Podcast appearances and mentions of weird al yankovic

We're starch-raving mad this week! Lauren and Russ are joined by the spudtacular Ian Glaubinger, Art Director at RSVLTS, to break down the third track on Polka Party—Weird Al's ode to tuber obsession: “Addicted to Spuds.” From mashed metaphors to fried philosophies, this episode peels back the layers on one of Al's most underrated food parodies. Get ready for laughs, carbs, and a whole lot of potato talk. Don't flake out—tune in!

Episode 59 - This time on the show, Chris' basement is in a state of flux, the guys discuss the challenges of creative productivity, Chris is still an Apple fanboy, Coury is taking his kids to see Weird Al, Chris still hasn't watched "Real Genius" but Coury watched "The Good, The Bad, and The Ugly", someone who clearly has some issues accused Chris of being a thief, Coury's family got screwed on their taxes, and apparently "elderly proms" are a thing.   Send in a question to heresmypodcast@gmail.com #heresmypodcast #HMQFY

This week on Left Hand Right Brain, JD reunites with his old podcast crew—Patrick Scott and Andreas Becerril—for a special episode featuring Paul Karolyi (City Cast Denver), who's hoping to earn his spot as an honorary “Chupacabro.”They reminisce about their chaotic podcast past (Los Chupacabros), debate Star Wars lore, explore fast food loyalties, and dive headfirst into very NSFW hypotheticals. From talking over each other to laughing until they cry, it's a ridiculous and rowdy hang with real podcast chemistry.

John Mulaney's bold case for inducting Weird Al Yankovic into the Rock and Roll Hall of Fame. Mulaney credits Weird Al's parody “Smells Like Nirvana” for introducing him to Nirvana's iconic “Smells Like Teen Spirit,” sparking a debate about the parody legend's influence on music and culture. Jeff and Jeremy break down Weird Al's chart-topping success, sold-out tours, and undeniable impact, comparing him to this year's Hall of Fame inductees like The White Stripes, Soundgarden, Outkast, Cyndi Lauper, Joe Cocker, Chubby Checker, and Bad Company. Is Weird Al more deserving than some of these icons? Jeff and Jeremy weigh the pros and cons, reminiscing about Al's hilarious costume changes, radio fake-outs with hits like “Eat It,” and his unique ability to transform serious songs into comedic gold. Tune in for a fun, nostalgic discussion on whether the king of parody belongs in the Hall—and why Mulaney's Rolling Stone shoutout might just make it happen!

The soundtrack to your childhood… and probably everyone else's, too…  it's “Weird Al” Yankovic. Al joins Dan for a chat about his legendary 40 year career (he's one of the best-charting musicians of all time), from how he became “Weird” to his 5 Grammy Award wins to embarking on his latest tour around the country. Al, a consummate performer, also opens up about performing immediately after the loss of his parents, what it was like growing up incredibly sheltered, and how he maintains his sterling reputation and sparkling attitude through it all. Weird Al's “Bigger & Weirder” Tour is on sale now - visiting 65 cities across North America from June through September. For tour dates and tickets, visit weirdal.com/tour Learn more about your ad choices. Visit podcastchoices.com/adchoices

The soundtrack to your childhood… and probably everyone else's, too…  it's “Weird Al” Yankovic. Al joins Dan for a chat about his legendary 40 year career (he's one of the best-charting musicians of all time), from how he became “Weird” to his 5 Grammy Award wins to embarking on his latest tour around the country. Al, a consummate performer, also opens up about performing immediately after the loss of his parents, what it was like growing up incredibly sheltered, and how he maintains his sterling reputation and sparkling attitude through it all. Weird Al's “Bigger & Weirder” Tour is on sale now - visiting 65 cities across North America from June through September. For tour dates and tickets, visit weirdal.com/tour Learn more about your ad choices. Visit podcastchoices.com/adchoices

Johnny Mac reviews Tom Segura's 'Bad Thoughts' on Netflix and shares insights from his appearance on Joe Rogan's podcast. He also discusses John Mulaney's push for Weird Al to be in the Rock and Roll Hall of Fame and Matt Rife's upcoming romantic comedy movie. Jimmy Kimmel's ABC Upfronts roast and Shane Gillis' extended tour dates are highlighted, along with a touching tribute to Morris, the 80-year-old, 640-pound alligator famous from 'Happy Gilmore' and other films. Additional comedy news includes tour announcements from Patton Oswalt and James Austin Johnson and a preview of upcoming standup specials from Greg Warren and Sheng Wang. 00:39 Tom Segura on Netflix and Rogan00:59 Late Night Talk Shows and Jay Leno's Legacy01:50 Weird Al and the Rock and Roll Hall of Fame02:56 Matt Rife's New Movie and Shane Gillis Tour04:15 Jimmy Kimmel at the ABC Upfronts06:56 Dave Chappelle's Unique Comedy Style08:32 Upcoming Comedy Specials and Tours09:35 Kevin Hart's New Golf Series10:55 Morris the Alligator's LegacyUnlock an ad-free podcast experience with Caloroga Shark Media! Get all our shows on any player you love, hassle free! For Apple users, hit the banner on your Apple podcasts app which seays UNINTERRUPTED LISTENING. For Spotify or other players, visit caloroga.com/plus. No plug-ins needed!  You also get 20+ other shows on the network ad-free!   Become a supporter of this podcast: https://www.spreaker.com/podcast/daily-comedy-news--4522158/support.

(Airdate 5.14.25) We shine the spotlight on Salma Hayek, who smolders on the cover of the Sports Illustrated Swimsuit Issue at 58, proving confidence is timeless. Then, Jamie Lee Curtis reveals how Lindsay Lohan met her husband, Bader Shammas, on a blind date in a heartwarming Hollywood twist. John Mulaney also makes a compelling argument for “Weird Al” Yankovic to finally earn his spot in the Rock & Roll Hall of Fame—because parody music deserves recognition too! And @HalleBerry Listen to the daily Van Camp and Morgan radio show at: https://vancampandmorgan.com/stations buy us a coffee    

A wild show today! The voice of the St Louis Blues, Chris Kerber came in and hung out with our other guest, the legend of goof and Jackassery, sir Steve-O! We heard tales of the old days and about the adventures with Post Malone and Jelly Roll. Also do you like businesses that only accept cash?Does Weird Al Yankovic deserve to be in the Rock & Roll Hall of Fame?plus more!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dave and Ethan welcome Mike Solton for the third and final part of his renowned interview about his lifelong friendship with Weird Al. Mike shares an exclusive lost Weird Al music recording, reveals his integral role in the creation of Al-TV, and regales us with incredible insights into Weird Al's songs, music videos and rarities. ABOUTSince 2019, Dave & Ethan's 2000″ Weird Al Podcast has covered all facets of the life, career, and fandom of “Weird Al” Yankovic. Hosted by Dave “Elvis” Rossi and Ethan Ullman, two Weird Al super fans, collectors, and historians - the podcast aims to spread the joy of Weird Al and his music while digging deep and learning from those who have worked with, or been inspired by, his work. LINKSFollow us on social media, Patreon, and more: https://linktr.ee/2000inchPast episodes available at WeirdAlPodcast.com PODCAST CREDITSIndependently produced, hosted, and created by Dave "Elvis" Rossi and Ethan UllmanTheme song performed by the Grammy Award-Winning Jim "Kimo" WestPodcast logo designed by Heather Malone COPYRIGHT© 2019-2025 | Dave & Ethan's 2000" Weird Al Podcast

The Beer'd Al Podcast is back with the second installment of our Polka Party album series, and this week we're diving headfirst into the caffeinated chaos of “Dog Eat Dog”! Lauren and Russ are joined by none other than Jim Elek, the fearless and fabulous admin of the Close Personal Friends of Weird Al Facebook group.Together, we unpack the deliciously bizarre brilliance of this Talking Heads-inspired track, discuss corporate life in the ‘80s (and beyond), and ponder the eternal question: How much coffee is too much coffee? There are laughs, deep cuts, and of course, beers. Come for the “Dog Eat Dog” discourse, stay for the delightful detours.Grab your mug, fire up the copy machine, and let's get weird!Beer'd Al is a doggone member of the OddPods Media Network.Become a supporter of this podcast: https://www.spreaker.com/podcast/beer-d-al-podcast--5439475/support.

