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Hosts Jim DeRogatis and Greg Kot share new music they're digging that flies under the mainstream radar, buried treasures! They also pay tribute to singer-songwriter Jerry Butler.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:girlpuppy, "Champ," Single, Captured Tracks, 2024The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Jerry Butler, "Only the Strong Survive," The Ice Man Cometh, Mercury, 1969Jerry Butler and The Impressions, "For Your Precious Love," Single, Vee-Jay, 1958Loveworms, "Heartbeat," Heartbeat, Antena Krzyku, 2025Jetstream Pony, "Captain Palisade," Single, Spinout Nuggets, 2024Meat Wave, "Dehydrated," Voicemail / Dehydrated, Self-Released, 2025Maruja, "Break The Tension," Single, Music for Nations, 2024Prism Shores, "Tourniquet!," Out From Underneath, Meritorio, 2025Denison Witmer, "Making Love," Anything At All, Asthmatic Kitty, 2025Psycho-O-Positive, "Mothra!," Single, Self Released, 2025The Penrose Web, "I Dreamt I Woke Up Dead," It's....The Penrose Web, Gare du Nord, 2025Middle Part, "Dial*," Disruptor, Little Planet, 2024The Sewerheads, "It Came as a Surprise," Despair is a Heaven, Tall Texan, 2024Wand, "The Leap," In A Capsule Wardrobe, Drag City, 2017L.A. WITCH, "777," 777 (Single), Suicide Squeeze, 2025Joveth, "Bubblegum," Bubblegum (Single), Voracious, 2024Sly and the Family Stone, "Everyday People," Stand!, Epic, 1968See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The music industry is notoriously competitive, making it difficult for artists to break through. Datshiane Navanayagam speaks to two music scouts to find out what they look for when signing musicians to their labels and how to succeed in the business.Jane Abernethy is Managing Director at Omnian Music Group, a Brooklyn-based label group comprised of Captured Tracks, Sinderlyn and 2MR. Originally from Scotland she began her career music scouting in the UK before becoming the Director of A&R at the US label 4AD, where she signed groundbreaking artists like Grimes and contributed to the discovery of Bon Iver. Argentinian-born Laura Tesoriero has spent the last two decades working in music distribution for Latin American artists. She is the Senior Vice President for The Orchard, a music and entertainment company specialising in media distribution. Laura was the first female chair of the Latin GRAMMY board and is a Wonder Women of Latin 2020 honouree. Produced by Emily Naylor and Elena Angelides(Image: (L) Jane Abernethy credit Dan Bessini. (R) Laura Tesoriero credit Catalina Bartolome.)
On the show this time, it's the mesmerizing post-punk shoe-gaze of Brooklyn band DIIV. DIIV is a heavy, thinking-person's rock band formed by Zachary Cole Smith in Brooklyn NY back in 2011. They released 3 albums on Captured Tracks and survived member changes, stints in rehab, almost calling it quits, and a reorganization to a more democratic structure to get to this point. They have released a new full-length album, 'Frog In Boiling Water,' which is available on Fantasy Records. Record 06/11/2024. In Amber Somber The Drums Raining On Your Pillow Blankenship Watch the full Live on KEXP session on YouTube.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.
On the show this time, it's the mesmerizing post-punk shoe-gaze of Brooklyn band DIIV. DIIV is a heavy, thinking-person's rock band formed by Zachary Cole Smith in Brooklyn NY back in 2011. They released 3 albums on Captured Tracks and survived member changes, stints in rehab, almost calling it quits, and a reorganization to a more democratic structure to get to this point. They have released a new full-length album, 'Frog In Boiling Water,' which is available on Fantasy Records. Record 06/11/2024. In Amber Somber The Drums Raining On Your Pillow Blankenship Watch the full Live on KEXP session on YouTube.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.
This is the last episode of Digging for a while, and we're celebrating with the queen of vegetables… potatoes! Flo is joined by CMAT for her favourite job on the allotment. CMAT is a fast rising singer songwriter from Ireland who has been tirelessly touring Europe and North America with her incredible live show for years now. She's just been nominated for the Mercury Prize, adding that to her list along with Ivor Novello and Brit nominations. The irony of having the only Irish guest of the season harvest potatoes is not lost on CMAT, who considered her superior harvest some form of reparation. In this episode she and Flo talk about pretty much everything, but highlights include CMAT's refreshing love of fame, growing beans in Red Stripe tins and the art of songwriting - all whilst they dig up those unfortunate potatoes. Presenter - Flo Dill, Producer - Lizzy King, Editing - Chantal Adams, Sound Recording & Mix Mastering - Sophie EllisonMusic - Cleaners from Venus - The Artichoke That Loved Me, courtesy of Martin Newell & Captured Tracks. Hosted on Acast. See acast.com/privacy for more information.
Flo's joined today by the godfather of Memphis rap, DJ Spanish Fly. Fly is celebrated for his influential role in the early sound of Southern hip-hop, and known for his lo fi, distortion heavy musical style. In this conversation with Flo he recalls his childhood in the church, his arrival in Memphis as a country boy from rural Illinois and his role in the development of bucking, a dance style which emerged from his DJ sets at Club No Name in the late 80s and 90s. It was at these daily DJ sets at Club no Name that DJ Spanish Fly pioneered the Memphis sound, which is, in Flo's words, spooky. The pair discuss the surprising merits of this spooky sound as they plant out cucumbers on the allotment. Presenter - Flo Dill, Producer - Lizzy King, Editing - Omar Serge, Sound Recording - Connor Gani, Sound Design and Mix Mastering - Sophie EllisonA video version of this episode is also available on YouTubeMusic - Cleaners from Venus - The Artichoke That Loved Me, courtesy of Martin Newell & Captured Tracks. Hosted on Acast. See acast.com/privacy for more information.
Off the allotment and into a city garden today with musician and composer Rufus Wainwright. Rufus joined Flo fresh from a run of shows and special events, including the performance of his Dream Requiem in Paris, performed by Anna Prohaska, the Philharmonic Orchestra of Radio France, and narrated by Meryl Streep. In this episode of Digging, Flo and Rufus - with the assistance of Siegfried the dog - plant out tomatoes. Whilst they set about the task they discuss Rufus' discovery of opera as a young gay teenager during the peak of the AIDS crisis, his musical lineage, the bruising experience of launching a cutting edge musical on the West End and his new found love of Britney Spears. Presenter - Flo Dill, Producer - Lizzy King, Editing - Femi Oriogun-Williams, Sound Recording and Mastering - Sophie EllisonMusic - Cleaners from Venus - The Artichoke That Loved Me, courtesy of Martin Newell & Captured Tracks. Hosted on Acast. See acast.com/privacy for more information.
