings and that we probably have more in common than we give ourselves credit for. And if we can find a space that is common ground, whether it's a baseball field or the kitchen, or an art studio, or a music studio, I think it gives us a different place where we can exist and acknowledge That we're human beings and that we maybe have more in common than we're willing to give ourselves credit for. So I like to see things where people can have a moment where you step outside of yourself and go, oh wait, I do have something in common with that person over there. And maybe it doesn't solve the problem. But once you have that awakening, I think there's something. that happens, it opens you up. And I think sports is one of those things that has a little bit of that magical power. And every time I watch the Olympics, I'm just completely in awe.    Miko Lee: [00:08:18] Yeah, I absolutely agree with you. And speaking of that kind of repair and that aspect that sports can have, you ended up making a short film called Baseball Behind Barbed Wire, about the incarcerated Japanese Americans and baseball. And I wondered where in the filmmaking process did you decide, oh, I gotta pull this out of the bigger film and make it its own thing?    Yuriko Gamo Romer: [00:08:41] I had been working with Carrie Yonakegawa. From Fresno and he's really the keeper of the history of Japanese American baseball and especially of the story of the World War II Japanese American incarceration through the baseball stories. And he was one of my scholars and consultants on the longer film. And I have been working on diamond diplomacy for 11 years. So I got to know a lot of my experts quite well. I knew. All along that there was more to that part of the story that sort of deserved its own story, and I was very fortunate to get a grant from the National Parks Foundation, and I got that grant right when the pandemic started. It was a good thing. I had a chunk of money and I was able to do historical research, which can be done on a computer. Nobody was doing any production at that beginning of the COVID time. And then it's a short film, so it was a little more contained and I was able to release that one in 2023.   Miko Lee: [00:09:45] Oh, so you actually made the short before Diamond Diplomacy.   Yuriko Gamo Romer: [00:09:49] Yeah. The funny thing is that I finished it before diamond diplomacy, it's always been intrinsically part of the longer film and you'll see the longer film and you'll understand that part of baseball behind Barbed Wire becomes a part of telling that part of the story in Diamond Diplomacy.   Miko Lee: [00:10:08] Yeah, I appreciate it. So you almost use it like research, background research for the longer film, is that right?    Yuriko Gamo Romer: [00:10:15] I had been doing the research about the World War II, Japanese American incarceration because it was part of the story of the 150 years between Japan and the United States and Japanese people in the United States and American people that went to Japan. So it was always a part of that longer story, and I think it just evolved that there was a much bigger story that needed to be told separately and especially 'cause I had access to the interview footage of the two guys that had been there, and I knew Carrie so well. So that was part of it, was that I learned so much about that history from him.   Miko Lee: [00:10:58] Thanks. I appreciated actually watching both films to be able to see more in depth about what happened during the incarceration, so that was really powerful. I'm wondering if you can talk a little bit about the style of actually both films, which combine vintage Japanese postcards, animation and archival footage, and how you decided to blend the films in this way.   Yuriko Gamo Romer: [00:11:19] Anytime you're making a film about history, there's that challenge of. How am I going to show this story? How am I gonna get the audience to understand and feel what was happening then? And of course you can't suddenly go out and go, okay, I'm gonna go film Babe Ruth over there. 'cause he's not around anymore. So you know, you start digging up photographs. If we're in the era of you have photographs, you have home movies, you have 16 millimeter, you have all kinds of film, then great. You can find that stuff if you can find it and use it. But if you go back further, when before people had cameras and before motion picture, then you have to do something else. I've always been very much enamored of Japanese woodblock prints. I think they're beautiful and they're very documentary in that they tell stories about the people and the times and what was going on, and so I was able to find some that sort of helped evoke the stories of that period of time. And then in doing that, I became interested in the style and maybe can I co-opt that style? Can we take some of the images that we have that are photographs? And I had a couple of young artists work on this stuff and it started to work and I was very excited. So then we were doing things like, okay, now we can create a transition between the print style illustration and the actual footage that we're moving into, or the photograph that we're dissolving into. And the same thing with baseball behind barbed wire. It became a challenge to show what was actually happening in the camps. In the beginning, people were not allowed to have cameras at all, and even later on it wasn't like it was common thing for people to have cameras, especially movie cameras. Latter part of the war, there was a little bit more in terms of photos and movies, but in terms of getting the more personal stories. I found an exhibit of illustrations and it really was drawings and paintings that were visual diaries. People kept these visual diaries, they drew and they painted, and I think part of it was. Something to do, but I think the other part of it was a way to show and express what was going on. So one of the most dramatic moments in there is a drawing of a little boy sitting on a toilet with his hands covering his face, and no one would ever have a photograph. Of a little boy sitting on a toilet being embarrassed because there are no partitions around the toilet. But this was a very dramatic and telling moment that was drawn. And there were some other things like that. There was one illustration in baseball behind barbed wire that shows a family huddled up and there's this incredible wind blowing, and it's not. Home movie footage, but you feel the wind and what they had to live through. I appreciate art in general, so it was very fun for me to be able to use various different kinds of art and find ways to make it work and make it edit together with the other, with the photographs and the footage.    Miko Lee: [00:14:56] It's really beautiful and it tells the story really well. I'm wondering about a response to the film from folks that were in it because you got many elders to share their stories about what it was like being either folks that were incarcerated or folks that were playing in such an unusual time. Have you screened the film for folks that were in it? And if so what has their response been?    Yuriko Gamo Romer: [00:15:20] Both the men that were in baseball behind barbed wire are not living anymore, so they have not seen it. With diamond diplomacy, some of the historians have been asked to review cuts of the film along the way. But the two baseball players that play the biggest role in the film, I've given them links to look at stuff, but I don't think they've seen it. So Moi's gonna see it for the first time, I'm pretty sure, on Friday night, and it'll be interesting to see what his reaction to it is. And of course. His main language is not English. So I think some of it's gonna be a little tough for him to understand. But I am very curious 'cause I've known him for a long time and I know his stories and I feel like when we were putting the film together, it was really important for me to be able to tell the stories in the way that I felt like. He lived them and he tells them, I feel like I've heard these stories over and over again. I've gotten to know him and I understand some of his feelings of joy and of regret and all these other things that happen, so I will be very interested to see what his reaction is to it.   Miko Lee: [00:16:40] Can you share for our audience who you're talking about.   Yuriko Gamo Romer: [00:16:43] Well, Sanhi is a nickname, his name is Masa Nouri. Murakami. He picked up that nickname because none of the ball players could pronounce his name.   Miko Lee: [00:16:53] I did think that was horrifically funny when they said they started calling him macaroni 'cause they could not pronounce his name. So many of us have had those experiences.   Yuriko Gamo Romer: [00:17:02] Yeah, especially if your name is Masanori Murakami. That's a long, complicated one. So he, Masanori Murakami is the first Japanese player that came and played for the major leagues. And it was an inadvertent playing because he was a kid, he was 19 years old. He was playing on a professional team in Japan and they had some, they had a time period where it made sense to send a couple of these kids over to the United States. They had a relationship with Kapi Harada, who was a Japanese American who had been in the Army and he was in Japan during. The occupation and somehow he had, he'd also been a big baseball person, so I think he developed all these relationships and he arranged for these three kids to come to the United States and to, as Mahi says, to study baseball. And they were sent to the lowest level minor league, the single A camps, and they played baseball. They learned the American ways to play baseball, and they got to play with low level professional baseball players. Marcy was a very talented left handed pitcher. And so when September 1st comes around and the postseason starts, they expand the roster and they add more players to the team. And the scouts had been watching him and the Giants needed a left-handed pitcher, so they decided to take a chance on him, and they brought him up and he was suddenly going to Shea Stadium when. The Giants were playing the Mets and he was suddenly pitching in a giant stadium of 40,000 people.    Miko Lee: [00:18:58] Can you share a little bit about his experience when he first came to America? I just think it shows such a difference in time to now.    Yuriko Gamo Romer: [00:19:07] Yeah, no kidding. Because today they're the players that come from Japan are coddled and they have interpreters wherever they go and they travel and chartered planes and special limousines and whatever else they get. So Marcie. He's, I think he was 20 by the time he was brought up so young. Mahi at 20 years old, the manager comes in and says, Hey, you're going to New York tomorrow and hands him plane tickets and he has to negotiate his way. Get on this plane, get on that plane, figure out how to. Get from the airport to the hotel, and he's barely speaking English at this point. He jokes that he used to carry around an English Japanese dictionary in one pocket and a Japanese English dictionary in the other pocket. So that's how he ended up getting to Shea Stadium was in this like very precarious, like they didn't even send an escort.   Miko Lee: [00:20:12] He had to ask the pilot how to get to the hotel. Yeah, I think that's wild. So I love this like history and what's happened and then I'm thinking now as I said at the beginning, I'm not a big baseball sports fan, but I love love watching Shohei Ohtani. I just think he's amazing. And I'm just wondering, when you look at that trajectory of where Mahi was back then and now, Shohei Ohtani now, how do you reflect on that historically? And I'm wondering if you've connected with any of the kind of modern Japanese players, if they've seen this film.   Yuriko Gamo Romer: [00:20:48] I have never met Shohei Ohtani. I have tried to get some interviews, but I haven't gotten any. I have met Ichi. I did meet Nori Aoki when he was playing for the Giants, and I met Kenta Maya when he was first pitching for the Dodgers. They're all, I think they're all really, they seem to be really excited to be here and play. I don't know what it's like to be Ohtani. I saw something the other day in social media that was comparing him to Taylor Swift because the two of them are this like other level of famous and it must just be crazy. Probably can't walk down the street anymore. But it is funny 'cause I've been editing all this footage of mahi when he was 19, 20 years old and they have a very similar face. And it just makes me laugh that, once upon a time this young Japanese kid was here and. He was worried about how to make ends meet at the end of the month, and then you got the other one who's like a multi multimillionaire.    Miko Lee: [00:21:56] But you're right, I thought that too. They look similar, like the tall, the face, they're like the vibe that they put out there. Have they met each other?    Yuriko Gamo Romer: [00:22:05] They have actually met, I don't think they know each other well, but they've definitely met.   Miko Lee: [00:22:09] Mm, It was really a delight. I am wondering what you would like audiences to walk away with after seeing your film.   Yuriko Gamo Romer: [00:22:17] Hopefully they will have a little bit of appreciation for baseball and international baseball, but more than anything else. I wonder if they can pick up on that sense of when you find common ground, it's a very special space and it's an ability to have this people to people diplomacy. You get to experience people, you get to know them a little bit. Even if you've never met Ohtani, you now know a little bit about him and his life and. Probably what he eats and all that kind of stuff. So it gives you a chance to see into another culture. And I think that makes for a different kind of understanding. And certainly for the players. They sit on the bench together and they practice together and they sweat together and they, everything that they do together, these guys know each other. They learn about each other's languages and each other's food and each other's culture. And I think Mahi went back to Japan with almost as much Spanish as they did English. So I think there's some magical thing about people to people diplomacy, and I hope that people can get a sense of that.    Miko Lee: [00:23:42] Thank you so much for sharing. Can you tell our audience how they could find out more about your film Diamond diplomacy and also about you as an artist?    Yuriko Gamo Romer: [00:23:50] the website is diamonddiplomacy.com. We're on Instagram @diamonddiplomacy. We're also on Facebook Diamond Diplomacy. So those are all the places that you can find stuff, those places will give you a sense of who I am as a filmmaker and an artist too.    Miko Lee: [00:24:14] Thank you so much for joining us today, Yuriko. Gamo. Romo. So great to speak with you and I hope the film does really well.    Yuriko Gamo Romer: [00:24:22] Thank you, Miko. This was a lovely opportunity to chat with you.   Ayame Keane-Lee: [00:24:26] Next up, my sister Jalena Keane-Lee speaks with playwright Jessica Huang, whose new play Mother of Exiles just had its world premiere at Berkeley Rep is open until December 21st.    Jalena Keane-Lee: [00:24:39] All right. Jessica Huang, thank you so much for being here with us on Apex Express and you are the writer of the new play Mother of Exiles, which is playing at Berkeley Rep from November 14th to December 21st. Thank you so much for being here.   Jessica Huang: [00:24:55] Yeah, thank you so much for having me. It's such a pleasure.   Jalena Keane-Lee: [00:24:59] I'm so curious about this project. The synopsis was so interesting. I was wondering if you could just tell us a little bit about it and how you came to this work.   Jessica Huang: [00:25:08] When people ask me what mother of Exiles is, I always say it's an American family story that spans 160 plus years, and is told in three acts. In 90 minutes. So just to get the sort of sense of the propulsion of the show and the form, the formal experiment of it. The first part takes place in 1898, when the sort of matriarch of the family is being deported from Angel Island. The second part takes place in 1999, so a hundred years later where her great grandson is. Now working for the Miami, marine interdiction unit. So he's a border cop. The third movement takes place in 2063 out on the ocean after Miami has sunk beneath the water. And their descendants are figuring out what they're gonna do to survive. It was a strange sort of conception for the show because I had been wanting to write a play. I'd been wanting to write a triptych about America and the way that interracial love has shaped. This country and it shaped my family in particular. I also wanted to tell a story that had to do with this, the land itself in some way. I had been sort of carrying an idea for the play around for a while, knowing that it had to do with cross-cultural border crossing immigration themes. This sort of epic love story that each, in each chapter there's a different love story. It wasn't until I went on a trip to Singapore and to China and got to meet some family members that I hadn't met before that the rest of it sort of fell into place. The rest of it being that there's a, the presence of, ancestors and the way that the living sort of interacts with those who have come before throughout the play.   Jalena Keane-Lee: [00:27:13] I noticed that ancestors, and ghosts and spirits are a theme throughout your work. I was wondering if you could talk a little bit about your own ancestry and how that informs your writing and creative practice.   Jessica Huang: [00:27:25] Yeah, I mean, I'm in a fourth generation interracial marriage. So, I come from a long line of people who have loved people who were different from them, who spoke different languages, who came from different countries. That's my story. My brother his partner is German. He lives in Berlin. We have a history in our family of traveling and of loving people who are different from us. To me that's like the story of this country and is also the stuff I like to write about. The thing that I feel like I have to share with the world are, is just stories from that experience.   Jalena Keane-Lee: [00:28:03] That's really awesome. I guess I haven't really thought about it that way, but I'm third generation of like interracial as well. 'cause I'm Chinese, Japanese, and Irish. And then at a certain point when you're mixed, it's like, okay, well. The odds of me being with someone that's my exact same ethnic breakdown feel pretty low. So it's probably gonna be an interracial relationship in one way or the other.   Jessica Huang: [00:28:26] Totally. Yeah. And, and, and I don't, you know, it sounds, and it sounds like in your family and in mine too, like we just. Kept sort of adding culture to our family. So my grandfather's from Shanghai, my grandmother, you know, is, it was a very, like upper crust white family on the east coast. Then they had my dad. My dad married my mom whose people are from the Ukraine. And then my husband's Puerto Rican. We just keep like broadening the definition of family and the definition of community and I think that's again, like I said, like the story of this country.   Jalena Keane-Lee: [00:29:00] That's so beautiful. I'm curious about the role of place in this project in particular, mother of exiles, angel Island, obviously being in the Bay Area, and then the rest of it taking place, in Miami or in the future. The last act is also like Miami or Miami adjacent. What was the inspiration behind the place and how did place and location and setting inform the writing.   Jessica Huang: [00:29:22] It's a good question. Angel Island is a place that has loomed large in my work. Just being sort of known as the Ellis Island of the West, but actually being a place with a much more difficult history. I've always been really inspired by the stories that come out of Angel Island, the poetry that's come out of Angel Island and, just the history of Asian immigration. It felt like it made sense to set the first part of the play here, in the Bay. Especially because Eddie, our protagonist, spent some time working on a farm. So there's also like this great history of agriculture and migrant workers here too. It just felt like a natural place to set it. And then why did we move to Miami? There are so many moments in American history where immigration has been a real, center point of the sort of conversation, the national conversation. And moving forward to the nineties, the wet foot, dry foot Cuban immigration story felt like really potent and a great place to tell the next piece of this tale. Then looking toward the future Miami is definitely, or you know, according to the science that I have read one of the cities that is really in danger of flooding as sea levels rise.   Jalena Keane-Lee: [00:30:50] Okay. The Cuban immigration. That totally makes sense. That leads perfectly into my next question, which was gonna be about how did you choose the time the moments in time? I think that one you said was in the nineties and curious about the choice to have it be in the nineties and not present day. And then how did you choose how far in the future you wanted to have the last part?   Jessica Huang: [00:31:09] Some of it was really just based on the needs of the characters. So the how far into the future I wanted us to be following a character that we met as a baby in the previous act. So it just, you know, made sense. I couldn't push it too far into the future. It made sense to set it in the 2060s. In terms of the nineties and, why not present day? Immigration in the nineties , was so different in it was still, like I said, it was still, it's always been a important national conversation, but it wasn't. There was a, it felt like a little bit more, I don't know if gentle is the word, but there just was more nuance to the conversation. And still there was a broad effort to prevent Cuban and refugees from coming ashore. I think I was fascinated by how complicated, I mean, what foot, dry foot, the idea of it is that , if a refugee is caught on water, they're sent back to Cuba. But if they're caught on land, then they can stay in the us And just the idea of that is so. The way that, people's lives are affected by just where they are caught , in their crossing. I just found that to be a bit ridiculous and in terms of a national policy. It made sense then to set the second part, which moves into a bit of a farce at a time when immigration also kind of felt like a farce.   