Podcast appearances and mentions of Tyler Green

There's a hurricane in the Arby's studio. That's right – Carson Hocevar AKA ‘The Hurricane' dropped by today to fill in for Dale Jr as our host for DJD – and this episode was unforgettable. Right out of the gate, Dale Facetimed Carson, thinking that taping had just ended, but in fact, it was just getting started. Carson filled everyone in on his relationship with spotter Tyler Green, how the two navigated Naval Base Coronado, and the winning celebration that every fan would've been talking about had Carson pulled off the victory. In typical Hocevar fashion, Carson gave his takes on Reddick's sportsmanship while racing Heim for the win, his own run-in with Corey Heim, Noah Gragson's heated discussion with Kevin Magnussen, and so much more from the race weekend in San Diego. Cleetus McFarland also calls into the show to talk for a quick minute, right before Carson gets back to more of his opinions on all things NASCAR. Plus, a Kay Adams update. Check out Dirty Mo Media on YouTube: https://www.youtube.com/@DirtyMoMedia Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Simply put, Lotti Brinks is one of the best ultrarunners in the sport right now.Over the last 2 years, she's secured multiple top 10s at CCC, wins at Way Too Cool and Desert Rats, and a course record at the Gorge Waterfalls 100K this past spring that heralded her arrival into the upper echelon of the sport.This is her second time at Western States. She was here in 2024, placing 14th in 18:53. But many expect her to be a podium contender in 2026.Since this is our first ever interview with Lotti on Singletrack, we use the opportunity to learn more about her: her background, what motivates her pursuit of excellence in the ultra world, being coached by the great Tyler Green, and her race-day goals.Partners:Precision Fuel and Hydration - use code SINGLETRACK at checkout for 15% off your next orderNorda - check out the 005: the lightest, fastest, most stable trail racing shoe ever madeRaide - Making equipment for efficient human-powered movement in the mountains Support the show

One of our summer interns, Tyler Green, preaches from Proverbs 28:6 on the importance of contentment. Message originally preached Sunday evening June 14, 2026.

One of our summer interns, Tyler Green, preaches from Daniel 1 on the importance of having convictions and obeying God. Message originally preached Wednesday evening June 3, 2026.

It’s been a big year for the Denison Big Red, and although that hasn’t completely trickled down to the Denison football team, we thought we’d check in with coach Jack Hatem. The North Coast Athletic Conference has definitely been in transition of late, with John Carroll joining the league in all sports, and WashU in football specifically, and Denison lost its rising junior quarterback, Tyler Green who elected to transfer. More about that in a moment. Hatem talks about how his team has to raise the level of its game to compete in a much stronger conference, what the quarterback situation will look like at Denison, what he’s learned from the national championship coaches at his school, why he stays in the game and why he loves recruiting when, in fact, he is pretty near retirement age. Plus, his taste in music. There’s also been a bunch of change at Susquehanna, where new coach Chris Pincince is a Division III head football coach for the first time, and is coaching in D-III for the first time in nearly a quarter-century. It’s a good thing he and former coach Tom Perkovich are old friends, because Pincince talks about the hole they were left, with eight players having transferred out and so far, the transfer portal only having brought one person in. But a number of assistant coaches stayed to help the program have continuity, giving Pincince a leg up on the D-III learning curve, and Region 2 Defensive Player of the Year Galen Limantour is back as well, which is a huge boost for Susquehanna. About Tyler Green — his transfer to John Carroll means Denison will still have to face him in conference the next two years, and JCU was in sore need of a quarterback for 2026. We’ll talk about that, plus answer your mailbag questions. That and more in this edition of the D3football.com Around the Nation podcast. The D3football.com Around the Nation podcast is a weekly conversation about NCAA Division III football, and has been running since 2007. Hit play, or subscribe to get this podcast on your mobile device. You can subscribe to the Around the Nation Podcast in Apple Podcasts, and many other places. You can also get this and any of our future Around the Nation podcasts automatically by subscribing to this RSS feed: http://www.d3blogs.com/d3football/?feed=podcast Here’s how to find us on some of the major podcasting apps: Apple Podcasts: D3football.com Around the Nation Podcast iHeart Radio: D3football.com Around the Nation Podcast Spotify: D3football.com Around the Nation Podcast Photos: Denison athletics photos by Jace Delgado, Susquehanna athletics photo by Kim Howes

Il est minuit à Porto Moniz. L'océan est juste là, en contrebas. Dans quelques secondes, neuf cents coureurs vont s'élancer pour traverser Madère de part en part. Parmi eux, Vincent Esmiol, vingt-neuf ans, paysagiste dans les Alpes. Il n'était pas censé être là.Vincent Esmiol, c'est une trajectoire qui n'était écrite nulle part. Deux bras cassés en 2018 lors d'une chute de VTT, une rééducation longue, et une paire de chaussures de running pour s'occuper. C'est comme ça que le trail est entré dans sa vie — par effraction. Six ans plus tard, il s'aligne au MIUT, le Madeira Island Ultra Trail, l'une des épreuves les plus exigeantes du circuit World Trail Majors. 110 kilomètres, 7 200 mètres de dénivelé, une traversée intégrale de l'île du nord-ouest au sud-est. Et une start list détonante : Gauthier Airiau, Aurélien Dunand-Pallaz, Tyler Green, entre autres.Sauf que ce dossard, il ne l'avait pas planifié. C'est un mail envoyé un peu vite, un programme initial chamboulé, et à peine vingt jours d'entraînement spécifique. Son coach le dit clairement : il n'est pas prêt pour ça. Vincent, lui, part quand même.Dans cet épisode, il raconte tout. Le départ à bloc — contre le plan, comme toujours. La descente aux enfers digestive vers le kilomètre quarante, quand les adversaires défilent et que la course semble perdue. Puis ces frontales entrevues dans la nuit des crêtes madériennes, ce déclencheur qui fait passer le cerveau de off à on. La remontée spectaculaire, le duel tendu avec Gauthier Airiau dans les derniers kilomètres, la souffrance qui ne lâche pas jusqu'à l'arrivée. Et la victoire — en 12h48 — qu'il qualifie lui-même de réconfortante. Un mot surprenant pour une performance aussi haute. Il explique pourquoi.On parle aussi de ses fondations — la régularité comme clé de progression en course à pied et en endurance, son rapport très direct à l'ambition, sa façon d'assumer ses objectifs à voix haute pour mieux les atteindre. Et de ce qu'il rêve encore : la Diag, l'UTMB, la Hardrock. Des courses dont il parle avec la même simplicité tranchante que sa devise : toujours croire en ses rêves.Un épisode pour ceux qui aiment les histoires vraies. Les victoires qui font mal. Et les coureurs qui ne savent pas courir autrement qu'à fond.