Back on the allotment today with Lias Saoudi, best known as the frontman of the heavily mythologised South London band Fat White Family. For the uninitiated, FWF are a controversial band born out of a Peckham squat in 2011: they became known initially for their riotous, electric live shows, as well as their unapologetic attitudes - depending on who you talk to, FWF are post punk heroes or “horrible little scrotes”. Now in 2024, the band sit at an interesting juncture, with a new album out but with certain members absent, decades of excessive drug use having taken their toll. During today's episode Lias talks about his experience of growing up in Cookstown Northern Ireland and troubling family ties, as well as new found health and semi-sobriety. Flo and Lias's mutual disdain for musician-turned-cheese magnate, Alex James also comes up, as they successfully plant out butternut squash, which it turns out is Lias' least favourite vegetable. Presenter - Flo Dill, Producer - Lizzy King, Editing - Femi Oriogun-Williams, Sound Recording and Mastering - Sophie EllisonMusic - Cleaners from Venus - The Artichoke That Loved Me, courtesy of Martin Newell & Captured Tracks. Hosted on Acast. See acast.com/privacy for more information.
Off the plot today and into the Suffolk garden of writer, critic and lifelong gardener Olivia Laing. Laing's diverse career began with their involvement in road protests in the 1980s & 1990s where they lived completely off grid: this led to training as a herbalist, before moving into the literary world. As the deputy books editor of The Observer they wrote extensively on arts and culture, before authoring award winning auto-fiction novel Crudo, and several celebrated works of non-fiction - the most recent of which, The Garden Against Time, uses today's Suffolk garden setting as a lens through which to explore the concept of paradise and the varied, surprising stories of gardens. Whilst Flo and Olivia pot up geraniums they discuss the concept of the gardens as a queer haven for artists like Derek Jarman, Cedric Morris, Vita Sackville-West and the ladies of Llangollen. Flo has her first go at worm harvesting and Flo and Olivia reflect on the growing urgency for public gardens that provide a refuge from urban stressors as well as the climate crisis. Presenter - Flo Dill, Producer - Lizzy King, Editing - Femi Oriogun-Williams, Sound Recording & Mastering - Sophie EllisonMusic - Cleaners from Venus - The Artichoke That Loved Me, courtesy of Martin Newell & Captured Tracks. Hosted on Acast. See acast.com/privacy for more information.
Today on the plot Flo's joined by multidisciplinary artist and musician Duval Timothy. Duval's work blends his musical and cultural influences with the piano at the centre of his practice. His work spans food, painting, sculpture, textiles and more. Recent collaborators include fashion designer Grace Wales Bonner and rapper Kendrick Lamar.Flo and Duval talk about fatherhood, Lewisham's Mr Pink, Duval's commitment to the colour blue, his early experiences of making art, and some of his more recent music. Duval proves himself to be a fantastic digger and planter of courgettes, which was today's task. Presenter - Flo Dill, Producer - Lizzy King, Editing - Femi Oriogun-Williams, Sound Recording and Mastering - Sophie EllisonA video version of this episode is also available on YouTubeMusic - Cleaners from Venus - The Artichoke That Loved Me, courtesy of Martin Newell & Captured Tracks. Hosted on Acast. See acast.com/privacy for more information.
This week Flo is joined by artist, activist and founder of Sports Banger, Jonny Banger. Jonny has taken the art of the bootleg and used it to deliver searing take downs of the status quo: his work is subversive and accessible, and encompasses themes of pop culture, politics and fashion, all undercut by a spirit of rave. In this episode Flo and Jonny talk about Jonny's long standing connection to pigeons, the KLF and the buzz he gets when he receives a cease and desist letter: all whilst planting out climbing beans. Presenter - Flo Dill, Producer - Lizzy King, Editing - Femi Oriogun-Williams, Sound Recording & Mastering - Sophie EllisonA video version of this episode is also available on YouTube.Music - Cleaners from Venus - The Artichoke That Loved Me, courtesy of Martin Newell & Captured Tracks. Hosted on Acast. See acast.com/privacy for more information.
Flo and her guests are back on the allotment for the summer. In this first episode she's joined by NYC based Molly Lewis, who is probably the world's most famous whistler. In this episode of Digging, Flo and Molly will be planting potatoes whilst chatting about cane toads, the weird and wonderful world of competitive whistling - and Flo gets a whistling lesson. Presenter - Flo Dill, Producer - Lizzy King, Editing - Femi Oriogun-Williams, Sound Recording - Sophie Ellison, Mastering - Felix Stock.Music - Cleaners from Venus - The Artichoke That Loved Me, courtesy of Martin Newell & Captured Tracks. Hosted on Acast. See acast.com/privacy for more information.
