Podcast appearances and mentions of Jeanette MacDonald

"MARY BETH HUGHES - CLASSIC CINEMA STAR OF THE MONTH" - 3/03/2025 For those of you who don't know the charms of MARY BETH HUGHES, when she was under contract at MGM, she was dubbed "the poor man's LANA TURNER." It was a rather unfair assessment since MGM gave Lana all the plum roles, and Mary Beth got her hand-me-downs. But still, Mary Beth had great comic chops, and no one played bitchy, hard-boiled blondes as well as she. Despite her beauty and talent, she never managed to get out of B-pictures. She did have small parts in great films like The Women (1939) and The Ox-Bow Incident (1942). She played the good girl as often as she played the bad girl, but when she played bad....you were in for a treat. Her pouty lips, snappy dialogue, and petulant attitude lit up many a lackluster production. This week, we celebrate her as our Star of the Month. SHOW NOTES:  Sources: The Official Mary Beth Hughes Website; “Mary Beth Hughes, Born in Alton, Benign Groomed for Stardom in Movies,” January 4, 1939, Alton Evening Telegraph; “Mary Beth Hughes,” October 1971, by T.P. Turton, Films in Review; “Mary Beth Hughes Stars In A New Shampoo,” December 20, 1976, People Magazine; Mary Beth Hughes: She Never Gave Up,” December 2015, by Dave White, Classic Images; “The Look of Mary Beth Hughes,” June 6, 2019, www.grandoldmovies.com; http://www.briansdriveintheater.com/marybethhughes.html Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  The Women (1939), starring Norma Shearer, Joan Crawford, & Rosalind Russell; The Ox-Bow Incident (1942), starring Henry Fonda, Harry Morgan, Dana Andrews, MBH, & Anthony Quinn; Broadway Serenade (1939), starring Jeanette MacDonald & Lew Ayres; Dancing Co-Ed (1939), starring Lana Turner & Richard Carlson;  These Glamour Girls (1939), starring Lana Turner & Lew Ayres: Fast and Furious (1939), starring Franchot Tone & Ann Sothern; Free, Blonde & 21 (1940), starring Lynn Bari, MBH, & Joan Davis; Star Dust (1940), starring Linda Darnell & John Payne; Four Sons (1940), starring Don Ameche, Alan Curtis, Eugenia Leontivich, & MBH; Lucky Cisco Kid (1940), starring Cesar Romero, Dana Andrews, & MBH; The Great Profile (1940), staring John Barrymore & MBH; Sleepers West (1941), starring Lloyd Nolan & MBH:  Ride on Vaquero (1941), starring Cesar Romero & MBHs; Charlie Chan In Rio (191410, starring Sidney Toler & MBH; Dressed To Kill (1941), starring Lloyd Nolan & MBH; Design For Scandal (1941), starring Rosalind Russell & Walter Pidgeon; The Cowboy and The Blonde (1941), starring MBH & George Montgomery; Blue, White, and Perfect, (1942), starring Lloyd Nolan & MBH; The Night Before The Divorce (1942), starring Lynn Bari, Joseph Allen, & MBH; Orchestra Wives (1942), starring Ann Rutherford & George Montgomery: Over My Dead Body (1942), starring Milton Berle & MBH; Timber Queen (1944), starring Richard Arlen & MBH; Men On Her Mind (1944), starring MBH; I Accuse My Parents, (1944), starring MBH & Robert Lowell; The Lady Confesses (1945), starring MBH & Hugh Beaumont; The Great Flamarion (1945), starring Erich von Stroheim, MBH, & Dan Duryea; Holiday Rhythm (1950), starring MBH & David Street; Young Man With A Horn (1950), starring Kirk Douglas, Lauren Bacall, & Doris Day; Highway Dragnet (1954), starring Richard Conte & Joan Bennett; Loophole (1955), starring Barry Sullivan, Charles MacGraw, & Dorothy Malone; Gun Battle At Monterey (1957), starring Sterling Hayden & MBH; How's Your Love Life? (1971), starring John Agar, Leslie Brooks, Grant Willians, & MBH; The Working Girls (1974), starring Sarah Kennedy, Laurie Rose, & Cassandra Peterson; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 75 - “MEHAR BABA BRINGS SPIRITUALITY TO OLD HOLLYWOOD” - 2/17/2025 During the 1920s and 1930s, a spiritual movement swept through Hollywood. It seems the Hollywood elite were about more than just speakeasies, flappers, and decadence. Some were searching for inner-peace and often found it -- at least temporarily -- in these various religious movements that popped up. One spiritual leader who came to prominence was India's MEHAR BABA, who believed that spirituality and metaphysics were interconnected. Stars like MARY PICKFORD, TALLULAH BANKHEAD, and MARIE DRESSLER were admirers. And when Baba visited Hollywood in May of 1932, you'll never believe where he stayed! Get enlightened and listen to this fascinating story of spirituality in Hollywood.  SHOW NOTES:  Sources: The God Man (1964), by C.B.Purdom; Mehar Baba, www.meharcenter.org “Mehar Baba: A Brief Biography,” www.avatarmeharbabatrust.org; “Pete Townsend Speaks of Mehar Baba,” www.petetoensend.net; “Mehar Baba: The Compassionate Father,” www.ramdass.org; “Highest of the High: Full Message By Mehar Baba with Introduction,” YouTube,com; Wikipedia.com; Movies Mentioned:  The Devil and the Deep (1932); starring Tallulah Bankhead, Gary Cooper, Charles, Laughton, & Cary Grant; Love Me Tonight (1932), starring Maurice Chevalier, Jeanette MacDonald, Charles Ruggles, & Myrna Loy; Grand Hotel (1932), starring Greta Garbo, John Barrymore, Joan Crawford, Lionel Barrymore, Wallace Beery, & Lewis Stone; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's time for another round of Studios Year by Year, starting over with Paramount 1930! And this time Dave has brought even more nostalgic reading material to give some context for this studio content. We also launch another new series feature: a review of our favourite movies from the previous 1930-1948 round. Turning to the Paramount movies we watched for this episode, we struggle to come to terms with the pointless battle of the sexes in Lubitsch's The Love Parade, starring Maurice Chevalier and Jeanette MacDonald, who are having a lot of sexy Pre-Code fun until the dictates of storytelling demand conflict; and struggle through a nigh-unwatchable transfer/copy of the sturdy operetta The Vagabond King, starring MacDonald and Dennis King. In both films, the adorable Lillian Roth delights. And finally, as if all of that weren't enough, a New Year's Eve throwback (by the time this is posted) in Fear and Moviegoing in Toronto: we watched the beloved When Harry Met Sally and the cult classic 200 Cigarettes at the Revue Cinema.  Time Codes: 0h 00m 25s: 1930 in film + Paramount Recap 0h 21m 10s: THE LOVE PARADE [dir. Ernst Lubitsch]          0h 43m 24s: THE VAGABOND KING [dir. Ludwig Berger] 0h 56m 50s: Fear and Moviegoing in Toronto: When Harry Met Sally (1989) by Rob Reiner & 200 Cigarettes (1999) by Risa Bramon Garcia Year in Film information from Forgotten Films to Remember by John Springer Studio Film Capsules provided by The Paramount Story by John Douglas Eames Additional studio information from: The Hollywood Story by Joel W. Finler                +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join! 

Lux Radio Theater "Tonight or Never" January 25, 1937 CBS starring Jeanette MacDonald

Ten days ago I reposted an episode celebrating the life and career of Paul Robeson, legendary for many reasons, but particularly remembered for his iconic and powerful performances of “Ol' Man River.” It is often assumed that Robeson also created the role of Joe in Show Boat, but in fact that distinction went to his near-contemporary Jules Bledsoe (1897-1943), today virtually forgotten, and unjustly so. In his time, he was also celebrated for his memorable concerts, which took place both here and in Europe, and for his operatic portrayals, most significantly, the title role in Louis Gruenberg's opera The Emperor Jones, based on the play by Eugene O'Neill, which he portrayed both in the United States and in Europe. Barred from singing at the Met because of his race, Bledsoe took his portrayal of Brutus Jones on the road, performing it in a triumphant European tour, but also subsequently in New York in 1934 under the aegis of the short-lived Aeolian Opera Company, which was intended to provide performing opportunities for Black opera singers, but which folded almost immediately. Jules Bledsoe was also a composer who wrote many songs and arrangements of spirituals, as well as a version of Uncle Tom's Cabin entitled Bondage, as well as his own operatic setting of O'Neill's Emperor Jones, which may or may not have been performed at the time. Even less well-known and acknowledged (and often intentionally obscured by historians) is the fact that Jules Bledsoe was a gay man in a relationship with a Dutch white man named Freddy Huygens who at the time of Bledsoe's premature death was referred to as either his “manager” or his “closest friend.” In this episode we hear examples of all the extant recorded material I could find by Jules Bledsoe, alongside recorded examples of work by his collaborators Abbie Mitchell, Irene Dunne, Anne Roselle, Marie Powers, Todd Duncan as well as excerpts from the work of composers W. Franke Harling, Shirley Graham Du Bois, and Louis Gruenberg performed by Jeanette MacDonald, Valaida Snow, Nicola Rossi-Lemeni, and Lawrence Tibbett. Billie Holiday even puts in a special appearance! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes and videos available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