Il est minuit à Porto Moniz. L'océan est juste là, en contrebas. Dans quelques secondes, neuf cents coureurs vont s'élancer pour traverser Madère de part en part. Parmi eux, Vincent Esmiol, vingt-neuf ans, paysagiste dans les Alpes. Il n'était pas censé être là.Vincent Esmiol, c'est une trajectoire qui n'était écrite nulle part. Deux bras cassés en 2018 lors d'une chute de VTT, une rééducation longue, et une paire de chaussures de running pour s'occuper. C'est comme ça que le trail est entré dans sa vie — par effraction. Six ans plus tard, il s'aligne au MIUT, le Madeira Island Ultra Trail, l'une des épreuves les plus exigeantes du circuit World Trail Majors. 110 kilomètres, 7 200 mètres de dénivelé, une traversée intégrale de l'île du nord-ouest au sud-est. Et une start list détonante : Gauthier Airiau, Aurélien Dunand-Pallaz, Tyler Green, entre autres.Sauf que ce dossard, il ne l'avait pas planifié. C'est un mail envoyé un peu vite, un programme initial chamboulé, et à peine vingt jours d'entraînement spécifique. Son coach le dit clairement : il n'est pas prêt pour ça. Vincent, lui, part quand même.Dans cet épisode, il raconte tout. Le départ à bloc — contre le plan, comme toujours. La descente aux enfers digestive vers le kilomètre quarante, quand les adversaires défilent et que la course semble perdue. Puis ces frontales entrevues dans la nuit des crêtes madériennes, ce déclencheur qui fait passer le cerveau de off à on. La remontée spectaculaire, le duel tendu avec Gauthier Airiau dans les derniers kilomètres, la souffrance qui ne lâche pas jusqu'à l'arrivée. Et la victoire — en 12h48 — qu'il qualifie lui-même de réconfortante. Un mot surprenant pour une performance aussi haute. Il explique pourquoi.On parle aussi de ses fondations — la régularité comme clé de progression en course à pied et en endurance, son rapport très direct à l'ambition, sa façon d'assumer ses objectifs à voix haute pour mieux les atteindre. Et de ce qu'il rêve encore : la Diag, l'UTMB, la Hardrock. Des courses dont il parle avec la même simplicité tranchante que sa devise : toujours croire en ses rêves.Un épisode pour ceux qui aiment les histoires vraies. Les victoires qui font mal. Et les coureurs qui ne savent pas courir autrement qu'à fond.Episode intégral disponible le mercredi 3 juin.

A powerful breakout from We Are One Conference that describes how to combat the culture of the world while living for Jesus. Listen up as our speakers unpack the meaning of living set apart._____Connect with Herb Helsel on Instagram: ⁠https://instagram.com/herbert.helsel Connect with Dan Pardington on Instagram: ⁠https://instagram.com/⁠danpardington Connect with Tyler Green on Instagram: ⁠⁠https://instagram.com/⁠⁠tyler.green11Connect with Donovan Locke on Instagram: ⁠⁠⁠https://instagram.com/⁠⁠⁠donovan_locke_____Join the We Are One Fam:WEB: ⁠⁠https://weareoneconf.com⁠⁠INSTAGRAM: ⁠  / waoconference  ⁠FACEBOOK: ⁠  / waoyouth  ⁠TIKTOK: ⁠⁠https://vm.tiktok.com/tGmCPB/⁠⁠

Episode No. 760 features curators Marko Daniel and Elsa Smithgall, and curator Rachel Vogel. With Matthew Gale and Dolors Rodríguez Roig, Daniel and Smithgall are the co-curators of "Miró and the United States" at the Phillips Collection, Washington, DC. The exhibition explores the exchanges between Joan Miró and the mid-twentieth-century US art scene. Not only did Miró have retrospectives at the Museum of Modern Art, New York in 1941 and 1959, but he traveled to the US seven times between 1947 and 1968, when he made a point of seeing US art and visiting US artists. The exhibition at the Phillips is on view through July 5. The Phillips and the Fundació Joan Miró have published a catalogue; the Phillips offers it for $65. As discussed on the program: Alexander Calder, Calder's Circus, 1926-31; "High Wire: Calder's Circus at 100" at the Whitney Museum of American Art, New York; Joan Miró's Constellations, 1940-41; Joan Miró, Blue Triptych, 1961; and "Miró Mural," exhibition at the Museum of Modern Art, New York, 1948; Vogel is the curator of "Parasol Press: Breaking New Ground," a survey of Parasol Press' 1970-2014 output at the Addison Art Gallery, Andover, Mass. Robert Feldman's Parasol Press came to significance by working with minimalist and conceptualist artist such as Dorothea Rockburne, Sylvia Plimack Mangold, Sol LeWitt, Chuck Close, and more. The exhibition is on view through July 31. Instagram: Rachel Vogel, Tyler Green. Air date: May 28, 2026.

It's time for another yearly mandated clown episode! This time, we look at JoJo's Circus, a Playhouse Disney show that not only isn't on Disney+, but was somehow lost media for a period! In this episode, JoJo's teacher gets married to Clown Erik Estrada and accidentally scars his daughter emotionally in the process! --- Edited by Jacob Miller Show logo by Marissa Thorburn Show theme by Andy HG and Tyler Green

Episode No. 759 of The Modern Art Notes Podcast features curator Sarah Humphreville. With Eric Crosby, Humphreville is the co-curator of "Gertrude Abercrombie: The Whole World is a Mystery." The exhibition surveys Abercrombie's synthesis of surrealism, landscape, portraiture and still-life, and is the most comprehensive presentation of the artist's work to date. It is at the Milwaukee Art Museum through July 19. An excellent catalogue was co-published by the Carnegie, Colby, and DelMonico Books. Amazon and Bookshop offer it for $50-55. Instagram: Sarah Humphreville, Tyler Green. Air date: May 21, 2026.

Episode No. 758 features artists Leasho Johnson and Laura Facey. Both artists are featured in "Dancing the Revolution: From Dancehall to Reggaetón" at the Museum of Contemporary Art Chicago through September 20. The exhibition explores and expands the visual, political, and spiritual histories of dancehall and reggaetón through contemporary art produced in the Caribbean, New York, London, and beyond. It was curated by Carla Acevedo-Yates with Cecilia González Godino, Iris Colburn, Nolan Jimbo, and nibia pastrana santiago. A catalogue will be published by the museum and DelMonico Books in July. It is available from Bookshop and Amazon for $60-65. Johnson's paintings explore Black queer identity, Caribbean folklore, and post-colonial narratives. His pictures find meaning in the space between figuration and abstraction, and between Jamaican cultural heritage and broader art histories. His exhibition credits include the 2025 Liverpool biennial at the Walker Art Gallery and group shows at the Leslie Lohman Museum, New York, the Portland (Me.) Art Museum, and the National Gallery of Jamaica. His work is in the collection of the Art Gallery of Ontario, Toronto, the Pérez Art Museum Miami, and the University of Michigan Museum of Art. Facey is a Jamaica-based sculptor whose work addresses the land around her and the histories it holds. Her work often seeks what Facey calls "a healthy alchemy" for people and the earth. She has shown at the International Slavery Museum in Liverpool, the Havana biennial, and at the National Gallery of Jamaica. Her 2003 Redemption Song is sited in Kingston, Jamaica's Emancipation Park. A career-spanning monograph of her work will be published later this year. Instagram: Leasho Johnson, Laura Facey, Tyler Green. Air date: May 14, 2026.

Episode No. 757 of The Modern Art Notes Podcast features art historian and curator Yve-Alain Bois. Bois is the curator of "Matisse in Vence: The Stations of the Cross," at the Baltimore Museum of Art. The exhibition presents about 80 of the drawings Matisse made for the painted ceramic mural of the Stations of the Cross at the Chapel of the Rosary in Vence. The exhibition reveals how Matisse worked through each of the Stations to arrive at a syncretic, dramatic presentation. Bois was assisted by Alix Agret and Katy Rothkopf. The exhibition, which is on view through June 28, is accompanied by a fascinating, essential catalogue published by Musée Matisse Nice and Bernard Chauveau Publishing. It is available from the BMA for $35. Instagram: Yve-Alain Bois, Tyler Green. Air date: May 7, 2026.