Después de editar cuatro discos con el sello neoyorquino Captured Tracks y girar ininterrumpidamente por Estados Unidos, Canadá, Japón y media Europa, las demoledoras Mourn vuelven con un nuevo disco, prácticamente, diez años después de su debut. La banda catalana publicará el próximo mes de marzo un sobresaliente álbum dónde demuestran, una vez más, poseer un talento y actitud fuera de lo común en el panorama de la música española actual. Mourn siguen siendo únicas. Seguramente, por las referencias en las que se han inspirado, pero también por la motivación y la necesidad que las lleva a crear y componer canciones, muy al margen del discurso dominante. A diferencia de gran parte de su generación, las del Maresme parecen rescatadas de algún sucio local de ensayo de Chicago, más que de un baile de TikTok o un reality show. En esta ocasión, para su nuevo disco, 'The Avoider', Carla (27), Leia (24), Jazz (27) y Oriol (27) han añadido varios elementos y colores a la instrumentación de sus nuevas canciones. Aun así, y como sucedía en sus anteriores trabajos, nos siguen recordando a un sinfín de geniales bandas americanas independientes de los primeros noventa.Escuchar audio
Der Versuch ne Hitparade bei Radio Woltersdorf zu etablieren, auf Pi Radio und Radio Corax auszuweiten, bei dem Freien Radio Neumünster anzufangen und digitalisiert bei dem Freien Radios Berlin-Brandenburg zu starten. Ich seh gerade, wir halten endlich mal die Deutsch Quote ein. ## Neuvorstellungen (April 2024) 1. Marja Marlene Lechner — Zeig mir deine Liebe (Zeig mir deine Liebe — 8. April 2024 — Not On Label) 2. Augn — Coronahilfe (Gerstenkorn / Fata Morgana — 5. April 2024 — Dioptrien) 3. Stefanie Schrank — Schlachtrufe BRD (Schlachtrufe BRD — 20. April 2024 — Staatsakt / Bertus / Zebralution) 4. BRK (BR) + Tomy Wahl + Karpovich — Amara Chicken (Rock My Friends — 27. März 2024 — Sapient Robots Records) 5. Low Poly — The Noise (Three Bells — 12. April 2024 — Dome of Doom Records) 6. Einstürzende Neubauten — Ick wees nich: Noch nich (Rampen APM: Alien Pop Music — 5. April 2024 — Potomac) 7. Kim Gordon — I'm A Man (The Collective — 8. März 2024 — Matador) 8. Salami Rose Joe Louis & Flanafi — American Moss (Aarah — 5. April 2024 — Brainfeeder) 9. Squarepusher — Stromcor (Dostrotime — 1. März 2024 — Warp Records) 10. Drahla — Default Parody (Angeltape — 5.März 2024 — Captured Tracks) 11. Uranium Club — Small Grey Man (Infants Under the Bulb — 1. März 2024 — Static Shock Records) 12. Red Vox — Garbage Land (Garbage Land — 1. April 2024 — Vine) ## Die aktuelle Hitparade (März 2023) 13. (Platz 2) Plantoid — Only When I'm Thinking (Terrapath — 2. Februar 2024 — [PIAS] / Bella Union UK) 14. (Platz 1) Ty Segall — Hi Dee Dee (Three Bells — 26. Januar 2024 — Drag City / Indigo) 15. (Platz 1) Maurice Summen — Zu spät (Zu spät: Single — 19. Februar 2024 — Staatsakt / Zebralution) ### Informationen * Einsendeschluss: 17. Mai 2023 * Maisendung – Radio Woltersdorf: 23. Mai 2023 um 17:00 Uhr * Maisendung – Pi Radio: 23. Mai 2023 um 17:00 Uhr * Maisendung – Radio Corax: 27. Mai 2023 um 20:00 Uhr und 28. Mai 2023 um 11:00 Uhr * Maisendung – Freies Radio Neumünster: 30. Mai 2023 um 22:00 Uhr Alles ohne Gewähr!!! # Die Hitparade von Radio Woltersdorf Die Regeln sind einfach. Wähle deinen Titel aus den Neuvorstellungen aus und schicke uns entweder eine E-Mail mit dem Titel, oder eine zum Titel zugeordnete E-Mail die Leer bleiben kann oder gehe auf die Abstimmungsseite ( http://pipapo.radio-woltersdorf.org ). Oder Postkarte an Pi Radio; Lottumstr. 9/10; 10119 Berlin oder vorbeikommen... Es ist alles noch nicht richtig durchdacht, wir wollten aber mal damit anfangen, deswegen geht hier nicht alles mit richtigen Dingen zu. * http://pipapo.radio-woltersdorf.org * http://soundcloud.com/pi-radio/pi-pa-po-rade-kopf-an-kopf ## Community Radio Woltersdorf Nichtkommerzielles, freies Radio aus Berlin Brandenburg, direkt an der Woltersdorfer Schleuse, aus dem Umfeld der Spielerei auf Pi Radio in Berlin. * https://radio-woltersdorf.org/
This podcast is unpaid and survives on donations. You can donate here via paypal www.stephenmbland.com/olas-kool-kitchen or buy merch here olaskoolkitchen.dizzyjam.com. Ola's Kool Kitchen is a show on KCLA 99.3 FM in Los Angeles, Maximum Threshold Radio, Sword Radio UK, Jammerstream One, Kor Radio, Bombshell Radio, Pop Radio UK, Radio Wigwam, Rock XS Radio, Radio Candy Show 499 1. Ride-Last Night I Went Somewhere to Dream -Interplay-Wichita 2. Tough Age-Getting Closer-Waiting Here-Bobo Integral 3. Bdrmm- It's Just A Bit Of Blood -I Don't Know-Rock Action 4. La Luz-Strange World-News of the Universe-Sub Pop Records 5. Signe Vange-Dinosaur-Dinosaur-self release 6. Mannequin Pussy - I Got Heaven-I Got Heaven-Epitaph 7. Drahla- Grief in Phantasia –angeltape-Captured Tracks 8. Dumbo Tracks - Daughter Of Flood (feat. Rubee Fegan)-Move with Intention- Bureau B 9. Vtoroi Ka-Dummy- Svinaya poputka-Infinity Music10. Portugal. The Man-Grim Generation -Chris Black Changed My Life-Atlantic 11. Eddie Harris-Silver Cycles-Silver Cycles-Atlantic 12. Feeble Little Horse-Worth It (Intro)- Hayday-Saddle Creek Records
Linda Smith in conversation with David Eastaugh https://lindasmith2.bandcamp.com/ https://capturedtracks.com/artist/linda-smith/ A pioneer of the home recording movement, Linda Smith released several collections of delicate, bewitching solo music on cassette in the 1980s and 90s. The 2021 release of Till Another Time: 1988-1996, Captured Tracks' compilation of Smith's work, has helped bestow rightful critical acclaim to the ahead-of-her-time artist. Now, Captured Tracks dives deeper into Smith's catalog with the release of two full-length companion albums, Nothing Else Matters and I So Liked Spring, available for the first time on vinyl & streaming formats. Recorded at Smith's home in Baltimore in 1995, Nothing Else Matters chronicles the tension between the mundanity of daily life and the creative impulse: ”I was working for Ringling Bros at their corporate headquarters in Northern VA and driving there and back to Baltimore on the DC beltway,” Smith remembers. “I aimed for detachment and some degree of humor in order to see things more clearly.” Traffic noises on the charmingly boisterous “Little To Be Won” showcase this levity, as does the addition of playful hand claps and a laugh track to her striking cover of Young Marble Giants' “Salad Days.” Despite its homespun inception, the arrangements are sophisticated, as in the bright, percussive opener “The Answer To Your Question.” This complexity is also reflective of Smith's evolving recording techniques – having outgrown her 4-track tape machine, she'd purchased a Fostex 8-track, on which she recorded both Nothing Else Matters and I So Liked Spring.
Katie Garcia is Vice President of A&R at Capitol Music Group. Prior to that Katie worked at Secretly Group for 8 years and helped sign some of their flagship artists including Slowdive, Faye Webster, serptentwithfeet, Japanese Breakfast, and Phoebe Bridgers. Before that she was the label manager and head of A&R at the independent record label, Captured Tracks. She also co-founded Bayonet Records with her husband Dustin.See omnystudio.com/listener for privacy information.