Welcome to our episode on One Hour With You,  our fourth Ernst Lubitsch film for the project, and our THIRD Lubitsch musical...which also means our third Maurice Chevalier vehicle. Chevalier is joined once again by Jeanette MacDonald. How is this film any different from the others we have reviewed? Well, this one doesn't feature fantasy royalty, and is grounded quite firmly in hoity-toity French upper-crust 1930s society.  It's a frivolous little romp through the ups and downs of one happily married couple as they grapple with infidelity. As always we have our history timeline and top song of the day!Please leave us a review wherever you are listening!Email us rants as well as raves: sheacinema@gmail.comYou can also find us on Instagram (and now Twitter/X): @sheacinema

Support us on Patreon⁠https://r.search.yahoo.com/_ylt=Awr92rDP5bllDAQAM_ZXNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891407/RO=10/RU=https%3a%2f%2fwww.patreon.com%2fuser%3fu%3d4279967/RK=2/RS=9LbiSxziFkcdPQCvqIxPtxIgZ7A-⁠ Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://r.search.yahoo.com/_ylt=Awr92rDP5bllDAQAM_ZXNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891407/RO=10/RU=https%3a%2f%2fwww.patreon.com%2fuser%3fu%3d4279967/RK=2/RS=9LbiSxziFkcdPQCvqIxPtxIgZ7A-

Lux Radio Theatre | Tonight or Never | January 25, 1937Starring: Luis Alberni; Melvyn Douglas; Jeanette MacDonaldMusical romance between an opera singer and a gigilo.: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLESSubscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr

Eric Dienstfrey joins us to discuss the sound technology behind early talkies, and in particular THE MERRY WIDOW. We cover the ways in which recording and exhibition technology changed and fluctuated throughout the 1930s, the sordid tale of both the innovation and skullduggery engaged in by Electrical Research Products, Inc, the institution of the uniform-but-limiting Academy Mono standard, Jeanette Macdonald's vocal stylings, and much more! We have a Discord! Listen on: Apple Podcasts | Spotify NEXT WEEK: Tim Brayton returns to discuss THE MERRY WIDOW in our season finale. For details as to where to find this film, check out our resources page. WORKS CITED: Under the Standard: MGM, AT&T, and the Academy's Regulation of Power by Eric Dienstfrey

Bing Crosby Podcast 1949-01-12 Johnny Mercer, Al Jolson 1949-01-06 - Guest - Larry Parks, Gordon MacRae's Railroad Hour 1949-01-17 (16) Naughty Marietta w Jeanette MacDonald, Alan Reed

Ursinus College professor Jennifer Fleeger joins us to discuss THE LOVE PARADE. In this episode, we cover the operetta form, the divergent singing styles of Jeanette Macdonald and Maurice Chevalier, how those styles interact with the recording technology of the time, as well as this film's fascinating and sometimes uneasy ways of dealing with both class and gender roles. Edited by Griffin Sheel. NEXT WEEK: Katharine Coldiron joins us to discuss MONTE CARLO. For details as to where to find this film, check out our resources page. WORKS CITED: The MPAA Production Come Administration Records for THE LOVE PARADE courtesy of the Margaret Herrick Library Paris and the Musical: The City of Lights on Stage and Screen edited by Olaf Jubin Eclipse Series: Lubitsch Musicals essay on The Love Parade by Michael Koresky Pre-Code.com's list of Essential Pre-Code Hollywood Films Sound American by Jennifer Fleeger Mismatched Women: The Siren Song Through the Machine by Jennifer Fleeger Media Ventriloquism by Jennifer Fleeger

1939-02-19 A Song for Clotilde (Jeanette MacDonald, Robert Taylor)Part003

1939-02-19 A Song for Clotilde (Jeanette MacDonald, Robert Taylor)Part002

1939-02-19 A Song for Clotilde (Jeanette MacDonald, Robert Taylor)Part001

March 28, 1937 - The Train Ride to Hollywood. This is the first episode with Eddie Anderson who would later become a regular on the show as Rochester. References include the singer Lily Pons and the movie San Fransisco with Clark Gable and Jeanette MacDonald.  

In Yosemite, for thousands of years before the discovery of gold, Native Americans traveled through and inhabited the area that the Sierra Nevada's melting snow spills dramatically over rocky cliffs on the walls into the Valley. Waterfalls that sit over three thousand feet above its floor. The treasures the park holds are unduplicated, each wonder differing from the next, each overwhelmingly spectacular.   From 1850 to 1851 Native Americans and Euro-American miners in the area were at war, the Mariposa War. Some Euro-American men had formed a militia known as the Mariposa Battalion. Their purpose - drive the native Ahwahneechee people onto reservations. The Mariposa Battalion were the first non-natives to enter Yosemite. When this war ended, Yosemite was then open to settlement and speculation.    Today we are going to talk about Jennie Curry, half of the curry couple who founded Camp Curry in Yosemite, and the history of the Yosemite Firefall.  Season 3 features inspiring, gallant, even audacious stories of REAL 19th Century women from the Wild West.  Stories that contain adult content, including violence which may be disturbing to some listeners, or secondhand listeners. So, discretion is advised. I am Andrea Anderson and this is Queens of the Mines, Season Three.  Between 1855 and 1864, the Yosemite Valley had 653 visitors.After the completion of stage roads into the valley,  the number rose to 2,700 visitors annually within its first decade.  Abraham Lincoln signed the Yosemite Grant on June 30, 1864 and Yosemite Valley was placed under the protection of the state of California. The act preserved the valley for public use and recreation for all time. Some of the earliest visitors were artists, authors, painters, illustrators and photographers who came to publicize the Valley. Hotels were built and stagecoach companies started bringing tourists on the long journey in. Six years later, James McCauley, an Irish sailor and miner, arrived in Yosemite Valley. McCauley took a job in a sawmill, working alongside John Muir. McCauley soon built a horse trail from the base of Sentinel Rock up to Glacier Point. It was over a four-mile route which climbed 3,200 feet. At Glacier Point, he built a small shack which he named the Mountain House. McCauley charged a toll for the trail and the Mountain House provided concessions and lodging to its travelers. One night in 1872, McCauley and his school-aged sons kicked a campfire over the ledge at Glacier Point. The act quite literally sparked the idea of a money-making venture. A firefall. They would collect a fee from tourists in the valley during the day to build a modest fire and push it off the cliff that night. He experimented with versions of fireworks that he lowered on wires from Overhanging Rock nearby. The attempts seemed comparatively insignificant from the Valley floor. Finally he returned to the idea of pushing over the embers.  McCauley bought both of his 8 year old boys' mules and the young McCauley twins attended school by riding them down the Four Mile Trail to the Valley. It took ninety minutes.  While in the valley, they would collect $1.50 from tourists who wanted to see a Firefall, and then would ride the trail back up to Glacier Point, with a pack mule, packing wood and carrying the provisions for the hotel. On the Fourth of July, a collection often amounted to ten or twenty dollars. Busy days like that required hauling wood up for at least two days.  McCauley soon leased Mountain House to others to manage, that was when the state of California took possession of all Yosemite claims in 1874. In 1880, he leased Mountain House back from the state. Fifteen years later, the facility was described as “almost uninhabitable”. The couple was evicted by the state in 1897 for failure to maintain.  McCauley was killed accidently in an accident with a runaway horse, and the firefalls stopped. For years they were almost forgotten.  In 1899, David and Jennie Etta Curry and their children took the wild ride down the old Coulterville Road with Driver Eddie Webb, to their new home in Yosemite Valley. Both had studied under Dr. David Starr Jordan at Indiana University, where they had both graduated from in 1883. It was unusual at the time for a woman to be a college graduate. Back east, both were Hoosier school teachers. The Curry's had a unique love for nature. Their previous work involved taking parties through Yellowstone with a movable camp.  David and Jennie saw an opportunity. They received permission from the Guardian of the Valley, which was the state park at the time, to use the site of its camp. With seven tents, they opened a family campground at the base of Glacier Point, and they called Camp Curry.  It is wild if you think about it, furnishing a business in a location like that, before means of modern transportation. Bare tents, burlap for the floors, mattresses, bed springs on wooden legs, clean bedding, chairs, and tables were brought in by wagon from Merced, which was one hundred miles away. Oilcloth covered cracker boxes' that were used for wash stands.  There was a dining tent that seated twenty people. Camp Curry opened in June of 1899, charging $2 per night. The first affordable accommodation in the Park. Accommodations at the Sentinel Hotel were $4 a night.  She was fondly known throughout the Valley as "Mother Curry". The power behind the throne. Her personality would truly contribute to their success.  She was big in mind, soul and body and interested in people and in life. Of course, women's domestic skills were highly valued in the West, but like many pioneering women, Jennie had to find a way to broaden the roles beyond the Cult of True Womanhood, as mentioned in the book and previous episodes.  Jennie helped plan additional guest services, made the beds, and packed the box lunches for adventurers. She would say that she had done every job around camp, from  baking dozens of pies or loaves of bread to making lye soap from wood-ashes in a huge open kettle. All but the duties of the porter. The Curry's in fact, did do all of the work around camp. With the exception of one paid employee, the cook and two or three students from Stanford, who worked for a designated time in exchange for a week's room and board.  During the first season, the camp expanded to twenty-five tents, with almost 300 guests in the season, of the 4,500 people who visited Yosemite Valley that year. Many of the guests came from Curry's educational network. It was a pretty good start. The crowds predicted Camp Curry would fail. It was cold, and isolated.  The Curry's were determined. They had ideas. The memory of the firefall was eventually brought up, and Mr. Curry decided to revive the tradition on holidays, or when prominent guests were in the Valley. Men would gather wood on the Ledge Trail, and build a 12 foot wide, four foot tall mound of firewood. At four, they would light the fire, allowing the pile to burn down until it was a hill of glowing embers, for 5 hours until 9 o clock. Nine o'clock in Yosemite meant Fire Fall. It was an unwritten law that everything and everyone in the valley STOPPED at 9pm.  David Curry would cup his hands to his mouth, raise his face toward Glacier Point and bellow: “Hello, Glacier Point!” without the aid of a sound system or even a megaphone. This is how Mr. Curry earned the nickname “The Stentor.” Stentor was that famous Greek of antiquity who could command 10,000 troops without a megaphone." The fire tender at the point would reply: “Hello, Camp Curry!” The rest of the exchange followed: “Is the fire ready?” “The fire is ready!” followed by Curry's roaring command “Let ‘er go Gallagher!” “Let the fire fall!” “THE FIRE-ER IS-SSS FALLING!” I am guessing that Gallagher was the regular fire tender. The two men at the top, using extra long-handled wide steel rakes, would alternate strokes to maintain a steady stream of cinders, plunging over the cliffs, to their resting place on a ledge 1,700 feet below. It was a skill. It took practice to be able to push blazing hot coals for an extended period of time, over a cliff in a steady stream down the granite wall. Simulating a continuously flowing waterfall. It was a blazing stream of thousands and thousands  of individually discernible red and gold sparks floating down the cliff in complete silence, the sparks flying away like shooting stars. Fifteen minutes later, the fall would grow smaller until it became a mere thread of gold which drew the curtain of night, before darkness descends.  Break The railroad reaching El Portal in 1907 made travel to the gold rush in California much more accessible. For the park, it skyrocketed the ability of making improvements in equipment and efficiency. Jennie no longer needed to bring in furniture, food, in fact everything by wagon from Merced. The train ended only fifteen miles away, and the road there was easy. She was able to raise the comfort level of the camp for her ever increasing number of guests with better kitchen equipment, dressers, bed frames and rugs.  The firefall continued each night and held 20 minutes of enchantment, where thousands of onlookers felt something in common for that short period of time. Yosemite's grandeur was on full display, how unspeakably tall were its cliffs and how quiet its forest. The act, performed every night for many years, etched the surface of the granite, leaving a 1000 ft white strip.  From 1913 to 1916 the Yosemite Firefall tradition was halted by the park service over a disagreement between David Curry and the Assistant Secretary of the Interior. David Curry  died in 1917, just before the Firefall was reinstated. Jennie, with the help of her children, carried on with running and expanding Camp Curry, on lease from the government. The tradition carried on for decades, the song “Indian Love Call,” popularized by Nelson Eddy and Jeanette MacDonald in the 1936 film “Rose Marie,” was eventually performed while the fire cascaded down the rock face. So much for the silence I guess. The firefall was halted during World War II, when park facilities were used by the military. Jennie Curry died in October of 1948. The original purpose of the fire fall was to draw visitors to the park. Five years after Jennie's death, Yosemite received 1 million visitors for the first time.  In 1960, President John F. Kennedy visited Yosemite and was, according to various sources, either held up by an important phone call or was still eating his dinner at 9 p.m. The firefall was held for half an hour so he could see it — much to the displeasure of the rest of the visitors.  By 1965, annual visitation had reached 2 million.  The firefall continued on for nearly two-thirds of the 20th century, the firefall occurred each summer night. Luckily, it  never caused any forest fires, but other environmental impacts were mounting: Thousands of visitors were tramping through the meadows, driving their cars off the park roads, trying to get the best view, leaving litter everywhere. There were  thefts from the hotels and campgrounds, when visitors would be absent or distracted and lastly, nearly every dead red fir tree accessible by road had been stripped of its bark for use as fuel. Rangers worked late nights untangling traffic jams, while idling vehicles spit out exhaust into the park. There were simply too many people. The park canceled the firefall. About 50 people gathered to mark the end of the tradition, on Jan. 25, 1968. 55 years ago from the recording of this episode.   Although the Glacier Point firefall is a thing of the past, a natural, even more awe-inspiring, phenomenon that goes by the same name at Horsetail Falls remains. The organic illusion appears for a few weeks each February. Light from the setting sun hits the eastside of El Capitan at Horsetail Falls at a precise angle seems to be molten lava rushing  1,570 feet to the valley floor, creating a natural "firefall."  Ansel Adams captured it on film for the first time, in 1940.  The natural Yosemite Firefall can be finicky. Several factors must converge to trigger the Firefall to glow. First, there has to be an adequate amount of snowpack for Horsetail Falls to be flowing and the temperatures must be warm enough to melt the snow. The sky also needs to be clear at sunset. If conditions are cloudy the sun's rays will be blocked, and Horsetail Fall will not light up. If everything comes together and conditions are just right, the Yosemite Firefall will light up for about ten minutes. To see Horsetail Fall glowing blood red is an almost supernatural experience. The sun hits Yosemite Valley at roughly the same angle in October, but the lack of runoff prevents the same phenomenon.    The discovery of Horsetail Falls is not well documented. There is no doubt that the Awahneechee Indians who lived in Yosemite Valley for hundreds of years, most likely knew of its existence, but there is no evidence that they passed the knowledge to the white settlers. Love that.  Makes perfect sense.  The local lore of “elmer”  is linked to the Fire Falls. In the 1930's, a child by the name of Elmer would drift off with his friends or something to their own place to watch the Firefall and every night. It was a common thing in Yosemite to hear after the Firefall, his mother calling him back to camp: EL-MER- EL-MER- EL-MER.   It all leads me to wonder, what is the most spectacular thing i nature that you have ever seen?       