Send us a textSari Beliak is a really talented writer and comedian in Phoenix, Ariz. She took sketch classes at Second City in Los Angeles and began writing for The Hard Times and the Reductress before transitioning her comedy chops onto the stage. She's been doing stand-up for about nine years -- on top of writing for The Onion -- and just released her debut album, "Dead Dog Mom," which was No. 1 on iTunes, ahead of Christopher Titus, Weird Al and Jim Gaffigan. She recorded the album at the Altercation Comedy Festival last November with the help of JT Haaberstadt and Brandie Posey, the founder of Burn This Records. Follow Sari Beliak: Instagram: https://www.instagram.com/saribeliak/Website: https://saribeliak.journoportfolio.com/ YouTube: https://www.youtube.com/channel/UC36Mjg5YREini9EbQY4gjXwSupport the show

It's May the Fourth, so we're celebrating Star Wars Day! We also attended Huntsville Comic and Pop Culture Expo, where we finally crossed off a major bucket list item and met “Weird Al” Yankovic. Website: http://bamageeks.com Become a Bama Geeks supporter: http://www.bamageeks.com/join Available on Apple Podcasts (iTunes), Amazon, Spotify, and YouTube. Come sit a spell on the Bama Geeks Front Porch: https://www.facebook.com/groups/bamageeksfrontporch Check out and follow our socials! Facebook: https://www.facebook.com/bamageeks Instagram: https://www.instagram.com/bamageeks Twitter: https://twitter.com/bamageeks YouTube: http://www.youtube.com/@BamaGeeks TikTok: https://www.tiktok.com/@bamageeks

This week on PodQuest we chat about Daredevil: Born Again with spoilers, *Thunderbolts again with spoilers! And Walnut finished South of Midnight. We also have our latest book club discussion on the 1989 Weird Al movie UHF and Drootin has been playing MLB the Show. Our next book club we're switching themes to decades, the first one being the 1980s. Our next pick for it is the 1985 Arnold Schwarzenegger action film, Commando. Timestamps 00:00:00 - Intro 00:02:31 - Agenda 00:03:02 - Book Club - UHF 00:17:44 - Next book club . . . 00:19:38 - Daredevil: Born Again *SPOILERS* 00:37:29 - *Thunderbolts *SPOILERS* 00:56:05 - MLB The Show 01:05:40 - South of Midnight 01:19:58 - Outro Support One-Quest https://www.Patreon.com/OneQuest Follow Us Email - Social@one-quest.com Twitter - @One_Quest Instagram - @One_Quest Facebook - OneQuestOnline Follow Chris on Twitter - @Just_Cobb Follow Richie on Twitter - @B_Walnuts Follow Drootin on Twitter - @IamDroot Check out Richie's streaming and videos! Twitch b_walnuts YouTube BWalnuts TikTok b_walnuts Intro and Outro music Mega Man 2 'Project X2 - Title Screen' OC ReMix courtesy of Project X over at OCRemix

This week on PodQuest we chat about Daredevil: Born Again with spoilers, *Thunderbolts again with spoilers! And Walnut finished South of Midnight. We also have our latest book club discussion on the 1989 Weird Al movie UHF and Drootin has been playing MLB the Show.

This is quite possibly our most Canadian episode to date. We are joined by John Batt of @canada.gov.ca instagram fame. For those of you who don't live in Canada, John is basically Canadian royalty at this point. Topics include the NHL playoffs, Sloan, Wolf Parade, The Junos, Weird Al (not Canadian somehow) and Eastern Canada's love of Jam bands. 

This week's very snackable episode has reviews for Another Simple Favor & Mr. Snail's Pick of the Week: UHF.Watch this video on Youtube:https://youtu.be/468A9_F9-dA?si=hlxMT6wodey7e9cgCheck out our entire catalog on Apple podcasts:   podcasts.apple.com/us/podcast/a-toast-to-film/id1529458133 or Spotify:    open.spotify.com/show/371cC1VzdjOchJh5sG0PUw

Today we discuss Prince and Beck and the weird cross section you find both of them in the Weird Al original "Wanna B UR Lovr" Learn more about your ad choices. Visit megaphone.fm/adchoices

Weird Al Yankovic joins Samantha Bee to discuss their unique meet-cute, and how their interview came to be due to a scam gone right. Al tells Sam about how he’s actually happy with all the choices he’s made in life except (other than wishing he had bought Apple stock) and yet he agonizes over little decisions—especially when editing music videos. Al explains knowing that his first decision is usually the best one, and why he chooses to live on a tour bus for 3.5 months instead of sleeping in hotels. He reveals that the ultimate dig at him is when people say he’s talented enough to do “real music”, why record companies beg for Christmas albums, and turning down an opportunity to open for Duran Duran at Madison Square Garden. Keep up with Samantha Bee @realsambee on Instagram and X. And stay up to date with us @LemonadaMedia on X, Facebook, and Instagram. For a list of current sponsors and discount codes for this and every other Lemonada show, go to lemonadamedia.com/sponsors.See omnystudio.com/listener for privacy information.

When Weird Al's debut single, "My Bologna," came out, there wasn't really a model for how a parody artist could have any longevity in their career. Yet Al's figured out how to stay popular for over four decades. Ahead of his summer "Bigger and Weirder" tour, he talks with Rachel about staying weird as he ages, parenthood, and his devoted (some might say obsessive) fans. To listen sponsor-free and support the show, sign up for Wild Card+ at plus.npr.org/wildcardLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

This week on PodQuest, Walnut played a bit of The Elder Scrolls IV: Oblivion Remastered, Chris is getting into Clair Obscur: Expedition 33, and Walnut also played a single player tabletop game called Set A Watch (It plays 1-4 people!). We were going to do our book club, but someone forgot. . . So we'll be talking about UHF next week! Our next book club we're switching themes to decades, the first one being the 1980s. Our next pick for it is the classic 1989 Weird Al led comedy, UHF. Timestamps 00:00:00 - Intro + Walnut beat Super Mario World! 00:21:48 - Agenda 00:22:40 - Elder Scrolls IV: Oblivion Remaster 00:38:21 - Clair Obscur: Expedition 33 01:03:51 - Set A Watch (Tabletop) 01:23:59 - Outro Support One-Quest https://www.Patreon.com/OneQuest Follow Us Email - Social@one-quest.com Twitter - @One_Quest Instagram - @One_Quest Facebook - OneQuestOnline Follow Chris on Twitter - @Just_Cobb Follow Richie on Twitter - @B_Walnuts Follow Drootin on Twitter - @IamDroot Check out Richie's streaming and videos! Twitch b_walnuts YouTube BWalnuts TikTok b_walnuts Intro and Outro music Mega Man 2 'Project X2 - Title Screen' OC ReMix courtesy of Project X over at OCRemix

The Eat Sleep Nerd team was at the 2025 Huntsville Comic & Pop Culture Expo this past weekend for our hometown comic con! We interviewed TONS of cosplayers, vendors, and fellow nerds. We handed out tons of swag. We walked a lot of steps. And we met celebrities like Weird Al, William Shatner, Felicia Day, Booker T, and so many wore. In this episode, we talk about our experience, lessons learned, what we look forward to next year, and more!00:00 Introduction02:20 Impressions of this year's Huntsville Expo 202504:03 Experiences with this year's celebrity guests11:16 Team gifts + Mythical Meat Sticks17:26 Cynthia's first Huntsville Expo experience19:10 Cosplay interviews24:54 Expo vendors28:08 We got put in Mandalorian jail30:05 Takeaways + Lessons Learned34:15 Meeting Felicia Day, Booker T, and Jamie Pressly Huntsville Expo Vendors //ThePaisleyPoppyTN.comGalaxyProps.netShrunk3D.com Cosplayer //Instagram.com/igor_pie_face Charities //KidsToLove.org

The “Novelty” song has deep roots in popular culture. Masters of the form, like Weird Al Yankovic, Warren Zevon, Tom Lehrer, Spike Jones, and Allen Sherman have illuminated our consciousness and tickled our sense of the absurd. How much WAS that doggie in the window?…., WTF is Marzy dotes and dozy dotes about?…,  They're coming to take me away, Haha…(that one actually scared me). Probably each of us can recall from childhood some goofy ditty that either made you feel smarter, or got stuck inside your head like RFK's brain worm. Let's give thanks to Doctor Demento for archiving and disseminating many of these gems for future generations, and my introduction to Larry Groce's Junk Food Junkie came from one of his collections. Jerry Blavat's One More Time, Back to School may not demonstrate the same amount of cleverness, but its delivered lustily by one of the premier DJs of his time. LARRY GROCEJunk Food Junkie comes from 1975, and is perfectly in key with today's anti-woke sentiments. But, Mr. Groce delivers his mockery with such gentleness and good humor that it creates a universal warmth devoid of malice. Yes, he intimates, you can try to be upright and health conscientious, but the reptilian brain in all of us needs to be satisfied - even if it has to happen under cover of darkness.  Hypocrisy is the target here, and Mr. Groce, cast as the titular shlemiel, puts himself first in line for ridicule. JERRY BLAVATJerry Blavat's “Horatio Alger” story reads like a Martin Scorsese screenplay. His colorful bio, recounting his journey from son of a Philly bookmaker, valet to Don Rickles, mob-connected DJ and club owner, to broadcasting Hall of Fame icon, could be the stuff of a Netflix series. Known as “the Big Boss with the Hot Sauce,” and “the Geater with the Heater,” Jerry swaggered through his bigger than life life like a toreador. But, lest we forget - it was always his love of those Philadelphian musical goodies - that made him a beloved home town super hero. 1965's One More Time Back to School, on the Cameo Parkway label, is an fascinating glimpse into his inexhaustible energy. It's delightfully sadistic as the singer declares the end of vacation time fun. Not only that, there is something in the edgy cacophony of its production, with the clanging cowbells, that evokes that end of summer feeling. 