On today's episode, I talk to musician and home recording pioneer Linda Smith. While Linda had started playing out in New York in the late 1970s, it was really when she returned home to Baltimore that her artistic life blossomed. Starting in the late 1980s, she began recording what is now known as bedroom pop and releasing her albums on cassette. Through word of mouth and distros like K Records, she gained a great deal of acclaim, and in the 1990s, labels like Slumberland, Shrimper and Harriet began to release her albums. In 2021, Captured Tracks released an anthology of Linda's music entitled Till Another Time: 1988–1996, and at the start of March, they re-released two more of her early albums, Nothing Else Matters and I So Liked Spring, both wonderful and well worth your time! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here!
This week, in the final episode of Digging Season 2, Flo is with fellow NTS host Shy One. Shy is a producer and DJ who started aged 13 making grime instrumentals for this emerging London scene. Now a celebrated DJ and musician, she's played in clubs and festivals across the world, and is loved for her musically deep, eclectic sets.In this episode Flo and Shy One plant out tiny baby leeks and discuss their very different experiences in the seminal internet chat community MSN, Shy's classy musical upbringing, and her early years watching classic British comedy Smack the Pony with her mum.Presenter - Flo Dill, Producer - Lizzy King, Sound Recording - Jennifer Walton, Audio production - Felix Stock. Special thanks to Dimitris Mylonas.Music - Cleaners from Venus - The Artichoke That Loved Me, courtesy of Martin Newell & Captured Tracks.You can hear Shy One on NTS every Wednesday on Soup To Nuts Hosted on Acast. See acast.com/privacy for more information.
Not only are we off the plot today, we aren't really gardening either. In this special edition of Digging, Flo is spending time with Penny Rimbaud in his garden. Penny is a founding member of the anarcho-punk band Crass and performance group EXIT, as well as a poet, writer and philosopher. In this episode Penny gives Flo a tour of the garden and ‘sheds' at Dial House, the radical open house he established in the 1960s. They discuss his approach to meditation and philosophy as well as Penny's various tattoos. They talk about the formative power of Paul Rep's book on Zen, the early influence of the film The Inn of the Sixth Happiness and the fact that Valerie Solanas's Scum Manifesto was the book most often stolen by Dial House guests. Featured track - The Casimir Connection - Forgiveness from the as yet unreleased Caliban Sounds album 'REFLECTION'. Credit to Dianne McLoughlin/soprano sax. Alcyona Mick/piano. Kit Massey/violin. Tim Fairhall/bass. Written and arranged by Diane McLoughlin. Produced by Dianne McLoughlin and Penny Rimbaud.Presenter & editor - Flo Dill, Producer - Lizzy King, Sound Recording - Giulia Campanella, Audio production - Felix Stock. Music - Cleaners from Venus - The Artichoke That Loved Me, courtesy of Martin Newell & Captured Tracks. Hosted on Acast. See acast.com/privacy for more information.
We're back on the plot today with Slauson Malone 1, formerly Slauson Malone, also known as Jasper Marsalis. Jasper is a painter, sculptor and musician who currently lives in Los Angeles. His work in music feels like a form of collage; of narratives, sounds and references.In this episode Flo and Jasper are appealing to Jasper's perfectionist qualities and planting out garlic. They discuss the music that Jasper is currently fake listening to; his respect and fear of cooking and appreciation of dumb but useful items, like the dibber - which is well used in this episode. Jasper is currently reading Cruel Optimism by Lauren Berlant, listening to Abdul Wadud, By Myself; and watching Winter adé as well as Fast X. Presenter & editor - Flo Dill, Producer - Lizzy King, Sound Recording - Fabrice Robinson, Audio production - Felix Stock. Special thanks to Dimitris Mylonas.Music - Cleaners from Venus - The Artichoke That Loved Me, courtesy of Martin Newell & Captured Tracks.Listen back to Jasper's shows and guest spots on NTS Hosted on Acast. See acast.com/privacy for more information.
Today Flo's off the plot and into the garden of English musician Tirzah. One of the most enduring exponents of weird and wonderful music, Tirzah has released a string of acclaimed albums, and works in close collaboration with other musicians, namely school friend Mica Levi. In this episode Flo and Tirzah are planting onion seeds and broad beans into seed trays to be grown inside, until they're ready to be planted out on the allotment. Whilst they set about this task they discuss the delicate business of karaoke, the musical impact of exiting Jehovah's Witnesses, motherhood, and the art of collaboration. Discover more of Tirzah on NTSPresenter & editor - Flo Dill, Producer - Lizzy King, Sound Recording - Sophie Ellison, Audio production - Felix Stock. Music - Cleaners from Venus - The Artichoke That Loved Me, courtesy of Martin Newell & Captured Tracks. Hosted on Acast. See acast.com/privacy for more information.
Today's guest digger is rising UK rapper Sainté: originally from Leicester, this charismatic artist is an accidental musician: forced to rethink his promising basketball career due to the pandemic, he uploaded a song born out of a freestyle on the bus on the way to practice, and the internet did the rest. In this episode Flo and Sainté plant out raspberry canes as they discuss Sainté's career so far, his aspirations of opening his own cafe, and early memories of growing the wrong kind of peas at his mum's allotment.Presenter & editor - Flo Dill, Producer - Lizzy King, Sound Recording - Sophie Ellison, Audio production - Felix Stock. Special thanks to Dimitris Mylonas.Music - Cleaners from Venus - The Artichoke That Loved Me, courtesy of Martin Newell & Captured Tracks. Hosted on Acast. See acast.com/privacy for more information.
Flo is back on the allotment for another season of Digging. In this first episode, she's joined by English contemporary artist Jeremy Deller. The Turner Prize winner often weaves music and pop culture into his art, which tends to be politically focused and collaborative in nature. In this episode of Digging, Deller and Flo attempt to bridge the gaps between Take That, William Morris and the lost magic of the jumble sale, whilst planting out strawberries to overwinter on the plot. Presenter & editor - Flo Dill, Producer - Lizzy King, Sound Recording - Jennifer Walton, Audio production - Felix Stock. Special thanks to Dimitris Mylonas. Music - Cleaners from Venus - The Artichoke That Loved Me, courtesy of Martin Newell & Captured Tracks. Hosted on Acast. See acast.com/privacy for more information.