Jalena Keane-Lee: [00:32:46] That totally makes sense. It feels very dire right now, obviously. But it's interesting to be able to kind of go back in time and see when things were handled so differently and also how I think throughout history and also touching many different racial groups. We've talked a lot on this show about the Chinese Exclusion Act and different immigration policies towards Chinese and other Asian Americans. But they've always been pretty arbitrary and kind of farcical as you put it. Yeah.   Jessica Huang: [00:33:17] Yeah. And that's not to make light of like the ways that people's lives were really impacted by all of this policy . But I think the arbitrariness of it, like you said, is just really something that bears examining. I also think it's really helpful to look at where we are now through the lens of the past or the future. Mm-hmm. Just gives just a little bit of distance and a little bit of perspective. Maybe just a little bit of context to how we got to where we got to.   Jalena Keane-Lee: [00:33:50] That totally makes sense. What has your experience been like of seeing the play be put up? It's my understanding, this is the first this is like the premier of the play at Berkeley Rep.   Jessica Huang: [00:34:00] Yes. Yeah. It's the world premier. It's it incredible. Jackie Bradley is our director and she's phenomenal. It's just sort of mesmerizing what is happening with this play? It's so beautiful and like I've alluded to, it shifts tone between the first movement being sort of a historical drama on Angel Island to, it moves into a bit of a farce in part two, and then it, by the third movement, we're living in sort of a dystopic, almost sci-fi future. The way that Jackie's just deftly moved an audience through each of those experiences while holding onto the important threads of this family and, the themes that we're unpacking and this like incredible design team, all of these beautiful visuals sounds, it's just really so magical to see it come to life in this way. And our cast is incredible. I believe there are 18 named roles in the play, and there are a few surprises and all of them are played by six actors. who are just. Unbelievable. Like all of them have the ability to play against type. They just transform and transform again and can navigate like, the deepest tragedies and the like, highest moments of comedy and just hold on to this beautiful humanity. Each and every one of them is just really spectacular. So I'm just, you know. I don't know. I just feel so lucky to be honest with you. This production is going to be so incredible. It's gonna be, it feels like what I imagine in my mind, but, you know, plus,    Jalena Keane-Lee: [00:35:45] well, I really can't wait to see it. What are you hoping that audiences walk away with after seeing the show?   Jessica Huang: [00:35:54] That's a great question. I want audiences to feel connected to their ancestors and feel part of this community of this country and, and grateful and acknowledge the sacrifices that somebody along the line made so that they could be here with, with each other watching the show. I hope, people feel like they enjoyed themselves and got to experience something that they haven't experienced before. I think that there are definitely, nuances to the political conversation that we're having right now, about who has the right to immigrate into this country and who has the right to be a refugee, who has the right to claim asylum. I hope to add something to that conversation with this play, however small.   Jalena Keane-Lee:[00:36:43]  Do you know where the play is going next?   Jessica Huang: [00:36:45] No. No. I dunno where it's going next. Um, exciting. Yeah, but we'll, time will   Jalena Keane-Lee: [00:36:51] and previews start just in a few days, right?   Jessica Huang: [00:36:54] Yeah. Yeah. We have our first preview, we have our first audience on Friday. So yeah, very looking forward to seeing how all of this work that we've been doing lands on folks.   Jalena Keane-Lee: [00:37:03] Wow, that's so exciting. Do you have any other projects that you're working on? Or any upcoming projects that you'd like to share about?   Jessica Huang: [00:37:10] Yeah, yeah, I do. I'm part of the writing team for the 10 Things I Hate About You Musical, which is in development with an Eye Toward Broadway. I'm working with Lena Dunham and Carly Rae Jepsen and Ethan Ska to make that musical. I also have a fun project in Chicago that will soon be announced.   Jalena Keane-Lee: [00:37:31] And what is keeping you inspired and keeping your, you know, creative energies flowing in these times?   Jessica Huang: [00:37:37] Well first of all, I think, you know, my collaborators on this show are incredibly inspiring. The nice thing about theater is that you just get to go and be inspired by people all the time. 'cause it's this big collaboration, you don't have to do it all by yourself. So that would be the first thing I would say. I haven't seen a lot of theater since I've been out here in the bay, but right before I left New York, I saw MEUs . Which is by Brian Keda, Nigel Robinson. And it's this sort of two-hander musical, but they do live looping and they sort of create the music live. Wow. And it's another, it's another show about an untold history and about solidarity and about folks coming together from different backgrounds and about ancestors, so there's a lot of themes that really resonate. And also the show is just so great. It's just really incredible. So , that was the last thing I saw that I loved. I'm always so inspired by theater that I get to see.   Jalena Keane-Lee: [00:38:36] That sounds wonderful. Is there anything else that you'd like to share?   Jessica Huang: [00:38:40] No, I don't think so. I just thanks so much for having me and come check out the show. I think you'll enjoy it. There's something for everyone.   Jalena Keane-Lee: [00:38:48] Yeah. I'm so excited to see the show. Is there like a Chinese Cuban love story with the Miami portion? Oh, that's so awesome. This is an aside, but I'm a filmmaker and I've been working on a documentary about, Chinese people in Cuba and there's like this whole history of Chinese Cubans in Cuba too.   Jessica Huang: [00:39:07] Oh, that's wonderful. In this story, it's a person who's a descendant of, a love story between a Chinese person and a Mexican man, a Chinese woman and a Mexican man, and oh, their descendant. Then also, there's a love story between him and a Cuban woman.   Jalena Keane-Lee: [00:39:25] That's awesome. Wow. I'm very excited to see it in all the different intergenerational layers and tonal shifts. I can't wait to see how it all comes together.   Ayame Keane-Lee: [00:39:34] Next up we are back with Miko Lee, who is now speaking with photographer Joyce Xi about her latest exhibition entitled Our Language, our Story Running Through January in San Francisco at Galleria de Raza.    Miko Lee: [00:39:48] Welcome, Joyce Xi to Apex Express.    Joyce Xi: [00:39:52] Thanks for having me.    Miko Lee: [00:39:53] Yes. I'm, I wanna start by asking you a question I ask most of my guests, and this is based on the great poet Shaka Hodges. It's an adaptation of her question, which is, who are your people and what legacy do you carry with you?   Joyce Xi: [00:40:09] My people are artists, free spirits, people who wanna see a more free and just, and beautiful world. I'm Chinese American. A lot of my work has been in the Asian American community with all kinds of different people who dreaming of something better and trying to make the world a better place and doing so with creativity and with positive and good energy.   Miko Lee: [00:40:39] I love it. And what legacy do you carry with you?   Joyce Xi: [00:40:43] I am a fighter. I feel like just people who have been fighting for a better world. Photography wise, like definitely thinking about Corky Lee who is an Asian American photographer and activist. There's been people who have done it before me. There will be people who do it after me, but I wanna do my version of it here.   Miko Lee: [00:41:03] Thank you so much and for lifting up the great Corky Lee who has been such a big influence on all of us. I'm wondering in that vein, can you talk a little bit about how you use photography as a tool for social change?   Joyce Xi: [00:41:17] Yeah. Photography I feel is a very powerful tool for social change. Photography is one of those mediums where it's emotional, it's raw, it's real. It's a way to see and show and feel like important moments, important stories, important emotions. I try to use it as a way to share. Truths and stories about issues that are important, things that people experience, whether it's, advocating for environmental justice or language justice or just like some of them, just to highlight some of the struggles and challenges people experience as well as the joys and the celebrations and just the nuance of people's lives. I feel like photography is a really powerful medium to show that. And I love photography in particular because it's really like a frozen moment. I think what's so great about photography is that. It's that moment, it's that one feeling, that one expression, and it's kind of like frozen in time. So you can really, sit there and ponder about what's in this person's eyes or what's this person trying to say? Or. What does this person's struggle like? You can just see it through their expressions and their emotions and also it's a great way to document. There's so many things that we all do as advocates, as activists, whether it's protesting or whether it's just supporting people who are dealing with something. You have that moment recorded. Can really help us remember those fights and those moments. You can show people what happened. Photography is endlessly powerful. I really believe in it as a tool and a medium for influencing the world in positive ways.   Miko Lee: [00:43:08] I'd love us to shift and talk about your latest work, Our language, Our story.” Can you tell us a little bit about where this came from?   Joyce Xi: [00:43:15] Sure. I was in conversation with Nikita Kumar, who was at the Asian Law Caucus at the time. We were just chatting about art and activism and how photography could be a powerful medium to use to advocate or tell stories about different things. Nikita was talking to me about how a lot of language access work that's being done by organizations that work in immigrant communities can often be a topic that is very jargon filled or very kind of like niche or wonky policy, legal and maybe at times isn't the thing that people really get in the streets about or get really emotionally energized around. It's one of those issues that's so important to everything. Especially since in many immigrant communities, people do not speak English and every single day, every single issue. All these issues that these organizations advocate around. Like housing rights, workers' rights, voting rights, immigration, et cetera, without language, those rights and resources are very hard to understand and even hard to access at all. So, Nik and I were talking about language is so important, it's one of those issues too remind people about the core importance of it. What does it feel like when you don't have access to your language? What does it feel like and look like when you do, when you can celebrate with your community and communicate freely and live your life just as who you are versus when you can't even figure out how to say what you wanna say because there's a language barrier.    Miko Lee: [00:44:55] Joyce can you just for our audience, break down what language access means? What does it mean to you and why is it important for everybody?   Joyce Xi: [00:45:05] Language access is about being able to navigate the world in your language, in the way that you understand and communicate in your life. In advocacy spaces, what it can look like is, we need to have resources and we need to have interpretation in different languages so that people can understand what's being talked about or understand what resources are available or understand what's on the ballot. So they can really experience their life to the fullest. Each of us has our languages that we're comfortable with and it's really our way of expressing everything that's important to us and understanding everything that's important to us. When that language is not available, it's very hard to navigate the world. On the policy front, there's so many ways just having resources in different languages, having interpretation in different spaces, making sure that everybody who is involved in this society can do what they need to do and can understand the decisions that are being made. That affects them and also that they can affect the decisions that affect them.   Miko Lee: [00:46:19] I think a lot of immigrant kids just grow up being like the de facto translator for their parents. Which can be things like medical terminology and legal terms, which they might not be familiar with. And so language asks about providing opportunities for everybody to have equal understanding of what's going on. And so can you talk a little bit about your gallery show? So you and Nikita dreamed up this vision for making language access more accessible and more story based, and then what happened?   Joyce Xi: [00:46:50] We decided to express this through a series of photo stories. Focusing on individual stories from a variety of different language backgrounds and immigration backgrounds and just different communities all across the Bay Area. And really just have people share from the heart, what does language mean to them? What does it affect in their lives? Both when one has access to the language, like for example, in their own community, when they can speak freely and understand and just share everything that's on their heart. And what does it look like when that's not available? When maybe you're out in the streets and you're trying to like talk to the bus driver and you can't even communicate with each other. How does that feel? What does that look like? So we collected all these stories from many different community members across different languages and asked them a series of questions and took photos of them in their day-to-day lives, in family gatherings, at community meetings, at rallies, at home, in the streets, all over the place, wherever people were like Halloween or Ramadan or graduations, or just day-to-day life. Through the quotes that we got from the interviews, as well as the photos that I took to illustrate their stories, we put them together as photo stories for each person. Those are now on display at Galleria Deza in San Francisco. We have over 20 different stories in over 10 different languages. The people in the project spoke like over 15 different languages. Some people used multiple languages and some spoke English, many did not. We had folks who had immigrated recently, folks who had immigrated a while ago. We had children of immigrants talking about their experiences being that bridge as you talked about, navigating translating for their parents and being in this tough spot of growing up really quickly, we just have this kind of tapestry of different stories and, definitely encourage folks to check out the photos but also to read through each person's stories. Everybody has a story that's very special and that is from the heart   Miko Lee: [00:49:00] sounds fun. I can't wait to see it in person. Can you share a little bit about how you selected the participants?    Joyce Xi: [00:49:07] Yeah, selecting the participants was an organic process. I'm a photographer who's trying to honor relationships and not like parachute in. We wanted to build relationships and work with people who felt comfortable sharing their stories, who really wanted to be a part of it, and who are connected in some kind of a way where it didn't feel like completely out of context. So what that meant was that myself and also the Asian Law Caucus we have connections in the community to different organizations who work in different immigrant communities. So we reached out to people that we knew who were doing good work and just say Hey, do you have any community members who would be interested in participating in this project who could share their stories. Then through following these threads we were able to connect with many different organizations who brought either members or community folks who they're connected with to the project. Some of them came through like friends. Another one was like, oh, I've worked with these people before, maybe you can talk to them. One of them I met through a World Refugee Day event. It came through a lot of different relationships and reaching out. We really wanted folks who wanted to share a piece of their life. A lot of folks who really felt like language access and language barriers were a big challenge in their life, and they wanted to talk about it. We were able to gather a really great group together.    Miko Lee: [00:50:33] Can you share how opening night went? How did you navigate showcasing and highlighting the diversity of the languages in one space?    Joyce Xi: [00:50:43] The opening of the exhibit was a really special event. We invited everybody who was part of the project as well as their communities, and we also invited like friends, community and different organizations to come. We really wanted to create a space where we could feel and see what language access and some of the challenges of language access can be all in one space. We had about 10 different languages at least going on at the same time. Some of them we had interpretation through headsets. Some of them we just, it was like fewer people. So people huddled together and just interpreted for the community members. A lot of these organizations that we partnered with, they brought their folks out. So their members, their community members, their friends and then. It was really special because a lot of the people whose photos are on the walls were there, so they invited their friends and family. It was really fun for them to see their photos on the wall. And also I think for all of our different communities, like we can end up really siloed or just like with who we're comfortable with most of the time, especially if we can't communicate very well with each other with language barriers. For everybody to be in the same space and to hear so many languages being used in the same space and for people to be around people maybe that they're not used to being around every day. And yet through everybody's stories, they share a lot of common experiences. Like so many of the stories were related to each other. People talked about being parents, people talked about going to the doctor or taking the bus, like having challenges at the workplace or just what it's like to celebrate your own culture and heritage and language and what the importance of preserving languages. There are so many common threads and. Maybe a lot of people are not used to seeing each other or communicating with each other on a daily basis. So just to have everyone in one space was so special. We had performances, we had food, we had elders, children. There was a huge different range of people and it was just like, it was just cool to see everyone in the same space. It was special.    Miko Lee: [00:52:51] And finally, for folks that get to go to Galleria de la Raza in San Francisco and see the exhibit, what do you want them to walk away with?   Joyce Xi: [00:53:00] I would love for people to walk away just like in a reflective state. You know how to really think about how. Language is so important to everything that we do and through all these stories to really see how so many different immigrant and refugee community members are making it work. And also deal with different barriers and how it affects them, how it affects just really simple human things in life that maybe some of us take for granted, on a daily basis. And just to have more compassion, more understanding. Ultimately, we wanna see our city, our bay area, our country really respecting people and their language and their dignity through language access and through just supporting and uplifting our immigrant communities in general. It's a such a tough time right now. There's so many attacks on our immigrant communities and people are scared and there's a lot of dehumanizing actions and narratives out there. This is, hopefully something completely different than that. Something that uplifts celebrates, honors and really sees our immigrant communities and hopefully people can just feel that feeling of like, oh, okay, we can do better. Everybody has a story. Everybody deserves to be treated with dignity and all the people in these stories are really amazing human beings. It was just an honor for me to even be a part of their story. I hope people can feel some piece of that.    Miko Lee: [00:54:50] Thank you so much, Joyce, for sharing your vision with us, and I hope everybody gets a chance to go out and see your work.    Joyce Xi: [00:54:57] Thank you.   Ayame Keane-Lee: [00:55:00] Thanks so much for tuning in to Apex Express. Please check out our website at kpfa.org/program/apexexpress to find out more about the guests tonight and find out how you can take direct action.   Apex Express is a proud member of Asian Americans for civil rights and equality. Find out more at aacre.org. That's AACRE.org.   We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world. Your voices are important.    Apex Express is produced by  Miko Lee, Jalena Keene-Lee, Ayame Keene-Lee, Preeti Mangala Shekar, Anuj Vaida, Cheryl Truong, Isabel Li, Nina Phillips & Swati Rayasam. Thank you so much to the team at KPFA for their support and have a good night.       The post APEX Express – 11.20.25 – Artist to Artist appeared first on KPFA.