Mail Call was an American radio program that entertained American soldiers from 1942 until 1945, during World War II. Lt. Col. Thomas A.H. Lewis (commander of the Armed Forces Radio Service) wrote in 1944, "The initial production of the Armed Forces Radio Service was 'Mail Call,' a morale-building half hour which brought famed performers to the microphone to sing and gag in the best American manner." The program featured popular entertainers of that day, such as Bob Hope, Bing Crosby, Judy Garland, and Dinah Shore, performing musical numbers and comedy skits to boost the morale of soldiers stationed far from their homes. Lewis added, "To a fellow who has spent months guarding an outpost in the South Seas, Iceland or Africa a cheery greeting from a favorite comedian, a song hit direct from Broadway, or the beating rhythm of a hot band, mean a tie with the home to which he hopes soon to return Listen to our radio station Old Time Radio https://link.radioking.com/otradio Listen to other Shows at My Classic Radio https://www.myclassicradio.net/ Remember that times have changed, and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio

Our Pathology. I'll never forgive what was done to this country. Consumerism didn't make us stronger, it destroyed important values. The 30, 40 and 50 year career politicians in our Federal Government went along with those values, running this country into the ground, producing the greatest debt in history. Consumerism was good for business and made big government bigger. Buying more stuff made government revenues go up. But when there were recessions it made people obsolete. It produced avarice, greed and illness in America. MUSIC Thomas Hayward, Felix Knight/Charlotte Henry, Jane Wilson, Rudy Vallee, Jeanette MacDonald

Solo Madge ain't right in the head. Afterwards Favorites in Stereo Side Two with Jeanette MacDonald and Nelson Eddy.

Ragan Fox joins Madge for some gurl talk followed by some old timey music with Jeanette MacDonald and Nelson Eddy (Favorites in Stereo Side One) No album art this week. Submissions are always appreciated bloatedlesbian@gmail.com

Welcome to the Instant Trivia podcast episode 640, where we ask the best trivia on the Internet. Round 1. Category: Words From "Jeopardy!" 1: Give someone enough of this and he'll hang himself with it. rope. 2: This term for a minute opening in the skin doesn't sound very rich. pore. 3: Whenever it precedes "vu" I feel like I've seen this word before. deja. 4: When talking about your kids, it pairs with "pride". joy. 5: Odd that this is the only one of Disney's 7 Dwarfs whose name is contained in "Jeopardy!". Dopey. Round 2. Category: The Addams Family 1: In 1977 the original cast was reunited in a TV special celebrating this holiday. Halloween. 2: She also played Morticia's sister Ophelia Frump. Carolyn Jones. 3: In order to perform the theme properly, you should do this twice after the "da-da-da-dum". snap your fingers. 4: The show was based on cartoons by Charles Addams that appeared regularly in this magazine. The New Yorker. 5: Jeanette MacDonald's sister, she played Grandma. Blossom Rock. Round 3. Category: Language Of Flowers 1: Shrinking or not, this flower symbolizes modesty. Violet. 2: A white one of these says "silence"; a red one says "I love you". Rose. 3: Not only do some say it means "welcome", this yellow flower is one of the first to welcome spring. daffodil. 4: Used in chains, these field flowers mean "I will think of it"; give me your question, do. Daisies. 5: This flower means both "faithfulness" and "loneliness" because no one will pick it to dance. wallflower. Round 4. Category: Dutch Treats 1: One of Louis Pasteur's pupils developed a fermenting agent for this famous beer. Heineken. 2: A Dutch treat is kaasdoop, a fondue usually made with this type of Dutch cheese. Gouda. 3: Day or night you can buy ( and eat) these fish, raw or pickled, served with gherkins and onions. Herring. 4: The Dutch are famous for genever, this type of liquor. Gin. 5: The Rijsttafel ("Rice Table") is a feast that was imported from this former Dutch colony. Indonesia. Round 5. Category: That's So '90s 1: Joe Brown, Greg Mathis and Mills Lane joined the ranks of these on TV. TV judges. 2: In 1994 a flaw found in this company's new Pentium processor cost it $475 million in a recall. Intel. 3: His 1997 meeting with Sinn Fein leader Gerry Adams was the first for a British P.M. and an IRA leader in 76 years. Tony Blair. 4: Hello! In May 1999 scientists found this famous sheep might be susceptible to premature aging. Dolly. 5: Born Louis Eugene Walcott, he led a million man march in Washington, D.C. in 1995. Louis Farrakhan. Thanks for listening! Come back tomorrow for more exciting trivia! Special thanks to https://blog.feedspot.com/trivia_podcasts/

Jeanette MacDonald (1903 -1965)   Nelson Eddy (1901 - 1967)   Naughty Marietta (1935) - Highly recommended Rose Marie (1936)  Maytime (1937) - Highly recommended The Girl of the Golden West (1938) - Highly recommended Sweethearts (1938) - Highly recommended New Moon (1940) - Highly recommended Bitter Sweet (1940) I Married an Angel (1941) - hmmm, inter-esting   A couple of recommendations of their separate films: The Merry Widow (1934) - Jeanette stars with Maurice Chevalier directed by Ernst Lubitsch  The Chocolate Soldier (1941) - Nelson stars with opera star Rise Stevens   Italian Street Song from Naughty Marietta - https://www.youtube.com/watch?v=n94pvclfugk Ah, Sweet Mystery of Life! From Naughty Marietta - https://www.youtube.com/watch?v=1xpKeabZlEs Other Music: Indian Love Call, Rose Marie I Love You, Shortenin' Bread, all sung by Nelson Eddy Thank you to Powerbleeder for the theme song "Future Mind" listen here!

