Podcasts about overgrown path

First in Deerhoof and then on his own over four consistently brilliant solo LPs (including the brand-new Hardly Art release Paint A Room), Chris Cohen's been gifting us with projects over the last 25 years that've run the gamut stylistically. Massive success inevitably beckons, and that's the objective truth. Here's just a few of the things Chris and I discuss in this podcast: How he wound up joining Deerhoof and became a crucial architect of their sound during the Apple O'/Milk Man era; A rundown of the tumultuous interpersonal drama that went down during his time in the band; And in-depth discussions of Chris's first two solo albums, Overgrown Path and As If Apart! I support a wife and a five-year-old son with Discograffiti as my sole source of income.  If you love the episode, please Venmo me a tip @David-Gebroe, or see below for other ways to support the show! And yes, even a dollar will be massively helpful. Thank you. Listen: https://podfollow.com/1592182331  If you're a Chris Cohen superfan like me, you'll want the DIRECTOR'S CUT of this episode. It's ad-free and features 27 minutes of essential material—it's literally twice the length of the publicly available version! You can purchase it as a one-off from our Patreon Shop: www.patreon.com/discograffiti/shop/ Or subscribe! Extended edits of all shows are available on either the Lieutenant (longer) or Major (longest) Tiers. Discograffiti's 4-show-a-week release schedule can be yours for the price of a cup of coffee a week.   Order the $11 Digital package of our METAL MACHINE MUZAK double album (feat. Lou Barlow, Cory Hanson, Mark Robinson, & Will Cullen Hart): www.patreon.com/discograffiti/shop/197404 Please help support the show by ordering some choice goods from our merch shop: https://discograffitipod.myspreadshop.com/all CONNECT Join our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153 Patreon: www.Patreon.com/Discograffiti Podfollow: ⁠⁠https://podfollow.com/1592182331⁠⁠ YouTube Channel: https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhw Instagram: https://www.instagram.com/discograffitipod/ Facebook: https://www.facebook.com/Discograffiti/ Twitter: https://twitter.com/Discograffiti To order the Digital version of the METAL MACHINE MUZAK 2xLP (feat. Lou Barlow, Cory Hanson, Mark Robinson, & W. Cullen Hart): www.patreon.com/discograffiti/shop/197404 To Order the METAL MACHINE MUZAK Double Vinyl + Digital package: https://www.patreon.com/discograffiti/shop/169954 Merch Shop: https://discograffitipod.myspreadshop.com/all Venmo Dave A Tip: @David-Gebroe Web site: http://discograffiti.com/ CONTACT DAVE Email: dave@discograffiti.com Facebook: https://www.facebook.com/hooligandave Instagram:  https://www.instagram.com/davidgebroe/ Twitter: https://twitter.com/DaveGebroe #chriscohen #paintaroom #overgrownpath #deerhoof #cryptacize #thecurtains #appleo #runnersfour #hardlyart #discograffiti #soldiersofsound #metalmachinemuzak #kipcohen #capturedtracks #mikesniper #arielpinkshauntedgraffiti #greencosmos #naturaldreamers #weyesblood #frontrowseattoearth #vermont #indierockfarmer #sunever #danielson #danielsonships #cassmccombs  --- Support this podcast: https://podcasters.spotify.com/pod/show/discograffiti/support

LA based musician, multi-instrumentalist and producer Chris Cohen has been involved in the forever changing and challenging music scene for nearly three decades now. Having participated in groups such as Deerhoof, The Curtains, Natural Dreamers, Cryptacize, as well as contributions to Cass McCombs and Weyes Blood albums, Coehn released his accalimed debut back in 2012 entitled "Overgrown Path" and has since gained great attention for his incredible process for songwriting and unique abilities to conjure up certain elements that make him the outstanding the musician he is. With much anticipation since the release of his self-titled album in 2019, Cohen has made an epic return with "Paint A Room" and we couldn't be more excited. Enjoy!

LA based musician, multi-instrumentalist and producer Chris Coehn has been involved in the forever changing and challenging music scene for nearly three decades now. Having participated in groups such as The Curtains, Deerhoof, Natural Dreamers, Cryptacize, as well as contributions to Weyes Blood and Cass McCombs' albums, Cohen released his accalimed debut back in 2012 entitled "Overgrown Path" and has since gained great attention for his incredible process for songwriting and unique abilities to conjure up certain elements that make him the outstanding musician he is. With much anticipation since the release of his self-titled back in 2019, Cohen has made an epic return with "Paint A Room" and we couldn't be more excited. Enjoy!