In this special episode of the Defence Connect Podcast, host Steve Kuper is joined by the co-founder and CEO of Anduril Industries, Brian Schimpf, as they talk about building an allied industrial base and the intricacies involved. Recorded live at Indo Pacific International Maritime Exposition 2025, the pair also discuss a range of subjects, including: The mechanics behind developing and implementing a comprehensive industry policy in a developed nation. The lessons of pre-Second World War industrialisation in the United States and the lessons learned through the "New Deal" that helped secure Allied victory. The myths about the role of automation in contemporary manufacturing and the role of skilled humans in and on the loop when it comes to modern, high-end, mass manufacturing. Designing capabilities and technologies from the ground up to be built en masse, via an IKEA-style approach. The scale and scope of Anduril's Arsenal-1 factory, currently under construction in Ohio. Enjoy the podcast, The Defence Connect team

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Why is the battle of the Atlantic so crucial to the Allied war effort in WW2? How did Prien manage to sink Royal Oak in Scapa Flow? When did the civilian passenger liner Athenia get attacked by U-Boats? Join James Holland and Al Murray for part 1 of this deep dive on the war in the Atlantic, the most vital theatre of war in WW2 and the long-running campaign between the British Royal Navy and the Nazi German Kriegsmarine. Start your free trial at ⁠patreon.com/wehaveways⁠ and unlock exclusive content and more. Enjoy livestreams, early access to podcast episodes, ad-free listening, bonus episodes, and a weekly newsletter packed with book deals and behind-the-scenes insights. Members also get priority access and discounts to live events. A Goalhanger Production Produced by James Regan Exec Producer: Tony Pastor Social: @WeHaveWaysPod Email: wehaveways@goalhanger.com Membership Club: patreon.com/wehaveways Learn more about your ad choices. Visit podcastchoices.com/adchoices

