Podcasts about oscillators

Microwave Journal editors Pat Hindle and Eric Higham discuss the products in the April Amplifiers and Oscillators themed issue, interview Sean Darcy from Infineon about power trends in satellite systems and review industry news/events. Eric also announces his retirement so wish him well. Sponsored by RFMW and Infineon Hi-Rel.

Chris and Elecia spoke with Kirk Pearson about running audio-electronic-art workshops, interesting sounds, and their book Make: Electronic Music from Scratch: A Beginner's Guide to Homegrown Audio Gizmos.  Find the book and a whole kit of parts on the Dogbotic Merch page. A few clicks from there you can find the Workshop List (don't forget the coupon in the show audio).  We also mentioned The Thing (a sneaky listening device), Elliot Williams' writing on CMOS synthesizers (a series called Logic-Noise) and the videos of Sebastian Tomczak (YouTube: littlescalemusic). Transcript   Memfault is a leading embedded device observability platform that empowers teams to build better IoT products, faster. Its off-the-shelf solution is specifically designed for bandwidth-constrained devices, offering device performance and product analytics, debugging, and over-the-air capabilities. Trusted by leading brands such as Bose, Lyft, Logitech, Panasonic, and Augury, Memfault improves the reliability of devices across consumer electronics and mission-critical industries such as access control, point of sale, energy, and healthcare. To learn more, visit memfault.com.

With MQL5 for Metatrader5 we can use the ICCI function that is built in to create an Expert Advisor that will use the Commodity Channel Index Indicator to create entry signals on our Forex Trading Chart… This video is about the commodity channel index. The commodity channel index is an oscillator and it will tell you if something is overbought or oversold. This is one of the oscillators I like because it is very easy to understand. It has one hundred plus and a one hundred minus line here and whenever the value rises above the upper line, it’s overbought. In the other case if the indicator falls below the lower line, it’s oversold. The commodity channel index can be created with the MQL 5 function ICCI that is built-in into MQL 5. And now we want to create a little Expert Advisor that will tell us when the market is overbought or oversold. To do that please click the little button here or hit the F4 key on your keyboard. That will bring up the Meta Editor, and here we want to select File, New, Expert Advisor from template, continue. And we will call the Expert Advisor Simple Commodity Channel Index. Now click on Continue, Continue, Finish, everything above the Ontick function can be removed and we will also delete the two comment lines here and we will start by creating a little array for our prices. It's a double array and we will call it my price array. And for the definition of our commodity channel index, we will use the ICCI function of MQL 5. For the current symbol on the chart and the selected period, this might be Euro/U.S. dollar and this might be the minute chart or the hourly chart, and the calculation is done for fourteen candles, because this is the default value of the commodity channel index when you drag it on your chart by using Insert, Indicators, Oscillators, commodity channel index. And it is calculated based on the close prices. In the next step we need to sort the price array from the current candle downwards by using the function arraysetasseries for the price we have created here. And now we use copy buffer for the CCI definition from line here. This is for the first line, it is line zero. And for the current candle that’s candle zero, and we need the values for three candles, that’s the three here, and we want to store the results in my price array. We want to get the CCI value of the current candle in our price array. Okay now we need the chart output depending on the value so if our value is above the upper line we want to put the text “Overbought” on our chart by using the comment function. And if it’s below the lower line we want to output the text “Oversold.” And when it’s between the lines we just use an empty output because we have no signal. Okay that’s it. If you’re ready, please click on the little compile button here or hit the F7 key on your keyboard. That should compile your Expert Advisor without any error or warnings. And in that case we want to bring up the MetaTrader by pressing the F4 key or hitting the little button over here. In Metatrader please click on View, Strategy Tester or hit control and R. That should show you the strategy tester panel, and here we want to select the simple commodity channel index.ex5 file. Please make sure to mark the visualisation option here and click on start. And here is our Expert Advisor at work. Now it’s below the lower line and then it says oversold and when it’s above the upper line it says overbought. Okay, now you know how you can use the Commodity Channel Index Indicator to create entry signals in your own Expert Advisor. And you have done it yourself with a few lines of MQL 5 code. The post MQL5 Tutorial – Simple Commodity Channel Index appeared first on MQL5 Tutorial.

Support the show to get full episodes and join the Discord community. Joe Monaco and Grace Hwang co-organized a recent workshop I participated in, the 2024 BRAIN NeuroAI Workshop. You may have heard of the BRAIN Initiative, but in case not, BRAIN is is huge funding effort across many agencies, one of which is the National Institutes of Health, where this recent workshop was held. The BRAIN Initiative began in 2013 under the Obama administration, with the goal to support developing technologies to help understand the human brain, so we can cure brain based diseases. BRAIN Initiative just became a decade old, with many successes like recent whole brain connectomes, and discovering the vast array of cell types. Now the question is how to move forward, and one area they are curious about, that perhaps has a lot of potential to support their mission, is the recent convergence of neuroscience and AI... or NeuroAI. The workshop was designed to explore how NeuroAI might contribute moving forward, and to hear from NeuroAI folks how they envision the field moving forward. You'll hear more about that in a moment. That's one reason I invited Grace and Joe on. Another reason is because they co-wrote a position paper a while back that is impressive as a synthesis of lots of cognitive sciences concepts, but also proposes a specific level of abstraction and scale in brain processes that may serve as a base layer for computation. The paper is called Neurodynamical Computing at the Information Boundaries, of Intelligent Systems, and you'll learn more about that in this episode. Joe's NIH page. Grace's NIH page. Twitter: Related papers Neurodynamical Computing at the Information Boundaries of Intelligent Systems. Cognitive swarming in complex environments with attractor dynamics and oscillatory computing. Spatial synchronization codes from coupled rate-phase neurons. Oscillators that sync and swarm. Mentioned A historical survey of algorithms and hardware architectures for neural-inspired and neuromorphic computing applications. Recalling Lashley and reconsolidating Hebb. BRAIN NeuroAI Workshop (Nov 12–13) NIH BRAIN NeuroAI Workshop Program Book NIH VideoCast – Day 1 Recording – BRAIN NeuroAI Workshop NIH VideoCast – Day 2 Recording – BRAIN NeuroAI Workshop Neuromorphic Principles in Biomedicine and Healthcare Workshop (Oct 21–22) NPBH 2024 BRAIN Investigators Meeting 2020 Symposium & Perspective Paper BRAIN 2020 Symposium on Dynamical Systems Neuroscience and Machine Learning (YouTube) Neurodynamical Computing at the Information Boundaries of Intelligent Systems | Cognitive Computation NSF/CIRC Community Infrastructure for Research in Computer and Information Science and Engineering (CIRC) | NSF - National Science Foundation THOR Neuromorphic Commons - Matrix: The UTSA AI Consortium for Human Well-Being 0:00 - Intro 25:45 - NeuroAI Workshop - neuromorphics 33:31 - Neuromorphics and theory 49:19 - Reflections on the workshop 54:22 - Neurodynamical computing and information boundaries 1:01:04 - Perceptual control theory 1:08:56 - Digital twins and neural foundation models 1:14:02 - Base layer of computation

Grabaciones recientitas de Gizelle Smith con The Mighty Mogambos, Lake Street Dice, The Oscillators, Rod Stewart, Gaby Moreno o Van Morrison. Y buscando maravillas: Jazz Crusaders, Rufus Wainwright, Carly Simon o Gino Vannelli. Todo con vientos y metales para alegrar la jornada.  DISCO 1 JAZZ CRUSADERS Elephant Walk DISCO 2 VAN MORRISON Choppin’ WoodDISCO 3 GABY MORENO Cheek To CheekDISCO 4 RUFUS WAINWRIGHT Oh What A WorldDISCO 5 BOBBIE GENTRY Mississippi DeltaDISCO 6 QUINCY JONES & CHAKA KHAN Keep Reaching’DISCO 7 GINO VANNELLI Nightwalker DISCO 8 CARLY SIMON & JAMES TAYLOR Mockingbird DISCO 9 LAKE STREET DIVE Party On the RoofDISCO 10 THE OSCILATORS Pull One Down DISCO 11 GIZELLE SMITH & The Mighty Mocambos Nothing For NothingDISCO 12 ROD STEWART JOOLS HOLLAND Pennies From HeavenDISCO 13 DAVID McCALLUM Call Me (ESCA) Music: A Bit More Of MeEscuchar audio

Kris Kaiser and Stephen McCaul met at a pub in Santa Monica, California, and hit it off immediately. A shared interest in sound brought them together. Kris and Stephen's professional paths were quite different, but audio was a common thread throughout their lives. Kris's PhD dissertation studied the effects of urban noise on the breeding behaviors of frogs. Stephen developed audio software for video games. Both shared a love for spreadsheets, food, and the glorious sound and invitingly impenetrable interface of the Yamaha DX7 synthesizer. A few years later, Kris was a professor and Stephen worked on increasingly complex audio problems in his day job. As an escape, they began experimenting with home-built synthesizers and wild DIY noisemakers. Stephen developed a Eurorack module over a weekend after a dare from a friend, and the synth community took notice. That was the beginning, and in 2016 they quit their jobs and took Noise Engineering full time. Now a staple boutique developer, their hardware and software products are used and adored by hobbyists, composers, artists, and producers around the world. In This Conversation We Discuss:[00:59] Intro[01:26] A hobby into a full-time endeavor[02:18] Turning hackathon ideas into tangible products[03:26] Navigating the challenges of early manufacturing[04:25] Finding solutions through industry connections[06:13] Collaborating within a niche community[07:42] Gaining traction using marketing platforms[09:50] Episode sponsors[13:04] Balancing quality & price in a competitive market[15:35] Attracting early customers through trade shows[17:06] Educational content as top-of-funnel strategy[18:05] Connecting with people via face-to-face outreach[19:29] Tapping into LA's vibrant music community[20:00] Showing prototypes & gathering real-time feedback[21:50] Attending trade shows for customer interactions[22:33] Finding success with in-depth blog content[24:54] Expanding into software for flexible compositions[26:45] Developing innovative guitar products[27:53] High-quality instruments at Noise EngineeringResources:Subscribe to Honest Ecommerce on YoutubeBoutique musical instrument firm dedicated to making tools for any artist https://noiseengineering.us/Follow Stephen McCaullinkedin.com/in/stephen-mccaul-10842b1/Follow Kris Kaiser linkedin.com/in/kris-kaiser-77b345203/Book a demo today at intelligems.io/Done-for-you conversion rate optimization service storetester.com/If you're enjoying the show, we'd love it if you left Honest Ecommerce a review on Apple Podcasts. It makes a huge impact on the success of the podcast, and we love reading every one of your reviews!

Welcome to episode 26 of the "Day Trading for Beginners" podcast. In this episode, we talk about the basics of technical indicators and oscillators, essential tools for anyone interested in technical analysis. We'll focus on 3 popular indicators: Moving Averages, the Relative Strength Index (RSI), and the Moving Average Convergence Divergence (MACD).Download the 6 Month Blueprint: https://stokestrades.com/blueprintWhat You Will Learn:What technical indicators and oscillators are and how they aid in trading decisions.A brief look at Moving Averages, RSI, and MACD.Key Topics Discussed:Technical Indicators and Oscillators:Definition and importance in day trading.Explanation of how indicators and oscillators assist in analyzing past and current price actions to predict future movements.Moving Averages:Overview of simple and exponential moving averages.How they smooth price data to show trend directions.Usage in identifying trends and potential support and resistance levels.Relative Strength Index (RSI):Introduction to RSI as an oscillator.How it measures the speed and changes in price movements.Interpreting overbought and oversold conditions through RSI values.Moving Average Convergence Divergence (MACD):Exploration of MACD's components: the MACD line, signal line, and histogram.How MACD indicates changes in stock price momentum and direction.Practical tips on using MACD for spotting buy and sell signals.Recommendations for Further Learning:Subscribe to the YouTube channel for detailed visual guides and examples on using these technical indicators.Join our community on Skool where all content is structured in course format, alongside podcasts and videos for an integrated learning experience.Download the 6 Month Blueprint from https://stokestrades.com/blueprint to follow a structured path through technical analysis and day trading.Understanding and utilizing technical indicators and oscillators is crucial for making informed trading decisions. While this podcast provides an introduction, further study and visual learning through videos will enhance your ability to effectively use these tools.Website and Other Social Accounts:https://stokestrades.com/https://www.youtube.com/@StokesTradesJoin Our Free Community on SKOOL:https://www.skool.com/day-trading-for-beginners

While attending UW-Parkside, Maxwell Melendrez and Oscar Mercadillo met and hit it off immediately with their shared love of music. As the years went on and they mastered their skills among local bands such as Mixed Company, Miss B Haven, The Oscillators, Sun Silo, and Lunar Lizard, the two formed Spirit Shakers! Their music incorporates a cornucopia of genres – rock, folk, hip-hop, jazz, etc. Check out their latest album “It's About Time” now available on all those streaming services! Maxwell and Oscar can be found out and about in some of our greatest nightlife establishments hosting open mics throughout this summer and all year, including 58 Below, Kenosha Yacht Club, and George's Encore and McAuliffe's Pub in Racine.  Follow Spirit Shakers on Facebook here for all their latest updates!  This episode was recorded on May 6th, 2024 at the A+ Mobility Recording Studio – home of Ktown Connects! Franks Diner, 508 58th St Aason Hunzinger of AHDidIt Union Park Tavern, 4520 Eighth Ave. Public Craft Brewing Company 628 58th St Casey Family Options Funerals & Cremations, 3016 75th St About Time Moving Systems Law Offices of Frank J. Parise, 7001 30th Ave Shannyn Franklin – ReMax Newport Elite Vintage Underground, 5817 Sixth Ave Wink Beauty Boutique, 10909 Sheridan Rd The Port of Kenosha Beverage House RockIt Optical Eyewear, 815 57th St, 2nd floor Get your Ktown Connects merchandise at The Lettering Machine, 725 50th St. Drop us an email at ktownconnects@yahoo.com Find us on Facebook, Instagram, Tiktok, and Twitter – and at ktownconnects.com Theme song performed by Dropping Daisies, written by James “Red” McLeod. Your hosts are Donny Stancato and Jason Hedman Get additional episodes early and ad-free, along with bonus material with this week's guest and more great exclusive material by becoming a patreon supporter! Click here for more! 

Microwave Journal editors Pat Hindle and Eric Higham celebrate the 250th episode of Frequency Matters plus review the products in the April Amplifiers and Oscillators themed issue, industry news and events. Sponsored by RFMW.

Microwave Journal editors Pat Hindle and Eric Higham cover the April Amplifiers and Oscillators themed issue technical articles, industry news and events. Sponsored by RFMW.

