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5 episodes with painting and sculpture
6 episodes with painting and sculpture
3 episodes with painting and sculpture
2 episodes with painting and sculpture
2 episodes with painting and sculpture
2 episodes with painting and sculpture
2 episodes with painting and sculpture
2 episodes with painting and sculpture
UC Davis is commemorating the 30th anniversary of the campus' iconic Egghead sculptures in 2024. As part of the celebration, this documentary tells the tale of the UC Davis art department — from its founding artists to the present faculty and students who follow in the founders' footsteps. The first-generation artists built their community in the ceramics building known as TB 9, or Temporary Building 9, and ignited an art revolution. Part one of the three-part series looks at the cultural upheaval pervading the U.S. in the 1970s and its influence on the art faculty and students. Stay tuned for part two about founding artist Robert Arneson's legendary legacy and his distinctive Egghead sculptures — the beloved symbols of UC Davis. Series: "UC Davis News" [Humanities] [Arts and Music] [Show ID: 40182]
UC Davis is commemorating the 30th anniversary of the campus' iconic Egghead sculptures in 2024. As part of the celebration, this documentary tells the tale of the UC Davis art department — from its founding artists to the present faculty and students who follow in the founders' footsteps. The first-generation artists built their community in the ceramics building known as TB 9, or Temporary Building 9, and ignited an art revolution. Part one of the three-part series looks at the cultural upheaval pervading the U.S. in the 1970s and its influence on the art faculty and students. Stay tuned for part two about founding artist Robert Arneson's legendary legacy and his distinctive Egghead sculptures — the beloved symbols of UC Davis. Series: "UC Davis News" [Humanities] [Arts and Music] [Show ID: 40182]
UC Davis is commemorating the 30th anniversary of the campus' iconic Egghead sculptures in 2024. As part of the celebration, this documentary tells the tale of the UC Davis art department — from its founding artists to the present faculty and students who follow in the founders' footsteps. The first-generation artists built their community in the ceramics building known as TB 9, or Temporary Building 9, and ignited an art revolution. Part one of the three-part series looks at the cultural upheaval pervading the U.S. in the 1970s and its influence on the art faculty and students. Stay tuned for part two about founding artist Robert Arneson's legendary legacy and his distinctive Egghead sculptures — the beloved symbols of UC Davis. Series: "UC Davis News" [Humanities] [Arts and Music] [Show ID: 40182]
Nalini Malani is the 2023 Kyoto Prize Laureate in Arts and Philosophy. Using a variety of mediums including theater videos and mixed media installations, Malani is considered to be part of India's first generation of video artists. She is known for employing stop motion, erasure animations, reverse paintings and digital animations as tools for her craft. Her artwork is influenced by her family's experience of migration to the partition of India, but also showcases pressing feminist issues are part of her creativity. Malani's most recent installation, "My Reality is Different" uses the metaphor of the mythical figure of Cassandra who could foresee true prophecies but was never believed. This female side of the human psyche can open our eyes, and if therein the prognosis of the future is not suppressed, one can make sense of this life and steer it into a different, more humane direction, with the formulation of new civilizational values. Series: "Kyoto Prize Symposium" [Arts and Music] [Show ID: 39425]
Nalini Malani is the 2023 Kyoto Prize Laureate in Arts and Philosophy. Using a variety of mediums including theater videos and mixed media installations, Malani is considered to be part of India's first generation of video artists. She is known for employing stop motion, erasure animations, reverse paintings and digital animations as tools for her craft. Her artwork is influenced by her family's experience of migration to the partition of India, but also showcases pressing feminist issues are part of her creativity. Malani's most recent installation, "My Reality is Different" uses the metaphor of the mythical figure of Cassandra who could foresee true prophecies but was never believed. This female side of the human psyche can open our eyes, and if therein the prognosis of the future is not suppressed, one can make sense of this life and steer it into a different, more humane direction, with the formulation of new civilizational values. Series: "Kyoto Prize Symposium" [Humanities] [Arts and Music] [Show ID: 39425]