Glenn Flickinger and Todd DePastino discuss the VBC's WWII Tour of Italy in October 2026, where they will spend 14 days following the path of the Allied forces through one of the most grueling campaigns of World War II. Todd and Glenn will also talk with Italian Campaign expert, 45th Infantry Division Historian Professor David D'Andrea, who will also be joining us on our trip. We'll trace the course of the Italian Campaign, beginning with Operation Husky, the massive Allied invasion of Sicily in July 1943 that opened the road to Europe's soft underbelly. From the hard-fought landings at Gela and Scoglitti to the urban battles in Palermo and the mountainous defenses near Messina, Sicily tested the courage and coordination of American and British troops. From there, the campaign moved to mainland Italy, first at Salerno, where American soldiers fought to hold their beachhead against fierce counterattacks, and then up the rugged spine of the Apennines. We'll visit key battlegrounds of Cassino, where Allied forces waged a costly struggle for control of the ancient Abbey of Monte Cassino, and Anzio, where troops endured months of shelling in a desperate bid to outflank German defenses. The campaign culminated in the liberation of Rome on June 4, 1944, two days before D-Day in Normandy. Our trip will visit these storied sites—Catania, Syracuse, Agrigento, Palermo, Salerno, Cassino, Anzio, and Rome—accompanied by historians and local guides who will help us connect the landscape to the history that unfolded there. Along the way, we'll also enjoy the beauty that drew the world to Italy long before and long after the war: the turquoise waters of the Amalfi Coast, the golden temples of Agrigento, and the ancient beauty of Palermo and Rome. We're grateful to UPMC for Life  for sponsoring this event!

Allied healthcare professionals are the unsung backbone of patient care, and many of them are choosing to take their skills on the road.In this episode, we sit down with Nicole Meyeraan (Sr. Director of Allied Recruitment) and Will Hunt (Allied Recruitment Specialist & former traveler) from TNAA | TotalMed to dig into the real world of allied healthcare travel.We talk about:– What allied travel actually is (and the roles it includes)– Why more clinicians are choosing flexibility and adventure– How travel impacts pay, work-life balance, and career growth– The realities of housing, assignments, and agency support– How to get started even if you're unsure or feel intimidatedWhether you're a seasoned clinician craving change or just travel-curious, this episode will help you understand the opportunities, challenges, and empowerment that come with saying yes to a new kind of healthcare journey.Healthcare workers deserve careers that support their growth, joy, and quality of life. For many allied clinicians, travel is the path that finally makes that possible. Together with the team at TNAA | TotalMed, we explore how allied healthcare workers are rewriting the meaning of purpose-driven work.From building confidence to expanding clinical experience to seeing the world while still doing what you love, this is an episode about choosing yourself, choosing your freedom, and choosing a career with heart. IG: @travelnurseacrossamerica Website: www.tnaa.com IG: @MDFInstruments Website: www.mdfinstruments.com

Welcome back to the BJN podcast. In this episode, Sean Boyle (Editor, British Journal of Nursing) sits down with returning guest Nicki Thomas (Kidney Nurse and Professor at London South Bank University) and Doctor Patricia Smith (Senior Lecturer at University of East London and Physiotherapist in Allied and Public Health) to discuss the science behind exercise and kidney health, the barriers that prevent people from being active, and the practical steps nurses can take to empower individuals and communities to reduce their risk of kidney disease and diabetes through movement and lifestyle change. We're always keen to hear your feedback! If you'd like to share your thoughts on today's epsiode, drop us an email at: bjn@markallengroup.com  Like what you've heard here today? Check out the BJN website for more information on all things nursing: https://www.britishjournalofnursing.com/  The BJN podcast was edited by Tom Austin-Morgan: https://www.linkedin.com/in/thomasaustinmorgan/ 

Midnight Flyboys: The American Bomber Crews and Allied Secret Agents Who Aided the French Resistance in World War II by Bruce Henderson https://www.amazon.com/exec/obidos/ASIN/1668051419 Brucehendersonbooks.com The untold history of a top-secret operation in the run-up to D-Day in which American flyers and Allied spies carried out some of the most daring cloak-and-dagger operations of World War II. In 1943, the OSS—precursor to the CIA—came up with a plan to increase its support to the French resistance forces that were fighting the Nazis. To start, the OSS recruited some of the best American bomber pilots and crews to a secret airfield twenty miles west of London and briefed them on the intended mission. Given a choice to stay or leave, every airman volunteered for what became known as Operation Carpetbagger. Their dangerous plan called for a new kind of flying: taking their B-24 Liberator bombers in the middle of the night across the English Channel and down to extremely low altitudes in Nazi-occupied France to find drop zones in dark fields. On the ground, resistance members waited to receive steel containers filled with everything from rifles and hand grenades to medicine and bicycle tires. Some nights, the flyers also dropped Allied secret agents by parachute to assist the French partisans. Though their story remained classified for more than fifty years, the Carpetbaggers ultimately received a Presidential Unit Citation from the US military, which declared: “it is safe to say that no group of this size has made a greater contribution to the war effort.” Along with other members of the wartime OSS, they were also awarded the Congressional Gold Medal. Based on exclusive research and interviews, the definitive story of these heroic flyers—and of the brave secret agents and resistance leaders they aided—can now be told. Written in Bruce Henderson's “spellbinding” (USA TODAY) prose, Midnight Flyboys is an astonishing tale of patriotism, courage, and sacrifice.About the author Bruce Henderson is the author of more than twenty nonfiction books, including the #1 New York Times bestseller AND THE SEA WILL TELL, which was made into a highly-rated TV series. His latest book, SONS AND SOLDIERS: THE UNTOLD STORY OF THE JEWS WHO ESCAPED THE NAZIS AND RETURNED WITH THE U.S. ARMY TO FIGHT HITLER, hit the New York Times Bestseller List in 2018. Henderson's previous books include RESCUE AT LOS BANOS: THE MOST DARING PRISON CAMP RAID OF WORLD WAR II, and HERO FOUND: THE GREATEST POW ESCAPE OF THE VIETNAM WAR, a national bestseller which told the true story of U.S. Navy pilot Dieter Dengler, with whom Henderson served aboard the aircraft carrier USS Ranger (CVA-61) during Vietnam. Henderson is also the author of TRACE EVIDENCE: THE HUNT FOR THE I-5 SERIAL KILLER and FATAL NORTH: MURDER AND SURVIVAL ON THE FIRST NORTH POLE EXPEDITION. An award-winning journalist and author, he has taught reporting and writing at USC School of Journalism and Stanford University.