Guests Steve Hillier - producer, songwriter, educator Richard Nichol - Pittsburghmodular.com Paulee Bow - Magical Synth Adventurer Youtube Video version: https://www.youtube.com/watch?v=LWsaJxJeJQg For preshow and Ad free version and much more: Patreon.com/sonicstate     Things break. So does audio. Recorded sound is rarely perfect - in fact, it's often in really bad shape. That's why you need iZotope RX, the industry standard for audio repair that helps restore, clean up, and improve recordings in post-production, music, and content creation.. Don't forget the code SONIC10 to save 10%   Spark your creativity with Guitar Rig 7 Pro - an inspiration suite filled with soughT-after guitar and bass amp simulators, studio effects, and pedals. Get instant flavor with over 100 new rack presets, or mix and match modules to sculpt your own tones. Add analog warmth with four new lo-fi components, perfect for adding texture to any track. And exclusively for listeners of Sonic TALK, take 10% off your software purchase at Native-Instruments.com with the code SONIC10. Some restrictions apply. 00:00:15 SHOW START 00:02:08 AD: SonicState Patreon 00:03:07 Win a K.O. II with us 00:03:42 EMOM March 1st 00:15:03 Discrete Keytar: Elyra 00:25:42 AD: N.I. Guitar Rig Pro 7 00:26:36 CR-78 Cherry Audio 00:39:37 AD: iZotope RX10 00:42:11 Whats the difference Digital VST/vs Digital Oscillators? (from BeekBoo via Patreon) Where to Watch/Listen - We now stream the live show to Youtube Live,  Facebook Live as well as at  Sonicstate.com/live every Weds at 4pm UK time- please do join in. Preshow available on Twitch. You can also download the audio version from RSS FEED 

Okay this time we are talking about the Force Index Indicator. It is a very simple indicator. It's easy to read and also easy to code. If the indicator crosses the line in the middle from below and stays above the line, that could mean that we are bullish. And when it crosses the line from above and stays below the line like in this case, we have a bearish trend and we would like to sell. According to the website www.traderhq.com, this is also an indicator that was developed by Dr Alexander Elder, the author of the book: Trading for a Living. Okay now that we know how it works how can we create an Expert Advisor to use the indicator? The first step is to click the little button over here or hit the F4 key on your keyboard. That will start the Meter Editor and we want to click on File, New, Expert Advisor from template, Continue. We will call it Simple Force Index Robot. Now click on Continue, Continue, Finish, and delete everything above the Ontick function. These two comment lines are also no longer needed, because here we want to create an array, it shall holds several prices so it’s a double array and I will call it my price array. And now it’s time to define the Force Index definition by using the iForce function that is built-in into MQL 5. It takes some parameters, the first one is the current symbol on the chart, the second one is the period you have selected on your chart. The Force Index is calculated based on the last thirteen candles. You will also see it here in this little brackets. It is using the MODE_SMA that stands for Simple Moving Average and we want to use Tick volume. If you insert the indicator by clicking on Insert indicators, Oscillators, Force Index, you will see the exact same values here: thirteen candles, simple moving average based on the tick volume. Okay, let’s use the array set as series function that will sort the price array from the current candle downwards and now we use Copy Buffer for the Force Index definition we have created here. We need one line for the indicator that’s a zero here and we want to fill our array from the current candle that’s candle zero, for three candles that’s the three and store the result in our price array. And from our price array we are now going to extract the Force Index value for the current candle zero and we will use normalize double for six digits to get the six digits behind the point. And now we want to create a chart outputs depending on the value and if our Force Index value is above zero, we want to output the comment “trending upwards” directly on our chart and in the other case if the Force Index value is below zero, we want to have the text “trending downwards” on our chart. Okay, now please click on the little Compile button here or press the F7 key on your keyboard. That should compile your Expert Advisor without any errors or warnings here. And if that was going well please click on the button here or press F4 to go back to MetaTrader. Now in MetaTrader you want to click on View, Strategy Tester or press control and R. And in the Strategy Tester you want to select the Simple Force Index Robot.ex5 file. Let's pick a currency pair here, enable the visualisation mode and click on Start and here we go. Now the indicator is below the line so it says trending downwards and as soon as the little indicator crosses the line from below, that changes to trending upwards. Okay, now you know how to create an Expert Advisor for Meta Trader5 that is using the Force Index Indicator and you have created it yourself in five minutes with a few lines of MQL5 code. Not sure what to do? Click on the automated trading assistant below How to create a force Index EA with MQL5 How to create a Bulls Power EA with MQL5 How to create a Demarker Expert Advisor with MQL5 How to create a MacD EA with MQL5 MQL5 TUTORIAL - PLATIN SYSTEM - VARIABLE INDEX… The post MQL5 Tutorial – Simple Force Index Trading Robot appeared first on MQL5 Tutorial.

Dr. Inna Vishik is a professor of Physics at UC Davis, where her lab studies the spectroscopic properties of exotic condensed matter. We dig down into how she sees the atomic landscapes she studies, the significance of mathematical descriptions that show up all over the place, harmonic oscillators at the scale of an electron, and why physics is perfectly happy to deal in abstractions, even when better models might be available. (00:00:00) Go! (00:00:18) Who is Inna Vishik? (00:02:33) Condensed Matter Physics (00:10:07) Atomic shape changes in conduction (00:14:53) Wavelength & Momentum in Electronics (00:22:13) Simplifications as Good Enough (00:29:16) Material Models of the Atom (00:33:50) Atom as Harmonic Oscilator (00:43:30) A Sufficient Level of Abstraction (00:44:42) Experimental Approach (01:00:03) Fundamental Science & Applications (01:07:15) What Makes an Interesting Material? (01:13:04) Space for Play in the Lab (01:16:30) Experimental Techniques (01:23:49) Phonons & Electronics (01:34:25) Intensive v. Extensive Physical Properties (01:36:46) LK-99 (01:48:51) Electric Astronomy (01:52:06) Closing Thoughts Support the scientific revolution by joining our Patreon: https://bit.ly/3lcAasB Tell us what you think in the comments or on our Discord: https://discord.gg/MJzKT8CQub #physics #quantum #quantumphysics Check our short-films channel, @DemystifySci: https://www.youtube.com/c/DemystifyingScience AND our material science investigations of atomics, @MaterialAtomics https://www.youtube.com/@MaterialAtomics Join our mailing list https://bit.ly/3v3kz2S PODCAST INFO: Anastasia completed her PhD studying bioelectricity at Columbia University. When not talking to brilliant people or making movies, she spends her time painting, reading, and guiding backcountry excursions. Shilo also did his PhD at Columbia studying the elastic properties of molecular water. When he's not in the film studio, he's exploring sound in music. They are both freelance professors at various universities. - Blog: http://DemystifySci.com/blog - RSS: https://anchor.fm/s/2be66934/podcast/rss - Donate: https://bit.ly/3wkPqaD - Swag: https://bit.ly/2PXdC2y SOCIAL: - Discord: https://discord.gg/MJzKT8CQub - Facebook: https://www.facebook.com/groups/DemystifySci - Instagram: https://www.instagram.com/DemystifySci/ - Twitter: https://twitter.com/DemystifySci MUSIC: -Shilo Delay: https://g.co/kgs/oty671

Bette Smith ya está de gira en España y este finde actúa en el Enclave de Blues de Soria. Novedades con Genesis Owusu, Alisson Russell, Bahama Soul Club o The Oscillators. Y os recordamos grandes momentos de Was (Not Was), TS Monk (hijo de Thelonius), Kathy Mathis o War.  DISCO 1 THE OSCILLATORS Pull One Down (ESCA) DISCO 2 WAS (NOT WAS) Papa Was A Rolling Stone (Clara 1 Corte 2) DISCO 3 BETTE SMITH Whistle Stop (2) DISCO 4 WAR You Got The Power (Cara 1 Corte 1) DISCO 5 BAHAMA SOUL CLUB & Ally Garrido Just Dancing (8) DISCO 6 ALLISON RUSSELL Stay Right Here (ESCA) The Returner DISCO 7 GENESIS OWUSU Tied Up! (ESCA) DISCO 8 KATHY MATHIS Men Have To Be Taught (BLACK SPLASH - Cara 2 - Corte 2) DISCO 9 JAYWOOD Dirk Gently (Know Yourself) (2) DISCO 11 MAIIAH & THE ANGELS OF LIBRA I’m A Good Woman (ESCA) DISCO 12 T.S MONK Can’t Keep My Hands To Myself (Cara 2 Corte 2) DISCO 13 MAIIAH & THE ANGELS OF LIBRA I’m A Good Woman (ESCA)Escuchar audio

This week, Pete returns with a barrel full of new music, including tracks from Tanika Charles, The Oscillators, The Angels Of Libra and Calibro 35.Stone foundation feature this week as the band celebrates 25 years on the road, plus there are birthday celebrations for Little Eva Harris and Evelyn King.Tune into new broadcasts of the Superfly Funk & Soul Show, LIVE, Friday from 10 AM - 12 PM EST / 3 - 5 PM GMT.For more info visit: https://thefaceradio.com/superfly-funk-and-soul-show///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Download These 3 Free Gifts Right Now at https://www.10minutestocktrader.com 1. The Triple Stock Profit System e-Book 2. The "How To Find 100%+ Winners" Free Training 3. The Bullish Power Cheat Sheet You can discover more about bullish and bearish patterns please visit: https://www.10minutestocktrader.com The video is all about bullish and bearish patterns information but also tries to cover the following subject: -chart patterns in technical analysis -how to trade chart patterns -chart patterns tutorial Youtube is the very best place to go when searching for videos about bullish and bearish patterns. Bullish and bearish patterns are certainly something that interests you and other people so I made this video. If you were trying to find more details about chart patterns in technical analysis or how to trade chart patterns did this video assist? Possibly you would like to comment below and let me know what else I can help you with or information on bullish and bearish patterns. My Name is Christopher Uhl and I'm an Award-Winning Trader, Entrepreneur, Author, Podcaster, Speaker, and Coach who partners with entrepreneurial traders and everyday investors looking to get ahead around the world to help them change their financial futures. Follow these steps to get started on your journey to becoming a 10 Minute Trader too! Step #1: Get the 100% FREE secret weapon that investors all over the world are using to start changing their financial future here: https://www.triplestockprofits.com Step #2: Want to See How We Use Artificial Intelligence To Get Win Rates As High as 90%, Without Wasting Any Time on Useless and Obsolete Technical Analysis... Go Right Now to https://www.finclub.ai and see for yourself how they take the guesswork out of trading! Step #3 Do you have the premier options, trading broker? If you have any other brokers, I want you to stop and go to https://www.trytastyworks.com right now. I have an incredible offer for you, just sign up for a FREE account with Tastyworks using offer code 10MINUTE and I will give you nearly $1,500 in FREE bonuses just for creating a FREE account! It doesn't get any easier than that! Step #4 This Is The BEST Charting Platform I've Ever Used, Get 15% (or more!) Off Your First Year! TRENDSPIDER - The Future of Trading Software https://trendspider.10minutestocktrader.com Step #5 Get A FREE Copy Of The Book I Use As My Business Plan To Grow From Zero to Seven Figures... Expert Secrets - Find Your Message, Build A Tribe, And Change The World... https://expertsecrets.10minutestocktrader.com For more information please visit: https://www.10minutestocktrader.com/legal

Trading in financial markets is an enticing venture that many people have taken up in recent years. With the advent of online trading platforms and the ease of access to information, it has become relatively easy for anyone with an internet connection to enter the world of trading. However, despite the accessibility and potential for high returns, statistics show that 9 out of 10 new traders fail. This article explores some of the reasons behind this high failure rate.Lack of Education and KnowledgeOne of the most significant reasons new traders fail is their lack of education and knowledge about the markets. Many people dive headfirst into trading without understanding the basics, such as how the market operates, the types of financial instruments available, and the risks involved. Without a solid understanding of the market and its complexities, it's difficult to make informed decisions and avoid common pitfalls.Unrealistic ExpectationsAnother major reason new traders fail is their unrealistic expectations of what trading can offer. Many people are attracted to trading by the prospect of making quick money and achieving financial freedom. However, trading is not a get-rich-quick scheme, and success requires discipline, patience, and hard work. New traders often enter the market with unrealistic expectations, which can lead to making impulsive and irrational decisions that result in losses.Lack of DisciplineTrading requires a high level of discipline and emotional control. New traders often lack the discipline to stick to a trading plan or follow a set of rules. They may become emotionally attached to their trades, making them reluctant to cut losses or take profits at the right time. This lack of discipline can lead to making impulsive decisions based on emotions rather than facts, resulting in significant losses.Failure to Manage RiskRisk management is a crucial aspect of trading. New traders often fail to manage their risk appropriately, exposing themselves to significant losses. They may invest too much money in a single trade or fail to diversify their portfolio. Without proper risk management, a single trade can wipe out a significant portion of their capital, making it difficult to recover.Lack of ExperienceExperience is a critical factor in trading. Many new traders lack the experience to navigate the complexities of the market successfully. They may not have encountered different market conditions, such as volatile markets, high-frequency trading, or sudden market crashes. Lack of experience can lead to making wrong decisions and incurring significant losses.There is a way to succeed...Trading is a challenging endeavor that requires discipline, knowledge, experience, and risk management. New traders often fail due to a lack of education and knowledge, unrealistic expectations, lack of discipline, failure to manage risk, and lack of experience. To avoid becoming a statistic, new traders must invest in education, develop a sound trading plan, practice discipline and emotional control, manage risk appropriately, and gain experience through practice and exposure to different market conditions. With dedication and perseverance, new traders can succeed in the challenging world of trading. Forget the parlor tricks, the magical Indicators and mystical Oscillators. It's 99% nonsense created to pick your pocket before you even get to Wall Street. Instead of doing what 9 out of 10 Traders do, find a teacher and actually LEARN HOW TO TRADE! How? Take a 1 Week Free Trial at MyTradingIQ.com. Learn what it's like to have a Mentor and be a part of a vibrant trading community with zero risk. We invest our time, energy, and resources in you, for 5 consecutive trading days. It doesn't matter what day of the week or weekend you join the Trial. Once you register we will help you set up your trading platform with our Indicators. For those who use TradingView, we will enable the TIQ Indicators in your TradingView account. At the end of 5 days you'll be able to make a well informed decision if you actually have what it takes to LEARN HOW TO TRADE! Be sure to read all CFTC Risk Disclosures and CFRN Disclaimers before taking the Trial. If you have any questions call 949-42-EMINI or email support@cfrn.net. You will have daily live training and around the clock support during your Free Trial.

Microwave Journal Editors Pat Hindle and Eric Higham discuss the April Amplifiers and Oscillators issue technical articles, industry A&D and commercial news, and upcoming trade shows. Sponsored by RFMW.

Oscillators are found everywhere in our universe, from the voltage controlled oscillator found inside your synthesizer, to the quartz crystal oscillator found inside your watch. The oscillations of black holes, electromagnetic fields, and sound itself shape the dynamics of our world. This episode takes you on a journey through what it means to oscillate - a fundamental concept in physics and engineering. Special guests include: Joel Green, an astrophysicist and instrument scientist at the Space Telescope Science Institute; Max Katz, a physicist and legislative fellow in the U.S. Senate; and Steve Dunnington, engineer and VP of product development at Moog Music.

Investing, day trading, and scalping are all strategies used by individuals to earn profits in financial markets. However, each strategy is distinct and requires different skills, knowledge, and time commitment. In this article, we will explain the differences between investing, day trading, and scalping.No matter which category you currently fall in, you can easily become the Trader you've always dreamed of using TradingView and the TIQ Indicator offered by MyTradingIQ.com.Investing:Investing is a long-term strategy where individuals purchase assets such as stocks, bonds, and real estate with the goal of generating returns over an extended period, typically five to ten years or more. Investors analyze a company's financial health, its management team, and its growth prospects before buying its stock. They make informed decisions based on fundamental analysis, which involves studying a company's financial statements, industry trends, and economic conditions.Investors usually do not engage in buying and selling stocks frequently. Instead, they hold onto their investments for years, sometimes even decades, and benefit from the power of compound interest. Investing requires patience, discipline, and a long-term vision.Day trading:Day trading involves buying and selling securities within the same trading day, often multiple times a day. Day traders aim to profit from the intraday price movements of stocks, options, futures, and currencies. They use technical analysis to identify short-term trading opportunities and make quick decisions based on price charts and market indicators.Day trading is a highly active and intense activity that requires traders to stay focused, disciplined, and emotionally stable. Day traders often use leverage, which magnifies both their gains and losses. Therefore, day trading is considered a high-risk, high-reward strategy that requires extensive knowledge and experience.Scalping:Scalping is a short-term trading strategy that involves buying and selling securities within seconds or minutes. Scalpers aim to profit from small price movements by taking advantage of market inefficiencies and imbalances. They use technical indicators such as moving averages, Bollinger Bands, and stochastic oscillators to identify short-term trends and enter and exit trades quickly. However, Traders are quickly learning that too many Indicators and Oscillators can lead to analysis paralysis. Scalping requires a high level of focus, speed, and precision. Scalpers often use sophisticated trading platforms and algorithms to execute trades rapidly and efficiently. Scalping is a challenging and high-risk strategy that requires traders to have a deep understanding of market dynamics and trading psychology.In conclusion, investing, day trading, and scalping are three distinct strategies used by individuals to make profits in financial markets. Investing is a long-term strategy that requires patience, discipline, and a long-term vision. Day trading is an active and intense strategy that requires traders to stay focused, disciplined, and emotionally stable. Scalping is a short-term strategy that requires speed, precision, and a deep understanding of market dynamics. Each strategy has its pros and cons, and individuals must choose the one that suits their goals, risk tolerance, and lifestyle.Not sure what style is right for you?We Have The Solution!Combining the TradingView Platform and the TIQ Context. Test drive this amazing Indicator which works for the Investor, the Day Trader, and even the Scalper for 5 Trading Days by taking the Free Trial at MyTradingIQ.com. You must read our CFTC Risk Disclosure and CFRN Disclaimer before taking the Free Trial.