Episode No. 756 features author Victoria Johnson and curator Emily A. Beeny. Johnson is the author of "Glorious Country: How the Artist Frederic Church Brought the World to America and America to the World," the first major biography of the most important and influential painter in the US nineteenth century. The book will be published by Scribner next week. Johnson's book tells the story of Church's life, and especially his travels even as she explains how Church's work engaged with the scientific and political worlds of his time. It is likely to be the authoritative source on Church's life for decades to come. Amazon and Bookshop offer it for about $35. Beeny is the curator of "Manet & Morisot," an exploration of the artistic exchange between Édouard Manet and Berthe Morisot, now at the Cleveland Museum of Art. The show particularly focuses on the 15 years between 1868 and 1883, when Manet and Morisot shared perhaps the closest relationship of any two impressionists. It's on view in Cleveland through July 5. A fine catalogue was published by the Fine Arts Museums of San Francisco in association with Yale University Press. Amazon and Bookshop offer it for $57-70. Instagram: Victoria Johnson, Tyler Green.

After a chaotic lead-up that included travel stress, illness, childcare logistics, and a race that almost didn't happen, Rachel and Tyler Green made it to Madeira… and ended up delivering two standout performances on one of the most technical courses in the sport.In this episode, Hilary sits down with both Rachel and Tyler to unpack what it actually looked like behind the scenes. This isn't just a race recap. It's a conversation about showing up when nothing feels perfect, trusting your process when confidence is low, and navigating high-level racing while balancing careers, parenting, and real life.Tyler shares what it meant to finally feel like himself again at the front of an international field, and how he managed the inevitable highs and lows of a long race day. Rachel opens up about racing postpartum, letting go of expectations, and finding joy and perspective in a season that looks very different than before.There's also a deeper look at partnership, support systems, and what it really takes to make racing at this level possible. From family logistics to mid-race problem solving, this episode pulls back the curtain on what goes into these performances beyond the results.It's a reminder that very few races start from a place of perfect preparation, and that sometimes the most meaningful outcomes come from the messiest lead-ups.This episode is edited and produced by the Sandyboy Productions Podcast Network.A big shout out to our new sponsor ⁠⁠Precision Fuel & Hydration⁠⁠. Go to ⁠⁠pfandh.com⁠⁠ to crush your next race with a personalized fuel & hydration plan. Use code "TTNP15" at checkout.A special thank you to Osprey for supporting this episode. Visit Osprey.com to explore their incredible products!

Episode No. 755 of The Modern Art Notes Podcast features artist Jess T. Dugan and author D.B. Dowd. Radius Books is publishing "Jess T. Dugan & Charlotte Cotton: Love Pictures," a collaboration featuring Dugan's photographs and conversations with Cotton and members of Cotton's and Dugan's communities, such as Dawoud Bey, Kate Palmer Albers, and Michelle Millar Fisher. Radius, Amazon, and Bookshop offer the two-volume publication for about $75. Dugan is a St. Louis-based artist whose work explores subjects such as personhood, relationship, desire, and love. Their work is in the collection of over 70 museums. The Pulitzer Arts Foundation, St. Louis, Saint Louis Art Museum, Minneapolis Institute of Art, and the University of New Mexico Art Museum are among the institutions that have presented solo exhibitions of Dugan's work. This is Dugan's sixth book. Dowd is the author of "Reading Pictures: A History of Illustration," which was just published by Princeton University Press. "Reading Pictures" details how, for many centuries, illustration has often worked between written, published text and art history to advance ideas and ideologies. Princeton, Amazon, and Bookshop offer it for $52-60. Instagram: Jess T. Dugan, D.B. Dowd, Tyler Green. Air date: April 23, 2026.

Episode No. 754 of The Modern Art Notes Podcast features author Andrew Graham-Dixon and artist Rachel Burgess. Graham-Dixon is the author of "Vermeer: A Life Lost and Found," which was just published by WW Norton. The book, a biography-ish of one of the most famous and elusive artists of the Dutch seventeenth century, offers exciting new ideas about Vermeer's life and presents new arguments about why and for whom Vermeer made most of his paintings. Amazon and Bookshop offer "Vermeer" for $35-42. The Eleanor D. Wilson Museum at Hollins University is showing "Rachel Burgess: Particles and Waves" through June 6. The exhibition presents Burgess' recent large-scale works on paper, typically monotypes, that depict landscapes and domestic scenes. Burgess has been included in group shows at the Lower East Side Printshop, New York, at the Virginia Museum of Contemporary Art, and more. Instagram: Andrew Graham-Dixon, Rachel Burgess, Tyler Green. Air date: April 16, 2026.

Episode No. 754 of The Modern Art Notes Podcast features author Andrew Graham-Dixon and artist Rachel Burgess. Graham-Dixon is the author of "Vermeer: A Life Lost and Found," which was just published by WW Norton. The book, a biography-ish of one of the most famous and elusive artists of the Dutch seventeenth century, offers exciting new ideas about Vermeer's life and presents new arguments about why and for whom Vermeer made most of his paintings. Amazon and Bookshop offer "Vermeer" for $35-42. The Eleanor D. Wilson Museum at Hollins University is showing "Rachel Burgess: Particles and Waves" through June 6. The exhibition presents Burgess' recent large-scale works on paper, typically monotypes, that depict landscapes and domestic scenes. Burgess has been included in group shows at the Lower East Side Printshop, New York, at the Virginia Museum of Contemporary Art, and more. Instagram: Andrew Graham-Dixon, Rachel Burgess, Tyler Green. Air date: April 16, 2026.

Episode No. 754 of The Modern Art Notes Podcast features author Andrew Graham-Dixon and artist Rachel Burgess. Graham-Dixon is the author of "Vermeer: A Life Lost and Found," which was just published by WW Norton. The book, a biography-ish of one of the most famous and elusive artists of the Dutch seventeenth century, offers exciting new ideas about Vermeer's life and presents new arguments about why and for whom Vermeer made most of his paintings. Amazon and Bookshop offer "Vermeer" for $35-42. The Eleanor D. Wilson Museum at Hollins University is showing "Rachel Burgess: Particles and Waves" through June 6. The exhibition presents Burgess' recent large-scale works on paper, typically monotypes, that depict landscapes and domestic scenes. Burgess has been included in group shows at the Lower East Side Printshop, New York, at the Virginia Museum of Contemporary Art, and more. Instagram: Andrew Graham-Dixon, Rachel Burgess, Tyler Green. Air date: April 16, 2026.

Episode No. 754 of The Modern Art Notes Podcast features author Andrew Graham-Dixon and artist Rachel Burgess. Graham-Dixon is the author of "Vermeer: A Life Lost and Found," which was just published by WW Norton. The book, a biography-ish of one of the most famous and elusive artists of the Dutch seventeenth century, offers exciting new ideas about Vermeer's life and presents new arguments about why and for whom Vermeer made most of his paintings. Amazon and Bookshop offer "Vermeer" for $35-42. The Eleanor D. Wilson Museum at Hollins University is showing "Rachel Burgess: Particles and Waves" through June 6. The exhibition presents Burgess' recent large-scale works on paper, typically monotypes, that depict landscapes and domestic scenes. Burgess has been included in group shows at the Lower East Side Printshop, New York, at the Virginia Museum of Contemporary Art, and more. Instagram: Andrew Graham-Dixon, Rachel Burgess, Tyler Green. Air date: April 16, 2026.