Please pray for Jimmy Butler's butt! AMA nominations are out: Kendrick Lamar and Chappell among the most nominated with JLo hosting. Riot Fest has quite the lineup, including Sex Pistols, Weird Al, and Green Day. Speaking of Green Day - they're finally being recognized on the Hollywood Walk of Fame. Vinnie shares a tough story about a Chinese 14-year old's cosmetic surgery. Plus, an Australian woman has a surprising collection, and they get paid what?! Taylor Swift makes even more than you think.

This week on PodQuest, Chris and Walnut talk about the tabletop game Fire Tower, Chris spent some time with South of Midnight, and Walnut finished up Daredevil Born Again (tv series). We also open things up with a bit more Super Mario World talk, and Walnut goes on a bit of a rant about Monster Hunter content. Our next book club we're switching themes to decades, the first one being the 1980s. Our next pick for it is the classic 1989 Weird Al led comedy, UHF. Timestamps 00:00:00 - Intro and Mario 00:08:35 - Agenda 00:10:32 - Fire Tower (Tabletop Game) 00:28:13 - Almost South of Midnight but really Monster Hunter 00:39:08 - Really South of Midnight this time 00:51:18 - Daredevil Born Again 01:07:30 - Outro Support One-Quest https://www.Patreon.com/OneQuest Follow Us Email - Social@one-quest.com Twitter - @One_Quest Instagram - @One_Quest Facebook - OneQuestOnline Follow Chris on Twitter - @Just_Cobb Follow Richie on Twitter - @B_Walnuts Follow Drootin on Twitter - @IamDroot Check out Richie's streaming and videos! Twitch b_walnuts YouTube BWalnuts TikTok b_walnuts Intro and Outro music Mega Man 2 'Project X2 - Title Screen' OC ReMix courtesy of Project X over at OCRemix

Another mostly unfocussed scattergun of a podcast where Stu has done another bloody race and is all full of himself and Amy hasn't done a race and doesn't give a shit. We talk head injuries, Weird Al Yankovic, the start of silly costume season, races that don't exist, and have serous worries about our audience.

Dave and Ethan catch up on Weird Al news and talk about their weekend of Weird Al related fun including attending Dr. Demento's private birthday celebration and catching Jon "Bermuda" Schwartz performing with another band! ABOUTSince 2019, Dave & Ethan's 2000″ Weird Al Podcast has covered all facets of the life, career, and fandom of “Weird Al” Yankovic. Hosted by Dave “Elvis” Rossi and Ethan Ullman, two Weird Al super fans, collectors, and historians - the podcast aims to spread the joy of Weird Al and his music while digging deep and learning from those who have worked with, or been inspired by, his work. LINKSFollow us on social media, Patreon, and more: https://linktr.ee/2000inchPast episodes available at WeirdAlPodcast.com PODCAST CREDITSIndependently produced, hosted, and created by Dave "Elvis" Rossi and Ethan UllmanTheme song performed by the Grammy Award-Winning Jim "Kimo" WestPodcast logo designed by Heather Malone COPYRIGHT© 2019-2025 | Dave & Ethan's 2000" Weird Al Podcast

Andy Gesner is the owner and president of HIP Video Promotion. He has played in bands and released records since 1979, giving him firsthand insight into the music industry's complexities. This experience as a working musician informs his authentic approach to music promotion and marketing. He channeled his expertise and passion into uplifting fellow artists, establishing HIP as one of the most trusted names in music marketing. Over the past 24 years, he has built HIP from the ground up, developing innovative promotional strategies that adapt to the ever-changing media landscape. Andy and his team have promoted more than 4,800 music videos for artists including Bryan Adams, The B-52s, Bon Iver, Johnny Cash, Death Cab For Cutie, Pearl Jam, Maroon 5, Sia, and Weird Al Yankovic, spanning genres from indie rock to hip-hop, pop, metal, and beyond.IN THIS EPISODE YOU'LL LEARN:Making friends instead of competitorsImmersing yourself in your local sceneNavigating the 80/20 of album marketingPutting together a marketing teamBuying fake followers, comments, and likesCreating music videos vs short-form contentRepackaging your workWhy videos are so important for your music promotionHaving consistency in your marketingHow much to budget for album promotionHis experiences working with artists like Johnny Cash, Maroon 5, Sia, The Lumineers, Paramore, and moreGiving your audience calls to actionWhat metrics to pay attention to to know if your marketing is workingTo learn more about Andy Gesner, visit: https://www.hipvideopromo.com/Looking for 1-on-1 feedback and training to help you create pro-quality mixes?Check out my coaching program Amplitude and apply to join:https://masteryourmix.com/amplitude/ Want additional help with your music productions?For tips on how to improve your mixes, visit: https://masteryourmix.com/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of my Amazon #1 bestselling books:The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.com The Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Check out our Sponsors:Want more Mixing or Mastering clients? Communicate your true value with MixFlip: https://mixflip.io/?affiliate=mym Download Waves Plugins here: https://waves.alzt.net/EK3G2K Subscribe to the show:Apple Podcasts: https://podcasts.apple.com/us/podcast/master-your-mix-podcast/id1240842781 Spotify: https://open.spotify.com/show/5V4xtrWSnpA5e9L67QcJej Youtube: http://www.youtube.com/@MasterYourMix Have questions you'd like...

This week, Brian sits down with Chicago radio personality, comedian, and Riot Fest veteran Kevin Kellam! They dive into the history of Riot Fest, speculate wildly about potential 2025 headliners (and some definite long shots), and rank bands based on likelihood and pure hope. Plus, get all the details on Kevin's upcoming comedy special taping in Chicago this August!Topics Discussed:Kevin Kellam's history with Riot Fest and Chicago radio (Q101, etc.)Speculating and ranking potential Riot Fest 2025 bands (Deftones, TBS, Gwar, MCR, System, Jimmy Eat World, Weird Al, and many more!)The rise of full album plays at festivalsDetails on Kevin's comedy special "Kevin and Hell" taping August 9th at Lincoln HallComparing Riot Fest and Lollapalooza bookings and vibesThe impact of radius clauses and other festival conflicts (Louder Than Life, When We Were Young)Dream festival bookings and reunions (Iron Maiden, The Donnas)

It's been 16 frigid months since our last all-intro episode, but now we're pulling the ice tray out of the freezer and offering you another cube of cold opens, covering everything from surge protector safety to thermal paste application methods, stacking storage bins without crushing them, the crazed monitor murderer who's struck again, artifacts of our very early careers, an intensive Weird Al lyrical breakdown, a little paean for Zachtronics, and how not to forget about obligations that might get you arrested. Support the Pod! Contribute to the Tech Pod Patreon and get access to our booming Discord, a monthly bonus episode, your name in the credits, and other great benefits! You can support the show at: https://patreon.com/techpod

In this Album Dive episode, I'm joined by Chris Ballew of The Presidents of The United States of America to celebrate the 30th anniversary of the band's self-titled debut album. We take a deep dive into the history, impact, and unforgettable tracks that made this record a defining moment in ‘90s alternative rock. Tune in as we explore: - Chris Ballew's time performing with Beck's live band - The origins and quirky design of the “basitar” and “guitbass” - How the band became the “alternative to the alternative” - The stories behind hit songs like “Lump”, “Kitty”, “Feather Pluckin'”, and “Peaches” - The tale behind Weird Al Yankovic's “Gump” parody - Why Wayne Kramer of MC5 initially denied their “Kick Out the Jams” cover - Their cover of The Buggles' “Video Killed the Radio Star” - The nu-metal side project Subset with Sir Mix-A-Lot - Chris' solo projects including Casper Babypants and his biannual solo album releases From behind-the-scenes stories to musical innovation, this episode is a must-listen for fans of ‘90s alt-rock, deep cuts, and (of course!) The Presidents. Be sure to visit MyWeeklyMixtape.com to hear all of the songs we discussed in this episode!  Theme music is "Unveiled" by The 4th. You can find the album on Spotify, Apple Music, Amazon Music, Pandora, YouTube, Bandcamp & more! FOR MORE ON MY WEEKLY MIXTAPE Website: http://www.myweeklymixtape.com Patreon: https://www.patreon.com/myweeklymixtape Facebook: http://www.facebook.com/myweeklymixtape X: https://x.com/myweeklymixtape Instagram: https://www.instagram.com/myweeklymixtape Threads: https://www.threads.net/@myweeklymixtape  Blusky: https://bsky.app/profile/myweeklymixtape.bsky.social  TikTok: https://www.tiktok.com/@myweeklymixtape Learn more about your ad choices. Visit megaphone.fm/adchoices

An unemployed visionary becomes the manager of a local television station. The station becomes a success, with all sorts of hilarious sight gags and wacky humor. Show is recorded at Grand Forks Best Source. For studio information, visit www.gfbestsource.com Icky Ichabod's Weird Cinema  https://weirdcinema.podbean.com/ #movies #moviereview #classicmovies #grandforksbestsource #belegendary #followers #everyone