Brad Smith stopped by to record Episode No. 108 with me, and it was an absolute treat to meet/get to know him.I'm excited for you to get to know him a bit, too, but before you dive in to our lovely conversation, please know that you can catch his band, Eggs on Mars, tomorrow (Friday, March 8th, 2024) at Hillsiders in KCK.That's in Strawberry Hill, specifically at 403 N. 5th Street.And if you can't catch them there, be sure to follow them on Instagram so that you can keep tabs on their goings-on, i.e. their mini regional tour in April, which features gigs in both Oklahoma and Missouri.Anyway, apart from being the Eggs' frontman, Brad's also a baller (see: Pleasant Hill Roosters High School boys basketball record books), and a heckuva nice guy.Brad and I talked family, friends, gigging and recording, live performances, and -- of course -- a few of Brad's favorite records, which were these:Friends (1968), The Beach BoysThe Band's self-titled album (1969)After the Gold Rush (1970), Neil YoungEmitt Rhodes' self-titled album (1970)Overgrown Path (2012), Chris CohenIn addition to the good, ol' IG, Eggs on Mars has a bandcamp page, which I encourage you to visit, so that you can check out awesome releases like last year's Warm Breakfast.So, get your buns on over to Hillsiders tomorrow, check out our chat, and -- as always -- thank you for stopping by.copyright disclaimer: I do not own the rights to the audio snippets contained in this episode. They are clips from a song called, "The Wind," by Babe Rainbow off of their 2021 release, Changing Colors (c/o Babe Rainbow/Eureka Music).

On An Overgrown Path, Leoš Janáček's 15 pieces-spanning piano cycle, is here presented in a reshaped guise, arranged for string orchestra, and interpreted by the Camerata Zürich under lead violinist Igor Karsko's direction. This is the premiere recording of the orchestral adaption. In this program, Janáček's cycle is bookended by Josef Suk's Meditation on the Old Czech Chorale St. Wenceslas and Antonín Dvořák's Notturno – pieces that are thematically connected to the folkloric elements found in Janáček's composition. French writer Maïa Brami wrote poems to accompany the new arrangement of On An Overgrown Path, and their recorded versions, spoken by the writer herself, are included on the album, contextualizing the cycle with inventive analogies to Janáček's life.Purchase the music (without talk) at:On An Overgrown Path (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson).

Summary of Brenda’s January 29, 2021, channeled Creation Energies show at BlogTalkRadio.com/brenda-hoffman:  In 3D, fear is dominated through titles, race, sexuality, money, and power. Money or titles aren’t terrible, but you’ll react differently to money or titles in your new being. The life you create with your new being will bring you joy with little need of the 3D fear, of not being or having enough. You’ll also interact with others, as do small children, from the heart instead of fear of others because of color, sexual preference, money, title, profession, or whatever fear-based parameters you established in 3D. Overgrown Path or Superhighway? is the title of last week’s Brenda’s Blog – her weekly channeled blog for LifeTapestry Creations.com. The overview of Brenda's February 5, 2021, Creation Energies channel: Most, if not all, of your ongoing fears, are based on memories of past events. Those 3D fears, of this life or previous lives, no longer pertain as your cells have regenerated. You're a new being in a new world. So switch your light on, just as in 3D, you switched it off to live in fear.  Brenda’s Creation Energies show and Brenda’s Blog contain different channeled information.

For Episode 10, Los Angeles based songwriter Chris Cohen tells the story of his 2012 solo debut Overgrown Path. The multi-instrumentalist discusses the circumstances that shaped the album’s creation touching on the joys and stresses of DIY recording and the influence that his move to Vermont had on the record’s overall sound.

Originally recorded on March 13, 2007, featuring:1. Melodiya Chamber Ensemble - July 12, 1998Prelude by Sergei Prokofiev Olga Ortenberg-Rakitchenkov, harp2. Melodiya Chamber Ensemble - March 11, 2005Two Slavic Dances by Béla Bartók Olga Ortenberg-Rakitchenkov, harp; Sergey Rakitchenkov, viola3. Melodiya Chamber Ensemble - April 20, 2001Shadows in Light by Dmitry SmirnovOlga Ortenberg-Rakitchenkov, harp; Sergey Rakitchenkov, viola 4. Carol Isaac, piano - November 13, 2006 On an Overgrown Path, book one by Leoš Janáček

Mark 9:9-13

On today's episode I talk to musician Chris Cohen. Originally from Los Angeles, Chris has been playing in bands since the early 2000s. He played with Deerhoof from Apple O' to The Runners Four, as well as in bands like The Curtains and Cryptacize, as well as on a number of Cass McCombs albums. As a solo artist, Chris has recorded three albums, 2012’s Overgrown Path, 2016’s As If Apart and his latest self-titled album, which was just released at the end of March on Captured Tracks.  This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter.

