Podcast appearances and mentions of Frida Kahlo

Britain's governing Labour Party has officially declared Andy Burnham its new leader paving the way for him to replace Keir Starmer as prime minister. In his first speech as leader, he pledged to 'bring back hope'. China's President Xi Jinping has called for global cooperation on the development of artificial intelligence to mitigate the risks it poses. India has begun operating its first ever hydrogen-powered train; it's hoped the green technology will help modernise one of the world's biggest rail networks. The Japanese parliament has approved a bill to relax imperial succession rules, amid concerns over the dwindling size of the imperial family. But it does not change the law barring women from ascending to the throne. An angry crowd has reportedly attacked a hospital housing an Ebola treatment centre, in the Democratic Republic of Congo, forcing patients and health workers to flee. A UK study of a minimally-invasive treatment for prostate cancer has found it is as effective as surgery or radiotherapy - but with far fewer side-effects. For the first time, astronomers have detected an atmosphere around an Earth-like rocky planet that could have water on its surface. And the great niece of the acclaimed Mexican artist Frida Kahlo expresses concern that the growing hype and merchandise connected with her image, might detract from her art. The Global News Podcast brings you the breaking news you need to hear, as it happens. Listen for the latest headlines and current affairs from around the world. Politics, economics, climate, business, technology, health – we cover it all with expert analysis and insight. Get the news that matters, delivered twice a day on weekdays and daily at weekends, plus special bonus episodes reacting to urgent breaking stories. Follow or subscribe now and never miss a moment. Get in touch: globalpodcast@bbc.co.uk Photo: Henry Nicholls/ Reuters Credit: Andy Burnham reacts as he speaks after being confirmed as the Labour Party's new leader and the country's next Prime Minister

The trials, tribulations and beauty of possessing a body, featuring poems by Jane Ellen Glasser, Susan Okie, Don Thompson, Joyce LaMers, and Larnell Custis Butler.Support the show

Der Blumenschmuck, die Monobraue und der leichte Oberlippenbart sind zu ihren Markenzeichen geworden und haben sie zu einer Ikone gemacht: Frida Kahlo. Warum fasziniert sie bis heute? Kunst und Leben – der Monopol-Podcast ist der Kunst-Podcast von detektor.fm und dem Monopol Magazin. Den kostenlosen Monopol-Newsletter gibt’s auf https://www.monopol-magazin.de/ Weiterführende Infos zur Manifesta 16 Ruhr gibt’s hier: https://manifesta16.org/de WERBUNG Die „Kreativorte im Grünen“ in Sachsen-Anhalt sind individuelle und zukunftsweisende Wohn- und Arbeitsprojekte, die den Leerstand umnutzen und Raum für Kreativität im Ländlichen bieten. Mehr Infos auf kreativorte-im-gruenen.de. Erlebt die Opernfestspiele am Saarpolygon vom 13. – 30. August mit einer Neuproduktion der „West Side Story“! Imposanter Schauplatz ist die Bergehalde Duhamel im Saarland. Alle Infos und Tickets gibt es auf opernfestspiele-saarpolygon.de. Hier entlang geht’s zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/kunst-und-leben ➡️ Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-frida-kahlo

Der Blumenschmuck, die Monobraue und der leichte Oberlippenbart sind zu ihren Markenzeichen geworden und haben sie zu einer Ikone gemacht: Frida Kahlo. Warum fasziniert sie bis heute? Kunst und Leben – der Monopol-Podcast ist der Kunst-Podcast von detektor.fm und dem Monopol Magazin. Den kostenlosen Monopol-Newsletter gibt’s auf https://www.monopol-magazin.de/ Weiterführende Infos zur Manifesta 16 Ruhr gibt’s hier: https://manifesta16.org/de WERBUNG Die „Kreativorte im Grünen“ in Sachsen-Anhalt sind individuelle und zukunftsweisende Wohn- und Arbeitsprojekte, die den Leerstand umnutzen und Raum für Kreativität im Ländlichen bieten. Mehr Infos auf kreativorte-im-gruenen.de. Erlebt die Opernfestspiele am Saarpolygon vom 13. – 30. August mit einer Neuproduktion der „West Side Story“! Imposanter Schauplatz ist die Bergehalde Duhamel im Saarland. Alle Infos und Tickets gibt es auf opernfestspiele-saarpolygon.de. Hier entlang geht’s zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/kunst-und-leben ➡️ Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-frida-kahlo