In 1989, a groundbreaking film burst onto the scene, revolutionizing the cinematic landscape in unimaginable ways. With an incredible cast and cutting-edge special effects, this film captivated audiences with its deeply relatable yet hilariously flawed characters. Would you believe that it was led by none other than “Weird Al” Yankovic?Directed by Jay Levey and co-written with "Weird Al" himself, this '80s flick tells the story of George Newman, a quirky character whose career seems to crumble at every turn. But when his uncle gifts him a struggling local TV station, George unleashes a torrent of outlandish television shows filled with social satire and zany humor. With the help of his loyal friend, Bob, their whimsical creations attract the ire of a ruthless rival station's CEO, setting the stage for an epic showdown. So grab yourself a Twinkie Weiner Sandwich, a box of Yappy's Dog Treats, and spin the Wheel of Fish as Tim Williams and guest co-host Nicholas Pepin from "Pop Culture Roulette" discuss “UHF” from 1989 on this episode of the 80s Flick Flashback Podcast!There are no additional behind-the-scenes trivia we did not cover in this episode.Sources:Wikipedia, IMDB, Box Office Mojohttps://www.mentalfloss.com/posts/weird-al-yankovic-uhf-movie-factshttps://www.joblo.com/wtf-happened-to-uhf/Some sections were composed or edited by ChatGPTWe'd love to hear your thoughts on our podcast! You can share your feedback with us via email or social media. Your opinions are incredibly valuable to us, and we'd be so grateful to know what you enjoyed about our show. If we missed anything or if you have any suggestions for 80s movies, we'd love to hear them too! If you're feeling extra supportive, you can even become a subscription member through "Buy Me A Coffee". For more details and other fun extensions of our podcast, check out this link. Thank you for your support!https://linktr.ee/80sFlickFlashback

This week on PodQuest, we have our latest book club chat about the 1985 classic The Breakfast Club. Then we talk about Walnuts time playing Super Mario World on stream, it's only his second time ever playing and he made it to Castle 3 in Vanilla Dome! And finally we end thing talking about Chris and Droo's experience at An Evening with Mark Hoppus, where the Blink-182 bassist and vocalist talks about stories from his new memoir Fahrenheit-182. And between all of that we chat about Dino Crisis and Echo some more, and a lawsuit against the MAX series The Pitt, plus more! Our next book club we're switching themes to decades, the first one being the 1980s. Our next pick for it is the classic 1989 Weird Al led comedy, UHF. And make sure to check out a video review of the tabletop game Hi-Fi on youtube.com/onequestvideo this Saturday and at the same time Walnut is putting up a longer vlog about it on his channel youtube.com/bwalnuts Timestamps 00:00:00 - Intro 00:02:57 - Agenda 00:04:40 - Book Club Discussion - The Breakfast Club 00:24:36 - Next Book Club. . . 00:28:07 - Real Quick about The Pitt 00:30:41 - Dino Crisis 00:44:15 - Echo 00:50:11 - Super Mario World 01:19:40 - The Legend of Zelda - A Link to the Past and more 01:31:45 - An Evening with Mark Hoppus 01:41:41 - Outro Support One-Quest https://www.Patreon.com/OneQuest Follow Us Email - Social@one-quest.com Twitter - @One_Quest Instagram - @One_Quest Facebook - OneQuestOnline Follow Chris on Twitter - @Just_Cobb Follow Richie on Twitter - @B_Walnuts Follow Drootin on Twitter - @IamDroot Check out Richie's streaming and videos! Twitch b_walnuts YouTube BWalnuts TikTok b_walnuts Intro and Outro music Mega Man 2 'Project X2 - Title Screen' OC ReMix courtesy of Project X over at OCRemix

MUSIC Weekend one of Coachella is in the books, and many attendees secured their tickets through an installment plan. Highlights:    Weezer slipped in a cover of Metallica's "Enter Sandman" during their Saturday set at Coachella, the same song they covered for 2021's 'Blacklist', an album of Metallica songs performed by different artists.          Queen guitarist Brian May popped up from the Coachella stage on Friday night to help singer Benson Boone perform "Bohemian Rhapsody".       Green Day's Billie Joe Armstrong made a surprise appearance during The Go Gos performance at Coachella on Friday night, one of the first shows from the new wave legends since 2022.        Lady Gaga's headlining set Friday night was epic, and some people are already calling it the best in the history of Coachella.         Weird Al Yankovic made his Coachella debut . . . joining Yo Gabba Gabba for the classic Muppet track "The Rainbow Connection".     During Green Day's set on Saturday night, their pyro accidentally lit a nearby palm tree on fire.         Missy Elliott went full-on "Transformers", starting her set as a car, before morphing into herself.       Charli XCX brought out some big guns for her set:  Troye Sivan, Billie Eilish, and Lorde.          A California man was arrested after he allegedly admitted a bomb threat on the Coachella Music Festival.    Britney Spears touched down in Mexico the other day for a little vacation and one of her body guards was carrying a BABY DOLL wrapped in a pink blanket as they got off the plane.   Van Halen's only number-one song, 1984's “Jump,” has surpassed a billion streams on Spotify. Alex Van Halen says, "Thanks to all the fans for listening!"   TV Mickey Rourke's time on the UK's "Celebrity Big Brother" was mercifully short.  He's been bounced from the show due to "inappropriate language" and "unacceptable behavior."   Blue Origin's first all-female space crew is going into space this morning.    "White Lotus" Season 3 star Aimee Lou Wood has been pretty vocal about not liking the attention she gets for her "unique" teeth.  So she wasn't very amused when "Saturday Night Live" parodied her looks this weekend.   MOVING ON INTO MOVIE NEWS: A new doc, out now, explores the life of John Lennon and his wife Yoko Ono after The Beatles' split: 'One to One: John & Yoko' chronicles their move and life in early 70s New York City through a collage of audio recordings and remastered concert footage. RIP: Actor Nicky Katt, from "Boston Public" and "Dazed and Confused", passed away.  No word on the cause of death.  He was only 54.  Director Ted Kotcheff died.  He was 94.  His films include "First Blood", "Weekend at Bernie's", and the underseen masterpiece "Wake in Fright".  AND THAT IS YOUR CRAP ON CELEBRITIES! Learn more about your ad choices. Visit podcastchoices.com/adchoices

MUSICWeekend one of Coachellais in the books, and many attendees secured their tickets through aninstallment plan. Highlights:   Weezerslipped in a cover of Metallica's "Enter Sandman" during theirSaturday set at Coachella, the same song they covered for 2021's 'Blacklist',an album of Metallica songs performed by different artists.         Queen guitarist Brian May popped up from the Coachella stage on Friday night to helpsinger Benson Boone perform "Bohemian Rhapsody".     GreenDay's Billie Joe Armstrong made a surprise appearance during The Go Gosperformance at Coachella on Friday night, one of the first shows from the newwave legends since 2022.       Lady Gaga's headlining set Friday night was epic, and some people arealready calling it the best in the history of Coachella.       Weird AlYankovic made his Coachella debut . . . joining Yo Gabba Gabba for the classic Muppettrack "The Rainbow Connection".   During Green Day's seton Saturday night, their pyro accidentally lit a nearby palm tree on fire.       MissyElliott went full-on "Transformers",starting her set as a car, before morphing into herself.     CharliXCX brought out some bigguns for her set:  Troye Sivan, Billie Eilish, and Lorde.        ACalifornia man was arrested after he allegedly admitted a bomb threat on theCoachella Music Festival.  Britney Spears touched down in Mexico the other day for alittle vacation and one of her body guards was carrying a BABY DOLL wrapped ina pink blanket as they got off the plane. Van Halen's only number-one song, 1984's “Jump,” hassurpassed a billion streams on Spotify. Alex Van Halen says, "Thanks to all the fans forlistening!" TVMickey Rourke's time on the UK's "Celebrity BigBrother" was mercifully short.  He's been bounced from the show due to "inappropriatelanguage" and "unacceptable behavior."  Blue Origin's firstall-female space crew is going into space this morning.   "WhiteLotus" Season 3 star Aimee Lou Wood has been pretty vocal about not liking the attention she getsfor her "unique" teeth.  So she wasn't very amusedwhen "Saturday Night Live" parodied her looks thisweekend. MOVING ON INTO MOVIENEWS:A new doc, out now,explores the life of John Lennon and his wife Yoko Ono after The Beatles'split: 'One to One: John & Yoko' chronicles their move and life in early70s New York City through a collage of audio recordings and remastered concertfootage. RIP:Actor Nicky Katt,from "Boston Public" and "Dazed andConfused", passed away.  No word on the cause of death. He was only 54.  Director Ted Kotcheffdied.  He was 94.  His films include "First Blood","Weekend at Bernie's", and the underseen masterpiece "Wakein Fright".  AND THAT IS YOUR CRAP ON CELEBRITIES! Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What makes Weezer Weezer? This week we attempt to answer that question by listening to songs and artists that… kinda sound like Weezer! Discover bonus eps, merch and more on our Patreon! This week: Friends of the show answer the call! A funny prank! And Ramsey somehow manages to play Weird Al on the show again. All this and so much MORE! Wanna get a shout-out on a future episode? Give us a rating on iTunes! It helps us, and it helps you feel good about yourself!

