Podcast appearances and mentions of Joe McPhee

MARK FELDMAN “SECRETS” New York, January, 2008Lubavitcher nigun, Avinu malkenu, Chabad nigunUri Caine (p) Mark Feldman (vln) Greg Cohen (b) Joey Baron (d) EUNHYE JEONG & MICHAEL BISIO “MORNING BELLS WHISTLE BRIGHT” March 8, 2023 at Park West Studios, Brooklyn, NYPoint Expands to World, And Then She Was There, Coda for TomorrowEunhye Jeong (p) Michael Bisio (b) Joe McPhee (st) Jay Rosen (dr). Continue reading Puro Jazz 25 de abril, 2025 at PuroJazz.

MARK FELDMAN “SECRETS” New York, January, 2008Lubavitcher nigun, Avinu malkenu, Chabad nigunUri Caine (p) Mark Feldman (vln) Greg Cohen (b) Joey Baron (d) EUNHYE JEONG & MICHAEL BISIO “MORNING BELLS WHISTLE BRIGHT” March 8, 2023 at Park West Studios, Brooklyn, NYPoint Expands to World, And Then She Was There, Coda for TomorrowEunhye Jeong (p) Michael Bisio (b) Joe McPhee (st) Jay Rosen (dr). Continue reading Puro Jazz 25 de abril, 2025 at PuroJazz.

Aired 4/18/25 on 97.3/107.9 The Rock in Morro Bay, CA.Lou Reed ~ Vicious (live)Johnny Thunders & The Heartbreakers ~ Pirate LoveLaughing Clowns ~ Theme from "Mad Flies, Mad Flies"Arthur Russell ~ I Still Love YouTiny Tim ~ Me & The Man on the MoonEgisto Macchi ~ Lampare The Wolfgang Press ~ RaintimeDisco Inferno ~ BrokenOmni ~ ComplimentJonathan Richman & The Modern Lovers ~ Pablo PicassoDog Faced Hermans ~ Keep Your Laws/Off My BodyOld Time Relijun ~ Back to the Water Jeff Parker ~ Chrome DomeJames Brandon Lewis ~ Remembering Brooklyn & MokiAlthea & Donna ~ Uptown Top RankingVanity 6 ~ Bite the Beat Mica Levi ~ slob airLightwave ~ Le parvisHarmonia ~ VeteranoNonlocal Forecast ~ First Concrete Realization Nick Hart & Tom Moore ~ Flowers of EdinburghSam Amidon ~ CussetaDavid Sylvian & Robert Fripp ~ Earthbound (Earthblind)Fennesz ~ PatterningAnna Ferrer ~ Heu Susan Alcorn ~ The Healer (For Diane Keener)Susan Alcorn & Joe McPhee & Ken Vandermark ~ I Am Because You AreSusan Alcorn Quintet ~ R.U.R.Susan Alcorn ~ Invierno Porteno Jowe Head ~ Red Sails

6e émission de la 61e session...Cette semaine, spoken word et jazz moderne! En musique: Jeff Lederer sur l'album Guilty!!! (Little (i), 2024); Damon Locks sur l'album List of Demands  (International Anthem, 2025); Fred Moten, Brandon López & Gerald Cleaver sur l'album The Blacksmiths, The Flowers  (Reading Group, 2024); Ambrose Akinmusire sur l'album honey from a winter stone  (Nonesuch, 2025); Darius Jones sur l'album Legend of e'Boi (The Hypervigilant Eye)  (AUM Fidelity, 2024); Joe McPhee sur l'album I'm Just Say'n  (Smalltown Supersound, 2025)...

For the Record is a conversation series where we speak with all manner of music heads — DJs, music journos, indie label captains, record shop owners, listening bar kingpins, et al — about their stories + the music that makes them. Join the Crate Coalition: https://discord.gg/sAaG6a7bv4 Chris Corsano (b. 1975, USA) is a New York-based drummer who has been active at the intersections of collective improvisation, free jazz, avant-rock, and experimental music since the late 1990's. He's been the rim-batterer of choice for some of the greatest contemporary purveyors of "jazz" (Joe McPhee, Paul Flaherty, Mette Rasmussen, Zoh Amba) and "rock" (Sir Richard Bishop, Bill Orcutt, Jim O'Rourke), as well as artists beyond categorization (Björk for her Volta album and world tour, Michael Flower, Okkyung Lee). The Guardian has called him "one of the world's great drummers." Explore more of this conversation and others: www.greymatter.fm/community/ftr036-chris-corsano --- Send in a voice message: https://podcasters.spotify.com/pod/show/greymatterfm/message

Space is the place_jazz e dintorni Nuova puntata dedicata al jazz e alla musica creativa afro-americana e della diaspora, in occasione del Black History Month. Con Art Ensemble of Chicago/Moor Mother, Christian Scott aTunde Adjuah, Dave Burrell, Amina Claudine Myers,Joe McPhee, Brandee Younger e Binker and Moses. Per diffondere questa puntata: https://www.radiotandem.it/space-is-the-place-del-27-febbraio-2024 Tutti i podcast di Space is the place: https://www.radiotandem.it/space-is-the-place

THIS WEEK's BIRDS:  Kurdish and Hunza music from Pakistan; Abdul Ghani Irani; raga from Prabha Atre; early Albert Ayler; Joe McPhee w. Bill Smith Ensemble; from Mali:  Babani Koné,  Kaniba Ouele Kouyate; from Guinea: Sona Diabate & M'mah Sylla; Oulaya from Tunisia; new Avram Fefer;  much, much more!!!!   Catch the BIRDS live on Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI: 88.1FM Ithaca, 89.7FM Odessa, 91.9FM WINO Watkins Glen. and WORLDWIDE online at WRFI.ORG. 24/7 at via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/WRFI/pl/18375735/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com  

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Benjamin Lapidus is a Grammy-nominated musician who has performed and recorded throughout the world as a bandleader and supporting musician playing guitar, Cuban tres, Puerto Rican cuatro, touch style/tapping instruments (Warr guitar and Chapman Stick), as well as organ. As a scholar, he has published widely on Latin music, and he is a professor at John Jay College of Criminal Justice, CUNY, and The Graduate Center. Since the 1990s, Lapidus has performed and/or recorded Cuban tres, Puerto Rican cuatro, guitar, voice, and other instruments on film soundtracks, video games, television commercials, and albums with some of the most notable musicians in Latin music and jazz. Some of these collaborations include performances and/or recordings with Andy and Jerry González, Ibrahim Ferrer (Buena Vista Social Club), Pío Leyva (Buena Vista Social Club), Manuel “Puntillita” Alicea (Buena Vista Social Club), Bobby Carcassés, Orlando “Cachaíto” López, Juan Pablo Torres, NEA Jazz Master Cándido Camero, Larry Harlow, Ruben Blades, Típica 73, John “Dandy” Rodríguez, David Oquendo, Xiomara Laugart, Nicky Marrero, Nelson González, Carlos Abadie, Los Hacheros, Pedrito Martínez, Roman Díaz, Paul Carlon, Adonis Puentes, Pablo Menéndez, Bobby Sanabria, Ralph Irizarry, Charlie Sepulveda, Luis Marín, Humberto Ramírez, Harvie S., Hiram “El Pavo” Remón, Gene Jefferson, Frank Anderson, Enid Lowe, Jared Gold, Greg Glassman, Bobby Harden, Brian Lynch, Mark Weinstein, Jeff “Tain” Watts, Larry Goldings, Chico Álvarez, Alfredo “Chocolate” Armenteros, Emilio Barretto, Eddie Zervigón, José Fajardo, Rudy Calzado, Los Afortunados, Jose Conde, Kaori and Yuko Fujii, Roberto Rodríguez, Maurice El Medioni, Michael Torsone, and many others. As the leader of the Latin jazz group, Sonido Isleño (founded in 1996), he has performed throughout North and South America, Europe, and the Caribbean while releasing five internationally acclaimed albums of his original compositions. In 2007, Lapidus served as musical director and arranger for Garota de Ipanema(JVC/Victor Japan) with Kaori Fujii and toured Japan twice. In 2008, he recorded Herencia Judía and in 2014, he released his eighth album as a leader, Ochósi Blues. Blues for Ochún (2023) is his ninth album as a leader. As a composer, Lapidus' music has been recorded by groups in Cuba and Japan and has been featured in documentaries and television. In 2015, Latin Jazz USA awarded Lapidus a lifetime achievement award for his contributions to Afro-Latin music. In 2015, he wrote the liner notes, contributed an original composition, sang, and played electric guitar and Cuban tres on Andy González's Grammy™-nominated album, Entre Colegas. As profiled on the 2023 television show, Shades of Us (https://youtu.be/I_xMYUtgAhA), Benjamin Lapidus was born in Hershey, PA in 1972 to first-generation Brooklynites and the family moved almost 15 times before returning to New York City when Lapidus was 14. Trained in piano from a young age, he moved through a variety of instruments including trumpet and bass before concentrating on the guitar. Lapidus was exposed to music by his grandmother and his father, who played in Latin and jazz bands in the Catskills in the 1950s. Through his father's record collection and stories of his father's visits with his Latin American relatives, the seeds of Latin music were planted. Yet it wasn't until the 1980s that the youngest Lapidus became immersed in Latin music when he moved to a predominantly Latin neighborhood in New York City, where numerous important musicians also resided. Living a block away from Mikel's jazz club, Lapidus still has vivid memories of practicing in Mario Rivera's house or seeing Mario Bauzá walk down the street. Deciding he needed a complete musical education, Lapidus earned two degrees from Oberlin Conservatory and Oberlin College, becoming one of the program's first jazz guitar graduates. In 1994, Lapidus started to play the Puerto Rican cuatro and Cuban tres. After leading his own quartet at festivals and clubs throughout Europe and winning a grant to study briefly with Steve Lacy in Paris, he returned to the U.S. and worked with Joe McPhee, Joe Giardullo, Tani Tabal, Thomas Workman, and other creative improvisers. At the same time, Lapidus began performing with Larry Harlow, Alex Torres, and other Latin music luminaries in New York and Puerto Rico. Lapidus earned a Ph.D. in Ethnomusicology at the CUNY Graduate Center in 2002. His travels to Cuba acquainted him with distant relatives and grounded him in the music of Eastern Cuba. He has taught guitar and Cuban tres at the New School and popular music of the Caribbean, Latin music in New York, and world music at Queens College and John Jay College of Criminal Justice, CUNY. Today, Lapidus is a professor in the Department of art and Music at John Jay College of Criminal Justice and on the Doctoral Faculty of the Graduate Center, CUNY. In addition, he has served as scholar-in-residence with the New York Center for Jungian Studies and the Jewish Museum during several humanitarian missions to the Jewish communities of Cuba between 2004-2016. In 2008, Lapidus published the first-ever book on the Eastern Cuban musical genre changüí called Origins of Cuban Music and Dance: Changüí (Scarecrow Press). He has published numerous peer-reviewed articles and book chapters, translations, and presented papers at international conferences on Cuban music, Puerto Rican music, Latin jazz, and improvisation. He has also written liner notes for a number of recordings. In 2013, Lapidus won a prestigious National Endowment for the Humanities (NEH) fellowship for his critically acclaimed book New York and the International Sound of Latin Music, 1940-1990 (University Press of Mississippi, 2021). With endorsements from Rubén Blades, Ilán Stavins, and other prominent academics around the world, this ground-breaking book has been featured on BBC 3 Music Matters, NPR's Afropop, and Alt. Latino shows as well as the Miami International Book Fair and countless news outlets. The book maintains its bestseller ranking in Amazon's top 20 salsa books since its release. In this episode, Benjamin shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