Synopsis Today's date marks the premiere in New York City, in 1925, of a classic operetta “The Vagabond King” by Rudolf Friml, the source of many once-popular sentimental tunes, including “Love Me Tonight,” and “Only a Rose.” Friml was born in Prague in 1879, and he studied composition there with no less a master than Antonin Dvorak. He started his career as a piano accompanist to the famous Czech violinist Jan Kubelik, then emigrated to the U.S. in 1906. In 1907, he appeared as a soloist in his own First Piano Concerto with the New York Symphony, and decided to make America his home. Friml wrote two piano concertos, a symphony, solo piano pieces — and three film scores for Hollywood. But he's remembered today chiefly for 24 stage works, beginning in 1912 with “The Firefire,” his first big musical success, and continuing with many others, including the 1924 operetta “Rose Marie” – which in 1936 was made into a successful film starring Jeanette MacDonald and Nelson Eddy. Their rendition of Friml's “Indian Love Call” has become a campy cult classic. Even Friml was occasionally embarrassed by the success of some of his flufflier pop works, and would publish some of these under the pseudonym of Roderick Freeman. He died in Los Angeles in 1972, aged 92. Music Played in Today's Program Rudolf Friml (1879-1972): Song of the Vagabonds, from The Vagabond King –Eastman-Dryden Orchestra: Donald Hunsberger, cond. (Arabesque 6562) Rudolf Friml (1879-1972): Chanson "In Love" –New London Orchestra; Ronald Corp, cond. (Hyperion 67067)

Today's WPMT premiere of "Sweethearts" features music by Victor Herbert and stars movie greats Jeanette MacDonald and Nelson Eddy, originally heard on the March 25th, 1946 episode of The Screen Guild Theater! Tune in at 1 PM CT on Facebook, Spotify, Youtube and all major podcast platforms!

Lux Radio Theater "Irene" June 29, 1936 CBS Starring Jeanette MacDonald

Lux Radio Theatre adapts the musical play and later movie, Irene. This episode aired June 29, 1936. Irene was a successful broadway play in 1919, then a movie in 1926. Cast: Jeanette MacDonald, Regis Toomey Plot: Irene is a humble but ambitious, hard-working Irish girl from the West side of Manhattan, who runs a little music store with her widowed mother. Irene is sent to tune a piano for young tycoon Donald Marshall III, a Long Island society gentleman. Once at Donald's estate, Irene falls in love with him, and each is captivated by how different the other is from their usual friends. : : : : : My other podcast channels include: MYSTERY x SUSPENSE -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLES Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot. Thank you for your support. https://otr.duane.media/ (https://otr.duane.media) | Instagram https://www.instagram.com/duane.otr/ (@duane.otr)

Composer, arranger, and teacher, Christopher Norton is universally regarded as the leader in his field. Born in 1953, he is a New Zealand-born, now Canadian-based composer. His long and fruitful association with Boosey & Hawkes has resulted in the world-famous Microjazz series, the Preludes for piano, 2 Concert Collections for piano and, with his wife Wendy, 30 Micromusicals.In 2005 he wrote Connections for Piano for the RCM. The series is now owned by Christopher and published by his own company, www.80dayspublishing.com. In 2006 he wrote American Popular Piano for Novus Via Publications.Christopher is in high demand for his unique and creative presentations, both live and on line. He offers sessions ranging from improvisation coaching for private teachers to adjudicating non-competitive piano festivals with literally thousands of student entries; from offering personal, intensive master class sessions at all levels to lectures in advanced composition. Everywhere he goes, his fresh and uplifting approach to music never fails to inspire and enlighten all who attend. In the last 5 years, Christopher has written a series of concert works A very well received Jazz Piano Sonata, an Italian Suite for 2 Pianos, a Turkish-Anatolian Suite for 2 pianos and an Idaho Suite for solo piano are among the many new publications from 80dayspublishing.Christopher now lives, with his wife, another published composer, in Stratford, Ontario, Canada.Links:Youtube channel: www.youtube.com/christophermicrojazzWebsite (Boosey & Hawkes) www.christophernorton,comFacebook: facebook.com/christophernortoncomposerSoundcloud: www.soundcloud.com/nortonchristopherTop 5 Songs of Encouragement:1) "I'll See You Again" by Noel Coward, sung by Jeanette MacDonald and Nelson Eddyhttps://www.youtube.com/watch?v=2bA_G1twjCo&t=3s2) "Christ on the Mount of Olives" Op. 85 Hallelujah by Beethoven performed by UCLA Philharmonia, UCLA Chorale,  and Angeles Choralehttps://www.youtube.com/watch?v=5ZKWcn7bqsQ&t=4s3) Debussy Cello Sonata with Cellist Eve-Marie Caravassilis and pianist Jean-Bernard Marie of the London Symphony Orchestrahttps://www.youtube.com/watch?v=NRBNS3PQkww&t=3s4) "So What" by Miles Davishttps://www.youtube.com/watch?v=zqNTltOGh5c5) Prokofiev Piano Concerto No. 3 performed by Martha Agerich with the Singapore Symphonyhttps://www.youtube.com/watch?v=BS0SwRoYAW0&t=143sKeep this podcast Ad Free by going to https://www.buymeacoffee.com/Encouragement today to make a one-time donation or become a monthly member.Support the show (https://www.buymeacoffee.com/Encouragement)

This is episode 300.Subscribe to the YouTube channel.Support the podcast.Music featured in this episode:Jeanette MacDonalden.wikipedia.org/wiki/Jeanette_MacDonald

Are you ready for the WPMT premiere of the 1944 Lux Radio Theatre production of “Naughty Marietta” starring Jeanette MacDonald, Nelson Eddy and Cliff Clark? It's live and ready for listening now on Facebook, Youtube, Spotify and all major podcast platforms!

This week I present an important African American artist who has been nearly forgotten by history: the bass-baritone Jules Bledsoe (1897-1943). He is most remembered for creating the role of Joe in Jerome Kern and Oscar Hammerstein II's Show Boat, but he was equally celebrated in his time for his memorable concerts, which took place both here and in Europe, and for his operatic portrayals, most significantly, the title role in Louis Gruenberg's opera The Emperor Jones, based on the play by Eugene O'Neill, which he portrayed both in the United States and in Europe. When this opera premiered at the Metropolitan Opera in 1933, the legendary baritone Lawrence Tibbett created the title role (in blackface). Barred from singing at the Met because of his race, Bledsoe took his portrayal of Brutus Jones on the road, performing it in a triumphant European tour, but also subsequently in New York in 1934 under the aegis of the short-lived Aeolian Opera Company, which was intended to provide performing opportunities for Black opera singers, but which folded almost immediately. Jules Bledsoe was also a composer who wrote many songs and arrangements of spirituals, as well as a version of Uncle Tom's Cabin entitled Bondage, as well as his own operatic setting of O'Neill's Emperor Jones, which may or may not have been performed at the time. Even less well-known and acknowledged is that Jules Bledsoe was a gay man in a relationship with a Dutch white man named Freddy Huygens who at the time of Bledsoe's premature death was referred to as either his “manager” or his “closest friend.” I present examples of all the extant recorded material I could find by Jules Bledsoe, alongside recorded examples of work by his collaborators Abbie Mitchell, Irene Dunne, Anne Roselle, Marie Powers, Todd Duncan and excerpts from the work of composers W. Franke Harling, Shirley Graham Du Bois, and Louis Gruenberg performed by Jeanette MacDonald, Valaida Snow, Nicola Rossi-Lemeni, and Lawrence Tibbett. Billie Holiday even puts in a special appearance! The episode also includes tributes to the recently departed British soprano Joan Carlyle and the US-American bass-baritone Jake Gardner. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.  

Tomorrow is the first day of autumn – so celebrate today with our WPMT premiere “Apple Blossoms” available now on Apple, Facebook, YouTube, Spotify and any major podcast platforms! Listen to this early 20th century operetta starring two legends of the music world Jeanette MacDonald and Gordon MacRae from the 1949 recording on The Railroad Hour with songs “When You Are Mine,” “Who Can Tell?” and more!