Nalini Malani is the 2023 Kyoto Prize Laureate in Arts and Philosophy. Using a variety of mediums including theater videos and mixed media installations, Malani is considered to be part of India's first generation of video artists. She is known for employing stop motion, erasure animations, reverse paintings and digital animations as tools for her craft. Her artwork is influenced by her family's experience of migration to the partition of India, but also showcases pressing feminist issues are part of her creativity. Malani's most recent installation, "My Reality is Different" uses the metaphor of the mythical figure of Cassandra who could foresee true prophecies but was never believed. This female side of the human psyche can open our eyes, and if therein the prognosis of the future is not suppressed, one can make sense of this life and steer it into a different, more humane direction, with the formulation of new civilizational values. Series: "Kyoto Prize Symposium" [Arts and Music] [Show ID: 39425]
Nalini Malani is the 2023 Kyoto Prize Laureate in Arts and Philosophy. Using a variety of mediums including theater videos and mixed media installations, Malani is considered to be part of India's first generation of video artists. She is known for employing stop motion, erasure animations, reverse paintings and digital animations as tools for her craft. Her artwork is influenced by her family's experience of migration to the partition of India, but also showcases pressing feminist issues are part of her creativity. Malani's most recent installation, "My Reality is Different" uses the metaphor of the mythical figure of Cassandra who could foresee true prophecies but was never believed. This female side of the human psyche can open our eyes, and if therein the prognosis of the future is not suppressed, one can make sense of this life and steer it into a different, more humane direction, with the formulation of new civilizational values. Series: "Kyoto Prize Symposium" [Arts and Music] [Show ID: 39425]
Malika Browne talks to former art critic Ian Dunlop about the landmark art show for Swinging London at the Tate, in 1964 for which the museum's Duveen Galleries were turned into a claustrophobic labyrinth of new art from America and Europe, putting London firmly on the art map.Further reading:The Shock of the New: Seven Historic Exhibitions of Modern Art by Ian Dunlop, 1972 This is an Ictus Media production, edited by Leo HornakLondon's New Scene: Art and Culture in the 1960s by Professor Lisa Tickner, Yale University Press in 2020.Watching: Pop Goes the Easel by Ken Russell, 1962Blow Up by Michelangelo Antonioni, 1966 Hosted on Acast. See acast.com/privacy for more information.
Did you know that Frida Kahlo loved to sing? This concert features a selection of her favorite songs from the 1930s and 1940s. The concert is part of the San Diego Opera's world premiere of "El último sueño de Frida y Diego" ("The Last Dream of Frida and Diego") by Grammy Award–winning composer Gabriela Lena Frank and Pulitzer Prize–winning librettist Nilo Cruz. [Arts and Music] [Show ID: 38456]
Did you know that Frida Kahlo loved to sing? This concert features a selection of her favorite songs from the 1930s and 1940s. The concert is part of the San Diego Opera's world premiere of "El último sueño de Frida y Diego" ("The Last Dream of Frida and Diego") by Grammy Award–winning composer Gabriela Lena Frank and Pulitzer Prize–winning librettist Nilo Cruz. [Arts and Music] [Show ID: 38456]
Did you know that Frida Kahlo loved to sing? This concert features a selection of her favorite songs from the 1930s and 1940s. The concert is part of the San Diego Opera's world premiere of "El último sueño de Frida y Diego" ("The Last Dream of Frida and Diego") by Grammy Award–winning composer Gabriela Lena Frank and Pulitzer Prize–winning librettist Nilo Cruz. [Arts and Music] [Show ID: 38456]
A conversation with Ann Temkin, the Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture at the Museum of Modern Art in New York. Our conversation focuses on MoMA's current exhibit “Matisse: The Red Studio” which revolves around the iconic painting of the same name that has been an integral part of MoMA's collection since 1949. Ann spent more than four years researching, writing about and compiling the exhibit which features the Matisse artworks seen on the walls and tabletops of the studio in the painting. We discuss the work's historical context, its significance, the secrets it holds and the hunt for all of the works in the scene.