"You inspire us to work hard to improve the service we do for the music community." In this episode of MFM Speaks Out, Dawoud Kringle offers a retrospective of the progress of the MFM Speaks Out podcast in 2022. The guests mentioned, and / or whose music was included, include Ken Butler, Ariel Hyatt, Neel Murgai, Banning Eyre, Baba Don Eaton Babatunde, William Parker, Bruce Lee Gallanter, Jeff Slatnick, Hubert Howe, and April Centrone.The progress and accomplishments of MFM as a whole during the year 2022 were also briefly discussed. Topics discussed:Our guest for episode 35 in January was musician, experimental musical instrument builder, and visual artist Ken Butler. He builds hybrid musical instruments and other artworks that explore the interaction and transformation of common and uncommon objects, altered images, sounds and silence.He is internationally recognized as an innovator of experimental musical instruments created from diverse materials including tools, sports equipment, and household objects.February's episode 36 featured Ariel Hyatt. Ariel is a digital marketer, writer, and teacher who assists independent musicians in career development. She is the author of Music Success in 9 Weeks, Cyber PR For Musicians, Crowdstart, and other books. Hyatt worked at New York City's WNEW-FM, and the What Are Records? record label. She moved to Boulder CO, where she managed and handled publicity for the funk band, Lord of Word. She is also the founder and owner of the New York-based public relations firm Cyber PR. Her clients included the Toasters and George Clinton.Neel Murgai was our 37th guest in March. Neel is a sitarist, overtone singer, percussionist, composer, teacher, and Co-Artistic Director of the Brooklyn Raga Massive, a raga inspired musician's collective.Banning Eyre is a writer, guitarist and producer, and the senior editor and producer of the public radio program Afropop Worldwide.  He has traveled and done music research in over 20 African countries, as well as in the Caribbean, South America and Europe. His latest initiative is the launch of Lion Songs Records, an independent label dedicated to uplifting overlooked, mostly acoustic music from the African universe. He is the author of several books, and the co-author of AFROPOP! An Illustrated Guide to Contemporary African Music. Eyre is a contributor to National Public Radio's All Things Considered, and his writing has been published in Billboard, Guitar Player, Salon, the Boston Phoenix, College Music Journal, Option, The Beat, Folk Roots, Global Rhythm, and other publications. He also has a background in technology, and worked for 10 years as a software technical writer. Eyre is also on the Advisory Committee of Musicians for Musicians.  Baba Don Eaton Babatunde. He is a percussionist and master of African Drumming and the rhythms of the African Diaspora in the Americas. Baba Don has performed and recorded with Abidun Oyewole and The Last Poets, Pattie Labelle, Joe Henderson, Donald Brown, Jason Linder, Tyrone Jefferson, Tevin Thomas, James Spaulding, Ron Carter, George Clinton, Pharaoh Sanders, the Metropolitan Orchestra, Bill Laswell, and Philycia Rashadto name a few. His work with dance companies and choreographers includes The Dance Theatre of Harlem, Alvin Ailey Dance Theatre, Maurice Hines, Gregory Hines, Andy Williams, Chuck Davis Dance theatre, Frank Hatchet, Geoffrey Holder, Louis Johnson, and Pyramid Dance Company.Episode 40 featured free jazz bass master William Parker. He has also performed and recorded with Cecil Taylor, Peter Brotzmann, Derek Bailey, John Zorn, Hamid Drake, Anthony Braxton, Milford Graves, Oliver Lake, Daniel Carter, Billy Bang, Andrew Cyrille, Matthew Shipp, Roy Campbell, Warren Smith, Joe McPhee, Roscoe Mitchell, Jemeel Moondoc, Joe Morris, Steve Swell, David S. Ware, Leena Conquest, and many others. He was the leader of the Little Huey Creative Music Orchestra and In Order to Survive, a member of the Other Dimensions in Music cooperative, and co-founder of the musician's non-profit organization Arts For Art. Our guest for episode 41 was Bruce Lee Gallanter, the owner and proprietor of Downtown Music Gallery (DMG), a Manhattan based music store that specializes in new, used, hard to find, and out of print CDs, Vinyl, DVDs, and books. DMG was started in 1991 by David Yamner & Steve Popkin, with Gallanter working for the store. They remained in their first location on east 4th street in Manhattan for 12 years until 2003, and started having weekly free concerts, an idea that Gallanter had started with Manny Maris when they worked at Lunch For Your Ears. Gallanter became the owner in 1997. Around the time. he and Emperor Mike started the DMG newsletter, In 2003, they moved into a new store on the Bowery, not far from St. Marks Place, Tower Records, and Other Music.Jeff Slatnick was our 42nd guest. Jeff has been an employee and later the owner of Music Inn for over 54 years. Music Inn is one of the oldest music stores in New York City (second in longevity only to Sam Ash). It is a landmark music store in the West Village of NYC specializing in imported world and western instruments, rare and exotic music items, and records. Music Inn has been described as “a museum, rich with music history from around the world.” Music Inn is also the headquarters of Limulus, a company that designs and manufactures unique solid body string instruments. Hubert Howe graced the annals of our podcast as our 43rd guest. Hubert was one of the first researchers in computer music, and became Professor of Music and Director of the Electronic Music studios at Queens College in New York, where he was also Director of the Aaron Copland School of Music from 1989 to 1998, 2001 to 2002, and Autumn 2007. He taught at the Juilliard School from 1974 through 1994. In 1988-89 he held the Endowed Chair in Music at the University of Alabama. He has been a member of the Society of Composers, Inc. , President of the US section of the League of Composers / International Society of Contemporary Music, a member of the International Computer Music Association, and directed the International Computer Music Conference at Queens College, a member of Society for Electro-Acoustic Music, a member of BMI, and the American Composers Alliance since 1974 and served as their President from 2002 to 2011. He is a member of the New York Composer's Circle and has served as Executive Director since 2013. In 2009, he founded the New York City Electroacoustic Music Festival, and he continues as Director.Our final guest for for 2022 was April Centrone. April Centrone is a multi-instrumentalist (specialising in the riqq, darbuka, frame drum, trap drum, and oud), co-founder of the New York Arabic Orchestra, teacher, composer, film producer and director, and music therapist. She is a Carnegie Hall World Explorer musician and educator, business owner and founder of 10PRL, arts/film/event space on the Jersey Shore. Shehas performed in venues such as the United Nations, NYC Opera House, Carnegie Hall and Lincoln Center, and has toured throughout Europe, the Americas, Middle East and Far East.Music on this episode:"Aurora" by Adam Reifsteck / Sonic Fear"Building a Desert Blizzard" by Ken Butler"Bagheshri Unbound" by Neel Murgai"Today is a New Day" by Voyagers"25 Years" by Abiodun Oyewole, featurning Baba Don Eaton"Give Me Back My Drum" by William Parker"Warm Arms to Hold You" by Dawoud the Renegade Sufi (a.k.a. Dawoud Kringle)"Inharmonic Fantasy No. 7" by Hubert Howe"New Moon" by April Centrone"Welcome New Iran" by SoSaLa (a.k.a. Sohrab Saadat Ladjevardi)(All music used by permission)

Severance 1x07: Defiant Jazz - analysis Welcome back to ILLUMINATION ABOVE ALL: A SEVERANCE PODCAST... Your host, Ian Buckley and guest Sarah Applegate, take their innies into the workplace as they dissect the seventh episode of season one, 'Defiant Jazz'... Host / Editor / Producer Ian Buckley Guest Sarah Lockmiller Executive Producer Tony Black Find the podcast on Twitter/Facebook: @severancepod Find Tony on Twitter/Instagram/Facebook: @ajblackwriter Support the We Made This podcast network on Patreon: www.patreon.com/wemadethis We Made This on Twitter: @we_madethis We Made This on Facebook: @wemadethis We Made This on Instagram: @wemadethispod wemadethisnetwork.com Title music: Unfoldings (c) Craft Case via epidemicsound.com / Shakey Jake (c) Joe McPhee

