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En este episodio hablamos sobre la reciente obra cancelada de Ana Gallardo, artista argentina que funda en su obra la visibilizacion de los adultos mayores. Aún así, quienes aman odiar la cancelan.
Gina Jaramillo
Iniciamos la conversación con Arturo Angel –periodista independiente en EUA– reporta desde Nueva York, donde Genaro García Luna, exsecretario de Seguridad, espera la sentencia definitiva por cargos de tráfico de drogas y delincuencia organizada. La audiencia atrae a más de 40 medios de México y EE. UU., mientras la defensa busca evitar la cadena perpetua solicitando 20 años de prisión. Alan Carbajal –repartidor multiplataforma y vocero de RUM Repartidores Unidos de México– critica la falta de diálogo con las plataformas ante la reciente propuesta de seguridad social. Carbajal subraya que buscan reconocimiento y condiciones dignas, sin subordinación, y que el decálogo del gremio debe ser parte de las negociaciones. Raymundo Ramos –presidente del Comité de Derechos Humanos de Nuevo Laredo, Tamaulipas– denuncia la falta de colaboración del Ejército en la investigación por el asesinato de Yuricie Rivera, enfermera del IMSS-BIENESTAR. Ramos cuestiona la sensibilidad del gobierno y exige una audiencia con las autoridades federales. Ximena Apis-dorf –consultora en Arte y especialista en Cultura Pop– nos habla sobre la decisión del MUAC de retirar de forma permanente dos obras de Ana Gallardo, de la exposición Tembló acá un delirio, tras la decisión de su Comité Curatorial. La medida responde a quejas por un discurso percibido como agresivo. Ximena Apis-dorf señala que las piezas trataban sobre la frustración de la vejez y el fin de la vida útil, pero su tono resultó ofensivo en el contexto mexicano, generando controversia y malestar. Tania Esparza Oteo –directora de HABLA Summit– nos presenta el evento HABLA Summit 2024: Educación y liderazgo femenino, que reunirá el 24 de octubre a líderes influyentes en educación. El encuentro, con enfoque en los retos y oportunidades del sector, se desarrollará en el Auditorio BB desde las 8:30 am hasta las 7:00 pm. Programa transmitido el 16 de octubre de 2024. Escucha el Noticiero de Nacho Lozano, en vivo de lunes a viernes de 1:00 p.m. a 2:00 p.m. por el 105.3 de FM. Esta es una producción de Radio Chilango.
El Museo Universitario Arte Contemporáneo (MUAC) decidió retirar de forma permanente las obras Extracto para un fracasado proyecto, 2011-2024 y Sin título, 2011 de la exposición Tembló acá un delirio. La medida se tomó después de que el Comité Curatorial acordara su remoción debido a quejas por el tono de las piezas. Según Ximena Apis-dorf, consultora en arte, las obras abordaban la frustración ligada a la vejez y al fin de la vida útil, pero su mensaje fue percibido como agresivo en el contexto mexicano, generando controversia y malestar entre los asistentes. Programa transmitido el 16 de octubre de 2024.Escucha el Noticiero de Nacho Lozano, en vivo de lunes a viernes de 1:00 p.m. a 2:00 p.m. por el 105.3 de FM. Esta es una producción de Radio Chilango.
Definitely we need a cultural transformation, and no one's better positioned to contribute to that than the arts and culture. I think part of the task that we have ahead, as artists and culture makers, is to really question how we got here in the first place, what brought us here and and what are the stories we are being told.Holà. I decided to begin my conversation with the brilliant Mexican-Canadian cultural worker and climate communicator Julia Matamoros in Spanish so that she could introduce herself in her first language : ‘Bienvenida Julia al podcast consciente. Mi español no es muy bueno pero quiero empezar nuestra conversación en este idioma. Antes de pasar al inglés, ¿por qué no empiezas con una introducción en español y luego un breve resumen de tus antecedentes en inglés y luego hablaremos sobre el arte y la crisis ecológica? ¿VALE?It worked. Gracias Julia. I first met Julia in 2022 while I was chair of the board of SCALE and she was the communications lead. I was impressed by her strategies and insights on how to further engage artists in the climate emergency for example : I think it's very difficult to build new worlds if we first don't understand what's wrong with the values we abide to right now and that on the one hand, and the second is to start imagining new worlds. That is very hard for a lot of us, when you only know one way of existing and relating to other forms of life. It's very difficult to think there could be other ways. I think arts and culture are perfectly positioned to lead the way for that. Art naturally is a space where we can break the rules, create new ones, question, and resignify. I think we need to resignify a lot and art needs to lead the way there, for sure.As you can hear, Julia integrates her diverse background in arts, culture, social work, and community development with a focus on diversity, equity, inclusion, and complex and urgent issues like the climate emergency. Julia believes these areas are interconnected and essential for societal transformation and she talks about her work with a passion and a type of serenity that is contagious, in a good way. Our conversation explores a range of environmental challenges such as water scarcity in her native Mexico and highlights innovative climate solutions like rainwater harvesting, the permaculture movement, Mexico's recent ban on GMO corn, and 'Energising Artivism', a new project that Julia is involved in that elevates the role of arts in social and environmental activism.Julia also underscores the need for building networks to increase resilience in addressing climate issues, noting that many initiatives lack adequate community-building infrastructure and she explains this gap and how to address it throughout our exchange. Among other issues, Julia observes a disconnect between climate change understanding and action in the arts and culture sector, particularly among cultural leadership, and she does not hold her punches in her observations of the status quo:The arts and culture sector cares. People care. There's a lot of things happening. Where I see the gap is not necessarily in artists, cultural professionals or even organizations. I see it at the leadership level. This has been very shocking to me. Why is that? I think one of the reasons could be perhaps that Canada has started experiencing the impacts of climate change more drastically in recent years. Whereas other parts of the world have been experiencing that for a while. So what has been going on for the last few years, fires, floods, will change the perception around it as a real emergency. There's a reluctance to speak about it as a priority, to talk about it as an emergency, and to devote resources to it.This section of our conversation brought me back to episode 183 about cultural leadership where we heard how the arts sector is exploring many of the root causes of the ecological crisis however, ironically, the arts sector is not yet in climate emergency mode.This is a complex dilemma but I like the way Julia suggests ways for us to move forward. I want to thank Julia for her cultural leadership and vision for the role of the arts. Julia wrote this note to me after our conversation which I think summarizes her concerns and aspirations: Art is always in the business of culture and of cultural transformation. My wish would be for this transformation to become intentional, grounded in understanding of what no longer works, and in our shared yearning for new possibilities. I think it's already happening but not as a common project.I agree. Let's make it a common project, everyone, together. Hagamos que sea un proyecto común, todos juntos. Julia recommends the following publication Spring Creek PodcastSensing Earth : compilation of essays, interviews, poetry, manifestos, choreographic prompts, speculative fiction and case studies at the intersection of art and environmental activism, culture and nature.Projects mentioned in the episode: SCALE-LeSAUT23 Climate ThingsArtivism Inaugural Global Conference Sept 5-8Other links from MexicoThree channel video by interdisciplinary artist Tania Candiani : I recently saw her work at MUAC. These images give you a better sense of how the piece was presented.Base bio architectura: there is a lot of experimentation happening in ecological architecture - different materials, techniques but with spectacular design at the heart of it all. I find base bio-architectura particularly beautiful.*Chapters (AI generated)IntroductionJulia Matamoros introduces herself, sharing her journey from Mexico to Canada and her extensive background in arts, culture, and community development. She reflects on how she has integrated her passions for social work and the arts throughout her career.The Intersection of Art and ClimateJulia discusses the natural transition from focusing on diversity, equity, and inclusion to addressing climate issues, emphasizing their interconnectedness. She shares her belief that the arts play a crucial role in making connections between these causes.Art as a NecessityJulia elaborates on her lifelong relationship with art, describing it as a necessity that has always been integral to her life. She highlights her diverse interests in various forms of artistic expression, from literature to film and beyond.Perspectives on the ‘End of the World (as we know it)The conversation shifts to the theme of the end of the world as we know it with Julia sharing her perspective shaped by her experiences in Mexico. She discusses how the concept varies globally and the creative responses emerging in communities facing crises. Note: Julia noted afterwards that ‘I think William Gibson's famous quote summarizes what I'm trying to say “The future is already here – it's just not evenly distributed.'Engaging with Climate through ArtJulia shares her belief that the arts must engage with pressing societal issues, including climate change and inequality. She discusses her work with various projects aimed at fostering collaboration and participation within the arts sector.Energizing ArtivismJulia introduces the concept of ‘Energising Artivism,' a new project focused on uplifting the role of arts in addressing environmental and social challenges. She highlights the upcoming Artivism Conference in South Africa as a platform for collaboration.Building Networks for ResilienceThe importance of building networks within the arts community is emphasized as a means to foster resilience and collaboration. Julia discusses the need for a centralized infrastructure to connect artists and cultural organizations effectively.Challenges Facing the Arts SectorJulia and Claude discuss the various challenges artists face, including housing issues and the impact of the COVID-19 pandemic and how these challenges can be reframed as opportunities for deeper engagement for the arts with societal issues.Cultural Transformation through ArtJulia argues for the necessity of a cultural transformation to address the climate emergency, asserting that artists are uniquely positioned to lead this change, emphasizing the importance of questioning existing narratives and imagining new possibilities.Art and Community in MexicoShifting focus to Mexico, Julia shares insights into how the arts community is integrating ecological concerns into their work and vice versa. She highlights various initiatives that blend art with permaculture and sustainable practices.Reviving Indigenous CraftsmanshipJulia discusses the resurgence of indigenous craftsmanship in Mexico, emphasizing the importance of ethical collaboration and recognition of cultural heritage. She describes how this movement is intertwined with sustainability and community building.The Role of Arts in CrisisThe conversation returns to the role of the arts in addressing crises, with Julia reflecting on how artists can contribute meaningfully to societal challenges. She emphasizes the need for connection and collaboration among artists and communities.The Power of Self-OrganizationIn this section, the importance of self-organizing within communities is emphasized, highlighting how local connections can lead to meaningful exchanges and on how art can facilitate these connections and foster new relationships among individuals.Navigating Climate ConversationsThe conversation shifts to the challenges of discussing climate change within the arts community, where feelings of denial and disempowerment often prevail and the need for more open dialogue about the climate emergency and how artists can lead these conversations through their work.Bridging the Gap in LeadershipHere, the focus is on the disconnect between the grassroots level and leadership within the arts sector regarding climate action including the necessity for arts organizations to take on more responsibility and foster collaboration to address climate issues effectively.Creating Unity and FrameworksThis section emphasizes the need for a unified approach within the arts sector to tackle climate change, suggesting that shared frameworks can guide collective efforts. The discussion highlights the importance of collaboration and agreement on priorities to maximize impact.Hope and Healing through the ArtsThe conversation reflects upon the role of the arts in fostering hope and healing amidst the climate crisis, emphasizing the need to reconnect with the joy of living. They discuss how the arts can bridge pain and possibility, encouraging a collective movement towards positive change.Permaculture Principles and Cultural TransformationIn this section, the conversation delves into permaculture as a framework for cultural transformation, highlighting its relevance beyond agriculture including how adopting permaculture principles can guide communities toward sustainable living and resilience.Cultivating a Caring CultureThe concluding section emphasizes the importance of reciprocity, caring, and community in navigating the challenges posed by climate change. *END NOTES FOR ALL EPISODESI've been producing the conscient podcast as a learning and unlearning journey since May 2020 on un-ceded Anishinaabe Algonquin territory (Ottawa). It's my way to give back and be present.In parallel with the production of the conscient podcast and it's francophone counterpart, balado conscient, I publish a Substack newsletter called ‘a calm presence' which are 'short, practical essays about collapse acceptance, adaptation, response and art'. To subscribe (free of charge) see https://acalmpresence.substack.com. You'll also find a podcast version of each a calm presence posting on Substack or one your favorite podcast player.Also, please note that a complete transcript of conscient podcast and balado conscient episodes from season 1 to 4 is available on the web version of this site (not available on podcast apps) here: https://conscient-podcast.simplecast.com/episodes.Your feedback is always welcome at claude@conscient.ca and/or on conscient podcast social media: Facebook, X, Instagram or Linkedin. I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. Claude SchryerLatest update on July 20, 2024
Crítico, curador e historiador de arte. Doctor en Historia y Teoría de Arte (PhD) por la Universidad de Essex en la Gran Bretaña y Licenciado en Historia por la Universidad Autónoma de México. Ha sido investigador del Instituto de Investigaciones Estéticas de la Universidad Nacional Autónoma de México desde 1993, y entre 2002 y 2008 fue el primer Curador Asociado de Arte Latinoamericano en las Colecciones de Tate Modern, en el Reino Unido. Actualmente es Curador en Jefe del Museo Universitario Arte Contemporáneo (MUAC) de la UNAM. Ha curado, entre otros, Cuando la Fe Mueve Montañas de Francis Alÿs (2002) y la intervención de Teresa Margolles, ¿De qué otra cosa podríamos hablar? (2009) para el Pabellón de México en la 53a. Bienal de Venecia. En 2012 fue curador de la bienal Manifesta 9: The Deep of the Modern, que tuvo lugar en Genk, Bélgica, con la colaboración de Dawn Ades y Katerina Gregos. En 2012 fue premiado con el Walter Hopps Award for Curatorial Achievement de la Menil Foundation. En 2017, Cubo Blanco y RM publicaron su compilación titulada Abuso Mutuo. Ensayos e Intervenciones sobre arte postmexicano (1992-2013) editada por Edgar Alejandro Hernández y Daniel Montero. En 2019 publicó el libro Una ciudad ideal: la Olinka del Dr. Atl con el sello del Colegio Nacional.Síguenos en redes:http://instagram.com/cableatierrapodhttp://facebook.com/cableatierrapodcasthttp://instagram.com/tanialicious Hosted on Acast. See acast.com/privacy for more information.