Featured closing music from episode 2.3: Poverty Creek Journal.

Back on the air in our regular format of totally batshit disorganization. We've got baseball, we've got tape noise, we've got plinky indie rock and skronky horns. And it's all tied together with a tattered twine of logic that only a bird could understand. The last bit of this show felt truncated (I was kind of hoping Uncle Matt would come super late). So I might actually repeat a song or two at the top of PROGRAM 28 before going where I meant to go had I kept going. Download | Podcast Bold text indicates relatively new releases (including reissues and comps). Doc & Merle Watson - "Take Me Out To The Ball Game" (from Baseball's Greatest Hits) The Baseball Project - "Satchel Paige Said" (from Vol. 1: Frozen Ropes And Dying Quails) Sister Wynona Carr - "The Ball Game" (from Baseball's Greatest Hits) The Baseball Project - "(Do The) Triple Crown" (from The Broadside Ballads) Sports Talk with the Grouse Noble Watts - "Teen-Scene" (from Cats Got These Cats' Tongues - 26 Rarities From Mr. Fine Wine's Vaults) Dolphins Into the Future - "Verde" (from Canto Arquipélago) Lello Boscoverde - "Agura" (unreleased) Sarin Smoke - "Upsound" (from Vent) Don Preston - "Analog Heaven #7 (1975)" (from Filters, Oscillators & Envelopes 1967-75) Daphne Oram - "Mermaid (Excerpt)" (from The Oram Tapes Volume One) Pauline Oliveros - "Three Pieces I" (from Reverberations: Tape & Electronic Music 1961-1970) The Curtains - "Telegraph Victories" (from Make Us Two Crayons On The Floor) Please join Grouse while he blindly feels his way through the DJ arts. The Blue Men - "Valley Of The Saroos" (from It's Hard To Believe It: The Amazing World Of Joe Meek) The Curtains - "Show Me The Way Things Work" (from Worried Noodles) Chris Cohen - "Optimist High" (from Overgrown Path) Cryptacize - "Cosmic Sing-a-long" (from Dig That Treasure) Maher Shalal Hash Baz - "Black-Eyed Susan" (from Make Us Two Crayons On The Floor) Half-handed Cloud - "In Holy Pursuit / Tuck Us In, Father / Our First Full Day Was Spent In Rest / Running Late For Bed / That You May Be Gracious / There Remains A Rest / I Got A-Rested / Work Isn't What It Seemed To Be" (from We Haven't Just Been Told, We Have Been Loved) Dinosaur Feathers - "Young Bucks" (from Whistle Tips) The Mighty Grouse doesn't realize it's "Blue Men," not Blues Men. The Blue Men - "The Bublight" (from It's Hard To Believe It: The Amazing World Of Joe Meek) Kaoru Abe - "No. 2" (from Winter 1972) Getatchew Mekuria & The Ex & Friends - "Tezeta" (from Y'Anbessaw Tezeta) Joe McPhee & Chris Corsano - "For Muhammad Ali" (from Scraps And Shadows) Kelan Philip Cohran & The Hypnotic Brass Ensemble - "Cuernavaca" (from Kelan Philip Cohran & The Hypnotic Brass Ensemble) Les Ya Toupas Du Zaire - "Je Ne Bois Pas Beaucoup [truncated by the next show]" (from Sofrito: Tropical Discotheque)