This episode is also available as a blog post: https://thecitylife.org/2022/03/25/cy-twombly-barry-x-ball-a-history-of-painting-and-sculpture/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support
Throughout Nepal, large freight trucks painted by artists provide special visual entertainment for travelers along the highways and dangerous mountain roads of the Himalayas. These creatively painted scenes and sayings can be clever, witty and even profound - offering food for thought to the viewer. Former Peace Corps volunteer and UC San Diego lecturer emeritus Ron Ranson, along with filmmaker Sudarson Karki, document the Nepali custom of painting trucks with icons of their country, spiritual life, European sports teams and even major movies like "Titanic." [Humanities] [Arts and Music] [Show ID: 37685]
Throughout Nepal, large freight trucks painted by artists provide special visual entertainment for travelers along the highways and dangerous mountain roads of the Himalayas. These creatively painted scenes and sayings can be clever, witty and even profound - offering food for thought to the viewer. Former Peace Corps volunteer and UC San Diego lecturer emeritus Ron Ranson, along with filmmaker Sudarson Karki, document the Nepali custom of painting trucks with icons of their country, spiritual life, European sports teams and even major movies like "Titanic." [Humanities] [Arts and Music] [Show ID: 37685]
Throughout Nepal, large freight trucks painted by artists provide special visual entertainment for travelers along the highways and dangerous mountain roads of the Himalayas. These creatively painted scenes and sayings can be clever, witty and even profound - offering food for thought to the viewer. Former Peace Corps volunteer and UC San Diego lecturer emeritus Ron Ranson, along with filmmaker Sudarson Karki, document the Nepali custom of painting trucks with icons of their country, spiritual life, European sports teams and even major movies like "Titanic." [Humanities] [Arts and Music] [Show ID: 37685]
Alexis Smith originally created the mural "Same Old Paradise" in 1986 for temporary display at the Brooklyn Museum, after which it was stored for over 30 years. Now the massive mural - 62 feet long and 22 feet tall - has been permanently installed at the North Torrey Pines Living & Learning Neighborhood as part of UC San Diego's Stuart Collection. "Same Old Paradise" also served as the inspiration for Smith's "Snake Path," one of the collections most iconic works. Series: "Stuart Collection at UC San Diego" [Arts and Music] [Show ID: 36631]
Alexis Smith originally created the mural "Same Old Paradise" in 1986 for temporary display at the Brooklyn Museum, after which it was stored for over 30 years. Now the massive mural - 62 feet long and 22 feet tall - has been permanently installed at the North Torrey Pines Living & Learning Neighborhood as part of UC San Diego's Stuart Collection. "Same Old Paradise" also served as the inspiration for Smith's "Snake Path," one of the collections most iconic works. Series: "Stuart Collection at UC San Diego" [Arts and Music] [Show ID: 36631]
Alexis Smith originally created the mural "Same Old Paradise" in 1986 for temporary display at the Brooklyn Museum, after which it was stored for over 30 years. Now the massive mural - 62 feet long and 22 feet tall - has been permanently installed at the North Torrey Pines Living & Learning Neighborhood as part of UC San Diego's Stuart Collection. "Same Old Paradise" also served as the inspiration for Smith's "Snake Path," one of the collections most iconic works. Series: "Stuart Collection at UC San Diego" [Arts and Music] [Show ID: 36631]
Alexis Smith originally created the mural "Same Old Paradise" in 1986 for temporary display at the Brooklyn Museum, after which it was stored for over 30 years. Now the massive mural - 62 feet long and 22 feet tall - has been permanently installed at the North Torrey Pines Living & Learning Neighborhood as part of UC San Diego's Stuart Collection. "Same Old Paradise" also served as the inspiration for Smith's "Snake Path," one of the collections most iconic works. Series: "Stuart Collection at UC San Diego" [Arts and Music] [Show ID: 36631]