On the inaugural episode of ASCO Education: By the Book, Dr. Nathan Pennell and Dr. Don Dizon share reflections on the evolution of the ASCO Educational Book, its global reach, and the role of its new companion podcast to further shine a spotlight on the issues shaping the future of modern oncology. TRANSCRIPT Dr. Nathan Pennell: Hello, I'm Dr. Nate Pennell, welcoming you to the first episode of our new podcast, ASCO Education: By the Book. The podcast will feature engaging discussions between editors and authors from the ASCO Educational Book. Each month, you'll hear nuanced views on key topics in oncology featured in Education Sessions at ASCO meetings, as well as some deep dives on the advances shaping modern oncology. Although I am honored to serve as the editor-in-chief (EIC) of the ASCO Educational Book, in my day job, I am the co-director of the Cleveland Clinic Lung Cancer Program and vice chair for clinical research for the Taussig Cancer Center here in Cleveland. I'm delighted to kick off our new podcast with a discussion featuring the Ed Book's previous editor-in-chief. Dr. Don Dizon is a professor of medicine and surgery at Brown University and works as a medical oncologist specializing in breast and pelvic malignancies at Lifespan Cancer Institute in Rhode Island. Dr. Dizon also serves as the vice chair for membership and accrual at the SWOG Cancer Research Network. Don, it's great to have you here for our first episode of ASCO Education: By the Book. Dr. Don Dizon: Really nice to be here and to see you again, my friend. Dr. Nathan Pennell: This was the first thing I thought of when we were kicking off a podcast that I thought we would set the stage for our hopefully many, many listeners to learn a little bit about what the Ed Book used to be like, how it has evolved over the last 14 years or so since we both started here and where it's going. You started as editor-in-chief in 2012, is that right? Dr. Don Dizon: Oh, boy. I believe that is correct, yes. I did two 5-year stints as EIC of the Educational Book, so that sounds about right. Although you're aging me very clearly on this podcast. Dr. Nathan Pennell: I had to go back in my emails to see if I could figure out when we started on this because we've been working on it for some time. Start out a little bit by telling me what do you remember about the Ed Book from back in the day when you were applying to be editor-in-chief and thinking about the Ed Book. What was it like at that time? Dr. Don Dizon: You know, it's so interesting to think about it.  Ten years ago, we were both in a very different place in our careers, and I remember when the Ed Book position came up, I had been writing a column for ASCO. I had done some editorial activities with other journals for sure, but what always struck me was it was very unclear how one was chosen to be a part of the education program at ASCO. And then it was very unclear how those faculty were then selected to write a paper for the Educational Book. And it was back in the day when the Educational Book was completely printed. So, there was this book that was cherished among American fellows in oncology. And it was one that, when I was newly attending, and certainly two or three years before the editor's position came up, it was one that I referenced all the time. So, it was a known commodity for many of us. And there was a certain sense of selectivity about who was invited to write in it. And it wasn't terribly transparent either. So, when the opportunity to apply for editor-in-chief of the Educational Book came up, I had already been doing so much work for ASCO. I had been on the planning committees and served in many roles across the organization, and editing was something I found I enjoyed in other work. So, I decided to put my name in the ring with the intention of sort of bringing the book forward, getting it indexed, for example, so that there was this credit that was more than just societal credit at ASCO. This ended up being something that was referenced and acknowledged as an important paper through PubMed indexing. And then also to provide it as a space where we could be more transparent about who was being invited and broadening the tent as to who could participate as an author in the Ed Book. Dr. Nathan Pennell: It's going to be surprising to many of our younger listeners to learn that the Educational Book used to be just this giant, almost like a brick. I mean, it was this huge tome of articles from the Education Sessions that you got when you got your meeting abstracts book at the annual meeting. And you can always see people on the plane on the way out of Chicago with their giant books. Dr. Don Dizon: Yes. Dr. Nathan Pennell: That added lots of additional weight to the plane, I'm sure, on the way out. Dr. Don Dizon: And it was not uncommon for us to be sitting at an airport, and people would be reading those books with highlighters. Dr. Nathan Pennell: I fondly remember being a fellow and coming up and the Ed Book was always really important to me, so I was excited. We'll also let the listeners in on that. I also applied to be the original editor-in-chief of the Ed Book back in 2012, although I was very junior and did not have any real editorial experience. I think I may have been section editor for The Oncologist at that point. And I had spoken to Dr. Ramaswamy Govindan at WashU who had been the previous editor-in-chief about applying and he was like, “Oh yeah. You should absolutely try that out.” And then when Dr. Dizon was chosen, I was like, “Oh, well. I guess I didn't get it.” And then out of the blue I got a call asking me to join as the associate editor, which I was really always very thankful for that opportunity. Dr. Don Dizon: Well, it was a highly fruitful collaboration, I think, between you and I when we first started. I do remember taking on the reins and sort of saying, “You know, this is our vision of what we want to do.” But then just working with the authors, which we did, about how to construct their papers and what we were looking for, all of that is something I look back really fondly on. Dr. Nathan Pennell: I think it was interesting too because neither one of us had really a lot of transparency into how things worked when we started. We kind of made it up a little bit as we went along. We wanted to get all of the faculty, or at least as many of them as possible contributing to these. And we would go to the ASCO Education Committee meeting and kind of talk about the Ed Book, and we were thinking about, you know, how could we get people to submit. So, at the time it wasn't PubMed indexed. Most people, I think, submitted individual manuscripts just from their talk, which could be anywhere from full length review articles to very brief manuscripts. Dr. Don Dizon: Sometimes it was their slides with like a couple of comments on it. Dr. Nathan Pennell: And some of them were almost like a summary of the talk. Yeah, exactly. And so sort of making that a little more uniform. There was originally an honorarium attached, which went away, but I think PubMed indexing was probably the biggest incentive for people to join. I remember that was one of the first things you really wanted to get. Dr. Don Dizon Yeah. And, you know, it was fortuitous. I'd like to take all the credit for it, but ASCO was very forward thinking with Dr. Ramaswamy and the conversations about going to PubMed with this had preceded my coming in. We knew what we needed to do to get this acknowledged, which was really strengthening the peer review so that these papers could meet the bar to get on PubMed. But you know, within the first, what, two or three years, Nate, of us doing this, we were able to get this accepted. And now it is. If you look at what PubMed did for us, it not only increased the potential of who was going to access it, but for, I think the oncology community, it allowed people access to papers by key opinion leaders that was not blocked by a paywall. And I thought that was just super important at the time. Social media was something, but it wasn't what it is now. But anybody could access these manuscripts and it's still the case today. Dr. Nathan Pennell: I think it's hard to overstate how important that was. People don't realize this, but the Ed Book is really widely accessed, especially outside the US as well. And a lot of people who can't attend the meeting to get the print, well, the once print, book could actually get access to essentially the education session from the annual meeting without having to fly all the way to the US to attend. Now, you know, we have much better virtual meeting offerings now and whatnot. But at the time it was pretty revolutionary to be able to do that. Dr. Don Dizon: Yeah, and you know, it's so interesting when I think back to, you know, this sort of evolution to a fully online publication of the Ed Book. It was really some requests from international participants of the annual meeting who really wanted to continue to see this in print. At that time, it was important to recognize that access to information was not uniform across the world. And people really wanted that print edition, maybe not for themselves, but so that access in more rural areas or where access in the broadband networks were not established that they still could access the book. I think things have changed now. We were able, I think, in your tenure, to see it fully go online. But even I just remember that being a concern as we went forward. Dr. Nathan Pennell: Yeah, we continued with the print book that was available if people asked for it, but apparently few enough people asked for it that it moved fully online. One of the major advantages of being fully online now is of course, it does allow us to publish kind of in real time as the manuscripts come out in the months leading up to the meeting, which has been, I think, a huge boon because it can build momentum for the Education Sessions coming in. People, you know, really look forward to it. Dr. Don Dizon: Yeah, that was actually a concern, you know, when we were phasing out Ed Book and going to this continuous publication model where authors actually had the ability to sort of revise their manuscript and that would be automatically uploaded. You had a static manuscript that was fully printed, and it was no longer an accurate one. And we did have the ability to fix it. And it just goes to show exactly what you're saying. This idea that these are living papers was really an important thing that ASCO embraced quite early, I think. Dr. Nathan Pennell: And with the onset of PubMed indexing, the participation from faculty skyrocketed and almost within a couple of years was up to the vast majority of sessions and faculty participating. Now I think people really understand that this is part of the whole process. But at the time I remember writing out on my slides in all caps, “THIS IS AN EXPECTATION.” And that's about the best word I could give because I asked if we could make people do it, and they were like, no, you can't make people do it. Dr. Don Dizon: So right.  Actually, I don't think people are aware of the work on the back end every year when I was on as EIC, Nate and myself, and then subsequently Dr. Hope Rugo would have these informational sessions with the education faculty and we would tout the Ed Book, tout the expectation, tout it was PubMed indexed and tout multidisciplinary participation. So, we were not seeing four manuscripts reflecting one session. You know, this encouragement to really embrace multidisciplinary care was something that very early on we introduced and really encouraged people not to submit perspective manuscripts, but to really get them in and then harmonize the paper so that it felt like it was, you know, one voice. Dr. Nathan Pennell: I consider that after PubMed indexing, the next major change to the Ed Book, that really made it a better product and that was moving from, you know, just these short individual single author manuscripts to single session combined manuscript that had multiple perspectives and topics, really much more comprehensive review articles. And I don't even remember what the impetus was for that, but it was really a success. Dr. Don Dizon: Yeah, I mean, I think in the beginning it was more of a challenge, I think, because people were really not given guidance on what these papers were supposed to look like. So, we were seeing individual manuscripts come forward. Looking back, it really foreshadowed the importance of multidisciplinary management. But at the time, it was really more about ensuring that people were leaving the session with a singular message of what to do when you're in clinic again. And the goal was to have the manuscripts reflect that sort of consensus view of a topic that was coming in. There were certain things that people still argued would not fit in a multidisciplinary manuscript. You know, if you have someone who's writing and whose entire talk was on the pathology of thyroid cancer. Another topic was on survivorship after thyroid cancer. It was hard to sort of get those two to interact and cover what was being covered. So, we were still getting that. But you're right, at the end of my tenure and into yours, there were far fewer of those individual manuscripts. Dr. Nathan Pennell: And I think it's even made it easier to write because now, you know, you just have to write a section of a manuscript and not put together an entire review. So, it has helped with getting people on board. Dr. Don Dizon: Well, the other thing I thought was really interesting about the process is when you're invited to do an Education Session at ASCO, you're either invited as a faculty speaker or as the chair of the session. And the responsibility of the chair is to ensure that it flows well and that the talks are succinct based on what the agenda or the objectives were as defined by the education committee for that specific group. But that was it. So really being named “Chair” was sort of an honor, an honorific. It really didn't come with responsibility. So, we use the Ed Book as a way to say, “As chair of the session, it is your responsibility to ensure A, a manuscript comes to me, but B, that the content of that paper harmonizes and is accurate.” And it was very rare, but Nate, I think we got dragged into a couple of times where the accuracy of the manuscript was really called into question by the chair. And those were always very, very tricky discussions because everyone that gets invited to ASCO is a recognized leader in their field. Some of us, especially, I would probably say, dating back 10 years from today, the data behind Standards of Care were not necessarily evidence-based. So, there were a lot of opinion-based therapies. You know, maybe not so much in the medical side, but certainly some of it. But when you went to, you know, surgical treatments and maybe even radiotherapy treatments, it was really based on, “My experience at my center is this and this is why I do what I do.” But those kinds of things ended up being some of the more challenging things to handle as an editor. Dr. Nathan Pennell: And those are the– I'll use “fun” in a broad sense. You know, every once in a while, you get an article where it really does take a lot of hands-on work from the editor to work with the author to try to revise it and make it a suitable academic manuscript. But you know what? I can't think, at least in recent years, of any manuscripts that we turned down. They just sometimes needed a little TLC. Dr. Don Dizon: Yeah. And I think the