Synopsis Imagine a crisp, blue Northern sky, a Canadian Mountie in a bright red tunic, and – what else? – an elaborately coiffed operatic soprano singing in the middle of the woods. Yes, it was on today's date in 1924, at the Imperial Theater in New York that “The Indian Love Call” was first heard in “Rose-Marie,” a musical written by American composer of Bohemian birth named Rudolf Friml. This one-time Dvorak pupil was born in Prague in 1879. He scored such a hit when he debuted his own Piano Concerto at Carnegie Hall in 1904 that he decided to make America his home. His early years as an American composer were disappointing, but in 1912, “The Firefly,” his first musical, proved a hit. Friml followed that with a string of increasingly popular Broadway shows, including “Rose-Marie” in 1924 and “The Vagabond King” in 1925, but by the mid-1930s Friml's old-world musical style was judged too old-fashioned for the hip New York of George Gershwin and Cole Porter. Ironically, it was just then that Nelson Eddy and Jeannette MacDonald films based on Friml musicals broke box office records. These campy films are now treasured precisely for their sweet, if rather affected, “period” flavor. Music Played in Today's Program Rudolf Friml (1879 – 1972): Indian Love Call, from Rose Marie (Nelson Eddy and Jeanette MacDonald, vocalists) Pro Arte 491

WPMT drop alert! “Tonight or Never” inspired by the hit Broadway musical play starring Jeanette MacDonald and (from the play and 1931 film version) Melvin Douglas is now live! Head to Porchlight page on Apple, Facebook, YouTube, Spotify and any major podcast platform now to hear the show which includes hit songs “I Passed By Your Window," “Vissi d'arte” and more!

Author and Cinevent dealer Maggie McCormick discusses her book series I'll See You Again: The Bittersweet Love Story and Wartime Letters of Jeanette MacDonald and Gene Raymond. 

Will Sarah and Carl's love be enough? Tune into Broadway's “Bitter Sweet” to find out! This WPMT premiere is available on our Facebook and YouTube channels, as well as Apple Podcasts, Spotify and any major podcast platform. Starring (from the 1940 film) Jeanette MacDonald with Gordon MacRae, Jerome Cowan and Barbara Eiler, the broadcast features hit songs “The Call of Life,” “If You Could Only Come with Me,” “I'll See You Again” and more!Edited by Remington CleveNew episodes every Tuesday at 1pm CT!

You're listening to the Westerly Sun's podcast, where we talk about the best local events, new job postings, obituaries, and more. First, a bit of Rhode Island trivia. Today's trivia is brought to you by Perennial. Perennial's new plant-based drink “Daily Gut & Brain” is a blend of easily digestible nutrients crafted for gut and brain health. A convenient mini-meal, Daily Gut & Brain” is available now at the CVS Pharmacy in Wakefield. Now, some trivia. Did you know that famous singer and actor, Nelson Eddy was born in Rhode Island? He was an American singer, baritone and actor who appeared in 19 musical films during the 1930s and 1940s, as well as in opera and on the concert stage, radio, television, and in nightclubs. Classically trained, he is best remembered for the eight films in which he co-starred with soprano, Jeanette MacDonald. He was one of the first "crossover" stars, a superstar appealing both to shrieking bobby soxers and opera purists, and in his heyday, he was the highest paid singer in the world. It's Friday and almost the weekend. Tomorrow, there's a food truck event from 3pm to 5pm at the Lilly Pulitzer boutique at 31 Bay Street in Watch Hill. Stop in and enjoy sample items from Ocean House and Weekapaug Inn's seasonal dining experiences, served from their “Off the Menu” Food Truck parked outside the boutique. Next, We're continuing our series of great weekend hikes in and around Westerly. Find a quiet spot to go for a hike with the Westerly Land Trust. Whether you head to the Avondale Farm Preserve, Barlow Nature Preserve, or other great places to take a walk, you can find maps and directions at westerlylandtrust.org. Lastly, it's a new year and we've seen just how important journalism is over the past few years. Remember that reporting the local news is an important part of what it means to live here. Head over to Westerlysun.com and help us tell the stories of our community each and every day. Digital access starts at just 50 cents a day and makes all the difference in the world. Are you interested in a new opportunity? Look no further, we're here again with another new job listing. Today's posting comes from Mohegan Sun. They're opening up again and looking for event security guards, event marketing representatives, ushers, and ticket takers.  If you're interested, you can read more and apply by using the link in our episode description. https://www.indeed.com/l-Westerly,-RI-jobs.html?vjk=26d99a5d35f1087c Today we're remembering the life of David J. Riley III of Niles Street, beloved husband of Faith Riley. David was born in Westerly in 1953, and was a 1972 graduate of Westerly High School. He later worked at  and retired from Foxwoods Casino. David will be deeply missed by his son, daughter, his sisters), his nephews and their sons and their children as well as his extended family.  Thank you for taking a moment with us today to remember and celebrate David's life. That's it for today, we'll be back next time with more! Also, remember to check out our sponsor Perennial, Daily Gut & Brain, available at the CVS on Main St. in Wakefield! See omnystudio.com/listener for privacy information.

Meet “The Merry Widow” today on WPMT! Starring, from the 1934 film, the legendary soprano Jeanette MacDonald with Gordon MacRae, Alan Reed, Viola Vaughn and Parley Baer featuring the hit songs “Maxim's (Girls, Girls, Girls),” “Vilja,” “Women” and more! Visit the Kingdom of Marshovia today on Porchlight's YouTube, Facebook, Apple Podcasts, Spotify and all major podcast platforms!Edited by Remington CleveNew episodes every Tuesday at 1pm CT!

March 19, 1944 - Dennis Dreams he has his own show. Barbara Stanwyck is the guest star. References include the Merry Mac's hit song "Mairzy Doats", Queen Elizabeth, Winston Churchill, Henry Morgenthau, Paul Lukas, Dorothy Lamour, Nelson Eddie and Jeanette MacDonald, Gypsy Rose Lee and more.

We're enraptured by a musical neither of has seen before, 1932's Love Me Tonight, starring Maurice Chevalier as a charming and roguish Parisian tailor, and Jeanette MacDonald as a princess he falls for. Its soundtrack is peppered with Rodgers and Hart classics, and its stunning audiovisual design is endlessly experimental, expressive and exciting. In amongst our swooning over the film's many pleasures, we find time to discuss the careers of Chevalier and director Rouben Mamoulian, discuss what makes it a uniquely American form of fairytale, and examine the fascinating censorship and production records made available on Kino Lorber's special edition Blu-Ray. Recorded on 23rd October 2020.

A musical comedy that Kyle enjoyed!? Could it be!? Maurice Chevalier and Jeanette MacDonald shine in this week's film. Enjoy the sexual innuendos, gender role swapping, and breakdancing(?) magic of The Love Parade, directed by Ernst Lubitsch! Up Next: Disraeli (1929) directed by Alfred E. Green You can find more info on the show as well as the full film list and watch order on our website: www.outaopodcast.com Or use our Letterboxd list! Support for Once Upon a Time at the Oscars is provided by our Patreon backers. For as little as $2 a month you can help support our show as well as receive fun benefits, including the chance to vote for what film you think deserves to win Best Picture every year! Subscribe to the show – Apple, Google, Spotify, Feed (Copy the url into the podcast app of your choice) If you like the show, please consider leaving a rating or review on iTunes or your podcast player of choice! Help us reach more listeners! You can stay up to date with the show by following us at: facebook.com/outaopodcast twitter.com/outaopodcast instagram.com/onceuponatimeattheoscars Once Upon a Time at the Oscars is the weekly podcast where we take on the gauntlet of watching every single film that was nominated for Best Picture at the Academy Awards! Starting with the films of 1927, Kyle and Marilee break down these movies every week. Each episode is part review, part trivia, and part critique. This podcast is intended for anybody that loves movies. We have zero background in the film industry, we’re just a film-loving couple that thought it’d be fun to go on this odyssey together, with all of you! Let us know what you thought of the film! You can send your thoughts and we’ll read them on an upcoming ceremony episode: outaopodcast@gmail.com Thanks for tuning in! See you at the movies, Kyle and Marilee

On this episode, Meredith and Amelia discuss early Classic Hollywood fan fiction, the saucy relationship between Jeanette MacDonald and Nelson Eddy, Classic Hollywood Tumblr accounts, and perform a live reading of a Douglas Fairbanks/Mary Pickford fan fiction! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In this week’s show……Kool-Aid addicts are breaking quarantine!…Ed Sheehan joins a singing bull quartet!…music from Harry James, Helen Forrest, and almost Jeanette MacDonald!…another celebrity waits to be identified in Who The Hell Is That Hollywood Legend?…reviews of two mystery movies that are definitely worth your sleuthing time!…and a radio murder mystery to solve with a very surreal climax…To become a patron of the shows and gain access to hundreds of hours of bonus shows CLICK HERE

This time on The Studios Year by Year it's a rather unfair pairing of Lubitsch's (or Cukor's?) ONE HOUR WITH YOU with Mamoulian's LOVE ME TONIGHT. They have less in common than you'd think for both being operettas starring Maurice Chevalier and Jeanette MacDonald made by Paramount in 1932. Looking for something to lift your mood while you're waiting for quarantine to lift? We confirm with this viewing that LOVE ME TONIGHT is one of the most delightful and inventive movies of the 30s (or any decade). Mamoulian once again proves himself a cinematic pioneer... that no one has caught up with yet. And in our Fear and Staying Home in Toronto segment, we compare the Borzage and Selznick A Farewell to Armses.   Time Codes: 0h 01m 00s:          One Hour With You (dirs: Ernst Lubitsch & George Cukor) 0h 26m 15s:          Love Me Tonight (dir: Rouben Mamoulian) 1h 07m 56s           Fear & Staying Home in Toronto                                                 +++ * Check out our Complete Upcoming Episode Schedule * Find Elise’s latest published film piece “Making America Strange Again: Gangs of New York” in issue #80 Bright Wall/Dark Room* *And Read Elise’s Writing at Bright Wall/Dark Room, Cléo, and Bright Lights.* Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com Theme Music: “What’s Yr Take on Cassavetes?” – Le Tigre