Yvonne Venegas estudió en el International Center of Photography en Nueva York y obtuvo una Maestría en Artes Visuales por la Universidad de California, San Diego. Ha participado en las exposiciones colectivas Pulsions Urbaines, Rencontres d'Arles; Point Counterpoint, MOPA, y Mexican Photography, SFMOMA; individualmente en la Galería Shoshana Wayne, Santa Mónica; Museo Universitario de Arte Contemporáneo MUAC; Casa de América, Madrid; Museo de Arte Carrillo Gil, GAM en Ciudad de México, y la Galería Baxter, Nueva York. Obtuvo el premio Magnum Expression Award 2010 otorgado Magnum Photos; fue miembro del SNCA del Fonca en 2011 y 2015. Su proyecto “Gestus” fue publicado por Editorial RM con el apoyo de la beca de Fundación BBVA en 2015. Obtuvo la beca Guggenheim Fellowship 2016 para la realización de su proyecto “San Pedro Garza García” y en 2020 obtuvo el premio de adquisición de la Fundación Cuervo, el apoyo de la Fundación Jumex para su proyecto “El Lápiz de la Naturaleza” y la Beca Sistema Nacional de Creadores de Arte del Fonca 2020-2023 para su proyecto “Mar de Cortes”. Ha publicado cinco monografías de su trabajo. Vive y trabaja en la Ciudad de México.*Fotografía de la portada por Karla Lisker.Síguenos en redes:http://instagram.com/cableatierrapodhttp://facebook.com/cableatierrapodcasthttp://instagram.com/tanialicious Hosted on Acast. See acast.com/privacy for more information.
En su trabajo, Carlos Amorales se interesa principalmente por el lenguaje y la imposibilidad-posibilidad de comunicar por medio de formas irreconocibles o no codificables: sonidos, gestos y símbolos. Amorales experimenta en los límites entre la imagen y el signo con una variedad de medios: animación, video, cine, dibujo, instalación, performance y sonido. Su práctica se basa en diferentes formas de traducción: instrumentos que se transforman en personajes de sus filmes, letras que se vuelven formas y narrativas que devienen lenguaje corporal. Las obras de Amorales existen en un mundo alterno, paralelo al nuestro, que se rige por sus propias reglas y donde evolucionan constantemente, al igual que el proceso de su producción. Carlos Amorales estudió en Ámsterdam en la Gerrit Rietveld Academie (1996–97) y Rijksakademie van beeldende kunsten (1992-95). Ha realizado residencias artísticas en el Atelier Calder en Saché (2012) y MAC/VAL en Vitry-sur-Seine (2011) en Francia, y en Estados Unidos como parte del programa Smithsonian Artist Research Fellowship en Washington (2010). Sus exposiciones más representativas incluyen The Factory en el Stedelijk Museum (2019) en Ámsterdam, Axiomas para la Acción en MUAC de la Ciudad de México (2018), The Man Who Did All Things Forbidden en el Philadelphia Museum of Art en Filadelfia (2014), Germinal en el Museo Tamayo de la Ciudad de México (2013), entre otras. Ha representado a México en las Bienales de Venecia, Shanghai, Berlin y Emiratos Árabes. Luis Miguel Carlos Aguirre Morales vive y trabaja en la Ciudad de México. Hosted on Acast. See acast.com/privacy for more information.
Lanzamos esta nueva dirección en los podcasts de la Cátedra Max Aub con la invitación a Canek Zapata, editor, curador y artista de internet, para hablar de los márgenes de las textualidades literarias, desde su formación en la FFyL en letras clásicas, y un cruce de umbrales que va hacia la literatura electrónica, el net art, a través de la programación, pero también como un sabedor del campo de los memes, y más recientemente de la IA. Del 9 al 19 de mayo Canek presenta la exposición ‘Miniaturas: Mapas celestes' en el Palacio de Autonomía y participa en la conferencia ‘Écfrasis e Inteligencia Artificial: umbral entre la escritura y la imagen' en el auditorio del MUAC el 16 de mayo, como parte del programa de actividades que organiza la Cátedra Max Aub en el marco de El Aleph Festival de Arte y Ciencia ‘Retos de la inteligencia artificial y otras inteligencias'.
Detienen a 43 personas tras megaoperativo en Tlalnepantla ¡Atención! MUAC cerrará sus puertas en semana santa El Vaticano expulsó del clérigo a 18 religiosos belgas
Tren Maya ha detonado el turismo en Quintana Roo afirma la gobernadora Mara Lezama Tatiana Cuevas asumirá en mayo la dirección del el MUAC y nueva titular de la Dirección de Artes Visuales de la UNAMDesplegar tropas en Ucrania traería “trágicas“ consecuencias: Vladímir PutinMás información en nuestro podcast
-Directora del MUAC, seleccionada como subdirectora del Museo Reina Sofía en España-UNAM realizará actividades para conmemorar el Día Internacional de las Mujeres-Regresa la tercera misión de la empresa Axiom Space a la Estación Espacial-Más información en nuestro podcast
Lulú Creel IG: @lulu_sothebysmx es SVP Chairman Latinoamérica de la casa de subastas Sotheby's a la que se unió en 2009 y desde donde ha contribuido a la escena artística mexicana evaluando a coleccionistas a escala global, así como fomentando subastas internacionales con piezas ubicadas en México, generando precios récord para artistas latinoamericanos.Por favor ayúdame y sigue Cracks Podcast en YouTube aquí."El que da, recibe."- Lulú CreelComparte esta frase en TwitterEste episodio es presentado por Actinver una institución con más de 28 años en el sector financiero con la que puedes comenzar a invertir desde $10,000 y por Salesforce, el CRM #1 en el mundo y la plataforma líder en impulsar el crecimiento de empresas de cualquier tamaño.Además de esta labor es miembro de los patronatos de Bellas Artes y del Museo Universitario Arte Contemporáneo (MUAC) perteneciente a la Universidad Nacional Autónoma de México entre otras instituciones. Hoy Lulú y yo hablamos del mundo del arte contemporáneo, del arte como inversión, de ganarle una subasta a DiCaprio y de la psicología de los grandes coleccionistas del mundo.Qué puedes aprender hoyEl mundo detrás de las subastas más grandes del mundo Los coleccionistas de arte en México Cómo funcionan los ciclos de inversión en el mercado de los coleccionables*Este episodio es presentado por Actinver.A pesar de que invertir es una herramienta que puede ayudarte a tener rendimientos con el tiempo, solo el 1% de la población en México cuenta con algún fondo de inversión. Es importante asesorarte y analizar las alternativas que hay en el mercado para definir tus metas financieras; cuanto, como y donde invertir según tus necesidades y hacerlo con una empresa que esté legalmente regulada.Una gran alternativa es Grupo Financiero Actinver, una institución con más de 28 años en el sector financiero con la que puedes comenzar a invertir desde $10,000 y contar con asesoría especializada que te guiará en cada paso para definir una estrategia adecuada para ti.Hoy tú, que escuchas Cracks puedes asesorarte con los expertos de Actinver visitando cracks.la/actinver.*Este episodio es presentado por Salesforce, el CRM #1 en el mundo y la plataforma líder en impulsar el crecimiento de empresas de cualquier tamaño.Su CRM con Inteligencia Artificial permite que empresas de cualquier tamaño puedan visualizar patrones, encontrar oportunidades de negocio, hacer predicciones y tomar decisiones sobre sus negocios de manera segura y acertada.Salesforce te da visibilidad para mejorar tu estrategia comercial, implementar los métodos de pago Ve el episodio en Youtube
El Ministeriu de Cultura concede a Rodrigo Cuevas el Premio Nacional de las Músicas Actuales "pola singularidá de la so obra con una propuesta trescendente que xune música tradicional folclórica y música popular contemporánea". Ye ún de los asuntos del programa con Xune Elipe (músicu) Esther García (escritora) Inaciu Iglesias (empresariu) y Nicolás Bardio (politólogu). Hoy conversamos con la historiadora PILAR GARCÍA, comisaria de la exposición “Luchadoras. Mujeres en la colección del MUAC”. Arte feminista para visibilizar el papel y la relevancia de la mujer en el arte
El Ministeriu de Cultura concede a Rodrigo Cuevas el Premio Nacional de las Músicas Actuales "pola singularidá de la so obra con una propuesta trescendente que xune música tradicional folclórica y música popular contemporánea". Ye ún de los asuntos del programa con Xune Elipe (músicu) Esther García (escritora) Inaciu Iglesias (empresariu) y Nicolás Bardio (politólogu). Hoy conversamos con la historiadora PILAR GARCÍA, comisaria de la exposición “Luchadoras. Mujeres en la colección del MUAC”. Arte feminista para visibilizar el papel y la relevancia de la mujer en el arte
El Ministeriu de Cultura concede a Rodrigo Cuevas el Premio Nacional de las Músicas Actuales "pola singularidá de la so obra con una propuesta trescendente que xune música tradicional folclórica y música popular contemporánea". Ye ún de los asuntos del programa con Xune Elipe (músicu) Esther García (escritora) Inaciu Iglesias (empresariu) y Nicolás Bardio (politólogu). Hoy conversamos con la historiadora PILAR GARCÍA, comisaria de la exposición “Luchadoras. Mujeres en la colección del MUAC”. Arte feminista para visibilizar el papel y la relevancia de la mujer en el arte
En este episodio nuestra increíble invitada Pilar García Investigadora y curadora del MUAC nos platicará ¿Cuál es la función de un curador en un museo?¿Cómo se desarrolla una exposición? y nos hablará de sus valiosas experiencias en este medio.
Este sexto y último torrente de Mensajes del río parlante, con el cual el podcast MUAC cierra temporada, está titulado Episodio 6. La calle es el archivo. El catálogo de Awesome Tapes from Africa. Y está dedicado a revisar el caso de Awesome Tapes from Africa un sello discográfico creado por el estadounidense Briam Shimkovitz y cuyo objeto de atención es esa música africana que se encuentra en la calle, en los mercados, en el intercambio cotidiano de las ciudades o los pueblos de países como Ghana, Etiopía, Sudáfrica, Eritrea o Mali.
Imagen de la exposición Giro Gráfico. Como en el muro la hiedra, presentado en el MUAC. Fotografía de Ana Limón Tengo ganas de salir con carteles a la calle y encontrarme en multitudes para cambiar la vida.Julieta Kirkwood, Tejiendo rebeldías, 1987Montserrat Núñez Medina y Ana Limón conversan con Sol Henaro, integrante de la Red Conceptualismos del Sur desde 2010 y curadora de Acervo Documental y responsable del Centro de Documentación Arkheia del MUAC. La charla gira en torno al mensaje y entendimiento sobre memoria, resistencia y belleza que subyace a la exposición gráfica. Giro Gráfico. Como en el muro la hiedra”, la cual se trata de un repositorio de iniciativas gráficas que recorren el tiempo y el espacio: van desde 1960 hasta la actualidad y pasan por todo el continente americano, materiales creativos y artísticos que surgen como respuesta de resistencia y transformación en contextos de opresión en América Latina. En el programa se hace un llamado a maravillarse y apostar por las expresiones artísticas para denunciar atrocidades, generar memoria y esperanza. Podrán cortar nuestro tronco pero jamás podrán arrancar nuestras raíces, nuestra lucha, sigue, sigue. Bordado Zapatista en exposición de Giro Gráfico, 2023. Imagen de la exposición Giro Gráfico. Como en el muro la hiedra de “La Casa Zapantera Negra” presentado en el MUAC. Fotografía de Ana Limón.
Para arrancar la tercera temporada de Prototipos para navegar el coreógrafo Javier Martín conversa con Raissa Pomposo, coordinadora de la Cátedra Extraordinaria Gloria Contreras en Danza y sus vínculos interdisciplinarios de la UNAM. Abordan sus experiencias de las prácticas coreográficas y corporales, y la importancia de los estudios de la complejidad, en la hibridación entre las disciplinas. Nos platican de una visión del arte que nos está ayudando a devolver el misterio a la vida, en el sentido de desubicar determinadas verdades absolutas, modos de sentir y pensar lo real. Este es un podcast especial realizado desde el Espacio de Experimentación Sonoro del MUAC, un espacio ‘anecoizado' que ayuda a construir un silencio de casi cien por ciento. Al entrar uno se da cuenta de su respiración, su pulso, las fricciones de la piel, el cambio de la dirección de la voz, y la experiencia de escuchar al otro cambia de manera radical.
En colaboración Mariana Linares Cruz periodista y productora, "Lo que se difunde ahí adentro es arte contemporáneo y en cada exposición, de verás que uno sale con la memoria movida y con la memoria ambientada", dijoSee omnystudio.com/listener for privacy information.
Migrantes muertos por incendio en estación de Cd Juárez; Abastecimiento de agua en CDMX; Tribunal electoral y grupos de riesgo; 15 años del MUAC; Maestro de música toca guitarra mientras lo operan del cerebroSee omnystudio.com/listener for privacy information.
En linea con mercurio retrógrado, venimos a descargar la mala energía de la semana con un recap de cosas que hateamos
El día de hoy les contamos el recorrido que hicimos tanto en el Museo de Arte Contemporáneo Querétaro MACQ donde tuvimos la oportunidad de apreciar la exposición de Casa Wabi y, por otro lado, la del artista Fausto Gracia; como en el Museo Universitario Arte Contemporáneo MUAC donde nos perdimos en la obra del artista Ben Vautier y la exposición de la artista Tania Candiani. --- Send in a voice message: https://anchor.fm/creative-talks/message
The Do One Better! Podcast – Philanthropy, Sustainability and Social Entrepreneurship
Action Against Hunger is active in 51 countries, they have 8,000 staff and assist around 26 million people annually; their turnover is around half a billion euros. In the UK, they are part of the DEC (Disasters Emergency Committee), which brings together 15 leading UK aid charities to raise funds quickly and efficiently at times of crisis overseas. They are focused on prediction, prevention and treatment of severe malnutrition — especially within a Global South / developing world context. Encouragingly, there is a treatment for acute malnutrition called “Ready to Use Therapeutic Food” (RUTF) — a treatment that has evolved considerably during the past 20 years — no longer requiring clinical settings nor refrigeration — and today can cure most severely malnourished children around the world. However, the challenging logistics of reaching remote geographic locations and engaging within armed conflict areas present serious problems. These problems are exacerbated by the fact many national governments intentionally conceal problems of malnutrition within their populations in order to project a more favourable image to the external world; and by the overall funding gap that must be filled in order to transform the current reality and achieve the UN Sustainable Development Goals (SDGs). We also learn of Action Against Hunger's work in supporting and empowering local communities by providing them with the tools to conduct self-diagnosis. The “Mid-Upper Arm Circumference” band (MUAC), is one example of this — a simple colour-coded measuring tape that can be used by parents and caretakers (including those who aren't able to read) to determine whether a child is malnourished and, if so, to what degree. Thank you for downloading this episode of The Do One Better Podcast. Visit our website at Lidji.org for information on nearly 200 interviews with remarkable leaders in philanthropy, sustainability and social entrepreneurship. Please leave us a rating and a review to help others find this show.