Episode No. 753 features artist Delilah Montoya and author Mario T. García. Montoya's work is featured in three major exhibitions around the US this season. The Albuquerque Museum is featuring "Delilah Montoya: Activating Chicana Resistance," the first retrospective of Montoya's forty-year career. The exhibition, which was curated by Josie Lopez, is on view through May 3. A valuable catalogue was published by University of New Mexico Press and the Albuquerque Museum. Amazon and Bookshop offer it for about $32. Two significant historical group shows also foreground Montoya's work. At the Sheldon Museum of Art, University of Nebraska, Lincoln, Montoya is featured in "Hyphen American: Intersections of Identity." The exhibition, which pointedly rejects increasing right-wing claims that the US is, or should be an ethnostate, presents the many ways identity is presented and interrogated in our art. The excellent exhibition catalogue, which was published in the four languages most commonly spoken in Lincoln (English, Spanish, Vietnamese, and Arabic), was published by the museum. "Hyphen American" was curated by Christian Wurst and is on view through July 5. Artists in the exhibition who have been guests on The Modern Art Notes Podcast include Radcliffe Bailey, Binh Danh, Catherine Opie, Alec Soth, and Renée Stout. The Riverside (Calif.) Art Museum and The Cheech Marin Center for Chicano Art & Culture are showing Montoya in "Chicano Camera Culture: A Photographic History, 1966–2026." The exhibition shows how 45 artists have used their camera as a tool of representation, empowerment, and change over the past 60 years. It is the first major survey of Chicano/a/x lens-based image making. "Chicano Camera Culture" was curated by Elizabeth Ferrer. It's on view at the Riverside Art Museum through July 5, and at The Cheech through September 6. The excellent catalogue was published by The Cheech and is distributed by University of Washington Press. It is available from Amazon for $44. Artists in the exhibition who have been guests on The Modern Art Notes Podcast include Christina Fernandez and Ken Gonzales-Day. Montoya is one of the major figures in the development of Chicana art in the United States. Her community-oriented work addresses colonialism, identity, land, feminine power, and justice. It is held by museums such as the Smithsonian American Art Museum, the Museum of Fine Arts Houston, the Los Angeles County Museum of Art, and the New Mexico Museum of Art. García is the author of "Rupert García: The Making of an American Artist, a Testimonio," which was just published by Rutgers University Press. It is the first biography of the Chicano artist Rupert García. The book, which is informed by 50 hours of interviews conducted over 30 years, is illustrated by 80 artworks. It is immediately the major volume on García's career. Amazon and Bookshop offer it for about $31-33. Instagram: Delilah Montoya, Tyler Green. Air date: April 9, 2026.

Episode No. 752 of The Modern Art Notes Podcast features artist Melvin Edwards. Edwards, one of the most important and influential sculptors of his generation, the rare artist whose work simultaneously addressed the past, the present, and the future, died on March 30. He was 88. This program was taped in 2015 when the Nasher Sculpture Center in Dallas opened the major retrospective "Melvin Edwards: Five Decades." It was the first Edwards museum retrospective in 20 years, and the most thorough. "Five Decades" was organized by Catherine Craft. It included a re-creation of Edwards' important 1970 installation of barbed-wire sculptures at the Whitney Museum of American Art, dozens of Edwards' best-known works, his 'lynch fragments' series, and more. The show traveled to the Zimmerli Art Museum at Rutgers and to the Columbus Museum of Art. The show's excellent catalogue was published by the Nasher and appears to have sold out. Amazon offers it used for about $100. The Nasher's website features a Q&A between Craft and Edwards that host Tyler Green mentions on the program. For images, see Episode No. 170.

Episode No. 751 features artist Kahlil Robert Irving and curator Rebecca Head Trautmann. Irving is included in "Monuments," at the Museum of Contemporary Art, Los Angeles. The exhibition juxtaposes decommissioned Lost Cause monuments with artworks that address the histories the Lost Cause aimed to whitewash. "Monuments" features two Irvings: New Nation (States) Battle of Manassas - 2014, 2024-25; and Viewfinder, 2024 which address the 2014 police killing of Michael Brown Jr. in Ferguson, Missouri and its aftermath. The exhibition, which is on view through May 3, was curated by Hamza Walker, Kara Walker, and Bennett Simpson with Hannah Burstein and Paula Kroll. The museum says that a catalogue is forthcoming. Irving has had solo exhibitions at the Museum of Modern Art, New York, the Walker Art Center, Minneapolis, and at the Contemporary Art Museum Saint Louis; he's been featured in group exhibitions at the Carnegie Museum of Art in Pittsburgh, MASS MoCA in North Adams, Mass., the Whitney Museum of American Art in New York, and more. He was also a guest on Episode No. 591 in 2023. Trautmann is the curator of "Water's Edge: The Art of Truman Lowe" at the National Museum of the American Indian, Smithsonian Institution, Washington, DC. "Water's Edge" is the first career-length survey of Hoocąk (Ho-Chunk) artist. It is on view through January 1, 2027. Smithsonian Books published a catalogue of the exhibition; Amazon and Bookshop offer it for about $33-37. Instagram: Kahlil Robert Irving, Tyler Green. Air date: March 26, 2026.

Episode No. 749 features curator Mari Carmen Ramírez and Isabelle Frances McGuire. Ramírez is the curator of "Frida: The Making of an Icon" at the Museum of Fine Arts, Houston. The exhibition reveals how Frida Kahlo went from virtually unknown to mainstream audiences at the time of her death in 1954 to becoming famed as both an artist and as a kind of celebrity icon. Among the factors it identifies are North American geopolitics, the role of culture in the promotion of nationhood, tourism, and international trade, and more. "Frida" features more than 30 works by Kahlo and 120 more by five generations of artists she inspired. It is on view at the MFAH through May 17. A fascinating catalogue was published by the MFAH in association with Yale University Press. Amazon and Bookshop offer it for about $60. McGuire is included in the 2026 biennial exhibition at the Whitney Museum of American Art, New York. The show was curated by Marcela Guerrero and Drew Sawyer with Beatriz Cifuentes and Carina Martinez. It's on view through August 23. This segment was taped when McGuire was included in the Museum of Contemporary Art Chicago's "Descending the Staircase" exhibition in 2024. McGuire is a Chicago-based artist whose work considers the body and how our understanding of it can be filtered by video games, film, animatronics, and other technologies. The 2024 MCA Chicago exhibition marked her first inclusion in a museum exhibition; since then McGuire has shown at Artist's Space, New York, and at the Renaissance Society, Chicago. For images see Episode No. 648. Instagram: Isabelle Frances McGuire, Tyler Green.

Episode No. 748 of The Modern Art Notes Podcast features curators Shawnya L. Harris and Jeffrey Richmond-Moll. Harris and Richmond-Moll are the curators of "Edmonia Lewis: Said in Stone" at the Peabody Essex Museum in Salem, Mass. The exhibition presents the life and work of nineteenth-century Black and Indigenous sculptor Edmonia Lewis in the context of her contemporaries and artists she may have influenced. The exhibition is on view through June 7. A valuable catalogue was published by the Peabody Essex Museum and Georgia Museum of Art, University of Georgia. Amazon and Bookshop offer it for $50-55. Episode No. 748 of The Modern Art Notes Podcast features curators Shawnya L. Harris and Jeffrey Richmond-Moll. Harris and Richmond-Moll are the curators of "Edmonia Lewis: Said in Stone" at the Peabody Essex Museum in Salem, Mass. The exhibition presents the life and work of nineteenth-century Black and Indigenous sculptor Edmonia Lewis in the context of her contemporaries and artists she may have influenced. The exhibition is on view through June 7. A valuable catalogue was published by the Peabody Essex Museum and Georgia Museum of Art, University of Georgia. Amazon and Bookshop offer it for $50-55. As discussed on the program: Gisela Torres, Reverie and Slumber, 2020. Instagram: Jeffrey Richmond-Moll, Tyler Green. Air date: March 5, 2026.

