Badass Records

I couldn't be happier to share that -- not only is the wonderful Lisa Alpert back, but -- the Becoming a Swifty series has had new life breathed into it.Yes.It's Episode No. 165 of Badass Records, but installment number four of Taylor Swift talk.If you didn't happen to catch Lisa's first episode, please check out No. 147, and -- in today's episode -- take note of all of the phenomenal guests Lisa has sent my way.Anyway...Lisa and I had a fantastic conversation in which we mulled over family dynamics, the path to becoming a death doula, the necessary courage of launching a writing project, and we eventually made our way to talking about Lisa's favorite Taylor Swift albums, which were these:folklore: the long pond studio sessions (2020)Midnights (2022)The Tortured Poets Department (2024)Talking Taylor Swift isn't my absolute favorite thing, but talking Taylor Swift with awesome people who are passionate about this incredible artist is for sure a thing that I super-enjoy.So, I'm hopeful that you'll take a chance and listen to our conversation. It's a really good one, even if Miss Swift isn't your jam.Thank you, Lisa. I'm a better person for knowing you, and I really appreciate your time and energy.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are clips I stole from a Kurt Vile tune called, "Stuffed Leopard," which can be found on his 2022 release, (watch my moves). That album exists courtesy of -- say it with me now -- A Verve Records Release; overnite kv incorporated, under exclusive license to Verve Label Group, a Division of UMG Recordings, Inc.

After a couple of weeks off for rest and recalibration, Badass Records is back with a new episode, and this one features the fantastic Cole Bales of Black Light Animals.Cole is a son, a brother, a boyfriend, a bandmate times two, and he's my guest for Episode No. 164.Black Light Animals has an upcoming RecordBar gig. That's Thursday, May 1st at RecordBar. They also have a new album out. It's called Last Call Love Songs, and you can find it digitally or get yourself a vinyl copy via their Bandcamp, or at blacklightanimalsband.com. Cole's also a member of The Freedom Affair, and they have a gig, Friday, May 2nd at The Madrid. So, please check them out, too.My conversation with Cole involved growing up, the art of recording and producing, bandmates, family, and -- of course -- a few of his favorite albums. Those were these:The White Album (1968), The BeatlesGeorge Harrison's All Things Must Pass (1970)Exile on Main Street (1972), The Rolling StonesThe Black Keys' Brothers (2010)Tranquility Base Hotel & Casino (2018), The Arctic MonkeysIt was both a pleasure and a joy meeting Cole and chatting with him. Follow @blacklightanimalsband on Instagram, and make sure you're dialed in with all that Cole has going on.Cheers.copyright disclaimer: I do not own the rights to the audio clips contained within this episode. They are snippets from a track called, "Rich Woman" by Robert Plant and Alison Krauss, and it's the leadoff track from their 2007 release, Raising Sand (c/o Rounder Records, distributed by Concord).

Pleased as punch to share that Til Willis made his return to Badass Records after an 80-episode gap; if you're doin' the math at home, he was here for Episode No. 83 back in September of 2023, and it was a great one. Highly recommend you visit (or revisit) it.This time around -- for Episode No. 163 -- it was smooth sailing' for Til and I to pick up where we left off last time, and talk about a healthy bunch of cool stuff.At the forefront of said stuff, Glass Cactus, the new album from Til Willis & Erratic Cowboy, drops today, Thursday, March 27th. Not only can you acquire your own physical copy of this latest release at tilwillis.net, or via tilwillis.bandcamp.com, you can stream it or download it from either of those places or wherever it is that you stream your music.There's more, though: We chewed the fat about songwriting, recording, gigging, a super-cool sound space in Rangely, CO, and I'd be remiss if I didn't mention the episode's list of badass records, which -- by the way -- are all friends, acquaintances, and partners of Til's. Those records were these:Miracle Mule (2004), The SubdudesPierced Arrows' Descending Shadows (2010)Growing Season (2013), GardenheadsFaceman's Wild & Hunting (2016)Santa Lucia (2019), WindwolvesTil's on Instagram and Facebook, and certainly worthy of a follow, in that he not only posts cool stuff about his life and music/band updates. He shares art. Yes, Til makes cool collages and shares not only those, but the occasional version of stuff he creates in other mediums, so please consider checking him out.It was both a pleasure and an honor to welcome Til back to town from LFK, and I couldn't possibly dork out any harder about how the timing of our talk -- plus the coinciding release of this episode and Glass Cactus -- worked out. Thank you, Til. And cheers to those Erratic Cowboys.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They belong to a fine, fine artist by the name of Sly5thAve, who put out a swanky cover of "Let Me Ride" in 2017, c/o Tru Thoughts.

It was an honor and a privilege to meet Marilee Rose and chew the life-story fat with her a couple of weeks ago.She is a daughter and a sibling and a mother and a fiancee. She's a years-long entrepreneur, a lover of planning and travel, and a gangster in her own right. She's also my guest for Episode No. 162.Marilee and I talked growing up, being a businesswoman, acknowledging adversity and flourishing in spite of it, and being an artist/creator, a connector, a dreamer, and one who manifests. We also talked a little bit about a few of her favorite albums, which were these:The Very Best of the Everly Brothers (1964)No Need to Argue (1994), The CranberriesEverclear's Sparkle and Fade (1995)All Eyez on Me (1996), Tupac ShakurPost Malone's Austin (2023)Find Marilee on Instagram at @marileerose1. Check out her IG photography page, which is @wildrose.photography.kc. Her Web site is wildrosephotography.com, and be sure to find her Air BnB link on her personal Instagram page as well, as new developments there will be happening soon.Chatting with Marilee was a blast, and my only notes correction would be that I foolishly said "Isley Brothers" when Righteous Brothers was the artist name I'd meant. Thank you to both Marilee and to everyone that supports the show.copyright disclaimer: I do not own the rights to the audio clips contained within this episode. They are samples I poached from a DJ Logic song called, "J.J. Bailey," which comes from his 2001 release, Project Logic (c/o ropeadope Records).

Please put your hands together for Mr. Jamie Campbell!Jamie is a son, a brother, a husband, an actor, a stand-up comic, and he's also my guest for Episode No. 161.Find Jamie at jamiecampbellcomedy.com, on Instagram, Facebook, YouTube, TikTok, and where you stream. If you go the YouTube route, be sure to check out his hour-long special, Big Dad Energy, and if you go the social-media route, keep an eye out for not only his upcoming new hour (courtesy of Dry Bar Comedy), but also a handful of movie projects he's got in the works.I enjoyed visiting with a working comic who's skilled in the art of creating specials, touring and gigging, and writing new material. And talking with Jamie in general was a great time. Whilst we visited, we touched on a few of his favorite albums, which were these:The Baby Huey Story: The Living Legend (1971)Rancid's Let's Go (1994)Whatever and Ever Amen (1997), Ben Folds FiveOutkast's Aquemini (1998)White Pony (2000), DeftonesMany thanks to Jamie for gifting me some of his valuable time. I have always had an admiration for those in his field that put in the real work. And thanks to any and all that support Badass Records.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are snippets from a tune called, "Ron's House," which is a DJ Logic track from his 2001 release, The Anomaly (c/o ropeadope Records).

Derrick Benitz joined me for Episode No. 160, and I'm super-grateful that he stuck with me through a period of correspondence, ultimately making the trek over in late January to bullshit with me about photography, growing up, Spotify playlists, and being happy/healthy in life.Find Derrick on Instagram under the @nomadphotog handle, and please peep his handsome Web site, derrickbenitz.com.Whilst we were fat chewing, Derrick and I managed to touch on a few of his favorite albums. They were these:Metallica (1991)Dr. Dre's The Chronic (1992)Continuum (2006), John MayerThe Decemberists' The King Is Dead (2011)From the Wreckage (2014), The Wind & the WaveTaylor Swift's 1989 (2014)Really enjoyed Derrick's company. Really appreciate all that support the show.Cheers.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are snippets I lifted from a song by the greatest rock band in American history. Song's called, "Roggae." Album's from 1998, and titled The Story of the Ghost. All of that's here c/o Phish Inc.

Solomon Alpert joined me for Episode No. 159. Solomon is a son, a brother, a husband, a father figure, and a Reentry Counselor at Benilde Hall, a facility which helps folks by fostering sustained recovery, stable housing, economic self-sufficiency, and improved mental and physical well-being. An honorable career and facility, to say the least.This week's guest came highly recommended courtesy of his wife, Lisa, who joined me for Episode No. 147 (and is tentatively slated to join me once more, this time for the newest installment of Becoming a Swifty), and he did not disappoint. There's nothing better than a healthy mix of good vibe and qualifiable intelligence.Solomon and I talked about growing up, being first-borns, education, figuring out one's professional self, and a bunch more. We also talked about a few of his favorite albums, which were these:Heaven or Las Vegas (1990), Cocteau TwinsLiz Phair's Exile in Guyville (1993)Chutes Too Narrow (2003), The ShinsToro y Moi's Freaking Out! (2011)If You're Reading This It's Too Late (2015), DrakeCarly Rae Jepsen's Emotion (2015)Many thanks to both Solomon and to everyone that supports the show. This is a look into (mostly) Kansas City folks, who they are, what they're into, and what tunes make them groove.Cheers, y'all.copyright disclaimer: I do not own the rights to the audio samples contained in this episode. They are snippets from Benevento/Russo Duo's, "Walking, Running, Viking," which I probably used already once before, so shame on me. It's from their 2006 release, Play Pause Stop, however, and we're blessed with its existence c/o Royal Potato Family.