    In this video, we are going to create an entry signal for the bolts Power Oscillator. It looks very similar to the Bears Power Oscillator that we have created before. And it’s similar to do. So let’s find out how to do it with MQL5.    This time, we’re going to figure out the Bulls power oscillator and use it to make a trading system entry signal.   The Bulls Power is shown below the candle chart, and it shows numbers that are either above or below 0.   To start, we make a new file called CheckEntry BullsPower and put it in the same directory as the other system files.   The new file will use a function called CheckEntry, and we’ll make a variable called signal that will be used to return our calculated signal at the end of the function.   We’ll also need an array to store price information for a few candles.   Now, let’s keep going and define what our oscillating function is. For this, MQL5 has a built-in function called iBullsPower.   There must be three parameters. The first two are for the current symbol and period on the chart, and the third is for the calculation period. It is 13 in our case.   Then, we use Array set as Series to sort our array starting with the current candle and going down.   Now we can use CopyBuffer to add data to our array.   We do it for the definition we just made and for buffer 0!   We want to start with the current candle 0 and copy the price data for the next three candles.   Our price array holds the result.   And because of that, you can now find the value for the current candle by looking at that price array and, in particular, the value for candle 0.   We can now figure out the buy signal.   When the Bulls power value is greater than 0, we want to use that as a sign to buy.   So let’s give our signal the word “buy.”   In the other case, we want to sell whenever the value is less than 0.   At that point, we want to give the signal variable the value “sell.”   At the end of the function, please use the return function to send the calculated value back to our main module.   The entry module is done, now. Save it right away.   Then you need to open the main file and look for the part where you need to add the entry signal.   You can do that by putting the file name for our entry signal after the include statement.   Please remove  any other entry signal by putting two slashes in front of it.   When you’re done, you can compile the main module and the entry module you just made by pressing F7 or clicking the compile button.   If everything went well, you shouldn’t get any errors, just some warnings!!   Okay, that’s it for the Bulls Power Oscillator. Smart idea to do two Oscillators that look almost exactly the same. Thank you for watching this video. I will see you in the next one.   Not sure what to do? Click on the automated trading assistant below MQL5 TUTORIAL - PLATIN SYSTEM - BEARS POWER OSCILLATOR MQL5-TUTORIAL-PLATIN-SYSTEM-THE-AWESOME-OSCILLATOR MQL5 TUTORIAL - PLATIN SYSTEM - STOCHASTIC OSCILLATOR MQL5 TUTORIAL - PLATIN SYSTEM - MACD OSCILLATOR MQL5 TUTORIAL - PLATIN SYSTEM - ACCELERATOR OSCILLATOR The post MQL5 TUTORIAL – PLATIN SYSTEM – BULLS POWER OSCILLATOR appeared first on MQL5 Tutorial.

      In this video, we are going to create an entry module for this Oscillator here.    It is called the accumulation distribution oscillator. Usually, Oscillators are used as filters, but in this video, we are going to create an MQL file to create an entry signal.    So, let's see how this is done.   The Accumulation Distribution Oscillator is shown on a separate chart below the candlestick chart.   It has a single signal line that indicates a value.   To use it, we need to make a separate MQ4 file in the same folder as the other Platinum System files.   The name of the file is CheckEntry_ I A D.mq4, and it only has one function called CheckEntry.   The buy and sell signals for our system are calculated by this function.   In fact, oscillators are usually not used to make signals, instead, they are used to filter other signals.   But that doesn't mean we can't use them, because all we need for our trading system is a clear signal that works.   We start by creating the signal string variable.   This will eventually be sent back to our main function, but first we need to make the signal.   That can be done with the builtin MQL4 function IAD.   We only need to provide three parameters.   The first one is for the current symbol on the chart.   The second parameter is for the period that we have selected on that chart.   Parameter three is for the candle.   We want to calculate the value for candle 0 and store it in a variable and we also calculate it for the candle 1 and store that in a different variable.   Now we are able to calculate the entry signal.   If the current value is bigger than the value for the last candle, we would consider that to be a buy signal.   Therefore we assign the word buy to our signal.   Otherwise if the current value is smaller than the last value, that would be a sell signal and then we assign the word sell to our signal.   Finally we want to return the calculated signal to the main module, therefore we use the return statement.   Please don't forget to save your input file, but you don't have to compile it right away.   Compilation is done in the main module, but before you do that, find the include statement for the input signal and change it to use our new file, CheckEntry_ I A D.mq4.   If you put two slashes at the beginning of a line, you can turn off other input modules.   After this, you can press F7 or click the Compile button to compile your main module and the entry signal file that we have included.   There shouldn't be any mistakes.   If you do have mistakes, you might want to buy the premium course or watch one of the basic tutorial videos to learn how to do it.   Okay, if everything is okay, you should have a working version for the Accumulation distribution oscillator, now.    As I said, you can use it as a filter, or use it as an entry signal in the Platin System or in your own system.    Thank you for watching, and I will see you in the next video.   Not sure what to do? Click on the automated trading assistant below MQL4 TUTO...

  In this video, we are going to create an Expert Advisor to create an entry signal for this Oscillator here. It’s the Accelerator oscillator. So let’s find out how to do that with MQL5.   The Accelerator oszillator is drawn on a separate window below the candle chart.   It has a single line which we will use for our entry signal.   Oscillators are usually used to create filters, but it is also possible to create entry signals like we will do in this case.   To use it, we create a separate MQ5 file inside of the directory where the other files of the Platin System are located.   The name of the file is CheckEntry_IAC.mq5 and it contains a single function that is called CheckEntry.   It will calculate our entry signal and return it to the main module.   We want to create a string variable for the signal file and for now we will not assign any value as this is going to be calculated now.   Therefore we create an array of the type double to hold several prices.   In the next step we will use the function iAC that is included in the MQL5 language to create a definition for our oscillator.   We only have to pass two parameters here.   The first parameter is for the current symbol on the chart.   The second parameter is for the time period that we have selected on that chart.   In the next step we use ArraySetAsSeries to sort our array. We want to sort it from the current candle downwards.   And with CopyBuffer we can now fill the price array accordingly.   Parameter 1 is for the definition that we have created above.   Parameter 2 is for the first buffer, the signal line of our oscillator.   Parameter 3 is for the starting candle, here we use candle 0.   Parameter 4 is the number of candles that we want to use for the calculation.   And the last parameter is the price array where we want to store those values.   To get the value for the current candle, we simply have to look at the value for candle 0 in our price array.   If that value is above 0, we consider that to be a buy signal and assign the word buy to our signal.   Otherwise, if it is below zero, we assign the word sell to our signal.   Finally we use the return function to return the calculated value to our main module.   Please don't forget to save the file.    Compilation is not necessary, just save it and go back to the main module which contains the OnTick function.   There you need to add the new file in the import section where you can do that by using the include statement.   Please outcomment any other antry signals and press F7 or click on the Compile button to compile the main module and the new entry file that you have just created.   Okay, by now, you should have a working version for the oscillator that is called the Accelerator.   You can use it in your own system, or you can import it into the Platin System or into the Robot Trading system, if you have one of those. By the way, by now we have a demo version available on Platinum System.org. For now that’s  it.   Thank you for watching and I will see you in the next video.   Not sure what to do? Click on the automated trading assistant below MQL5 TUTORIAL - PLATIN SYSTEM - WILLIAMS PERCENT RANGE ENTRY… MQL5 TUTORIAL - PLATIN SYSTEM - BOLLINGER BANDS ENTRY SIGNAL MQL5 TUTORIAL - PLATIN SYSTEM - ENVELOPES ENTRY SIGNAL MQL5 TUTORIAL - PLATIN SYSTEM - ADVANCED MOVING AVERAGE… MQL5 TUTORIAL BASICS - 108 SIMPLE IOBVEA OSCILLATOR The post MQL5 TUTORIAL – PLATIN SYSTEM – ACCELERATOR OSCILLATOR appeared first on MQL5 Tutorial.

  In this video, we want to create an Expert Advisor entry signal for this little Oscillator here. This is the volumes percent range oscillator. So let's see how we we can create an entry module for our Platin System with MQL4. The Williams Percent Range Indicator is actually an oscillator signal, therefore it will be shown in a separate oscillator window below the candle chart. To create an entry signal for our Platin System we need to create a file called CheckEntry_WPR.mq4 in the same directory as our other files.   Actually you can use this entry signal file also for your own, self coded system or for the RobotTradingSystem. The file has one function called CheckEntry and we use it to calculate the signal for our main module. To do that, we create a string variable called signal but we are not going to assign a value right away, because that will be calculated in the following steps. MQL4 comes with an included function for that calculation and the name of the function is iWPR. It needs a few parameters that we have to pass. The first parameter is for the current symbol on the chart.   The second one is for the currently selected period on that chart. The third parameter is used for the number of candles that we are using to calculate our result. And the last parameter is for a shift value. We don't need that, so we set it to 0. If you open an empty chart in Metatrader and click on Insert, Indicators, Oscillators and pick the Williams Percent Range oscillator, you will see that the default value for the period is also 14. Please confirm that setting with Okay, right click into the chart and save the template as tester.tpl. Tester.tpl is the template that is used in the strategy tester to actually see the entry signal. But back to the entry signal module.   Now that we have calculated the WPR value, we can check if the value is below -80. If this is the case, we consider that to be a buy signal, so we assign the word buy to our signal. In the other case, if the signal is below -20, that would mean we have a sell signal and then we assign the word sell to our signal. Finally we use the return statement to return the signal to our main module. Please save the file for the entry signal, but you don't need to compile it. It will be compiled with the main module when you have changed the entry signal there. To do that, please open the main module, and modify the include statement for your entry signal below the import section.   You can outcomment your current module with two slashes. It will then become gray. Please enable the toolbar and click on the compile button to compile the main module and your entry signal at once. You shouldn't get any errors. If you have errors, please go to our website and check the shop for precompiled source codes. Okay. By now, you should have a working Williams Percent Range indicator entry file that you can use in the Platinum system.   Or you can use it in your own system. If you have any problems, please check out our website. Maybe even the premium course might be interesting for you. For now, I say thank you for listening, and I will see you in the next video. Not sure what to do? Click on the automated trading assistant below

How to trade in a range? - 4C Trading. Last week we discussed trend trading, and now you know that this is one of the easiest ways to trade. This week we're going to discuss its opposite, range trading. How to trade in a range? It's a little more complicated, are you ready? Let's get started! What is a trading range? The financial markets have two major states, they either move in a trend, it can be bullish with a series of higher highs and higher lows. On the other hand, the prices can also move in a downward trend. However, you will agree that this would be a bit too easy. It would be enough to start shorting on the first lower high. A good part of the time, the markets also move flat, in range trading. A current example of this was the evolution of BTC between 33k and 46k. Trading ranges are often periods of distribution or accumulation. After an uptrend, prices will tend to move into a range, which corresponds to a distribution phase. Conversely, after a downtrend, there may be an accumulation phase, with large hands refilling their portfolios before the uptrend resumes. How to trade in a range? It is possible to use another trading system, such as an oscillator-based system. Oscillators work very well during a trading range, and it is best to buy the low end of the range and sell the high end. However, this requires more practice and is a strategy best used by experienced traders. You need to be even more careful to avoid making mistakes that could cost you dearly. You can see an example of a range trade below. We clearly see that the oscillators coincide with the approach of the support or resistance. However, before we can trade, these must first be established, and then we enter the second key. There is a multitude of strategies that work in range trading and we have deliberately given a simple example here. As with any other strategy, preparation, backtesting, and self-control will remain the main factors for success. ConclusionPrior to making your next trading move, it is important to have a clear understanding of which phase the market is at, based on the time frame that you plan to trade. Range trading can be more complicated than a trend-following system, remember that no matter what strategy you use, the hardest part will be applying your plan to the letter and therefore controlling your emotions.

Check out the Classic Trance Series here - https://allanmorrowstudios.com/trance-music-category/classic-trance/ Welcome to the third episode of the “How To Make A Classic Trance Track” series, where I will be creating a track in the style of a Classic Trance track without the use of hardware! In this episode, ill be creating the Classic Trance style melody and breakdown for the track from scratch! First, I will make an inspiring Trance leads sound from scratch so you can see the sound design of how a classic style Trance lead is created. Then I will create all the musical elements for the breakdown, such as the melody, progression, pads and bass effect. After this, I will start to map out the elements and refine the sound through careful sound design and automation to help build the breakdown and tension. I will then take some time mixing down the break to make sure it all sits nicely in the mix, explaining everything I am doing and why along the way. The Classic Trance Melody & Breakdown tutorial covers: ⬤ Creating the Trance lead from scratch. ⬤ Creating the musical elements such as Melody, Pads, Bass Effect & Sub Pad from scratch. ⬤ Going over melody/riff writing and progressions. ⬤ Creating harmonising pads. ⬤ Sound selection and layering. ⬤ Creating bass effect from scratch. ⬤ Explaining the sound design and what each bit of the chain is doing (Oscillators, Filters, Chorus, Distortion, Modulation & More). ⬤ Adding warmth and character to your leads for a more analog sound. ⬤ Mixing,EQ, Levelling, Effects, Automation, Saturation, Stereo Field Positioning. ⬤ Adding movement to your pads. ⬤ Laying your breakdown out and introducing elements. ⬤ Utilising the bass from intro in your breakdown. ⬤ Tricks to add a more organic analog feel. ⬤ My full thought process behind everything I'm doing and why. ⬤ Tweaking your sounds for a nice clean build. + Much more! Grab your copy here - https://allanmorrowstudios.com/trance-music/classic-trance-melody-breakdown-tutorial-003/

Nifty has been rising for last 7 consecutive sessions and settled the week at 18,308 - surpassing the previous swing high of 18,210. The index is currently placed above all important moving averages, which indicates bullish trend on all time frames. Previous swing high of 17,944 was taken out recently, which is a sign of continuation of an uptrend with higher tops and higher bottoms on short term charts. Indicators and Oscillators have been showing strength in the current uptrend on the daily charts. Nifty has surpassed the resistance of 61.8 percent Fibonacci retracement of the downswing seen from 18,604 to 16,410. Only resistance which is visible on the chart is 100 percent, which is placed at the 18,604. The Previous swing highs of 18,210 and 17,944 are expected to interchange its role as a supports going forward for the Nifty. To conclude, we believe that Nifty is in continuation of an uptrend and same should extend. Currently Indian Markets are outperforming and we could see Indian benchmarks to register new all-time highs. Breadth of the market is very strong, which confirms the bullishness. We advise to Hold Nifty longs with 17,940 stop-loss and keep it trailing.

  In this video we are going to create an expert advisor that is able to open a sell position when the RSI value is above 70 and to close the position when it is below 30. That should happen in a few seconds. So let's find out how to create that with MQL Four. To get started, please click on a little button here or Press F four on your keyboard. Now you should see the Meta Editor window and here you want to click on File, new File, Expert Advisor from Template, continue.   I will call this file simple rsi sell stop.   Click on continue, continue and finish. Now you can delete everything above the on tick function and let's also remove the two comment lines here. We will start by creating a string variable for the signal, but we don't assign a value here. Let's continue and calculate the RSI value. That is done by using Irsi for the current symbol on the chart and the currently selected period on the chart. We want to calculate the value for 14 candles and it should be based on the close price.   The shift value is zero because we don't need it. Now let's check if we have any open orders. That can be done by checking the return value for orders total, and if that returns zero, we don't have any open orders, and when the RSI value is above 70, we want to use order send to open a test order for ten microlot. It should be a sell position. Afterwards we want to check the RSI Sell stop and pass the RSI value that we have calculated here as a parameter, but this function doesn't exist, so we need to create it in a few seconds.   Before we do that, please add a comment statement that will output the RSI value directly on the chart.   Now let's create this function. The name of the function will be Check RSI Sell stop. We pass a variable called RSI value and the return type is void because we don't need to return anything. Now let's use a for loop to go through all the open orders. We select each trade by using Order Select.   Now we check if the order symbol is equal to the current symbol on the chart and we want to know if the order type for the current order equals Op sell. If that is true, it's a sell position. Let's add another condition. We only want to close the open position if the RSI value is below 30. If that is the case, we use Order close for the current order ticket and the current order lot size.   This expression here will give us the current ask price. This is our slippage and the color will be red. Finally, please close the for loop and the function and that's about it. Well, if this was too fast for you or if you have no idea what all the code here does, you maybe want to watch one of the other basic videos, or maybe even the premium course might be interesting for you. You can find that one on our website. For now please click the compile button here or Press F seven on your keyboard. You shouldn't get any errors here, and if that is the case, please click the little button here or Press F four to go back to Meta Trader. And in Meta Trader, please open an empty chart. Select Insert, Indicators, Oscillators, Relative Strength Index. We want to go with the default values here. That is for 14 candles.   Apply to the close price. Now let's click on OK. Here is the RSI. Now let's right click into the chart. Select Template, Save template and save it as tester TPL because that is what you are going to see in the next strategy test.   Now please click on View, Strategy Tester or Press Control and R. Please pick the new file simple RSI Sell Stopp Exfour. Mark the option for the visible mode here and start your test. Here we are. The RSI is above 70, so here is our sell trade.