Alexis Smith originally created the mural "Same Old Paradise" in 1986 for temporary display at the Brooklyn Museum, after which it was stored for over 30 years. Now the massive mural - 62 feet long and 22 feet tall - has been permanently installed at the North Torrey Pines Living & Learning Neighborhood as part of UC San Diego's Stuart Collection. "Same Old Paradise" also served as the inspiration for Smith's "Snake Path," one of the collections most iconic works. Series: "Stuart Collection at UC San Diego" [Arts and Music] [Show ID: 36631]
Alexis Smith originally created the mural "Same Old Paradise" in 1986 for temporary display at the Brooklyn Museum, after which it was stored for over 30 years. Now the massive mural - 62 feet long and 22 feet tall - has been permanently installed at the North Torrey Pines Living & Learning Neighborhood as part of UC San Diego's Stuart Collection. "Same Old Paradise" also served as the inspiration for Smith's "Snake Path," one of the collections most iconic works. Series: "Stuart Collection at UC San Diego" [Arts and Music] [Show ID: 36631]
In 1960 a young American art student named Patricia Patterson first traveled to Inishmore, largest of the Aran Islands off the west coast of Ireland. The windswept landscape and its ancient culture made a deep and lasting impression, as did the relationships she developed during many visits and prolonged stays in the years since. Patterson has continued to draw on her vivid memories of Aran as inspiration for paintings and sketches. Series: "Portrait of the Artist" [Arts and Music] [Show ID: 34756]
In 1960 a young American art student named Patricia Patterson first traveled to Inishmore, largest of the Aran Islands off the west coast of Ireland. The windswept landscape and its ancient culture made a deep and lasting impression, as did the relationships she developed during many visits and prolonged stays in the years since. Patterson has continued to draw on her vivid memories of Aran as inspiration for paintings and sketches. Series: "Portrait of the Artist" [Arts and Music] [Show ID: 34756]
In 1960 a young American art student named Patricia Patterson first traveled to Inishmore, largest of the Aran Islands off the west coast of Ireland. The windswept landscape and its ancient culture made a deep and lasting impression, as did the relationships she developed during many visits and prolonged stays in the years since. Patterson has continued to draw on her vivid memories of Aran as inspiration for paintings and sketches. Series: "Portrait of the Artist" [Arts and Music] [Show ID: 34756]
In 1960 a young American art student named Patricia Patterson first traveled to Inishmore, largest of the Aran Islands off the west coast of Ireland. The windswept landscape and its ancient culture made a deep and lasting impression, as did the relationships she developed during many visits and prolonged stays in the years since. Patterson has continued to draw on her vivid memories of Aran as inspiration for paintings and sketches. Series: "Portrait of the Artist" [Arts and Music] [Show ID: 34756]
Lynda Benglis’s work generally exists in an indefinable space between painting and sculpture, and explores metaphorical and biomorphic shapes as well as the materiality of the surface.
Nest Inspired 3D printed/3D woven architectural Installation by Berkeley students Series: "UC Berkeley News" [Arts and Music] [Show ID: 32683]
Nest Inspired 3D printed/3D woven architectural Installation by Berkeley students Series: "UC Berkeley News" [Arts and Music] [Show ID: 32683]
Emily speaks to her role as a Curatorial assistant at MOMA, and her work on the Robert Rauschenberg retrospective Among Friends. We also discuss the work of Eleanor Anton and the exhibition Multiple Occupancy: Eleanor Antin's "Selves", curated by Emily in 2013.