Der Blumenschmuck, die Monobraue und der leichte Oberlippenbart sind zu ihren Markenzeichen geworden und haben sie zu einer Ikone gemacht: Frida Kahlo. Warum fasziniert sie bis heute? Kunst und Leben – der Monopol-Podcast ist der Kunst-Podcast von detektor.fm und dem Monopol Magazin. Den kostenlosen Monopol-Newsletter gibt’s auf https://www.monopol-magazin.de/ Weiterführende Infos zur Manifesta 16 Ruhr gibt’s hier: https://manifesta16.org/de WERBUNG Die „Kreativorte im Grünen“ in Sachsen-Anhalt sind individuelle und zukunftsweisende Wohn- und Arbeitsprojekte, die den Leerstand umnutzen und Raum für Kreativität im Ländlichen bieten. Mehr Infos auf kreativorte-im-gruenen.de. Erlebt die Opernfestspiele am Saarpolygon vom 13. – 30. August mit einer Neuproduktion der „West Side Story“! Imposanter Schauplatz ist die Bergehalde Duhamel im Saarland. Alle Infos und Tickets gibt es auf opernfestspiele-saarpolygon.de. Hier entlang geht’s zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/kunst-und-leben ➡️ Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-frida-kahlo

Neste programa vamos conhecer Ana Lorvo que sobe ao palco em duas peças no Festival Off Avignon: “Libre de Cojear” e “Andromak”. A primeira é inspirada na vida de Frida Kahlo, foi co-escrita por Ana Lorvo e Alice Schwab, e é um solo interpretado pela nossa entrevistada. A segunda é “Andromak”, uma releitura contemporânea do clássico de Racine, numa encenação de Cyril Cotinaut. Ana Lorvo tem uma fascinação por Frida Kahlo desde criança, quando foi visitar a Casa Azul da pintora, na Cidade do México, e de lá não queria sair, como gosta de contar o seu pai. Desde então, a admiração pela artista não parou de crescer até chegar à criação desta peça “Libre de Cojear” que está no Festival Off Avignon. O texto foi escrito a quatro mãos, em espanhol e em francês, com a encenadora Alice Schwab. Em palco, Frida é interpretada por Ana Lorvo, num solo habitado pelos fantasmas do aparatoso acidente de autocarro que fez do seu corpo martirizado a origem e o centro da sua pintura, assim como a fonte da sua fúria de viver. “É uma peça sobre Frida Kahlo, sobre a sua vida, mas não é uma autobiografia. O objectivo era realmente incarnar a personagem e é em espanhol. A gente quis falar da vida dela antes de ser uma artista, quando era uma jovem que andava na escola de medicina, que tinha um outro namorado, que era o Alejandro e não o Diego [Rivera]. E depois mostrar o acidente, mostrar como essa mulher quebrada continua a querer viver, a querer combater e viver a sua vida com muito amor. Antes do acidente, ela fazia estudos de medicina e sem o acidente talvez Frida Kahlo não tivesse sido uma artista, mas uma grande médica. Para nós, era muito importante falar disso e mostrar que um evento na vida de uma pessoa pode mudar toda a história. Ela utilizou essa tragédia para ser a mulher mais incrível do mundo”, conta Ana Lorvo. Em palco, há cadeiras em cima das quais estão pernas de pano que representam diferentes personagens com quem ela dialoga: o pai, o namorado, a filha que ela nunca pôde ter, uma bailarina que personifica a morte.  “A gente, quando criou as marionetas, o objectivo era só ter os pés e não todo o corpo para mostrar a diferença quando Frida não conseguia mais caminhar, mostrar que ela só tinha os seus pés para caminhar. Ela joga com marionetas em todo esse cenário e essas marionetas representam pessoas importantes de sua vida”, acrescenta Ana Lorvo. A peça “Libre de Cojear” é apresentada na sala Le Studio da Scierie até 25 de Julho. A outra peça em que Ana Lorvo sobe ao palco é “Andromak”, que está no Théâtre des Carmes André Benedetto até 25 de Julho. O espectáculo, encenado por Cyril Cotinaut da companhia Kourtrajmé, parte da tragédia escrita por Jean Racine em 1667 para olhar para os dias de hoje. “O trabalho do Cyril é muito interessante porque ele começa a trabalhar um drama que é um clássico de Racine que muita gente já leu ou já viu no teatro, mas ele quer realmente trazer as personagens a cada pessoa, por exemplo, eu interpreto Cléone e como Cléone tem algo de mim. A gente começou por escrever monólogos para passar da língua de Racine à língua da Ana [Lorvo], que pode falar sobre a sua vida, sobre as suas próprias tragédias. Para mim, foi muito interessante o trabalho, porque Racine parece uma língua às vezes difícil, que as pessoas não entendem, mas o objectivo é mostrar que Andrómaca, que é uma peça muito velha, é muito actual hoje, que as personagens, as guerras, os combates, são combates de hoje em dia”, acrescenta a actriz. Ana Lorvo já conhecia o Festival de Avignon, o In e o Off, enquanto espectadora e agora está a viver o seu primeiro Off enquanto actriz, no evento que conta com mais de 1700 espectáculos e milhares de artistas. “Estou muito feliz. São duas peças que eu defendo e que eu gosto muito de poder interpretar. Estou muito feliz, é um ritmo muito intenso porque actuo às 15h, depois às 22h, mas eu estou feliz porque eu amo fazer teatro e estou realizando um dos meus sonhos”, conclui.