This week on the Better With Running Podcast, Zacca and Chris provide an update on their training weeks. We hear about Chris hitting a big long run and clocking 81ks as he continues to build for the marathon, he talks about how he continues to enjoy the challenge and process of training for a marathon once again. Zacca reveals his new formal coaching setup, and how he is adapting to having sessions and runs set for him, before getting back on the boulevard for more choice words from cyclists and cars. His session of 5min reps is followed by a long run out at the flats with his athlete James Telford who successfully ticked off a strong long run whilst doing a physio consult in the process. Zacca's training partner and MUAC member, Steve Langdon, joins the guys for chat about all things sports psychology and in particular focussing on practical tips leading into the Melbourne Marathon around the taper week, pre race day nerves, visualisation and race day mental strategies. Steve also answers some questions about dealing with missing goal races and bouncing back, and also provides some helpful tips for how you can engage with your support network, family and friends as you get closer to race day. Chris and Zac have a listener question from Rory Flanigan, Run2PB Athlete & Bendigo Bat “Do you think Mona's formula of double your half and add 7 minutes is a good way to calculate your goal?” The boys openly chat around the use of marathon predictions and formulas, they go into detail as to what they utilise and how they go about predicting goal times for the marathon. Run2PB Links: Socials Run2PB YouTube: https://www.youtube.com/channel/UCJxkh-FgU2Wsork-18PfSUA Find us here at: https://www.run2pb.co/better-with-running-podcast Review on us: https://podcasts.apple.com/us/podcast/better-with-running/id1506419354
La historia de hoy comienza en una antigua basílica ubicada al norte de Roma y que fue tremendamente importante para influir en la obra de un artista vienés. De la mano de su cuadro más famoso daremos un paseo por una costumbre humana que parece universal y que podría haber jugado un papel muy relevante en la distribución del que es considerado uno de los virus más comunes del mundo *** La Ciencia Pop cuenta con el auspicio de Coompremos ¡Deja de esperar que lleguen los descuentos! únete a un grupo de compra y que las empresas compitan por darnos los mejores precios. Descárgate la app o visita coompremos.com para descubrir grupos de compra cerca de ti. Coompremos. Juntos pagamos menos ***_Música:Cambo - Coffee (Licencia Creative Commons, no comercial)Coompremos. Juntos pagamos menos. Visita coompremos.com para descubrir grupos de compra cerca de ti.Support the show
Marta Mejía es fundadora y Directora General de Zimat Consultores desde 1984. Una de las agencias de consultores más importantes en procesos de comunicación. Su experiencia profesional se enfoca principalmente en las áreas de comunicación corporativa y estrategia pública. Desde Zimat Consultores ha dirigido estrategias y programas de prevención y manejo de crisis de múltiples empresas, organismos empresariales y gobiernos. Graduada en comunicación en la Universidad Iberoamericana. Tiene estudios de maestría en comunicación social en la Sorbona de París. En esta entrevista hablamos de: ✨¿Cómo administrar las crisis? ✨ Diferencia entre una táctica y una estrategia ✨¿Por qué es importante empatizar con tus clientes al atravesar una crisis ? ✨ ¿Cómo ha logrado mantenerse en la cima como empresa y tener poca rotación en sus equipos? Antes de fundar Zimat Consultores, fue consultora interna en corporaciones como Monsanto México, General Electric de México, el Instituto DESC y Seguros La Comercial. Mientras estudiaba en París trabajó profesionalmente en los programas de comunicación de la UNESCO. Frecuente oradora en México y fuera del país en seminarios y conferencias en temas sobre estrategias de comunicación corporativa. Bajo el liderazgo de Marta Mejía, Zimat Consultores ha adoptado prácticas de responsabilidad social que llevaron al despacho a ser una de las primeras empresas de servicios en obtener el reconocimiento de Empresa Socialmente Responsable. Zimat Consultores ha apoyado sin fines de lucro a muchas organizaciones de la sociedad civil, desde su concepción, hasta la consolidación de su reputación, en beneficio de la consecución de sus causas y su viabilidad social y financiera en el largo plazo. Ha promovido entre los clientes de Zimat ─entre los que se encuentran muchas de las empresas e instituciones más relevantes de México─ la adopción y profesionalización de sus prácticas de responsabilidad social e inclusión. Marta es consejera de diversas organizaciones profesionales y de la sociedad civil, como: Centro Mexicano para la Filantropía (CEMEFI); Consejo Coordinador Empresarial; Consejo de la Comunicación; Consejo Mexicano de Asuntos Internacionales (COMEXI); Fundación Casa Alianza; Fundación Gonzalo Río Arronte; Happy Hearts; México Evalúa; México S.O.S.; Museo Universitario de Arte Contemporáneo (MUAC); Observatorio Ciudadano de Seguridad; entre otros CALIFÍCANOS CON 5 ESTRELLAS AQUÍ: https://open.spotify.com/show/2O952j0tyXgDCW5APgYpzN?si=7b6edd78b5aa46cb ► SÍGUENOS EN: ◄ ☘️ YouTube: https://www.youtube.com/channel/UCt2r8LeKpms_rf2zw_jYO-Q ☘️ Instagram: https://www.instagram.com/mentores_con_maite/ ☘️ Facebook: https://www.facebook.com/mentoresconmaite ☘️Spotify: https://open.spotify.com/show/2O952j0tyXgDCW5APgYpzN?si=HgB3vsMVRWSZYdk1ge5AAQ ☘️iTunes: https://podcasts.apple.com/mx/podcast/mentores/id1524837156 Contacto: info@mentoresconmaite.com ➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖ ► SÍGUELA EN: ◄ ☘️ https://zimat.com ☘️ Tel. Oficina: 5659-0709 ☘️ https://www.facebook.com/ZIMATConsultores/ ➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖ Este SET es patrocinado por mi empresa Yes to Value, una empresa que se dedica a dar “Performance mentoring” (mentoría en desempeño) a través de programas de inteligencia emocional, cultivar hábitos, aprender a vivir incómodos, mindfulness y despertar inteligencias. El enfoque está en generar excelencia y satisfacción dentro de las empresas y en la vida de las personas de manera simple y eficaz. Si eres dueño de negocio o colaboras en alguna empresa contáctame si quieres que llevemos estos programas, serán impactantes, benéficos y ayudará a generar un ambiente laboral en el que es inspirador trabajar y crecer. Escríbeme a: cursosmaite@gmail.com ➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖ Maite Valverde de Loyola:
En colaboración Mariana Linares y su Plaza Pública, "Estos objetos son un arte mestizo, que integran técnicas de diversas partes del mundo", comentó.
Zac and Chris discuss their weeks training as they head towards Bendigo and Gold Coast Marathon Festival. Chris continues recovery week before hitting a 3 x 5min workout featuring some photography of his favourite tree. He then hits a solo Sunday run before getting back in time to track his training partner competing over the half marathon. Zacca hits a session an impromptu fartlek session on a rugby field nearly getting tackled, he backs it up with speedy long run with the MUAC crew. He hits track tuesday with 2k reps before retiring to support the clubs sponsor - the pub. Zacca and Chris recap a big weekend of racing at the Great Ocean Road Festival, SMU Half in Sydney and TCS Bangalore 10k in India. They both touch on some of their athletes individual race results and stories. Listener Question is unpacked around strava and how it can affect your mental health and your running. They explore why they use the app and the dangers that can come with it as a runner. They finish up the show going down the rabbit hole of Guinness Book of records as they marvel over 111 tee shirts being worn for a world record half marathon > https://runningmagazine.ca/the-scene/david-rush-breaks-t-shirt-half-marathon-record-with-111-shirts/ They even issue the challenge to listeners to try it with a Run2PB Tee. -- Partners BlackRoll Recovery Use the code Run2PB-15 for 15% off all products https://www.blackroll.com.au/collections/blackroll-running-world Pillar Performance Visit: https://pillarperformance.com.au/ Yarraville Running Company, shop online @ https://www.therunningcompany.com.au/yarraville/ https://www.instagram.com/therunningcompany_yarraville/?hl=en Medal Displays helps you organise and celebrate your achievements with a range of display items made for runners! www.medaldisplays.com.au Premium, Fast and Sustainable Running Socks www.oatrunning.com Run2PB Links: Socials Run2PB YouTube: https://www.youtube.com/channel/UCJxkh-FgU2Wsork-18PfSUA Find us here at: https://www.run2pb.co/better-with-running-podcast Review on us: https://podcasts.apple.com/us/podcast/better-with-running/id1506419354
This week on better with running podcast, Zac and Chris are joined by RUN2PB Coach Matt davy as he returns to the podcast for a catch up. We hear about Matt's experience at Round 1 of Athletics Victoria - State 6km XC relays, held at Jells Park, including donning the famous red shorts. The lads talk about how much fun they all had over the hills at jells park, the community and inclusive atmosphere that club running offers. We close with Matt revealing he wants to go back to Launceston for redemption against zacca over the 10k next month. Chris and Zac provide and insight into how they pulled up post race and the rest if their running week including Zacca getting up for a 5 x mile workout with his MUAC club mates. With many races coming up including the Great Ocean Road Running Festival Chris and Zac talk about tapering for events, what it can feel like, how to approach and the objective of it. They round out the show with Chris and Zac letting the listeners know Soph Fitt will be back for another chat due to popular demand and that shoe chat is on the way back when we can pin down Sammy the shoe dog! Partners BlackRoll Recovery Use the code Run2PB-15 for 15% off all products https://www.blackroll.com.au/collections/blackroll-running-world Pillar Performance Visit: https://pillarperformance.com.au/ Yarraville Running Company, shop online @ https://www.therunningcompany.com.au/yarraville/ https://www.instagram.com/therunningcompany_yarraville/?hl=en Medal Displays helps you organise and celebrate your achievements with a range of display items made for runners! www.medaldisplays.com.au Premium, Fast and Sustainable Running Socks www.oatrunning.com Run2PB Links: Socials Run2PB YouTube: https://www.youtube.com/channel/UCJxkh-FgU2Wsork-18PfSUA Find us here at: https://www.run2pb.co/better-with-running-podcast Review on us: https://podcasts.apple.com/us/podcast/better-with-running/id1506419354
Chris and Zac have a special co host join for this weeks episode, Sophie Fitt, Run2PB Coach, Podiatrist @ Fitzroy Foot and Ankle Clinic and 2hr 42 Marathoner. Chris and Zac talk about their preparation for Jells Park Relays as they prepare to head over the hills this weekend. We hear about Chris's excitement debuting for the Bendigo Bats, and how his Coach Andy Buchanan is freshening him up. Zacca reviews his time trial at the Parkville Parkrun x MUAC time trial, and then heads to the Melbourne Zoo fo a workout. Sophie gives the listeners an update of her return to running as a new mum, we hear about her running loads during pregnancy and now post and her goals and plans for the season of 2022 and beyond! We hear about some amazing results from the Run2PB community across a range of events. The coaches discuss a topic around preparing for an event and how much training is required to safely participate and enjoy a running event. Rounding out the episode, the coaches attack a listener question around returning to run post Covid and lining up for a race. Partners: BlackRoll Recovery Use the code Run2PB-15 for 15% off all products https://www.blackroll.com.au/collections/blackroll-running-world Pillar Performance Visit: https://pillarperformance.com.au/ Yarraville Running Company, shop online @ https://www.therunningcompany.com.au/yarraville/ https://www.instagram.com/therunningcompany_yarraville/?hl=en Medal Displays helps you organise and celebrate your achievements with a range of display items made for runners! www.medaldisplays.com.au Premium, Fast and Sustainable Running Socks www.oatrunning.com Run2PB Links: Socials Run2PB YouTube: https://www.youtube.com/channel/UCJxkh-FgU2Wsork-18PfSUA Find us here at: https://www.run2pb.co/better-with-running-podcast Review on us: https://podcasts.apple.com/us/podcast/better-with-running/id1506419354
In this weeks episode, Zac and Chris talk through their weekly workouts, including Chris rising early with his training partner to attack the hills of Shepparton, in horrendous conditions that featured wind and rain. Zacca linked up with head coach of Run Culture / Owls and good friend of the show Dane Verwey for a grass workout. Run2PB Coach Matt Davy was also present at the session, as Zac details how the quarters workout unfolded and questions how many seconds a lap his alpha flys cost him. We also hear about his workout with the MUAC white train on his home track, before his rounds out the week on a spicy long run. Zac and Chris highlight another big weekend of results from Canberra, Collingwood and Bangalore, paying particular attention to Tom James - TeeJayUltraRunner, Run2PB athlete who snagged a massive P.B over the Marathon despite copping cramps from 27km. Zac and Chris attack a listener question, around backing up for another marathon, and how long you should wait before reloading, before going down a rabbit hole looking at Yuki Kawuchi's Wikipedia and his amazing list of achievements . https://en.wikipedia.org/wiki/Yuki_Kawauchi Rounding out the show, Zac introduces this weeks interview with Run2PB Athlete Sam Jones, where they cover his running journey, including starting with coach Brady Threlfall and what changes he has implemented. Sam also covers the ins and outs of the Wollongong Track Club and recaps some recent events and plans for the future. https://www.instagram.com/wollongongtrackclub/?hl=en Partners: BlackRoll Recovery Use the code Run2PB-15 for 15% off all products https://www.blackroll.com.au/collections/blackroll-running-world Medal Displays helps you organise and celebrate your achievements with a range of display items made for runners! www.medaldisplays.com.au Premium, Fast and Sustainable Running Socks www.oatrunning.com.au Run2PB Links: Coaching: www.run2pb.co Review on us: https://podcasts.apple.com/us/podcast/better-with-running/id1506419354