Episode No. 747 of The Modern Art Notes Podcast features artist Bethany Collins and curator Edouard Kopp. Collins is included in "Monuments," at the Museum of Contemporary Art, Los Angeles. The exhibition juxtaposes decommissioned Lost Cause monuments with commissioned artworks that address the histories the Lost Cause aimed to whitewash. Collins' contribution to the project is Love is dangerous (2024-25), a sculptural installation that remakes the base of the Stonewall Jackson monument that was installed in Charlottesville, Virginia. The exhibition, which is on view through May 3, was curated by Hamza Walker, Kara Walker, and Bennett Simpson with Hannah Burstein and Paula Kroll. The museum says that a catalogue is forthcoming. On March 5 the Museum of Contemporary Art Denver opens "Bethany Collins: The Deluge," a presentation of Collins works that each address -- and navigate -- an existential storm. Across several media, Collins addresses major literary works such as Herman Melville's Moby Dick, and Sophocles' Antigone -- and the US songbook too. The exhibition was curated by Leilani Lynch and is on view through July 5. Among the many museums presenting solo exhibitions of Collins' work are the Seattle Art Museum, the Peabody Essex Museum, Salem, Mass., the Contemporary Art Museum Saint Louis, the Van Every and Smith Galleries at Davidson College, the Birmingham Museum of Art, and the Jule Collins Smith Museum of Fine Art at Auburn University. Edouard Kopp is the curator of "Wall Drawing Series: Gladys Nilsson" at the Menil Drawing Institute, Houston. The site-specific exhibition features an enormous Nilsson drawing that features fantastical, hybrid beings surrounding one monumental figure engaged in the act of drawing. It's on view through August 9. Nilsson's work has been the subject of dozens of exhibitions, including a 1973 solo exhibition at the Whitney Museum of American Art. Her work is in the collection of museums such as the Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Art Institute of Chicago. Instagram: Bethany Collins, Tyler Green.

Episode No. 746 features artist Brian Rochefort and curator Catherine Craft. Rochefort is among the artists included in "Made in L.A. 2025," the biennial at the Hammer Museum, University of California, Los Angeles. The exhibition was curated by Essence Harden and Paulina Pobocha with Jennifer Buonocore-Nedrelow and is on view through March 1. Rochefort's ceramic sculptures are informed by abstract painting, the earth's geology, and more. Over the last decade he has shown at commercial galleries in the US, Greece, Italy, Belgium, France, and more. His work is in the collection of the Crocker Art Museum in Sacramento. Craft is the curator of "Rauschenberg Sculpture" at the Nasher Sculpture Center in Dallas. The exhibition presents highlights from Rauschenberg's three-dimensional practice and is on view through April 26. Instagram: Brian Rochefort, Catherine Craft, Tyler Green.

Episode No. 744 features artist Blas Isasi and curators Larissa Grollemond and Elizabeth Morrison, and artist Harmonia Rosales. Tomorrow, February 6, the Saint Louis Art Museum opens "Currents 125: Blas Isasi." The exhibition presents sculptures informed by ancient Andean cosmology and the Peruvian desert landscape, as well as the violent collision between Indigenous Andeans and colonizing Europeans. The exhibition was curated by Simon Kelly, and is on view through August 9. SLAM's exhibition brochure is available here. Isasi is a Peruvian sculptor who lives in the United States. He has previously shown in Prospect 6 in New Orleans (parts of that exhibition traveled to the MCA Denver), at SHED Projects, Cleveland, and at The Front, New Orleans. Grollemond and Morrison are the curators of "Beginnings: The Story of Creation in the Middle Ages" at the J. Paul Getty Museum, Los Angeles. The exhibition, which is on view through April 19, looks at how creation stories have been advanced in manuscript painting. The exhibition also includes works by Harmonia Rosales, whose work often engages Christian creation stories, how they were presented in the middle ages, and how they might be offered today. Rosales, whose work centers Black women in reconsiderations of Western art, has been included in group shows at Wadsworth Atheneum, Hartford, Art + Practice, Los Angeles, the Museum of the African Diaspora, San Francisco, and the Brooklyn Museum. Instagram: Blas Isasi, Larissa Grollemond, Harmonia Rosales, Tyler Green. Air date: February 5, 2026.

Ain't no rule that says a dragon puppet can't tell the weather! There, we got that out of our system. Tony Goldmark returns to talk about "Scorch", the short-lived CBS sitcom featuring Ronn Lucas's lovable(?) dragon pal who becomes a New Haven weatherman's sidekick. Yes, really. --- Edited by Jacob Miller Show logo by Marissa Thorburn Show theme by Andy HG and Tyler Green

Episode No. 742 features artist Woody De Othello, and artists Jason Garcia, Michael Namingha, and curator Bess Murphy. The Pérez Art Museum Miami is presenting "Woody De Othello: coming forth by day," a presentation of new ceramic and wood sculptures, tiled wall works, and a large-scale bronze, all of which explore the primordial relationship between body, earth, and spirit. The exhibition was organized by Jennifer Inacio with the support of Fabiana A. Sotillo. It is on view in Miami through June 28 after which it will travel to the Manetti Shrem Museum of Art, University of California, Davis. De Othello's sculpture, painting, and drawing often investigate the still life genre. His previous institutional solo exhibition was at The Bowes Museum in the UK. Museums that have featured his work in group shows include the Metropolitan Museum of Art, New York, the Seattle Art Museum, the University of Michigan Museum of Art, and the Fine Arts Museums of San Francisco. The Whitney Museum of American Art included him in its 2022 biennial. Later this year, his work will be featured in a Public Art Fund solo presentation in Brooklyn's Brooklyn Bridge Park. He is an artist trustee of the San Francisco Museum of Modern Art. Garcia and Murphy are the co-curators of "Tewa Nangeh/Tewa Country" at the Georgia O'Keeffe Museum in Santa Fe. Namingha is among the 13 artists in the exhibition, 12 of whom are from the six Tewa Pueblos of northern New Mexico (Nambé, Ohkay Owingeh, Pojoaque, San Ildefonso, Santa Clara, and Tesuque).  "Tewa Nangeh" presents the work of Tewa artists while highlighting O'Keeffe's erasure of Tewa people. It is on view through September 7. Garcia's work is in the collection of museums such as the Heard Museum in Phoenix, the Art Institute of Chicago, the Nelson-Atkins Museum of Art, Kansas City, and the Smithsonian's National Museum of the American Indian. Namingha's work is also on view through April 5 at the Museum of Indian Arts and Culture, Santa Fe in "Essential Elements: Art, Environment, and Indigenous Futures." The El Paso Museum of Art and the IAIA Museum of Contemporary Native Arts, Santa Fe have featured solo exhibitions of his work; he's been in group shows at museums such as the Minneapolis Institute of Arts, the Metropolitan Museum of Art, New York, and the Hood Museum of Art, Dartmouth College. Instagram: Woody De Othello, Jason Garcia, Michael Namingha, Tyler Green. Air date: January 22, 2026.