In her short lifetime of just 47 years, Frida Kahlo was a relatively little-known artist. Now, she's a global icon. And while her actual work is hard to come by, her image is not.  Tate Modern's Frida: The Making of an Icon explores how Kahlo's iconic status came to be and her enduring influence on generations of younger artists.  Co-curator Beatriz Garcia-Velasco, talks to Jen about the exhibition, Kahlo's life and work, and the way in which she's been adopted as a cultural icon in feminist, LGBTQ+, and disabled communities. Learn more about your ad choices. Visit megaphone.fm/adchoices

Corte definirá futuro de obras de Frida Kahlo  Alertan por ciberfraudes con inteligencia artificial  Bélgica y España destacan por su riqueza cultural  Más información en nuestro podcast#grc

There are only a very few artists from the 20th century who are truly household names, figures like Salvador Dalí, Frida Kahlo, and Andy Warhol. The name M.C. Escher is certainly on that short list. Escher's impact on the wider culture may be as big, or even bigger that of those other figures, even as he remains somewhat hard to classify as an artist. Born Maurits Cornelis Escher, the Dutch artist was a highly skilled maker of woodcuts, lithographs, and engravings, bringing a sense of exquisite precision and intricate geometry to his compositions. But as an artist, Escher is almost synonymous with the idea of visual paradox. You will know him for works like Drawing Hands (from 1953), depicting two hands holding pencils, each seeming to emerge from a piece of paper, where they are each being drawn by the other, in a magical loop. Or for Ascending and Descending (from 1960), showing a palace with a looping set of stairs on its roof, which seem, due to Escher's cleverly realized optical illusion, to be leading tiny pilgrims both upwards and downwards—at the same time. So, is Escher one of the greats, or is he more of a novelty act? My colleague, Jo Lawson-Tancred recently went to see a show currently at Somerset House in London that's called “M.C. Escher: The Exhibition,” which includes 150 of Escher's original works from all the major phases of his career. Art Critic, Ben Davis leapt at the chance to talk to Jo about the show, the artist, and the cultural phenomenon that is M.C. Escher.