Pleased to've met Jeremiah James Gonzales and learned all about Redder Moon for Episode #158. Redder Moon's blend of gothic new-wave/post-punk can be found on Spotify, Apple Music, YouTube, and Bandcamp. They've got something in the neighborhood of eight releases available to check out, including a single from late last year, with more stuff coming soon.Jeremiah was kind enough to share a portion of an evening in January with me, and I enjoyed hearing about his songwriting, recording, and band history. We talked about growing up, family, friends, and a few of his favorite albums, too, which were these:Seventh Son of a Seventh Son (1988), Iron MaidenThe Cure's Disintegration (1989)Angel Dust (1992), Faith No MoreInterpol's Turn on the Bright Lights (2002)Badass Records podcast episodes air Thursdays where you stream and on YouTube. You can keep tabs on the show via Twitter and Instagram. Everything lives on the site (badassrecordspodcast.com), and guest inquiries should be delivered to badassrecordspodcast at gmail dot com.Thank you for your support of the progrum.copyright disclaimer: I do not own the rights to the audio content contained within this episode. They are clips from a STS9 track called, "Tokyo," which is from their 2005 release, Artifact, c/o STS9.

Ladies and gentlemen...It's Lukas!The brain child behind Sentimental Creatures was kind enough to make the hour-long commute to the B.R.P. studio amidst winter conditions last month, and I was grateful he did, as we talked growing up, God, earning first-gig cap feathers, and a ton more.Lukas and his outfit can be found on Instagram, Facebook, Soundcloud, plus all streaming services.Learning about all that has transpired in a short time for both Lukas and Sentimental Creatures was exciting, as was our conversation about a few of his favorite records, which were these:Prince's self-titled, (1979)Hysteria (1987), Def LeppardJeff Buckley's Grace (1994)self-titled (2013), The 1975Fun chat with good people.While we were talking, we both reminisced about our respective third-grade teachers. And even though the particular memory I shared about mine wasn't anything profound, it did jostle fond memories of my time in Sarah Sangster's Annistown Elementary classroom in Snellville, GA.Miss Sangster had great energy and the real "it" required for getting kids' attention and keeping it. She was always bright, cheery, witty, caring, and juggled savvy with empathy like no other I'd had (or would have). I've Googled former teachers before, and this one had me quasi-curious as to whether she was still at it, or even around; I was saddened to learn that she had passed a couple of years ago. She married in 2000, and became Mrs. Davenport, which made me happy for her. Shouts out, though, to Miss Sangster. May you rest in peace.Anyway...please consider giving Sentimental Creatures an IG follow, so you can stay in the loop with upcoming gigs and release updates. Thank you for supporting the show.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are clips from a Galactic tune called, "Cineramascope," from their 2010 release, Ya-Ka-May, c/o Anti Inc.

Amber Lea is a daughter, a sister, a wife, and a mother figure to her husband's two kids. She's an incredibly intelligent woman with a great sense of humor that has taken on the challenge of facing health and medical issues with an admirable sense of strength.She's also the owner of Dear You Tattoo (4470 Rainbow in KCK), and she's my guest for Episode No. 156.I usually chat with my guests for a few minutes before we launch into the conversation, and somewhere along the way in that transition, I cut off Amber's name in introducing her, and went straight in to Dear You details, so my apologies to Amber for that oversight. Talking with Amber was really great, though.Every once in a while, I get to sit down with someone who gets the art of conversation and the concept of being real in doing so, and Amber is, for sure, one of those rarities; I consider our chat to've been a blessing.We talked about family and growing up and the pursuit of genuine customer service. We shared a couple of laughs about a few random things like Cheech & Chong, and raved over a few MTV Unplugged (which has been around for 29 seasons and over 100 episodes!) performances. And of course we talked about a few of Amber's favorite albums, which she was kind enough to break into two lists:All-Time FavesMinistry's With Sympathy (1983)Pretty Hate Machine (1989), Nine Inch NailsPortishead's Dummy (1994)Mezzanine (1998), Massive AttackModern Brain TicklersServices (2015), TempersPublic Memory's Wuthering Drum (2016)I'm Waving, Not Drowning (2020), Matte BlvckHealth's Disco4, pt. 1&2 (2022)Please check out Dear You on Instagram (@dearyoutattoo), or peruse their super-handsome Web site, dearyoutattoo.com. They've been at it for going on a decade, and will definitely make you feel valued as a customer.On a personal note, this marks three full years of weekly episodes for the podcast, so I'm pleased to've gotten this thing off the ground and kept it alive for this long. Now on to the next 52 weeks!copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are snippets from a tune called, "Vandenburg Suite," by The New Mastersounds. I lifted it from their 2005 album, This Is What We Do, c/o One Note Records.

Kyle Maggart of Brothers Music in Shawnee joined me for Episode No. 155, and I enjoyed the heck out of our conversation.His joint can be found at 12206 Johnson Drive, and they can be reached at 913-766-3869, or followed on Instagram as @brothersmusickc.We talked about growing up, getting into music at a young age, starting a business, and collecting a ton of vinyl.Naturally, we talked about a few of Kyle's favorites, which were these:Blue Train (1958), John ColtraneThe Band's Music from The Big Pink (1968)There's No Place Like America Today (1975), Curtis MayfieldToots & the Maytals' Funky Kingston (1976)Graceland (1986), Paul SimonUGK's Too Hard to Swallow (1992)I'd be remiss if I didn't give shouts out to the late, great Patrick "Potshake Dubwise" DuBois, and his fantastic KDUR FM radio show, Roots, Ragga, Radio, out of Durango, CO's Fort Lewis College (Go, Skyhawks!). Patrick was as kind as they come, and I'll always be grateful to him for both that and for showing me a few corners of the college/community-radio ropes.I'd also be remiss if I didn't give Kyle props for saying that Southern American Gospel might be the next frontier. One of the cooler collection of words spoken to date on the podcast.Please consider paying Brothers Music a visit if you're in the area, and give them an Instagram follow. Thank you to Kyle, and to everyone who tunes in.Cheers.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. I poached them from an Andrew Gabbard tune called, "Cloud of Smoke," off of his 2023 release, Cedar City Sweetheart, c/o Karma Chief Records, a division of Colemine Records.

Jamie Searle, a.k.a. @jjeromemusic, joined me for Episode No. 154, and I'm grateful for the opportunity to've met him and gotten to know him a little bit.Jamie is a son, a husband, a father, a musician, a songwriter, a producer, and he's the guy that runs The Westport Bowery, so holler at him for any of your booking/entertainment needs for that venue.Our conversation touched on family, growing up, the lenses of perspective and identity, making art, being outdoors, and the love of music, just to name a few topics. While we were in that last neighborhood, we did pause for a moment to look at a few of Jamie's favorite albums, which were these:Rubber Soul (1965), The BeatlesDonny Hathaway & Roberta Flack's self-titled release (1972)Thriller (1982), Michael JacksonNirvana's Nevermind (1991)Malibu (2016), Anderson .PaakJamie's other Instagram handles are @chromaticcontact, @mbandskc, and @westportbowery, so please consider giving his @jjerome account a follow, and -- while you're there -- have a peek at those, too. For more information on what goes on at the Bowery, check them out at thewestportbowery.com.Thank you to Jamie, and to all of you for supporting the show.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are snippets from a Lemon Jelly tune called, "Ramblin' Man," which comes from their 2002 effort, Lost Horizons (c/o XL Recordings LTD).

James R. Wilson, Jr. is a son, a sibling, a husband, a father, an artist, and -- amongst many other things -- he's my guest for Episode No. 153.James and I sat down to talk about family, growing up in KCK, fatherhood, the world of creating and making art, skating, and his creations on both YouTube and Instagram.We also talked a little bit about a few of James' favorite albums, which were these:Easter Everywhere (1967), 13th Floor ElevatorsMuzak Orchestra's Muzak Stimulus Progression 1976 (1976)The Infamous (1995), Mobb DeepPropaghandi's Less Talk, More Rock (1996)Please consider giving James a follow on any or all of his IG channels, which are @waxtron, @waxtronindustries, @ducketsruckus, & @terranova.tapes; his YouTube is Waxtron Industries. And please keep your eyes peeled for his upcoming art show on Saturday, April 12, at Alcott Art Center.Many thanks to James and to all that support the show.copyright disclaimer: I do not own the rights to the audio samples found within this episode. They are clips from a Joe Russo track, called, "Molly & Anni," which I lifted from his 2019 release, Phér•bōney, c/o Woodlot Recording.