Episode No. 741 features curator Ed Schad and critic Gabriella Nugent. Schad is the curator of "Robert Therrien: This is a Story" at The Broad in Los Angeles. The retrospective presents Therrien's meditations on scale and material, while revealing Therrien's repeatedly mined vocabulary of forms and symbols. The exhibition is on view through April 5. The Broad published a fine catalogue to accompany the show. Amazon and Bookshop offer it for $50-55. Nugent is a London-based art historian and curator who routinely publishes essays in Burlington Contemporary and Art Monthly. She particularly discusses her recent essay "On the problem of artists' biographies in exhibitions," which was published in Burlington Contemporary in December 2025. Instagram: Ed Schad, Gabriella Nugent, Tyler Green. Air date: January 15, 2026. 

Episode No. 740 features artist Firelei Báez and curators Charlene Foggie-Barnett and Dan Leers. The MCA Chicago is presenting "Firelei Báez," the first North American mid-career survey of the artist's paintings and installations. Báez's work often explores the legacies of colonialism across the American and the African diaspora, in the Caribbean, and beyond. Her works are often explosively colorful and use complex and layered materials, including archival material and paint, to unsettle fixed categories and historical events. The exhibition was curated by Eva Respini with Tessa Bachi Haas; the MCA Chicago presentation was organized by Carla Acevedo-Yates with Cecelia González Godino and Iris Colburn. It is on view through May 31. A catalogue was published by the Institute of Contemporary Art/Boston in association with DelMonico Books. It is available from Amazon and Bookshop for $36-56. Institutions that have previously presented major Báez exhibitions include the Louisiana Museum of Modern Art in Copenhagen, The Momentary in Bentonville, Ark., the Witte de With Center for Contemporary Art in Rotterdam, The Schomburg Center for Research in Black Culture and The Studio Museum in Harlem, and the Pérez Art Museum Miami. Foggie-Barnett and Leers are the co-curators of "Black Photojournalism" at the Carnegie Museum of Art in Pittsburgh. The exhibition presents work by nearly 60 photographers chronicling historic events and daily life in the United States between 1945 and 1984. The exhibition was designed by David Hartt. It is on view through January 19, before traveling to the Amon Carter Museum of American Art in Fort Worth. An excellent catalogue was published by the Carnegie. Amazon and Bookshop offer it for about $60. In addition to the video below, the CMOA has produced an outstanding podcast series to accompany the show. Instagram: Firelei Báez, Charlene Foggie-Barnett, Tyler Green.

Episode No. 738 is a holiday clips episode featuring artist Wafaa Bilal. Earlier this year the MCA Chicago presented "Wafaa Bilal: Indulge Me," the first major survey of Bilal's work. Across his genres-busting career, the Iraqi-American Bilal has made performances, sculptures and related digital presentations that have interrogated the United States' relationship with and conduct within Iraq, the Middle East, and broader geopolitics. Bilal's work also investigates the notion of cultural cannibalism, the ways in which the culture of one people may be used, disassembled, and consumed by another. "Indulge Me" was curated by Bana Kattan. An invaluable catalogue was published by the MCA. Amazon and Bookshop offer it for $20-32. Bilal's work is in the collections of museums as unalike as the Los Angeles County Museum of Art and Mathaf: Arab Museum of Modern Art Qatar. His work has been included in exhibitions at the Sharjah Art Foundation, Sharjah UAE; the Art Gallery at NYU Abu Dhabi; and the 2015 Venice Biennale. For images, please see Episode No. 704. Instagram: Wafaa Bilal, Tyler Green.

Episode No. 736 features artist Dyani White Hawk. The Walker Art Center in Minneapolis is presenting "Dyani White Hawk: Love Language," a 15-year survey of White Hawk's career. The exhibition spotlights how White Hawk (Sičáŋǧu Lakota) has foregrounded Lakota forms and motifs to challenge prevailing histories and practices around abstract art. The exhibition was curated by Siri Engberg and Tarah Hogue with Brandon Eng. The Walker has published an excellent catalogue; Amazon and Bookshop offer it for around $50. After closing at the Walker on February 15, "Love Language" will travel to the Remai Modern in Saskatoon, Saskatchewan. White Hawk's work is in the collection of institutions such as the Walker, the Solomon R. Guggenheim Museum, New York; the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington; the Museum of Modern Art, New York; and the Whitney Museum of American Art, New York. White Hawk was previously a guest on Episode No. 610 of The MAN Podcast. Instagram: Dyani White Hawk, Tyler Green. Air date: December 11, 2025.

Episode No. 735 features curators Dan Nadel and Laura Phipps, and curator Alexander J. Noelle. With Elizabeth Sussman and Scott Rothkopf, Nadel and Phipps are the co-curators of "Sixties Surreal" at the Whitney Museum of American Art, New York. The exhibition works to complicate the march of -isms which, outside the academy and too few art museums, has too often ossified into the the era's US art history. "Sixties Surreal" offers some of the ways in which artists working around the US (and not only in New York or for its market) mined surrealist thought and theory to help them reckon with the era's sociopolitical extremes. The exhibition is on view through January 19, 2026. The thought-provoking exhibition catalogue was published by the Whitney. Amazon and Bookshop offer it for about $40-45. Also, Nadel and Phipps have made a 113-song Spotify playlist to accompany the show. The Cleveland Museum of Art's remarkable autumn of major Italian Renaissance presentations continues with Noelle's "Filippino Lippi and Rome," a look at the Florentine's painter's work in and informed by travel to Rome. The impetus for the exhibition was Cleveland's own tondo The Holy Family with Saint John the Baptist and Saint Margaret (ca. 1488-93), a masterpiece and the only known independent work that Filippino produced in Rome. Filippino is the son of the famed Fra Filippo Lippi, and apprenticed and collaborated with Sandro Botticelli before working on his own. "Lippi and Rome" is on view through February 22, 2026. A superb catalogue was published by the museum. Amazon and Bookshop offer it for $40. Several months ago the Cleveland Museum of Art debuted Giambologna's Fata Morgana, a high-profile acquisition of a rare Giambologna marble sculpture. Instagram: Dan Nadel, Laura Phipps, Alexander J. Noelle, and Tyler Green.

Episode No. 734 is a Thanksgiving weekend clips program featuring artist Aliza Nisenbaum. The Des Moines Art Center is presenting "Aliza Nisenbaum: Día de los Muertos" through January 11, 2026. For the latest iteration of DMAC's annual Día de los Muertos celebration, and as the museum's Toni and Tim Urban International Artist-in-Residence, Nisenbaum created five paintings. The presentation was curated by Beth Gollnick. Earlier this fall, the Obama Presidential Center announced that it had commissioned a mural from Nisenbaum. Titled Reading Circles/ Weaving Dreams/ Seeding Futures, the mural will depict moments of civic life within a public library, offering a living portrait of community in action. This episode was taped in 2021. For images, please see Episode No. 522. Instagram: Aliza Nisenbaum, Tyler Green. Air date: November 26/27, 2025.

Episode No. 733 features curators Diana Seave Greenwald and Megan Fontanella. With Christina Michelon, Greenwald is the co-curator of "Allan Rohan Crite: Urban Glory" at the Isabella Stewart Gardner Museum and the Boston Athenaeum. Both presentations are on view through January 19, 2026. (Theodore Landsmark co-curated the ISGM presentation.) The exhibition surveys the career of Boston-based Crite, whose work spotlighted Boston neighborhoods such as Lower Roxbury and the South End, the challenges they faced from gentrification and so-called urban renewal, and Christianity.  A fine exhibition catalogue was published by the two institutions. Amazon and Bookshop offer it for $42. Fontanella is the curator of "Gabriele Münter: Contours of a World" at the Solomon R. Guggenheim Museum in New York. Across more than 50 paintings and almost 20 photographs, the exhibition survey's Münter's work and finds that it was involved in avant-garde presentations of landscape, still life, and portraiture. Fontanella curated the photography section of the exhibition with Victoria Horrocks. "Contours of a World" is on view through April 26, 2026. A catalogue was published by the Guggenheim. Amazon and Bookshop offer it for about $55. Instagram: Diana Seave Greenwald, Megan Fontanella, Tyler Green. Air date: November 20, 2025.