¿Podrán salir del país las obras de Frida Kahlo?Xochimilco estrena nuevo Sistema Público de CuidadosBoston va contra Meta, TikTok y YouTubeMás información en nuestro Podcast#grc

Gwen & Kate catch up on the Southbank ahead of seeing David Sedaris live at the Royal Festival Hall. In a quick chat with margaritas to a buzzing London backdrop, we talk about a Anish Kapoor's brand-new shade of black, the height of petty artists' feuds and the amazing influencer and brand expert who was before her time: Frida Kahlo! Plus Pride and getting your bum felt on public transport. Find out more!For all RUMP info in one place: visit our linkt.reeGet a shout-out:Want a mention on the next RUMPette? Tell us your feedback or what you do to make yourself feel good: rightupmypodcast@gmail.comSupport RUMP: If you enjoy the podcast, please subscribe, share with your friends and leave a review. It takes less than 60 seconds and really makes a difference in helping people discover the podcast. Thank you!Join the RUMP Club! Support the team and access exclusive content from as little as £3 p/month at: Right Up My Podcast | PatreonOr, if you'd like to make a one-off donation, you can buy us a virtual coffee from Buy Me a Coffee!Be social with us:Instagram      Facebook     TikTokThank you to our team:Music – Andrew GrimesArtwork – Erica Frances GeorgeSocial Media – Kate BallsRUMPette Voiceover – Dave Jones

There are only a very few artists from the 20th century who are truly household names, figures like Salvador Dalí, Frida Kahlo, and Andy Warhol. The name M.C. Escher is certainly on that short list. Escher's impact on the wider culture may be as big, or even bigger that of those other figures, even as he remains somewhat hard to classify as an artist. Born Maurits Cornelis Escher, the Dutch artist was a highly skilled maker of woodcuts, lithographs, and engravings, bringing a sense of exquisite precision and intricate geometry to his compositions. But as an artist, Escher is almost synonymous with the idea of visual paradox. You will know him for works like Drawing Hands (from 1953), depicting two hands holding pencils, each seeming to emerge from a piece of paper, where they are each being drawn by the other, in a magical loop. Or for Ascending and Descending (from 1960), showing a palace with a looping set of stairs on its roof, which seem, due to Escher's cleverly realized optical illusion, to be leading tiny pilgrims both upwards and downwards—at the same time. So, is Escher one of the greats, or is he more of a novelty act? My colleague, Jo Lawson-Tancred recently went to see a show currently at Somerset House in London that's called “M.C. Escher: The Exhibition,” which includes 150 of Escher's original works from all the major phases of his career. Art Critic, Ben Davis leapt at the chance to talk to Jo about the show, the artist, and the cultural phenomenon that is M.C. Escher.

Emily Rapp Black is the author of Poster Child: A Memoir; The Still Point of the Turning World, which was a New York Times bestseller, Editor's Pick, and a finalist for the PEN-USA Award; Sanctuary, a New York Times Editor's Pick; and Frida Kahlo and My Left Leg. Emily Rapp Black has received awards and fellowships from the Rona Jaffe Foundation; the Jentel Arts Foundation; the Corporation of Yaddo; the Fine Arts Work Center in Provincetown, where she was a winter writing fellow among other awards. She is currently Professor of Creative Writing at the University of California-Riverside, where she also teaches in the School of Medicine. Her new nonfiction book is called I Would Die If I Were You: Notes on Art and Truthtelling. Learn more about your ad choices. Visit megaphone.fm/adchoices

(01:44) Joyce Roodnat over Marylin Monroe (12:55) Cathelijne Blok over Frida Kahlo (53:22) Wat Blijft Lijn - Myrthe Meines over Lucas Kruizenga (58:39) Audiodoc - Confucius door Maarten Dallinga

Más Se seguridad por juego del Tri Juez frena salida de obras de Frida Kahlo y Diego Rivera  La CDMX nació entre cinco grandes lagos  Más información en nuestro podcast#grc

- „Cielecka 24 godziny na scenie- Frida Kahlo w Tate Modern- Dwie „Lalki" w dwa tygodnieKurs wystąpień publicznych online. Start 22.09. Sprawdź program: ⁠⁠https://academy.voicehouse.co/co-robimy/wystapienia-publiczne-szkolenia/⁠⁠Chcemy rozwijać briefy w Twoim rytmie. Powiedz nam, czego potrzebujesz: https://tally.so/r/81272lZawsze rano. Same fakty.5 najważniejszych wiadomości.5 minut.Wydarzenia ze świata, sportu, popkultury, technologii, środowiska i gospodarki.Ramówka:Poniedziałek: Ekonomicznie in BriefWtorek: Sport in BriefŚroda: PopCulture in BriefCzwartek: Technologicznie in Brief / Planet in BriefPiątek: World in BriefW aplikacji Voice House Club m.in.:✔️ Wszystkie formaty w jednym miejscu.✔️ Możesz przeczytać lub posłuchać.✔️ Transkrypcje odcinków z dodatkowymi materiałami wideo.