    In this video we are going to create an expert advisor that is able to open and close positions based on the values of the RSI indicator. So let's find out how to do that with MQL4. To get started, please click on a little icon here or Press F four on your keyboard. Now you should see the MetaEditor window and here you want to click on file, new file, Expert Advisor from template. Continue.   I will call this file simple RSI buy stop. Click on continue, continue and finish. Now you can delete everything above the on tick function and let's remove the two comment lines here to calculate the RSI value. We can use the included function Irsi. It comes with MQL4 and we need to pass a few parameters.   The first parameter is for the current symbol on the chart. The second one is for the selected period on the chart. We want to calculate the RSI indicator for 14 candles. The result should be based on the close price and this last value here is a shift value. We don't need that, so we use zero.   First we want to check if we have no open position. That would be the case when the return value for orders total is zero, the entry condition for a buy trade would be when the RSI value is below 30. That is when the blue line here is below the lower dotted line. And if these conditions are true, we are going to use order send for the current symbol on the chart to open a buy trade for ten micro lot. Afterwards we want to call a function that is called Check RSI buy stop and pass the current RSI value as a parameter. And to see what's going on, we will use a comment output to output the text RSI value and the calculated value on our chart.   So far, so good – with the main module, but this function doesn't exist so far, so we need to create it now. Our user defined function will use the return type void because we don't need to return anything. The name is Check RSI buy stop and we need to pass the RSI value as a parameter. Now we use a for loop to go through all the open orders with order select, we can select a position and now we want to know if the order symbol for that position is equal to the symbol on our chart.   If that is the case, it's the same currency pair.   We want to know if the order type equals Op buy, then it would be a buy order and another condition. We only want to close if the RSI is above 70. If all those conditions are true, we use order close for the current order ticket and the current order lot size to close the order for the bid price. The next parameter here is the so called slippage, and the last one is for the color. Afterwards we want to close the for loop and the function and that's about it.   If this was too fast for you or if you have no idea what all the code here does, maybe you want to watch one of the other basic videos first, or maybe even the premium course on our website might be interesting for you.   This was a suggestion from another Premium course member, and if you are a Premium course member and have an idea for a video like this one, please let me know. For now, please click on the compile button or Press F seven on your keyboard. You shouldn't get any errors, and if that is the case, you can click on a little button here or Press F four to go back to MetaTrader and in MetaTrader you want to pick an empty chart, please click on Insert, Indicators, Oscillators, Relative Strength Index.   We will go with the default values for a 14 candle period. The result should be calculated based on the close price, so please click on OK. Now you should see the RSI oscillator below the candle chart now, right click into the chart.   Select Template,

Ep 170- This week we are getting out of our heads! Special Correspondent and Resident Social Media Expert Bobbi joins the boys for a special report on declassified CIA files involving psychic power experiments, frequencies and more mind blowing research conducted by a government agency. Plus Bobbi, Barry & Adam take another psychic test with … Continue reading "Ep 170- “We're All Oscillators”"

Tony Robinson (@da_667) Thought we'd put in a little news to round out the show https://www.bbc.com/news/world-us-canada-58863678 - nuclear secrets hidden in a peanut butter sandwich https://www.theregister.com/2018/04/20/rsa_security_conference_insecure_mobile_app/ https://www.vice.com/en/article/jg8w9b/the-twitch-hack-is-worse-for-streamers-than-for-twitch https://nakedsecurity.sophos.com/2021/10/08/apache-patch-proves-patchy-now-you-need-to-patch-the-patch/ https://www.securityweek.com/fontonlake-linux-malware-used-targeted-attacks https://securityaffairs.co/wordpress/123182/breaking-news/medtronic-recalled-insulin-pumps-controllers.html Similar device on ebay: https://www.ebay.com/itm/324762812721   https://www.zdnet.com/article/brewdog-exposed-data-of-200000-shareholders-for-over-a-year/   https://tpetersonkth.github.io/cve/2021/10/02/Analysis-of-CVE-2019-9053.html   https://0xdf.gitlab.io/ www.leanpub.com/avatar2  MSRP = $30 USD Book changes   What is the end goal?  Upskill? Independent consultant? Promotion? Bug bounties? Lab setup -    Lab setup types   Cloud based -  Desktop/laptop/NUC -  Server -    Good VMs to   https://developer.microsoft.com/en-us/microsoft-edge/tools/vms/ - 90 day WIndows machines   What other home lab equipment have would be helpful?Testing IoT/embedded devices? Car hacking? Malware analysis? https://bazaar.abuse.ch/ Virus Total Intelligence Honeypots @malware_traffic - https://twitter.com/malware_traffic/status/1446627364147023877 Analyzing binaries? Patch analysis (patch tuesday, print nightmare, etc)? https://wumb0.in/extracting-and-diffing-ms-patches-in-2020.html https://www.netresec.com/?page=networkminer   Soldering? Oscillators for voltage checks? Wireless? Old cellphones (mobile apps, don't need cellular) Personal assistant devices (used IoT devices?) Accessing data stored on devices   Specific software licenses?  Burp? If I'm trying to break into infosec, how do I use my lab to sell myself to an employer? Does the employer care?  How can someone show what they've learned in a way that shows the value?

Tony Robinson (@da_667) Thought we'd put in a little news to round out the show https://www.bbc.com/news/world-us-canada-58863678 - nuclear secrets hidden in a peanut butter sandwich https://www.theregister.com/2018/04/20/rsa_security_conference_insecure_mobile_app/ https://www.vice.com/en/article/jg8w9b/the-twitch-hack-is-worse-for-streamers-than-for-twitch https://nakedsecurity.sophos.com/2021/10/08/apache-patch-proves-patchy-now-you-need-to-patch-the-patch/ https://www.securityweek.com/fontonlake-linux-malware-used-targeted-attacks https://securityaffairs.co/wordpress/123182/breaking-news/medtronic-recalled-insulin-pumps-controllers.html Similar device on ebay: https://www.ebay.com/itm/324762812721 https://www.zdnet.com/article/brewdog-exposed-data-of-200000-shareholders-for-over-a-year/ https://tpetersonkth.github.io/cve/2021/10/02/Analysis-of-CVE-2019-9053.html https://0xdf.gitlab.io/   www.leanpub.com/avatar2  MSRP = $30 USD Book changes   What is the end goal?  Upskill? Independent consultant? Promotion? Bug bounties? Lab setup -  Lab setup types Cloud based -  Desktop/laptop/NUC -  Server -    Good VMs to   https://developer.microsoft.com/en-us/microsoft-edge/tools/vms/ - 90 day WIndows machines   What other home lab equipment have would be helpful?Testing IoT/embedded devices? Car hacking? Malware analysis? https://bazaar.abuse.ch/ Virus Total Intelligence Honeypots @malware_traffic - https://twitter.com/malware_traffic/status/1446627364147023877 Analyzing binaries? Patch analysis (patch tuesday, print nightmare, etc)? https://wumb0.in/extracting-and-diffing-ms-patches-in-2020.html https://www.netresec.com/?page=networkminer   Soldering? Oscillators for voltage checks? Wireless? Old cellphones (mobile apps, don't need cellular) Personal assistant devices (used IoT devices?) Accessing data stored on devices   Specific software licenses?  Burp? If I'm trying to break into infosec, how do I use my lab to sell myself to an employer? Does the employer care?  How can someone show what they've learned in a way that shows the value?

The Nifty50 has been consolidating in a narrow range of 14296 to 14617 for the last 8 consecutive sessions. This is the fourth consecutive week of consolidation in the Nifty. Markets have been directionless in the recent past. Indicators and oscillators have also been showing signs of consolidation till now. However, looking at the short-term chart of BankNifty, it seems that banks could outperform in the days to come. BankNifty has confirmed the higher top and higher bottom formation on the daily chart, while Nifty is yet to form the same. Oscillators also indicate the dominance of BankNifty over Nifty. BankNifty has surpassed the previous swing closing high of 32,112 on the daily chart. The Nifty has formed a strong base around 14150, which would act as strong support going forward. The immediate resistance for the index is seen at 14800 odd levels, above which momentum would be back in the hand of bulls for Nifty. The Nifty Smallcap index has been rising for the last 4 consecutive trading sessions and reached at the highest level since 9th April 2021. Sectors that are looking strongest on short-term charts and are expected to outperform in the coming days are Banks, NBFC, PSU Bank, Infra, and Realty. These sectors could see a pullback rally in the days to come. The Nifty has been trading in a downward sloping channel on the weekly chart. Any close above 14800 would result in a bullish breakout for the medium-term and in that case, Nifty could march towards new all-time highs. A close below 14150 would result in a bearish breakout, which could drag the Nifty towards the level of 13600. Till this range gets broken out, stock and the sector-specific moves would remain in the market. The recent moves in the Indian equity markets are just a reaction to domestic concerns. However, it seems that supply is getting absorbed at lower levels. Recent consolidation has extended enough and the market is about to enter into the momentum phase. Looking at the technical evidence, the chances of an upside breakout seem higher than a downside breakdown.Here is a list of recommendations for the next 3-4 weeks: The stock price of Greenply has surpassed the crucial resistance of the previous top on the monthly chart, which was placed at 195 odd levels. Volumes have gone up significantly along with the price rise in the last 7 weeks. The stock is placed above all the important moving averages, which indicates a bullish trend on all time frames. The stock price has been forming a higher top and higher bottom on the daily and weekly charts. The stock price has formed rounding bottom on the monthly charts.In the month of December 2020, the stock broke out from the long-term downward sloping trend line on the weekly and monthly charts. This breakout was supported by higher volumes too. Post breakout, the stock went into the running correction phase for the next three months. In the current month, the stock has resumed its primary uptrend by hitting fresh 52-week highs. Indicators and oscillators have been showing strength in the current uptrend. The stock price has recently broken out from the last 10 week’s price consolidation. On the week ended 23rd April 2021, the stock surged 6 percent with a jump in volumes. The consumer electric sector has been outperforming for the last many months and the same is expected to continue. The stock has registered fresh all-time highs on 23rd April 2021. The short-term moving averages are trading above medium to long-term moving averages, indicating a bullish trend in the stock.

Nifty fell sharply on April 19 as a record jump in COVID-19 cases and fresh restrictions in many states spooked investors. Nifty ended the day with a loss of 258 points or 1.77 percent at 14,359. However, from the intraday low, it recovered 168 points. Bank Nifty underperformed by plunging by 2.4 percent. However, from intraday low, it recovered more than 800 points. All the sectoral indices closed in the red except Nifty Pharma which ended the day with a gain of about 0.2 percent. Nifty is now placed below its 50 and 20-day exponential moving average (EMA) which is placed at 14,626 and 14,657 respectively, indicating a bearish trend for the short term. The index is also trading below the support derived from the upward sloping trendline adjoining the bottoms of January 29, 2021, and March 25. On April 12, Nifty opened the gap down and left the unfiled gap between 14,652 and 14,785. This gap is expected to remain resistance zone for the coming weeks. Unless this gap is filled entirely on a closing basis, the short-term trend of the market would remain bearish. On the downside, Nifty is likely to find immediate support in the range of 14,100-14,190. In the worst-case scenario, Nifty could continue its downward journey towards the major swing low of 13,600 odd levels. Sectors that are looking strongest on the medium to long term charts and are expected to outperform in the coming weeks are chemical, pharma and metals. Earnings season has kicked in and there could be stock-specific movement ahead of the results. Nifty Midcap and Smallcap indices have outperformed during the calendar year 2021 so far by rising 12 percent and 14 percent, respectively, against a 2.7 percent rise in the Nifty. We expect their outperformance to continue for the coming weeks also. Therefore, the focus of the traders should be on mid and small-caps rather than the benchmark indices. Here are three buy recommendations from the midcap segment for the next 3-4 weeks: Elecon Engineering Company | LTP: Rs 68.90 | Target price: Rs 80 | Stop loss: Rs 64 | Upside: 16% After forming double bottom around Rs 62, this stock reversed northwards yesterday to close above its 5- and 20-day EMA. Volumes were sharply higher yesterday as compared to the last 10-day average. The primary trend of the stock is positive where it is trading above its 100- and 200-day EMA. The stock price is forming a bullish higher top higher bottom candlestick pattern on the daily and weekly charts. Kopran | LTP: Rs 128.50 | Target price: Rs 145 | Stop loss: Rs 118 | Upside: 13% This stock has broken out from the downward slopping trendline adjoining the highs of December 30, 2020, and February 19, 2021. It also surpassed the crucial resistance of Rs 127 yesterday with higher volumes to close at the highest level since January 21, 2021. Plus DI is placed above the minus DI while the ADX line is placed above 25, indicating momentum in the current uptrend. We expect midcap pharma stocks to do well for the short to medium term. Indoco Remedies | LTP: Rs 320.50 | Target price: Rs 350 | Stop loss: Rs 300 | Upside: 9% This stock has broken out on the daily line chart with higher volumes where it closed at the highest level since February 04, 2021. It has formed a strong base of around Rs 275 where it took support multiple times. Plus DI is placed above the minus DI while the ADX line is placed above 25, indicating momentum in the current uptrend. Oscillators like RSI and MFI are showing strength in the current uptrend of the stock. (The author is a technical research analyst at HDFC Securities) Disclaimer: The views and investment tips expressed by investment experts on Moneycontrol.com are their own and not that of the website or its management. Moneycontrol.com advises users to check with certified experts before taking any investment decisions.

stepping down from the taylor swift tolerance committee. (ft. Sherra) --- Send in a voice message: https://podcasters.spotify.com/pod/show/herman-johnson/message

Classic albums live! With Old Men Yell At Cloud!... well.. ok, so it's not live. It is, however, one of the best classic albums ever written, or at least the four of us seem to think so. We're doing Fleetwood Mac's Rumours! Joined with us tonight is veteran guest, Tyler Loiselle. We dive into this timeless gem of a record and take a trip down memory lane. Oscillators, taste bud therapy, dog shit experiments, cat turds, and cocaine abuse. It's all here, folks!