Ladies and Gentlemen --Please put your hands together for...Jason Adams!Hey, hey, hey...It's the second freaking week of January in 2025, and -- to quote my future ex-wife, Gwen Stefani, "this shit is bananas."Stoked, nonetheless, to have Jason in the studio.It was lovely to meet him, and I'm jazzed to tell you that, together, we made Episode #152 happen.Jason is the brains behind Supplemental Sound, and you should not only check his work out on his site, but you should also consider giving him a follow on Instagram.It was fantastic meeting Jason, and learning a little bit about him, such as what a few of his favorite records are, which're these:Pink Floyd's Dark Side of the Moon (1973)Purple Rain (1984), Prince and the RevolutionNine Inch Nails' The Downward Spiral (1994)EAT ME, DRINK ME (2006), Marilyn MansonBillie Eilish's When We All Fall Asleep, Where Do We Go? (2019)So, please check out Supplemental Sound.Please make sure your pets and loved ones are fed and warm.Please be safe out there.And, please be kind to one another.Cheers.copyright disclaimer: I do not own the rights to the intro/outro audio samples contained within this episode. They are snippets from a tune called, "Black Day," by Monolink. It comes from their 2019 release, Amniotic, c/o Embassy One.

Robert Bearce is a son, a sibling, a husband, and a father. He's the brains behind The Free Rent Band, and he's my guest for Episode No. 151.In addition to his numerous other talents, Robert is also an app developer, a music lover, and he's the founder of Briar Fest (briarfestkc.com). It was a pleasure to meet him, and chat with him about his journey so far. We touched on writing, recording, the longevity of the band, his seemingly fearless knack for birthing ideas and launching them into the world.We, of course, also talked about a few of Robert's favorite albums, which were these:Led Zeppelin IV (1971) Eat a Peach (1972), The Allman Brothers BandJohnny Cash's American V: A Hundred Highways (2006)In Time (2013), The MavericksPlease check out Robert's Free Rent Band & Publishing page on Facebook, and find their content on Apple, Spotify, or YouTube.Many thanks to Robert, and Happy 2025 to you all.Note: In discussing the movie, Friday, I mistakenly called Chris Tucker's character Craig, instead of Smokey.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are snippets from a Joachim Pastor single called, "Fixi," from 2016, c/o Hungry Music.

The list of descriptors to accurately depict Luke Harbur, a.k.a. musicbyskippy, would rival Santa's gift list, so I'm only touching on a few here. He's a son, a brother, a transplant survivor, an artist, a producer, a beatboxing specialist, an entrepreneur, a wonderful human being, and he's my guest for Episode No. 150.Luke's stuff all lives at musicbyskippy.com, but you can also find him on Twitter, Instagram, YouTube, TikTok, Threads, Apple Music, Spotify, etc.Luke and I talked about family, life experiences, career visions and dreams, the creative process, and a bunch more. Somewhere in that mix was a short list of a few of his favorite albums. Those were these:Vampire Weekend's Contra (2010)The Human Condition (2016), Jon BellionJ. Cole's KOD (2018)Meeting Luke and learning a little bit about both his journey and his trajectory was an absolute delight. Please consider taking a moment to check him out. Give him a follow, and subscribe to his newsletter.A few corrections: Family Ties, not Facts of Life. Sheesh. In that show, Stephen and Elise are the parents, not the dads. Double sheesh. And, Happy 2025 to you all. Not 2026 (yet). Lord...Anyway, Merry Christmas to you all, and a Happy New Year.Cheers.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are snippets from an Oliver Koletzki tune called, "Bring Me Home," from his 2014 release, I am OK, c/o Still vor Talent Records.

"And the man on the cuts! Twice as nice with the slice...his name ain't Tommy...but he's my boy!"Yes, that's right. A little apropos-of-nothing (Chicago's own) Liquid Soul quote to celebrate the fact that Dylan Johnson joined me for Episode No. 149.Very pleased that Dylan joined me for this conversation, and I feel it's important to let you know that his stuff is as follows: dylanjohnsonlive.com; humbledpride.com;, and dylan_johnson_music on Instagram. You can find stuff to listen to on Spotify, Apple, YouTube, Amazon, Pandora, and Deezer, and -- while you're pokin' around -- make sure to give 2022's Suburbs a listen.I really enjoyed getting to chat with Dylan. We talked a little bit about family and growing up, being part of a band that's been both together and homeboys for decades, and we also talked about the process of writing, recording, and producing an album. Not lost in the mix was a little segment about a few of Dylan's favorite albums, which were these:Van Morrison's Astral Weeks (1968)August & Everything After (1992), Counting CrowsBen Folds Five's self-titled (1995)Rain or Shine (2010), O.A.R.Lana Del Ray's Norman Fucking Rockwell! (2019)Talking with Dylan was educational and entertaining. He seems to have that "it" button, and I wish him nothing but the best with both his current and future projects. If you're in KC, I think you can catch him at The Pour House Friday evenings. Check him out.Thank you to Dylan for his time, and thank you to all of you that support the show.Cheers.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are samples taken from a Widespread Panic single from this year (!) called, "Blue Carousel" c/o Widespread Records. I mean, I have always loved me some Widespread, and -- while this tune's riff sounds a lot like the initial heartbeat of "Greta," I had to tag it and show them some love.

I was pleased as all get-out one day this summer when Dr. Erika C. Martin messaged me on a thread I'd started a few weeks prior. She mentioned she'd be coming through town the following day and -- were I available to schedule something last-minute -- she'd be happy to slightly alter her travel plans to come sit and chat with me for a few.She is an Associate Professor of Biological Sciences at Emporia State University. She's a biostatistician and a science correspondent for the Fish Nerds podcast, and she's the Editor of Transactions of the Kansas Academy of Science. She's also a daughter, a sibling, a wife, a mom, a collector of stringed instruments and vinyl records, one heck of a singer/songwriter/guitarist, and she's my guest for Episode No. 148.Erika and I talked family, growing up, academia and education, science, podcasting, and a bunch more, which included a few of her favorite albums. Those were these:This Is the Moody Blues (1974), The Moody BluesRed Hot Chili Peppers' One Hot Minute (1995)'V' is for Vagina (2007), PusciferN.A.S.A.'s The Spirt of Apollo (2009)Good Company (2014), The Dead SouthI'm always impressed and thankful when someone makes the trek in from Lawrence or Manhattan or anywhere, really. The gift of time is invaluable, and when folks travel to donate it via sitting in my basement home studio with me for a chunk of time, I'm grateful. When someone cuts a four-hour road trip in half, though, and hangs out with me for two hours in the interim, well...that's just aces.And Doc Martin is for sure an ace, herself. So, many thanks to her for the trust, the time, and the conversation, and thank you to you for supporting the podcast.Cheers.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are clips from a tune called, "Donny Gone," by The Jazzual Suspects. I found it on their self-titled release from 2018, c/o Om Records.

When Facebook suggested Lisa Alpert as a person I might know, I peeped her profile, and thought, this lady seems pretty cool. And oftentimes, that hunch is accurate. Not always, but often. This one was no exception.Lisa Alpert is cool, rad, awesome, and good vibes, and that's precisely the sort of thing I'm seeking when looking for guests. Lisa's a daughter, a sister, a wife, a mom, a business owner, and a muthaf***in' hustle. Ya' betta' ax somebody. For those reasons and more, she's my guests for Episode #147, and I couldn't be happier that we made this conversation happen.Please check out Lisa's business, Manifest Collaborative. It's a non-profit that specializes in marketing, fundraising, brand development, public relations, and a bunch more. Learning about some of Lisa's professional endeavors and personal experiences was so much fun. We talked about family, pursuing dreams, and -- of course -- a couple of her favorite albums. Those were these:self-titled, Tracy Chapman (1988)Give Up (2003), Postal ServiceSufjan Stevens' Come On, Feel the Illinoise (2005)Plans (2005), Death Cab for CutieJustin Timberlake's 20/20 Experience (2013)Sound & Color (2015), Alabama ShakesChance the Rapper's Coloring Book (2016)Harmony of Difference (2017), Kamasi WashingtonFuture Islands' People Who Aren't There Anymore (2024)And we gave a tiny bit of honorable-mention action to Taylor Swift, Saves the Day, The Quintet, Beyonce, Qveen Herby, Fleet Foxes, TLC, and Lil' Wayne.A thousand thanks to Lisa for both the time and the awesomeness. I can't wait to book her again for the Becoming a Swifty series.Cheers, y'all.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are clips from a Heiko Voss tune called, "I Think About You," off of the 2003 EP of the same name (c/o Kompact Pop).