Starting on the East coast, bringing a dog on tour, and a healthy mix of ballads and upbeat songs. Molly Burch Molly Burch's “Daydreamer”- https://www.omnianmusicgroup.com/products/daydreamer "Molly Burch was exposed to the arts at an early age. Growing up in Los Angeles with a writer/producer father and a casting director mother, Burch's childhood was filled with old Hollywood musicals and the sounds of Patsy Cline, Billie Holiday and Nina Simone. After finding her voice in adolescence, Burch packed up for the University of North Carolina in Asheville to study Jazz Vocal Performance. “I was always really interested in singing before songwriting. I didn't have the confidence to write,” Molly says, “Initially it was more about finding the right songs to complement my voice.” And that voice is the first thing you'll notice on Burch's debut album, Please Be Mine. It's smoky, with an incredible range, effortlessly evocative of her early influences. It was in Asheville where Burch would meet guitarist Dailey Toliver, who plays on her debut, and who inspired much of its music. Searching for a bigger pond, Burch moved to Austin, Texas in an effort to stand on her own two feet. There, Burch began to write her own music in earnest, with the lovelorn Everly Brothers and Sam Cooke as her songwriting guides. Joined by Toliver in Austin a year later, the two connected with Dan Duszynski of Cross Record, and they recorded all the songs on Please Be Mine at his idyllic studio in Dripping Springs, Texas. Motivated by the hourly rate, Burch and her band recorded all the basic tracks and vocals live in one room and in one day, with minimal overdubs for keys and back-up vocals happening a day later. A difficult task for any talented musician, it becomes more mind-blowing when you hear her belt it on tracks like “Downhearted” and “I Love You Still.” We're all lucky Molly started writing music simply to complement her voice, as we've discovered a great new American songwriter in the process. Captured Tracks is proud to present this debut album of ten beautiful, wistful love songs of loss, loneliness and reconnecting." Excerpt from http://www.mollyburchmusic.com/bio Molly Burch: Bandcamp: https://mollyburch.bandcamp.com Instagram: @mollyjburch Website: http://www.mollyburchmusic.com Merch: https://www.hellomerch.com/collections/molly-burch The Vineyard: Instagram: @thevineyardpodcast Website: https://www.thevineyardpodcast.com Spotify: https://open.spotify.com/show/5Ndle3K... Apple Podcasts: https://podcasts.apple.com/us/podcast...
Jonny Swift (ex Beat the Radar, Paloma Café) is a Cumbria, UK-based artist who writes, performs and releases music under his own name, and since 2020 has released three albums (Dalton Daze, Story of Luna & Kalimera) via local independent label Seahouse Records. Swift has received national and international radio play and exposure from BBC 6 music, BBC London, BBC introducing, Amazing Radio as well as local independent radio stations.Jonny has released the lead single "She Said" on 17 November 2023 off his forthcoming record "An Awesome Dream" (1 December). Recorded, Mixed and Mastered by Matt Kassell at Digital Man Recording Studio, Barrow, Cumbria, these releases are available on all digital platforms.Sounding like something from 80s indie label Sarah Records, there's no denying that ‘She Said' is a straight forward indie pop song. Jangly guitars, female backing vocals, tambourines and lyrics about rejection place this track firmly in a particular category.With strong influences by The Vaselines, The Wake as well as more modern indie acts such as The Cribs, this perfect slice of pop is perfect for both daytime radio as well as indie-specific shows and playlists.For our conversation today, we discussed the artistic impact of "Gemini" - the debut album by an American indie rock, dream pop act known as Wild Nothing, Released on May 25, 2010, on Brooklyn, NY's Captured Tracks, Wild Nothing is a brainchild of Blacksburg, VA's Jack Tatum and a mainstay of the group since its inception back in 2009.Enjoy the conversation!
On today's episode, I talk to musician Christina Schneider AKA Locate S,1. Originally from Westchester, New York, Christina began her career making music in various projects, such as C.E Schneider Topical, Christina Schneider's Genius Giant, and Jepeto Solutions., and in 2018, she began recording as Locate S,1. She's released three albums, Healing Contest, Personalia and her latest, Wicked Jaw, which was just released at the end of July by Captured Tracks! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here!
This week Flo is joined by old friend and DJ OK Williams to help harvest potatoes on the plot. As they work in the blazing sunshine they reflect on Londoner OKW's recent ascent in clubland, how she got into DJing, macho club culture, and her past role producing Andrew Weatherall's influential NTS show.Check out OK Williams' monthly NTS showPresenter - Flo Dill, Producer - Lizzy King, Sound Recording - Jennifer Walton, Editor - Sam Stone, Mastering - Owen Pratt, special thanks to Dimitris Mylonas.Music - Cleaners from Venus - The Artichoke That Loved Me, courtesy of Martin Newell & Captured Tracks. Hosted on Acast. See acast.com/privacy for more information.
Flo is off the plot again today, this time at the veg patch of Cosey Fanni Tutti. Cosey is an artist, musician, and writer. She was a co-founder of COUM transmissions and later went on to form industrial music group, Throbbing Gristle. Both groups were highly censored and at one point they were accused by the mainstream press of being ‘wreckers of civilisation' for their shocking and confrontational work. Cosey went on to form Chris and Cosey, and later Carter Tutti Void with her bandmate and partner, Chris Carter. In this episode Cosey talks Flo through her DIY approach to gardening, her recent work scoring the Delia Derbyshire film, and their mutual love of the Rosemary Tonks book, The Bloater. Later in the podcast they discuss Cosey's choice of music to strip to, all whilst they sow carrot seeds and plant out onion sets. Check out Cosey Fanni Tutti's shows on NTSPresenter - Flo Dill, Producer - Lizzy King, Sound Recording - Jennifer Walton, Editor - Sam Stone, Mastering - Rory Bowens.Music - Cleaners from Venus - The Artichoke That Loved Me, courtesy of Martin Newell & Captured Tracks. Hosted on Acast. See acast.com/privacy for more information.
Flo is off the plot today and doing some container gardening on Brix Smith's roof garden. Brix started out at the liberal arts college Bennington, alongside Donna Tartt and Bret Easton Ellis, before going on to join seminal British post-punk band The Fall. She was also married to Mark E Smith. Today she fronts her own band, Brix Smith - a “kind of all-female supergroup”. Between her time in bands, she was the fabulous co-host on Gok's Fashion Fix. Flo and Brix discuss how Brix's acute synesthesia marries up the seemingly disparate worlds of 1970s British post-punk and the mainstream 00s TV fashion competition, whilst they pot up some tomatoes and peas.Presenter - Flo Dill, Producer - Lizzy King, Sound Recording & Editor - Sam Stone, Mastering - Felix Stock. Music - Cleaners from Venus - The Artichoke That Loved Me, courtesy of Martin Newell & Captured Tracks. Hosted on Acast. See acast.com/privacy for more information.
On today's episode, I talk to musician Kate Fagan. Growing up in Wisconsin and then outside DC, Kate made many more stops before ending up in Chicago in the late '70s and early '80s. There she became the Founder and frontwoman of long-running Chicago second wave ska trailblazers Heavy Manners, and on her own, she recorded and self-released the new wave single “I Don't Wanna Be Too Cool, ” which became the best-selling single ever by a local artist at the legendary Wax Trax! Records. 35 years later, Captured Tracks has released an expanded, re-mastered edition of I Don't Wanna Be Too Cool as a full-length album, and it's great! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here!