Zacca and Chris kick off the show with a few jibes over the weekends football result, before hearing about their respective training weeks. Chris hit another strong 30min Threshold with his training partner Anna, and is quizzed on his shoe addiction and use of emojis in strava descriptions. Zacca has a recovery weekend on the fairways and taking advantage of the country hospitality, that may have caught up with him during his workout with his MUAC club mates. After a massive weekend of results from the Run2PB crew, they touch on the rise of Nathan Stoate from a soccer jersey wearing parkrunner to competing at the elite level under the coaching and mentorship of Brady Threlfall. Zacca and Chris touch on some of the exciting races at the recent Australian Track and Field Championships, including a shout out to James Hansen, Run2PB coach finishing 5th with a new P.B in the Mens 5000m, before going into more detail about their favourite race of the meet. The boys are in awe over a Tommy Hughes - 60+ Masters World Record Marathon run at Manchester and try to come to terms with how good that run is for someone at that age. Chris previews his interview with this weeks guest Run2PB athlete Kate Dainton, where in a raw and open chat chat between coach and athlete, we hear about Kate going from drinking cosmopolitans on a Friday night having never run or played sport before at 35 to running ultra marathons, raising money for her terminally ill step mum and there's a few laughs in there including Kate's short lived TV career. Partners: BlackRoll Recovery Use the code Run2PB-15 for 15% off all products https://www.blackroll.com.au/collections/blackroll-running-world Yarraville Running Company, shop online @ https://www.therunningcompany.com.au/yarraville/ https://www.instagram.com/therunningcompany_yarraville/?hl=en Medal Displays helps you organise and celebrate your achievements with a range of display items made for runners! www.medaldisplays.com.au Premium, Fast and Sustainable Running Socks www.oatrunning.com Run2PB Links: Socials Run2PB YouTube: https://www.youtube.com/channel/UCJxkh-FgU2Wsork-18PfSUA Find us here at: https://www.run2pb.co/better-with-running-podcast Review on us: https://podcasts.apple.com/us/podcast/better-with-running/id1506419354
Alt title: "Cutesies Up The Boys" In this episode, I did a little history dive into the amazing and amazingly weird makeup artists who changed the beauty industry forever. This episode is focused on the MUAs in Hollywood and include Max "Maxy Boo" Factor, George "Georgie Boy" Westmore, Dorothy "Dottie" Ponedel, and Bernadine Anderson. I hope you enjoy part 1 and that you'll tune in for part 2 next week where I will talk about the MUAs who have revolutionized fashion, beauty retail, and the internet. Drop me a DM www.instagram.com/muachronicle or a voicemail 877-THE-MUAC with your thoughts! ✌
Zac and Chris recap a big week of sessions and a P.B from Chris. They kick off the show hearing about Chris's big trek from Shepparton to Box Hill in pursuit of a new 3k P.B, with a run through the build up for the race, including a number of shoe changes, as well as some dramas on and off the track! Zacca talks us through his Mona Fartlek session, and his strava photo of his idol Steve Moneghetti https://www.strava.com/activities/6882415266 which triggers him about losing his fav running singlet. We hear about how much bang for your buck the Mona Fartlek can give you and how it can feel throughout different stages of the workout. Zacca backs up with a discussion about his 8 x 1k Track Workout on his beloved MUAC athletics track, he continues to build confidence on the track, and actually gets his watch setup properly. Chris and Zac discuss over analysing workouts and runs, and how it can be a slippery slope. Chatting about the myriad of factors that go into getting a ‘session' right and what does that actually mean. This week's guest is Run2PB Athlete Anna Ellis, who is coached by Sammy Mclean, Zacca hears about how she got into running, and then how teaming up with Sammy has lead to a number of P.Bs over various distances with a more structured and direct approach. Anna is a busy woman, juggling family and work life, and is put on the spot for for some “ hacks” as to how she manages to pull it off. We also hear about her love for running shoes and the conversation rounds out with Anna's goals for 2022. Follow Anna Ellis : https://www.strava.com/athletes/27254966 Partners: BlackRoll Recovery Use the code Run2PB-15 for 15% off all products https://www.blackroll.com.au/collections/blackroll-running-world Medal Displays helps you organise and celebrate your achievements with a range of display items made for runners! www.medaldisplays.com.au Premium, Fast and Sustainable Running Socks www.oatrunning.com.au Run2PB Links: Coaching: www.run2pb.co Review on us: https://podcasts.apple.com/us/podcast/better-with-running/id1506419354
I was doing an episode on weird beauty products after a diamond made out of ranch triggered a memory from 2005 when Burger King made a fragrance. Then the Oscars happened. So naturally, I wanted to talk about the moral of the story: live like you're Tiffany Haddish at the Oscars. I talk outfits, cool moments, and yes, that slap. Drop me a DM www.instagram.com/muachronicle or a voicemail 877-THE-MUAC with your thoughts! ✌
Zac and Chris begin with recapping their weeks, Zac returning to 2 sessions a week as he builds back towards the winter season, hitting the MUAC (Melbourne University Athletics Club) track again with a big group, with Chris chiming in for some much needed watch advice. Zac also reveals how on the warm down he put plans in place towards his athletics club (MUAC) potentially flying by private jet to some meets in the future. Chris is in race week and talks about getting out for some runs through the week, trying his best to avoid tradies making up their own road rules. He also provides a 'glowing' review on the Saucony Endorphin Speeds, as he moves through gears over some 400s before gearing up for his road trip to Box Hill to run 3k on the track. Chris talks us through the excitement of race week but also the logistics involved in getting to the event and towing the line just before bed time! Zac catches up with Run2PB Coach Josh Harris, chatting about his return to form on the track, and how he is slowly ramping his training up after some setbacks in the past few years. Josh talks about some key learnings from coaching and from his athlete and also about his role as a mentor at the Tassie Based Spark Track Club, and we also close out with hearing about his World Beer Mile plans, and how he is keen to take on the worlds best in Belgium later this year. For this week's Listener Question, Chris and Zac tackle one around preparing for your marathon block and what aspects of training you should focus on, especially when you have a long term goal pegged out. Zac chats to Dane Verwey, Physio, Runner and Coach at Run Culture, they discuss how his life has changed with the recent arrival of his baby daughter and how his perspective has changed on running and how he manages his training now. Dane talks about the runners 'eco system' and how as runners we have to look holistically at running to get our best outcomes. Dane also drops some gold about some key learnings and observations on recent trips as team physio at Tokyo Olympic Games, and most recently at the World Athletics Race Walking Team Championships Run2PB Links: Socials Run2PB YouTube: https://www.youtube.com/channel/UCJxkh-FgU2Wsork-18PfSUA Find us here at: https://www.run2pb.co/better-with-running-podcast Review on us: https://podcasts.apple.com/us/podcast/better-with-running/id1506419354
It seems like every celebrity is releasing a beauty brand so, in the words of Carrie Bradshaw, I couldn't help but wonder... where did the intersection between celebrity and beauty brands begin? Once I tickled the Googler, I found out some fun tidbits and unlocked a core memory. I hope you enjoy this episode! Check out Erin Parsons for more beauty history: www.instagram.com/erinparsonsmakeup Drop me a DM www.instagram.com/muachronicle or a voicemail 877-THE-MUAC with your thoughts! ✌
En este segundo episodio de la nueva temporada de Prototipos para navegar, conversamos con Paola Gallardo, subdirectora del Laboratorio Arte Alameda, y Claudio Hernández, jefe del laboratorio de conservación del MUAC. Abordamos los riesgos que vislumbran en los archivos de artes mediáticas, la memoria de la cultura digital a corto y mediano plazo, los cambios que perciben a raíz de la pandemia, y la función social de este tipo de acervos. Preguntamos: ¿por qué es importante la memoria de estas prácticas y su conservación? y ¿qué tipo de saberes residen en estos acervos?.
Untitled Art Miami Beach guest curator Miguel A. López in conversation with Moving Feeling artists Jim Denomie (Bockley Gallery) and Sylvia Fernandez (Galería del Paseo) Miguel A. López is a writer, researcher, and curator. Between 2015 and 2020, he worked at TEOR/éTica, in Costa Rica, first as chief curator and, from 2018, as co-director and chief curator. Recent curatorial projects include: ‘and if I devoted my life to one of its feathers?' at Kunsthalle Wien, Vienna (2021); ‘Cecilia Vicuña, a Retrospective Exhibition' at Witte de With, Rotterdam (2019) and MUAC-UNAM, Mexico City (2020); co-curated ‘Virginia Pérez-Ratton. Central America: Desiring a Place' at MUAC, Mexico City, (2019); ‘Victoria Cabezas and Priscilla Monge: Give Me What You Ask For' at the Americas Society, New York (2019); and ‘Social Energies/Vital Forces. Natalia Iguiñiz: Art, Activism, Feminism (1994–2018)' at ICPNA, Lima (2018njj). Recent books include: Ficciones disidentes en la tierra de la misoginia (Dissident Fictions in the Land of Misogyny) (2019), and Robar la historia. Contrarrelatos y prácticas artísticas de oposición (Stealing History: Counter-narratives and Oppositional Art Practices (2017). His writing has appeared in Afterall, Artforum, Art in America, e-flux journal, and Manifesta Journal, among others. López is also a co-founder of the independent art space Bisagra, active in Peru since 2014.
From clogged pores to chemical burns, Juliya has dealt with it all in her search for the best skincare. While she is far from nailing the recipe yet, in this episode she shares the skincare products she's currently testing and her honest feedback for each of them. Do you have a holy grail skincare product? Share it with us! Leave us a voicemail at 877-THE-MUAC. --- Support this podcast: https://anchor.fm/the-makeup-artist-chronicle4/support
Uno de los asuntos importantes en torno a las prácticas contemporáneas es la creación de museos de arte contemporáneo; así iniciamos una temporada más de #SepultarElPasado. Comenzamos hablando de uno de estos espacios: el MUAC y lo que ha significado en el panorama mexicano.
WELCOME EPISODE 1 OF SEASON 3! Today I chat to my mate Shyam from MUAC who holds PBs of 4:41 in the 1500, 10:19 in the 3K, 17:15 in the 5K. Shyam captures his experiences growing up in Singapore and Malaysia and how it differs to Australia from an educational perspective and living circumstances. We touch on the variety an arts degree offers through Journalism to Economics. Shyam is an entrepreneur and established Oracui, a peer mentoring program for high school students to connect with industry professionals and University students. Shyam is also a volunteer for On My Feet which operates in Perth and Melbourne focused on creating 6 month programs combining, education, exercise, employment to combat homelessness. Shyam also hosts a podcast Insights with Experts focused on interviewing guests who have lived and achieved so much offering their advice to us youth! If you loved this episode, please share with mates, follow on Spotify and Subscribe on iTunes and of course YOUTUBE! --- Shyam's Insta - https://www.instagram.com/shyam_bhuller Oracui - https://oracui.com/ On Your Feet - https://www.onmyfeet.org.au/ Insights with Experts Podcast - https://insightswithexperts.com/insights-with-experts-2/insights-with-experts/ --- Contact Email - jezzaa004@gmail.com Instagram - https://www.instagram.com/jezzandfriends
En este episodio discutimos sobre qué es y qué no es arte, el arte contemporáneo, los performances, nuestra contribución al mundo del arte, evadir impuestos y todo lo que quieres saber sobre el mundo del arte.
Our last episode of 2021! In this episode, Juliya reflects on the past year and how she has reconnected with her creativity and the tools that have helped her. She shares her holiday wishes for all of you amazing listeners. Juliya note: Hi all! I was unsupervised for this recording so naturally I messed up the microphone and the sound quality is touch and go. I still wanted to put the episode out because it's been a tough year and I wanted to thank you and share all of the resources that have helped me. Hopefully, they help you too. Much love and see you in 2022 ♥️ Spotify rolled out ratings! If you are listening on Spotify or Apple Podcasts, please leave us 5 stars if you love our show! Questions/thoughts to share? Hit the hotline
This week is all about the headlines! Juliya talks about Lush Cosmetics going off of social media and what it might mean for other brands as well as virtual reality in beauty (we see you Charlotte Tilbury and Dyson). She also drops the verdict on Ariana Grande's R.E.M Beauty and whether you should cop it or drop it. Finally, Juliya answers the question she gets asked on the daily from beauty lovers and pro artists alike: how often should we really be cleaning our makeup brushes? Call the hotline with your questions, comments, and product recommendations: ☎️ 877-THE-MUAC (843-6822) ☎️ GET 20% OFF your entire purchase at www.beachwaver.com by using code JULIYAWAVE at checkout ♥️ Instagram: @muachronicle TikTok: @muachronicle Web: www.muachronicle.com --- Support this podcast: https://anchor.fm/the-makeup-artist-chronicle4/support
Welcome to Episode 64! In today's EP I chat with Jack Melleuish who is a good mate from MUAC and holds PBs of 2:07 in the 800m, 4:28 for the 1500 and has run a marathon! We discuss the move from growing up in Bendigo to moving to Melbourne. Running PBS, studying Data Science at Melbourne University whilst working at Woolworths. Jack's got great movie recommendations as well go watch 'Good Will Hunting' and 'Marley and Me' two of the best. Jack was also a ball-kid at the Australian Open from 2014-17 and in his final year he had the opportunity to experience the famous 2017 men's final between the G.O.A.T, Roger Federer and Rafael Nadal as a ball-kid! How cool is that! If you loved this episode, please share with mates, follow on Spotify and Subscribe on iTunes and of course YOUTUBE! --- Jack's Strava - https://www.strava.com/athletes/51292384 Contact Email - jezzaa004@gmail.com Instagram - https://www.instagram.com/jezzandfriends
Continuamos con la polémica del anterior episodio y en esta ocasión se suma la opinión de Sandra Rozental, antropóloga y académica de la UAM Cuajimalpa. Búscanos en @imperrfectas en IG y en T o escríbenos a imperrfectaspodcast@gmail.com. Puedes contactar a Juan Arturo García en IG a través de @juanarturogarciag y a Sandra a través de su correo: sandra.rozental@gmail.com Algunos links para ahondar en este tema: - La instalación que quedó en Piers NY hecha por David Hammond con apoyo del Museo Whitney: https://www.youtube.com/watch?v=tS990SCeQIE - Artículo de Sandra Rozental en la Revista Común: La mujer de Amajac: ¿la mujer indígena que nos dio patria? https://revistacomun.com/blog/la-joven-de-amajac-la-mujer-indigena-que-nos-dio-patria/?amp&fbclid=IwAR2-BKcpR7ZbsMNxcdfmwezDjVabQlWed3lYA67TYICuYQEyEmMTMpLlxCQ - La nota de El País mencionado en el podcast sobre el aeropuerto de Sta. Lucía: https://elpais.com/mexico/2021-10-14/un-museo-del-mamut-banos-tematicos-y-1000-viviendas-militares-dentro-de-las-obras-del-futuro-aeropuerto-felipe-angeles.html - Para ver el documental de Sandra Rozental y Jesee Lerner, en Filmin Latino: https://www.filminlatino.mx/pelicula/la-piedra-ausente Más de esta investigación en: http://lapiedraausente.com/ - No encontramos el anuncio de la SEDENA mencionado en el podcast pero sí encontramos éste: https://www.youtube.com/watch?v=teJMHmfWQbE - Información a detalle sobre la expo de Mariana Castillo Deball, "Amarantus", en el MUAC: https://muac.unam.mx/exposicion/mariana-castillo-deball - Expo "La grandeza de México" en el Museo Nacional de Antropología: https://mna.inah.gob.mx/exposiciones_temporales_detalle.php?pl=La_Grandeza_de_Mexico Música de fondo: Sacrificio, Nyksan.