Severance 1x07: Defiant Jazz - analysisWelcome back to ILLUMINATION ABOVE ALL: A SEVERANCE PODCAST...Your host, Ian Buckley and guest Sarah Applegate, take their innies into the workplace as they dissect the seventh episode of season one, 'Defiant Jazz'...Host / Editor / ProducerIan BuckleyGuestSarah LockmillerExecutive ProducerTony BlackFind the podcast on Twitter/Facebook: @severancepodFind Tony on Twitter/Instagram/Facebook: @ajblackwriterSupport the We Made This podcast network on Patreon:www.patreon.com/wemadethisWe Made This on Twitter: @we_madethisWe Made This on Facebook: @wemadethisWe Made This on Instagram: @wemadethispodwemadethisnetwork.comTitle music: Unfoldings (c) Craft Case via epidemicsound.com / Shakey Jake (c) Joe McPhee

En JazzX5 suena la versión del tema de Groove Armada “I See You Baby Shakin' That Ass” de The Cato Salsa Experience with The Thing and Joe McPhee Two Bands And A Legend (Smalltown Superjazz; EP; 2007). JazzX5 es un podcast de Pachi Tapiz.

"Music is Defined as Anything that is Beautiful, and What Makes Something Beautiful is Music"Our guest for this episode of MFM Speaks Out is free jazz bass master William Parker. Parker was born in the Bronx, New York City, and grew up in the Melrose housing project. His first instruments were the trumpet, trombone and cello. Parker had no formal training as a classical player, but in his youth studied with Jimmy Garrison, Richard Davis and Wilbur Ware.In the 1980s, he first came to public attention playing with Cecil Taylor. He has also performed and recorded with Peter Brotzmann, Derek Bailey, John Zorn, Hamid Drake, Anthony Braxton, Milford Graves, Oliver Lake, Daniel Carter, Billy Bang, Andrew Cyrille, Matthew Shipp, Roy Campbell, Warren Smith, Joe McPhee, Roscoe Mitchell, Jemeel Moondoc, Joe Morris, Steve Swell, David S. Ware, Leena Conquest, and many others. He also led several groups, such as the Little Huey Creative Music Orchestra and In Order to Survive.His discography is extensive, with dozens of albums as a leader and co-leader, and with the aforementioned artists. They received very favorable reviews from publications such as Downbeat, The Village Voice, The Wall Street Journal, Parker is a prominent musician in the New York City experimental jazz scene, where he leads a number of groups and is associated with the Vision Festival, organized by his wife, dancer / choreographer Patricia Nicholson. He is also a member of the Other Dimensions in Music cooperative, and co-founder of the musician's non-profit organization Arts For Art. He has performed at many prestigious venues and music festivals around the world. In addition to double bass, Parker also plays trumpet, tuba, bamboo flutes, shakuhachi, flute, double reeds, Kora, gembri, and donso ngoni.In 2006, Parker was awarded the Resounding Vision Award from Nameless Sound. In March 2007, his book of political thoughts, poems, and musicological essays, Who Owns Music?, was published by Buddy's Knife Jazzedition in Cologne, Germany.  In June 2011, Parker's second book, Conversations, a collection of interviews with notable free jazz musicians and forward thinkers, mainly from the African-American community, was published by RogueArt. Parker is frequently noted for his community dedication, mentorship, and status as "unofficial mayor of the New York improvisational scene." The Village Voice named him "the most consistently brilliant free jazz bassist of all time" and Downbeat has called him "one of the most adventurous and prolific bandleaders in jazz."Topics discussed:His beginnings as a musician and what led him to free jazz, his work with Cecil Taylor, Roy Campbell, Hamid Drake, Jimmy Garrison, and many others, his work and long association with Arts for Art (AFA), the Vision Festival, the Other Dimensions in Music Cooperative, AFA's kinship with other musician's organizations, his thoughts on hip hop, social media, and modern music technology, racism in America, the spiritual essence of music (especially free / improvised music), the future of free jazz, and his experience, thoughts, and advice about the political and economic climate of the the music business.Music on this episode:"Give Me Back My Drum""It's A Great Day to Be Dead""Canyons of Light"All Music by William Parker

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ A Sudden Chill by Arthur Russell on The Deer in the Forest (March 2, 1985 Live at Roulette) (Audika) 4′11″ Shortnin'/Henduck by Otha Turner And The Rising Star Fife and Drum Band on Everybody Hollerin' Goat (Birdman Records) 7′00″ Come Down by Sons of Negus on A Psalm Of Praises To The Most High 1967​-​1972 (Dub Store Records) 10′19″ Center of the World Part I by Frank Wright Quartet on Center of the World (Center of the World) 31′44″ Birth, Life, and Death by Black Unity Trio on Al-Fatihah (Gotta Groove Records / Salaam Records) 41′22″ Scorpio's Dance by Joe McPhee on Nation Time (Atavistic Records) 50′09″ Gotta Be Juicy (Or It Ain't Love) by Sandy Bull on Demolition Derby (Vanguard Records) 55′52″ Expecting to Fly by Neil Young, Buffalo Springfield on Neil Young Archives Vol. 1 (1963-1972) (Reprise) Check out the full archives on the website.

Un titan du jazz apparaissant sur plus de 120 albums et qui a participé activement à la création et au… The post S05E09 Joe McPHEE first appeared on Radio Campus Angers.

New JazzPlaylist: Matt Mitchell & Kate Gentile - Deep RecessHenry Threadgill - PoofJen Shyu & Jade Tongue - Lament for Breonna TaylorLaura Reid and Mark Limacher - FourMichael Marcus, Joe Mcphee, Jay Rosen, Warren Smith - Love Exists EverywhereJason Sharp - Blossoming RestBitter Fictions - RespiteThe Residents - Act of Being PoliteThe Residents - The Aging MusicianJessica Ackerley and Daniel Carter - Welcome, Out FriendsBass Dreams Minus b - Not With itMarc Ribot and Ceramic Dog - Wear Your Love Like HeavenMujician - 10 10 10

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Song IV (Quintet) by Peter Zummo on Lateral Pass (Foom) 15′29″ Stress Osaka by Éliane Radigue on Feedback Works 1969-1970 (Alga Marghen) 26′55″ Cosmic Love No. 2 by Joe McPhee on Sound on Sound (Catalytic Sound) 32′32″ Aspen Leaves by Tom van der Geld on Small Mountain (Marimba Music - Music for Four Marimbas) (Wergo) 39′21″ Kubaily Mama by Mustapha Baqbou مصطفى باقبو on Mamaryo (Sawt el Haouz) 48′46″ Heman Dubh by Pierre Bensusan on Nice Feeling (Déclic Communication) 51′08″ Dark as a Dungeon by Odetta on Odetta Sings the Ballad for Americans and Other American Ballads (Vanguard) 56′23″ I Want You In My Life by R. Stevie Moore on Phonograhy (HP Music) Check out the full archives on the website.

Rodrigo AmadoNomeado, pelo sétimo ano consecutivo, pela prestigiada El Intruso International Critics Poll como um dos cinco melhores saxofonistas tenor em actividade, ao lado de Evan Parker, Joe Lovano, Ken Vandermark, Jon Irabagon, Ivo Perelman, James Brandon Lewis, Chris Potter ou Ingrid Laubrock, Rodrigo Amado acaba de editar "Let The Free Be Men" (Trost), o terceiro álbum do quarteto que mantém com três das mais importantes figuras do jazz livre actual - Joe McPhee, Kent Kessler e Chris Corsano. Ainda este ano, editou também “The Field” (No Business), o sétimo álbum do seu celebrado Motion Trio, aqui com a participação do lendário pianista alemão Alexander von Schlippenbach. O ano de 2021 anuncia-se intenso, com a realização prevista de uma extensa tour Europeia dos Humanization Quartet e ainda inúmeros concertos um pouco por toda a Europa. Com o seu quarteto americano, à frente dos Motion Trio, com Miguel Mira e Gabriel Ferrandini, ou integrado nos Humanization Quartet, Amado realizou nos últimos anos inúmeras tournées na Europa e nos Estados Unidos, tendo passado por salas de referência como o Snug Harbor em New Orleans, Hideout em Chicago, The Stone em Nova Iorque, Bimhuis em Amsterdão, DOM em Moscovo, Jazz House em Copenhaga, Cafe Oto em Londres, Pardon To Tu em Varsóvia, De Singer em Antuérpia, Manufaktur em Estugarda ou a State Philharmony Hall em Oradea, vendo o seu trabalho aclamado em publicações internacionais de referência como a revista The Wire, ou os jornais El País e Folha de São Paulo. Com uma série de novas tours previstas para 2021 e 2022, Amado afirma-se, cada vez mais, como um dos mais destacados improvisadores Europeus. Como refere o crítico e escritor norte-americano Stuart Broomer nas liner notes que escreveu para "This Is Our Language", "Amado is an emerging master of a great tradition, more apparent with each new recording or performance." Amado desenvolve ainda intensa actividade como fotógrafo, tendo realizado inúmeras exposições individuais (Maus Hábitos, Porto; Museu da Electricidade, Fundação EDP, Lisboa; Museu da Imagem, Braga; Galeria Módulo, Lisboa; Quase Galeria, Porto; Kameraphoto, Lisboa) e colectivas. Editou em 2012 o livro “Um Certain Malaise” (Documenta), com imagens suas e textos de Gonçalo M Tavares. Links:https://www.rodrigoamado.com/https://rodrigoamado.bandcamp.com/https://www.culturgest.pt/pt/programacao/RodrigoAmado-JoeMcPhee-KentKessler-ChrisCorsano/https://www.publico.pt/2015/09/08/video/rodrigo-amado-joe-mcphee-kent-kessler-e-chris-corsano-20150908-132231https://www.rimasebatidas.pt/rodrigo-amado-toco-um-instrumento-que-tem-o-sopro-da-liberdade/https://www.fundacaoedp.pt/pt/noticias/un-certain-malaisehttps://www.publico.pt/2018/06/15/culturaipsilon/noticia/para-rodrigo-amado-e-tempo-de-ir-mais-fundo-nas-raizes-1834127https://jazz.pt/ponto-escuta/2018/06/08/rodrigo-amado-history-nothing-trost/ https://www.timeout.pt/lisboa/pt/musica/cinco-saxofonistas-de-jazz-portugueses-que-precisa-de-ouvirhttps://www.youtube.com/watch?v=uxCYGdxkamchttps://www.youtube.com/watch?v=3Rwf5qql4Ac Episódio gravado a 29.07.2021 http://www.appleton.ptMecenas Appleton:HCI / Colecção Maria e Armando CabralFinanciamento:República Portuguesa - Cultura / DGArtesApoio:Câmara Municipal de Lisboa