Adam Haman returns to assess clips a recent ZeroHedge debate between Keith Knight and Jim Holland, on whether the Allies should have entered World War II.Mentioned in the Episode and Other Links of Interest:The YouTube version of this conversation.This episode's sponsor, The Swan Brothers.The link to the ZeroHedge debate between Keith Knight and Jim Holland.Bob's source for WW2 production figures.The HamanNature substack.Help support the Bob Murphy Show.

Send us a textA plane held together by rope, bamboo,  shouldn't fly—yet five men bet their lives that it would. We share the true story of RCAF pilot Rudy Mendizabel and a small Allied crew who scavenged two wrecked Lockheeds on a bombed-out Java airfield and built one improbable lifeline. With a cratered runway, engines shaking, and surrender orders closing in, they chose risk over captivity and aimed for the open sea…On Remembrance Day, this story becomes more than an adventure; it's a lens on sacrifice, resilience, and the ordinary choices that people make in pursuit of freedom.If this story moved you, follow the show, share it with a friend who loves real-life war history and aviation, and leave a review to help others find it. Your words help keep these memories alive …For What it's WorthBlog Post for this EpisodeSupport the showreview us on Podchaser Show website - https://fwiw.buzzsprout.comFollow us on:Show Blog Face Book Instagram: Support usEmail us: fwiw.thepodcast@gmail.com

Allied AI Competition and Submarine Requests. Scott Harold examines the crucial role of allies Japan and South Korea in the AI competition against China. Japan is developing locally tailored AI models built on US technology for use in Southeast Asia. South Korea aims to become the third-largest AI power, offering reliable models to counter China's untrustworthy technology. Harold also discusses South Korea's surprising request for nuclear-powered, conventionally armed submarines to track Chinese and North Korean vessels, signaling a greater public willingness to contribute to China deterrence.

SHOW 11-12-25 CBS EYE ON THE WORLD WITH JOHN BATCHELOR 1930 THE SHOW BEGINS IN THE DOUBTS ABOUT CHINA'S LEADERSHIP. FIRST HOUR 9-915 Allied AI Competition and Submarine Requests. Scott Harold examines the crucial role of allies Japan and South Korea in the AI competition against China. Japan is developing locally tailored AI models built on US technology for use in Southeast Asia. South Korea aims to become the third-largest AI power, offering reliable models to counter China's untrustworthy technology. Harold also discusses South Korea's surprising request for nuclear-powered, conventionally armed submarines to track Chinese and North Korean vessels, signaling a greater public willingness to contribute to China deterrence. 915-930 Rare Earths Monopoly and US Strategy. General Blaine Holt discusses China's challenge to the US and its allies regarding rare earths, noting that China previously threatened to cut off supply. The US is securing deals with partners like Australia and is on track to replace China entirely, despite initial processing reliance on Chinese predatory practices. Holt suggests a two-year recovery is conservative, as technology for domestic processing exists. He also notes China's leadership is in turmoil, trying to buy time through trade deals. 930-945 Russian Economic Stagnation and War Finance. Michael Bernstam confirms that the Russian economy is stagnating, expecting no growth for years due to exhausted resources and reliance on military production. Oil and gas revenues are down significantly due to Western sanctions and high discounts, widening the budget deficit. Russia is increasing taxes, including the VAT, which drives inflation in staples. This economic pain damages the popularity of the war by hurting the low-income population—the primary source of military recruitment. 945-1000 Buckley, Fusionism, and Conservative Integrity. Peter Berkowitz explores William F. Buckley's consolidation of the conservative movement through "fusionism"—blending limited government and social conservatism. Buckley purged the movement of anti-Semites based on core principles. Berkowitz uses this historical context to analyze the controversy surrounding Tucker Carlson giving a platform to Nick Fuentes, who openly celebrates Stalin and Hitler. This incident caused division after the Heritage Foundation's president, Kevin Roberts, defended Carlson, prompting Roberts to issue an apology. SECOND HOUR 10-1015 Commodity Markets and UK Political Instability. Simon Constable analyzes rare earth markets, noting China's dominance is achieved through undercutting prices and buying out competitors. Prices for key industrial commodities like copper and aluminum are up, indicating high demand. Constable also discusses UK political instability, noting that Labour Prime Minister Keir Starmer lacks natural leadership and confidence. The major political driver for a potential leadership change is the party's broken promise regarding income taxes, which severely undermines public trust before the next election, 1015-1030 Commodity Markets and UK Political Instability. Simon Constable analyzes rare earth markets, noting China's dominance is achieved through undercutting prices and buying out competitors. Prices for key industrial commodities like copper and aluminum are up, indicating high demand. Constable also discusses UK political instability, noting that Labour Prime Minister Keir Starmer lacks natural leadership and confidence. The major political driver for a potential leadership change is the party's broken promise regarding income taxes, which severely undermines public trust before the next election 1030-1045 Austrian Economics, Von Mises, and the Fight Against Interventionism. Carola Binder discusses the Austrian School of Economics, highlighting its focus on free markets and Ludwig von Mises's opposition to government "interventionism," including rent and price controls. Mises argued these policies distort markets, leading to shortages and inefficiency. Binder emphasizes Mises's belief that economic literacy is a primary civic duty necessary for citizens to reject socialism and interventionist panaceas, especially as new generations are exposed to such ideas. 1045-1100 Austrian Economics, Von Mises, and the Fight Against Interventionism. Carola Binder discusses the Austrian School of Economics, highlighting its focus on free markets and Ludwig von Mises's opposition to government "interventionism," including rent and price controls. Mises argued these policies distort markets, leading to shortages and inefficiency. Binder emphasizes Mises's belief that economic literacy is a primary civic duty necessary for citizens to reject socialism and interventionist panaceas, especially as new generations are exposed to such ideas. THIRD HOUR 1100-1115 Philippine Missile Deployment to Deter China. Captain Jim Fanell reports that the Philippines unveiled its first operational BrahMos anti-ship cruise missile battery in western Luzon to deter Chinese aggression. This supersonic missile system, part of the $7.2 billion Reorizon 3 modernization program, gives the Philippines "skin in the game" near disputed waters like Scarborough Shoal. The deployment signifies a strategy to turn the Philippines into a "porcupine," focusing defense on the West Philippine Sea. The systems are road-mobile, making them difficult to target. 1115-1130 AI, Cyber Attacks, and Nuclear Deterrence. Peter Huessy discusses the challenges to nuclear deterrence posed by AI and cyber intrusions. General Flynn highlighted that attacks on satellites, the backbone of deterrence, could prevent the US from confirming where a launch originated. Huessy emphasizes the need to improve deterrence, noting that the US likely requires presidential authorization for retaliation, unlike potential Russian "dead hand" systems. The biggest risk is misinformation delivered by cyber attacks, although the US maintains stringent protocols and would never launch based solely on a computer warning. 1130-1145 Sudan Civil War, Global Proxies, and Nigerian Violence. Caleb Weiss and Bill Roggio analyze the civil war in Sudan between the SAF and the RSF, noting both factions commit atrocities, including massacres after the capture of El Fasher. The conflict is fueled by opposing global coalitions: the UAE and Russia support the RSF, while Iran, Egypt, and Turkey back the SAF. The Islamic State has called for foreign jihadis to mobilize. Weiss also addresses the complicated violence in Nigeria, differentiating jihadist attacks on Christians from communal farmer-herder conflict. 1145-1200 Sudan Civil War, Global Proxies, and Nigerian Violence. Caleb Weiss and Bill Roggio analyze the civil war in Sudan between the SAF and the RSF, noting both factions commit atrocities, including massacres after the capture of El Fasher. The conflict is fueled by opposing global coalitions: the UAE and Russia support the RSF, while Iran, Egypt, and Turkey back the SAF. The Islamic State has called for foreign jihadis to mobilize. Weiss also addresses the complicated violence in Nigeria, differentiating jihadist attacks on Christians from communal farmer-herder conflict. FOURTH HOUR 12-1215 Corruption, Chinese Influence, and Protests in Serbia. Ivana Stradner discusses protests in Serbia demanding accountability one year after a canopy collapse killed 16 people, with investigations linking the accident to high-level corruption involving a Chinese company. Leader Vučić suppresses discontent by alleging the West is plotting a "color revolution." Although Vučić aligns his heart with Russia and China, he needs EU money for political survival, prompting him to offer weapons to the West and claim Serbia is on the EU path. 1215-1230 The Muslim Brotherhood and Its Global Network. Cliff May discusses the Muslim Brotherhood (MB), the progenitor of Hamas, founded in 1928 after the Ottoman Caliphate's abolition. The MB's goal is to establish a new Islamic empire. Qatar is highly supportive, hosting Hamas leaders, while the UAE and Saudi Arabia have banned the MB. Turkish President Erdoğan is considered MB-adjacent and sympathetic, supporting Hamas and potentially viewing himself as a future Caliph, despite Turkey being a NATO member. 1230-1245 Commercial Space Records and Political Impacts on NASA. Bob Zimmerman covers new records in commercial space: SpaceX achieved 147 launches this year, and one booster tied the Space Shuttle Columbia for 28 reuses. China also set a record with 70 launches but had a failure. Commercial space faced temporary impacts, such as an FAA launch curfew due to a government shutdown and air traffic controller shortages. Zimmerman speculates that Jared Isaacman's conservative-leaning public appearance at Turning Point USA might have convinced Trump to renominate him for NASA Administrator. 1245-100 AM Commercial Space Records and Political Impacts on NASA. Bob Zimmerman covers new records in commercial space: SpaceX achieved 147 launches this year, and one booster tied the Space Shuttle Columbia for 28 reuses. China also set a record with 70 launches but had a failure. Commercial space faced temporary impacts, such as an FAA launch curfew due to a government shutdown and air traffic controller shortages. Zimmerman speculates that Jared Isaacman's conservative-leaning public appearance at Turning Point USA might have convinced Trump to renominate him for NASA Administrator.