6 October 2019 27th Sunday in Ordinary Time Luke 17:5-10 + Homily 16 Minutes 28 Seconds Link to the Readings: http://www.usccb.org/bible/readings/100619.cfm (New American Bible, Revised Edition) From the parish bulletin:   At the start of October, life in Manhattan recovers from those late September weeks when the opening of the United Nations General Assembly ties up traffic, even blocking many streets, and takes over many hotels and clubs for expensive receptions—some of the costliest, it seems, being those of some of the poorest countries. With so many heads of state in town, battalions of Secret Service agents and bodyguards eye everyone with suspicion.    This year there was one bright spot, although largely ignored by much of the media. Representing the United States, our President gave what was perhaps the most forceful address that any of our Chief Executives have spoken there. Denouncing the United Nations’ scheme to promote abortion, first drafted in 1994 at the International Conference on Population and Development in Cairo, the President said that “Americans will also never tire of defending innocent life. We are aware that many United Nations projects have attempted to assert a global right to taxpayer-funded abortion on demand, right up until the moment of delivery. Global bureaucrats have absolutely no business attacking the sovereignty of nations that wish to protect innocent life.”    Such boldness must have shocked many diplomats present, like those in the 1942 film “I Married an Angel” who were aghast when Jeanette MacDonald, as a blessed angel, tells them the truth, upsetting their cocktail party. Our nation has never had an angel for president, and its Constitution in fact prevents that. But Abraham Lincoln invoked “the better angels of our nature” and confounded those who had dismissed him as an untutored vulgarian with ambiguous views on abolition. The first Christians in Jerusalem were suspicious of Paul’s conversion, and theologians like Tertullian and Justin, some years before Constantine, thought it impossible that any emperor would ever defend Christianity.    Ironically, there are highly placed prelates who have shied away from mentioning these matters in secular forums, hoping that subtlety might be more persuasive. Such naiveté, as in the instance of the Holy See’s diplomats cajoling Communist China by compromise, accomplishes little. In his United Nations speech, the President said: “The world fully expects that the Chinese government will honor its binding treaty, made with the British and registered with the United Nations, in which China commits to protect Hong Kong’s freedom, legal system, and democratic ways of life.” The Holy See has not commented on the popular demonstrations in Hong Kong, which may explain why the youths there struggling for freedom, and inspired by the heroic Cardinal Zen, are waving the Stars and Stripes and not the Vatican flag.     “For he that shall be ashamed of me, and of my words, in this adulterous and sinful generation: the Son of man also will be ashamed of him, when he shall come in the glory of his Father with the holy angels” (Mark 8:38; Luke 9:26).

Metro-Goldwyn-Mayer (MGM) released San Francisco to theaters on June 26, 1936. W.S. Van Dyke directed the film which starred Clark Gable, Jeanette MacDonald, and Spencer Tracy. The post San Francisco (1936) appeared first on Movie House Memories.

In this episode we dance our way through Rouben Mamoulian's innovative early musical, Love Me Tonight (1932), starring Maurice Chevalier, Jeanette MacDonald, and Myrna Loy.  Tune-in to hear why this musical was so ahead of it's time, and represented a capstone to Paramount Studio's classical musical cycle. Timestamps: Opening Credits: 1:47 Feature Presentation: 4:19 Buzz from the Backlot: 21:22 End Credits: 25:43

San Francisco starring Jeanette MacDonald, Spencer Tracey, and Clark Gable, is nearly two and a half hours of muddled confusion. Is it an historical dramedy? A musical disaster film? Or just an historical disaster?

Primary lessons learned from Naughty Marietta: don’t wiggle raw, unrefrigerated shrimp in a woman’s face as a way of flirting. This very loosely adapted version of a wildly confusing operetta stars Jeanette MacDonald as a French… Princess? who runs away to New Orleans to escape marrying some Spanish duke, and ends up falling for a rakish captain played by Nelson Eddy. Musical numbers ensue, including a completely bonkers puppet show.

Broadcast originally aired Monday, September 17 at 9:30am on www.WRCR.comThe program focused on the forgotten painter, inventor, couturier, textile designer and ceramist Edith Varian Cockcroft (1881-1962). Eve M. Kahn (Art Historian and New York Times contributor) appeared on the broadcast to tell us about what she has uncovered, including interviews with Cockcroft and reminiscences from people who knew her.Cockcroft, a Brooklyn native, studied art with William Merritt Chase and traveled widely in Europe before World War I. Critics lauded her atmospheric views of French and British coastal villages and portraits of nudes against vibrant fabric backdrops. Le Figaro observed that she succeeded at depicting peasant life with "ardor or roughness," and the New York Times praised the "character and vigor" of her work. (And many reviewers mistook her for a man, since she invariably left her first name off her signatures on canvas.) She exhibited at venues such as the Paris Salon, the National Academy of Design, the Pennsylvania Academy of the Fine Arts, and the Art Institute of Chicago. Collectors as elite as Moscow's Ivan Morosov acquired her work.In the 1920s, Cockcroft ran a Manhattan couture studio and patented methods for printing silk, in patterns partly based on Javanese batiks. Her blouse-making kits were marketed nationwide as a "silk sensation," and her clothes were worn by the performers Irene Castle and Jeanette MacDonald. In the 1930s, she moved to Sloatsburg, where she kept painting--from Europe to Haiti--and designing textiles while also producing dinnerware sets in metallic glazes.Kahn gave a lecture during a small exhibition of Edith’s artworks at Harmony Hall on October 14, 2018.Crossroads of Rockland History, a program of the Historical Society of Rockland County, airs on the third Monday of each month at 9:30 am,right after the Steve and Jeff morning show, on WRCR radio at www.WRCR.com. Join host Clare Sheridan as we explore, celebrate, and learn about our local history, with different topics and guest speakers every month.www.RocklandHistory.org