Hey!This is so fun.I'm so happy to've been afforded the opportunity to record a small handful of on-location conversations, but none of those have been as exhilarating as my conversation with Ella Gantz (for Episode #146) of Perry Farm to Fork.Ella and her sisters own and run the lovely co-op of sorts that offers local produce and proteins and other goodies to the fine folks of their Perry/LeCompton community. They are fifth-generation farmers and you can find out more about their operation on their Facebook page. You can give the shop a buzz at 785-379-3650 or shoot them a message at perryfarmtofork@gmail.com. Ella was kind enough to have me out to their spot after hours on a Saturday evening back in August. We talked about growing up on a farm, showing animals, managing land and crops, family, and more. We also talked a little bit about a few of Ella's favorite albums, which were these:Eric Church's Carolina (2009)Hell on Heels (2011), Pistol AnniesFlatland Cavalry's Homeland Insecurity (2019)Having the opportunity to meet Ella was a treat, and getting to see their space was super-cool. Thanks to her and her crew, and thanks to all of you that support the podcast.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are clips from a tune called, "Gabo's Last Resort," by The South Hill Experiment. The track comes from Moonshots, their 2023 release, c/o The South Hill Experiment.

Brock Wilbur is a son, a brother, a husband, and an author. He's my guest for Episode No. 146, and he's also the Editor-in-Chief of The Pitch, Kansas City's independent source for news and culture.It was a pleasure to meet Brock and learn about the different stops his life journey have taken him to, and I'm grateful for both the time and the conversation.We talked about family, being a stand-up comic, a published author, a podcaster, a supporter of different walks of life, and a proponent of mental health. We also talked about his love of music, live shows, vinyl records, and living in Los Angeles for a spell. Naturally, we touched on a few of his favorite albums, which were these:Beck's Odelay (1996)The Ugly Organ (2003), CursiveDeath From Above 1979's You're a Woman, I'm a Machine (2004)Brock is one of the most intelligent folks I've had the opportunity to sit and visit with and I'm pleased that I took the opportunity to pass along my gratitude for the work he and his crew put in at The Pitch. This print/online publication has been a part of my fabric for decades, and it's super-satisfying that it continues to survive in 2024. If you're not already a regular reader, please consider picking one up the next time you see one of their stands. And -- as they frequently remind their Instagram followers, their Web site never has a paywall.You can follow Brock on Instagram at @brockwilbur. Check out some of his fine journalist work at authory.com/brockwilbur, and you can also get a copy of his book, Postal, from 2020 on Amazon.Many thanks to Brock and to those that support the show.copyright disclaimer: I do not own the rights to the audio clips found in this episode. They are samples from a tune called, "Happy Now," by Låpsley, and it can be found on her EP from this year, A Guilty Heart Can Never Rest (c/o Believe UK).

In late July, I was honored to have Tracy Hoth back in my home again, and it took both time and convincing to get her here.Nearly a decade ago, I hired her for some professional-organization help, and she was fantastic. Our package was broken into tiers, and -- due to some critical life changes -- we had a little bit of a gap in between tiers one and two. Many moons later, she appeared in the people-you-might-know section of one of my social-media platforms. I reached out and pitched her on the idea of doing a podcast episode with me. She declined, saying that she wasn't much of a music person.I rolled up my sleeves and explained why I thought we could have a good conversation, and -- to my delight -- she accepted.Tracy is a daughter, a sister, a wife, a mother of four, and probably many other amazing things (that I don't know about), too. I do, however, know that she is a life coach, a professional organizer, and the host of The Organized Coach podcast, which you can find on Apple Music, Spotify, and Amazon Music.So, we talked about her professional endeavors, her family, the detour they experienced a little over nine years ago, and we managed to talk about music, too. When I asked Tracy for a list, she gave me a collection of songs, sentiments, memories, and artists. I took the liberty of squeezing that into my format, and -- having done so -- her list looks like this:The Run, Appaloosa, Run soundtrack (1966)John Denver's Poems, Prayers & Promises (1971)Fancy Free (1981), The Oak Ridge BoysBritt Nicole's Say It (2007)Lauren Daigle's discography (2015-2023)I had a lot of fun sitting and chatting with Tracy. I'm not only thankful that she was courageous enough to do something she didn't think she'd be a good fit at, but grateful that she took the time to commute down to the studio and collaborate with another local podcaster.So, thank you, Tracy.You can find out more information about Tracy's awesome business and podcast here.I appreciate the support you all give the show.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are clips taken from a tune called, "Welcome Back" off of Muzak Orchestra's Muzak Stimulus Progression 1976, c/o Muzak Archives.

"Hey! Hey! Hey! Whatcha' got to say?!"I don't have any "Hollywood Swingers" action to share with you, but I do have some equally exciting news, and that's that Robert Flynn finally made it by the studio and we sat down together for what wound up being Episode No. 143 of this here podcast.Robert was on my initial-initial outreach list while I was trying to get this thing live and off the ground, and some three years later, here we are.Robert's a son, a sibling, a husband, a father, an Eagle Scout, a scout leader, a former attorney, a high-school government teacher, and a good many other things. We once went through the CRHP program together and have two kids in the same grades together. He's also something of a Deadhead, and when we first talked about trying to make this happen, I think I was asking folks about their all-time-favorite album (singular) as opposed to the current iteration that typically involves several.Regardless, the Grateful Dead's American Beauty (1970) was Robert's immediate selection, and it's one of my all-timers, as well, so I was thrilled to have the opportunity to bullshit with him about it.A number of things transpired since our conversation was recorded, namely the passing of Dead bassist Phil Lesh, and the presidential election here in the "good-ol'" United States. No doubt some of us are singing a version of "U.S. Blues" this week, but that's neither here nor there.Anyway, I really enjoyed this chat, and I hope you will, too.Thank you.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are snippets from American Beauty's leadoff, "Box of Rain," and it exists c/o Warner Records Inc. Marketed by Rhino Entertainment Company, a Warner Music Group Company.

"Yo, ho, ho, and a bottle o' Brass Monkey," it's another new-episode Thursday, and I'm geeking out to share with you that Bill Belzer joined me for a fantastic conversation.So great catching up with Bill, and learning about our mutual love of the greatest band in American rock 'n' roll history, and it was equally fun learning a little bit about Bill's band, Miss Boating.Bill's over on the 'Gram as @billzer, and Miss Boating deets can gleaned from YouTube, Spotify, Instagram, Apple Music, and/or Bandcamp.Such good people, this Belzer kid, and he's got a Substack, here. And while you're getting to know the band, be sure to check out Jewel in the Trash, their full-length release from June of this year. Loved hearing about their process.Bill and I also chatted about a few of his favorite records through the years, and they are these:Hard Again (1977), Muddy WatersChuck Mangione's An Evening of Magic: Live at the Hollywood Bowl (1979)Entertainment! (1979), Gang of FourHüsker Dü's Candy Apple Grey (1986)Blood and Chocolate (1986), Elvis Costello & The AttractionsSuper-fun experience. Grateful for the time. Thank you to Bill and to those of you that support the program.Notes: Jon Fishman's Sirius XM satellite-radio show is called The Errant Path, not The Beaten Path.Bill hates hashtags. Just thought I'd put that here.shouts out to Bill for bringing up badass record, Houses of the HolyCandy Apple Grey previously appeared on L. Ron Drunkard's list in Episode No. 131.copyright disclaimer: I do not own the rights to the audio samples contained within this podcast episode. They are snippets from a Trey Anastasio tune called, "Push on 'Til the Day," which is a cut from his 2002, self-titled studio debut.

Greetings!It's new-episode Thursday, and I'm pleased to say that Dan Perez was my guest for Episode No. 141. Dan is in four bands: 1) a smallish trio outfit with his brother; 2) Whiskey Mash Band; 3) Helping Phriendly Bluegrass Band; and 4) The Kaw Valley Hop Pickers.Dan's silky bass notes in each of those conglomerations don't entirely comprise him, though; he's a son, a sibling, a Phishhead, and a husband (I think he said).I had Dan's Whiskey Mash bandmate, Billy Brady, on for Episode No. 65, so check that one out if you missed it (but not before you get into Dan's episode).Dan and I chewed the fat for an hour or so, and it was solid-good times getting to know him; I learned a bunch, had some laughs, and enjoyed Dan's good-vibe energy. Naturally, we talked about a few of Dan's favorite albums, which were these:The White Album (1968), The BeatlesJohn Hartford's Aereo-Plain (1971)A Live One (1995), PhishJames Brown's The 50th Anniversary Collection (2003)Epic list, really. A perfect mix of familiar with glad-to-know-yas.Note: My gaffes for this conversation include calling it "Tahoe Jam," when it's actually called "Berkeley Jam," and citing "Chalkdust" when it shoulda been "Tweezer" (in regards to the 2012 Phish performance at Starlight Theater in Kansas City.Anyway, I'd tell you to give Dan a Facebook follow, but he doesn't really post there, so plug one or all of those band names into your search bar, and you'll get there.Thank you, Dan. I appreciate the time.And thank you to those of you that read these, listen, etc.Cheers.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are snippets I've stolen from a tune called, "All My Friends," by Channel Tres. It's a cut from his 2023 EP, Real Cultural Shit, and we are graced to have access to it via Channel Tres Inc., under exclusive license to RCA Records.