Kathleen destroys the myth that eggs are harmful, Peter talks about the benefits of Kefir, and a story about Remembrance Day in a small town in Holland. Kathleen's Deep Dive Eggs got a bad rap for years for supposedly increasing bad cholesterol.  Actually, the opposite may be true. Go figure! A published study showed eating 2 eats daily lowered LDL cholesterol. Eggs provide cholesterol without overloading the liver, allowing it to clear LDL efficiently.  So go eat some farm-fresh eggs from pasture-raised hens! Peter talks about the benefits of kefir and his experience after eating it every day for five weeks. He mentions how the schoolchildren of Oosterbeek in Holland have been placing flowers on Allied paratroopers' graves every Remembrance Day for 80 years to honour their sacrifice in WWII. Links to the articles are in this week's newsletter and blog post.   Health Declassified is brought to you by Peter Wright & Kathleen Beauvais contact us to be a guest on our show. https://HealthDeclassified.com  peter@healthdeclassified.com    kathleen@healthdeclassified.com  Get our weekly newsletter for links to articles mentioned on the show, holistic health tips and news of future guests. Subscribe here   Our Affiliate Suppliers   Science Driven Supplements - Circuguard & OxyBoost https://bit.ly/3VPzsV8 MyWayCBD https://bit.ly/4jFzmd0 BAM Metrics Exercise Equipment https://bit.ly/3SMnZom B3 Sciences BFR bands https://yakking.b3bands.me/ Touchstone Essentials https://healthdeclassified.thegoodinside.com/   Follow us on social media   Spotify                        https://open.spotify.com/show/1N3yM4lUuBYGMByhwuUDVy Facebook Group        https://www.facebook.com/groups/480434235068451 FaceBook Page                https://www.facebook.com/HealthDeclassified Twitter        X                https://x.com/HealthDeclass Instagram                https://www.instagram.com/healthdeclassified/ Telegram                https://t.me/healthdeclassifed   Here are some of the tools we use to produce this podcast. Kit for sending emails and caring for subscribers Hostgator for website hosting. Podbean for podcast hosting Airtable for organizing our guest bookings and automations.   Clicking on some links on this site will let you buy products and services which may result in us receiving a commission, however, it will not affect the price you pay.      

In November 1945, the first major war crimes trial in history opened in the German city of Nuremberg. Senior Nazis who had committed atrocities during World War Two were prosecuted by the victorious Allied powers of Britain, the USA, France and the Soviet Union. In 2014, Louise Hidalgo spoke to Benjamin Ferencz, who helped unearth evidence of mass murder by the Nazi mobile death squads and prosecuted them in Nuremberg. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from the death of Adolf Hitler, the first spacewalk and the making of the movie Jaws, to celebrity tortoise Lonesome George, the Kobe earthquake and the invention of superglue. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: Eva Peron – Argentina's Evita; President Ronald Reagan and his famous ‘tear down this wall' speech; Thomas Keneally on why he wrote Schindler's List; and Jacques Derrida, France's ‘rock star' philosopher. You can learn all about fascinating and surprising stories, such as the civil rights swimming protest; the disastrous D-Day rehearsal; and the death of one of the world's oldest languages.(Photo: The defendants in the Nuremberg trials. Credit: US National Archives/via Reuters)

On the 11th hour of the 11th day of the 11th month, the Allied powers defeated Germany, ending World War I. The annual celebration of this pivotal date we know to be Veterans Day.   Victor Davis Hanson breaks down the history of the holiday—from the challenges the U.S. faced entering World War I and […]

You can send a text, include contact info to get a response. The Convention of Plesswitz ends and war begins again August 11.  The focus is on driving Napoleon out of Germany and then the action turns to Scandinavia, to include Danish Holstein, with most of the focus on Norway.Napoleon's desperate attempts to defend Saxony end at the biggest battle in European history to that time.Allied war aims are becoming public, but there seems a disconnect between stated objectives and the reality of how things work out on the ground in Scandinavia, particularly for Norway.  Could there be hypocrisy?  No, never.  Power politics dominating our ideals?  Norway's war of Independence and the 17th of May, with the new constitution signed at Eidsvoll gets a look in the later half of the episode.  Before that we look at Bernadotte, Karl Johan or Charles John, the new crown prince and how Alexander actually wants HIM as the new king of France.  Bernadotte made various efforts to put himself forward and build a following in France, this is just a fascinating what if. 

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In this classic episode of True Spies, Vanessa Kirby goes behind enemy lines with Virginia Hall, one of the bravest Allied heroines of WWII. As part of ‘Churchill's Secret Army', Virginia was sent into occupied France to organize resistance efforts and disrupt Nazi plans ‘by any means necessary'.  From SPYSCAPE, the home of secrets and skills. Featuring Sarah Megan Thomas as Virginia Hall. A Cup And Nuzzle production. Series producer: Gemma Newby. Produced by Joe Foley. Music by Nick Ryan. Learn more about your ad choices. Visit megaphone.fm/adchoices

On the 11th hour of the 11th day of the 11th month, the Allied powers defeated Germany, ending World War I. The annual celebration of this pivotal date we know to be Veterans Day. Victor Davis Hanson breaks down the history of the holiday—from the challenges the U.S. faced entering World War I and the extraordinary contributions of American troops to the transformation of its beginnings as Armistice Day to a day in which we honor all who have served in the U.S. military—on today's episode of “Victor Davis Hanson: In a Few Words.”

This holy Martyr was an Egyptian and a soldier during the reigns of Diocletian and Maximian. Though he was known for his valor in combat, he renounced his soldier's rank when his legion was ordered to seize Christians in north Africa. Fleeing to the mountains, he dwelt there for some time in silence and solitude, devoting his days to prayer. In time, he presented himself at a pagan festival, denounced the idols and declared himself a Christian. For this he was handed over to the governor of the city, who subjected him to horrible tortures and finally had him beheaded. Some faithful retrieved part of his relics and gave them honorable burial near Lake Mareotis, about thirty miles from Alexandria. The church built over his tomb became a place of pilgrimage not only for countless Egyptians but for Christians all over the world: evidence has been found of journeys to his shrine from as far away as Ireland.   The Synaxarion gives an account of the Saint's intervention in the Second World War: "In June 1942, during the North-Africa campaign that was decisive for the outcome of the Second World War, the German forces under the command of General Rommel were on their way to Alexandria, and happened to make a halt near a place which the Arabs call El-Alamein after Saint Menas. An ancient ruined church there was dedicated to the Saint; and there some people say he is buried. Here the weaker Allied forces including some Greeks confronted the numerically and militarily superior German army, and the result of the coming battle seemed certain. During the first night of engagement, Saint Menas appeared in the midst of the German camp at the head of a caravan of camels, exactly as he was shown on the walls of the ruined church in one of the frescoes depicting his miracles. This astounding and terrifying apparition so undermined German morale that it contributed to the brilliant victory of the Allies. The Church of Saint Menas was restored in thanksgiving and a small monastery was established there."

On this day, in 1918, Ptv. Henry Gunther decided it wasn't over until the last shot was fired. Unfortunately, that last shot took his life.The Last man Private Henry Gunther was the last soldier killed in combat during World War I. He died at 10:59 a.m. on November 11, 1918, just one minute before the armistice went into effect at 11:00 a.m., ending the war. Gunther charged a German machine-gun position in the village of Chaumont-devant-Damvillers, France, despite orders to stop and the Germans signaling to him to halt. He was shot in the left temple and died instantly, making him the final Allied combat casualty of the war. Posthumously, he was awarded the Distinguished Service Cross and had his rank restored after being previously demoted. A memorial in France now marks the spot where he fell, and his remains were returned to Baltimore, Maryland for burial.

Author and journalist Bruce Henderson discusses his book Midnight Flyboys: The American Bomber Crews and Allied Secret Agents Who Aided the French Resistance in World War II. The untold story of a top-secret operation in the run-up to D-Day in which American flyers and Allied spies carried out some of the most daring cloak-and-dagger operations of World War II.  Interview of Thursday, 2 October 2025. Host and Interviewer: AFIO President, James Hughes.

Becky Igo remembers the first few business trips she made going to industry conferences at a time when things like pay phones and fax machines were critical business-development tools. Now more than four decades later, the regional vice president for Allied Solutions remains a friendly and knowledgeable executive at industry events, including Used Car Week. One of this year's inductees to the Used Car Week Hall of Fame, Igo reflects on her successful career and proven strategies to make the most of in-person industry events.