other important thing it reminds me of is how great it was that I wasn't doing this by myself. Because it was so great to be able to reach out to you and say, “Can you give me your take on this paper?” Or, “Can you help me just join a conference call with the authors to make sure that we're on the same page?” And then on the rare example where we were going to reject a paper, it was really important that we, as the editorial team, and I include our ASCO shepherder, through the whole process. We had to all agree that this was not salvageable. Fortunately, it happened very rarely. But I've got to say, not doing this job alone was one of the more important facets of being the EIC of ASCO's Educational Book. Dr. Nathan Pennell: Well, it's nice to hear you say that. I definitely felt that this was a partnership, you know, it was a labor of love. So, I want to go to what I consider sort of the third major pillar of the changes to the Ed Book during your tenure, and that was the introduction of a whole new kind of manuscript. So up to, I don't know, maybe seven or eight years ago, all the articles were authored just by people who were presenting at the Annual Meeting. And then you had an idea to introduce invited manuscripts. So take me through that. Dr. Don Dizon: Yeah, well, you know, again, it went to this sort of, what can people who are being asked to sort of lead ASCO for that year, what can they demonstrate as sort of a more tangible contribution to the Society and to oncology in general? And I think that was the impetus to use the Ed Book for everyone who was in a leadership position to make their mark. That said, I was here, and I was either president of the society or I was Education Program Chair or Scientific Program Chair, and they got to select an article type that was not being covered in the annual meeting and suggest the authors and work with those authors to construct a manuscript. Never did any one of those folks suggest themselves, which I thought was fascinating. They didn't say, “I want to be the one to write this piece,” because this was never meant to be a presidential speech or a commemorative speech or opportunity for them as leaders. But we wanted to ensure that whatever passion they had within oncology was represented in the book. And again, it was this sort of sense of, I want everyone to look at the Ed Book and see themselves in it and see what they contributed. And that was really important for those who were really shepherding each Annual Meeting each year for ASCO that they had the opportunity to do that. And I was really pleased that leadership really took to that idea and were very excited about bringing ideas and also author groups into the Educational Book who would not have had the opportunity otherwise. I thought that was just really nice. It was about inclusiveness and just making sure that people had the opportunity to say, “If you want to participate, we want you to participate.” Dr. Nathan Pennell: Yeah, I agree. I think the ASCO leadership jumped on this and continues to still really appreciate the opportunity to be able to kind of invite someone on a topic that's meaningful to them. I think we've tried to work in things that incorporate the presidential theme each year in our invited manuscript, so it really allows them to put kind of a stamp on the flavor of each edition. And the numbers reflect that these tend to be among our more highly read articles as well. Dr. Don Dizon: You know, looking back on what we did together, that was something I'm really, really quite proud of, that we were able to sort of help the Educational Book evolve that way. Dr. Nathan Pennell: I agree. You brought up briefly a few minutes ago about social media and its role over time. I think when we started in 2012, I had just joined Twitter now X in 2011, and I think we were both sort of early adopters in the social media. Do you feel like social media has had a role in the growth of the Ed Book or is this something that you think we can develop further? Dr. Don Dizon: When we were doing Ed Book together, professional social media was actually a quite identified space. You know, we were all on the same platform. We analyzed what the outcomes were on that platform and our communities gathered on that platform. So, it was a really good place to highlight what we were publishing, especially as we went to continuous publishing.  I don't remember if it was you or me, but we even started asking our authors for a tweet and those tweets needed work. It was you. It was you or I would actually lay in these tweets to say, “Yeah, we need to just, you know, work on this.” But I think it's harder today. There's no one preferred platform. Alternate platforms are still evolving. So, I think there are opportunities there. The question is: Is that opportunity meaningful enough for the Ed Book to demonstrate its return on an investment, for example? What I always thought about social media, and it's still true today, is that it will get eyes on whatever you're looking at far beyond who you intended to see it. So, you know, your tweets regarding a phase 3 clinical trial in lung cancer, which were so informative, were reaching me, who was not a lung oncologist who doesn't even see lung cancer and getting me more interested in finding that article and more and more pointing to the Educational Book content that speaks to that piece, you know. And I think coupling an impression of the data, associating that with something that is freely accessed is, I think, a golden opportunity not only for our colleagues, but also for anyone who's interested in a topic. Whether you are diagnosed with that cancer or you are taking care of someone with that cancer, or you heard about that cancer, there are people who would like to see information that is relevant and embedded and delivered by people who know what they're talking about. And I think our voices on social media are important because of it. And I think that's where the contribution is. So, if we had to see what the metric was for any social media efforts, it has to be more of the click rates, not just by ASCO members, but the click rates across societies and across countries. Dr. Nathan Pennell: Yeah, social media is, I mean, obviously evolving quite a bit in the last couple of years. But I do know that in terms the alt metrics for the track access through social media and online, the ones that are shared online by the authors, by the Ed Book team, do seem to get more attention. I think a lot of people don't like to just sit with a print journal anymore or an email table of contents for specific journals. People find these articles that are meaningful to them through their network and oftentimes that is online on social media. Dr. Don Dizon: Yes, 100%. And you know what I think we should encourage people to do is look at the source. And if the Ed Book becomes a source of information, I think that will be a plus to the conversations in our world. We're still dealing with a place where, depending on who sponsored the trial, whether it was an industry-sponsored trial, whether it was NCI sponsored or sponsored by the National Institutes of Health, for example, access to the primary data sets may or may not be available across the world, but the Ed Book is. And if the Ed Book can summarize that data and use terms and words that are accessible no matter what your grade level of education is. If we can explain the graphs and the figures in a way that people can actually easily more understand it. If there's a way that we structure our conversations in the Ed Book so that the plethora of inclusion/exclusion criteria are summarized and simplified, then I think we can achieve a place where good information becomes more accessible, and we can point to a summary of the source data in places where the source is not available. Dr. Nathan Pennell: One of the other things that I continue to be surprised at how popular these podcasts are. And that gives you an opportunity pretty much the opposite. Instead of sort of a nugget that directs you to the source material, you've got a more in-depth discussion of the manuscript. And so, I'm delighted that we have our own podcast. For many years, the Ed Book would sort of do a sort of a “Weird Al takeover” of the ASCO Daily News Podcast for a couple of episodes around the Annual Meeting, and I think those were always really popular enough that we were able to argue that we deserved our own podcast. And I'm really looking forward to having these in-depth discussions with authors. Dr. Don Dizon: It's an amazing evolution of where the Ed Book has gone, right? We took it from print only, societally only, to something that is now accessed worldwide via PubMed. We took it from book to fully online print. And now I think making the content live is a natural next step. So, I applaud you for doing the podcast and giving people an opportunity actually to discuss what their article discusses. And if there's a controversial point, giving them the freedom and the opportunity to sort of give more nuanced views on what may not be something that there's 100% consensus over. Dr. Nathan Pennell: Yes. Well, I hope other people enjoy these as well. Just want to highlight a few of the things that have happened just in the couple years since you stepped down as editor-in-chief. One of them, and I don't know if you noticed, but last year we started adding manuscripts from the ASCO thematic meetings, so ASCO GI and ASCO GU, something we had certainly talked about in the past, but had lacked bandwidth to really do. And they seem to be pretty widely accessed. Dr. Don Dizon: That's fantastic. Yes, I do remember talking about the coverage of the thematic meetings and you're right, this takes a long time to sort of concentrate on the Annual Meeting. It may seem like everything happens in the span of like eight weeks. Dr. Nathan Pennell: It does feel like that sometimes. Dr. Don Dizon: Right? But this is actually something that starts a year before, once the education program is set. We're in the room when they set it. But then it's really chasing down manuscripts and then making sure that they're peer reviewed because the peer review is still really important, and then making sure that any revisions are made before it's finalized and goes to press. That is a many months process. So, when we're trying to introduce, “Oh, we should also do ASCO GU or-,” the question was, how do you want to do that given this very, very involved process going forward? So, I'm glad you were able to figure it out. Dr. Nathan Pennell: Well, it's challenging. I don't think people realize quite the compressed timeline for these. You know, the Education Session and authors and invited faculty are picked in the fall, and then basically you have to start turning in your manuscripts in February, March of the following year. And so, it's a really tight turnaround for this. When we talk about the ASCO thematic meetings, it's an even tighter window. Dr. Don Dizon: Right, exactly. Dr. Nathan Pennell: And so, it's challenging to get that moving, but I was really, really proud that we were able to pull that off. Dr. Don Dizon: Well, congratulations again. And I think that is a necessary step, because so much of what's going on in the various disease management sites is only covered cursorily through the Annual Meeting itself. I mean, there's just so much science breaking at any one time that I think if we want to comprehensively catalog the Year in Review in oncology, it kind of behooves us to do that. Dr. Nathan Pennell: Some other things that are coming up because we now have manuscripts that are going to be coming in year-round, and just to kind of make it easier on the editorial staff, we're going to be forming an editorial board. And in addition to our pool of reviewers who get ASCO points, please feel free to go online to the ASCO volunteer portal and sign up if you are interested in participating. So, moving forward, I'm really excited to see where things are going to go. Dr. Don Dizon: Well, that's great. That's great. And I do remember talking about whether or not we needed to have an editorial board. At least when I was there, having this carried by three people was always better than having it carried by one person. And I think as you expand the potential for submissions, it will be very helpful to have that input for sure. And then it gives another opportunity for more members to get involved in ASCO as well. Dr. Nathan Pennell: Absolutely. People want involvement, and so happy to provide that. Dr. Don Dizon: Yes. Dr. Nathan Pennell: Is there anything we didn't cover that you would like to mention before we wrap up? Dr. Don Dizon: Well, I will say this, that ASCO and through its publications not only has had this real emphasis on multidisciplinary management of cancers, especially where it was relevant, but it also always had a stand to ensure representation was front and center and who wrote for us. And I think every president, every chair that I've worked with naturally embraced that idea of representation. And I think it has been a distinct honor to say that during my tenure as EIC, we have always had a plethora of voices, of authors from different countries, of genders, that have participated in the construction of those books. And it stands as a testament that we are a global community and we will always be one. Dr. Nathan Pennell: Well, thank you for that. And I'm happy to continue that as we move forward. Well, Don, thank you. It's been great speaking with you. You played such a pivotal role in the Ed Book's evolution and I'm so glad you were able to join me for our inaugural episode. Dr. Don Dizon: Well, I'm just tickled that you asked me to be your first guest. Thank you so much, Nate. Dr. Nathan Pennell: And I also want to thank our listeners for joining us today. We hope you'll join us again for more insightful views on topics you'll be hearing at the Education Sessions from ASCO meetings throughout the year, as well as our periodic deep dives on advances that are shaping modern oncology. Have a great day. Disclaimer: The purpose of this podcast is to educate and to inform. This is not a substitute for professional medical care and is not intended for use in the diagnosis or treatment of individual conditions. Guests on this podcast express their own opinions, experience and conclusions. Guest statements on the podcast do not express the opinions of ASCO. The mention of any product, service, organization, activity or therapy should not be construed as an ASCO endorsement. Follow today's speakers:   Dr. Nathan Pennell  @n8pennell @n8pennell.bsky.social   Dr. Don Dizon @drdondizon.bsky.social  Follow ASCO on social media:   @ASCO on X (formerly Twitter)   ASCO on Bluesky  ASCO on Facebook   ASCO on LinkedIn   Disclosures:  Dr. Nathan Pennell:      Consulting or Advisory Role: AstraZeneca, Lilly, Cota Healthcare, Merck, Bristol-Myers Squibb, Genentech, Amgen, G1 Therapeutics, Pfizer, Boehringer Ingelheim, Viosera, Xencor, Mirati Therapeutics, Janssen Oncology, Sanofi/Regeneron     Research Funding (Inst): Genentech, AstraZeneca, Merck, Loxo, Altor BioScience, Spectrum Pharmaceuticals, Bristol-Myers Squibb, Jounce Therapeutics, Mirati Therapeutics, Heat Biologics, WindMIL, Sanofi  Dr. Don Dizon: Stock and Other Ownership Interests: Midi, Doximity Honoraria: UpToDate, American Cancer Society Consulting or Advisory Role: AstraZeneca, Clovis Oncology, Kronos Bio, Immunogen Research Funding (Institution): Bristol-Myers Squibb          