Sasha Suresh found herself moving her beauty brand's headquarters from New York to California right before a global pandemic hit. On today's episode, she talks to Juliya about what it's been like to start a brand with no business experience, just pure love for beauty. She shares the highs and lows of her journey as well as lessons she's learned along the way to creating the high-performance clean and vegan line, Jolii Cosmetics. Call our toll-free hotline with your thoughts on this episode! 877-THE-MUAC (877-843-6822)Check out Jolii Cosmetics HERE Follow Juliya on Instagram HERERead up on the MUAC blog HERE Support the show (https://www.patreon.com/muacpodcast) --- Support this podcast: https://anchor.fm/the-makeup-artist-chronicle4/support
Estudió Relaciones Internacionales en la Universidad Iberoamericana y una Maestría en Relaciones Internacionales en Georgetown University, con especialización en relaciones gobierno-empresa. También cuenta con el Certificado Ejecutivo de Liderazgo Global de Thunderbird School of Global Management (2016) y diplomados en Negocios Internacionales, Berkeley University (2008), en Relaciones Gobierno-Empresa, Georgetown University (2012), Curso de Promoción de Cultura y Turismo del Instituto Matías Romero, Secretaría de Relaciones Exteriores (2015), Liderazgo Comunicación Transcultural, Thunderbird School of Global Management (2017) y Marketing Digital en Columbia University (2019) Además, es experta en temas de protocolo oficial y empresarial. Ha trabajado en la Secretaría de Relaciones Exteriores (1994-1999) en la Dirección General para América del Norte y en la Coordinación de Asesores del Canciller; un año como graduate fellow en Kissinger McLarty Associates en Washington, D.C., (2000-2001); en Michael Storrs Music, London como PR and Events Manager (2004-2008); en Zimat Consultores como Consultora Senior (2008-2013 y 2017), y como Directora de la oficina de ProMéxico, con sede en Berna, cubriendo Suiza, Liechtenstein, República Checa, Hungría, Polonia, Croacia y Bulgaria (2014-2017). En cuestiones de comunicación ha manejado cuentas como HR Ratings, Binance, The Body Shop, HP, Honeywell, Infosys, Huawei, Museo Amparo, MUAC, Amafore, Christian Louboutin, General Motors, London School of Economics, Javier Camarena, Takeda, entre otras. Greta es asociada del COMEXI desde 2005,integrante del Patronato del Instituto Nacional de Neurología, miembro del colectivo 50+1 CDMX y colaboradora del blog “El Mundo de Regina.”
Makeup artist and beauty educator Terri Bryant found it harder to do the makeup on her model on set one day. When she got the diagnosis of Parkinson's her response was to invent a way to make applying eyeliner easier. The result is Guide Beauty, a clean prestige brand focused on getting makeup to be a truly inclusive experience where everyone reaps the benefits. Call our toll-free hotline with your thoughts on this episode! 877-THE-MUAC (877-843-6822)Check out Guide Beauty:www.instagram.com/guidebeautycosmeticswww.guidebeauty.comFollow Juliya at:www.instagram.com/muachroniclewww.muachronicle.comSupport the show (https://www.patreon.com/muacpodcast) --- Support this podcast: https://anchor.fm/the-makeup-artist-chronicle4/support
Everyone finds makeup and beauty in their own, sometimes roundabout, ways and those who choose to work in beauty professionally are no exception. Juliya talks to Elena Miller ("Arrow", "Chilling Adventures of Sabrina", "Firefly Lane") about her journey into the craft, lessons she's learned, and products she can't live without. Turns out they had similar paths to get to where they are - even managing separate counters for the same beauty brand!*Note from Juliya: This was such an amazing conversation and I really hope you enjoy listening to it as much as I enjoyed having it. Be sure to keep up with Elena's work! I foresee a big and bright future for The Makeup Magician. Be sure to keep up with Elena at:Instagram: www.instagram.com/elenajmillerWebsite: www.elenajmiller.comLeave us a voicemail with your questions, comments, and can't-live-without beauty products on our (toll-free) hotline:
This week's episode is a little different than the others. Juliya talks about experiencing anxiety and imposter syndrome as a full-time freelancer/early-stage entrepreneur. She also shares some advice from members of the MUAC fam on how to beat those feelings of doubt and how to find inspiration. Have you ever felt doubt in yourself or imposter syndrome? What have you done to overcome?**Note from Jules: I didn't share a reco on the week on this week's episode but I had one picked out! Journaling. Now that I've leaned into writing and sharing more of myself on the page, I have been able to make room in my mind for more of my creativity. And I've been able to build stronger relationships IRL. I hope it helps you, too! Do you already journal?Leave your tips on finding inspiration and/or fighting imposter syndrome on the (toll-free) hotline:
She's back! Juliya reflects back on some formative experiences in today's conversation with Linda The Good Witch. Linda is an astrologer who sat down to talk about self-care for each zodiac sign. While the conversation starts there, it evolves into a vulnerable and open talk about caring for yourself while processing grief and how an experience like losing a parent can change the trajectory of who you are - sometimes helping you find your way back to yourself. Be sure to keep up with Linda at:Instagram: www.instagram.com/linda_thegoodwitchTikTok: www.tiktok.com/@linda_thegoodwitchLeave us your recommendations of the week: 877-THE-MUAC and be sure to follow the MUA Chronicle at:Instagram: www.instagram.com/muachronicleTwitter: www.twitter.com/muachronicleTik Tok: www.tiktok.com/@muachronicleSupport the show (https://www.patreon.com/muacpodcast) --- Support this podcast: https://anchor.fm/the-makeup-artist-chronicle4/support
Welcome to the Chronicle! This week, Juliya sits down with Alana and Maddie Alper, a sister-duo of hair and makeup artists based in Montreal. They talk about how they got into the beauty industry, landed an agent, and got into the beauty product game. The sisters give advice for general beauty enthusiasts as well as those of you trying to get into the beauty game yourselves and some pet peeves about working in the biz. Be sure to keep up with the Alper sisters at:Instagram: @alpersisters Leave us your recommendations of the week: 877-THE-MUAC and be sure to follow the MUA Chronicle at:Instagram: @muachronicleTwitter: @muachronicleTik Tok: @muachronicleSupport the show (https://www.patreon.com/muacpodcast) --- Support this podcast: https://anchor.fm/the-makeup-artist-chronicle4/support
This week's episode starts off gentle enough before going completely off the rails as Juliya goes off on trends in the beauty space that are a bunch of bullshit. Topics include celebrity fragrances (Rihanna, Ariana Grande), which beauty retailers are just checking a box with inclusivity standards, and new "men's" skincare brands. You know it's serious when her Brooklyn accent starts to come through. As always, she ends with her product reco of the week. Leave a voicemail with your bitchy beauty and/or recos at
Juliya sat down with the creative and talented Delia Parga (www.instagram.com/deliapmua) to talk about everything from becoming a makeup artist, permanent makeup, beauty trends, fake freckles, sunscreen, and so much more. Leave a voicemail on the MUAC hotline with your questions, comments, or recos! Hotline: 877-THE-MUAC (877-843-6822)
Juliya responds to listener questions and comments:What's a kit fee?How do you get brands to pay for your makeup?What's the difference between being self-employed, in a union, and repped by an agent -which do you need to get where you want?Ideas for any aspiring MUAs not living in NYC or LA in the center of the industry Also, she is on the hunt for the perfect lip gloss, as teased randomly by Jennifer Lopez during an interview and SHE'S DESPERATE! Help?!Leave your recos of the week, hot takes on the beauty industry, or any other burning questions on our voicemail at (877) THE- MUAC aka (877) 843-6822. www.instagram.com/muachroniclemuachronicle@gmail.comSupport the show (https://www.patreon.com/muacpodcast) --- Support this podcast: https://anchor.fm/the-makeup-artist-chronicle4/support
Juliya talks to Shannon Goldberg, who has over 15 years of experience working for brands like Peter Thomas Roth and MDNA SKIN but during the pandemic she decided to pivot into sustainable beauty. She launched Izzy Beauty and has given us the world's first zero-waste mascara, which is 100% refillable, reusable, recyclable, and certified CarbonNeutral®. Please enjoy this interview with Shannon (www.instagram.com/becoming_eco_friendlier), the founder and Chief Zero Waste Officer at Izzy Beauty (www.instagram.com/izzyzerowastebeauty).Beachwaver (www.beachwaver.com) discount code: JULIYAWAVE for an extra 10% off!Leave a voicemail on the MUAC hotline at (877) THE-MUAC aka (877) 843-6822 with your thoughts on the interview, recos of the week, and any questions you may have ❤️ Follow along on IG: www.instagram.com/muachronicleThe Beachwaver Rotating curling irons and vegan haircare by celeb hair stylist Sarah Potempa w/ 50+ beauty awards! Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show (https://www.patreon.com/muacpodcast) --- Support this podcast: https://anchor.fm/the-makeup-artist-chronicle4/support
Acompaña a Pilar Montes de Oca y a Fernando Montes de Oca en la primera parte de un viaje en el tiempo que te llevará no sólo por los acontecimientos políticos más relevantes de de 1949, sino por los acontecimientos culturales, musicales, cinematográficos y más.
There are so many amazing interviews lined up for this season of the MUA Chronicle pod but we wanted to start with our favorite people: our listeners. On this episode, Juliya answers burning listener questions ("How do I get my boyfriend to use product?"), gives advice ("I'm not ready for beauty post-pandemic"), and wraps with her product reco of the week! WE HAVE A HOTLINE! Leave your recos of the week, hot takes on the beauty industry, or any other burning questions on our voicemail at (877) THE- MUAC (877) 843-6822. www.instagram.com/muachroniclemuachronicle@gmail.com* Rated E for a few F bombsSupport the show (https://www.patreon.com/muacpodcast) --- Support this podcast: https://anchor.fm/the-makeup-artist-chronicle4/support
https://www.edesianutrition.org/Zachary (00:00):I'm Zachary Cartwight. This is Water In Food.Maria (00:02):We are able to be a part of bringing children back from the brink of starvation, back to healthy growth and development and a chance at a future and a chance at a life.Rami (00:13):Our products were made to treat and prevent malnutrition especially young children ages six months to five years.Maria (00:20):We have a two year shelf life on all of the products.Zachary (00:23):Thank you guys for joining today. I'm really happy to have you here. Why don't you both say hello?Rami (00:28):Hi. Hi Zachary. How you doing?Zachary (00:30):I'm well, and yourself?Rami (00:32):I'm doing well. Thank you. My name is Rami Kawsara and I have been with Edesia for six years. It will be six years in August and I'm the quality and regulatory manager. At Edesia I do quality and we make sure that the product from start to finish is good and I'm ready to go before it leaves our organization.Zachary (00:57):And Rami I understand that you were just promoted; is that correct? Did you just have a title change?Rami (01:03):That's correct. I was the quality control supervisor and now I'm the quality and regulatory manager at Edesia.Zachary (01:09):Well, congratulations.Rami (01:11):Thank you very much.Zachary (01:12):You are welcome. And Maria, what about you? How long have you been there and what's your role?Maria (01:17):Sure. My name is Maria Kasparian and I'm the executive director at Edesia. I've been with the Edesia since we got started in February 2009. And so that's over 12 years now. I was the first employee working with the founder, Navyn Salem, and we started the two of us in her home with ideas and visions and grant writing and partnership, thoughts. And now today, 12 years later, I've played a lot of different roles along the way and feel lucky to still be here and be the executive director of this wonderful organization.Zachary (01:59):And Maria I was wondering if you could talk a little bit more about the story behind how Edesia was started?Maria (02:05):Sure. So our founder, Navyn, her father's family hails from Tanzania. They were there for several generations and so she always had a personal connection to the continent of Africa and a certain sensitivity to particular needs and poverty alleviation and wanting to do something, give something back to her father's Homeland. She also had a fascination and interest in business and the ability of a business to do good and this concept of social enterprise. So this idea that a business, whether for-profit or nonprofit, can be used to create a social good, create a product that's needed while at the same time creating meaningful jobs and opportunities for individuals. So, honestly, that was the first core concept.Maria (02:54):And then in doing research, in visiting Tanzania, meeting with nonprofits doing work there, came to realize that nutrition was a gap area that really wasn't being focused on enough in the development space. So kind of marrying that idea of nutritional needs and too many children, way too many children's still suffering from acute malnutrition and starvation that being the need and then this passion for social enterprise, Edesia was born of that. The idea of forming a nonprofit that could manufacture specialized foods to treat and prevent malnutrition in places like Tanzania and beyond.Zachary (03:34):So once the passion was there, what was the next step? Who did you reach out to? Or how did you go about starting the company?Maria (03:43):Sure. Well, we had a lot to learn as the two of us back in February 2009. And one of the first organizations we reached out to was Nutriset, which is the French company that originally invented this range of products along with some other partners in the late 1990s. So they are one of the four leading experts, of course, in ready to use therapeutic foods as they are known. The brand name that's best well known is called Plumpy'Nut. They developed those and then piloted them with various organizations in the field over the early 2000s. By the mid-2000s, it was accepted widely by the powers that be in nutrition. So the World Health Organization, the Standing Committee on Nutrition, UNICEF, the World Food Program, that these types of products were the best case standard of care for children with severe acute malnutrition to rehabilitate them and cure them.Maria (04:43):So at that point, Nutriset started licensing out their technology to other suppliers, primarily in developing countries where these products are used. So they first had a partner in Niger, Niamey. They then had a partner in Ethiopia, so Hilina Foods and STA, and then from there, there's about a dozen. So there are partners in Burkina Faso, Guinea, Nigeria, Sudan, Madagascar, India, Haiti, and a partner in the United States, which is Edesia. So we reached out to them to form that kind of licensee relationship and also to access technology transfer and training from them to understand how to best make these products. Because though they are not complex in terms of the number of ingredients necessarily, there is a lot of technology that goes into making sure that these products are shelf-stable, that they are nutritionally perfect for these very specific important needs, and that they're microbiologically safe for this vulnerable population that they're serving.Zachary (05:54):And Rami I was wondering if you could talk a little bit more about the products themselves and really who the target consumers are today.Rami (06:02):Sure. So as Maria mentioned our products were made to treat and prevent malnutrition, especially young children ages six months to five years, those who are most at risk of malnutrition and most in need of treatments. Additionally, we have products that are specialized, ready to eat food for vulnerable populations, such as pregnant and lactating moms, people living with HIV. So our partners such as UNICEF, WFP, and USAID, partner with them to distribute basically the products that we make.Zachary (06:41):And Maria you mentioned that these products are only composed of just a few ingredients. Can you talk a little bit more about those ingredients and what really makes your products unique? How are you hitting that long shelf life that you mentioned before?Maria (06:55):So the core ingredients of our range of products are peanuts, soy, vegetable oils, milk, both milk powder and whey, vitamins, and minerals. Those are the main ingredients. So in different balances, of course, according to different formulations. One of the things that makes the product unique is in the name itself, ready to eat therapeutic or ready to eat supplementary foods. They're ready to eat because they're shelf-stable. They don't require any reconstitution with water. They don't require any cooking. That does mean that the packaging and preparation is important for the shelf life. So they're packaged in a metalized polyester that has very low oxygen transfer and is opaque. They are also nitrogen flushed and we also have very specific standards around things like water activity, which I know we're going to talk more about today.Zachary (07:53):Yeah. We're headed that direction, but I want to understand by using the nitrogen flushing and by using the correct packaging and the correct water activity, what type of shelf life are you seeing for these products? How long does that last?Maria (08:06):Yeah, so we have a two year shelf life on all of the products and that's under pretty hot humid