The untold history of a top-secret operation in the run-up to D-Day in which American flyers and Allied spies carried out some of the most daring cloak-and-dagger operations of World War II.In 1943, the OSS-precursor to the CIA-came up with a plan to increase its support to the French resistance forces that were fighting the Nazis. To start, the OSS recruited some of the best American bomber pilots and crews to a secret airfield twenty miles west of London and briefed them on the intended mission. Given a choice to stay or leave, every airman volunteered for what became known as Operation Carpetbagger.Their dangerous plan called for a new kind of flying: taking their B-24 Liberator bombers in the middle of the night across the English Channel and down to extremely low altitudes in Nazi-occupied France to find drop zones in dark fields. On the ground, resistance members waited to receive steel containers filled with everything from rifles and hand grenades to medicine and bicycle tires. Some nights, the flyers also dropped Allied secret agents by parachute to assist the French partisans.Though their story remained classified for more than fifty years, the Carpetbaggers ultimately received a Presidential Unit Citation from the US military, which declared: "it is safe to say that no group of this size has made a greater contribution to the war effort." Along with other members of the wartime OSS, they were also awarded the Congressional Gold Medal.Based on exclusive research and interviews, the definitive story of these heroic flyers-and of the brave secret agents and resistance leaders they aided-can now be told. Written in Bruce Henderson's "spellbinding" (USA TODAY) prose, Midnight Flyboys is an astonishing tale of patriotism, courage, and sacrifice.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

This time I was joined by Anthony Tucker-Jones to discuss his new book Rhineland: Hitlers Last Defence 1944-45 which covers the Allied efforts in late 1944 and early 1945 to move their forces into western Germany. Buy the Book: https://www.ospreypublishing.com/us/rhineland-9781472859921/ Used code WorldWar20 to get 20% off and Free Shipping! Contact advertising@airwavemedia.com to advertise on History of the Second World War. History of the Second World War is part of the Airwave Media podcast network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's Adventure: In the waning days of the war, an OSS agent impersonates a dead Frenchman and pretends to marry his fiancée in order to weed out German agents trying to undermine Allied morale.Original Radio Broadcast: September 15, 1950Originating from New YorkStarring: Charles Webster; Alice Frost; Joseph Julian; Karl Weber; Evie Juster; Jerry Jarrett; Louis Sorin; Horace Braham; Anna KarenTo subscribe to this podcast and, go to https://greatadventures.info/Become one of our ongoing Patreon supporters at https://patreon.greatdetectives.netSupport the show on a one-time basis at http://support.greatdetectives.net.Mail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715Take the listener survey at http://survey.greatdetectives.netGive us a call at 208-991-4783Follow us on Instagram at http://instagram.com/greatdetectivesFollow us on Twitter @radiodetectives

Welcome to What Matters Now, a weekly podcast exploring key issues currently shaping Israel and the Jewish World, with host Amanda Borschel-Dan speaking with ToI film reviewer Jordan Hoffman. The duo beta-tests their soon-to-be-launched podcast series — so new it does not yet have a name — in which they will deliver entertainment news from a Jewish angle (aka Jangle) and review one new or noteworthy film. This week, in episode zero, the pair first discusses the growing boycott of Israeli filmmakers at international festivals. Hoffman weighs in on how this is misfiring when it comes to some of the more prominent -- and very left-wing -- Israeli artists. Next, we hear about "Nuremberg," the Hollywood treatment of the Nuremberg Trials, which began in November 1945, launching the field of international law. In the film, psychiatrist Douglas Kelley (Rami Malek) is ordered to evaluate whether Hermann Göring (Russell Crowe) is fit to stand trial. As the highest-ranking surviving Nazi military commander, to the Allied lawyers, Göring is the "big fish" that must be landed. Borschel-Dan and Hoffman give their differing opinions of the movie and agree to disagree. And so this week, we ask Jordan Hoffman, what matters now. What Matters Now podcasts are available for download on Apple Podcasts, Spotify, YouTube or wherever you get your podcasts. This episode was produced by the Pod-Waves. IMAGE: Jordan Hoffman (courtesy) / Rami Malek and Russell Crowe attend the 'Nuremberg' AFI Fest red carpet premiere screening at TCL Chinese Theatre on October 24, 2025, in Hollywood, California. (Vivien Killilea/Getty Images for Sony Pictures Classics/AFP)See omnystudio.com/listener for privacy information.

In which the Mister joins me in reviewing HELLBOY (2004), from a comic by Mike Mignola, a script by Guillermo del Toro and Peter Briggs, the film is directed by Guillermo del Toro.  Hellboy introduces the world to Anung Un Rama, a demon infant rescued from Nazis by Allied forces during World War II and raised by Professor Trevor "Broom" Bruttenholm (Kevin Trainor/John Hurt) to become Hellboy (Ron Perlman), a powerful agent for the Bureau for Paranormal Research and Defense (BPRD).  Hellboy, a gruff but benevolent supernatural investigator, is tasked with stopping the resurrected Russian mystic Grigori Rasputin (Karel Roden) and the elite Nazi assassin Karl Ruprecht Kroenen (Ladislav Beran), who plot to bring about the apocalypse.  Aided by his BPRD colleagues, the pyrokinetic Liz Sherman (Selma Blair), psychic-amphibian Abe Sapien (Doug Jones, voiced by David Hyde Pierce) and Agent Myers (Rupert Evans), Hellboy must battle demonic forces while struggling with his own destiny as the harbinger of destruction.  The film clocks in at 2 h 2 m, is rated PG-13 and is currently available on HBO Max but also to buy/rent on Prime Video.  Please note there are SPOILERS in this review.#Hellboy #MikeMignola #GuillermoDelToro #PeterBriggs #RonPerlman #Hellboy #JohnHurt #KevinTrainor #ProfessorBroom #DougJones #DavidHydePierce #AbeSapien #SelmaBlair #Liz #RupertEvans #JohnMyers #JeffreyTambor #TomManning #KarelRoden #Rasputin #LadislavBeran #KarlRuprechtKroenen #BiddyHodson #Ilsa #BrianSteele #Sammael #CoreyJohnson #AgentClay #DarkFantasy #Superhero #Steampunk #Monster #Action  #Adventure #SciFi #Horror  ⁠@HBOMax  @PrimeVideo  #FridayFamilyFilmNightOpening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

The Allied campaign in North Africa was a turning point of World War Two. New Zealand forces including the Maori Battalion were major players. 

Operation Olympic was the first phase of Operation Downfall—the Allied plan to invade Japan and end World War II. Set for November 1, 1945, this massive amphibious assault on Kyushu was canceled after Japan surrendered following the atomic bombings of Hiroshima and Nagasaki and the Soviet Union's declaration of war.In this episode, MacArthur Memorial historians Amanda Williams and Jim Zobel break down the operation's objectives, scale, and historical context. This episode also includes a bonus Q&A of listener questions that were recorded after the initial program. YouTube Initial Program: Operation OlympicYouTube Q&A: Operation Olympic Q&AHave a comment about this episode? Send us a text message! (Note: we can only read the texts, we can't reply) Follow us on:Twitter: @MacArthur1880; @AEWilliamsClarkFacebook: @MacArthurMemorialwww.macarthurmemorial.org

PODCAST LAS NOTICIAS CON CALLE DE 6 DE NOVIEMBRE 2025 -   Rompe el récord otra vez el cierre del gobierno federal y amenazan con cierre de espacio aéreo empezando mañana ante falta de empleados - Bloomberg 35% más caro el lechón - Primera Hora Central Roig perdida desde 2015 por papeleo - Primera HoraAprueban medida para moratoria de empleados federales cuando cierra el gobierno federal para pagos de luz, agua, hipotecas, tarjetas, automóviles, etc. - El Vocero Plantean que le pasen a los alcaldes todo el mantenimiento de escuelas, pero alcaldes dicen que no pueden por falta de recursos para eso - El Vocero Camión se vuelca en PR 5 de Naranjito - NOTICENTRO Trump considera atacar pozos petroleros o confiscarlos en Venezuela - NYTSaca buenas notas Miguel Romero - El Nuevo Día Tony Soto es testigo en caso de la Barriada Margarita - T11 Dividido el público de Pablo José  - El Nuevo Día Notas de Rivera Schatz y de Johnny Méndez muestran lo de siempre con la Legislatura - El Nuevo Día Devastador para la comida el costo de la energía - El Vocero Nuevo alcalde de NY llega a PR hoy - El Nuevo DíaDemanda por empresa fabula de reciclaje que nunca existió, pero que le soltaron un millón de billetes - El Nuevo Día OCIF le mete mano a negocios de renta de carro, Allied y AAA Car Rental - El Nuevo Día DACO dice que va a intervenir con 500 dealers de carros por anuncios engañosos - El Nuevo Día Varios boricuas ganaron alcaldías en Estados Unidos - Primera Hora PIP plantea un plan de salud universal - Primera HoraEncuentran cuerpo de mujer asfixiada con bolsa en carro, arrestan hombre en caso de menor con autismo desaparecida y encontrada con sujeto de 58 años y arrestan a pareja por la que se activó la alerta rosa por maltrato - Primera HoraAumentan los empleos en oficios - Metro 

In this episode, Simon breaks down the latest from the Bank of Canada and the Fed and why both are cutting rates again, but sending different signals on what comes next. He then walks through earnings from TMX Group, Allied Properties, and Franco-Nevada. TMX and Franco continue to execute well, while Allied’s fundamentals and payout picture keep deteriorating. Tickers of stocks discussed: X.TO, AP-UN.TO, FNV.TO Check out our portfolio by going to Jointci.com Our Website Our New Youtube Channel! Canadian Investor Podcast Network Twitter: @cdn_investing Simon’s twitter: @Fiat_Iceberg Braden’s twitter: @BradoCapital Dan’s Twitter: @stocktrades_ca Want to learn more about Real Estate Investing? Check out the Canadian Real Estate Investor Podcast! Apple Podcast - The Canadian Real Estate Investor Spotify - The Canadian Real Estate Investor Web player - The Canadian Real Estate Investor Asset Allocation ETFs | BMO Global Asset Management Sign up for Fiscal.ai for free to get easy access to global stock coverage and powerful AI investing tools. Register for EQ Bank, the seamless digital banking experience with better rates and no nonsense. See omnystudio.com/listener for privacy information.

We pack Four Hours of Fury into one with James Fenelon. The paratrooper turned author shares the untold story of World War II's largest airborne invasion, one that dropped 17,000 Allied paratroopers deep into Nazi Germany.