The dreaded fifth Thursday of the month, when all ideas run dry! Join the Mighty Grouse for songs long and short, and much much longer. Quiet and loud. Serious and not. Skronk and pop. I'm out of things to say. Back on the air the Thursday after Labor Day! Download | Podcast Bold text indicates relatively new releases (including reissues and comps). Godspeed You Black Emperor! - "Sleep" (from Lift Yr. Skinny Fists Like Antennas to Heaven!) WIM Fanfare - "FM 84" (from WIMproveen) The Mighty Grouse and the Confessions of Ignorance. Stereolab - "Les Yper-Sound" (from Emperor Tomato Ketchup) Sunn O))) - "Bathory Erzsebet" (from Black One) Teething Veils - "You Write on My Face" (Live on Radio CPR) Don Preston - "Analog Heaven #4 (1975)" (from Filters, Oscillators and Envelopes 1967-75) The Mighty Grouse and the Shameless Promotions Teenage Fanclub - "Is This Music?" (from Bandwagonesque) John Cage - "Water Walk" (from I've Got a Secret / YouTube) John Cage - "4'33" (from YouTube) Oneida - "Sheets of Easter" (from Each One Teach One) The Curtains - "Go Lucky" (from Calamity) Deerhoof - "You Can't See" (from The Runners Four) Chris Cohen - "Don't Look Today" (from Overgrown Path) Grouse says goodnight. But spends 20 minutes plugging the show websites first. Ike Bennet & The Crystalites - "Illya Kuryakin" (from Trojan Rocksteady Box Set) Duke of Iron - "Take Me" (from RCA Victor DJ-89) Duke of Iron - "Prisoner Arise" (from RCA Victor DJ-89) Lou Monte - "Calypso Italiano" (from RCA Victor DJ-89) Lou Monte - "Someone Else is Taking You Home" (from RCA Victor DJ-89)

The City of New Orleans is at risk of washing away for the second time in ten years, so EASGS presents a set of New Orleans music as tribute in this podcast, curated by the Lady Katie (though this show was actually recorded when the only Isaac on our minds was of the Hayes variety). And it's sandwiched by our ABSOLUTELY FINAL installment in a tired and boring theme. Download | Podcast Bold text indicates relatively new releases (including reissues and comps). Gilberto Gil - "Aquele Abraço" (from Gilberto Gil) The Mighty Grouse's guest is currently out of the room: self-awareness at an all time low. The Mar-Keys - "Sack-O-Woe" (from The Complete Stax/Volt Singles: 1959-1968) Dukes of Stratosphear - "Vanishing Girl" (from Psonic Psunspot) Aphrodite's Child - "Loud Loud Loud" (from 666: The Apocalypse of John, 13/18) Hawkwind - "Sonic Attack / Time We Left This World Today" (from Space Ritual) The Soft Machine - "Plus Belle Qu'une Poubelle / Why Are We Sleeping?" (from The Soft Machine) Pavement - "Conduit for Sale!" (from Slanted and Enchanted) Harvey Matusow's Jews Harp Band - "Eighteen Nuns" (from War Between Fats and Thins) Linton Kwesi Johnson - "Lorraine" (from Bass Culture) Belle & Sebastian - "I Could Be Dreaming" (from Tigermilk) Isaac Hayes - "By The Time I Get To Phoenix" (from Hot Buttered Soul) King Grouse introduces Lady Katie. James Booker - "Black Minute Waltz" (from Junco Partner) James Booker - "Goodnight Irene" (from Junco Partner) Huey "Piano" Smith - "Little Liza Jane" (from This Is... Huey "Piano" Smith) Benny Spellman - "If You Love Her" (from Get Low Down!: The Soul of New Orleans, '65-'67) Snooks Eaglin & Boogie Bill Webb - "Country Boy Down in New Orleans" (from The Blues of Snooks Eaglin & Boogie Bill Webb) Inell Young - "What Do You See In Her" (from Soul Jazz Presents: New Orleans Funk, Volume 2) Betty Harris - "Nearer to You" (from Get Low Down!: The Soul of New Orleans, '65-'67) The Meters - "Darling Darling Darling" (from Funkify Your Life: The Meters Anthology) Johnny Adams - "Reconsider Me" (from Absolutely the Best) Marilyn Barbarin - "Reborn" (from Soul Jazz Presents: New Orleans Funk, Volume 1) Lady Katie does a marvelous back-announce. Noble Watts - "Teen-Scene" (from Cats Got These Cats' Tongues - 26 Rarities From Mr. Fine Wine's Vaults) Kelan Philip Cohran the Hypnotic Brass Ensemble - "Cabin Tale" (from Kelan Philip Cohran and the Hypnotic Brass Ensemble) Chris Cohen - "Caller No 99" (from Overgrown Path) Apache Dropout - "Katie Verlaine" (from Bubblegum Graveyard) Jacco Gardner - "Where Will You Go" / (and a little bit of the b-side "Summer's Game" before Uncle Matt showed up) (from TIM042)