It's kinda wild for me to think about the fact that -- two years ago -- I was publishing Episode #40 (w/Tomaski), and here we are...turning the final-chapter pages of 2024. I think that they call it, "Q2" in the corporate world, but it's the final period of our calendar year, here in Humansville.And what a fun ride it's been.David Kaufman joined me for Episode #140, and he did not disappoint.David's over on the 'Gram with the @davesthename handle. He's a camera operator and an editor. There's a great piece about him over on boldjourney.com, if you wanna check that out, and -- perhaps of greater importance...his stuff's also at theoutriders.com. David and I talked about family, education, careers, music, and a ton more, but we also had a brief look at a few of his favorite albums, which were these:How I Spent My Summer Vacation (2001), The Bouncing SoulsThe Red Hot Chili Peppers' By the Way (2002)Good Kid, M.A.A.D. City (2012), Kendrick LamarPleased, then, to be consuming the content.You guys are great.Cheers.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are clips from the Peggy Gou single, "Nab," which was released in 2021 c/o Gudu Records.

Very pleased to share that Bob Walkenhorst joined me for Episode No. 139, and it was a privilege to get to know him a little bit.I really enjoyed gaining a little bit of insight into Bob's perspective of the live-music scene in 1980s Kansas City as he and The Rainmakers really found their writing and gigging groove.As a 71-years-young rock star, Bob's still gigging twice a month at Mike Kelly's Westsider, and you can glean more details about those shows if you give his Facebook page a follow.His Web site, bobwalkenhorst.com is absolutely full of treats, including 12 LPs, unique prints, a book, and the means for you to hire him to do music for your private events.Bob and I of course chatted up a few of his favorite records, and those were these:Simon & Garfunkel's Bookends (1968)A Tramp Shining (1968), Richard HarrisJoni Mitchell's Blue (1971)Warren Zevon's self-titled album (1976)Early Days (1994), The WatersonsFind all of Bob's music on Apple or Spotify and don't forget to check out his book, Whirlybird Day, whilst perusing his Web site.Thank you for your support of the progrum.Note: I flubbed an author/title situation during my conversation with Bob: Stephen King's book is called On Writing Well; Writing Down the Bones is by Natalie Goldberg.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are clips from a tune called, "Pick Me Up," by The Deadbeats from their 1999 album, Lounging, c/o Space Hopper.

Forrest Saucier joined me for Episode No. 138, and it was an absolute treat to get to know him a little bit.Forrest is a son, a sibling, a partner, a man of numerous hats, and he's an important figure over at Tyler's House, which is a youth-oriented, non-profit organization over on the Kansas side that -- for my money -- is an amazing concept that needs more eyeballs on it and more of the community's dollars in its bank account.In the world of interviewing, it's always refreshing to have a quick, sharp, eloquent guest on the other side of the table from me, as I tend to offer plenty of "Um"s and "you know"s and generally fumble for the words I seek, so thank you to Forrest for being who he is and what he is.I enjoyed learning a little bit about his journey, and -- as per youzsh -- we managed to have a quick look at a few of Forrest's favorite albums over the years. Those were these:Morning View (2001), IncubusMotion City Soundtrack's Commit This to Memory (2005)Camp (2011), Childish GambinoWatsky's x Infinity (2016)You can follow Forrest on Facebook and Instagram, and you can find most of the Tyler's House deets at either their Web site, on LinkedIn, Facebook, and Instagram. They've got a great program going over there, and they could use some funds and some grassroots word spread, in case you happen to be a person that can help in either (or both) of those directions.Many thanks to Mr. Saucier for the time and the flexibility and the conversation. And many thanks to all of you whom support the show.Note: Snorg Tees, not College Humorcopyright disclaimer: I do not own the rights to the audio clips contained within this episode. They are snippets from a track called, "I Like It," by The Brand New Heavies. I lifted it from their 1997 release, Shelter, c/o The Bicycle Music Company.

Hooray for Episode No. 137 being out and available to all of you fine listeners and viewers!I'm stoked to share that Carley Martin Verbeck and I were able to sit down together and chat about all things Carley and her band, Scotch Hollow. Her husband Mark and I perused portions of his journey that led to the two of them meeting/ultimately forming the band back in Episode No. 116, so to have the other half of the duo join me was a blast.Carley -- beyond being a wife and Scotch Hollow's frontwoman -- is also a daughter and a sister and a mom. We talked about growing up, family, education, careers, gigging, recording, ebbing and flowing with Scotch Hollow's pulse, and plenty more. We also had a peek at a few of Carley's favorite albums over the years, and those were these:Lullabies of Birdland (1955), Ella FitzgeraldBig Mama Thornton's In Europe (1966)Wide Open Spaces (1998), Dixie ChicksClutch's The Elephant Riders (1998)Please join us and please check out Scotch Hollow over on their Web site, or on Instagram, Facebook, YouTube, Apple Music, and/or Spotify.Thank you to both of the Verbecks, and thank you for your support of both the podcast as well as local music, however it is that you choose to express said supports.Cheers.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are clips from a single by Parcels called, "Tideuprightnow," which they released in 2018 c/o Because.

I have the utmost gratitude for Bill Brownlee gracing me with an appearance for Episode No. 136.Bill is so many things, and I confidently say that barely knowing him.What he is above all -- at least at this moment -- is generous for taking time out of his life to come sit with a perfect stranger, and I couldn't be happier about the conversation that resulted from his decision to do so.Bill and I talked about his careers in the record-label industry and as a writer for The Kansas City Star. We discussed his fine, fine work over at Plastic Sax as well as There Stands the Glass, both of which I encourage you to make regular visits to, as the writings are keen and important to the Kansas City music scene. We also talked about a few of Bill's favorite records, which were these:Stevie Wonder's Fulfillingness' First Finale (1974)Darkness on the Edge of Town (1978), Bruce SpringsteenAlison Krauss' Now That I've Found You: A Collection (1995)The College Dropout (2004), Kanye WestMoor Mother's Jazz Codes (2022)Bill's a great Instagram follow if your feed's missing a little something, but beyond you checking out his written work on the aforementioned Web sites, I'm excited for folks to dig in to this conversation. It was a great one.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are clips from a tune called, "Hale to the Man," by Brian Hyland. I lifted it from his 1977 release, In a State of Bayou, c/o Private Stock Records Ltd.

DJ Prodigy is a son, a brother, a partner, a father, and he's armed with an artillery of skills that would impress most any artist. He's also my guest for Episode No. 135.Prodigy splits his time between Kansas City and Arizona, and while in town, he squeezed a chat with me in in between a handful of gigs. For that I am grateful.We talked about growing up, finding one's way, producing, making records, dancing, beatboxing, and a bunch more. We also talked about a few of his favorite records, which were these:Parliament's Mothership Connection (1975)Strikes Again (1978), Rose RoyceZapp & Roger's Zapp (1980)Dangerous (1991), Micheal JacksonMany thanks to Prodigy for stopping by and chewing the industry fat with me. You can (and should) follow him on Instagram. His Facebook stuff and his SoundCloud stuff is under Prodigy Productions. So check him out and make sure to see him live whenever you get the chance. No tellin' which of his many toys he may bust out.Thanks, as always, to those that support the show. Much appreciated.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are clips from a tune by Stavros called, "Should've Brought an Umbrella" from the 2015 EP, Silent Spring, c/o Moodfamily.

Marty Wall is a son, a sibling, a husband, a long-time former Kansas City-radio D.J., and a voice-over artist. He fronts three different live-music acts, has some rich K.C. knowledge, and he's my guest for Episode No. 134.Marty and I talked about music collections, radio formats and programming, gigging, family, and more. We also had a peek at two of his favorite albums, which were these:Elton John's Honky Chateau (1972)Spilt Milk (1993), JellyfishIt was a great joy to meet Marty and learn a little bit about him. I continue to have tremendous gratitude for the folks that say "yes" to joining me for some conversation. I spent some time listening to Marty on the Kansas City airwaves as a younger person, and I dug hearing about both his educational and professional trajectories. Many thanks, Mr. Wall.You can poke around at Marty's professional digs (and/or hire him) here, and you can keep tabs on at least two of his current live-music situations here and here.Cheers, y'all.copyright disclaimer: I do not own the rights to the audio clips contained within this episode. They are snippets from a single called, "Handbrake," that an outfit called Micatone put out in 2012, c/o Sonar Kollektiv.