Welcome to What Matters Now, a weekly podcast exploring key issues currently shaping Israel and the Jewish World, with host Amanda Borschel-Dan speaking with ToI film reviewer Jordan Hoffman. The duo beta-tests their soon-to-be-launched podcast series — so new it does not yet have a name — in which they will deliver entertainment news from a Jewish angle (aka Jangle) and review one new or noteworthy film. This week, in episode zero, the pair first discusses the growing boycott of Israeli filmmakers at international festivals. Hoffman weighs in on how this is misfiring when it comes to some of the more prominent -- and very left-wing -- Israeli artists. Next, we hear about "Nuremberg," the Hollywood treatment of the Nuremberg Trials, which began in November 1945, launching the field of international law. In the film, psychiatrist Douglas Kelley (Rami Malek) is ordered to evaluate whether Hermann Göring (Russell Crowe) is fit to stand trial. As the highest-ranking surviving Nazi military commander, to the Allied lawyers, Göring is the "big fish" that must be landed. Borschel-Dan and Hoffman give their differing opinions of the movie and agree to disagree. And so this week, we ask Jordan Hoffman, what matters now. What Matters Now podcasts are available for download on Apple Podcasts, Spotify, YouTube or wherever you get your podcasts. This episode was produced by the Pod-Waves. IMAGE: Jordan Hoffman (courtesy) / Rami Malek and Russell Crowe attend the 'Nuremberg' AFI Fest red carpet premiere screening at TCL Chinese Theatre on October 24, 2025, in Hollywood, California. (Vivien Killilea/Getty Images for Sony Pictures Classics/AFP)See omnystudio.com/listener for privacy information.

The only way out is with a gamble. In Episode 3, the Korean War narrative shifts from desperate survival to audacious counter-attack. The Allied line is breaking, the port of Pusan is on the verge of collapse, and the entire war rests on the success of General Douglas MacArthur's ambitious plan. Ignoring every warning, MacArthur stakes the entire conflict on a single, risky amphibious assault: Operation Chromite at the tidal port of Inchon. We explore the incredible strategic audacity, the geographical obstacles, and how this audacious flanking maneuver shatters the North Korean People's Army (NKPA). But victory is brief. As the 27th "Fire Brigade," the first British Commonwealth ground troops, advance north from the Pusan Perimeter, they confront the brutal reality of coalition warfare. We detail the intense and tragic Battle of Hill 282, where a catastrophic moment of friendly fire costs the lives of Commonwealth soldiers and forces the rapid formation of the resilient Commonwealth Brigade. If you have any thoughts or questions, you can send them to - podbattleground@gmail.com Producer: James Hodgson X (Twitter): @PodBattleground Learn more about your ad choices. Visit podcastchoices.com/adchoices

In Resurrecting the Past: France's Forgotten Heritage Mandate (Cornell UP, 2025), Dr. Sarah Griswold shows how the Levant became a crucial front in a post-1918 fight over the French past—a contingent and contradictory but always hard-charging struggle over a forgotten "heritage mandate." Many scholars, clergy, pundits, politicians, and investors perceived the moment Allied forces entered Jerusalem in December 1917 to be a once-in-a-lifetime opportunity to expand French influence, evoking the vision of a new colony in the territory: a French Levant. But what transpired for the French state in the Levant after World War I, and why does that ill-conceived venture still matter today? Resurrecting the Past investigates how heritage politics led to a new form of empire—a French mandate for Syria and Lebanon—and with it a tide of regional and international critique. Against such opposition, the heritage mandate leaned heavily on spectacle and science, generating a sprawling set of sites and objects—Ottoman mansions, crusader castles, Umayyad mosques, Roman arches, buried synagogues, and Sumerian ziggurats. As Dr. Griswold traces how French heritage efforts cycled through multiple ideal pasts in the Levant from 1918 to 1946, she reveals how each one, though grounded in realities, also complicated those constructs and the work of French heritage-makers. Resurrecting the Past offers a parable of how efforts in heritage politics aimed to construct a union of ideologies and objects deemed the best past for France's uncertain future but struggled as much as they succeeded. Eventually those same heritage politics ironically helped officials justify the end of the "French Levant." This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Resurrecting the Past: France's Forgotten Heritage Mandate (Cornell UP, 2025), Dr. Sarah Griswold shows how the Levant became a crucial front in a post-1918 fight over the French past—a contingent and contradictory but always hard-charging struggle over a forgotten "heritage mandate." Many scholars, clergy, pundits, politicians, and investors perceived the moment Allied forces entered Jerusalem in December 1917 to be a once-in-a-lifetime opportunity to expand French influence, evoking the vision of a new colony in the territory: a French Levant. But what transpired for the French state in the Levant after World War I, and why does that ill-conceived venture still matter today? Resurrecting the Past investigates how heritage politics led to a new form of empire—a French mandate for Syria and Lebanon—and with it a tide of regional and international critique. Against such opposition, the heritage mandate leaned heavily on spectacle and science, generating a sprawling set of sites and objects—Ottoman mansions, crusader castles, Umayyad mosques, Roman arches, buried synagogues, and Sumerian ziggurats. As Dr. Griswold traces how French heritage efforts cycled through multiple ideal pasts in the Levant from 1918 to 1946, she reveals how each one, though grounded in realities, also complicated those constructs and the work of French heritage-makers. Resurrecting the Past offers a parable of how efforts in heritage politics aimed to construct a union of ideologies and objects deemed the best past for France's uncertain future but struggled as much as they succeeded. Eventually those same heritage politics ironically helped officials justify the end of the "French Levant." This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

In Resurrecting the Past: France's Forgotten Heritage Mandate (Cornell UP, 2025), Dr. Sarah Griswold shows how the Levant became a crucial front in a post-1918 fight over the French past—a contingent and contradictory but always hard-charging struggle over a forgotten "heritage mandate." Many scholars, clergy, pundits, politicians, and investors perceived the moment Allied forces entered Jerusalem in December 1917 to be a once-in-a-lifetime opportunity to expand French influence, evoking the vision of a new colony in the territory: a French Levant. But what transpired for the French state in the Levant after World War I, and why does that ill-conceived venture still matter today? Resurrecting the Past investigates how heritage politics led to a new form of empire—a French mandate for Syria and Lebanon—and with it a tide of regional and international critique. Against such opposition, the heritage mandate leaned heavily on spectacle and science, generating a sprawling set of sites and objects—Ottoman mansions, crusader castles, Umayyad mosques, Roman arches, buried synagogues, and Sumerian ziggurats. As Dr. Griswold traces how French heritage efforts cycled through multiple ideal pasts in the Levant from 1918 to 1946, she reveals how each one, though grounded in realities, also complicated those constructs and the work of French heritage-makers. Resurrecting the Past offers a parable of how efforts in heritage politics aimed to construct a union of ideologies and objects deemed the best past for France's uncertain future but struggled as much as they succeeded. Eventually those same heritage politics ironically helped officials justify the end of the "French Levant." This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

As soon as Allied leaders chose Normandy as the site of the Operation Overlord invasion, British intelligence set to work convincing the Germans that the invasion would be somewhere else.

Today's Adventure: An OSS agent goes into France to team up with a formidable wealthy French woman to set up an escape route for downed Allied flyers.Original Radio Broadcast: September 8, 1950Originating from New YorkStarring: Les Tremayne; Bryna Raeburn; Lily Valenti; Jack Gordon; Ralph BellTo subscribe to this podcast and, go to https://greatadventures.info/Become one of our ongoing Patreon supporters at https://patreon.greatdetectives.netSupport the show on a one-time basis at http://support.greatdetectives.net.Mail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715Take the listener survey at http://survey.greatdetectives.netGive us a call at 208-991-4783Follow us on Instagram at http://instagram.com/greatdetectivesFollow us on Twitter @radiodetectives

General Lucian K. Truscott was one of the United States Army's most capable commanders of the Second World War. Known for his aggressive leadership and determination, Truscott led American forces in North Africa, Sicily, at Anzio, and later in southern France and Germany. Despite his impressive record, he remains one of the lesser-known U.S. generals of World War Two. In this episode of the WW2 Podcast, I'm joined by military historian Glyn Harper, emeritus professor of war studies at Massey University in New Zealand. Glyn is the author of General Lucian K. Truscott: "Quite a Talent for Fighting", a new biography that explores Truscott's remarkable career and lasting contribution to the Allied victory in Europe.   patreon.com/ww2podcast  

They are known as America's first military stealth aircraft. Under cover of darkness, the Waco CG-4A combat glider carried U.S. troops and materiel into battle during World War II.  William Horn and Leo Cordier, pilots who flew these unarmed and un-powered planes, landed behind enemy lines before the invasion troops arrived in Europe on D-Day. Their courageous stories are a little known chapter in the Allied march to victory during WWII. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1941, as the world plunged deeper into war, a small contingent of U.S. Marines found themselves far from the Pacific jungles, engaging in missions that would not capture headlines but were no less critical. Deployed far from the Pacific, they prepared the groundwork for larger Allied operations. In London, amidst the Blitz, they protected the American Embassy and took on tasks that extended far beyond their original mission. Across the Atlantic, in the rugged terrain of Scotland, Marines were pushed to their physical limits, learning unconventional warfare tactics from British Royal Marines, skills that would later define the elite Marine Raiders. Though often unsung, these Marines quietly helped lay the foundation for major victories to come. Their early, discreet efforts were crucial in shaping the success of later, larger campaigns and establishing the Marine Corps as a force capable of adapting to the ever-changing demands of global conflict. ************* Visit HistoryoftheMarineCorps.com to subscribe to our newsletter, explore episode notes and images, and see our references. Follow us on social media for updates and bonus content: Facebook and Twitter (@marinehistory) and Instagram (@historyofthemarines). Visit AudibleTrial.com/marinehistory for a free audiobook and a 30-day trial.

The Allied campaign in Italy stalled, and British and American leaders were searching for a way to break the stalemate on the peninsula. Winston Churchill suggested an amphibious invasion behing enemy lines.

In early 1945, the Allies were advancing in Burma after their hard-won victories at Kohima and Imphal. The focus shifted to the Arakan, a region of dense jungle, mangrove swamps, and unforgiving terrain. For the men sent there, disease, supply difficulties, and the monsoon were as formidable as the Japanese defenders. Among the formations deployed was Britain's 3 Commando Brigade, working alongside Indian and West African divisions of XV Corps in a campaign that tested endurance as much as combat skill. In this episode of the WW2 Podcast, I'm joined by military historian Lucy Betteridge-Dyson. Lucy is the author of Jungle Commandos: The Battle for Arakan, Burma 1945, which tells the story of the Commandos who fought in this overlooked theatre, culminating in the ferocious struggle for Hill 170. Drawing on first-hand accounts, her work reveals the realities of jungle warfare and the contribution of these specialist troops to the final Allied victories in Burma.   Jungle Commandos is also available on Audible. patreon.com/ww2podcast