Sulphur Storms This past week has marked the start of pollen season in the mountain west. The white spruce, in particular, released vast amounts of yellowish-green pollen, coating every car, patio set, pond, and puddle. The railings alongside trails and even the surfaces of leaves have been covered in this fine powder. On my car, places I previously touched were dusted in a manner similar to fingerprint dust, leaving a yellowish outline of my fingerprint. Spruce are part of the Pine Family of trees, and all the members of this group reproduce in a similar fashion. Rather than using insects to pollinate the female flowers, they have evolved to use the wind. When a plant relies on something as random as a mountain breeze, it better produce a lot of pollen, and this past week we saw massive sulphur storms with clouds of yellowish pollen streaming from the trees and, in some cases, entire forests were blurred in a yellowish fog as the pollen spread its way across the landscape. Members of the pine family in the central Rockies include the white and Engelmann spruce, lodgepole, limber, and whitebark pines, Douglas-fir, subalpine fir, and the alpine larch. Every tree contains both the male and female cones with each taking a different role in the reproductive process. Male cones form on the lower branches while the female cones grow higher up. The male pollen cones grow at the base of the current year's new shoots in early spring, which in this part of the mountains is usually around the latter part of May. Different species produce different numbers of male cones, with a range between 15 and 140. Once the pollen has been dispersed by the wind, the male cones fall off the tree. Each male cone is a smooth, oval structure that contains dozens of spore-producing bodies called microsporophylls. When the cone is ripe, it releases tremendous numbers of tiny pollen spores. Each of these spores sport two tiny wings called sacci that help it stay airborne. When the sky turns yellow with this pollen, it's often referred to as a sulphur shower. Conversely, female cones grow very slowly and usually take several years to mature. This leaves cones in differing stages of maturation on the same branch with newer cones forming towards the tips. A first-year cone is soft and small, usually just a centimetre or two in size. Its main job is to collect the pollen and fertilize the cone. Second-year cones are much larger in size, more woody, but still green in colour. By the third year, the cones are hard and have turned brown and now contain fully-formed seeds ready for germination. Female cones are also much larger than their short-lived male counterparts. The cones form in either pairs or clusters along the branch and they vary dramatically in size. Lodgepole pine cones are only around 5 cm long, while the cones of limber pine can exceed 20 cm in length. Each cone is made up of alternating bracts and ovule-bearing scales. These scales accept the pollen and transform into winged seeds as the cone matures. Wind pollination is an ancient strategy and was utilized by the earliest of plants. It was the go-to strategy used by plants some 125 million years before flowering plants began to conscript insects to transport their pollen to other flowers. Even this was still 50 million years before the Cretaceous, the age of the dinosaurs, arrived. Almost all land-based non-flowering plants employ wind as their primary method of passing pollen from male cones to the ovaries hidden with the ovules of female cones. The randomness of wind as a transport mechanism means that if a grain of pollen lands on just the right spot, the female ovule needs to have some way to catch it before it blows away, They do this with a pollen droplet. This is a sugar-rich droplet exuded from the top of the ovule with the sole purpose of giving pollen grains a sticky surface to land on. For the pollen to maximize its airborne flight, it has to be extremely light. To do this, it's heavily dehydrated before it's released. When it lands, it needs water and nutrition in the form of sugars and proteins to help it develop further in preparation for pollination. The droplet offers just what a dehydrated pollen grain needs. There is some evidence that prior to the development of flowering plants that some insects adapted to seeking out these sugary pollen droplets. It may have been this attraction that prompted further diversification in plants to develop nectar-producing flowers. Some of the more ancient plant families, like the pines, continued to rely on wind for their pollination despite the success of insect-pollinated flowers. As you marvel at the amazing clouds of pollen released this year, while at the same time cursing the fact that every outdoor surface is covered with it, know that it is part of an age-old strategy that maintains the world's most ancient trees. Mismatching Colours Whenever any bright-eyed university student begins to study ecology, they're quickly introduced to the pepper moths of Manchester, England. These common moths can be found in two different forms, a lighter more salt and pepper-coloured variety as well as a sooty, almost black variety. Prior to the industrial revolution, the darker variety was unknown. It was only first described until 1811. A dark moth on a light tree meant that it was far more likely to be spotted by hungry birds and so they are estimated to have represented only 0.01% of the population. These light moths almost exclusively occupied their range in 1760 when England's industrial revolution first began to darken the skies with the soot from endless coal fires. Increasingly, in industrial towns like Manchester, surfaces of buildings and trees began to reflect this sooty character and gradually darkened in colour. By 1811 when the first dark variety of pepper moth was discovered, Manchester was beginning to look pretty dismal and dark with coal dust staining many of the trees. Coincidentally, pepper moths used those same trees to hide from predators. For centuries, the light-coloured pepper moths could perch on the bark of trees and effectively disappear into the patterns of the tree's bark. As these same trees became increasingly darkened by coal dust, the moths began to lose their camouflage. Prey that can't hide, attracts predators and the light-coloured moths increasingly became the meals of hungry birds. That was when something very interesting happened. A dark, sooty variety first made its appearance. Its dark appearance gave it a distinct advantage over the lighter variety, and by the end of the 1800s, industrial towns like Manchester and London were dominated by these dark varieties. By 1895 the dark variety had risen from 0.01% of the population in 1760 to 98%, eclipsing the more vulnerable light pepper moth variety. Why am I wandering down this ecological memory lane? Because the same situation is happening around us right now, not due to soot pollution, but rather human-caused changes to the climate. The mountain west is home to a large number of animals that take advantage of the seasonal changes by turning white to help them vanish into winter landscapes. These seasonal colour changes occur in a number of animals and birds including the willow and white-tailed ptarmigan; least, long-tailed and short-tailed weasel; and the snowshoe hare. These adaptations to the annual cycle of winter snows and summer foliage have evolved to maximize their camouflage throughout the year. Predator and prey alike have evolved similar strategies to help them to stay hidden. While weasels are voracious predators, they're also on the menus of other, larger predators. The same pressures that forced snowshoe hares and ptarmigan to change colours, also affect them. Changing your colour to take advantage of seasonal camouflage only works when the camouflage matches the season. Since historic weather trends varied only slightly from one year to the next, the timing of colour change for most of these diverse species was largely tied to the length of daylight in spring and fall. While in the past it may mean that a snowshoe hare, ptarmigan, or weasel might have a short period of mismatched colour, the majority of their season was ideally suited to the prevailing background colours. Brown weasels and hares, along with mottled ptarmigan, simply disappear in the summer landscapes of the Rockies while white animals offer similar protection in snow-covered landscapes. Many times I've been scared to death while cross-country skiing when a  covey of ptarmigan, also called an "invisibleness" of ptarmigan, suddenly flush at your feet. These tiny grouse-like birds allow themselves to be completely buried by snow for warmth, only flushing when you're almost on top of them. A quiet cross-country ski is suddenly interrupted by an explosion of feathers. Changing climates is wreaking havoc on many of these animals. A white ptarmigan against a snowless alpine meadow is just as dangerous as brown snowshoe hare against a snowy forest. If your colouration is in stark contrast to your environment, you are also far more visible to potential predators. Climate change is causing many challenges to plants, animals, and birds in the north country. Warming climates can cause mismatches in reproduction schedules, emergence from winter hibernation, migration, and even connection to key food sources. If a bird's migration is timed to allow it to nest just as certain insects emerge in the spring - and then those insects emerge several weeks earlier - than the bird's reproductive success is put at jeopardy. So many of nature's key events are timed to historically predictable connected events. Animals give birth when the maximum amount of food should be available. Birds migrate at the right time to take advantage of seasonal foods in their winter and summer ranges. Animals emerge from hibernation when new foods should be available to help them regain strength after a long winter sleep. Just like the colour change schedule of animals, if the schedule changes then how flexible are the animals in their response to this change? So many annual cycles are hard-wired into plants and animals that their ability to respond to rapid changes can be very limited. Back in episode 42, I talked about a discovery in Alaska where bears were choosing elderberries over salmon for the first time. Historically the berries ripened after the salmon run and offered grizzlies a nutritious food after a long period of feeding on salmon. With warming climates, the berries are now ripening at the same time the salmon are running. The bears have to choose one food and they picked the berries. This means they no longer have the same feeding period over the summer months. No longer do they have a long period of feeding on salmon, followed by time to munch down on elderberries. The foods are now out of sync with the bears historical feeding schedule. When all of these evolutionary behaviours emerged, climates were, more or less, relatively stable. Days with snow varied year after year within a reasonable margin of error. When the climate changes so fast that winter arrives later and later, and spring arrives earlier than unless the animals can respond quick enough they'll find themselves with a contrasting coat that makes them far more visible to their predators. Like the moths in 19th century England, they can't count on their colouration to help hide them from hungry hunters. These colour mismatches have prompted numerous studies to look at how individual species are able to respond to these rapid changes. A 2012 study looking at snowshoe hares looked at their response to fewer snow-covered days each year. It found that since the colour change of hares is most likely connected to the length of day, their vulnerability to shorter winters would be a factor of their flexibility to alter the timing of their autumn and spring moults where they grow a coat of a different colour. Any hare that is white when the landscape is not, has a target on their back. Conversely, a brown hare is in danger against a snowy backdrop. Populations of snowshoe hares, more so than most animals are absolutely tied to their level of predation. Lynx evolved to eat snowshoe hares almost exclusively while many other animals will also take a hare whenever possible. The simple fact that they were born delicious means they're on the menu of any carnivore lucky enough to see past their camouflage. In the mountain west, the population of hares rises and falls in concert with predation from lynx. As the hare population rises, lynx produce more kittens which means they need more hares. As lynx increase their predation on hares, the hare population drops. Fewer hares result in a subsequent drop in lynx numbers. These two animals are connected like few others. For an animal that lives and dies by its ability to hide, having the right match between colour and landscape provides huge advantages to appropriately coloured individuals. This means that, as climate changes, those hares who's pelts allow them to best hide will have the optimum opportunity to survive and, subsequently, pass those adaptations on to their young. This study looked at the hare's ability to vary its colour phase based on changing climate realities. If individual hares are able to adjust to rapidly changing seasonal realities than those changes would be quickly passed on through the population. This study found that the fall moult which turned their coat to white had little flexibility in terms of timing. This meant it was likely hard-wired to its connection to the length of daylight. The spring moult though showed some signs of adaptation with a slight ability to slow or increase colour change based on local conditions. Ptarmigan are in a particularly dangerous situation in the mountain west. Not only are climates warming, but these birds are specialized to live at the very highest elevations. As climates continue to warm, conditions will likely see them forced up higher and higher up the mountain until they literally run out of habitat. Ptarmigan are also experiencing a similar mismatch between seasonal colour. While physiology can take too long to adapt to rapid changes in their environment, out of season white ptarmigan are known to work to soil their feathers after breeding to try to minimize their contrast to the background landscape. Many weasels are experiencing similar challenges. Recent studies of the smallest predator in the country, the least weasel, have found that it's also finding itself moving from predator to prey due to its unexpected visibility caused by lack of snow. Almost all predators are also prey to larger animals and for this diminutive weasel, being visible means potentially being someone's dinner. In a Polish study looking two varieties of least weasel, one that changes colour during the winter and one that doesn’t, it shows that climate change, like the moths of England, is showing rapid changes to populations. In many colour changing animals, there are usually individuals who don't change colour. In northern climates, this usually means that the brown weasels have a lower chance of survival during snowy months. For many weasels, predation from largely, birds of prey,  can be the highest cause of mortality in a particular year. Like the moth study in England, this study found that camouflage was the most important factor determining predator detection in weasels. As climate changes and winter snows dwindle, weasels may find that white winter weasels are more heavily predated than weasels that don't change colour. Southern brown populations will likely shift north as white weasels find themselves falling to the talons of hawks.  Changing climates are changing everything. The news stories often talk about what WILL happen with changing climates but the changes are happening right before our eyes. Last fall I watched a red fox kill an arctic fox near Churchill Manitoba while working as a polar bear viewing guide. The red fox has migrated north and arctic fox are very vulnerable to invasive predators. Alpine animals like ptarmigan and pikas are being forced higher and higher up the mountains until they simply run out of mountain. This makes them some of our most vulnerable animals. The role of seasonal colour change will evolve over the next 50-100 years. Animals that are out of phase with the season will find themselves increasingly on the menu. Behavioural adaptations, like the ptarmigan soiling its white plumage, may help, but we may also see populations migrating, changing, and disappearing depending on each animals ability to react to unprecedented rates of change. For now, marvel at every sighting of ptarmigan, hare, and weasel. They're dealing with intense climate challenges and only time will tell how they succeed to changes, not of their making. Next up…Hollywood North Hollywood North The mountain west has long been the backdrop behind many successful movies. I get a kick out of the fact that the first silent movie filmed in the Rockies was called Cameron of the Royal Mounted, and Cameron is my last name. In this early film, a Scottish immigrant becomes a member of the Mounties only to be accused of forgery. To clear his name, he had to capture a gang of train robbers and stop a band of rogue natives. Yup, this is about as unlikely a story as you could imagine in Canada. However Hollywood fell in love with the landscape - not to mention the exchange rate on the dollar - and Hollywood has been returning every year since. Movies like Son of Lassie filmed in 1944 and Emperor Waltz in 1948. 1953 was a big year. That year Jimmy Stuart filmed the Far Country, Shelly Winters and Alan Ladd filed a movie called Saskatchewan…in Alberta, Howard Keel and Ann Blyth did a remake of the classic film Rose Marie, and Marilyn Monroe almost died on the Bow Falls in the town of Banff during the filming of The River of No Return. If you watch the movie, the characters portrayed by Marilyn Monroe and Robert Mitchem are fleeing from a group of renegade natives by taking a raft down the Bow River. While the movie is ostensibly set in the middle of nowhere Montana or Wyoming, it was filmed in and around the communities of Banff and Jasper. One of the pivotal scenes in the movie has them rafting over the Bow Falls while a hail of arrows falls around them from the cliffs above. Since movie effects weren't as advanced as they are today, it's pretty obvious that it's two mannequins on the raft but the effect is still a good one. Even though Marilyn was not actually on the raft, the crew had to do some close-ups of her near the actual falls so they could see the look of terror in her eyes. Unfortunately, while she was posing, she fell and almost did go over the falls. In the end, she was lucky to limp away with just a broken ankle. After this point, the bell staff at the Banff Springs Hotel got to draw lots to see who would get to push Marilyn around in her wheelchair. A quick google search will turn up numerous photos of Marilyn relaxing around the hotel and golf course with her crutches during filming. In one of the other classic films of 1953, Howard Keel and Ann Blyth did a remake of the classic Nelson Eddy and Jeanette MacDonald film Rose Marie. One of the biggest tourism myths in the Rockies is that the 1936 film with Eddy and MacDonald was also filmed in this area. At the Maligne Lake Chalet, they even have a canoe nailed to the ceiling with a carved wooden sign claiming to be the original canoe from the movie. Unfortunately, it’s a complete falsehood. Nelson Eddy and Jeanette MacDonald never filmed in Canada. Their scenes were filmed in the Lake Tahoe area of Nevada. There were some scenes of Mounties training that were filmed in Canada but none of the major scenes was filmed here. Today, few movies come to Banff and Jasper to film. Scenes like Bow Falls are photographed several million times each year making many of the panoramas simply too recognizable to sell the illusion that they are in Montana or Alaska. They did continue to use the mountain parks in movies into the 1960's, including 1965's Doctor Zhivago. In that movie, one of the classic scenes takes place on the train to Yuriatin, ostensibly in Siberia, but it's actually filmed in the Spiral Tunnels in Yoho National Park. When the train emerges, a keen observer will recognize the distinctive peak of Cathedral Mountain rising above the valley. According to the IMDB movie database, this scene used stock footage and none of the actual production was done in Canada. The Wikipedia page does suggest the train scene was actually filmed here with the cast members. Another long-held myth was that the train station at Lake Louise was used in the movie. That's completely false, Almost all of the filming took place in Spain and Finland over a 10-month period. Regardless of whether the actors were actually here, the Spiral Tunnels will live on in one of the most classic films of the 20th century.  The film earned 111.7 million dollars in Canada and the U.S. and when adjusted for inflation, ranks it right up there with many of today's big screen blockbusters. After Doctor Zhivago, the area around the Stoney Reserve near Morley began to be the focus of film crews. The mountain panorama that includes Mount Yamnuska is a constant presence in some classic films. Films that represent this area include my favourite Dustin Hoffman film, 1970's Little Big Man, and 1975's Buffalo Bill and the Indians starring Paul Newman and Burt Lancaster. Before long, movies began to discover the wider Kananaskis Country landscape and it's now become one of the most filmed mountain locations in Canada. Films that kicked off the filming in this area include the 1980 film Death Hunt with Lee Marvin and Charles Bronson, and 1988's Dead Bang with Don Johnson and Penelope Ann Miller. Others include 1993's The Last of the Dogmen with Tom Berenger, which also included footage of Takakkaw Falls in Yoho National Park and the classic film Legends of the Fall with Anthony Hopkins and Brad Pitt. This movie had locations in Calgary, Morley, and Vancouver. More recent films have included 2010's Inception with Leonardo DiCaprio as well as another DiCaprio film, 2015's The Revenent. The movies and TV series keep coming back to this amazing landscape. Popular TV shows like Hell on Wheels and Fargo were also filmed in and around Calgary. If you visit the mountain west this year, be sure to study the vistas around you. You may see them in your favourite movies. And with that, it's time to wrap this episode up. Don't forget to check the show notes at www.MountainNaturePodcast.com/ep061. As usual, if you'd like to reach out to me directly, you can comment on the show notes or hit me up on Twitter @wardcameron. And with that said, the sun's out and it's time to go hiking.