Dry the pool, dry concrete, brown edged,And the pool was filled with water out of sunlight,And the lotos rose, quietly, quietly,and said shooby dooby doo - er, well, maybe not according to T. S. Eliot, but those aren't the four quartets we're talking about.  Instead, we've got a mix of progressive and nostalgic takes on a jazz combo format as old as time and much, much hipper than "Cats."  Horizons Quartet – HORIZONS QUARTET; Michael Marcus, Joe McPhee, Jay Rosen & Warren Smith - BLUE REALITY QUARTET; Bruce Harris – SOUNDVIEW; Mike Clark and Michael Zilber – MIKE DROP.

Sana Nagano. Smashing Humans, 2021. Burning Ghosts. Reclamation, 2017. Can. Live In Stuttgart 1975, 2021. East Axis. Cool with that, 2021 Rodrigo Amado / Joe McPhee / Kent Kessler / Chris Corsano. Let The Free Be Men, 2021.

Sana Nagano. Smashing Humans, 2021. Burning Ghosts. Reclamation, 2017. Can. Live In Stuttgart 1975, 2021. East Axis. Cool with that, 2021 Rodrigo Amado / Joe McPhee / Kent Kessler / Chris Corsano. Let The Free Be Men, 2021.

Sana Nagano. Smashing Humans, 2021. Burning Ghosts. Reclamation, 2017. Can. Live In Stuttgart 1975, 2021. East Axis. Cool with that, 2021 Rodrigo Amado / Joe McPhee / Kent Kessler / Chris Corsano. Let The Free Be Men, 2021.

Sana Nagano. Smashing Humans, 2021. Burning Ghosts. Reclamation, 2017. Can. Live In Stuttgart 1975, 2021. East Axis. Cool with that, 2021 Rodrigo Amado / Joe McPhee / Kent Kessler / Chris Corsano. Let The Free Be Men, 2021.

7e émission de la 50e session... Cette semaine, post-bop et freejazz! En musique: Gregory Charles Royal sur l'album Dream Come True  (GCR Music Company, 1979); Stan Tracey sur l'album Portraits Plus  (Blue Note, 1992); Takeo Moriyama sur l'album East Plants (Vap, 1983); The Ric Colbeck Quartet sur l'album The Sun is Coming Up  (Fontana, 1970); Flow Trio with Joe McPhee sur l'album Winter Garden  (ESP-Disk', 2021); Tony Malaby sur l'album Turnpike Diaries Vol. 3 Big Mammals  (Indépendant, 2021); Space Quartet sur l'album Under the Sun  (Noise Precision Library, 2020)...

7e émission de la 50e session... Cette semaine, post-bop et freejazz! En musique: Gregory Charles Royal sur l'album Dream Come True  (GCR Music Company, 1979); Stan Tracey sur l'album Portraits Plus  (Blue Note, 1992); Takeo Moriyama sur l'album East Plants (Vap, 1983); The Ric Colbeck Quartet sur l'album The Sun is Coming Up  (Fontana, 1970); Flow Trio with Joe McPhee sur l'album Winter Garden  (ESP-Disk', 2021); Tony Malaby sur l'album Turnpike Diaries Vol. 3 Big Mammals  (Indépendant, 2021); Space Quartet sur l'album Under the Sun  (Noise Precision Library, 2020)...

In this November 2015 conversation with Ken Vandermark, Joe McPhee discusses his experiences with John Coltrane, Ornette Coleman, and Don Cherry, finding Clifford Thornton's trombone in a used music store, and the connections between poetry and music. This episode is sponsored by Astral Spirits Records (astralspirits.bandcamp.com): “The New Wave of Heavy Free Jazz since September 2014.”

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Follow You by Arthur Russell on Iowa Dream (Audika) 10′17″ Bliss by Pete La Roca on Turkish Women at the Bath (Douglas SD 782) 15′11″ Alt Starter Med Regn by Koboku Senju on Selektiv Hogst (SOFA) 23′50″ In My Arms, Many Flowers by Daniel Schmidt on In My Arms, Many Flowers (Recital) 30′35″ Love On a Concrete Floor by Alina Kalancea on Impedance (Important Records) 37′37″ Red Planes by Weekend on The '81 Demos (Blackest Ever Black) 46′34″ Soprano / Echoplex Number 3 by Joe McPhee on Sound on Sound (Catalytic Sound) 49′56″ Mutual Aid Music III-I by Nate Wooley on Mutual Aid Music (Pleasure of the Text) 57′39″ Untitled 6 by Svitlana Nianio & Oleksandr Yurchenko on Znayesh Yak? (Night School) 62′30″ The Time Has Come by Bert Jansch & John Renbourn on Bert & John (Transatlantic) Check out the full archives on the website.

Sarah Weaver, Ph.D. is a New York-based contemporary composer, conductor, technologist, educator, and researcher working internationally as a specialist in Network Arts. Weaver has composed solo, chamber, and large ensemble works for groundbreaking musicians for twenty-five years, integrating influences of jazz, contemporary classical, improvisation, computer music, world music, and individual music languages of performers. She is an innovator of live performance via the internet by musicians and artists in different geographic locations, encompassing numerous artistic projects with collaborators and interdisciplinary projects with groups such as NASA Kepler/K2 Mission and United Nations. Weaver is the director of NowNet Arts, director of the Sarah Weaver Ensemble, and editor of the Journal of Network Music and Arts (JONMA). She is on the faculty of New School College of Performing Arts, Performer-Composer Masters Program. Weaver is a member of ASCAP, College Music Society, National Association of Composers, and board member of the JackTrip Foundation. Music: “Sound in Peace" by Sarah Weaver, performed by Joe McPhee and Sarah Weaver; TeleCello Concerto by Sarah Weaver and Chris Chafe, performed by Tintinnabulate and SoundWIRE; "Universal Synchrony Music: Kepler/K2" by Sarah Weaver, performed by NowNet Arts Ensemble Follow Sarah on Facebook. sarahweaver.org, nownetarts.org Co-hosts: Eric Lemmon and Niloufar Nourbakhsh Follow us on Facebook, Instagram, and Twitter. ensembledecipher.com Contact us at decipherists@ensembledecipher.com. Decipher This! is produced by Joseph Bohigian; intro sounds by Eric Lemmon; outro music toy_3 by Eric Lemmon.

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ A Sudden Chill by Arthur Russell on The Deer in the Forest (March 2, 1985 Live at Roulette) (Audika) 4′11″ Shortnin'/Henduck by Otha Turner And The Rising Star Fife and Drum Band on Everybody Hollerin' Goat (Birdman Records) 7′00″ Come Down by Sons of Negus on A Psalm Of Praises To The Most High 1967​-​1972 (Dub Store Records) 10′19″ Center of the World Part I by Frank Wright Quartet on Center of the World (Center of the World) 31′44″ Birth, Life, and Death by Black Unity Trio on Al-Fatihah ( Gotta Groove Records / Salaam Records) 41′22″ Scorpio's Dance by Joe McPhee on Nation Time (Atavistic Records) 50′09″ Gotta Be Juicy (Or It Ain't Love) by Sandy Bull on Demolition Derby (Vanguard Records) 55′52″ Expecting to Fly by Neil Young, Buffalo Springfield on Neil Young Archives Vol. 1 (1963-1972) (Reprise) Check out the full archives on the website.