Today, we're speaking with one Scout Gillett, from Brooklyn, NY by way of Kansas City, MO. Scout is a musician and runs her own booking agency called Road Dog Booking. Her atmospheric and contemplative debut record titled “no roof no floor” is out now via Captured Tracks, and at the time of our conversation in November 2022, wrapped up a tour in support of Sarah Shook and the Disarmers, and celebrated a release party for “no roof no floor” at the record Bar in KC with The Whiffs, Blanky, and Magic Marty. The music of Scout Gillett is very difficult to pin down sonically, and I personally believe that's a very good place to land for an artist. If you enjoy the musical stylings of Sharon Van Etten, Angel Olsen, Mazzy Star, and Patty Smith, Scout has a seat at that table. And, I highly recommend catching her upcoming solo tour on the West Coast through the month of December, starting on Dec 7 at The Firehouse in Joshua Tree, CA, dear listeners. For our conversation, we will be discussing The Man Who Died in His Boat, the 9th studio album by American “experimental pop” musician Liz Harris under the moniker, Grouper, which was released on Monday, February 4, 2013. This record consists of outtakes from the previous years, when she was in the process of recording Dragging a Dead Deer Up a Hill.Enjoy the conversation!
Scout Gillett is a singer songwriter living in Brooklyn by way of Kansas City. Her debut LP, no roof, no floor (Captured Tracks) is a meditation on loss and vulnerability that's sonic quality replaces any hopelessness with a sense of openness. In this episode Joe and Scout discuss the inspiration behind the new record and the experience of tracking the songs in a barn, in the dark. Scout also tells us how the DIY community has shaped her view on the music industry and why that led to her starting her own booking agency. She shares her upcoming touring plans and we hear a couple tunes. https://scoutgillettmusic.bandcamp.com/https://capturedtracks.com/Use coupon code FRET10 to claim 10% off your iZotope plug-in purchase or try Music Production Suite Pro free for 30 days.Go to www.izotope.com/en/lp/ruinous
The David Byrne sightings, carpet to floor wood ratio, and recording studios in the Greek Isles. Robert Earl Thomas (Widowspeak, Robert Earl Thomas) "Widowspeak is an American indie rock band from Brooklyn, New York City, United States. They are currently signed to Captured Tracks. The band consists of guitarist and vocalist Molly Hamilton and guitarist Robert Earl Thomas." Excerpt from https://en.wikipedia.org/wiki/Widowspeak Robert Earl Thomas: Bandcamp: https://robertearlthomas.bandcamp.com Website: https://robertearlthomas.com Instagram: @robert_earl_thomas Records: https://www.omnianmusicgroup.com/products/another-age Widowspeak: Bandcamp: https://widowspeak.bandcamp.com Website: https://www.widowspeakforever.com Instagram: @widowspeaking Records: https://www.omnianmusicgroup.com/collections/vendors?q=Widowspeak The Vineyard: Instagram: @thevineyardpodcast Website: https://www.thevineyardpodcast.com Youtube: https://www.youtube.com/channel/UCSn17dSz8kST_j_EH00O4MQ/videos
David Westlake - The Servants - in conversation with David Eastaugh New album - My Beautiful England - out autumn 2022 David Westlake formed indie band the Servants in 1985 in Hayes, Middlesex, England. The Servants appeared on 1986's NME-associated C86 compilation, and the band was from 1986 to 1991 the original home of Luke Haines. Haines describes David Westlake's first solo album, 1987's Westlake, as "a minor classic". Westlake's second solo album, 2002's Play Dusty for Me, was released in a limited issue that quickly sold out but was never re-pressed.[5]Captured Tracks reissued Play Dusty for Me in LP format on Black Friday, 2015.
This week we're joined by Captured Tracks recording artist Scout Gillett to talk about the Sex Pistols' only full length Never Mind the Bollocks. We dig into seeing and being seen, solo dates to Chipotle, Subway vs. Chipotle, Sweet Green vs. Subway, Snow Patrol, DJ Target, the differences between Missouri and Kansas, Famous DIY musician Count Basie, step wives, Mothman, Falling off of a cliff, medical doohickeys, what its like to work with Andrew, taking edibles at work, indoor cigs, Heat scene report, film dorks, doing nice things for yourself, late night chicken, the RITG bump, Sloan Rangers, hating The Beatles, and writing as a solo artist. // Follow us at @danbassini, @mysprocalledlife, @scoutgillett and @runintotheground. Listen to our RITG Mixtape Vol. 6 here and our Best of RITG Vol. 2 playlist here.
[Originally published on July 02, 2021.] Contributor Mira Kaplan talks with Juan Wauters about how cross-cultural experiences influence his work and practice following his most recent release Real Life Situations. Find text here: https://hii-mag.com/article/juan-wauters-vocal-assimilation
This week we are doing a special listener suggestion episode, from Kyle Brown, who releases music under the name "Kite Vendor"."DIIV" are a four piece indie rock band based out of Brooklyn, New York.The project originally started after lead songwriter and frontman Zachary Cole Smith left the band "Beach Fossils", for whom he was playing drums for. Cole started by writing and demoing material in his bedroom, not knowing if anything would come of what he was creating, or if anyone would ever hear it. However as his confidence grew he decided to share his new material with the label managers at Captured Tracks, the label Beach Fossils were signed with. The label liked what they heard and decided to put out a couple singles. Off the success of these singles Captured Tracks decided to put out Cole's full-length debut album "Oshin" in 2012.To hear the full story, and a selection of tracks, check out this weeks episode of R2G.To learn the full story, check out this week's episode of Roots to Grooves!"Roots to Grooves" is a production of SIGNL.https://www.signlradio.comhttps://www.instagram.com/signlradiohttps://www.twitter.com/signlradiohttps://www.facebook.com/signlradiohttps://www.mixcloud.com/signlhttps://open.spotify.com/user/96mhz6qfjoztxbl2dpm0uj903?si=aAZpsoEnRAKdx85kr1QWhg
Widowspeak - "Everything is Simple" from the 2022 album The Jacket on Captured Tracks. Brooklyn-based duo Widowspeak are gearing up to release their sixth studio album, The Jacket, on March 11th via longtime label Captured Tracks. Initially intended to be a concept album based on a fictional band, The Jacket morphed into a more personal and biographical meditation on performance and past lives. The record's lead single, “Everything is Simple,” is a gentle alt-folk strummer that sees frontwoman Molly Hamilton wistfully ruminate on constantly shifting perspectives. “Everything is simple 'til it's not,” is the phrase that Hamilton hauntingly bookends the song with, describing a whole variety of possible situations. She had this to say about the meaning behind the “Everything is Simple”: “At the beginning of something (a relationship, a project, a job, a new place) you have this very pure feeling toward it. Everything feels less complicated because you're oriented wholly toward that potential. It's undefined, and that makes it easier to understand, because you can't see the problems yet. As time goes on, you learn more, you experience more, and you see where the limitations exist: not even necessarily ones imposed upon you, but where you draw your own lines. Maybe you can't see what was holding you back until it's in the past, and by then others' perspectives contradict your own. Everyone is constructing their own versions of reality. The song was originally going to feed into the drama of the imaginary band, but it's about our own band too. I was thinking about how I'm an inherently unreliable narrator about my own life, and at the same time maybe there are no ‘true' stories.” The song comes with a bullriding-themed video directed by OTIUM. Watch it at the link below. Read the full post on KEXP.org Support the show: https://www.kexp.org/donate See omnystudio.com/listener for privacy information.