conditions. So two years is 30 degrees Celsius or below, which is about 86 degrees Fahrenheit. We also do shelf stability studies on all the products at both 30 and 40 degrees Celsius to see how they do. But two years is basically what we're looking at for shelf life.Zachary (08:32):And you mentioned... Go ahead.Maria (08:34):No, I was just going to say, they've got a long journey to make. I mean, Rami mentioned our partners. We are the beginning of the journey. We're always working with partners like UNICEF, the World Food Program, USAID. And then there nonprofit and government health system partners. So the journey only begins here in Rhode Island. It continues far across the world and the shelf life is really critical because the journey itself may take several months and then it's often going to have to make a journey to a remote clinic somewhere where they also need to know that that supply can last for a long period of time.Zachary (09:14):And you mentioned the term ready to use therapeutic products is this the same as a meal replacement product or a supplement or is this something completely different?Maria (09:25):So it's a little bit different. It's not really considered as a meal replacement. They're considered as therapeutic and supplementary foods, depending on which food you're talking about. If you're talking about Plumpy'Nut, which is a ready to use therapeutic food, it's more like a medical food in some countries it's considered as essential medicine in some countries it's considered as a food. We kind of are the line between food and pharma. So during a treatment period, so a child that has severe acute malnutrition, their body does need very intensive rehabilitation before they can eat other foods again. So during a treatment, they will be eating about three of these 92 gram packets per day, for an average of about seven weeks. Obviously, this varies a little bit by context and the health situation of the child. But during that time, this is meeting all of their caloric and nutritional needs in addition to water and or breast milk, depending on what is available.Maria (10:29):Whereas the rest of our products, which are either supplementary or complementary, they're looked at as supplements or compliments to whatever is already available in the diet. So something like a Plumpy'Doz or a Nutributter, maybe one per day, in addition to the staple foods that are available. So with a porridge or with rice or context-specific depending what's available in the community and they are adding some nutrition density, they're adding some protein, fat calories that are probably lacking in the diet.Zachary (11:04):And Rami, I want to ask you a question about the packaging, because I understand that the packaging relates to the extent of malnutrition and that helps to make sure that the right product is being consumed. Can you talk a little bit about the packaging and how you came up with the color of the packaging for each of your products.Rami (11:22):Sure. So our packaging basically matches the MUAC tape and it's basically a tape that is used to measure the extent of malnutrition. So they usually use it to measure the mid upper arm circumference. So basically when you have that, it will show you if it needs Plummpy'Doz or like if it needs Plumpy'Nut or RUSF, which is type of some of our products. So if it's in the red area, it will be a severe malnutrition. If it's the orange zone, it will be moderate malnutrition. And then in the green area for like the babies that need like some supplements with the breastfeeding from their mom.Zachary (12:06):Yeah. I really like how straightforward you've made that and how you've related it to the tape and to the extent of malnutrition. That makes a lot of sense.Maria (12:14):Just so to clarify, it's a global standard now, so it's not only Edesia, it's something that actually took a good amount of time for the global community to harmonize on. But you're absolutely right. It helps for sure with diagnosis and clarity in the field to know that red is severe acute malnutrition and yellow and orange is moderate acute malnutrition, and then green is the healthy range, but some kind of supplement or compliment might be needed if there's a food insecurity challenge.Zachary (12:43):Yeah. Thank you for clarifying that. When did that happen? When did everyone agree that yes, these were the colors and this is the way that we're going to move forward?Maria (12:51):Good question. It's been more than five years now. I want to say it's like seven, eight years ago. And it was a big effort, not just with the colors, but also to harmonize the packaging so that everyone's package has, no matter what producer all over the world, there's about 25 to 30 global producers and that anyone who's making RUTF has to have a FIC red band across the package and as an example, but that is harmonized and it happened probably around seven years ago now.Zachary (13:24):And I want to dive back into kind of the food science of these products and now gets a water activity that we mentioned earlier. And Rami, I was wondering if you could tell us when water activity became an essential measurement for these products.Rami (13:38):So before 2015, the regulations were set to be concerned with the upper limit for water activity. And initially, there was no lower limit and the upper limit had to be lower than 0.6 to control microbial growth. In 2015, the food technologist at USAID introduced a lower limit as well, because they started to get concerned about the increased levels of oxidations when going below the 0.2. So we understand that water activity is one of the most used criteria for quality as you're aware and food safety. And there is a direct connection between water activity and shelf stability and obviously retaining vitamins and minerals.Zachary (14:24):Yeah, I think that lipid oxidation is kind of a tricky thing because as you get really low in water activity, you can actually have an increased lipid oxidation rate. And I'm not sure that everyone always realizes that. So would you say that your range of water activity is maybe 0.2 to 0.5 or-Rami (14:42):0.2 to 0.5. We always make sure it does not exceed the 0.6 because we don't want any microbial growth. And obviously, we don't want also to go below the 0.2 and we have seen some of that in the winter when there is seasonal fluctuation that we see the water activity goes below the 0.2.Zachary (15:05):And what types of instruments have you used to measure what activity. Are you using a handheld device, a benchtop device? What does that process look like?Rami (15:14):We used to use the handheld device and we moved away from that. And we now have the 4TE benchtop device and it's provided by METER Group. Device: https://www.metergroup.com/meter_products/aqualab-4te-water-activity-meter/Zachary (15:26):And why make that upgrade? Why go from handheld to benchtop?Rami (15:30):So when originally that when we were doing the handheld device, we received a customer complaint and we had some issues c the water activity and to improve the accuracy of the results we moved away and we started using the benchtop one, which is a 0.003 accuracy. And the turn around time also on it is much quicker than the other one.Zachary (16:00):And with that quicker turnaround time, when are you looking at water activity? Is this something that you look at in process or for finished products or during shelf life testing? When are you using that instrument?Rami (16:12):So we do the analysis once per shift and three times every day to ensure that obviously, we have control over the products and water activity.Zachary (16:21):And I want to turn back to you, Maria now that we kind of have a better understanding of your products and who they're going to, I'm wondering if you're doing anything for the domestic market here in the US.Maria (16:33):Yeah. Great question. That is something newer for us. Since day one, people have always asked us, well, that's great that you're helping malnourished people and kids abroad, but we have problems here too in the US what are you doing here? And for many years, we said we're not, we're really focused internationally where there are more acute needs. But that said, there are certain needs in the US and over the last few years, we came to realize that we were well positioned to also help meet some of those needs. Namely in a few areas so one of the needs is in regards to peanut allergies in the United States and we have a new product it's called MeWe Baby. And it's a healthy snack that is a good peanut introduction for young children. So we realized kind of the research and pediatric advice around introduction of allergens was really turned on its head a few years back.Maria (17:34):So the advice of avoiding allergens for long periods of time, or until a child was older, really switched. And now the advice is that allergens like peanuts should be introduced earlier at four to six months and then at regular intervals to actually help decrease significantly the incidents of peanut allergy. So in light of that, we realized, well, one thing we're really experts at is making peanut based products for young kids. That's what we do. And there weren't a lot of products like that available in the domestic market. Now, there are a few, one of which is ours. So we developed a product like that for kids. And they're different flavor and it's a flavored peanut butter that's also a consistency. That's easy to swallow safely for a young child. And so that's for one. Additionally, to that, there are different nutritional needs in the US whether that's you want a healthy fortified snack on the go that has protein and also fortified with vitamins and minerals and, or you need nutritional support because you're recovering from a health condition or you're not growing fast enough as a child.Maria (18:49):So things like boost or ensure those kinds of drinks are available in the United States, for sure. But there aren't a lot of other options if you're looking for alternatives. So we created an option, both for kids and for adults that are similar nutritionally in terms of filling that kind of need, but in a completely different format. So they're peanut spreads that are flavored. You've got snickerdoodle or chocolate brownie or fun, different fun flavors and also lower sugar than many of those drinks. But another alternative for people that are looking for that kind of supplement. So we have started selling these products on the market here in the US and we also have donated them through food banks and other channels carrying through our mission really is to treat and prevent malnutrition for vulnerable populations. So that fit for purpose type of nutrition work still carries through to what we do domestically.Zachary (20:03):So just to clarify, the MeWe product is for a kid nutrition, but also adults. And then you're also working for an early peanut introduction in babies; is that correct?Maria (20:13):Yeah, that is correct. And then the other aspect of it is that we want to use the commercial products in the US to also help spread awareness and raise funds for the work that we do internationally, because the needs are large. And especially with the COVID-19 pandemic, the needs did not decrease. They increased significantly. So we want to look at different things we can do to raise awareness and raise funds for those who are most vulnerable and who can really be helped by nutritional supplements. So that's the other aspect of why the United States.Zachary (20:51):And how has Edesia been able to deal with the impacts of COVID? How has this impacted your company, especially with things like logistics and supply chain?Maria (21:02):It hasn't been an easy year for anyone. And we are part of that. It has not been an easy year, but I'm proud to say we have been able to endure and overcome most of that. We were able to stay up and running throughout the entire pandemic. We consider ourselves and we are considered as an essential business as someone who is manufacturing foods and foods that are often life-saving foods. So we did stay open, but we had to modify a lot of things. We shortened our shifts. We segregated shifts. We put in cleaning and extra cleaning and sanitation shifts in between to help prevent spread or potential spread at Edesia. In terms of supply chain we increased all of our safety stocks of raw materials, because for risks, there were a lot more risks of interrupted supply.Maria (21:58):We didn't know if any of our suppliers would be shut down. So we had to increase all of those safety stocks. You mentioned logistics and trucking that as well was higher risk. Again, we had to add more time because we didn't know when there would be delays. And there were some times delays. Costs also went up. So those are things we had to account for and work with. But all in all, we got our way through 2020 and into 2021 and we are feeling more hopeful and more resilient. And that we have been able to normalize kind of in a new normal, which is still cautious and it's still extra careful, but we've adapted our systems so that we can still function and we can still do the work that we do and make sure that supplies are not interrupted where they're needed all over the world.Zachary (22:58):And Rami what were some of the impacts that you've seen on your side from your perspective and in quality, how has COVID impacted your position and looking at these products and getting them out the door?Rami (23:12):As Maria mentioned, from quality standpoint, we had to increase our sanitation activities, segregate the shifts and make sure that people maintain social distancing. It was hard because a lot of the supply chain got disturbed. So sometimes we had some delays with testing the product because every batch we make we need to ensure that we send some samples to the lab to be tested to clear the batch and then can be sent. So we had a lot of delays in terms of testing, but we were able to maintain our supplies. It was challenging, but we were able to do it.Zachary (23:58):Well. I'm glad that you guys have been able to kind of push forward and make the shifts that you need to. I think the work that you do is really impactful and I'm really happy to have you guys here today. My last question for each of you I'll start with you, Rami, is why do you love coming to work every day? What makes you proud to be a part of Edesia?Rami (24:20):That's actually a great question. First diversity. There are 27 spoken languages at Edesia, which is an amazing thing. Here at Edesia you feel a sense of belonging. The management team also ensures to recruit from the refugee population. So we also ship the products that we make all over the world. So to countries where many of the staff members are from, I have seen our products back when I was in Syria and I have seen the change that they make. My job provides me with a sense of purpose as it is not just a job for me it is more like a mission that has a meaningful purpose.Zachary (25:06):And Maria, same question. Why do you love coming to work with this company every day and what makes you part or proud to be a part of your team?Maria (25:17):So many things, but above all the ability to be able to work with a team of people who are passionate and mission-driven, as Rami was saying. People that have a common mission and something that's bigger than ourselves. We know we have pictures all over Edesia of children from all over the world and from the US and to see those faces and to know that we are able to be a part of bringing children back from the brink of starvation, back to healthy growth and development and a chance at a future and a chance at a life that just puts everything else in the world back in perspective and makes you realize that all those tests are worth it. All those challenges are worth it, everything that just takes headaches are worth it. Everything's worth it because you are with a team helping to create life opportunities for kids that wouldn't have them otherwise.Maria (26:16):So to me, that's just the best thing in the world. And post COVID I would invite listeners, anyone, who's interested to come to our facility. We are an open facility. We invite people to come in, learn more about what we do. We do educational tours, Rami will show you the lab. And we like to educate because it starts with like, we really believe it's a small world and everything matters. And every single person educate yourself, spread awareness, donate when you can, volunteer when you can, reach out to Congress when you can, like anything really does make a difference. And I think that's what seeing all the kids' faces does for me. And knowing that these foods are life-changing and life-saving and that we can all be a part of it no matter where we are, the world, as I said, is small and very interconnected. And that's an amazing thing.Zachary (27:19):Well, I'll definitely be signing up for a tour someday. So I hope to be there-Maria (27:23):Please do.Zachary (27:24):... see the lab Rami and-Rami (27:26):For sure.Zachary (27:26):... both of you. So I just want to say, thank you guys so much. I love learning about new products and in companies like yours and it makes me proud to know that a small part of your process is water activity and helping to ensure the safety and quality of these products. So Rami and Maria, thank you again for being on this episode.Rami (27:47):Thank you very much for inviting us too.Zachary (27:50):All right see you guys.Maria (27:52):See you.Rami (27:52):Bye, bye.Zachary (27:53):I'm Zachary Cartwright. This is Water In Food. Find this podcast on Apple iTunes, Spotify or wherever you listen to podcasts.
In this 11-minute podcast, Susan Abdel-Rahman, PharmD, discusses the Mid-Upper Arm Circumference tool, focusing on how and why it should be used to help screen for and assess pediatric malnutrition.Visit anhi.org for a transcript of this recording.