Episode 31 Electronic Literature The Marriage of Electronic Music, Poetry, and Literature   Playlist Luciano Berio, "Thema (Omaggio A Joyce)," from Orient-Occident/Momenti-Omaggio A Joyce/Continuo/Transition 1 (1967 Philips). Composed by Luciano Berio at the RAI studio in Milan. Vocals, Cathy Berberian. The piece dates from 1958-59. An exploration of editing and tape composition with the voice as a key source of audio material. This is an interpretative reading of the poem "Sirens" from chapter 11 of the novel Ulysses by James Joyce. This release on the Philips Prospective 21e Siècle is shorter than the one released around the same time on the Turnabout label in America. It omits the spoken sequence at the beginning where Berberian recites the words prior to them being manipulated on tape. John Cage/David Tudor, "Side 3" excerpt from Indeterminacy: New Aspect of Form in Instrumental And Electronic Music (1959 Folkways). John Cage reads previously prepared stories and anecdotes, David Tudor performs electronic music at the same time with no Earthly connection between the two. This was a long-standing performance practice of theirs and I saw them do this several times. John Cage, "Part One (To Line 220)" from Roaratorio: An Irish Circus On Finnegans Wake (1992 Mode), excerpt, for speaker, Irish musicians and 62-track tape. Speaker, John Cage. Production: WDR, Köln; Süddeutscher Rundfunk, Stuttgart; Katholieke Radio Omroep, Hilversum; Technical cooperation: IRCAM, Paris. First transmission: 22 October 1979, WDR3-Hörspielstudio. This score is a means for translating any book into a performance without actors, a performance which is both literary and musical or one or the other. In this case, the book was Finnegans Wake by James Joyce. The text of Roaratorio was published separately as Writing for the Second Time Through Finnegans Wake. This was part of the evolution of Cage's interest in creating works of text for performance with music and other activities. It further evolved into his use of texts by Henry David Thoreau for which he used chance processes to derive a text for solo vocal performance. Shakespeare, excerpt, (1962 Odhams Books Ltd.). BBC radioplay production with musique concrète by Desmond Leslie. King Henry is played by Richard Burton. Electronic music provided on tape for a set of Shakespeare play productions. This short. 2 and a half-minute segment is from Act IV, Scene 3 and gives you an idea of how the sound effects was joined with the dialog. This was a common outlet for electronic music in the UK. Shackleton, “Music For The Quiet Hour, Part 2,” excerpt, from Music For The Quiet Hour (2012 Woe To The Septic Heart!). Vocals, words (poetry), Vengeance Tenfold; Composer, producer, A. Gerth, K. Biswas, Sam Shackleton. A collaboration between producer Shackleton and vocalist Vengeance Tenfold. Beats, bass and rhythm patterns provide a backdrop for some stark poetry. This is a portion of a longer work that whose overall length is about an hour. Lily Greenham, “Traffic” from Lingual Music (2007 Paradigm Discs). Reissue of text-sound works made by Danish concrete poet Lily Greenham, probably between 1972-75. Hugh Davies is credited with assisting on the electronics for this work. Voice: Lily Greenham. Anne Clark, "Swimming" and "An Ordinary Life" from The Sitting Room (1982 Red Flame). Clark is a foremost British poet who fuses her texts with electronic music. This was the first of her albums. Words, Keyboards, Electronic Percussion, Water Percussion, Anne Clark; Guitar, Effects, Voice, Gary Mundy; Keyboards, Domonic Appleton, Patrik Fitzgerald; Keyboards, Electronic Percussion, Andrea Laschetti. Rick Wakeman, “The Journey,” excerpt, from Journey to the Center of the Earth (1974 A&M). Recorded in concert at The Royal Festival Hall London on Friday January 18th 1974. Synthesizers and other keyboards, Rick Wakeman; Narrator, David Hemmings; drums, Barney James; guitar, Mike Egan; accompanied by the London Symphony Orchestra conducted by David Measham. Alan Parsons Project, "The Raven" from Tales of Mystery and Imagination - Edgar Allan Poe (1976 Charisma). Words from the tale of the same name by Poe. The Harmony Vocoder heard on "The Raven" was invented and built by EMI Central Research Laboratories.Keyboards, Alan Parsons, Andrew Powell, Billy Lyall, Christopher North, Eric Woolfson, Francis Monkman; Composed by Alan Parsons, Andrew Powell, and Eric Woolfson. Silver Apples, "Dust" from Silver Apples (1968 Kapp). "INSTRUCTIONS: Play Twice Before Listening." Composed and Arranged by Dan Taylor and Simeon; Percussion, Dan Taylor; Oscillators, mixers, electronic gear (The Simeon), Simeon; Vocals, Dan Taylor, Simeon. Alice Shields, " Study For Voice And Tape" from Columbia-Princeton Electronic Music Center 1961-1973 (1998 New World Records). Recorded Voice, Buchla synthesizer, poem by Alice Shields. Ronald Perera, "Three Poems of Gunter Grass," part 1, “Gleisdreieck" from Music And Words (1980 CRI. Ronald Perera, electronic music on tape created in the Smith College Electronic Music Studio; soprano, Elsa Charlston; Conductor, Richard Pittman. John Hill, "Europa" from Six Moons Of Jupiter (2009 Finders Keepers). Recorded at Sigma Sound, Philadelphia, January-August 1970, but I don't think it was ever released. Uses a Moog Modular synthesizer programmed by Walter Sear. Composed, arranged produced, Moog Modular Synthesizer, Guitar, Bass, Flute, Recorder, Hammond organ, John Hill; Drums, Percussion, Jimmy Valerio; Performer (Poetry), Susan Christie; poetry, Ian Michaels. Ruth White, "The Clock," "Evening Harmony," "Lover's Wine," Owls," from Flowers of Evil (1969, Limelight). Composer, vocals, electronics (Moog Synthesizer), Ruth White; based on poetry by Charles Baudelaire, translated by Ruth White. Fantastic music from this singular composer who owned a Moog Modular Synthesizer. Her other music was often composed for media, television, and children's records.     Archive Mix In which I play two records at the same time to see what happens. The recordings were: Lily Greenham, “ABC in Sound” from Lingual Music (1968/2007 Paradigm Discs). Recording from 1968 and includes the words of poet Bob Cobbing. Arif Mardin, “The Prophet,” excerpt from side 1, from The Prophet (1974 Atlantic). Narrator Richard Harris; keyboards, Bob James, Pat Rebillot, and Ken Bichel (ARP 2600). Poetry by Kahlil Gibran.     The opening montage consists of excerpts from Milt Gabler and a reading of “The People Yes (Excerpt)” by Carl Sandburg and some saxophone music from Avant Slant (1968 Decca); James Joyce reading “Anna Livia Plurabelle” (1929 The Orthographic Institute); John Cage and David Tudor, Indeterminacy (1959 Folkways); Alice Shields, Dance Piece No. 3 from Columbia-Princeton Electronic Music Center 1961-1973 (1998 New World Records); Luciano Berio, "Thema (Omaggio A Joyce)," from Electronic Music III (1967 Turnabout);  Anne Clark, "The Sitting Room " from The Sitting Room (1982 Red Flame); Arif Mardin, “The Prophet,” excerpt from The Prophet (1974 Atlantic); Ruth White, "Owls" from Flowers of Evil (1969, Limelight).   Background music is excerpted from Shackleton, “Music For The Quiet Hour, Part 2,” from Music For The Quiet Hour (2012 Woe To The Septic Heart!).   Opening and closing sequences voiced by Anne Benkovitz.      

GBP/USD near multi-day lows, below 1.3800 mark. Break below the 23.6% Fibonacci. might have paved the way for further weakness. Mixed technical indicators warrant caution before placing fresh bearish bets. Oscillators on the daily chart – though have been losing positive traction – are yet to confirm the bearish bias. Hence, any subsequent fall is likely to find decent support near the 1.3760-55 resistance breakpoint, which should act as a key pivotal point and help determine the GBP/USD pair's near-term trajectory. EUR/USD comes under some pressure near 1.2100. Immediately to the upside comes in a Fibonacci level at 1.2173.The dollar index was up 0.1% at 90.487, but still on track to fall 0.6% this week. USD/JPY was up 0.2% at 104.88, while AUD/USD rose 0.1% to 0.7746. The weekly initial jobless claims data came in weaker-than-expected on Thursday, adding to last week's nonfarm payrolls number that suggested that the recovery in the jobs market in the U.S. would be a prolonged affair.

Download the tutorial here ▶ https://allanmorrowstudios.com/trance-music/trance-sound-design-tutorial-trance-pads-sylenth1/ Welcome to the second Sylenth1 Sound Design Tutorial. In this tutorial, I will be showing you how to create your own Trance Pads sounds from scratch. I’ll be going over in a great amount of detail the different types of Trance Pads such as Sub Pads, Phased Pads, Saw Pads, Top/Texture Pads, Gated Pads & Multi-Layer Pads. If you have ever felt like you want to stop using presets because you want full control of the outcome, then this tutorial will equip you with the tools to produce some epic pads for your tracks. I’ll be taking you through the step by step methods that I use to create Trance Pads sounds and explaining to you in-depth what each parameter such as the ADSR, Filters, Oscillators, Mod Envelopes, LFO’s, MISC & Effects are doing, so that you understand how the sound is being built, but more importantly why I’m doing what I am doing. Quit tweaking your pads and not knowing what it’s doing! Learn where to tweak for the right results! ⬤ How to create Trance Sub Pads, Phased Pads, Saw Pads, Top/Texture Pads, Gated Pads & Multi-Layer Pads. ⬤ How to layer pads with different Oscillators. ⬤ A deep understanding of why each parameter is changed. ⬤ What waveforms to use for particular sounds. ⬤ Understanding the ADSR and shape of the sounds for pads. ⬤ What effects to use to create a desired sound. ⬤ How to use mod envelopes for more creative pads. ⬤ How to mix your Oscillators to get more dynamic Trance pads. ⬤ How to set up Sylenth for gated pads. ⬤ How to use LFO’s & Misc to create more movement. ⬤ Positioning the pad layers in the stereo field. ⬤ How to use filters A & B with your pads. ⬤ How to make textured and atmospheric Trance pads through LFO’s. ⬤ How to mix your different pad layers together. ⬤ As well as looking at using Detune, Effects, Stereo Positioning, Mixing, EQ, Mod Envelopes & More. + much more! Download the tutorial here ▶ https://allanmorrowstudios.com/trance-music/trance-sound-design-tutorial-trance-pads-sylenth1/ For more tutorials ▶ https://allanmorrowstudios.com/shop/ Trance Soundbanks ▶ https://allanmorrowstudios.com/trance-music-category/soundbanks/ Trance MIDI ▶ https://allanmorrowstudios.com/trance-music-category/trance-midi/ Trance Tutorials ▶ https://allanmorrowstudios.com/trance-music-category/video-tutorial/ Start To Finish Courses ▶ https://allanmorrowstudios.com/trance-music-category/start-to-finish/ Trance Templates ▶ https://allanmorrowstudios.com/trance-music-category/trance-templates/

Download the tutorial here - https://allanmorrowstudios.com/trance-music/trance-sound-design-trance-bass-sylenth1/ Welcome to the first Sylenth1 Sound Design Tutorial. In this tutorial, I will be showing you how to create your own trance bass sounds from scratch. I’ll be going over in a great amount of detail the different types of Trance basses such as Mid Basses, Sub Basses, Distorted Basses, Top Basses & More. If you have ever felt like you want to stop using presets because you want full control of the outcome, then this tutorial will equip you with the tools to produce some solid bass lines for your tracks. I’ll be taking you through the step by step methods that I use to create Trance Bass sounds. Explaining to you in-depth what each parameter such as the ADSR, Filters, Oscillators, Mod Envelopes, LFO’s, MISC & Effects are doing, so that you understand how the sound is being built, but more importantly why I’m doing what I am doing. Quit tweaking your bass and not knowing what it’s doing! Learn where to tweak for the right results! What you will learn from this Trance Sound Design tutorial: ⬤ How to create Trance Mid Basses, Trance Subs, Psy Trance Style Basses, Trance Top Basses & Distorted Trance Basses. ⬤ Frequency splitting with different filters across Oscilattors for more depth & dynamic basses. (Something I have not seen done anywhere else before) ⬤ A deep understanding of why each parameter is changed. ⬤ Shaping your basses to suit the type of bass you are trying to achieve. ⬤ What effects to use to create a desired sound. ⬤ How to use mod envelopes for a cleaner punchy bass. ⬤ Mixing your Oscillators to get a more balanced Trance bass. ⬤ Applying resonance to achieve different sounds. ⬤ Using LFOs & Misc to create more movement. ⬤ Choosing the right Waveform for a particular style bass. ⬤ Positioning the bass layers in the stereo field. ⬤ Understanding which Oscillators to retrig and why. ⬤ How to create more width and punch within your Oscillators. ⬤ How to add more punch to your sub basses. + much more! Download the tutorial here - https://allanmorrowstudios.com/trance-music/trance-sound-design-trance-bass-sylenth1/ Trance Soundbanks ▶ https://allanmorrowstudios.com/trance-music-category/soundbanks/ Trance MIDI ▶ https://allanmorrowstudios.com/trance-music-category/trance-midi/ Trance Tutorials ▶ https://allanmorrowstudios.com/trance-music-category/video-tutorial/ Start To Finish Courses ▶ https://allanmorrowstudios.com/trance-music-category/start-to-finish/ Trance Templates ▶ https://allanmorrowstudios.com/trance-music-category/trance-templates/

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2020.10.15.341800v1?rss=1 Authors: Dellavale, D., Velarde, O. M., Mato, G., Urdapilleta, E. Abstract: Background: Cross-frequency coupling (CFC) refers to the non linear interaction between oscillations in different frequency bands, and it is a rather ubiquitous phenomenon that has been observed in a variety of physical and biophysical systems. In particular, the coupling between the phase of slow oscillations and the amplitude of fast oscillations, referred as phase-amplitude coupling (PAC), has been intensively explored in the brain activity recorded from animals and humans. However, the interpretation of these CFC patterns remains challenging since harmonic spectral correlations characterizing non sinusoidal oscillatory dynamics can act as a confounding factor. Methods: Specialized signal processing techniques are proposed to address the complex interplay between spectral harmonicity and different types of CFC, not restricted only to PAC. For this, we provide an in-depth characterization of the Time Locked Index (TLI) as a novel tool aimed to efficiently quantify the harmonic content of noisy time series. It is shown that the proposed TLI measure is more robust and outperform traditional phase coherence metrics (e.g. Phase Locking Value) in several aspects. Results: We found that a non linear oscillator under the effect of additive noise can produce spurious CFC with low spectral harmonic content. On the other hand, two coupled oscillatory dynamics with independent fundamental frequencies can produce true CFC with high spectral harmonic content via a rectification mechanism or other post-interaction nonlinear processing mechanisms. These results reveal a complex interplay between CFC and harmonicity emerging from biologically plausible neural network models and more generic non linear and parametric oscillators, which in turn suggests that the harmonicity-CFC interplay is more complex than previously thought. Conclusions: We show that, contrary to what is usually assumed in the literature, the high harmonic content observed in non sinusoidal oscillatory dynamics, is neither sufficient nor necessary condition to interpret the associated CFC patterns as epiphenomenal. There is mounting evidence suggesting that the combination of multimodal recordings, specialized signal processing techniques and theoretical modeling is becoming a required step to completely understand CFC patterns observed in oscillatory rich dynamics of physical and biophysical systems. Copy rights belong to original authors. Visit the link for more info

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2020.09.01.277756v1?rss=1 Authors: Yang, D., Lyashkov, A. E., Morrell, C. H., Zahanich, I., Yaniv, Y., Vinogradova, T. M., Ziman, B. D., Maltsev, V. A., Lakatta, E. G. Abstract: Variability of heart pacemaker cell action potential (AP) firing intervals (APFI) means that pacemaker mechanisms do not achieve equilibrium during AP firing. We tested whether mechanisms that underlie APFI, in rabbit sinoatrial cells are self-similar within and across the physiologic range of APFIs effected by autonomic receptor stimulation. Principal Component Analyses demonstrated that means and variabilities of APFIs and local Calcium releases kinetics, of AP induced Calcium-transient decay times, of diastolic membrane depolarization rates, of AP repolarization times, of simulated ion current amplitudes, are self-similar across the broad range of APFIs (264 to 786 ms). Further, distributions of both mean APFIs and mean Calcium Variability of heart pacemaker cell action potential (AP) firing intervals (APFI) means that pacemaker mechanisms do not achieve equilibrium during AP firing. We tested whether mechanisms that underlie APFI, in rabbit sinoatrial cells are self-similar within and across the physiologic range of APFIs effected by autonomic receptor stimulation. Principal Component Analyses demonstrated that means and variabilities of APFIs and local Calcium releases kinetics, of AP induced Calcium-transient decay times, of diastolic membrane depolarization rates, of AP repolarization times, of simulated ion current amplitudes, are self-similar across the broad range of APFIs (264 to 786 ms). Further, distributions of both mean APFIs and mean Calcium and membrane potential dependent coupled-clock function kinetics manifested similar power law behaviors across the physiologic range of mean APFIs. Thus, self-similar variability of clock functions intrinsic to heart pacemaker cells determines both the mean APFI and its interval variability, and vice versa. and membrane potential dependent coupled-clock function kinetics manifested similar power law behaviors across the physiologic range of mean APFIs. Thus, self-similar variability of clock functions intrinsic to heart pacemaker cells determines both the mean APFI and its interval variability, and vice versa. Copy rights belong to original authors. Visit the link for more info

Nifty registered the highest level of the recent upswing at 11,794, but it nosedived to 11,325 in intraday trade, eventually closing at 11,387.50. Nifty witnessed a fall of 2.23 percent, which is the highest one day fall after May 18, 2020, when Nifty plunged 3.43 percent. The index ended up forming a bearish engulfing candlestick pattern on the daily charts. This pattern indicates the probable trend reversal from bullish to bearish. The short-term trend of Nifty would be considered bearish unless the high of this engulfing candle gets taken out. The technical view is negative unless 11,794 is surpassed. RSI on the daily chart has exited the overbought zone with negative divergence. The money-flow Index has also exited from the overbought zone. Oscillators, too, have turned bearish, indicating the sign of weakness for the short to medium-term.