“She is Fierce: The Art of Joyce Cutler-Shaw” is an exploration of the multimedia artist’s expansive and diverse body of work, featuring commentary from colleagues and an in-depth interview with Cutler-Shaw. Throughout her long career the art of Joyce Cutler-Shaw has taken on a wide spectrum of forms, from melting iconic “ice words” and reflective light sculptures to installations and public commissions to intricately drawn depictions of the human form. Her subjects are human identity and the natural world; her themes are evolution and survival - from reptile into bird, from mammal to human, and from human, perhaps, to humane. But always at her art’s core, according to Cutler-Shaw, is her use of drawing “as a way of knowing, as a mode of inquiry, as a visual language.” Her “word images” have been central motifs, informing her works from the outset. Culter-Shaw’s works are exhibited in museums and library collections worldwide. Series: "Portrait of the Artist" [Arts and Music] [Show ID: 31162]
“She is Fierce: The Art of Joyce Cutler-Shaw” is an exploration of the multimedia artist’s expansive and diverse body of work, featuring commentary from colleagues and an in-depth interview with Cutler-Shaw. Throughout her long career the art of Joyce Cutler-Shaw has taken on a wide spectrum of forms, from melting iconic “ice words” and reflective light sculptures to installations and public commissions to intricately drawn depictions of the human form. Her subjects are human identity and the natural world; her themes are evolution and survival - from reptile into bird, from mammal to human, and from human, perhaps, to humane. But always at her art’s core, according to Cutler-Shaw, is her use of drawing “as a way of knowing, as a mode of inquiry, as a visual language.” Her “word images” have been central motifs, informing her works from the outset. Culter-Shaw’s works are exhibited in museums and library collections worldwide. Series: "Portrait of the Artist" [Arts and Music] [Show ID: 31162]
Established in 1982, the Stuart Collection at UC San Diego is a unique assembly of commissioned works by leading contemporary artists, including Niki de Saint Phalle, Robert Irwin, Bruce Nauman, and William Wegman. Each project is tailored for a specific site on the 1200-acre campus, and the diversity of forms, materials, and scale reflect and enhance the topographical and architectural distinctiveness of UC San Diego. Many of the artists who have designed works for the Collection are seldom represented in public sculpture collections and a significant number of the artists were better known for work in other media before creating their first permanent outdoor sculpture for the Stuart Collection. Series: "Stuart Collection" [Humanities] [Arts and Music] [Show ID: 27754]
Established in 1982, the Stuart Collection at UC San Diego is a unique assembly of commissioned works by leading contemporary artists, including Niki de Saint Phalle, Robert Irwin, Bruce Nauman, and William Wegman. Each project is tailored for a specific site on the 1200-acre campus, and the diversity of forms, materials, and scale reflect and enhance the topographical and architectural distinctiveness of UC San Diego. Many of the artists who have designed works for the Collection are seldom represented in public sculpture collections and a significant number of the artists were better known for work in other media before creating their first permanent outdoor sculpture for the Stuart Collection. Series: "Stuart Collection" [Humanities] [Arts and Music] [Show ID: 27754]
Established in 1982, the Stuart Collection at UC San Diego is a unique assembly of commissioned works by leading contemporary artists, including Niki de Saint Phalle, Robert Irwin, Bruce Nauman, and William Wegman. Each project is tailored for a specific site on the 1200-acre campus, and the diversity of forms, materials, and scale reflect and enhance the topographical and architectural distinctiveness of UC San Diego. Many of the artists who have designed works for the Collection are seldom represented in public sculpture collections and a significant number of the artists were better known for work in other media before creating their first permanent outdoor sculpture for the Stuart Collection. Series: "Stuart Collection" [Humanities] [Arts and Music] [Show ID: 27754]
Established in 1982, the Stuart Collection at UC San Diego is a unique assembly of commissioned works by leading contemporary artists, including Niki de Saint Phalle, Robert Irwin, Bruce Nauman, and William Wegman. Each project is tailored for a specific site on the 1200-acre campus, and the diversity of forms, materials, and scale reflect and enhance the topographical and architectural distinctiveness of UC San Diego. Many of the artists who have designed works for the Collection are seldom represented in public sculpture collections and a significant number of the artists were better known for work in other media before creating their first permanent outdoor sculpture for the Stuart Collection. Series: "Stuart Collection" [Humanities] [Arts and Music] [Show ID: 27754]
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