168: Andy Buchanan This episode of Inside Running Podcast is proudly brought to you by Solushin - the new, faster, clinically-trialled treatment for shin splintsExclusive to listeners of the INSIDE RUNNING PODCAST, save $100 on a pair of Solushin’s. Visit Solushin.com/insiderunning Brad rejoins the panel and gets ready to launch the Mulligans Flat Track Club.Julian confuses Bendigo with Ballarat and takes IRP bragging rights in the 5K Frenzy.Brady takes a quick dip down to Ocean Grove before hosting the 5K Frenzy at Bendigo. Bendigo 5K Frenzy featuring own Brady and Moose going head to head in the Men’s A race as well as guest Andy Buchanan setting the track record for 5000m in 14:21. Previous host Ellie Pashley won the Women’s A in 16:08 Results https://www.youtube.com/watch?v=GOPUs8HcNG4C Jarryd Clifford breaks his own ambulant-para athlete 1500m world record at Vic Milers Club in a dominant display of 3:44.36 while Georgia Hansen of MUAC took out the Women’s A Race.1500m Results 800m Results https://www.instagram.com/p/CKGPx7ug95Z/ Athletics Australia to possibly host a marathon time trial in Sydney slated for April 2021, more details to come. The team preview the field for the National 10000m Championship at Zatopek:10 2021Official Starting Lists Listener Question asks why the boys don’t take their talents onto the trail racing scene. Straight off his win at Bendigo, Andy Buchanan chats with Brady through his career of personal bests from the 1500m all the way up to the memorable Half Marathon victory in Tokyo that earned his selection for the Half Marathon World Championships in Gdynia, as well as what an Australian singlet meant to him and his plans for 2020, then how he reacted when they all changed over the course of the pandemic. Andy gives an overview for his plans for the years ahead, including world cross and getting into the marathon before going into stories about how his parents were huge influence on his life, growing up with running and Brady, staying with running and meeting coach Scott Westcott. Andy then shares how he trains and structures his weeks and shares the satisfaction that comes from teaching and training young kids and what he would change at World Athletics to make it more accessible for the public. Patreon Link: https://www.patreon.com/insiderunningpodcast Opening and Closing Music is Undercover of my Skin by Benny Walker. www.bennywalkermusic.com For shoes or running apparel contact Julian at: https://www.facebook.com/therunningcompanyballarat/ Join the conversation at: https://www.facebook.com/insiderunningpodcast/ To donate and show your support for the show: https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=9K9WQCZNA2KAN
El décimo episodio de Gran Hotel Abismo abre oídos, a seis años de distancia, a los hechos de la noche de Iguala del 27 de septiembre de 2014: fecha en la que sucedió la desaparición forzada de 43 normalistas de la Escuela Normal Rural Raúl Isidro Burgos de Ayotzinapa. Por un lado, el investigador y defensor de derechos humanos Jacobo Dayán conversa con la artista visual e investigadora Luz María Sánchez acerca de su serie “Vis” y de la metodología de la escucha forense. Por otro lado, el curador en jefe del MUAC, Cuauhtémoc Medina, dialoga con la defensora de derechos humanos María Luisa Aguilar, acerca de la situación actual de la investigación. /// Episode 10 · The Night of Iguala. The tenth episode of Gran Hotel Abismo reflects, after six years, on the events of the night known as “Noche de Iguala” of September 27, 2014: the date on which the forced disappearance of 43 “normalistas” students from the Raúl Isidro Burgos Rural Normal School occurred in Ayotzinapa. On one hand, the researcher and human rights defender Jacobo Dayán talks with the visual artist and researcher Luz María Sánchez about her series “Vis”, and the methodology of forensic listening. On the other hand, the chief curator of the MUAC, Cuauhtémoc Medina, dialogues with the human rights defender María Luisa Aguilar about the current situation of the investigation.
Para este séptimo episodio de #GranHotelAbismo, que es parte de nuestro dossier “Teorías de la pandemia”, Cuauhtémoc Medina conversó por telellamada con Jeebesh Bagchi, Monica Narula y Shuddhabrata Sengupta hasta sus respectivas casas en Nueva Delhi, India. Ellos tres conforman Raqs Media Collective, un laboratorio de pensamiento que propone a la estética como punto de partida para la reflexión social y política.For this seventh episode of #GranHotelAbismo, which is part of our dossier "Teorías de la pandemia", Cuauhtémoc Medina, curator-in-chief of the MUAC, interviewed thru videoconference Jeebesh Bagchi, Monica Narula and Shuddhabrata Sengupta, from their homes in New Delhi, India. The three of them form Raqs Media Collective, a laboratory of thought that proposes aesthetics as a point of social and political reflection.
PROARTESMEXICO.COM.MX Entrevista en español con Daniel Godínez Nivón por Stephanie García, 3 de junio, 2020. Interview in Spanish with Daniel Godínez Nivón by Stephanie García, June 3rd, 2020. Daniel estudió Artes Visuales en la Escuela Nacional de Artes Plásticas de la UNAM y la Maestría en la misma casa de estudios. En 2011, es coautor del Libro Medios Múltiples 3. Su obra se ha presentado de forma colectiva en la exposición Jardín de Academus: Laboratorios de arte y educación en el MUAC, VanAbbe Museum en Holanda y el Center for Contemporary Arts CCA en Glasgow. Ha sido Becario del Programa Jóvenes Creadores durante 2011 – 2012 y 2019 – 2020 del Fondo Nacional de la Cultura y las Artes. En 2014, estudia en la Escuela Nacional Superior de Bellas Artes de Paris. En 2019, es nominado para obtener el Visible Award. Daniel studied Visual Arts at the National School of Visual Arts of the National Autonomous University of México. In 2011, he co-authored the book Multiple Media 3. His work was presented in the collective exhibition Academus Garden: Art laboratories and education in MUAC, Van Abbemuseum in the Netherlands, and CCA in Glasgow. He was in the Fellow Young Artists Program (2011-2012 and 2019 - 2020) by the National Fund for Culture and the Arts for his Tequio-Rolas project. In 2014, he studied at the Superior National School of Fine Arts in Paris. In 2019 he was nominated for the Visible Award. En esta serie bilingüe, PROArtes México invita a creadores de arte contemporáneo que trabajan en Estados Unidos de América y México, y charlan sobre su trabajo, conceptos, ideas e intereses. Las versiones traducidas de las entrevistas se encontrarán disponibles en nuestra página web. Here&There: Conversations with Creators from the MX &USA: In this bilingual series, PROArtes México sits down with contemporary artists working in the USA or MX and discusses their work, concepts, ideas, and interests in their preferred language. A translated version of the interviews available on our website.
Trayectorias. Es el nombre de la exposición que abrió sus puertas en diciembre, poco antes del comienzo de la emergencia, en el Museo Nacional de Arte Contemporáneo de la UNAM, el MUAC. Carta de viaje
La irrupción contemporánea del muralismo en los imaginarios inconscientes del coronavirus en México provocó esta conversación. En una suerte de ejercicio espiritista, Cuauhtémoc Medina, curador en jefe del MUAC, entrevistó por telellamada a los historiadores del arte y curadores Natalia de la Rosa y Renato González Mello para exorcizar y liberar políticas sanitarias del pasado, cuentos de eugenesia, delirios soviéticos y nostalgias de posguerra. Nuestro quinto episodio es parte del dossier “Teorías de la pandemia”.The contemporary breakthrough of muralism in the unconscious imagination of the coronavirus in Mexico promoted this conversation. In a sort of spiritist exercise, Cuauhtémoc Medina, curator-in-chief of the MUAC, interviewed art historians and curators by video call Natalia de la Rosa and Renato González Mello to exorcise and release past health policies, tales of eugenics, Soviet delusions, and Post-War nostalgias. Our fifth episode is part of our dossier "Teorías de la pandemia".
Para este tercer episodio de #GranHotelAbismo, que es parte de nuestro dossier “Teorías de la pandemia”, Cuauhtémoc Medina, curador en jefe del MUAC, entrevistó por vía electrónica a los curadores Cosmin Costinas y a Inti Guerrero hasta Hong Kong. Cosmin Costinas vive en Hong Kong e Inti Guerrero en las Filipinas. Costinas es director ejecutivo y curador de Para Site, espacio independiente de arte contemporáneo y Guerrero es curador de Bellas Artes Project en Manila.
El episodio 02 de #GranHotelAbismo continúa su serie “Teorías de la pandemia”. En una conversación entre Pablo Helguera, artista visual y educador mexicano, y Mónica Amieva, subdirectora de Programas Públicos del MUAC, Helguera nos habla de cómo ejerce su producción artística desde su casa en Brooklyn, situada en una de las ciudades más afectadas por el coronavirus, en tensión con la condición de cuarentena. El artista fue víctima del virus y nos comparte su experiencia en una suerte de ejercicio espiritista que abre cuartos a dimensiones literarias.
Cristóbal Sarro es un artista plástico que vive y trabaja en la ciudad de Puebla. En su dibujo la representación de la relación entre especies humanas y no humanas es un tema central. Su obra toma como punto de partida la función del dibujo en la historia del arte, incluyendo el estudio anatómico, para relacionarlo con otras técnicas y explorar la línea, gesto, detalle y dimensión. Su trabajo se expande en diversos soportes, desde los tradicionales en papel y madera, hasta las superficies de mayor escala en muros interiores y exteriores. Su proceso incluye técnicas de dibujo y pintura y se fundamenta en la investigación de los pigmentos y colorantes de origen animal. Desde 2015 inicia su investigación artística sobre colorantes de origen natural producidos con especies domesticadas que ha desarrollado en cuatro residencias artísticas en Oaxaca y Ciudad de México, Cusco en Perú, y Terán en Irán. Su último proyecto de investigación con tintas producidas con residuos bovinos fue presentado en el Museo Universitario de Arte Contemporáneo MUAC y el Museo Amparo. IG: @cristobal_sarro FB: @CristobalSarro
El episodio 01 de #GranHotelAbismo pone en marcha su serie "Teorías de la pandemia". Lucila Carzoglio y Salvador Marinaro, escritores y periodistas argentinos, recientemente publicaron una monstruosa e hilarante crónica de los tres meses que han transcurrido en su intento por volver a casa en Shanghái, después de unas vacaciones en Filipinas. En entrevista electrónica con Cuauhtémoc Medina, curador en jefe del MUAC, nuestros invitados nos hablan de este periplo que inició en Shenzhen, pasando por Hong Kong, Vietnam, Laos, Bangkok y Helsinki, hasta finalmente aterrizar en Madrid, ciudad donde ahora están confinados.Episode 01 of #GranHotelAbismo launches the series “Theories of the Pandemic.” The Argentine writers and journalists Lucila Carzoglio and Salvador Marinaro have recently published a monstrous, hilarious chronicle of their three-month odyssey trying to return to their home in Shanghai after going to the Philippines on vacation. In an electronic interview with Cuauhtémoc Medina, the MUAC's Chief Curator, our guests recount the journey that began in Shenzhen, passing through Hong Kong, Vietnam, Laos, Bangkok and Helsinki—all the way to Madrid, the city in which they are currently confined.
Desde niña Fabiola Quezada soñó con el arte, sin embargo le dijeron que estudiar arte, no era buen negocio, entonces estudió turismo. Entonces, ¿Cómo logró convertirse en una artista mexicana, suiza e italiana reconocida? En este episodio Fabiola Quezada, nos narra cómo fue este proceso, sus mayores desafíos, sus mayores logros, el paso a paso para convertirse el la artista que hoy es. Quiero decir que esta fue una conversación que disfruté muchísimo, Fabiola y yo nos reímos mucho antes y después de grabar, ella es una persona llena de luz, misma que plasma en sus cuadros. Visita xpatcapital.com para conocer una galería de sus obras. Datos de contacto de Fabiola Quezada http://www.fabiolaquezada.org/Facebook: http://bit.ly/2HV3BvEVisita nuestro sitio web
No episódio #011 a artista curadora Mônica Hoff canta Carinhoso e fala sobre momento político brasileiro. -- Mônica Hoff Gonçalves (1979) é artista e pesquisadora, e mãe da Zoé, de 8 anos. Co-fundadora do Espaço Embarcação, em Florianópolis. Mestre em Artes Visuais pela UFRGS e doutoranda em Artes Visuais na linha de Processos Artísticos Contemporâneos na UDESC, com investigação sobre escolas de artistas, ou como metodologias artísticas se convertem em pedagogias intituintes e estas em escolas. Desde 2005 vem colaborando, através de conferências, workshops e publicações, com instituições brasileiras e internacionais como Bienal do Mercosul, Museo Picasso Málaga, Liverpool Biennial, Bienal de Cuenca, Bienal da Bahia, Colección Cisneros, De Appel Arts Centre, NC-Arte, Museu de Arte do Rio (MAR), Bienal de São Paulo, MASP, Fondazione Antonio Ratti, Museo Thyssen-Bornemisza, MACBA, MALBA, FelipaManuela, TEORéTICA, MUAC, XIII Bienal FEMSA, Museo Reina Sofía, entre outros. Tem 3 livros publicados e alguns projetos realizados e/ou em curso, como: Laboratorio de curadoria, arte e educação, com a curadora e pesquisadora Fernanda Albuquerque; Escola Extraordinaria, com Kamilla Nunes, Cristina Ribas, Fabio Tremonte e Daniela Castro; e Oficina Pública de Perguntas e La Grupa, ambos realizados no contexto do grupo de estudos em processos curatoriais que tem com Kamilla Nunes desde 2016. Desde 2015 tenta por em prática a Escola de surf-etc, um projeto de auto-des-aprendizagem a modo de acampamento para crianças e suas famílias. Como é muito otimista acredita que em 2019 conseguirá realizá-lo. -- VER.SAR é um podcast com artistas convidadas a compartilhar leituras de textos sobre práticas artísticas, maternidades e feminismos. Este Podcast é uma plataforma de comunicação colaborativa que reúne mulheres artistas e seus referenciais textuais, a partir do exercício da leitura e busca criar um arquivo de consulta e compartilhamento gratuito de conteúdo relacionado às questões estruturais e conceituais implicadas em ser mulher na contemporaneidade. As artistas convidadas são mulheres que investigam e discutem os conflitos políticos da vida doméstica e pública produzindo pensamento crítico em nosso contexto e propondo mudanças significativas no mundo da arte. É preciso Ouvir as mulheres! ESCUTE: www.podcastversar.com --- Send in a voice message: https://anchor.fm/podcastversar/message
099: Susan Krumins Brought to you by SOAR Running, a brand dedicated to the ambition at the heart running.Brad and Brady review their high-quality range which you can see at www.soarrunning.com and via their other channels on @soar_running. Brad gets and joins some mates for a 36km long run. Julian’s out of St Moritz and heads to Italy for the Australian team camp. Brady’s still on baby watch and rolls out a sub-15 minute parkrun Echuca Moama. The Tan Relays won by a Lisa Weightman-lead MUAC as she tunes up ahead of Chicago Marathon, with Collingwood Harriers winning the Women’s Premier title. St Stephens win both the Tan Relays and the Men’s Premier Title.https://www.youtube.com/watch?v=Bxt0ME7g0Bs Ash Watson goes back to back in the Surf Coast Century, breaking his own course record. Sarah Ludowici wins the Women’s title. http://tomatotiming.racetecresults.com/results.aspx?CId=16&RId=29006 Listener question asks about how to determine the optimum pace for a marathon, while Moose on the Loose goes hard on running on concrete. Susan Krumins, a Dutch track athlete in the 1500m, 5K and 10K chats with Julian ahead of the Doha World Championships about her starting out in gymnastics and circus tricks, before going onto athletics as a junior and why European Athletic Championships are such a big deal. Susan talks about being a professional athlete and investing in yourself before looking back at her days running for Florida State University and then changing training methods under Nic Bideau, how she’s dealt with injuries and getting lapped in the Olympic 10K before finding redemption in the 5K. She explains how the ‘Dying Swan’ got her silver in the 2018 European Championship 10000m in Berlin, her relationship with her sponsors and supporters and shares her aspirations for the future. https://www.instagram.com/p/B2rnUl1IEKM/ Patreon Link: https://www.patreon.com/insiderunningpodcast Opening and Closing Music is Undercover of my Skin by Benny Walker. www.bennywalkermusic.com For shoes or running apparel contact Julian at: https://www.facebook.com/therunningcompanyballarat/ Join the conversation at: https://www.facebook.com/insiderunningpodcast/ To donate and show your support for the show: https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=9K9WQCZNA2KAN
¡Bien polémicos para ti bbb! Si bien nuestro cuarto episodio se viene cargado a la rabia por las marcas que nos usan para vender poleras a través del pinkwashing, también tenemos tiempo para reflexionar sobre visibilidad bisex en la publicidad y por todo el amor precioso que nos han enviado en nuestras redes sociales. Muac!