Sintonía: "All Pervading" - Edward Larry Gordon "Peyote Song No. III" - Horace Tapscott & The Pan Afrikan Peoples Arkestra; "Shadow Sculptures" - Joe McPhee; "Street Ends" - Errol Parker; "3/4´s of 4/4" - Amina Claudine Myers; "Freedom Time" - The Pharaohs; "The Blessing Song" - Michael White; "Black Survival" - Roy Brooks & The Artistic Truth; "Dig Where Dat´s At" - Lloyd McNeill; "Attica Blues" - Archie Shepp Escuchar audio

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′0″ Singing Tractors 64 by Arthur's Landing on Arthur's Landing (Strut) 4′17″ Orange Fish Tears by Baikida EJ Carroll on Orange Fish Tears (Palm) 15′6″ Cosmic Love by Joe McPhee on Sound on Sound (Catalytic Sound) 20′28″ In Light of Marwa by Kali Malone on XKatedral Volume II (XKatedral) 31′28″ Physics by Lori Goldston on Creekside: Solo Cello (Mississippi) 36′30″ Buildings by Gate on Fear of Music (Fabrica ) 38′34″ Papa Doc by Dadamah on This is Not a Dream (Kranky) 41′56″ Arboretum by Unwound on New Plastic Ideas (Kill Rock Stars) 46′52″ Ring the Bell by Songs:Ohia on Didn't It Rain (Secretly Canadian) 52′59″ All Come to Meet Her by Alexander 'Skip' Spence on Oar (Sony) 56′18″ Will It Be by Michael Yonkers on Lovely Gold (Drag City) The next World of Echo is on Monday, September 7th at 7:00 am. Check out the full archives on the website.

On today's podcast we have Dr. Joe McPhee. From a small town in rural Nova Scotia to the big city, Dr. Joe McPhee has travelled much of Canada in his research explorations. Join us in learning about his undergraduate experience in a chemistry program where he found his passion in microbiology and pursued it in graduate school. We asked him some rapid fire questions in the last third of the podcast and uncovered some hilarious stories. He also touched on some personal stories about his experience during the pandemic and his never stopping persistence in finding ways to make memorable undergraduate experiences for his students. So please lean in and enjoy my conversation with Dr. Joe McPhee.

edicamos Rebelión Sónica al importante cantante, guitarrista, compositor, improvisador y productor estadounidense de origen brasileño, Arto Lindsay. En primer lugar lo escuchamos en su faceta más experimental con material del disco “Largest Afternoon”, que grabó junto al cuarteto integrado por él en guitarra, el baterista Phil Sudderberg y los vientistas Ken Vandermark y Joe McPhee. El álbum de improvisación libre, publicado el 23 de diciembre de 2019, fue grabado en una sesión en 09 de febrero de aquel año en el estudio Experimental Sound de Chicago. Luego, viajamos al pasado en la extensa obra del artista, para destacar dos de sus bandas de distintas épocas: Ambitious Lovers y DNA. En el primer caso, escucharemos música de “Lust” de 1991, tercer y último disco de la agrupación que unió funk, pop y bossa nova entre mediados de los 80 y principios de los 90. Finalmente retrocedemos diez años más al pasado, para sumergirnos en el sonido de DNA, una de las agrupaciones claves del No Wave, con material del EP de 1981, “A Taste Of DNA”. Proyecto de Lindsay junto a Ikue Mori y Robin Crutchfield –reemplazado por Tim Wright-, que definió el rock avant-garde underground estadounidense de fines de los 70 y principios de los 80.

edicamos Rebelión Sónica al importante cantante, guitarrista, compositor, improvisador y productor estadounidense de origen brasileño, Arto Lindsay. En primer lugar lo escuchamos en su faceta más experimental con material del disco “Largest Afternoon”, que grabó junto al cuarteto integrado por él en guitarra, el baterista Phil Sudderberg y los vientistas Ken Vandermark y Joe McPhee. El álbum de improvisación libre, publicado el 23 de diciembre de 2019, fue grabado en una sesión en 09 de febrero de aquel año en el estudio Experimental Sound de Chicago. Luego, viajamos al pasado en la extensa obra del artista, para destacar dos de sus bandas de distintas épocas: Ambitious Lovers y DNA. En el primer caso, escucharemos música de “Lust” de 1991, tercer y último disco de la agrupación que unió funk, pop y bossa nova entre mediados de los 80 y principios de los 90. Finalmente retrocedemos diez años más al pasado, para sumergirnos en el sonido de DNA, una de las agrupaciones claves del No Wave, con material del EP de 1981, “A Taste Of DNA”. Proyecto de Lindsay junto a Ikue Mori y Robin Crutchfield –reemplazado por Tim Wright-, que definió el rock avant-garde underground estadounidense de fines de los 70 y principios de los 80.

DJ：AnlaLimpe Fuchs是一位德国声音艺术家，今年79岁，这期Mix的封面是她86年在慕尼黑的演出照片。前几天在伦敦的朋友赶在自我隔离前看了Limpe Fuchs的现场，说观众人数不多，但大家都很享受这场难得的演出。Limpe Fuchs独自驱车从慕尼黑到伦敦，带上沉重的自制乐器，在Cafe Oto演了一场，第二天又做了一个工作坊，然后再独自驱车回家。于是有了这期MoonMix—寻找Limpe Fuchs。▶歌单1.Ikue Mori - Gem Palace2.Beatrice Dillon - Workaround One3.Emiko & Kirisute Gomen - Chakkiri4.Camarão - A Casa De Anita5.Limpe Fuchs - Singen6.Jon Rose,Otomo Yoshihide,Irène Schweizer - The Shopping List (B)7.Anna Webber - Idiom II8.Kent Kessler,Joe McPhee,Chris Corsano - The Hidden Desert9.Pharoah Sanders - The Creator Has a Master Plan(Live 1984)查看节目原文：https://music.163.com/m/program?id=2066242547

7e émission de la 46e session... Cette semaine, jazz moderne en trio ensuite du gros free-jazz! En musique: Aki Rissanen sur l'album Art in Motion  (Edition, 2019); Yeliz Trio sur l'album Moon Palace  (Quart de Lune, 2020); Carla Bley - Andy Sheppard - Steve Swallow sur l'album Life Goes On  (ECM, 2020); Decoy with Joe McPhee sur l'album AC/DC (Otoroku, 2020); Rashid Ali & Frank Lowe sur l'album Duo Exchange: Complete Sessions  (Survival, rééd. 2020, enr. 1973)...  

7e émission de la 46e session... Cette semaine, jazz moderne en trio ensuite du gros free-jazz! En musique: Aki Rissanen sur l'album Art in Motion  (Edition, 2019); Yeliz Trio sur l'album Moon Palace  (Quart de Lune, 2020); Carla Bley - Andy Sheppard - Steve Swallow sur l'album Life Goes On  (ECM, 2020); Decoy with Joe McPhee sur l'album AC/DC (Otoroku, 2020); Rashid Ali & Frank Lowe sur l'album Duo Exchange: Complete Sessions  (Survival, rééd. 2020, enr. 1973)...  

Phil Freeman talks to writer/producer John Corbett.

Support Burning Ambulance on Patreon Get the Burning Ambulance email newsletter Writer John Corbett is from Chicago, and has been spreading the word about obscure and underground music for decades. He's a writer, a critic, a record collector, a presenter of live music, and a producer of both reissues and new albums in the areas of free and avant-garde jazz, free improvisation, noise, modern composition, and things that are simply impossible to pigeonhole or classify in any meaningful way. He's got a new book out, Pick Up the Pieces: Excursions in Seventies Music, which is absolutely worth a read, but I wanted to talk to him about a lot of his other work, including the legendary Unheard Music Series of CDs which he curated for the Atavistic label in the early 2000s, and his current project, Corbett vs. Dempsey, which is an art gallery/publishing house/record label that's putting out incredible music, new and old, right now. In this interview, we talk about a lot of different subjects, including everything I mentioned above, as well as his thoughts on Seventies jazz, punk rock vs. postpunk vs. hardcore, and much, much more. It’s a very interesting conversation, and one of our longer episodes. I hope you’ll enjoy it. Music heard in this episode: Joe McPhee, "Nation Time" (Nation Time) Milford Graves, "Ba" (Bäbi)

Le jazz vient d’une communauté qui a souffert de la ségrégation et qui s’est battue pour ses droits. De « strange fruits » de Billie Holiday à « Nation time » de Joe McPhee cette musique a parfois été une caisse de résonance des réalités et préoccupations sociales des afro-américains. Pourtant peut-on considérer que le jazz est forcément politique? Certes si cette musique fait maintenant partie de la culture mondiale, elle est née dans une culture singulière et marquée par des déterminants socio-politiques forts… Alors le jazz et les musiques qui s’y rapprochent sont elles des faits culturels et occasionnellement politiques ou davantage? Pour en parler ce soir nous recevons le pianiste François Tusques dont la discographie comporte de nombreuses références aux grandes préoccupations politiques de ces cinquante dernières années, la percussionniste et compositrice Mirtha Pozzi pour qui s’intéresser aux mythes pré-colombiens peut s’assimiler à un acte politique et le percussionniste et compositeur Pablo Cueco qui a, entre autres, participé à la conception d'événements politiques et syndicaux. La deuxième heure commence avec une performance live en direct de Mirtha Pozzi et Pablo Cueco. Puis comme pour faire résonance à notre thème Agathe n’a pas loupé le dernier disque du guitariste américain Marc Ribot « songs of resistance 1942/2018 ». Mylène nous fait découvrir le nouvel album de Stéphane Galland « The mystery of the Ken «  et le duo Pierre/ Philippe aborde la légendaire figure de Art Blakey à travers deux disques, un concert inédit des Jazz Messengers et un hommage de Tony Allen à Art Blakey. liste des titres première heure François Tusques/Pablo Cueco/Mirtha Pozzi Magba Mabga Nodié https://www.discogs.com/fr/François-Tusques-Mirtha-Pozzi-Pablo-Cueco-Le-Fond-De-LAir/release/6403461 Mirtha Pozzi bois de l’eau http://pozzicueco.com/discographie/ Pablo Cueco présentation du zarb http://pozzicueco.com/discographie/ François Tusques Le temps des cerises extrait de « Oui mais 68 » inédit, à paraître liste des titres deuxième heure Marc Ribot We are soldiers in the Army Marc Ribot Srinivas http://marcribot.com/latest-news https://marcribot.bandcamp.com/album/songs-of-resistance-1942-2018 Stéphane Galland symbiosis http://stephanegalland.website Art Blakey et The Jazz Messengers « I remember Clifford » https://www.challengerecords.com/products/15379601294532 Tony Allen « Moanin » https://tonyallen.lnk.to/TributeToArtBlackey

5e émission de la 39e session... Cette semaine, hardbop, soul jazz et free! En musique: Donald Byrd sur l'album Kofi  (Blue Note, 1995, enr. 1969-1970); The Lightmen Plus One sur l'album Energy Control Center  (Lightin', 1972); Idris Akamoor & The Pyramids sur l'album An Angel Fell  (Strut, 2018); ILL Considered sur l'album Live at Total Refreshment Centre  (Indépendant, 2018); Tashi Dorji & Tyler Damon sur l'album Leave No Trace: Live in St. Louis  (Family Vineyard, 2018); Rodrigo Amado, Joe McPhee, Kent Kessler, Chris Corsano sur l'album A History of Nothing  (Trost, 2018)...