Since 2008, Record Store Day is an annual indie holiday to support record store sales and artists' albums. This year it fell on 4/12, and Post Malone is 2025's ambassador! I created this playlist to do with playing "records", and citing certain influences the artists sang about. Theme Song: "Dance Track" - Jessica Ann CatenaPick a Disc, Album Nerds, Polyphonic Press, Astrovert Podcast“Old Time Rock & Roll” - Bob Seger (1978-1979)Risky Business scene; The Nanny parody"Like a Rock" Chevy ads; (1986 single)“Music” - Madonna (2000)“Put Your Records On” - Corrine Bailey Rae (2006) / Ritt Momney (2020)"Breathless", "Green Aphrodisiac" (2016)“I Love Rock & Roll” - The Arrows (1975), Joan Jett & The Blackhearts (1981-1982), Britney Spears (2001), Crossroads clip (2002)“Add Some Music to Your Day” - The Beach Boys (1970)“Sir Duke”, "Ngicuela / Es Una Historia / I Am Singing" - Stevie Wonder (1976-1977)Related Episodes: Valentine's Day. Springtime, Mothers Day, Fathers Day, Britney Spears, Weird Al, Madonna, Mariah Carey, The Beach Boys, Quincy Jones

In dieser epische Musikzeitreise episode of Past Tens: The Top 10 Zeitmaschine, your trusty hosts — Herr Doktor Dave and Der Wilden Miltmeister — strap on their sonic lederhosen and dive kopfüber into the Billboard Top 10 Albums for the Woche ending April 12, 1975 — ja wohl! With all the precision of a Bavarian clockmaker and the subtlety of a bratwurst cannon, they analyze und rocken diskutieren legendary platten from musikalische titans like Led Zeppelin (or as they say in Munich, Blei Zeppelin), David Bowie (Der Dünne Weirdo), John Lennon (Der Friedensbringer mit der Brille), and Earth, Wind & Fire (Erde, Wind und Feuerkraft!). This episode is vollgepackt with music history, lustige Anekdoten, and enough nostalgia to fill a beer stein the size of Düsseldorf. Dave und Milt pay tribute to the unterschätzte Helden — unsung heroes like Minnie Riperton (Die Göttin der Hohen Töne) and Robin Trower (Der Gitarren-Zauberer von Essex). Of course, it wouldn't be a Past Tens episode without their patented spielfreudige Segmente like The Play Date (Das Spielzeit-Quiz!), where they test each other's Rock und Roll Gehirn on song trivia — and The Substitution (Der Platten-Tausch!), where they boot an album off the list like a rude tourist from Oktoberfest and replace it with a beloved verlorene Klassiker. This episode is ein absoluter Ohrenschmaus for music lovers who appreciate both the Mega-Hits and Tiefe Schnittwunden (deep cuts) from the golden, shag-carpeted glory of the Mid-70er Jahre. Mach schnell! Put on your headphones, grab a frothy beverage, and crank up Past Tens: The Top 10 Zeitmaschine! Jawohl, baby! Topics 00:49 April Fools Episode Setup 01:16 Fake Top 10 Countdown Begins 01:41 Revealing the Fake Songs 09:04 Listener Reactions and Emails 13:33 Transition to Regular Podcast 14:29 Top 10 Albums Countdown 14:54 This Week in History: 1975 38:52 A Weird Experience with Kraftwerk 41:11 Kraftwerk's Influence on Music 42:57 Kraftwerk's Unique Sound and Legacy 49:28 John Lennon's Rock and Roll Album 52:35 Phil Spector's Chaotic Production 01:07:35 Minnie Riperton's Musical Journey 01:13:50 Rediscovering Robin Trower 01:18:19 Discussing Robin's Timeless Sound 01:19:55 Bob Dylan's Shelter From the Storm 01:22:54 Weird Al's Bob Dylan Parody 01:29:58 John Denver's Country Charm 01:37:56 Led Zeppelin's Physical Graffiti