Before musicals ruled Hollywood, an unknown filmmaker named Rouben Mamoulian was making movies like City Streets (1931) and Dr. Jekyll and Mr. Hyde (1931), both of which were successful exercises in inventive new types of camerawork and storytelling.  With Love Me Tonight (1932), Mamoulian tried his hand at a musical romantic comedy, and proved surprisingly successful. Starring Maurice Chevalier and Jeanette MacDonald, Love Me Tonight is a twisted little musical romantic comedy which, while predictable, bends the envelope when you least expect it.  It's practically forgotten now, but the talent behind it can still be appreciated 85 years later. Have a question or a comment for the host?  Email Sean at 1001moviespodcast@gmail.com, follow him on Twitter via @1001MoviesPC, or look for the podcast's Facebook page.

The girls discuss their personal heroes and this month's birthday queens, Judy Garland and Jeanette MacDonald! 

The Lux Radio Theatre. June 12, 1944. CBS net. "Naughty Marietta". Sponsored by: Lux.  Nelson Eddy, Jeanette MacDonald, Cecil B. DeMille, Howard McNear, Jack Mather (doubles), Jay Novello (doubles), Verna Felton, Virginia Gregg (doubles), Charles Seel (doubles), Joseph Du Val (doubles), Ferdinand Munier, Norman Field, Cliff Clark, Betty Moran, Ann Tobin (doubles), Janet Scott, Dellie Ellis, Regina Wallace (doubles), Enrico Ricardi (choral master), Betty Stevens (chorus soloist), Clarence Badger (chorus), Henry Iblings (chorus), Earl Hunmaker (chorus), Louis Yaekel (chorus), George Gramlich (chorus), Tom Clarke (chorus), Dudley Kunnell (chorus), John Knobler (chorus), Devona Doxie (chorus), Georgia Stark (chorus), John Lee Mahin (screenwriter), Frances Goodrich (screenwriter), Albert Hackett (screenwriter), Victor Herbert (composer), Rida Johnson Young (book, lyrics), Janet Russell (commercial spokesman), Helen Andrews (commercial spokesman), Duane Thompson (commercial spokesman), Doris Singleton (commercial spokesman), John McIntire (commercial spokesman), Fred MacKaye (director), Sanford Barnett (adaptor), Charlie Forsyth (sound effects), John Milton Kennedy (announcer), Louis Silvers (music director).oldtimeradiodvd.com

6/29/36  Irene w/Jeanette MacDonald, Regis Toomeyaudiblepodcast.com/rnn 1 Free Audiobook  oldtimeradionetwork.com   oldtimeradiodvd.com Great Deals on DVDs

Family Theatre. November 17, 1948. Mutual net. "Mr. Carousel". Sustaining. A piano tuner loses his job at Carnegie Hall after bragging to his nine year old friend Mary Ann. Jeanette MacDonald (hostess), Jimmy Durante, Alan Reed, Tony La Frano (announcer), Max Terr (music), Norma Jean Nilsson, Carlton KaDell, John Slot (writer), Emil Frank (writer), Fred Howard, Edward Colmans, David Young (director). © The Family Rosary, Inc, d/b/a Family Theater Productions All Rights Reserved. This show is posted with the expressed written consent of the owner and exclusively granted to Boxcars711 Old Time Radio. To learn more about Family Theater Productions or to view a list of local radio stations that air our programs or to purchase episodes, follow this link: http://www.familytheater.org/radio-classic.htmlClick Here to Listen Today's Old Time Radio Station NOW ON AIR!!SUPPORT US BY SUPPORTING OUR SPONSORS HempUSA Store       

Hedda Hopper's Hollywood. December 5, 1940. CBS net. Sponsored by: Sunkist (California Blossom Serving Spoon premium). The program originates from New York. Gossip about Wild Bill Donovan, Lily Pons, Jeanette MacDonald, Inez Robb, Greta Garbo, Daryl Zanuck, Charlie Chaplin, Lillian Gish, Madeleine Carroll, Arthur Treacher, Major Edward Bowes, Charles Laughton, Gary Cooper. Part #2 of "The Life Story Of Dorothy Lamour." Dorothy is portrayed by Jeanette Nolan, which is pronounced by Hedda as "Jeanette Logan." Hedda Hopper, John King (announcer), Jeanette Nolan.

Hedda Hopper's Hollywood. December 3, 1940. CBS net. Sponsored by: Sunkist. The program originates from New York. Part #1 of "The Life Story Of Dorothy Lamour" (who is portrayed by Jeanette Nolan and does not appear on this broadcast). Gossip about Jeanette MacDonald, Brian Ahern, Charlie Chaplin, Miriam Hopkins, Ina Claire. Hedda Hopper, John King (announcer), Jeanette Nolan.