5e émission de la 39e session... Cette semaine, hardbop, soul jazz et free! En musique: Donald Byrd sur l'album Kofi  (Blue Note, 1995, enr. 1969-1970); The Lightmen Plus One sur l'album Energy Control Center  (Lightin', 1972); Idris Akamoor & The Pyramids sur l'album An Angel Fell  (Strut, 2018); ILL Considered sur l'album Live at Total Refreshment Centre  (Indépendant, 2018); Tashi Dorji & Tyler Damon sur l'album Leave No Trace: Live in St. Louis  (Family Vineyard, 2018); Rodrigo Amado, Joe McPhee, Kent Kessler, Chris Corsano sur l'album A History of Nothing  (Trost, 2018)...

Guest host this episode is Pancho Villain. “The Angry Desert” - The Sound Offs (Pancho Villain intro) “Nothingness” - Bama the Village Poet “A love Song” - Pauline Oliveros “extra song 005” - LZRCat “Monica” - Richard Davis “Don’t let the sun catch you crying” - Gerry & the pacemakers “I’ve got you on my mind” - Jorge Dalto “You’re gonna learn” - Jay Dee “Nommo The Majick Song” - Gary Bartz “Fanfarra (cubua-le-le)” - Sergio Mendez “Freedom train” - Fees Trombone “Lotus” - Zé Roberto “Do Leme ao Pontal” - Tim Maia “Lay back” - Christer Norden “Storm” - Rare Silk “ja ja ne ne” - Joseph Bueys “bodo” - Mamman Sani “andrew” - Jonwayne “traveling man” - Stanley Cowell “Science is my girlfriend” - Neat Beat “I deserve a little more” - The Grooms “I can’t make it by myself” - Stu Garder “Time Machine” - Mick Softley “It’s ok, you’re ok” - Bonjr “Cosmic love” - Joe McPhee

Annual preview show for the Sonic Transmissions Festival. We need this. All the time. In Austin. Here we go. Hope to see you ALL WEEKEND! Info below. This year’s three-day festival features first-time musical performances and incredible collaborations, including the Stateside debut performance of cumbia sensation Carmelo Torres y Los Toscos, the Austin debut performance of NYC jazz-punk outfit Rodenticide, first-ever collaborative performances featuring jazz heavy weights Joe McPhee; Ken Vandermark with steel guitarist Susan Alcorn, Stefan Gonzalez with Jawwaad Taylor; and now super group The Young Mothers. Tickets > > http://bit.ly/2u0qnde Full program and information: www.sonictransmissions.com Facebook event: www.facebook.com/events/140940506461399/

Rodrigo Amado es uno de los músicos más reputados de la escena portuguesa de jazz. En esta edición de 'Club de Jazz' del 14 de diciembre de 2016, conversamos con el saxofonista con motivo de la publicación de "Desire & Freedom", nuevo trabajo de su Motion Trio, que comparte desde 2009 con Miguel Mira (chelo) y Gabriel Ferrandini (batería). El trío ha grabado con anterioridad con invitados como el trompetista Peter Evans y el trombonista Jeb Bishop, y además Rodrigo presentó el año pasado "This is our language", un disco en el que compartió espacio con Joe McPhee, Chris Corsano y Kent Kessler. Toda la información y derechos: http://www.elclubdejazz.com

A special edition of the Spanish Jazz radio show 'Club de Jazz' where we conducted an interview with Rodrigo Amado. Rodrigo Amado (Lisbon, 1964) is one of the most renowned jazz musicians in the Portuguese jazz scene. In 2009 he formed the Motion Trio along with Miguel Mira (chelo) and Gabriel Ferrandini (drums), with whom he has just released "Desire & Freedom". Along the years, Rodrigo has played with Peter Evans, Jeb Bishop, Joe McPhee and Paal Nilssen-Love, among others. Besides his jazz musician role, Rodrigo is also a photographer and also writes about jazz for a Portuguese newspaper. The interview was originally broadcasted on December, 14th 2016. All rights reserved: http://www.elclubdejazz.com

A special edition of the Spanish Jazz radio show 'Club de Jazz' where we conducted an interview with Rodrigo Amado. Rodrigo Amado (Lisbon, 1964) is one of the most renowned jazz musicians in the Portuguese jazz scene. In 2009 he formed the Motion Trio along with Miguel Mira (chelo) and Gabriel Ferrandini (drums), with whom he has just released "Desire & Freedom". Along the years, Rodrigo has played with Peter Evans, Jeb Bishop, Joe McPhee and Paal Nilssen-Love, among others. Besides his jazz musician role, Rodrigo is also a photographer and also writes about jazz for a Portuguese newspaper. The interview was originally broadcasted on December, 14th 2016. All rights reserved: http://www.elclubdejazz.com

Rodrigo Amado es uno de los músicos más reputados de la escena portuguesa de jazz. En esta edición de 'Club de Jazz' del 14 de diciembre de 2016, conversamos con el saxofonista con motivo de la publicación de "Desire & Freedom", nuevo trabajo de su Motion Trio, que comparte desde 2009 con Miguel Mira (chelo) y Gabriel Ferrandini (batería). El trío ha grabado con anterioridad con invitados como el trompetista Peter Evans y el trombonista Jeb Bishop, y además Rodrigo presentó el año pasado "This is our language", un disco en el que compartió espacio con Joe McPhee, Chris Corsano y Kent Kessler. Toda la información y derechos: http://www.elclubdejazz.com

En la semana de celebración de nuestro15 aniversario, esta edición de 'Club de Jazz' del 8 de febrero de 2016 reúne a (casi) todos nuestros colaboradores para celebrar con ellos. Jesús Moreno recupera la primera actuación en España del contrabajista Peter Kowald; Alberto Varela encuentra "Música de ida y vuelta" con el pianista uruguayo Nando Michelín; Anxo nos ofrece una doble muestra instrumental del brasileño Alfredo del Penho; Ferran Esteve nos regala las "Complete live at the Village Gate 1962" del cuarteto de Sonny Rollins con Don Cherry. Además, la música de "Astronautilus", nuevo disco de los británicos Get the Blessing. Y anticipo de la actuación en Madrid del dúo entre Joe McPhee y Chris Corsano. Toda la información y derechos: http://www.elclubdejazz.com

En la semana de celebración de nuestro15 aniversario, esta edición de 'Club de Jazz' del 8 de febrero de 2016 reúne a (casi) todos nuestros colaboradores para celebrar con ellos. Jesús Moreno recupera la primera actuación en España del contrabajista Peter Kowald; Alberto Varela encuentra "Música de ida y vuelta" con el pianista uruguayo Nando Michelín; Anxo nos ofrece una doble muestra instrumental del brasileño Alfredo del Penho; Ferran Esteve nos regala las "Complete live at the Village Gate 1962" del cuarteto de Sonny Rollins con Don Cherry. Además, la música de "Astronautilus", nuevo disco de los británicos Get the Blessing. Y anticipo de la actuación en Madrid del dúo entre Joe McPhee y Chris Corsano. Toda la información y derechos: http://www.elclubdejazz.com

4e émission de la 31e session... Cette semaine, pas mal de free et d'avant-jazz avec en prime une entrevue ! En musique: L'Appel du Vide sur l'album Mergin' Space (Indépendant, 2015); Keefe Jackson, Josh Berman, Jon Rune Strom, Tollef Ostvang sur l'album Southern Sun (Stone Floor, 2015); The Resonance Ensemble sur l'album Double Arc (Not Two, 2015); Joe McPhee, Jamie Saft, Joe Morris, Charles Downs sur l'album Ticonderoga (Clean Feed, 2015)... En entrevue Fred Bazil saxophoniste du quatuor de free jazz L'Appel du Vide...

4e émission de la 31e session... Cette semaine, pas mal de free et d'avant-jazz avec en prime une entrevue ! En musique: L'Appel du Vide sur l'album Mergin' Space (Indépendant, 2015); Keefe Jackson, Josh Berman, Jon Rune Strom, Tollef Ostvang sur l'album Southern Sun (Stone Floor, 2015); The Resonance Ensemble sur l'album Double Arc (Not Two, 2015); Joe McPhee, Jamie Saft, Joe Morris, Charles Downs sur l'album Ticonderoga (Clean Feed, 2015)... En entrevue Fred Bazil saxophoniste du quatuor de free jazz L'Appel du Vide...