Esta semana el viaje en el tiempo de Ya No Puedo Más se va hasta noviembre del año 2001, momento en el cual nos trasladamos desde Radio FI a UPV-Radio. Por entonces sonaban en el programa discos como Get Ready de New Order, Biggest Bluest Hi-Fi de Camera Obscura, o Is This It de The Strokes. La actualidad nos devuelve a un grupo del sello Captured Tracks cuyo primer álbum, publicado en el año 2010, causó sensación. Se trata del regreso de Wild Nothing, con su nuevo single Nowhere. Desde Nueva York nos llega James Levy & The Blood Red Rose, el dúo formado por James Levy y Alison Pierce, su primer single: Sneak Into My Room, suena al estilo de algunos clásicos como Gainsbourg & Birkin o Hazlewood & Sinatra. Una nueva compilación publicada en el blog La Conjura De Las Danzas nos lleva a escuchar a The Hummingbirds, grupo indie australiano con singles publicados a finales de los años 80 y principios de los 90.
En Música de Contrabando , revista diaria de música en Onda Regional de Murcia (hoy vamos de 23,05 a 01,00h). El Benidorm Fest arrancó , y Varry Brava han pasado a la gran final. Hablamos con Aarön Sáez (Varry Brava) acerca de la experiencia que han vivido, de su puesta en escena y las esperanzas depositadas para estar en Turín con su 'Raphaella'. Second presentan tema y anuncian nuevo disco y gira: “Flores imposibles”, Aprovechamos para hablar con Sean Frutos del germen de esta nueva etapa, que ha tenido la colaboración de Manuel Cabezalí y Víctor Cabezuelo (Rufus T. Firefly) para ayudarles a explorar caminos inéditos.Ladilla Rusa presenta ‘After Party', una ilusión de Eurovisión.L a canción techno-cañí es un guiño y un homenaje a algunas interpretaciones míticas de España en Eurovisión. Chanel encabeza las votaciones del Benidormfest. Rigoberta Bandini, otra de las grandes favoritas.Viagra boys publicarán edición expandida de Welfare jazz en formatoBdigital y de paso anuncian gira.Este viernes podremos disfrutar del segundo disco de Carolina Durante pero antes, la banda madrileña han querido adelantarnos un nuevo single llamado “Granja Escuela”.La colaboración entre Bratty y Depresión Sonora parecía una consecuencia del destino, que ahora cristaliza en esta preciosa canción, Seguiremos siendo. Deserta sigue mirándose los zapatos en "where did you go", brumoso nuevo adelanto que cuenta con la ensoñadora voz de Caroline Lufkin. El cuarteto de Los Ángeles Warpaint está de vuelta con Radiate Like This, su primer larga duración en seis años, que verá la luz el 6 de mayo. El single de presentación, «Champion, habla de «luchar por uno mismo y por el bien de todos. Estamos juntos en esto.». Palace, una de las bandas de alt rock más calientes de la escena londinense, presentan Shoals, su tercer álbum, editado por el sello Fiction. Funambulista lanza una canción vitalista que habla de dejarlo todo y aprovechar el tiempo para hacer las cosas que realmente te llenan. De pura esencia pop, en "Superpoderes" . . su personal forma de entender y filtrar las tendencias, como Rumba Flamenca. Nena Daconte vuelve por todo lo alto con "Detrás de cada luz", una canción directa y enérgica que habla de varias cosas a la vez: del exceso de sensibilidad, de lo que escondemos, de lo que nos gustaría conseguir pero que la vida se empeña en quitarnos, de la ilusión de ser un peón en el juego de alguien. Soak anuncia If i never know you like this again, su nuevo disco, con el eléctrico riff influenciado por el indie noventero de "last july", primer adelanto pop. Widowspeak han compartido esta semana un segundo avance extraído de su próximo álbum de estudio The Jacket, que será publicado el 11 de marzo a través del sello Captured Tracks. Pinegrove son pura emoción en "respirate", nuevo adelanto de americana emo de 11:11, su nuevo disco. En la agenda del finde reseñamos los conciertos de Quique González, Joaquín Talismán, Alberto Alcalá y Ana Alcaide.
En Música de Contrabando , revista diaria de música en Onda Regional de Murcia (hoy vamos de 22,05 a 00,00h). El maldito Covid se ha llevado, a los 63 años, a Joan Vinyals, guitarrista barcelonés vinculado, desde hacía años, a los proyectos de Santiago Auserón, tanto en la banda de Juan Perro como en conciertos a dúo. La edición número 64 de los premios GRAMMYs podría verse afecta por el aumento de casos de COVID -19 causados por la variante Ómicron. La ceremonia está prevista para el día 31 de enero en Los Ángeles pero la fecha podría aplazarse (Jon Batiste). Rhino comienza el año con una nueva campaña denominada Start you ear off right 2022, que presenta una serie de ediciones en vinilo del catálogo de Warner Music Group: Juno BSO, Lost in translation BSO, Aretha Franklin, Miles Davis & Michel Legrand, Quincy Jones y Grateful Dead (My Bloody Valentine). Rigoberta Bandini, única entrada eurovisiva en la lista oficial de ventas española a la que damos un repaso. Father John Misty recupera el glamour de los 40 en ‘Funny Girl'. Beirut estrena "fyodor dormant", tema inédito que sintetiza la trayectoria musical de Zach Condon y que está incluido en el recopilatorio Artifacts. Widowspeak anuncia su sexto álbum de estudio, The Jacket, que se lanzará el 11 de marzo a través de Captured Tracks. Junto con el anuncio, el dúo (la cantante y compositora Molly Hamilton y el guitarrista Robert Earl Thomas) comparten una canción enérgica y propulsora sobre el cambio de perspectivas en situaciones cada vez más complicadas. El festival Gigante redondea una decena de nombres para su edición 2022 (Lori Meyers). Robin Guthrie, leyenda dentro del ámbito del dream pop gracias a su importante rol en Cocteau Twins, cumplió ayer 60 años. Para celebrarlo, el mítico guitarrista decidió estrenar «Springtime». Spoon comparten "the hardest cut", su bailable primer single, en versión de su infalible directo.Noel Gallagher presenta “Trying to find a world that's been and gone: Part 1”, la maqueta de una de las canciones de su próximo disco al frente de High Flying Birds. "Raffaella" es el título del tema con el que Varry Brava se presenta al Benidorm Fest, festival en el que se seleccionará la banda que represente a España en Eurovisión 2022 cumpliendo así su deseo de representar a nuestro país en Eurovisión. Miss Cafffeina publica su nuevo single “Autoayuda” compuesta por Alberto Jiménez. Es otro de los avances de su nuevo álbum “El Año del Tigre”. “Superstar” es la nueva canción de Jordana B., una composición original de la argentino-española María Solà en la que mezcla el español con el inglés para iluminar los días tristes y llenarlos de motivación. El jovencísimo dúo murciano Cutre sigue demostrando que son sin dudas una de las bandas a las que hay que estar atentos de cara a 2022. Tras su primer single ‘crush', estrenan ‘No te vayas', un nuevo single en el que repiten la simple pero efectiva fórmula: pop melódico con letras simples pero efectivas. Aarón Sáez nos introduce en su particular 'videoclub'.