James Harmon is a son, a partner, a father, and a good-vibes kind of human being. He co-owns and co-operates Jammin' Nuggets Music with his lady friend, and you can find their spot at 115 S. Ohio in Sedalia, MO.James and I talked family, growing up, passion projects becoming real-life projects, record-store shopping, making connections through music, and more. We also talked a little bit about a few of James' favorite albums, which were these:Kind of Blue (1959), Miles DavisKiss' Animalize (1984)Prison Bound (1988), Social DistortionI'm grateful for James taking some time away from the store to come and shoot the breeze with me on a Saturday. It was a pleasure to meet him, learn a little bit about him, and learn about what getting a brick-and-mortar record store open in the fuzz of pandemic was like.You can follow Jammin' Nuggets Music on Facebook and Instagram, and if you have any questions for them you can give them a shout at 660-951-1070.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are clips from a tune called, "LoCKeDoWN2" by Meute (MOY-tuh), an 11-piece, techno marching band out of Hamburg, whom have been a super-fun discovery for me this year. They've got four records out, including Empor from this year, and they are a really rad YouTube rabbit hole, if you're so incline. This tune, though, comes from Empor, and that record exists c/o TUMULT serviced by NEUBAU Music.

Josh King is a sibling, a husband, a father, and an insanely intelligent human being. He mans the six-string, the vocals, and the mixing for the band, Low Forest, and he's my guest for Episode No. 132.Josh and I talked growing up and education, Missouri-style. We touched on Low Forest's fascinating collection of releases on Bandcamp, where to follow them (Spotify, Apple, YouTube, Facebook, and TikTok, and we had a peek at a few of Josh's favorite albums, which were these:Hum's You'd Prefer an Astronaut (1995)Fantastic Planet (1996), FailurePortishead's Roseland NYC Live (1998)Small Explosions That Are Yours to Keep (2005), Mitchell AkiyamaElder's Reflections of a Floating World (2017)The fact that Josh has a super-sharp mind, a warm-and-open heart, and might very well be a vessel for delivering space rock to Kansas City may or may not be related to the fact that he is a pretty soft-spoken fellow. One would think that I'd be able to recognize that early enough in the conversation to adjust the levels at this point, but...it's not easy being the 2024 version of Al Franken's Mobile One-Man Uplink Unit. So, apologies if he's tough to hear at times.It was a true pleasure meeting Josh, and knowing that his presence is out there adds to my occasionally stout belief that there's good in the world moving things in the right direction.Thanks for tuning in.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are cuts from a tune called, "Witchoo," by Durand Jones & The Indications. I lifted it from their 2021 release, Private Space, which exists for us c/o Dead Oceans.

L. Ron Drunkard, bassist for Red Kate, joined me for Episode No. 131, and it was a hoot.We talked about band life, making records, supporting local music, news, politics, the awesomeness of Bob Mould, the lameness of touring acts frequently skipping Kansas City, and a ton more.We also talked a bit about a few of Mr. Drunkard's favorite albums. Those were these:Devo's Are We Not Men (1978)Give 'Em Enough Rope (1978), The ClashAC/DC's Highway to Hell (1979)Throb Throb (1984), Naked RaygunHüsker Dü's Candy Apple Gray (1986)Wrong (1989), NoMeansNoYou can follow Red Kate on Instagram and/or Facebook, Apple Music, Bandcamp, and Spotify. For sure check out black-site.org for a look at the really cool record-label cooperative they've created. And you certainly wanna give Exit Strategy, their 2023 release, a listen.I'm grateful for the time and energy L. Ron brought to the table. He knows how to make good conversations great ones.Note: I mistakenly called Frank Zappa's narrator character on Joe's Garage, L. Ron Hoover, which I'm embarrassed to admit. He's obviously The Central Scrutinizer and makes reference to someone spending too much time at The First Church of Appliantology with L. Ron Hoover. Sheesh, Rook'.copyright disclaimer: I do not own the rights to the audio samples contained within this clip. They are cuts from a single called, "Always Remember Us This Way," by Linear Phase. They released this number in 2021, c/o revised.studio.

Josh Plunkett is a son, a sibling, an entrepreneur, a business owner, a photographer, a videographer, and a world traveler. He's a guy that has figured out a thing or two about his allotment of time on this planet, and he's also my guest for Episode No. 130.Our streams crossed paths somewhere in the Instagram world, and -- speaking of -- you can find him/his work there in not one, not two, but three places. You can also check out his handsome Web site, on which you might find yourself inclined to buy a print, hire him for a shoot, or even rent his space.Josh was kind enough to give me a chunk of one of his Tuesday evenings a couple of months ago, and self-aware enough to warn me that he has no qualms going long in the discussion department. Little did he know that that was just fine with me.Our conversation was fascinating and worth me not spoiling too much of it before you get in there and check it out for yourself. I will say, however, that we talked a bit about family, self-exploration, the human experience and what it can sometimes look and feel like out there amongst the others. And of course we had a peek at a few of Josh's favorite records. Those were these:Pulp Fiction: Music from the Motion Picture Soundtrack (1994)Korn, self-titled (1994)Microworlds (2023), CloZeeGive Josh's work a peek and give him a follow, if you're so inclined. He may be the right fit for your photoshoot wishes, your studio-space needs, or your longing for travel. And don't forget to check out the Merch' store on the Web site. It might be a good place for you to get an early start on your holiday lists.Cheers.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are cuts from a single called, "Shooting Stars," by Bag Raiders. It's a 2009 number that was maybe only digitally released via both the single format and the EP format (which features three other variations of the tune), but made its way to our ears c/o Bang Gang 12s, under exclusive license to Modular Recordings.

I'm very excited to share that Dr. Alberto Villamandos joined me for Episode No. 129, and we talked a little bit about life as Associate Chair and Associate Professor of Spanish in the Department of World Languages & Cultures at the University of Missouri-Kansas City. Go, Roos!We also talked about him being the recipient of the 2024 Chancellor's Award for Community Engagement.Dr. Villamandos was kind enough to share a portion of his evening with me amidst busy end-of-semester pressures, travel plans, and the many other things that keep his plate full, so I must extend some heartfelt gratitude for his generosity.We touched on his undergraduate, graduate, and doctorate studies, as well as growing up in Pamplona, Spain. And of course we had a peek at a few of his favorite albums, which were these:Radio Futura's La Ley del Desierto (1984)Enemigos de lo Ajeno (1986), El Último de la FilaPixies' Doolittle (1989)Galore (1997), The CureThe Best of Depeche Mode, vol. 1 (2006)You can find Dr. Villamandos' book, El Discreto Encanto de la Subversión: Una Crítica Cultural de la Gauche Divine on Amazon or you can check it out at the UMKC library. Oh, and shouts out to the Dr.'s honorable mentions, Trainspotting: Music from the Motion Picture as well as Bram Stoker's Dracula: Original Motion Picture Soundtrack.Thanks to any and all that support the show.Cheers.copyright disclaimer: I do not own the rights to the audio clips contained within this episode. They are snippets from a Talking Heads tune called, "Two Note Swivel," from their 1983 release, Speaking in Tongues (c/o Sire Records (manufactured and marketed by Rhino Entertainment Group - A Warner Music Group Co.)).

Jeremy Clark of Tracer Heights was in the house for Episode No. 128, and dang it if it isn't always refreshing to chat with a fellow Phishhead.Trust me: I'm not trying to pigeonhole Jeremy or say that that's all there is to say about him. There's a ton more. Rare is the opportunity, though.Anyway...Jeremy's a son and a brother and a bandmate and one heck of a sharp dude; I really enjoyed getting to know him a little bit. We talked a fair amount about Tracer Heights, what they're all about, and what his role as the bassist looks like. We also talked about a few of Jeremy's favorite albums. Those were these:Pet Sounds (1966), The Beach BoysNine Inch Nails' Broken (1992)Mellon Collie & the Infinite Sadness (1995), The Smashing PumpkinsThe Flaming Lips' The Soft Bulletin (1999)Person Pitch (2007), Panda BearSo, please check out our conversation. These chats are almost always awesome; this one was no exception. And please check out Tracer Heights. Find out more about them at tracerheights.com, on Instagram, Facebook, YouTube, and Bandcamp. They're rock, blues, and bluegrass with the spirit of psychedelic improvisational music, and they're gigging often here in K.C.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are cuts from a track called, "Grand Funk," by Jackie Mittoo from his 1971 effort, Wishbone (c/o Light in the Attic Records).