Matt Sonzala sits down with Norwegian jazz legend Ingebrigt Håker Flaten and talk about his upcoming Sonic Transmissions Festival. This experimental music festival happens Sept. 10-12 at The North Door in Austin, TX. Joe McPhee, Alvin Fiedler, Avreeayl Ra, and Spray Paint are only a few of the bands who will grace the stage over the course of those three days. Hip-Hop, Jazz, Punk, no limits here. This is a festival that pushes boundaries and brings something extremely exciting to Austin. Tune in to hear all about it plus a lot of new music from some of these artists. And go to http://www.tektite-records.com/ for all the information you need and to buy tickets click here --> http://tektiterecords.ticketleap.com/sonic-transmissions/ SEE YOU THERE! Sept. 10 - 12 at http://www.ndvenue.com/

El saxofonista Albert Cirera se presentó en el Festival de Jazz de Vic (Catalunya) con su Lisbon Trio, el que comparte con el contrabajista Hernani Faustino y el baterista Gabriel Ferrandini, e invitó a quien fuera su profesor, el pianista Agustí Fernández. En esta edición de 'Club de Jazz' del 16 de mayo de 2015 conversamos con ambos y escuchamos la actuación que ofrecieron el pasado 9 de mayo en Vic, además de grabaciones del Liquid Trío, Free Art Ensemble, Duot y Malson, así como un directo del Lisbon Trio junto a Pablo Rega. Además, "desde mi cadiera" Jesús Moreno presenta una grabación en directo de 1970 del saxofonista Joe McPhee. Toda la información y derechos: http://www.elclubdejazz.com

El saxofonista Albert Cirera se presentó en el Festival de Jazz de Vic (Catalunya) con su Lisbon Trio, el que comparte con el contrabajista Hernani Faustino y el baterista Gabriel Ferrandini, e invitó a quien fuera su profesor, el pianista Agustí Fernández. En esta edición de 'Club de Jazz' del 16 de mayo de 2015 conversamos con ambos y escuchamos la actuación que ofrecieron el pasado 9 de mayo en Vic, además de grabaciones del Liquid Trío, Free Art Ensemble, Duot y Malson, así como un directo del Lisbon Trio junto a Pablo Rega. Además, "desde mi cadiera" Jesús Moreno presenta una grabación en directo de 1970 del saxofonista Joe McPhee. Toda la información y derechos: http://www.elclubdejazz.com

Durante 5 días, el saxofonista sueco Mats Gustafsson reunió en Cracovia (Polonia) a doce músicos para ensayar y estrenar con ellos "Knockin'", proyecto inspirado por la música de Little Richard. En esta edición de 'Club de Jazz' del 28 de enero de 2015 escuchamos la música recogida en la caja de 5 CDs, 2 LPs y un DVD titulada "Hidros 6". En ella, los solos, dúos y pequeños grupos con los que tocaron en el club Alchemia los días previos al estreno de la obra en la sala Manggha. Para esta nueva encarnación del Nu Ensemble, Gustafsson ha contado con los siguientes músicos: Stine Janvin Motland (voz), Peter Evans (trompeta y piccolo), Joe McPhee (trompeta de bolsillo, saxo tenor y organ space), Christer Bothén (clarinete bajo y guembri), Agustí Fernández (piano y órgano), Kjell Nordeson (vibráfono, batería, flexatone y lira), Dieb13 (DJ), Per-Ake Holmlander (tuba), Jon Rune Strom (contrabajo), Ingebrigt Haker-Flaten (contrabajo) y Paal Nilssen-Love (batería). Toda la información y derechos: http://www.elclubdejazz.com

Durante 5 días, el saxofonista sueco Mats Gustafsson reunió en Cracovia (Polonia) a doce músicos para ensayar y estrenar con ellos "Knockin'", proyecto inspirado por la música de Little Richard. En esta edición de 'Club de Jazz' del 28 de enero de 2015 escuchamos la música recogida en la caja de 5 CDs, 2 LPs y un DVD titulada "Hidros 6". En ella, los solos, dúos y pequeños grupos con los que tocaron en el club Alchemia los días previos al estreno de la obra en la sala Manggha. Para esta nueva encarnación del Nu Ensemble, Gustafsson ha contado con los siguientes músicos: Stine Janvin Motland (voz), Peter Evans (trompeta y piccolo), Joe McPhee (trompeta de bolsillo, saxo tenor y organ space), Christer Bothén (clarinete bajo y guembri), Agustí Fernández (piano y órgano), Kjell Nordeson (vibráfono, batería, flexatone y lira), Dieb13 (DJ), Per-Ake Holmlander (tuba), Jon Rune Strom (contrabajo), Ingebrigt Haker-Flaten (contrabajo) y Paal Nilssen-Love (batería). Toda la información y derechos: http://www.elclubdejazz.com

17e et dernière émission de la 27e session... Cette semaine, retour de Marie-Eve Boulanger et ses plus récentes découvertes...Aussi, du spoken word et l'on profite du passage de Joe McPhee et de Barre Phillips à Montréal le 1er septembre pour en faire jouer ! En musique: Curtis Peagler & The Modern Jazz Disciples sur l'album The Modern Jazz Disciples (Prestige/New Jazz, 1959); Manteca sur l'album Onward! (M Music/Fusion3, 2007); Myriad3 sur l'album The Where (Alma Records, 2014); Leboeuf Brothers sur l'album In Praise of Shadows (Nineteen-Eight Records, 2011); Dave Liebman & Steve Dalachinsky The Fallout of Dreams (RogueArt, 2014); Decoy with Joe McPhee sur l'album Spontaneous Combustion (OTOroku, 2013); Barre Phillips sur l'album Naxos (CELP, 1990)...

17e et dernière émission de la 27e session... Cette semaine, retour de Marie-Eve Boulanger et ses plus récentes découvertes...Aussi, du spoken word et l'on profite du passage de Joe McPhee et de Barre Phillips à Montréal le 1er septembre pour en faire jouer ! En musique: Curtis Peagler & The Modern Jazz Disciples sur l'album The Modern Jazz Disciples (Prestige/New Jazz, 1959); Manteca sur l'album Onward! (M Music/Fusion3, 2007); Myriad3 sur l'album The Where (Alma Records, 2014); Leboeuf Brothers sur l'album In Praise of Shadows (Nineteen-Eight Records, 2011); Dave Liebman & Steve Dalachinsky The Fallout of Dreams (RogueArt, 2014); Decoy with Joe McPhee sur l'album Spontaneous Combustion (OTOroku, 2013); Barre Phillips sur l'album Naxos (CELP, 1990)...

Rakete bee bee, grouseketeers. Sorry it's taken me a week to post this. Show is also 30 minutes shorter than usual because of punctuality issues. Probably for the best. Mostly jazz, international sounds, and a little bit of easy listening. Enjoy yourself, if you survive the first ten minutes. Rakete bee zee. Download | Podcast Bold text indicates relatively new releases (including reissues and comps). Jaap Blonk - "Presto" (from Kurt Schwitters' Ursonate) Roy Campbell, Joe McPhee, William Parker, Warren Smith - "Music Is the Healing Force of the Universe" (from Tribute to Albert Ayler - Live at The Dynamo) Creative Construction Company - "Muhal (Part I)" (from Creative Construction Company) Richard Landry - Last Track (from Solos) Mammane Sani - "Lamru" (from La Musique Electronique du Niger) Fatimah Al-Zaelaeyah - "Ya Mun Dakhal Bahr Al-Hawa (Hey, Who Enters the Sea of Passion?)" (from Qat, Coffee & Qambus: Raw 45s from Yemen) Mas Sujud - "Dangdut Medley" (from Street Musicians of Yogyakarta) Ergo Phizmiz - "Jews Harp Mambo" (from Phuj Factory) Jackie Davis - "Manana (Is Soon Enough for Me)" (from Ultra-Lounge Vol 2: Mambo Fever) Mona Baptiste - "Calypso Blues" (from London Is The Place For Me 2: Calypso & Kwela, Highlife & Jazz From Young Black London) Percy Faith - "The Bandit (Theme from O Cangaceiro)" (from Aquarela Do Brasil) The playlist and podcast are so much easier to make when Grouse keeps his trap shut. Ike Bennett & the Crystalites - "Illya Kuryakin" (from Trojan Rocksteady Box Set)

Concierto y entrevista con Han Bennink. En esta edición de "Club de Jazz" del 14 de noviembre de 2012 (emitida a partir del 15 con motivo de la Huelga General) escuchamos la actuación que el veterano baterista holandés ofreció en el Festival Periferias 13.0 de Huesca (27 octubre 2012) y la entrevista que realizada minutos antes en camerinos. Además: Ferran Esteve "Made Possible" su sección con el último trabajo de The Bad Plus; Joe McPhee edita 31 años después una versión del "Lonely Woman" de Ornette Coleman y Jesús Moreno la presenta "desde mi cadiera"; el "Tren Azul" de Luis Díaz García recupera el primer disco de Bill Evans Trío, "New Jazz Conceptions", publicado en 1956; Anxo nos ofrece una mirada a "Todas sus grabaciones", la de Los Canarios; en el "Jazz Porteño" de Alberto Varela, el espléndido encuentro entre el saxofonista Javier Girotto, el acordeonista Luciano Biondini y el Ensamble de Paolo Silvestri. Toda la información y derechos: http://www.elclubdejazz.com