"Beach Fossils" are an American indie rock band from Brooklyn, New York.Originally starting out as the moniker for lead band member, Dustin Payseur's solo material, "Beach Fossils" have most recently settled into a 4 piece band, exploring downtempo indie rock, with a diverse range of influences, from The Beatles through to Isaac Hayes, DJ Shadow, The Wu Tang Clan and even Korn. Check out our latest episode to hear the full story.To listen to the full episode, including the featured music, visit... signlradio.com"Roots to Grooves" is a production of SIGNL.https://www.signlradio.comhttps://www.instagram.com/signlradiohttps://www.twitter.com/signlradiohttps://www.facebook.com/signlradiohttps://www.mixcloud.com/signlhttps://open.spotify.com/user/96mhz6qfjoztxbl2dpm0uj903?si=aAZpsoEnRAKdx85kr1QWhg
Gomorrha - Trauma (from the Strain, Crack & Break - Volume 2 of the Nurse With Wound List - Germany) Flohr Otis - Stirb In Deinem Rasenmäher (underground German band from 90s - self released 2LP Vierteiler) NZ mini set inspired by Erewhon Calling - Experimental Sound in New Zealand BOOK (available at Carbon Records link below) Toy Love - Squeeze (from the AK79 2LP compilation on Ripper Records, Propeller, and Flying Nun Records - originally from 1979) Chris Knox - Wanna (from Seizure LP - reiisue on Captured Tracks - originally on Flying Nun 1989) Tall Dwarfs - Skin of My Teeth (from Weeville reissued on Captured Tracks) Wreck Small Speakers on Expensive Stereos - Rain (from Xpressway Pile-up - A Compilation of NZ Music) The Verlaines - Angela (from Dunedin Double 4 way 2LP, The Chills, Sneaky Feelings, The Stones, and The Verlaines - reissued on Flying Nun - originally released in 1982) Rambutan - System 5 (Walker Martin • Michael Kiefer • Chris Robert • Glen Galloway • Eric Hardiman) Rambutan - System 20 (Mike Watt • Anla Courtis • Michael Kiefer • Jon Schlesinger • Thomas Lail • Patrick Weklar • Eric Hardiman) Rambutan - System 32 (Euan Currie • Holland Hopson • Jenifer Gelineau • Ali Robertson • Pete Fosco • Eric Hardiman) Links: Rambutan - Parallel Systems - https://rambutan.bandcamp.com/... Carbon Mailorder - https://carbonrecords.com
We're joined by Linda Smith, a pioneer in the arenas of home recording and self-releasing music, and the reluctant inventor of “bedroom rock.” Crucial matters discussed include: her beloved hometown of Baltimore, Maryland; the release of a compilation of her work by Brooklyn-based indie label, Captured Tracks; how the fabled appearance of The Beatles on The Ed Sullivan Show changed her life; and so much more.
What Difference Does It Make celebrates the release of Strum and Thrum by talking with members of the Bangtails, The Ferrets, Great Plains, and The Darrows as well as Captured Tracks label head, Mike Sniper. The Strum & Thrum compilation includes an 80+ page booklet with an extensive oral history of the ‘80s indie scene and tons of archival images and ephemera. If you're wondering what "strum and thrum" means well so are most of the bands on this compilation. All we can say is that if you loved college rock from the 80s, this might just be the music you never knew you loved.We are a proud member of the Pantheon Podcast familyGet a free audiobook courtesy of What Difference Does It Make https://www.audibletrial.com/wddimpodcat
What Difference Does It Make celebrates the release of Strum and Thrum by talking with members of the Bangtails, The Ferrets, Great Plains, and The Darrows as well as Captured Tracks label head, Mike Sniper. The Strum & Thrum compilation includes an 80+ page booklet with an extensive oral history of the ‘80s indie scene and tons of archival images and ephemera. If you're wondering what "strum and thrum" means well so are most of the bands on this compilation. All we can say is that if you loved college rock from the 80s, this might just be the music you never knew you loved.We are a proud member of the Pantheon Podcast familyGet a free audiobook courtesy of What Difference Does It Make https://www.audibletrial.com/wddimpodcat
DIIV - Skin Game - from the 2019 album Deceiver on Captured Tracks.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.
Mourn - Fun At The Geysers - from the 2018 album Sorpresa Familia on Captured Tracks.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.
Ep 40 Margaret Wappler & David P. Earle: The People On this episode our guests are Margaret Wappler & David P. Earle. Margaret Wappler lives in Los Angeles and has written about the arts and pop culture for the Los Angeles Times, Rolling Stone, Elle, The Believer, The Village Voice and several other publications. Her work has appeared in Black Clock, Public Fiction and The Anthology Joyland Retro. Her first novel, Neon Green, is coming out from Unnamed Press in July 2016. David P. Earle is an artist and writer living in Los Angeles. He also is a co-director of Elephant Art Space here in Glassell Park, Los Angeles. http://www.davidpearle.com This episode in our Notes segment we feature a short radio piece by David Earle called The Searchers (Based on a True Story) which was produced for the 2008 Third Coast International Audio Festival. To close out the show, we have music from Chris Cohen, the title track from his new album As If Apart, released May 6, 2016 on the Captured Tracks label.