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2020.06.24.168419v1?rss=1 Authors: Yoder, L. Abstract: For certain brain functions, the theoretical networks presented here almost certainly show how neurons are actually connected. Stripped of details such as redundancies and other error-correcting mechanisms, the basic organization of synaptic connections within some of the brain's building blocks is likely to be less complex than it appears. For some brain functions, the network architectures can even be quite simple. Flip-flops are the basic building blocks of sequential logic systems. Certain flip-flops can be configured to function as oscillators. The flip-flops and oscillators proposed here are composed of two to six neurons, and their operation depends only on minimal neuron capabilities of excitation and inhibition. These networks suggest a resolution to the longstanding controversy of whether short-term memory depends on neurons firing persistently or in brief, coordinated bursts. Oscillators can also generate major phenomena of electroencephalography. For example, cascaded oscillators can produce the periodic activity commonly known as brainwaves by enabling the state changes of many neural structures simultaneously. (The function of such oscillator-induced synchronization in information processing systems is timing error avoidance.) Then the boundary separating the alpha and beta frequency bands is 125/{d + {surd}[(d)2 + ({sigma}d)2ln(4)]} hertz, where d and {sigma}d are the mean and standard deviation (in milliseconds) of delay times of neurons that make up the initial oscillators in the cascades. With 4 and 1.5 ms being the best estimates for d and {sigma}d, respectively, this predicted boundary value is 14.9 Hz, which is within the range of commonly cited estimates obtained empirically from electroencephalograms (EEGs). The delay parameters d = 4 and {sigma}d = 1.5 also make predictions of the peaks and other boundaries of the five major EEG frequency bands that agree well with empirically estimated values. The hypothesis that cascaded oscillators produce EEG frequencies implies two EEG characteristics with no apparent function: The EEG gamma band has the same distribution of frequencies as three-neuron ring oscillators, and the ratios of peaks and boundaries of the major EEG bands are powers of two. These anomalous properties make it implausible that EEG phenomena are produced by a mechanism that is fundamentally different from cascaded oscillators. The cascaded oscillators hypothesis is supported by the available data for neuron delay times and EEG frequencies; the micro-level explanations of macro-level phenomena; the number, diversity, and precision of predictions of EEG phenomena; the simplicity of the oscillators and minimal required neuron capabilities; the selective advantage of timing error avoidance that cascaded oscillators can provide; and the implausibility of a fundamentally different mechanism producing the phenomena. The available data are too imprecise for a rigorous statistical test of the cascaded oscillators hypothesis. A simple, rigorous test of the hypothesis is suggested. The neuron delay parameters d and {sigma}d, as well as the mean and variance of the periods of one or more EEG bands, can be estimated from random samples. With standard tests for equal means and variances, the EEG sample statistics can be compared to the EEG parameters predicted by the delay time statistics. Copy rights belong to original authors. Visit the link for more info

Meant to be a live stream to Instagram (@nanopodstudio) there was a technical melt-down of sorts (phone related) so, we had to cancel. Meanwhile, we were recording (thank the fungi!) and here it is. Pleurotus ostreatus that has grown into/around sawdust w/coffee grounds had electrodes placed on to it about a week or so back.. time being a crazy thing during our self-isolating COVID-19 curve flattening regime! Mycelium has grown over and around the electrodes and has started pinning! We get asked a lot about the mycelium 'generating' music so, I decided to conduct a bit of a walk-thru on one of our set-ups. Mycelium 'playing' our Eurorack. MIDI: our Bio-Sonification modules (we sell them & offer kits) takes MIDI out into (??) a synthesizer, and digital synth app, or other devices that can accept MIDI. The module itself does not make sound, it read micro-fluctuations in conductivity and sends out MIDI notes and/or controls. This data can be used as CV(control voltage) which can then be sent out into our Eurorack modules via Patch Cables- woo hoo!! Here's where the fun begins! While we are definitely not the first to 'listen' to plants, we are the first to record fungi in this manner and run with it. Unless there is someone else out there we have yet to meet!? In the field we tend to record raw bio-data and later turn this data into 'music'. It is simply an easier way to store large files when trekking around. Back in our studio we can work with synths and sequencers, surreal guitar pedals and other random noise making devices that accept MIDI or CV in. A step x step for this particular sound: The Oyster mushroom mycelium was plugged into a BASTL 1983. The 1983 (https://bastl-instruments.com/eurorack/modules/1983)is a polyphonic MIDI to CV interface with creative voice allocation and automatic tuning capabilities. There are four channels of CV and GATE outputs that can be configured in various Layouts, such as hybrid splits between monophonic and polyphonic voices or velocity, Control Change, aftertouch, triggers, clock or reset. This means we could take the MIDI notes (which general trigger 1 note at a time, not polyphonic) and send the info out into different Oscillators and Wave Shapers. Which we totally did. CV/Gate was taken out from the 1983 into a Moog Mother32, an Erica Synths Black Wavetable VCO, Mutable Instruments Braids, and the Doepher A111-5. At around 1:58 in we switched mushrooms from Pleurotus to Ganoderma and later, back to the Pleurotus- which severely changed pitch once the container holding the Ganoderma was opened. We wondered what the Peurotus sensed, why did the sound change so noticeably? Was it due to the Pleurotus mycelium being unable to locate the Ganoderma mycelium? They can both be found populating in the same forests, or even neighbouring trees so, what is going on here? The Ganoderma did not audibly seem to care about the Pleurotus. The only time I've encountered similar was when Ganoderma came into contact with Physarum polycephalum. There was a distinctive battle cry from the Ganoderma - or what we like to infer to the sound change. How are we collaborating with the mycelium? In this instance the Eurorack set-up is the collaboration. By sending the MIDI notes/controls out into the other modules. Other than that- the sounds are the mushrooms. Feel free to DM us with any questions concerning our set-up, modules, kits, mycelium or collaboration! Enjoy :)

Episode 2 of The Geek Jam Surgery, the podcast where we take a deep dive into what makes your favorite geek culture music (anime/TV/Film score/Games/nerd core etc) remain on your go to playlists. Bedroom musicians with no formal training and trained, professional musicians get together to dissect sections of popular geek culture songs to analyse the creative choices and technical execution of the music. Looking at topics such as; rhythm, melody, harmonies, chord movements, modulations plus engineering, mixing and mastering, hopefully learning something along the way. Its nerd music as described by music nerds. In this episode, Paul, Sterling and Matthew are joined by 8-bit chip-tune creator Aaron good to explore the nostalgia laden world of 8-bit music. From original Nintendo classics, to contemporary re-imaginings, the creativity bred by hardware limitations and the challenges of bringing games to life with catchy loops is examined. Dust off your old consoles and get ready for a trip down memory lane.

Low-frequency oscillation A low-frequency oscillator (LFO) generates an electronic signal, usually below 20 Hz. LFO signals create a periodic control signal or sweep, often used in vibrato, tremolo and other effects. In certain genres of electronic music, the LFO signal can control the cutoff frequency of a VCF to make a rhythmic wah-wah sound, or the signature dubstep wobble bass. #low-frequencyoscillator #lfo Envelope Main article: Envelope (music) Schematic of ADSR Envelopes control how sounds change over time. They may control parameters such as amplitude (volume), filters (frequencies), or pitch. The most common envelope is the ADSR (attack, decay, sustain, release) envelope:[7] Attack time is the time taken for initial run-up of level from nil to peak, beginning when the note is triggered. Decay time is the time taken for the subsequent run down from the attack level to the designated sustain level. Sustain level is the level during the main sequence of the sound's duration, until the key is released. Release time is the time taken for the level to decay from the sustain level to zero after the key is released. LFO #Synthesizers generate sound through various analogue and digital techniques. Early synthesizers were analog hardware based but many modern synthesizers use a combination of DSP software and hardware or else are purely software-based (see softsynth). Digital synthesizers often emulate classic analog designs. Sound is controllable by the operator by means of circuits or virtual stages that may include: Oscillators typically produce waveforms (such as sawtooth, sine, or pulse waves) with different timbres.[7] #Lowfrequencyoscillators (LFOs) produce waveforms used to modulate parameters, such as the pitch of oscillators (producing vibrato).[7] Voltage-controlled filter (VCFs) – "shape" the sound generated by the oscillators in the frequency domain, often under the control of an envelope or LFO. These are essential to subtractive synthesis. Envelope generators – provide envelope modulation to "shape" the volume or harmonic content of the produced note in the time domain with the principal parameters being attack, decay, sustain and release. These are used in most forms of synthesis. ADSR control is provided by envelope generators. Voltage-controlled amplifiers (VCAs) control the volume or gain of the audio signal. VCAs can be modulated by other components, such as LFOs and envelopes.[7] After the signal generated by one (or a mix of more) VCOs has been modified by filters and LFOs, and its waveform has been shaped (contoured) by an ADSR envelope generator, it then passes on to one or more voltage-controlled amplifiers (VCAs). A VCA is a preamp that boosts (amplifies) the electronic signal before passing it on to an external or built-in power amplifier, as well as a means to control its amplitude (volume) using an attenuator. The gain of the VCA is affected by a control voltage (CV), coming from an envelope generator, an LFO, the keyboard or some other source.[51] Filter weki --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/vegansteven/message

In 1979, Peter Tod Lewis created a classic audio demonstration of the Moog Synthesizer for the University of Iowa's Electronic Music Studios. Table of Contents: Intro to the Studios Intro to Moog Synth Oscillator Waveshapes Oscillator Pitch Control White Noise Keyboard Control Sub-audio Oscillator Control Combination Tones Filters Filtered White Noise Filtered Music Filter Control Amplitude Control Amplitude Envelopes Timbre Envelopes Amp-Timbre Envelopes Envelope Follower Sequencer Conclusion Moog III Modular Synthesizer Modules: 901: Voltage-Controlled Oscillator 2901-A: Oscillator Controller 2901-B: Voltage-Controlled Oscillator 6902: Voltage-Controlled Amplifier 4903-A: Random Signal Generator 1904-A: Low Pass Filter 1904-B: High Pass Filter 1904-C: Filter Coupler 910: Power Supply #1065 1911: Envelope Generator 4911-A: Dual Trigger Delay 1912: Envelope Follower 1914: Fixed Filter Bank 1960: Sequential Controller 2961: Sequencer Interface 1962: Sequential Switch 2991: Filter and Attenuator 1994: Multiples University of Iowa Electronic Music Studios | 306 Voxman Music Building | University of Iowa | Iowa City, IA 52242 http://theremin.music.uiowa.edu/

#SUBTRACTIVESYNTHESIS Subtractive is the most common method that gave birth to the concept of sound synthesis. And is also one of the most popular synthesis types of all, perhaps due to its inherent simplicity and application. This type of synthesis is a very simple signal chain of an oscillator (or the combination of multiple oscillators) running through a filter (EQ curve) which is then sent to an amplifier for gain staging and ADSR (attack, decay, sustain and release) for controlling the envelope response. The harmonics present within the oscillators tones can be whittled into harmonic structures that mirror those of actual instruments. This method is very easy to achieve in both analog and digital realms and can be used to create numerous (possibly infinite) instruments, effects, and sounds. The analog subtractive synthesizer was initially designed for this purpose–as an alternative to hiring musicians to play on recordings, however, it quickly morphed into its own instrument, creating various sounds never before made by any acoustic instrument. Subtractive synthesis is the most closely associated with the analog synthesizers of the ‘60s and ‘70s. In which the harmonics of simple waveforms, such as the ones previously mentioned, are attenuated with a voltage-controlled resonant low-pass filter. Some of the Vintage synths most known in this type are the Minimoog, and the Korg Ms-20, maybe you recognize them! topmusicarts/4-main-types-of-synthesis-explained-wavetable-fm-additive-and-subtractive Figure 5.1 Sine, square, triangle, and sawtooth waveforms An oscillator is a repeating waveform with a fundamental frequency and peak amplitude and it forms the basis of most popular synthesis techniques today. Aside from the frequency or pitch of the oscillator and its amplitude, one of the most important features is the shape of its waveform. The time-domain waveforms in Fig. 5.1 show the four most commonly used oscillator waveforms. Although it is possible to use all kinds of unique shapes, these four each serve a range of functions that are suited to a range of different synthesis techniques; ranging from the smooth, plain sound of a sine wave, to the harmonically rich buzz of a sawtooth wave. Oscillators are generally controlled by a keyboard synthesiser or MIDI protocol device. A key press will result in a MIDI note value which will be converted to a frequency value (Hz) that the oscillator will accept as its input, and the waveform period will repeat accordingly to the specified frequency. From here, the sound can be processed or manipulated in a variety of ways in the synthesizer or program to enrich or modify the sound further. weki --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/vegansteven/message

What are the 4 properties of sound waves? Sound waves are often simplified to a description in terms of sinusoidal plane waves, which are characterized by these generic properties: Frequency, or its inverse, wavelength. Amplitude, sound pressure or Intensity. Speed of sound. Direction. Audio oscillator Featured snippet from the web Oscillators generate sound by, er, oscillating. That is, their circuitry basically changes or oscillates between two states very quickly, and just as a vibrating string produces a sound, so the oscillating electronic circuit generates a waveform that can be amplified and used as a sound source. #HowSynthesizersWork BY JEFF HARDER #Synthesizer Components Jay Blakesberg/Workbook Stock/Getty Images Jay Blakesberg/Workbook Stock/Getty Images WHAT MANY MUSIC BUFFS THINK OF WHEN THEY HEAR THE WORD "SYNTHESIZER." Even though many synthesizers possess the ebony and ivory keyboard of a piano, the rest of the machine -- a chassis lined with knobs, dials and switches -- looks more like it belongs in a garage instead of a concert hall. Nonetheless, the synthesizer contains the same two components as almost any other instrument: a generator and a resonator. Think of a violin, for example: the strings and the bow are the generator, and the body of the violin is the resonator [source: Rhea]. On a synthesizer, the generator is the oscillator, and the resonator is the filter. For starters, let's look at the basic parts of a classic analog synthesizer. (We'll talk about digital synthesizers later.) Analog synthesizers generate their sounds by manipulating electric voltages. The oscillator shapes the voltage to produce a steady pitch at a given frequency, which determines the basic waveform that will be processed elsewhere in the synthesizer. The oscillator can be controlled by the keys similar to a piano keyboard, a revolving pitch wheel or another tool on the synthesizer's interface. The oscillator feeds the signal to the filter, and the musician turns knobs and dials to set parameters around the frequencies of a sound -- for instance, eliminating and emphasizing specific frequencies like we talked about earlier. The sound passes from the filter to the amplifier, which controls the volume of the sound. The amplifier generally includes a series of envelope controls, which help determine the nuances in volume level over the lifespan of a note. In an analog synthesizer, each of these pitch, tone color and loudness functions is organized into a module, or a unit intended for a specialized purpose. The earliest modules were encased in their own individual housings. Each module creates a particular signal, or processes it in a particular way, and by connecting these modules together, the musician can layer, process and change the sounds into something different. Now that we know about #howsynthesizerswork, let's look back at their history. History Long before the invention of electronic signal processing, some people tried to build machines to emulate human speech. Some early legends of the existence of "Brazen Heads" involved Pope Silvester II (d. 1003 AD), Albertus Magnus (1198–1280), and Roger Bacon (1214–1294). In 1779 the German-Danish scientist Christian Gottlieb Kratzenstein won the first prize in a competition announced by the Russian Imperial Academy of Sciences and Arts for models he built of the human vocal tract that could produce the five long vowel sounds (in International Phonetic Alphabet notation: [aː], [eː], [iː], [oː] and [uː]).[5] There followed the bellows-operated "acoustic-mechanical speech machine" of Wolfgang von Kempelen of Pressburg, Hungary, described in a 1791 paper.[6] This machine added models of the tongue and lips, enabling it to produce consonants as well as vowels. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/vegansteven/message