Lauren Textor was my guest for Episode No. 127, and my mind is still reeling from everything that she has accomplished at such a young age.I have no real direct reason to be as proud of her as I am, but I am, nonetheless. And I truly feel that she is just getting started.There're a number of ways in which one could keep tabs on this daughter, sibling, writer, producer, girlfriend, lover of Ireland, bandmate/cat mom. And those'er these: Muck Rack, Instagram, etc.Lauren and I talked about a good many things, and of course a part of all that were a few of her favorite albums. Those were these:Al Stewart's Year of the Cat (1976)Time (1981) Electric Light OrchestraTom Petty's Wildflowers (1994)In the Magic Hour (2016), Aoife O'DonovanLorde's Solar Power (2021)Meeting Lauren and having the opportunity to sit down and visit with her was an experience I won't soon forget. Many thanks to her for her time and positive energy. Oh, and anyone that considers Tom Petty to be their ghost dad his a-okay in my book.And thank you to all of you that support the podcast.Cheers.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are cuts from a Phish track called, "Breath and Burning," which comes from their oft-trashed (but not wisely so) 2016 release, Big Boat (c/o 1016 Phish). As Machines Within guy once said, "Eff all the haters."

Myla McCune, in all of her loveliness, graced me with her presence for Episode No. 126.She's a daughter and a sibling and a sculptor and a gal that's not afraid to take on challenges. You can find her on Instagram or at mylalamar.com, if you're interested in checking out her work or commissioning her to do a piece for you.Myla and I talked about school and art and family and growing up and gender-role expectations that're maybe midwest-rooted. We also talked about a few of her favorite albums. Those were these:Jim Croce's Don't Mess Around With Jim (1972) Back to Black (2006), Amy WinehouseDuffy's Rockferry (2008)The Fame (2008), Lady GagaIt was a privilege and an honor that Myla made time for me amidst her then-busy, end-of-semester schedule. I'll be keeping my eyes peeled for cool stuff to continue to come from her neck of the woods. I understand she's been traveling, a bit off of the grid, and spending time with family back home for the summer, so I'm happy for her that her 2024 seems to have been full of a variety of good stuff.Thank you to Myla and to all of my guests. The e-mail address is badassrecordspodcast over on the Gmails if you're feeling like you'd like to be one or know of someone that would. My appreciation goes out to all who've supported the show in the various ways that that's possible.Cheers.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are clips I've poached from a track called, "Dirty Listening," by Groove Armada. It comes from their 1998 release, Northern Star, c/o Tummy Touch Records LLC.

Philip Clark is a son, a brother, a husband, a vinyl collector, and a music lover. He has hosted a radio show and a podcast, and has been a vocalist for B.A.T.S., The Dead Laughter, and Johnny Switchblade. He was also kind enough to be my guest for Episode No. 125 of Badass Records. Philip and I covered a decent amount of ground in just under two hours, and a good portion of that was centered on discussing a few of his favorite albums. Those were these:Kind of Blue (1959), Miles DavisShawn Phillips' Collaboration (1970)Station to Station (1976), David BowiePatti Smith's Radio Ethiopia (1976)Fresh Fruit for Rotting Vegetables (1980), Dead KennedysMisfits' Walk Among Us (1982)Doolittle (1989), PixiesDanzig's Danzig II: Lucifuge (1990)Let Love In (1994), Nick Cave & the Bad SeedsModest Mouse's The Lonesome Crowded West (1997)In the Aeroplane Over the Sea (1998), Neutral Milk HotelNine Inch Nails' The Fragile (1999)The Decline (1999), NOFXSongs: Ohia's The Lioness (2000)Something About My 20s (2016), Four Arm Shiver Chatting with Philip was a lovely time, and -- once you've checked out our conversation -- you should ready yourself to see him perform reunion-style, live with Johnny Switchblade as part of the 3rd Annual Darryl Memorial, Saturday, July 13th, at Farewell (6515 Stadium Drive in Kansas City). There are three other acts on the bill. Doors at 7:00; music at 8:00. Thank you to Philip and to all of those that support the podcast. Cheers.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are clips from a Phish tune called, "Silent in the Morning," which I snagged from their 1993 release, Rift. This album is must-listen for all music lovers. It's an indisputable badass-record touchstone, and exists c/o Elektra Entertainment, A Division of Warner Communications Inc. for the United States and WEA International for the world outside of the United States.

When Rich Wheeler shows up, shit gets weird. I'm kidding. I stole a version of that verbiage from a Facebook post from a few months back. A musician that had just gigged with Rich wrote it with high-praise-worthy intentions, and I loved the heck out of it. So, Mr. Wheeler was kind enough to lend me a portion of one of his Saturday afternoons not too long ago, and I was clumsy enough to screw up the video portion of our conversation, so...audio-only it is. And thank the heavens that I didn't botch that portion of the thing, 'cause this chat was next-level. Rich just might be the sharpest dude I've chewed the fat with so far, and believe me -- there've been some sharp ones. I really enjoyed learning a little bit about him, his experiences, his horn-playing savvy, not to mention a few of his favorite albums, which were these:McCoy Tyner's The Real McCoy (1967)Nude Ants (1980), Keith JarrettMaceo Parker's Life on Planet Groove (1992)Blackstar (2016), David Bowie Rich jams, gigs, and records with a number of folks around town. You can find him on such releases as Live at Jardine's by the Brandon Draper Quintet. He's in tight with the Draper Family Band, he's currently working on a project with Jackie Myers. He gave Blue Note Records props, which is aces in my book. He's a huge Joe Henderson fan, and he just might be the dopest tenor-sax player in the region. Many thanks to Rich, and much love to all of you who support Badass Records.copyright disclaimer: I do not own the rights to the audio samples contained in this episode. They're cuts from a track called, "Turn It On," by The Greyboy Allstars, which comes from their 2022 release, Get a Job (c/o Knowledge Room Recordings).

As the beat goes on, I found myself lucky enough to sit down with Brian McCarty, and visit with him about his life and his journey as a musician. It's Episode No. 123, and this one was a treat. Please join me and Brian as we talk about his roles in The Matchsellers, Greg Blake & Hometown, plus his duo setup. We also poked around at family and growing up, the pursuit of dreams, happiness, and the appropriate life path to walk. We also took a peek at a few of his favorite records, which were these:Black Sabbath's Paranoid (1970)Newgrass Revival (s/t), (1972)Dead Milkmen's Big Lizard in My Backyard (1985)Del & the Boys (2001), Del McCoury Band I feel very grateful to have had this conversation with Brian, and to have gotten this podcast to the place it has come to live. Thank you to those of you that support it, and best of luck to Brian in his future endeavors. Note: Apologies to Bob Stewart; the name of the University of Missouri-Kansas City publication is New Letters and its radio-companion piece is New Letters on the Air. Letters, not voices.copyright disclaimer: I do not own the rights to the audio clips contained in the intro/outro/promo portions of this episode. They are snippets from a tune called, "Madison," which comes from Drugdealer's 2022 album, Hiding in Plain Sight, c/o Mexican Summer.

Maura Dayton. Awesome human being.Maura -- in all of Maura's awesomeness -- is a daughter, a sister, a student, a bandmate, an expert in a good many things, and Maura's also my guest for Episode No. 122.Maura might've had the greatest set of parents in all of American rock 'n' roll parenting history.Who knows. Either way, Maura's a person that knows a thing or two about music, has passion for music, loves playing music, and -- oh, yeah -- did I mention that Maura absolutely crushes it in the world of professional photography and can write copy to go along with it?You should check out Maura's Instagram page, and -- why'll you're there -- keep in mind that Maura also plays six-string for Catfight out of Lawrence, KS.There's a hundred other reasons why you should check out my conversation with Maura and stop paying attention to this snoozy episode verbiage, but...I'd be remiss if I didn't mention that meeting Maura was a treat, and I'm super-pleased that we had our visit.Oh, and, shit...I almost forgot: We talked a little bit about a few of Maura's favorite albums. Those were these:Doolittle (1989), PixiesNine Inch Nails' The Downward Spiral (1994)Glow On (2021), TurnstileKnocked Loose's A Tear in the Fabric of Life (2021)copyright disclaimer: I do not own the rights to the audio clips contained in this video. They are snippets from a Phish tune called, "Waste," which is from the 1996 release, Billy Breathes. It's here courtesy of Elektra Entertainment, and -- and I don't say this often -- if it's not a part of your library, it should be. It's 1,000 percent a badass record.

I hate to sound repetitive with my gushing, but man was Episode No. 121 a treat.FK Menace came through and pulled no punches; we could've gabbed all evening.I can't describe how fun this was. What an amazing journey for an awesome dude that is legitimately living the dream.FK's a son, a brother, an artist, an activist, a DJ, a producer, and he's a guy you'd really struggle not to respect and admire. Solid, solid human being.We talked a little bit about growing up, art school, inventing one's self, life lessons, and so much more. We also talked a little bit about a few of his favorite records. Those were these:Curtis Mayfield's Superfly (1972)The Infamous (1995), Mobb DeepDelinquent Habits' Here Come the Horns (1998)Mista Don't Play (Everythangs Workin) (2001), Project PatMF Doom's MM..Food (2004)The Good Book, Vol. 2 (2017), The Alchemist/BudgieYou can peep some FK Menace action on his Web site or on his Facebook page, but for sure follow him on Instagram on both his personal page as well as on Sabados.Blessed. Thankful. Humbled.Get some.copyright disclaimer: I do not own the rights to the audio samples featured in this episode. They're cuts from a track called, "Inversion Layer," by Robert Walter's 20th Congress off of their 2013 effort, Get Thy Bearings (c/o Royal Potato Family).

