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It's our monthly conversation about Spirituality and Politics and we're talking about how we feel and what we're doing post election. Whew... this is not an easy conversation, but we get by with a little help from the Tarot. Marielena pulled the The Judgement card in advance of the show and then The Universe, The Lovers, The Empress, The Emperor and The Hanged Man during the show. Tune in to hear our thoughts and reach out if you want to add to this conversation going forward.Marielena shares this essay from Pablo Helguera.Here's your Full Moon Report from Tanaaz.Today's show was engineered by Ian Seda from Radiokingston.org.Our show music is from Shana Falana!Feel free to email me, say hello: she@iwantwhatshehas.org** Please: SUBSCRIBE to the pod and leave a REVIEW wherever you are listening, it helps other users FIND IThttp://iwantwhatshehas.org/podcastITUNES | SPOTIFYITUNES: https://itunes.apple.com/us/podcast/i-want-what-she-has/id1451648361?mt=2SPOTIFY:https://open.spotify.com/show/77pmJwS2q9vTywz7Uhiyff?si=G2eYCjLjT3KltgdfA6XXCAFollow:INSTAGRAM * https://www.instagram.com/iwantwhatshehaspodcast/FACEBOOK * https://www.facebook.com/iwantwhatshehaspodcast
Today Marielena and I wander through various subjects related to Politics and Spirituality... Starting with Pablo Helguera's Método de Discursos Sociales. How do you resolve conflict? Start with naming the problem to make sure you actually understand it.This meanders over to my curiosities about Marina Abromovic's Rhythm Series ('73-'74), and themes of the sword, and power over others...Here's the Article; Education: Why not a race to the top? - that inspires us to think about how to chance education to one focusing on learning to learn, learning to do, learning to live together, learning to be.What does this bring up? Fear of failure and criticism...Are we all born with resilience? This is a subject for next year... who wants to join in?Final words from Marielena and Theresa on the end of the year...Marielena suggests some solstice writing on your wishes... and how you can take steps to fulfillment.Today's show was engineered by Ian Seda from Radiokingston.org.Our show music is from Shana Falana!Feel free to email me, say hello: she@iwantwhatshehas.org** Please: SUBSCRIBE to the pod and leave a REVIEW wherever you are listening, it helps other users FIND IThttp://iwantwhatshehas.org/podcastITUNES | SPOTIFYITUNES: https://itunes.apple.com/us/podcast/i-want-what-she-has/id1451648361?mt=2SPOTIFY:https://open.spotify.com/show/77pmJwS2q9vTywz7Uhiyff?si=G2eYCjLjT3KltgdfA6XXCAFollow:INSTAGRAM * https://www.instagram.com/iwantwhatshehaspodcast/FACEBOOK * https://www.facebook.com/iwantwhatshehaspodcast
Pablo Helguera is an world-renown artist, performer, cartoonist, poet, writer, author of several books, advice columnist, The Estheticist, lecturer/educator, a professor at the New School, father, husband and he can sing and write songs! To understand Pablo and his work, you really need to listen to this episode of how he has evolved into the artist he's become. Pablo was born in 1971 in Mexico City to a family of classical musicians. His brother, 9 years older, was a poet and a philosopher. Pablo describes how his day to day, his brother was teaching him, opening his mind and having him read all this heavy philosophy shit at a young age. So while you were playing Nintendo, he was reading Nietzsche. All of this powerful and unusual education helped create a precocious young man. When Pablo was still in his twenties, he was awarded a Creative Capital Grant to realize his project: School of Panamerican Unrest. The core of the project consisted of a traveling schoolhouse which made 30 stops between the U.S. state of Alaska and Chile's Antártica Chilena province between May and September 2006, following the entire length of the Pan-American Highway. Pablo's unlimited, curiosity, drive and generous desire to connect with so many disparate communities makes for an extremely compelling Dr. Lisa session like nothing I've ever heard. You can enjoy Pablo's latest project, Beautiful Eccentrics HERE. Instagram: helguerapablo Website: http://pablohelguera.net/ BIO: Pablo Helguera (Mexico City, 1971) is a New York based artist working with installation, sculpture, photography, drawing, socially engaged art and performance. Helguera's work focuses in a variety of topics ranging from history, pedagogy, sociolinguistics, ethnography, memory and the absurd, in formats that are widely varied including the lecture, museum display strategies, musical performances and written fiction. His work as an educator has usually intersected his interest as an artist. This intersection is best exemplified in his project, “The School of Panamerican Unrest”, a nomadic think-tank that physically crossed the continent by car from Anchorage, Alaska to Tierra del Fuego, making 40 stops in between. Covering almost 20,000 miles, it is considered one of the most extensive public art projects on record as well as a pioneering work for the new generation of artworks regarded under the area of socially engaged art. Pablo Helguera performed individually at the Museum of Modern Art /Gramercy Theater, in 2003, where he showed his work “Parallel Lives”. His musical composition, “Endingness” has been performed by the Detroit Symphony Orchestra. Helguera has exhibited or performed at venues internationally too many to name…His work has been reviewed in …. Art in America, Artforum, The New York Times, ArtNews, amongst others. In 2008 he was awarded too many to name Helguera has worked since 1991 in a variety of contemporary art museums, most recently as head of public programs at the Education department of the Guggenheim Museum in New York (1998-2005). From 2007 to 2020, he was Director of Adult and Academic programs at the Museum of Modern Art, New York. He has organized close to 1000 public events in conjunction with nearly 100 exhibitions. In 2010 he was appointed pedagogical curator of the 8th Mercosul Biennial in Porto Alegre, Brazil, which took place in September, 2011. He is currently Assistant Professor of Arts and Entrepreneurship at the College of Performing Arts at the New School in New York. He is represented by Kent Fine Art in New York and Enrique Guerrero Gallery in Mexico City. He is the author of many books, including Education for Socially Engaged Art (2011) and The Parable Conference (2014). He writes a weekly column titled Beautiful Eccentrics.