What are the 4 properties of sound waves? Sound waves are often simplified to a description in terms of sinusoidal plane waves, which are characterized by these generic properties: Frequency, or its inverse, wavelength. Amplitude, sound pressure or Intensity. Speed of sound. Direction. Audio oscillator Featured snippet from the web Oscillators generate sound by, er, oscillating. That is, their circuitry basically changes or oscillates between two states very quickly, and just as a vibrating string produces a sound, so the oscillating electronic circuit generates a waveform that can be amplified and used as a sound source. #HowSynthesizersWork BY JEFF HARDER #Synthesizer Components Jay Blakesberg/Workbook Stock/Getty Images Jay Blakesberg/Workbook Stock/Getty Images WHAT MANY MUSIC BUFFS THINK OF WHEN THEY HEAR THE WORD "SYNTHESIZER." Even though many synthesizers possess the ebony and ivory keyboard of a piano, the rest of the machine -- a chassis lined with knobs, dials and switches -- looks more like it belongs in a garage instead of a concert hall. Nonetheless, the synthesizer contains the same two components as almost any other instrument: a generator and a resonator. Think of a violin, for example: the strings and the bow are the generator, and the body of the violin is the resonator [source: Rhea]. On a synthesizer, the generator is the oscillator, and the resonator is the filter. For starters, let's look at the basic parts of a classic analog synthesizer. (We'll talk about digital synthesizers later.) Analog synthesizers generate their sounds by manipulating electric voltages. The oscillator shapes the voltage to produce a steady pitch at a given frequency, which determines the basic waveform that will be processed elsewhere in the synthesizer. The oscillator can be controlled by the keys similar to a piano keyboard, a revolving pitch wheel or another tool on the synthesizer's interface. The oscillator feeds the signal to the filter, and the musician turns knobs and dials to set parameters around the frequencies of a sound -- for instance, eliminating and emphasizing specific frequencies like we talked about earlier. The sound passes from the filter to the amplifier, which controls the volume of the sound. The amplifier generally includes a series of envelope controls, which help determine the nuances in volume level over the lifespan of a note. In an analog synthesizer, each of these pitch, tone color and loudness functions is organized into a module, or a unit intended for a specialized purpose. The earliest modules were encased in their own individual housings. Each module creates a particular signal, or processes it in a particular way, and by connecting these modules together, the musician can layer, process and change the sounds into something different. Now that we know about #howsynthesizerswork, let's look back at their history. History Long before the invention of electronic signal processing, some people tried to build machines to emulate human speech. Some early legends of the existence of "Brazen Heads" involved Pope Silvester II (d. 1003 AD), Albertus Magnus (1198–1280), and Roger Bacon (1214–1294). In 1779 the German-Danish scientist Christian Gottlieb Kratzenstein won the first prize in a competition announced by the Russian Imperial Academy of Sciences and Arts for models he built of the human vocal tract that could produce the five long vowel sounds (in International Phonetic Alphabet notation: [aː], [eː], [iː], [oː] and [uː]).[5] There followed the bellows-operated "acoustic-mechanical speech machine" of Wolfgang von Kempelen of Pressburg, Hungary, described in a 1791 paper.[6] This machine added models of the tongue and lips, enabling it to produce consonants as well as vowels. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/vegansteven/message

Notsofast is the pseudonymous Twitter persona of a crypto OG. Notsofast was a prolific early altcoin spec miner, a dogecoin enthusiast and one of Crypto Twitter's most helpful personalities. Notsofast is a consultant to many blockchain projects and an advocate for the potential of decentralized, permissionless systems. An insightful and engaging speaker Notsofast says it's important to get friendly with the idea of cognitive dissonance.  Key takeaway: Deploying a pseudonymous persona gives the individual a blank canvas to build a solid reputation by setting a good example. This is a kind of superpower. Notsofast's entry into crypto came via Dogecoin, a fun community and an entry into the space that allowed users to not take themselves too seriously, or have to engage with fringe political beliefs. Notsofast has approximately 300 altcoin bags and believes that while Bitcoin maximalism is a strong argument for the success of blockchain generally, there is a part of it that descends into groupthink meaning nuanced discussion is lost.  Why you should listen: Hear why Dogecoin is an oscillator that has proven store of nostalgia properties, and while Notsofast was once a prolific spec miner, hobbyist mining opportunities are rare now that anyone can launch their own token. Notsofast says it's important to get friendly with cognitive dissonance and he uses the Indian parable of the blind men and the elephant to illustrate the difficulties of grokking the crypto asset space. Plus Andy and Notsofast discuss Willy Woo's Oscillators and Degenerators thesis, why families might be natural crypto custodians and the practicalities of securing 300 different altcoin holdings.  Supporting links: Notsofast at CoinfestUK Die a hero, or live long enough to see yourself become the villain Willy Woo's Oscillators and Degenerators The parable of the blind men and an elephant  The Wasp Factory Cryptochrisw on Twitter Notsofast on Twitter Andy on Twitter Brave New Coin on Twitter Brave New Coin

Welcome to the show this week where we introduce you to Tina-Marie. Her music is low-key, it's funky, smooth, sexy and very cool. We're lucky enough to be able to share this with our listenership around the globe and we hope you enjoy her slick and enticing groove. But it's not all about Tina-Marie in the show, Tobin has a choral delight that is sure to blow off your socks. OK, we get it, you're turned off by the word choral right? Well don't be - this is modern, engaging vocal work by Shards. It's a world away from the dusty halls of any long since forgotten congregation and eschews children with bowl cuts in matching cassocks. It's eerily cold, spacious and at the same time joyous to listen to. From the cool grooves of Tina-Marie we move seamlessly to the dark, Americana, alt country sounds of Brown Bird. Sadly Brown Bird are no more as founder David Lamb passed away in 2014 from leukaemia. However, his wife Morgan Eve Swain carried on the legacy and formed her new band, The Huntress and Holder of Hands. Coincidentally, speaking of David Lamb's passing, we learnt at the time of recording of the death of Daniel Johnston. Daniel was a monolith in modern music, had a family connection with us and delighted more people on earth than he would ever know. We've played him on the show before and you can hear him here and on a Wax Time Special here. Tina-Marie - Capetown, Wintergreen - Manchester Wintergreen, a couple of more than decent Manchester lads bring us the notion of clockwork mice. Oscillators, sequencers and laptops feel in stark contrast to the summery vibes that Capetown has delivered today. However, Wintergreen have a timeless feel that will probably happen to Tina-Marie as well. Listen to Gravi-T in 15 years and we're certain that it will have lost none of it's appeal. In fact, on the contrary. Tina-Marie's track is likely to become a staple listen. We can only look forward to her next release with much relish. Did we mention New Music? No? OK, so Pip Blom are featured in Tobin's New Music Shot this week, although you could have had it here 3 weeks ago when it was über-fresh. Firmly off the leash, Tobin also sees fit to bring us another track from one of his favourite genres - electro swing! Summer Sickness Shards Bilgewater Brown Bird Freckles Pip Blom Gravi-T Tina-Marie Fel Del Av Garden Movits! Clockwork Mice Wintergreen Find Sound Shards What Capetown Sound has to say about Tina-Marie Our friends over at Capetown Sound introduced Tina-Marie to the show. She was a big hit here at Record Box HQ and easily made the cut for the show. We didn't have much information on Tina-Marie so Nicole at Capetown Sound sent us the following information. It's short but sweet, as sweet as Tina-Marie's voice. Born and bred in Cape Town, Tina-Marie has been singing and composing since a very young age. She has worked with Nic Hazell, Patric van Blerk and Paul Petersen. Tina has performed with Zolani from Freshlyground years ago, singing Paradise Road. Influenced greatly by Sade, Meschell n D'Degeo Cello, Café Del Mar, Soul Candi and other lounge artists. Finds herself working closely with Wendy Oldfield as producer and Paola de Vito as manager. Want to get social with Tina-Marie? Become a Patron of the show https://youtu.be/rwvUjAv6pxg Become a patron of the show for as little as $1 a month

Track listing : All Oscillators ON [ single edit ] All Oscillators ON [ run RMX ] World of SpaceLove [ single edit ] Dream [ contrary action album version ] Overlight Travel [ single edit ] All Oscillators ON [ ambi / deep in crystal ] All Oscillators ON [ unexpected version ] Great Starry Land [ single edit ] p & c 2001 NEANE Records release date : December 22, 2001 duration : 60' 54" style : electronic, ambient recording participants : Andrey Klimkovsky - composer, arranger, performer, author of the concept http://neane.ru/rus/4/katalog/0951.htm --- Send in a voice message: https://anchor.fm/podcast-cd8c8e8/message

Hello Internet! In This Episode: Erin and Weer’d talk about the demise of Eric Swalwell's presidential hopes; Weer'd interviews Dr. John Edeen of Doctors for Responsible Gun Ownership (DRGO); David lists some of the 2A pitfalls of living in Tennessee; and Egghead gives us Theremin Build Part 2: Oscillators. Did you know that we have a Patreon? Join now for the low, low cost of $4/month (that’s $1/podcast) and you’ll get to listen to our podcast on Friday instead of Mondays, as well as patron-only content like mag dump episodes, our hilarious blooper reels and film tracks. Show Notes Main Topic Eric Swalwell Ends White House Bid Gun Gals on Youtube Dr. John Edeen DRGO: Suppressors and the Hearing Protection Act DRGO: The Gun Question 2A Docs Gun Lovers and Other Strangers Ammunition Tax (PDF) Shooting Range Protection (PDF) Firearm Definition (PDF) New Carry Permit (PDF

Ever the early riser, always the late arriver. That’s Mae. Punctuality isn’t particularly her forte but making awesome mixtapes is! This month, we have music from all over the country - Chennai, Hyderabad, Delhi, Mumbai and Nagaland. Today’s songs may cause the following: drowning, dreaming, falling, lifting or trading.   Song List: Three Oscillators ft. Karshni Nair - Drowning (01:40 - 05:03) The F16s - Amber  (05:41 - 09:08) Polar Lights - Fall Out (09:43 - 16:15) Burudu - Trading Noise (16:48 - 21:16) Vernon Noronha Ft. Raghav Meattle - Dream Sandwich (22:06 - 25:11) Anisha - You Don’t Know (25:44 - 29:10) Yung.Raj - Lifted (29:35 - 32:37)   Come be our friend: Facebook https://www.facebook.com/maedinindia Instagram https://www.instagram.com/maedinindia/ Twitter https://twitter.com/maedinindia   CREDITS: Host: Mae Twitter: https://twitter.com/maebemaebe Instagram: https://www.instagram.com/maemariyam/   Audio Editor Post: Vijay Doiphode  Video Directed/Edited: Jishnu 'Short Round' Guha 

In Episode 25, we’ve seen things you wouldn’t believe. A guest synth expert to tell us all about the great Yamaha CS-80’s attack and delay, and the shoulders of its Orion filter envelopes. We’ve watched Vangelis glitter in the dark, near Wagner’s Tannhäuser Overture. All these moments will be recorded in time, on podcast recording equipment, and released online, like tears in rain. Episode notes: 3:20 – A special Art of the Score guest 4:57 – A history of Blade Running 12:21 – The Vangelis sound 16:34 – Sound design versus music 20:37 – The Blade Runner main theme 26:48 – Synth talk with Seja: the Yamaha CS-80 31:52 – Aftertouch 35:32 – Oscillators and ring modulators 40:22 – The pitch ribbon 43:20 – Seja recreates the Blade Runner theme 52:44 – Pronunciation fun with Dan 55:02 – Tears In Rain 56:51 – Blade Runner and the film noir sound, from Double Indemnity to L.A. Noire 1:10:33 – The Blade Runner Blues 1:14:34 – Rachel’s theme 1:19:15 – The Love theme 1:23:49 – The ‘ethnic’ influences on the score – Blush Response 1:26:22 – Tales of the Future 1:31:10 – Damask Rose 1:36:15 – One More Kiss Dear and Blade Runner’s world of jazz 1:40:11 – The End Titles We love to hear from our listeners – get in touch via Twitter, Instagram, and Facebook, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.

Created by recording three notes (and tweaking the cutoff and resonance knobs) from my Stylophone Gen X1 (all done as separate takes as the Stylophone is monophonic) into Audacity. These were then loaded as clips into FL Studio for mixing and effects. I know a very dry explanation but I had great fun doing this :)

Julie and I discuss her work using spintronic nano-devices to implement bio-inspired computing and neural networks in hardware. We talk about neuromorphic chips in general, their history, how they could solve the energy efficiency problem, where it’s all headed, some of the physics behind her nano-oscillators, and more.

Power Systems Design, Information to Power Your Designs

The eighteenth episode of Sunday Funday podcast, hoisted by Benjamin. . Episode #18 finds us trying, and failing, but trying, then eventually succeeding (yes!) at implementing a simple math concept in Reaktor. Using a trick, and understanding some simple math in Reaktor, allows us to modulate the pitch of the Oscillators we use in the patch. Deeper exploration of math in Reaktor will lead us closer to learning about Reaktor core. This podcast aims to uncover the magic and demystify Native Instruments Reaktor 6, and synthesis in general. . . . REAKTOR BLOCKS . . . Blocks Used . IN . Clock: Util, INT-Clock Clock Divider: Digilog, SEQ-Clock Divider Bento Box: SEQ-8 Steps . MATH . Util: INT-Macro Knobs Math: Mult/Add, a*b+c . PATCH . Sirius VCO Modern: FLT-Paul Filter Euro Reakt: Rungler Oscillator Mk2 Monark: FLT-Monark Filter TriOsc Boutique: FLT-Dual SKF . OUTPUT . Bento Box: AMP-VCA Bento Box: MOD-ADSR Envelope Util: MIX-Mix 4 . . Special thanks goes to the Reaktor User Community, for helping to power this Sunday . . . . https://www.youtube.com/sundayfunday Soundcloud: https://soundcloud.com/sundayfundaypodcast iTunes: https://itunes.apple.com/us/podcast/sunday-funday-reaktor-podcast/id1407932536?mt=2 Google: https://play.google.com/music/m/Ipibc65b22qvb33ziujbg2b2aue?t=SUNDAY_FUNDAY_REAKTOR_PODCAST https://www.native-instruments.com/en/ https://www.native-instruments.com/en/products/komplete/synths/reaktor-6/ https://www.instagram.com/sundayfundaypodcast/

My QSO Today is with John Stanley, K4ERO, a frequent contributor of articles about antenna design and performance to QST, QEX, the ARRL Antenna Book, and the ARRL Handbook.  An MIT graduate, John and his wife Ruth, WB4LUA, spent many years abroad working as engineers for Christian Broadcast stations in India and South America. John shares his ham radio story and his antenna expertise in this QSO Today.

The sixth episode of Sunday Funday podcast, hoisted by Benjamin. . Episode #6 finds us on the journey into the Reaktor User Community, which is a library of sequencers, synthesizers, and effects, which have been built using either Reaktor Core or Reaktor Blocks. A short lecture on the importance of organizing your library (because it can quickly become a cluttered desktop, you know the one) is included. The subject matter, and the destination, are unknown. We learn how to find various types of instruments and effects, and then we build a simple synth using some standard blocks and some user community blocks. This podcast aims to uncover the magic and demystify Native Instruments Reaktor 6, and synthesis in general. . . . REAKTOR BLOCKS . . Ensembles Used . Intro: V Split . . Modules Used . IN . Note In: Util, INT-Note In Clock Divider: Digilog, SEQ-Clock Divider . OSCILLATORS . Euro Reakt: Pulsar Oscillator Euro Reakt: FM Oscillator Euro Reakt: Fold Osc Euro Reakt: Probability Noise . MIX . Euro Reakt: Vector Mix . EFFECTS . Bento Box: FLT-SVF . OUTPUT . Bento Box: AMP-VCA Bento Box: MOD-ADSR Envelope . . Special thanks goes to the Reaktor User Community, for helping to power this Sunday . . . . https://www.youtube.com/sundayfunday Soundcloud: https://soundcloud.com/sundayfundaypodcast iTunes: https://itunes.apple.com/us/podcast/sunday-funday-reaktor-podcast/id1407932536?mt=2 Google: https://play.google.com/music/m/Ipibc65b22qvb33ziujbg2b2aue?t=SUNDAY_FUNDAY_REAKTOR_PODCAST https://www.native-instruments.com/en/ https://www.native-instruments.com/en/products/komplete/synths/reaktor-6/ https://www.instagram.com/sundayfundaypodcast/

This week’s episode of The Soundboard Podcast we welcome Maxwell Melendrez and Andy Warren Jepson of the band The Oscillators! As an in-depth interview about their music, their creative interests, and the history behind the band, Maxwell and Andy offer us some keen insights into their motivations and priorities as musicians and as a group. The Oscillators are a 7-piece Wisconsin-based band located around Kenosha and Racine, and they have some wonderful news about their upcoming shows that they announce on-air! Moreover, we are very excited to share their music with you in this episode, and at the end of this interview you can find their fresh track “To Be You” so be sure to stay tuned and catch more news of their work as well as word of upcoming Motley releases! Look out for Part II of our conversation next week!