Pedro Lasch (Mexico/US/Germany) is a visual artist, Duke professor, and 16 Beaver organizer. He is also director of the FHI Social Practice Lab at Duke. Solo exhibitions and presentations include Open Routines (QMA), Black Mirror (Nasher), Abstract Nationalism (Phillips Collection), Art of the MOOC (Creative Time), A Sculptural Proposal for the Zócalo (Casa Wabi); group exhibitions include MoMA PS1, MASS MoCA (USA); RCA, Hayward Gallery, Baltic (UK); Centro Nacional de las Artes, MUAC, National Palace Gallery (Mexico); Prospect 4 Triennial New Orleans (2017), Gwangju Biennial (2006), Havana Biennial (2015), Documenta 13 (ANDANDAND, 2012), and 56th Venice Biennale (Creative Time Summit, 2015). Author of four books, his work has appeared in numerous catalogues, as well as journals like October Magazine, Saber Ver, Art Forum, ARTnews, Cultural Studies, The New York Times, and La Jornada. His online pedagogical artwork ART of the MOOC has had over 30,000 enrolled participants in 134 countries since it launched in 2015. Pedro Lasch, A Sculptural Proposal for the Zocalo (1999/2004/2018). Architectural model exhibition at Casa Wabi Santa Maria, Mexico City, 2018-2019. Pedro Lasch, Phantom Limbs paintings (2001-2011). Selection: WTC Kabul, WTC Paris, WTC Baghdad) at ‘Politics of Fiction’ solo exhibition at Espacio Mexico, Montreal (March 2nd - June 9th, 2019)
Brad’s hitting up 1st Birthday Parties and still getting treatment, this time on his back. Julian’s back running but is stopped with tight hips, arranging an immediate massage. Brady’s been up all night with his legs still cooked and also gets an immediate massage appointment. Sean Whipp adds some clarification on placing in IAAF Gold Label races with respect to points ranking from last week’s discussion. Catriona Bisset of MUAC runs 21st fastest 800m at Vic Milers Club Women’s A Race, beating Georgia Griffith https://youtu.be/RJGK0U3-jjQ Two listener question asks about tapering for a first half marathon, and hydration for Great Ocean Road Marathon, then Moose on the Loose takes it out on impatient recreational runners not appreciating the development process for short-term overreaching. This episode is sponsored by the O Keefe Challenge, a race that the hosts hold a lot of fondness for - you can find out more at www.theokeefe.com.au/ https://www.instagram.com/p/Bvb4jkPBj6O/ Ray Boyd, 2:13 Marathoner and Western Australian Principal of the Year Winner joins Brady about his career in distance running and particularly the marathon starting with how his quest to qualify for the Sydney Olympics involved getting to Chicago by winning the Canberra Marathon. Ray recounts his experiences with the Chicago Marathon that lead to his lifetime personal best, then follows up with running the 2000 Olympic Marathon Trial in Sydney, explaining the challenges with training for a marathon in Perth and the necessity in racing in the eastern states. Ray talks about balancing his high training with his career as a teacher, the reliance on modern technologies and the stories around Falls Creek training camps and the 1995 International Chiba Ekiden, closing with how his retirement from professional sport channelled his energy into teaching and mentions Lee Troop’s cheeky unofficial record at Falls Creek as well as the contemporaries he looked up to and who in Western Australian running excites him. Patreon Link: https://www.patreon.com/insiderunningpodcast Opening and Closing Music is Undercover of my Skin by Benny Walker. www.bennywalkermusic.com For shoes or running apparel contact Julian at: https://www.facebook.com/therunningcompanyballarat/ Join the conversation at: https://www.facebook.com/insiderunningpodcast/ To donate and show your support for the show: https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=9K9WQCZNA2KAN
Transmitido el 05 de diciembre de 2018 en RTQ 100.3FMComenzamos Diciembre con un programa dedicado a una variedad de artistas del género Chiptune, con pioneros de grupos que el presentador del programa comenzó a escuchar en México en diversos festivales de artes electrónicas y museos desde 2005 cómo el festival Transito MX, la inauguración del MUAC entre otros. Adicionalmente también continuamos con las reseñas musicales de músicos de los colectivos 8-Bit Peoples, Colectivo Chipotle y 56Kbps Records.
Transmitido el 05 de diciembre de 2018 en RTQ 100.3FMComenzamos Diciembre con un programa dedicado a una variedad de artistas del género Chiptune, con pioneros de grupos que el presentador del programa comenzó a escuchar en México en diversos festivales de artes electrónicas y museos desde 2005 cómo el festival Transito MX, la inauguración del MUAC entre otros. Adicionalmente también continuamos con las reseñas musicales de músicos de los colectivos 8-Bit Peoples, Colectivo Chipotle y 56Kbps Records.
No episódio #011 a artista curadora Mônica Hoff canta Carinhoso e fala sobre momento político brasileiro. -- Mônica Hoff Gonçalves (1979) é artista e pesquisadora, e mãe da Zoé, de 8 anos. Co-fundadora do Espaço Embarcação, em Florianópolis. Mestre em Artes Visuais pela UFRGS e doutoranda em Artes Visuais na linha de Processos Artísticos Contemporâneos na UDESC, com investigação sobre escolas de artistas, ou como metodologias artísticas se convertem em pedagogias intituintes e estas em escolas. Desde 2005 vem colaborando, através de conferências, workshops e publicações, com instituições brasileiras e internacionais como Bienal do Mercosul, Museo Picasso Málaga, Liverpool Biennial, Bienal de Cuenca, Bienal da Bahia, Colección Cisneros, De Appel Arts Centre, NC-Arte, Museu de Arte do Rio (MAR), Bienal de São Paulo, MASP, Fondazione Antonio Ratti, Museo Thyssen-Bornemisza, MACBA, MALBA, FelipaManuela, TEORéTICA, MUAC, XIII Bienal FEMSA, Museo Reina Sofía, entre outros. Tem 3 livros publicados e alguns projetos realizados e/ou em curso, como: Laboratorio de curadoria, arte e educação, com a curadora e pesquisadora Fernanda Albuquerque; Escola Extraordinaria, com Kamilla Nunes, Cristina Ribas, Fabio Tremonte e Daniela Castro; e Oficina Pública de Perguntas e La Grupa, ambos realizados no contexto do grupo de estudos em processos curatoriais que tem com Kamilla Nunes desde 2016. Desde 2015 tenta por em prática a Escola de surf-etc, um projeto de auto-des-aprendizagem a modo de acampamento para crianças e suas famílias. Como é muito otimista acredita que em 2019 conseguirá realizá-lo. -- VER.SAR é um podcast com artistas convidadas a compartilhar leituras de textos sobre práticas artísticas, maternidades e feminismos. Este Podcast é uma plataforma de comunicação colaborativa que reúne mulheres artistas e seus referenciais textuais, a partir do exercício da leitura e busca criar um arquivo de consulta e compartilhamento gratuito de conteúdo relacionado às questões estruturais e conceituais implicadas em ser mulher na contemporaneidade. As artistas convidadas são mulheres que investigam e discutem os conflitos políticos da vida doméstica e pública produzindo pensamento crítico em nosso contexto e propondo mudanças significativas no mundo da arte. É preciso Ouvir as mulheres!
¿Cuál es la influencia de la gráfica de protesta del 68 en el diseño actual? En este programa hablamos de la exposición en el MUAC sobre el Grupo Mira, un colectivo artístico que recupera la gráfica y los ideales del 68. Amanda de la Garza es socióloga especializada en antropología de la cultura. Actualmente es curadora adjunta en el Museo Universitario Arte Contemporáneo (MUAC-UNAM).
Es Navidad, estamos en vacaciones y es el mejor momento para escaparse a disfrutar la ciudad. Y en la capital mexicana una de las mejores opciones son los museos (es una de las urbes con más recintos de exhibición de todo tipo). Marlen, Edmundo y Gustavo hablan de sus exposiciones favoritas, de recomendaciones para recorrer en estos días y de sus recuerdos en museos: desde la (carísima) expo de Tim Burton, las míticas historias de largas filas con Yayoi Kusama, Andy Warhol o Los Impresionistas en el Dolores Olmedo. Además, conversan acerca de los museos en los que mejor se disfruta estar, como el MUAC en Ciudad Universitaria, de la exhibición de Realidad Virtual de Alejandro 'Yi' Iñárritu y El Chivo Lubezki, o de algunos horrores, como meter exposiciones de gran calidad en espacios infames (te estamos hablando, Bellas Artes, no te hagas).
Se acabaron los Juegos Olímpicos de Río 2016 y aunque México consiguió cinco medallas, la delegación tuvo varios fracasos. ¿Nos fue mal? Platicamos con Emmanuel Gutiérrez, coordinador de Más Deportes de Medio Tiempo. En cabina nos contó la diferencia entre atletas con marca A y con marca B. Y por supuesto le preguntamos sobre Alfredo Castillo, de la Conade. Además: — Empieza la XV edición del Festival Macabro — Miércoles de caldo para el alma: haz nuestro reto de las mejores sopas orientales — Mañana en el Auditorio Nacional revive otras décadas en Rock en tu idioma Sinfónico —El jueves checa “Anish Kapoor” en el MUAC y con el mismo boleto entra a “Los Carpinteros” — Este viernes inauguran la World Press Foto 2016 en el Franz Mayer — Conoce el restaurante Amaya, del chef creador de Merotoro — Ve 'El líquido táctil' una comedia ácida y sensual de Daniel Veronese Comentarios, abrazos, felicitaciones y mentadas en el hashtag #PodcastChilango
Esta semana es el aniversario del Estadio Azteca y en el podcast de Chilango no podíamos dejar pasar el cumpleaños de nuestro coloso de concreto. Por eso, platicamos con Carlos Barrón sobre el gol de Arlindo Dos Santos en aquel America vs. Torino, y con Juan Manuel Terán sobre las remodelaciones y sus nuevas suites de lujo. También repasamos varias de las anécdotas de las que ha sigo testigo este estadio. Además: - Uriel Waizel nos cuenta todos los detalles de las ¿presentaciones? de Hatsune Miku, este fin de semana en la CDMX. - Fin de semana futbolero con la final de la Champions y de la Liga Mexicana. - Si no te late el fútbol, lánzate a la exposición de Anish Kapoor en el MUAC. - Y si eres fan de Alicia, no te pierdas "A través del espejo" en tu cine favorito. Comparte tu opinión sobre el cumpleañero con el hashtag #PodcastChilango. Subimos un episodio nuevo cada martes después del mediodía.
El podcast de Chilango 30 | Segunda temporada - Haz patria y escucha Chilango VUDÚ EN EL DF, LO QUE NO SE VIO ¿Te imaginabas que en nuestra ciudad se hacía vudú? La portada de nuestra revista este mes ha generado muchísimo furor y controversia. Esta semana, Alfredo Pelcastre, el fotógrafo que tomó la foto de portada (y las del artículo que la acompaña) nos cuenta sobre la ceremonia vudú de la que fue testigo y discutimos con él los mitos y verdades de lo que vio a través del lente de su cámara. ADEMÁS, nuestras recomendaciones para el finde: -Blonde Redhead en el Plaza Condesa. -Infection in the Park, una combinación de terror y gotcha en Cuemanco. -Lance Wyman en el MUAC. -Qué tal está el esperado videojuego The Order 1886. Éntrale a la controversia con el hashtag #PodcastChilango. Da FOLLOW para que no te pierdas ni un episodio. www.chilango.com
1st International Symposium: Media Libraries and Archives for the 21st Century
Pilar García, Exhibition Curator, MUAC-Museo Universitario de Arte Contemporáneo, Mexico City, began by describing the facilities of the centre. Officially opened in 2008, it has Mexico’s most important contemporary art collection and forms part of the UNAM. The majority of the museum’s visitors are students (74%), who are the target audience for its curatorial programs – temporary exhibitions that are made up of works from the permanent collection. The MUAC media library sees its archives as university heritage, and as such they are immutable and dedicated to research. One of the essential roles of the media library is to provide access, to favour consultation of the holdings, and to allow for other ways of studying them.
1º Simposio Internacional: Mediatecas y Archivos para el siglo XXI
Pilar García, Comisaria de exposiciones del MUAC-Museo Universitario de Arte Contemporáneo, Ciudad de México, presenta las instalaciones del centro. Inaugurado en 2008 cuenta con la colección de arte contemporáneo más importante de México y forma parte de la UNAM. El público del museo lo componen en su mayoría estudiantes (74%), a los que dirige sus ciclos curatoriales, exposiciones temporales que integran obras de la colección permanente. La mediateca del MUAC concibe sus archivos como patrimonio universitario, por tanto son inamovibles y dedicados a la investigación. Es por ello fundamental en las funciones de la mediateca dar acceso, propiciar la consulta de los fondos, y dar cabida a otras formas de estudio de los mismos.
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