Episode No. 732 features artist Igshaan Adams and curator and Jenkintown, Penn. school board-electee Laura Igoe. The Hill Art Foundation, New York is presenting "Igshaan Adams: I've been here all along, I've been waiting" through December 20, 2025. The exhibition features work from the last 15 years of Adams' practice, and emphasizes how his work engages and serves his community. Adams tapestries and sculptures build from weaving traditions to make the routine, even mundane the subject of rich, detailed artworks. On the occasion of the exhibition, the Hill Art Foundation has published this essay by Siddhartha Mitter. Adams grew up in a Muslim-Christian household in the segregated suburb of Bonteheuwel in apartheid-era South Africa, and employs Bonteheuwel residents and family members in his studio. His work has been the subject of solo shows at the Institute of Contemporary Art, Boston; the Art Institute of Chicago; Kunsthalle Zurich, the Aarhus Art Museum, Denmark; and the Hayward Gallery, London. His work is in the permanent collection of museums such as the Moderna Museet, Stockholm, the Tate Modern, London, and Inhotim, Brumadinho, Brazil. Igoe, the chief curator of the Michener Art Museum, Doylestown, Penn. was just elected to the Jenkintown, Penn. school board. Instagram: Igshaan Adams, Laura Igoe, Tyler Green.

Episode No. 731 features artist Hew Locke. The Yale Center for British Art is presenting "Hew Locke: Passages," the first US survey of Locke's career. Across sculpture, painting, photography and installations, Locke's work considers colonialism, its power, and the ways in which we respond to colonialism and its impacts. Locke, who is Guyanese-British, particularly focuses on British imperialism and how it was constructed, including through monarchy, trade, and (sometimes forced) migration. The exhibition, which is on view through January 11, 2026, was curated by Martina Droth. The catalogue, which was edited by Droth and Allie Biswas, was published by the YCBA. Bookshop and Amazon offer it for $60-70. In-gallery materials are available here in both English and Spanish. Locke's work has been featured in solo exhibitions at The British Museum, London, the Metropolitan Museum of Art, New York, Tate Britain, London, the Institute of Contemporary Art / Boston, Pérez Art Museum Miami, and more. As discussed on the program: "Hew Locke: what have we here" at the British Museum; and "The Other Story: Afro-Asian Artists in Post-War Britain" at the Hayward Gallery, London. Instagram: Hew Locke, Tyler Green. Air date: November 6, 2025.

In a belated Halloween episode, we look back at Saban's ill-fated attempt at adapting The Addams Family, in which the titular family crashes a posh family reunion and uncovers a secret murder plot. Featuring Tim Curry giving a spot-on performance in the wrong movie, a reformed RJ Fletcher, and a certain No Escape cowboy gone rogue... --- Edited by Jacob Miller Show theme by Tyler Green and Andy HG Show logo by Marissa Thorburn

Episode No. 730 features author Amy Newman. Newman is the author of Barnett Newman: Here a biography out this week from Princeton University Press. The book presents Newman as devoted to art but initially unsure of what a Newman would be, as a dedicated, almost blindered New Yorker, and as an artist intensely interested in what US art had to contribute to the US national and global project. Amazon and Bookshop offer Newman for around $40. (It will be available in the UK in January 2026. Amy Newman and Barnett Newman are not related.) Newman is the author of the author of Challenging Art: "Artforum" 1962–1974 and the editor, with Irving Sandler, of Defining Modern Art: Selected Writings of Alfred H. Barr, Jr. Works discussed on the program include: Black With Yellow (Euclidian Abyss), 1946-47; Onement I, 1948; Two Edges, 1948; Onement VI, 1953; Here I, 1950; and Broken Obelisk, 1963-69. Instagram: Amy Newman, Tyler Green.

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Episode No. 729 features artists Justin Favela and David-Jeremiah. The Smithsonian American Art Museum's Renwick Gallery is presenting a commission from Favela titled Capilla de Maíz (Maize Chapel) through a not-yet determined date. The Favela makes the Renwick's grand salon gallery a fantastical space, complete with shimmering gold-fringed walls and piñata corncobs that highlight the role of maize in North American visual culture. It accompanies "State Fairs: Growing American Craft," an exhibition that details artists' contribution to the US tradition of state fairs that is on view at the Renwick through September 7, 2026. (The Renwick is temporarily closed because Republicans in the White House and on Capitol Hill have shut down the federal government.) Favela's work typically investigates Mexican or Latin American craft practices, especially cartoneria (more commonly known as piñata making). His work has been the subject of exhibitions at the Amon Carter Museum of American Art, Fort Worth, the Des Moines Art Center, the Contemporary Art Museum St. Louis, and more. The Modern Art Museum of Fort Worth is presenting "David-Jeremiah: The Fire this Time" through November 2. The exhibition presents a group of vertical assemblages of black and other polychromatic paintings on shaped wood that form an installation. The twenty-eight works stand over ten feet tall. The primary configuration surrounds viewers completely before giving way to a final suite of paintings featuring abstract assemblages that include references to fire. The exhibition was curated by Christopher Blay. A catalogue is available from MAMFW. David-Jeremiah's work reflects the artist's experience of Black masculinity in America. Previous David-Jeremiah solo exhibitions have been at the Clark Art Institute, Williamstown, Mass., and the Houston Museum of African American Culture; he has participated in group shows at institutions such as Project Row Houses, Houston. In 2020, David-Jeremiah received a Nasher Sculpture Center Artist Grant Award. Instagram: Justin Favela, David-Jeremiah, Tyler Green.

Episode No. 728 features curators Anna Lovatt and Kelly Montana, and artist/curator Pablo Helguera. Lovatt and Montana are the curators of "Lines of Resolution: Drawing at the Advent of Television and Video" at the Menil Drawing Institute, Houston. The exhibition examines the intersection of drawing, television, and video from the late 1950s into the 1980s. "Lines of Resolution" features the work of 25 artists, including Nam June Paik, Howardena Pindell, Sigmar Polke, and Joan Jonas. It is on view through February 8, 2026. A fascinating catalogue was published by the Menil. Amazon and Bookshop offer it for about $35-40. In addition to the works shown below, works discussed on the program include: Ulrike Rosenbach, Bonnet Drawing, 1972. Catherine Elwes, Two Drawings on Glass, 1978. Along with representatives from the Museum of Contemporary Art Chicago's curatorial and learning teams, Helguera is the co-curator of "Collection in Conversation with Pablo Helguera," which is at the MCA through July 5, 2026. The exhibition is the product of questions that Helguera, a New York-based artist and educator, posed to a group of 20 Chicago artists, writers, activists, and educators in the fall of 2024. It's on view through July 5, 2026. In addition to the works shown below, works discussed on the program include: Susan Philipsz, We Shall Be All, 2011.  Public Collectors, QUARANZINE: A printed space for work produced during the COVID-19 pandemic, 2020.  Instagram: Pablo Helguera, Tyler Green.