Concierto y entrevista con Han Bennink. En esta edición de "Club de Jazz" del 14 de noviembre de 2012 (emitida a partir del 15 con motivo de la Huelga General) escuchamos la actuación que el veterano baterista holandés ofreció en el Festival Periferias 13.0 de Huesca (27 octubre 2012) y la entrevista que realizada minutos antes en camerinos. Además: Ferran Esteve "Made Possible" su sección con el último trabajo de The Bad Plus; Joe McPhee edita 31 años después una versión del "Lonely Woman" de Ornette Coleman y Jesús Moreno la presenta "desde mi cadiera"; el "Tren Azul" de Luis Díaz García recupera el primer disco de Bill Evans Trío, "New Jazz Conceptions", publicado en 1956; Anxo nos ofrece una mirada a "Todas sus grabaciones", la de Los Canarios; en el "Jazz Porteño" de Alberto Varela, el espléndido encuentro entre el saxofonista Javier Girotto, el acordeonista Luciano Biondini y el Ensamble de Paolo Silvestri. Toda la información y derechos: http://www.elclubdejazz.com

A sentence begun and interrupted on 10.04.12 is finished (and slightly restated) in this program. Seeking proposals for anti-radio stunts to close out 2012. Please phone (READ-GROUSE on the dial) or email them to your friendly neighborhood Grouse. Download | Podcast Bold text indicates relatively new releases (including reissues and comps). Adolfo Echeverría & Su Conjunto - "Sabroso Bacalao" (from Sofrito: Tropical Discotheque) Joe Bataan - "Too Much Lovin'" (from Subway Joe/Gypsy Woman) The one time this Pennsylvania Grouse doesn't default to a near-open front unrounded vowel (ae), is the one time it would have been appropriate (Joe Bataaaaaaaan). The Mar-Keys - "Bush Bash" (from The Complete Stax/Volt Singles: 1959-1968) Kaoru Abe - "Sopranino Improvisation No. 1" (from Mort à Crédit) Getatchew Mekuria - "Tezeta" (from Moa Anbessa) Joe McPhee & Chris Corsano - "For Fred Anderson" (from Scraps And Shadows) Chris Corsano - "Fed Ex'd Gorilla" (from Cut) Kelan Philip Cohran & The Hypnotic Brass Ensemble - "Spin" (from Kelan Philip Cohran & The Hypnotic Brass Ensemble) Golden Dawn - "Evolution" (from Power Plant) Can - "Dead Pigeon Suite" (from The Lost Tapes) Sun Araw and M. Geddes Gengras Meet the Congos - "Invocation" (from FRKWYS Vol. 9: Icon Give Thank) This Heat - "Cenotaph" (from Deceit) Frente Cumbiero - "Pitchito" (from Sofrito: Tropical Discotheque) King Grouse can't wait for the show where he just plays "Endless Waltz" on the radio. Ike Bennet & the Crystalites - "Illya Kuryakin" (from Trojan Rocksteady Box Set) King Tuff - "Anthem" (from King Tuff) Ty Segall Band - "The Bag I'm In" (from Slaughterhouse) The Intelligence - "Fidelity" (from Everybody's Got It Easy But Me) King Tuff - "Wild Desire" (from Wild Desire 7") The Hive Dwellers - "The Dignity of Saint Judy" (from Hewn from the Wilderness) Tronics - "TV On in Bed" (from Love Backed By Force) Gandalf - "Julie (The Song I Sing Is You)" (from Gandalf 2) Tim Hardin - "You Upset The Grace Of Living When You Lie" (from Tim Hardin 2) Ty Segall & White Fence - "Scissor People" (from Hair)

Back on the air in our regular format of totally batshit disorganization. We've got baseball, we've got tape noise, we've got plinky indie rock and skronky horns. And it's all tied together with a tattered twine of logic that only a bird could understand. The last bit of this show felt truncated (I was kind of hoping Uncle Matt would come super late). So I might actually repeat a song or two at the top of PROGRAM 28 before going where I meant to go had I kept going. Download | Podcast Bold text indicates relatively new releases (including reissues and comps). Doc & Merle Watson - "Take Me Out To The Ball Game" (from Baseball's Greatest Hits) The Baseball Project - "Satchel Paige Said" (from Vol. 1: Frozen Ropes And Dying Quails) Sister Wynona Carr - "The Ball Game" (from Baseball's Greatest Hits) The Baseball Project - "(Do The) Triple Crown" (from The Broadside Ballads) Sports Talk with the Grouse Noble Watts - "Teen-Scene" (from Cats Got These Cats' Tongues - 26 Rarities From Mr. Fine Wine's Vaults) Dolphins Into the Future - "Verde" (from Canto Arquipélago) Lello Boscoverde - "Agura" (unreleased) Sarin Smoke - "Upsound" (from Vent) Don Preston - "Analog Heaven #7 (1975)" (from Filters, Oscillators & Envelopes 1967-75) Daphne Oram - "Mermaid (Excerpt)" (from The Oram Tapes Volume One) Pauline Oliveros - "Three Pieces I" (from Reverberations: Tape & Electronic Music 1961-1970) The Curtains - "Telegraph Victories" (from Make Us Two Crayons On The Floor) Please join Grouse while he blindly feels his way through the DJ arts. The Blue Men - "Valley Of The Saroos" (from It's Hard To Believe It: The Amazing World Of Joe Meek) The Curtains - "Show Me The Way Things Work" (from Worried Noodles) Chris Cohen - "Optimist High" (from Overgrown Path) Cryptacize - "Cosmic Sing-a-long" (from Dig That Treasure) Maher Shalal Hash Baz - "Black-Eyed Susan" (from Make Us Two Crayons On The Floor) Half-handed Cloud - "In Holy Pursuit / Tuck Us In, Father / Our First Full Day Was Spent In Rest / Running Late For Bed / That You May Be Gracious / There Remains A Rest / I Got A-Rested / Work Isn't What It Seemed To Be" (from We Haven't Just Been Told, We Have Been Loved) Dinosaur Feathers - "Young Bucks" (from Whistle Tips) The Mighty Grouse doesn't realize it's "Blue Men," not Blues Men. The Blue Men - "The Bublight" (from It's Hard To Believe It: The Amazing World Of Joe Meek) Kaoru Abe - "No. 2" (from Winter 1972) Getatchew Mekuria & The Ex & Friends - "Tezeta" (from Y'Anbessaw Tezeta) Joe McPhee & Chris Corsano - "For Muhammad Ali" (from Scraps And Shadows) Kelan Philip Cohran & The Hypnotic Brass Ensemble - "Cuernavaca" (from Kelan Philip Cohran & The Hypnotic Brass Ensemble) Les Ya Toupas Du Zaire - "Je Ne Bois Pas Beaucoup [truncated by the next show]" (from Sofrito: Tropical Discotheque)

  Huitième de la dix-huitième session !   Cette semaine, Steve Guimond directeur artistique du Suoni Per Il Popolo en entrevue, du hard-bop récent, de l'avant-garde et du jazz-rock !   En musique:   Miles Davis & Milt Jackson sur l'album Quintet & Sextet (Prestige OJC, 1955);   Prysm sur l'album Five (Plus Loin Music, 2011);   Roscoe Mitchell & the Note Factory sur l'album Far Side (ECM, 2010)   Dead Kenny G's sur l'album Operation Long Leash (Royal Potato Family Records, 2011)...   En entrevue:   Steve Guimond directeur artistique du Suoni Per Il Popolo dans un entretien de 13 minutes...   En concert:   Dans le cadre des Suoni Per Il Popolo 2011:   Farmers by Nature, mardi 21 juin, 20h, Sala Rossa   Full Blast, mercredi 22 juin, 19h, Sala Rossa   The Thing avec Joe McPhee, mercredi 22h, 21h30, Sala Rossa...

  Huitième de la dix-huitième session !   Cette semaine, Steve Guimond directeur artistique du Suoni Per Il Popolo en entrevue, du hard-bop récent, de l'avant-garde et du jazz-rock !   En musique:   Miles Davis & Milt Jackson sur l'album Quintet & Sextet (Prestige OJC, 1955);   Prysm sur l'album Five (Plus Loin Music, 2011);   Roscoe Mitchell & the Note Factory sur l'album Far Side (ECM, 2010)   Dead Kenny G's sur l'album Operation Long Leash (Royal Potato Family Records, 2011)...   En entrevue:   Steve Guimond directeur artistique du Suoni Per Il Popolo dans un entretien de 13 minutes...   En concert:   Dans le cadre des Suoni Per Il Popolo 2011:   Farmers by Nature, mardi 21 juin, 20h, Sala Rossa   Full Blast, mercredi 22 juin, 19h, Sala Rossa   The Thing avec Joe McPhee, mercredi 22h, 21h30, Sala Rossa...

Huitième de la huitième session: Quoi de mieux qu'un peu de fusion pour débuter avec The Brecker Brothers. Ensuite, des extraits de l'album Where to go (2008) du saxophoniste québécois Samuel Blais. En présentation principale, The Flying Luttenbachers dans un style jazz-rock-noise qui percute. Pièces des albums Constructive Destruction (1994), Revenge of the Flying Luttenbachers (1996), Infection and Decline (2002) et Cataclysm (2006) Aussi au menu, une pièce de Joe McPhee et quelques pièces de James Blood Ulmer. Possible lecture de quelques pages de l'auteur Pierre Theilhard de Chardin.

Huitième de la huitième session: Quoi de mieux qu'un peu de fusion pour débuter avec The Brecker Brothers. Ensuite, des extraits de l'album Where to go (2008) du saxophoniste québécois Samuel Blais. En présentation principale, The Flying Luttenbachers dans un style jazz-rock-noise qui percute. Pièces des albums Constructive Destruction (1994), Revenge of the Flying Luttenbachers (1996), Infection and Decline (2002) et Cataclysm (2006) Aussi au menu, une pièce de Joe McPhee et quelques pièces de James Blood Ulmer. Possible lecture de quelques pages de l'auteur Pierre Theilhard de Chardin.

Interviews mit Dave Douglas, Joe McPhee, Tyshawn Sorey und William Parker.