"Dare to Re-Sequence: Making Dare to Be Stupid Make Sense" This week, Lauren and Russ take their marriage to the next level and take on a noble Weird Al challenge: rearranging the tracklist of Dare to Be Stupid into an order that (dare we say it?) makes more sense. We each came up with our own new sequence for the album, and we're diving deep into the why behind our choices. Does “Like a Surgeon” really need to be Track 1? Should “One More Minute” hit earlier or later? We've got opinions—and so will you.We also have links to both of our resequenced versions so you can listen along and decide which one reigns supreme. So put on your accordion hat and let's get stupid… in a very deliberate way.Dare to be Lauren (Lauren's)Dare to Re-Sequence (Russ's)Beer'd Al is a stupid member of the OddPods Media Network.Become a supporter of this podcast: https://www.spreaker.com/podcast/beer-d-al-podcast--5439475/support.

We look back at Weird Al's legendary music and comedy career as well as his amazing attitude and self awareness. Joined by Karl from Who Are These Podcasts?FOR ALL THINGS BLIND MIKEhttp://blindmike.netFOR ALL THINGS CRAIGGERShttp://www.verygoodshow.orgFOR ALL THINGS HACKRIDEhttp://hackridethedemon.comFOR ALL THINGS DJ ELECTRA FRYhttp://djelectrafry.com

Penn discovers a new app, hangs out with Weird Al, gets interviewed by Jimmy Fallon, says some of the most famous words in sports, and more.

If you grew up in or around the bizarro state of Rhode Island, you might remember the Warwick Musical Theatre. For decades, this tent-style venue (with a rotating circular stage in the middle) hosted concerts, comedy, musicals, and even wrestling. (Guess how many times Liberace performed there. No, you're low. Guess again.) And back in the 80s, this is where some of us first saw Weird Al, the Monkees, and oh yeah, Air Supply. So let's take a look at the whole wild history of the Warwick tent, which alas, has been gone for about a quarter century. (These days a giant hardware store is there, in case you need 8,000 hammers.) But in our hearts, Laura Branigan and Billy Ocean are playing there RIGHT NOW. The Flopcast website! The ESO Network! The Flopcast on Facebook! The Flopcast on Instagram! The Flopcast on Bluesky! The Flopcast on Mastadon! Please rate and review The Flopcast on Apple Podcasts! Email: info@flopcast.net Our music is by The Sponge Awareness Foundation! This week's promo: EnterpriseSplaining!    

Are novelty records cool? Probably not, but this week's guest, musician/songwriter Nick County, makes the case that the best ones are artistically valid, culturally relevant and - most importantly - a hoot! We embraced the weird and dove head-first into Dr. Demento's 20th Anniversary Collection. Caution: freaks ahead... Songs discussed in this episode: Pico & Sepulveda - Felix Figueroa and His Orchestra; Welcome 2 Where U Been, Psycho, In Texas - Nick County; Another One Rides The Bus - 'Weird Al' Yankovic; Transfusion - Nervous Norvus; Eat It, My Balogna - 'Weird Al' Yankovic; Does Your Chewing Gum Lose Its Flavour (On the Bedpost Overnight) - Lonnie Donegan & His Skiffle Group; In Spite Of All The Danger - The Quarrymen; Does The Spearmint Lose Its Flavor On The Bedpost Overnight - Billy Jones & Ernest Hare; Hello Muddah, Hello Fadduh - Allan Sherman; Earache My Eye - Cheech & Chong feat. Alice Bowie; Dave's Not Here - Cheech & Chong; Dead Puppies - Ogden Edsl; Dancin' Fool - Frank Zappa; Star Trekkin - The Firm; Walmart - Jesse Welles; Big Parlay Blues - Silver Bluff Blues Band; King Tut - Steve Martin; Fish Heads - Barnes and Barnes; Poisoning Pigeons in the Park - Tom Lehrer; A Boy Named Sue - Johnny Cash; Sarah Cynthia Sylvia Stout Would Not Take the Garbage Out - Shel Silverstein; Freakin' At The Freaker's Ball - Dr Hook; They're Coming to Take Me Away, Ha-Haaa! - Napoleon XIV; Red Rocky Road - Nick County

Weird Al Yankovic emerged from the wild and wacky underground music scene of the 1970s and 1980s to become one of the world's most successful musical-comedy artists. Initially breaking into the mainstream with his parodies of mega-hit pop songs by Michael Jackson, Madonna, Nirvana, Coolio, and more, Yankovic has had astonishing pop-culture staying power. His lane may be comedy, but the facts are no joke: five Grammy Awards, eight Top 20 albums, and Top 40 singles in four consecutive decades. And the story isn't over yet; in 2025, Weird Al will head back on the road for his Bigger & Weirder Tour. So join us for this April Fool's Day Special as the Great Pop Culture Debate considers the Best Weird Al Song. Join host Eric Rezsnyak and GPCD panelists Jim Czadzeck, Jonny Minogue, and Karissa Kloss as they discuss 16 of Weird Al's most notable tracks. Play along at home by finding the listener bracket here. Make a copy for yourself, fill it out, and see if your picks match up with ours! For more exclusive content, including the warm-up in which we discuss even more “Weird Al” songs that didn't make the bracket, become a Patreon supporter of the podcast today. Looking for more reasons to become a Patreon supporter? Check out our Top 10 Patreon Perks. Sign up for our weekly newsletter! Subscribe to find out what's new in pop culture each week right in your inbox! Vote in more pop culture polls! Check out our Open Polls. Your votes determine our future debates! Then, vote in our Future Topic Polls to have a say in what episodes we tackle next. Episode Credits Host: Eric Rezsnyak Panelists: Jim Czadzeck, Jonny Minogue, Karissa Kloss Producer: Bob Erlenback Editor: Bob Erlenback Theme Music: “Dance to My Tune” by Marc Torch #weirdal #alyankovic #parody #parodymusic #music #popmusic #comedy #comedymusic #weird #accordion #eatit #amishparadise #michaeljackson #madonna Learn more about your ad choices. Visit megaphone.fm/adchoices

As we launch the 2025 baseball season, longtime Minor League Baseball reporter and commentator Ben Hill stops by to discuss new logos, minor league baseball culture, and Weird Al Yankovich.   Find Ben Hill here: Show Before the Show podcast MiLB News milb.com Baseball Traveler newsletter Also on this episode: Dan Simon, Studio Simon: www.studiosimon.net, Insta @studio_simon Find the Baseball By Design podcast online: Instagram @baseballbydesign Threads @baseballbydesign Bluesky @baseballbydesign.bsky.social linktr.ee/BaseballByDesign Baseball By Design is a member of the Curved Brim Media Network.

Just in time for April Fool's Day, Great Pop Culture Debate host Eric Rezsnyak explains how we created the bracket for our episode devoted to the best "Weird Al" Yankovic songs and walks you through the Round 1 match-ups. The main episode will release on Tuesday, April 1, wherever you listen to podcasts. Make sure to subscribe to the podcast so you don't miss any upcoming episodes: And if you love pop culture, sign up for our weekly newsletter to keep up on all the new movies, music, and TV shows dropping every week! CREDITS: Intro/outro music: "Dance to My Tune" by Marc Torch Learn more about your ad choices. Visit megaphone.fm/adchoices