El episodio 02 de #GranHotelAbismo continúa su serie “Teorías de la pandemia”. En una conversación entre Pablo Helguera, artista visual y educador mexicano, y Mónica Amieva, subdirectora de Programas Públicos del MUAC, Helguera nos habla de cómo ejerce su producción artística desde su casa en Brooklyn, situada en una de las ciudades más afectadas por el coronavirus, en tensión con la condición de cuarentena. El artista fue víctima del virus y nos comparte su experiencia en una suerte de ejercicio espiritista que abre cuartos a dimensiones literarias.
Como en el mítico cartoon del New Yorker, el artista Pablo Helguera, recupera la técnica de la caricatura para generar un retrato exagerado y a veces distorsionado del mundo del arte. Este libro compila una selección de 187 dibujos, por primera vez traducidos al español por el artista Álvaro Perdices, que Helguera publica entre los años 2009 y 2016. Esta edición cuenta con el prólogo del crítico y curator Octavio Zaya. Más información: https://www.consonni.org/es/publicacion/artoons
Un año más consonni participó en BALA, la feria para editores independientes de Bilbao. El viernes 16 de diciembre, dentro del programa de la feria, presentamos las tres novedades de la colección PAPER, Artoons de Pablo Helguera, Yo veo / Tú significas de Lucy R. Lippard y Cuerpos que aparecen. Performance y feminismos en el tardofranquismo de Maite Garbayo. Presentado por Alicia San Juan y Alberto de la Hoz en la técnica.
In Part iii, we return to interviews conducted at the beginning of our investigation of education. Chris Willcox, Pablo Helguera, Monica Mercola, and Dorothy Lam voice their thoughts on education in a conversation about freedom, restraint, kids, and questioning. Feat. music by Dorothy Lam; ZiHong
Pablo Helguera (artist, Mexico City); Wael Shawky (artist, Alexandria); Sally Tallant (Director, Liverpool Biennial); Chaired by Sam Thorne (Associate Editor, frieze, London) at Frieze London 2013
Artist, writer, and educator Pablo Helguera discusses the integration of art and life and the dialogue that occurs between an artwork and the outside world. He considers the beginning point of artistic investigation and describes his latest project: a book about aphorisms for artists. Join us as we reflect on the human desire for continual learning and the possibilities of artistic collaboration. The secret ingredient in art: “I thought about my mom when you asked me that, mainly because my mom is a great cook. She learned cooking like a lot of people do – through experience. And it's almost impossible to get her to tell you how she cooks this or that. It's almost like a magician where you don't know how she managed to do it. I think this is the trick with asking for a formula for making an artwork or a project. There's no secret ingredient. […] What I would say is it's all about bits of intuition and a massive dose of experience. Knowing what to do with what you have.” – Pablo Helguera Helguera, Pablo, Education for Socially Engaged Art: A Materials and Techniques Handbook, New York: Jorge Pinto Books, 2011.
This week in conjunction with EXPO Chicago we welcome Pablo Helguera and Chistian Viveros-Faune! We chat Socially Engaged Art. It is time for an app that helps us gallery goers and Threewalls has the answer, lets kickstart them!
Artist Pablo Helguera discusses his School of Panamerican Unrest project and the importance of staying flexible in your artistic practice. This podcast was recorded at the 2012 Creative Capital Artist Orientation Weekend.
The week: More Open Engagement "SoPra"! This week we talk to Pablo Helguera! Pablo Helguera (Mexico City, 1971) is a New York based artist working with installation, sculpture, photography, drawing, and performance. Helguera’s work focuses in a variety of topics ranging from history, pedagogy, sociolinguistics, ethnography, memory and the absurd, in formats that are widely varied including the lecture, museum display strategies, musical performances and written fiction. His work as an educator intersected his interest as an artist, making his work often reflects on issues of interpretation, dialogue, and the role of contemporary culture in a global reality. This intersection is best exemplified in his project, “The School of Panamerican Unrest”, a nomadic think-tank that physically crossed the continent by car from Anchorage, Alaska to Tierra del Fuego, making 40 stops in between. Covering almost 20,000 miles, it is considered one of the most extensive public art projects on record. Pablo Helguera performed individually at various museums and biennials internationally. In 2008 he was awarded the John Simon Guggenheim Fellowship and also was the recipient of a 2005 Creative Capital Grant. Helguera worked for fifteen years in a variety of contemporary art museums. Since 2007, he is Director of Adult and Academic programs at the Museum of Modern Art, New York. He is the author, amongst several other books, of The Pablo Helguera Manual of Contemporary Art Style (2005), a social etiquette manual for the art world; The Boy Inside the Letter (2008) Theatrum Anatomicum ( and other performance lectures) (2008), the play The Juvenal Players (2009) and What in the World (2010).