The third episode of Sunday Funday podcast, hoisted by Benjamin. Episode #3 introduces the concept of building a basic synthesizer using Reaktor Blocks. We dive right in to adding Oscillators, an Envelope and Amplifier to control the amplitude (volume) of the signal over time, in response to the keyboard strokes. In short order, we create a very basic synth, in about 6 minutes. We then add juice and complexity by adding a filter, and two modulation sources, an additional envelope, and an LFO, to set some automated rules, and add some unexpected fun to the equation. The podcast aims to uncover the magic and demystify Native Instruments Reaktor 6, and synthesis in general. . . . https://www.youtube.com/sundayfunday Soundcloud: https://soundcloud.com/sundayfundaypodcast iTunes: https://itunes.apple.com/us/podcast/sunday-funday-reaktor-podcast/id1407932536?mt=2 Google: https://play.google.com/music/m/Ipibc65b22qvb33ziujbg2b2aue?t=SUNDAY_FUNDAY_REAKTOR_PODCAST https://www.native-instruments.com/en/ https://www.native-instruments.com/en/products/komplete/synths/reaktor-6/ https://www.instagram.com/sundayfundaypodcast/

The second half of our very first 2-part episode is out now! This week’s episode of The Soundboard Podcast we welcome Maxwell Melendrez and Andy Warren Jepson of the band The Oscillators! As an in-depth interview about their music, their creative interests, and the history behind the band, Maxwell and Andy offer us some keen insights into their motivations and priorities as musicians and as a group. The Oscillators are a 7-piece Wisconsin-based band located around Kenosha and Racine, and they have some wonderful news about their upcoming shows that they announce on-air! Their next performance will be on Saturday May 12th at Kenosha Creative Space in Kenosha, WI – starting at 8:00-pm. Moreover, we are very excited to share their music with you in this episode, throughout this half of the episode and the last you can find their fresh track “To Be You” so be sure to stay tuned and catch more news of their work as well as word of upcoming Motley releases!

Either as zzz or Three Oscillators or part of the collective Jwala, since Brij Dalvi popped up, he’s arrested our attention. The Mumbai-based producer has been creating some of the most left-field electronica in this country. His idiosyncratic take on music, one that’s became very distinctive in a field flooded with unoriginality, has been refreshing to listen to. Tracks like ‘Coca Cola’ have gained attention internationally, contributions to Jwala compilations and his collaborations with Multani and hollow have been nothing short of exciting. His hour-long mix takes you through a journey of the Brij’s unconventional tastes. He tends to float through genres effortlessly going from glitch-hop and bringing in soul samples before diverting into Three Oscillators originals.. For more information and a tracklist go here: http://www.thewildcity.com/EN/music.xhtml/article/13227-wild-city-147-brij-three-oscillators

This podcast is the first of a 2-part Q&A session covering Silicon Labs Oscillators. This podcast covers: - When to use an Oscillator + Buffer Architecture - Selecting the appropriate Oscillator - New Additions to Silicon Labs Oscillator Portfolio

This podcast is the second of a 2-part Q&A session covering Silicon Labs Oscillators. This podcast covers: - Oscillator Development Tools - Silicon Labs Phase Noise Look-up Tool - Applications and Markets

Jeff Damm, WA7MLH, designs and builds his own amateur radio receivers, transmitters, and transceivers using the ugly construction method based on the work of his amateur radio mentor and friend, Wes Hayward, W7ZOI.  Jeff shares his ham radio story and his electronic construction philosophy with Eric, 4Z1UG, in this QSO Today.

Pathfider Adventure Game, Talisman, Tanto Cuore, Ticket to Ride serán los juegos a tratar hoy. La música como siempre viene aportada por Rolemusic y el tema es Ninja among Oscillators.

In this session, we solve problems involving harmonic oscillators with several degrees of freedom ̶ i.e., several discreet oscillators which are coupled or interconnected to each other. Only systems where damping can be ignored are considered.

First, advice on how, in general, one approaches the solving of "physics problems." Then three very different oscillating systems, and how in each the equations of motion can be derived and solved to obtain the motion of the oscillator.

In this session, we extend the solution of the motion of oscillators with one degree of freedom without damping to the case where damping can no longer be ignored.

A teaching assistant works through a problem on damped harmonic oscillators.

Back on the air in our regular format of totally batshit disorganization. We've got baseball, we've got tape noise, we've got plinky indie rock and skronky horns. And it's all tied together with a tattered twine of logic that only a bird could understand. The last bit of this show felt truncated (I was kind of hoping Uncle Matt would come super late). So I might actually repeat a song or two at the top of PROGRAM 28 before going where I meant to go had I kept going. Download | Podcast Bold text indicates relatively new releases (including reissues and comps). Doc & Merle Watson - "Take Me Out To The Ball Game" (from Baseball's Greatest Hits) The Baseball Project - "Satchel Paige Said" (from Vol. 1: Frozen Ropes And Dying Quails) Sister Wynona Carr - "The Ball Game" (from Baseball's Greatest Hits) The Baseball Project - "(Do The) Triple Crown" (from The Broadside Ballads) Sports Talk with the Grouse Noble Watts - "Teen-Scene" (from Cats Got These Cats' Tongues - 26 Rarities From Mr. Fine Wine's Vaults) Dolphins Into the Future - "Verde" (from Canto Arquipélago) Lello Boscoverde - "Agura" (unreleased) Sarin Smoke - "Upsound" (from Vent) Don Preston - "Analog Heaven #7 (1975)" (from Filters, Oscillators & Envelopes 1967-75) Daphne Oram - "Mermaid (Excerpt)" (from The Oram Tapes Volume One) Pauline Oliveros - "Three Pieces I" (from Reverberations: Tape & Electronic Music 1961-1970) The Curtains - "Telegraph Victories" (from Make Us Two Crayons On The Floor) Please join Grouse while he blindly feels his way through the DJ arts. The Blue Men - "Valley Of The Saroos" (from It's Hard To Believe It: The Amazing World Of Joe Meek) The Curtains - "Show Me The Way Things Work" (from Worried Noodles) Chris Cohen - "Optimist High" (from Overgrown Path) Cryptacize - "Cosmic Sing-a-long" (from Dig That Treasure) Maher Shalal Hash Baz - "Black-Eyed Susan" (from Make Us Two Crayons On The Floor) Half-handed Cloud - "In Holy Pursuit / Tuck Us In, Father / Our First Full Day Was Spent In Rest / Running Late For Bed / That You May Be Gracious / There Remains A Rest / I Got A-Rested / Work Isn't What It Seemed To Be" (from We Haven't Just Been Told, We Have Been Loved) Dinosaur Feathers - "Young Bucks" (from Whistle Tips) The Mighty Grouse doesn't realize it's "Blue Men," not Blues Men. The Blue Men - "The Bublight" (from It's Hard To Believe It: The Amazing World Of Joe Meek) Kaoru Abe - "No. 2" (from Winter 1972) Getatchew Mekuria & The Ex & Friends - "Tezeta" (from Y'Anbessaw Tezeta) Joe McPhee & Chris Corsano - "For Muhammad Ali" (from Scraps And Shadows) Kelan Philip Cohran & The Hypnotic Brass Ensemble - "Cuernavaca" (from Kelan Philip Cohran & The Hypnotic Brass Ensemble) Les Ya Toupas Du Zaire - "Je Ne Bois Pas Beaucoup [truncated by the next show]" (from Sofrito: Tropical Discotheque)

This week our special guest is Tom Blazukas - overall winner of the Find Music In Everything competition we ran with iZotope Iris recently - we talk to Tom about his work. Then we enjoy Moby's drum machine collection, discover a few hidden treasures in the attic with Gary Numan, listen to three MacBeth Micromac synths with 9 Oscillators, Vince Clarke's patch recreation thoughts and finally we discuss the fade and how to master it.

This week our special guest is Tom Blazukas - overall winner of the Find Music In Everything competition we ran with iZotope Iris recently - we talk to Tom about his work. Then we enjoy Moby’s drum machine collection, discover a few hidden treasures in the attic with Gary Numan, listen to three MacBeth Micromac synths with 9 Oscillators, Vince Clarke’s patch recreation thoughts and finally we discuss the fade and how to master it.

The dreaded fifth Thursday of the month, when all ideas run dry! Join the Mighty Grouse for songs long and short, and much much longer. Quiet and loud. Serious and not. Skronk and pop. I'm out of things to say. Back on the air the Thursday after Labor Day! Download | Podcast Bold text indicates relatively new releases (including reissues and comps). Godspeed You Black Emperor! - "Sleep" (from Lift Yr. Skinny Fists Like Antennas to Heaven!) WIM Fanfare - "FM 84" (from WIMproveen) The Mighty Grouse and the Confessions of Ignorance. Stereolab - "Les Yper-Sound" (from Emperor Tomato Ketchup) Sunn O))) - "Bathory Erzsebet" (from Black One) Teething Veils - "You Write on My Face" (Live on Radio CPR) Don Preston - "Analog Heaven #4 (1975)" (from Filters, Oscillators and Envelopes 1967-75) The Mighty Grouse and the Shameless Promotions Teenage Fanclub - "Is This Music?" (from Bandwagonesque) John Cage - "Water Walk" (from I've Got a Secret / YouTube) John Cage - "4'33" (from YouTube) Oneida - "Sheets of Easter" (from Each One Teach One) The Curtains - "Go Lucky" (from Calamity) Deerhoof - "You Can't See" (from The Runners Four) Chris Cohen - "Don't Look Today" (from Overgrown Path) Grouse says goodnight. But spends 20 minutes plugging the show websites first. Ike Bennet & The Crystalites - "Illya Kuryakin" (from Trojan Rocksteady Box Set) Duke of Iron - "Take Me" (from RCA Victor DJ-89) Duke of Iron - "Prisoner Arise" (from RCA Victor DJ-89) Lou Monte - "Calypso Italiano" (from RCA Victor DJ-89) Lou Monte - "Someone Else is Taking You Home" (from RCA Victor DJ-89)

Ramgoolam, S (Queen Mary, University of London) Thursday 31 May 2012, 16:45-17:30

In this thesis I present experiments investigating controlled coupling between mechanical oscillators and ultracold atoms. I report on three different coupling mechanisms. In a first experiment, the surface potential experienced by atoms close to the mechanical oscillator is employed to couple the oscillator motion to the center of mass (COM) motion of a trapped Bose-Einstein condensate (BEC). The magnetic trapping potential is modified by the surface potential arising from the oscillator surface which results in a reduced trap depth. Vibration of the oscillator leads to a modulation of the trap frequency and the minimum of the trapping potential. Observing the loss of atoms from the BEC allows us to read out the amplitude of the mechanical oscillator with the atoms. In a second experiment, we study the coupling of a mechanical membrane oscillator and thermal atoms trapped in a 1D optical lattice. The membrane is the end mirror of the lattice, and oscillation of the membrane couples to the COM mode of the atomic ensemble. Conversely, the center of mass motion of the atomic ensemble redistributes photons between the two running waves forming the 1D optical lattice, effectively modulating their power, and hence the radiation pressure acting onto the membrane. We observe the action of the oscillating membrane onto the atoms by detecting the resulting temperature increase of the atomic ensemble in absorption imaging. To observe the backaction of the atoms onto the mechanical oscillator, the mechanical damping is measured in experiments with and without atoms in the lattice, and we measure higher damping in the presence of atoms in agreement with the theoretical predictions. These experiments are the first demonstration of backaction of an atomic system onto a mechanical oscillator. We investigate a third coupling mechanism, where the motion of a mechanical oscillator is coupled to the collective spin of a BEC. The tip of a mechanical oscillator is functionalized with a magnet, which transduces the oscillators' motion into oscillations of the magnetic field. This drives spin-flip transitions of trapped atoms to untrapped motional states. The coupling strength is not limited by the square root of the mass ratio of atoms and oscillator as in the other coupling schemes discussed in this thesis. We investigate this coupling scheme theoretically, and discuss the realization of a nanometer-sized mechanical oscillator with a magnetic island. I report on the status of the fabrication, and propose a simplified fabrication method.

This thesis reports on coupling optical microresonators to micro- and nanomechanical oscillators. The mutual optomechanical coupling based on radiation pressure between the microcavity and a mechanical degree of freedom modulating its spatial structure thereby allows both transduction and actuation of the motion of the mechanical degree of freedom by the light field launched into the microcavity. The first part of the thesis reports on a novel experimental approach based on cavity enhanced evanescent near-fields of toroid microresonators. It enables the extension of dispersive cavity optomechanical coupling to sub-wavelength scale nanomechanical oscillators which are at the heart of a variety of precision measurements. The optomechanical coupling present in the developed system is carefully analyzed experimentally and good agreement with theoretical expectations is found. The demonstrated platform allows transduction of nanomechanical motion with an exceptionally high sensitivity, outperforming the previous state-of-the-art transducers. Thereby, for the first time a measurement imprecision lower than the level of the standard quantum limit is achieved. In the present measurements, quantum backaction should already be the dominating contribution to the measurement sensitivity which is however masked by thermal noise. This may pave the way to the first experimental demonstration of radiation pressure quantum backaction on a solid-state mechanical oscillator. Moreover, the radiation pressure interaction between evanescent cavity field and nanomechanical oscillator is shown to enable actuating and controlling the motional state of the oscillator. Both amplification, leading to self-sustained mechanical oscillations, and cooling by radiation pressure dynamical backaction is reported. In addition, the capability of the near-field platform to implement resonant interaction of a mechanical mode with two optical modes is shown as well as the feasibility of quadratic coupling to the nanomechanical oscillators. In the second part of the thesis monolithic on-chip resonators that combine ultra-low optical and mechanical dissipation are designed. To this end, the intrinsic mechanical modes of toroid microresonators are analyzed in detail. High-sensitivity measurements enable the observation of a plethora of mechanical modes and good agreement with finite element modelling is found. In particular the dissipation mechanisms limiting their mechanical quality are studied. Clamping losses are identified as the dominant loss mechanism at room temperature. Using a novel geometric design, these are systematically minimized which leads to spoke-supported microresonators with intrinsic material-loss limited mechanical quality factors rivalling the best published values at similar frequencies.

J. Klinglmayr and C. Bettstetter

Ninth lecture of the Quantum Mechanics course given in Michaelmas Term 2009.

Ninth lecture of the Quantum Mechanics course given in Michaelmas Term 2009.

The maximum energy achievable directly from conventional Ti:sapphire oscillators has been limited by the onset of instabilities such as cw-generation and pulse splitting because of the high intensity in the laser medium. Generation of microjoule pulses at megahertz repetition rates are of special interest in many areas of science and technology. The main subject of this thesis is the development of high energy Ti:sapphire oscillators at megahertz repetition rate. The main concept that was applied to overcome the difficulties pointed out above was to operate the laser in the positive dispersion regime. By operating the laser in this regime, intracavity picosecond pulses are generated that can be externally compressed down to femtosecond pulse durations. The long pulse duration inside the laser offers an elegant way to reduce pulse instabilities by decreasing the intracavity intensity via pulse stretching. Drawing on this concept, Ti:sapphire chirped-pulse oscillators delivering sub-50-fs pulses of 0.5 uJ and 60 nJ energy are demonstrated at average power levels of 1 and 4 W (repetition rate: 2 MHz and 70 MHz), respectively. The 0.5 uJ pulses have a peak power in excess of 10 MW. By locking a 76-MHz chirped-pulse oscillator to a femtosecond-enhancement cavity 7.8 uJ pulses with 55 fs pulse duration were achieved. High harmonic generation was demonstrated in a Xenon target placed close to the enhancement cavity focus.

Technical Project #3 - Oscillators (1MB MP3). This is my third technical project.

Here is my first Song in Logic Pro 7 using just Oscillators with Tremolo, ModDel, and Falnger. Here it is.