Episode No. 727 is a holiday weekend clips episode featuring artist Andrea Carlson. The Denver Art Museum just opened "Andrea Carlson: A Constant Sky," a mid-career survey. The exhibition spotlights how Carlson, who is Ojibwe and of European settler descent, creates works that challenge the colonial narratives presented by modern artists, museum collections, and cannibal genre horror films, all in ways that challenge and depart from the US landscape tradition. The exhibition was curated by Dakota Hoska, and will remain on view through February 16, 2026. The exhibition catalogue was published by Scala, Amazon and Bookshop offer it for $30-35. Museums that have featured solo exhibitions of Carlson's work include the Smithsonian's National Museum of the American Indian, New York, and the Minneapolis Institute of Art. Her work is in the collection of museums such as the National Gallery of Canada, Ottawa, the Walker Art Center, Minneapolis, the Whitney Museum of American Art, New York, and the Denver Art Museum. She is also the co-founder of the Center for Native Futures in Chicago. This program was taped on the occasion of Carlson's 2024 solo exhibition at the MCA Chicago. For images, please see Episode No. 677. Instagram: Andrea Carlson, Tyler Green.

Episode No. 726 features artist Danielle Joy Mckinney. The Rose Art Museum at Brandeis University is presenting "Danille Mckinney: Tell Me More" through January 4, 2026. The exhibition, Mckinney's first solo presentation in a US museum, spotlights Mckinney's introspective explorations of Black womanhood. It was curated by Gannit Ankori. Concurrently, Galerie Max Hetzler is presenting Mckinney's work in "Second Wind" in London through November 1. Mckinney has been featured in exhibitions at the Philadelphia Museum of Art, the Kunstmuseum Basel, the Bemis Center for Contemporary Arts in Omaha, the Modern Art Museum of Fort Worth, and many more. Her work is in the collection of museums such as the Buffalo AKG Art Museum, the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, the Los Angeles County Museum of Art, the Moderna Museet, Stockholm, the Stedelijk Museum, Amsterdam, and The Studio Museum in Harlem, New York. Instagram: Danielle Joy Mckinney, Tyler Green.

This show is part of Freetrail's coverage of the 2025 World Mountain & Trail Running Championships. Our shows and athlete interviews are hosted by Dylan Bowman who sits down to talk with some of the favorites from Team USA who are racing this year.   Dylan sits down with Tyler Green (All Conditions Racing Department) in advance of his race at the 2025 World Championships. Tyler is racing the Long Trail on Saturday.   Make sure to tune into all of Freetrail's coverage leading into the 2025 World Championships: Tuesday September 23rd: Top 10 Storylines of the 2025 World Championships Wednesday September 24th: Opening Ceremony Recap + Uphill Preview Thursday September 25th: Uphill Recap + Short Trail Preview Friday September 26th: Short Trail Recap + Long Trail Preview Saturday September 27th: Long Trail Recap + Classic Preview Sunday September 28th: Short Trail Recap + Worlds Week Wrap Up Make sure to play Freetrail's own fantasy trail running at https://fantasy.freetrail.com/events for a chance to win sweet prizes including Freetrail swag and special items from our partners at Nike ACG!   Our 2025 World Championships coverage is brought to you by Nike ACG (All Conditions Gear). Make sure to check out All Conditions Gear footwear and apparel. All Conditions Gear is the official partner of USA Team and the Racing Department. All Conditions Gear is designed, tested, and made on planet earth specifically for trail running. You can learn more and check out the latest ACG gear at allconditionsgear.com We're super grateful for their support!    Freetrail Links:  Website | https://freetrail.com/ Freetrail Pro | https://freetrail.com/pro/ Patreon |   / dylanbowman   Instagram | https://www.instagram.com/runfreetrai... YouTube |    / @freetrail   Freetrail Experts | https://freetrail.com/experts/   Dylan Links:  Instagram | https://www.instagram.com/dylanbo/?hl=en Twitter | https://twitter.com/dylanbo?lang=en LinkedIn |   / dylan-bowman-06174380  

Episode No. 725 features curators Philip Brookman and Deborah Willis (and a cameo, of sorts, from artist Anthony Barboza). Brookman and Willis are the co-curators of "Photography and the Black Arts Movement, 1955-85" at the National Gallery of Art, Washington. The exhibition considers photography's engagement with the post-war cultural and aesthetic movement that celebrated Black history, identity, and beauty, and which often influenced the broader civil rights movement of which it was a part. The exhibition features 150 works from photographers and other artists who used photography in their work, such as in collage or assemblage. It is on view through January 11, 2026. An excellent catalogue was published by the NGA In association with Yale University Press. Amazon and Bookshop offer it for about $60. Instagram: Philip Brookman, Anthony Barboza, Deborah Willis, Tyler Green. Air date: September 25, 2025.

Episode No. 723 features curator Michelle White and artist Nanette Carter. White is the curator of "Robert Rauschenberg: Fabric Works of the 1970s" at The Menil Collection, Houston. The exhibition considers Rauschenberg's conceptual, expressive use of fabric as a medium through a focus on three groups of works from the 1970s: Venetians (1972-73), Jammers (1975-76), and Hoarfrosts (1974-76). It is on view through March 1, 2026. "Fabric" is accompanied by an excellent catalogue published by the Menil. Amazon and Bookshop offer it for $60-65. The Wexner Center for the Arts at The Ohio State University is presenting "Nanette Carter: Afro Sentinels" through January 11, 2026. The exhibition features works Carter has made over the last decade, including work from her Cantilevered, Destabilizing, and Shifting Perspectives series, plus new sculptural works commissioned by the Wexner. It was curated by Rebecca Lowery. Carter's abstract collages, produced in Mylar, often engage with contemporary social issues. The Montclair Art Museum presented a retrospective of Carter's career last year. As discussed on the program: Carter's 2021 oral history for the Archives of American Art. Instagram: Michelle White, Nanette Carter, Tyler Green. Air date: September 11, 2025.

Episode No. 722 features museum director and human rights activist Ann Burroughs, and curator Cory Korkow. Burroughs is the director of the Japanese American National Museum, Los Angeles, which has led the museum sector in resisting Trumpism and the rise of fascism in the United States. Even as many US institutions capitulated when the Trump administration demanded a return to racist and white supremacist policies and practices, JANM stood by its diversity and equity foci and programs. Over the summer, armed and often masked  Border Patrol agents conducted what appeared to be an operation aimed at intimidating speakers at a program at the museum's Daniel K. Inouye National Center for the Preservation of Democracy, including at a press conference held by California Gov. Gavin Newsom. The museum aggressively resisted the federal show of force, drawing lines between illegal federal actions in 1942 and the present. JANM's mission is "to promote understanding and appreciation of America's ethnic and cultural diversity by sharing the Japanese American experience." Its collections and programs feature art and art's history. The museum holds work by and the archives of artists such as Hisako Hibi, George Hoshida, Estelle Ishigo, Henry Sugimoto, Chikashi Tanaka, Kango Takamura, and Jack Iwata. In addition to leading JANM, Burroughs is the two-time former chairperson of the board of Amnesty International USA, the chair of the Amnesty International Global Assembly, and presently sits on the board of Amnesty International. As mentioned on the program: Burroughs' op-ed for the American Alliance of Museums; and JANM's "History Unpacked" program. Korkow helped lead the Cleveland Museum of Art's acquisition and initial installation of Giambologna's Fata Morgana (ca. 1572), which had been the last of the roughly dozen marble sculptures made by the artist remaining in private hands. Giambologna made the sculpture for installation in a fountain at Bernardo Vecchietti's Villa il Reposo in Bagno a Ripoli, Italy. Instagram: Cory Korkow, Tyler Green. Air date: September 4, 2025.