Jackie Myers!Very excited to have met this lovely lady who's a highly educated human being, a professional pianist, a daughter, a sister, a wife, a dog lover, and a fantastic conversationalist.Mrs. Myers stopped by for Episode No. 120, and we talked family, the road, recording, writing, experimenting, gigging, and more.We also talked a little bit about a few of Jackie's favorite albums, and those were these:Ella & Louis (1956), Ella Fitzgerald & Louis ArmstrongMiles Davis' Four & More (1966)Tapestry (1971), Carole KingJoni Mitchell's Mingus (1979)Skol (1979), Oscar Peterson & Stéphane GrappelliSteve Lehman Octet's Travail, Transformation, & Flow (2009)Give Jackie Myers Music a follow on Facebook and/or Instagram. You can find her stuff on Bandcamp or where you stream/download your music, and her Web site is jackiemyersmusic.com.You can catch her live this evening (or Saturday) at Chaz on the Plaza, and be sure to keep your ears peeled for an upcoming studio release. I know it's going to be an exciting listen.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are clips from a Phish tune called, "Magilla," which can be found on the badass record, A Picture of Nectar (1992), c/o Elektra Entertainment.

Damon Arredondo is a son, a brother, a father, an entrepreneur, a dreamer, a brewer, and -- based on the four hours I spent with him in my basement studio -- an amazing human being. He's the owner and founder of Rizoma Liquid Creations, and he's my guest for Episode No. 119.Damon and I talked about growing up, family, heritage and culture, parenthood, collaborations, mental health, and beer, to just mention a few topics.We also talked about a few of Damon's favorite records, which were these:Sunrise over the Sea (2004), The John Butler TrioBalmorhea's Stranger (2012)Pedestrian Verse (2013), Frightened RabbitDirty Heads' Sound of Change (2014)Origin (Original Motion Picture Soundtrack) (2023), Kris Bowers*Rizoma continues to search for a location to call home here in Kansas City, and -- while that search continues -- Damon has been selected to participate in the Crafted for Action Conference in Atlanta next month. And if I may speak on behalf of Damon, he needs your contribution to see this important step in the process through. If you trust me when I say that Damon is good people, or if you enjoyed our conversation here on the podcast, or if you're just a kind/giving person at your core, please take a moment to learn a little bit more about this portion of Damon's journey to seeing his dream through. You can do so here.It was a privilege to meet Damon and an honor to share some time with him. I appreciate you being here and supporting the podcast, and if you are able to support Damon, well I appreciate you for that, too. Thank you.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are samples from a tune called, "Bassackwards" by Kurt Vile. The track is from his 2018 release, Bottle It In (c/o Matador Records), and I'm not going to tell you that the album is a badass record, but I will tell you that Mr. Vile is a lifetime member on the Board of Badassery. So take those tidbits and decide for yourself.*Damon loves the Stan Walker tune, "I AM" from this soundtrack, not necessarily the entire collection. I chose to list the soundtrack as part of his list just because I'm a dork like that and couldn't have a lone track listed all by its lonesome.

Kathryn Hunter is a daughter, a sibling, a wife, and the proprietor of both Voodoo Hippie Girl's Free Spirited Threads and Wasted Land Apparel. She's a dye artist/designer, a brilliant mind, a lover of books and music, and she's my guest for Episode No. 118.Meeting Kathryn was a treat and sitting down with her to talk family, upbringing, and her passions was both enlightening and entertaining. And it wouldn't be an installment of Badass Records if we didn't examine a few of her favorite records.Those were these:Woods 5: Grey Skies & Electric Light (2012), Woods of YpresMr. Blotto's Thread (2013)Blue Mountain (2016), Bob WeirStarset's Divisions (2019)Please consider giving Kathryn a follow on Instagram for one or both of her outfits, and definitely consider giving that Bob Weir record a spin if you aren't already familiar with it. Thank you to Kathryn and thank you to all who support the show.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are clips from a tune called, "Reba," which I lifted from the 1990 Phish album, Lawn Boy (c/o of Phish Inc.). It's historically been something of a polarizing track, but one detail remains undebatable, and that is this: Phish is the greatest rock band in American music history, and this release -- their sophomore effort -- is, without question, a badass record.

Mark Verbeck is a son, a brother, a husband, and a father. He's also a classically trained musician. He's one-half of Scotch Hollow, and he's my guest for Episode No. 117.Mark and I talked about that band life, how music's taken him from central PA to Nashville to Chicago, and finally to KC. We talked about gigging, recording, and how parenthood challenges each of those things.We also talked a little bit about a few of Mark's favorite records.Those were these:Robert Johnson's King of the Delta Blues Singers (1961)Doc Watson* (1964)The Red Hot Chili Peppers' Blood Sugar Sex Magik (1991) Far Beyond Driven (1994), PanteraCheck out Scotch Hollow on bandcamp, Instagram, Facebook, YouTube, Apple Music, and at scotchhollowmusic.com. Many thanks to Mark for his time, and to you for pausing your day to check out our conversation.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are clips from a track called, "Up & Out," by the amazing Slide Five. The tune comes from their 1996 release, Rhode Trip, c/o Ubiquity Recordings, Inc.*It's important to me to own gaffes, and I gaffed the eff outta talking Doc Watson by saying multiple times that this was the first episode of Badass Records to have a Doc Watson record appear on it. It wasn't; Brooke Kafka had one on her list just a handful of episodes ago. My apologies to both Brooke and to the late Mr. Watson. I musta been running on fumes.

Chris Kinsley joined me for Episode #116, and our coming together for this conversation resulted via collaboration with Chris's band, Arson Class, Sid Sowder's toomuchrock.com, and myself.Sid's Too Much Rock project has a number of intriguing aspects to it, i.e. concert reviews, stills, and footage. It also has a weekly podcast that is rapidly approaching the 700-episode mark. More pertinent to today, however, is the revitalization of his Too Much Rock Single Series, which -- with the release of Arson Class's new single, "Junior" -- celebrates its 11th installment.Tomorrow, then, Friday, May 3rd, Chris and Arson Class will be celebrating "Junior"'s release with a live set at Sister Anne's Records & Coffee, at 901 E. 31st Street, here in Kansas City."Junior" will be available for purchase at area record stores, via a few online retailers, as well as directly from the band. It is only available as a limited-edition 7" vinyl pressing, and features an Arson Class cover of John Cougar's "American Dream" as its B-side.Chris sat down with me to discuss family, band life, serving in the military, and -- of course -- a few of his favorite records.Those were these:Horse Bites Dog Cries (1986), D.I.The Cramps' Flamejob (1994)Do or Die (1998), Dropkick MurphysArson Class has an EP, an LP, and a pair of singles you can purchase or access from their bandcamp page. You can also find their stuff where you stream your music. You can give them a follow on Facebook or Instagram, or catch them live on either May 18th at Centennial Skate Park in Lawrence, KS, June 1st at miniBar in Kansas City, or on July 20th at Scene of the Crash in Sioux City, Nebraska.Too Much Rock can be followed on Instagram, Facebook, Twitter, and Bluesky, and you can tune in to my conversation with Sid in Episode #105 of Badass Records.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are portions of a track called, "Your Friendly Neighborhood Sugar Man" by The Sugarman 3. The tune comes from their 2012 release, What the World Needs Now, c/o Daptone Records.

When Tisha Cash told me she was on board to do an installment of Becoming a Swifty, I thought, Well, how cool is that?!This is the third episode of this series and I've now done talks with someone from my personal life, a complete stranger, and now -- thanks to Tisha -- someone from the professional world.And what a fun chat it was.Tisha and I go back roughly a decade ago to the time when I was about to become a parent for the second time, but we hadn't seen each other for a good little bit, so it was great to catch up with her and find out what's been happening in her world.We talked about a number of things and eventually made our way to talking the one and only, Taylor Swift. And while we recorded this before Miss Swift's new record dropped, we were able to talk not only about the anticipation of said drop, but also what Tisha's favorite T-Swift albums are. Those were these:Red (2012)1989 (2014)Folklore (2020)Evermore (2020)So, many thanks to Tisha for making the trek down to the studio and doing an episode with me. Many thanks to the Swifties that have checked out the previous installments of the series (Episode #95, featuring Sophia Reade and Episode #98, featuring Christie Smerchek).If you'd like to share a little bit about your journey to Swiftydom, drop me a line at badassrecordspodcast over on the Gmails. We'll see if we can't get you in the chair.Cheers.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are clips from a tune called, "Time to Move On," by the late, great Tom Petty. The track comes from his 1994 release, Wildflowers, which is an all-time, undisputed record of badassery. It exists c/o 1994 Warner Records Inc.