A massive rescue effort begins in Venezuela, where hundreds have died and thousands are missing. Then: Protests in Albania ramp up, Monocle’s Quality of Life Survey 2026, urbanism news and a new Frida Kahlo exhibition.See omnystudio.com/listener for privacy information.

We speak with Mexican chef Santiago Lastra from Michelin-starred Kol. We discuss his cookbook, Mexican Soul: A New Style of Cooking and the menu inspired by Tate Modern’s exhibition ‘Frida: The Making of an Icon’. See omnystudio.com/listener for privacy information.

More than 500 mothers and babies came to harm or died as a result of inadequate care at Nottingham University Hospitals NHS Trust. That's according to Donna Ockenden's review into the maternity services there. Anita Rani speaks to the Times' Health Editor Eleanor Hayward, and mothers Sarah Hawkins and Sarah Andrews whose babies, Harriet and Wynter, both died from preventable errors.Sarah Vine's memoir, How Not to Be a Political Wife, is out in paperback this week, coinciding with the 10 year anniversary of the Brexit vote. The Daily Mail columnist was married to the former Conservative minister Michael Gove, a leading figure in the campaign for the UK to leave the European Union. She gives Anita her take on some of the most turbulent years in modern British politics, and how the pressures affected her friendships, her family, and ultimately her marriage.Over half of women diagnosed with breast cancer are outside the current 50-70 age range for screening, according to new research by a youth focused breast cancer awareness charity. It's calling for the age of women given screening to be lowered. Anita is joined by Sophie Dopierala-Bull, Director of Services and Engagement at CoppaFeel! A new exhibition at the Tate Modern in London looks at how and why the Mexican artist Frida Kahlo became a global icon and a key influence on a generation of artists. Anita speaks to Bea Garcia, co-curator of the exhibition Frida - the making of an icon, and author Hettie Judah.

This last episode of the current season begins with Frida Kahlo. Tate Modern in London this week opened Frida: The Making of an Icon, an exhibition that began at the Museum of Fine Arts in Houston earlier this year and which explores the Mexican artist's paintings but also her influence on other artists and wider cultural forms. Ben Luke speaks to Tobias Ostrander, the co-curator of the exhibition. This week also marked 10 years since Brexit, the UK vote to leave the European Union. Ben speaks to Alexander Herman, the director of the Institute of Art and Law in London, about the impact of the UK's withdrawal from the EU on art and cultural heritage laws. And this episode's Work of the Week is the Visconti-Sforza Tarot, a deck of cards made by Bonifacio Bembo in 1456-58. Forty-five cards from the deck, which are held in the collections of the Morgan Library and Museum in New York and the Accademia Carrara in Bergamo, are reunited in the Morgan Library and Museum's new exhibition, called Tarot! Renaissance Symbols, Modern Visions. Ben talks to one of the show's curators, Joshua O'Driscoll, about it.Frida: The Making of an Icon, Tate Modern, London, until 3 January 2027Tarot! Renaissance Symbols, Modern Visions, Morgan Library and Museum, New York, 26 June-4 October Hosted on Acast. See acast.com/privacy for more information.

Writer Charlotte Mullins and author Viv Groskop join Tom to discuss the Frida Kahlo exhibition at Tate Modern in London. It's the highest pre-selling exhibition in Tate's history, and contains 30 significant works, has her clothes on display, and looks at the artist's life and impact on contemporaries and later generations.They also offer their verdict on the Danish black comedy The Last Viking, which is the 6th film by director/actor trio Anders Thomas Jensen, Nikolaj Lie Kaas and Mads Mikkelsen. Finally, they talk about Lisa Owens' novel Natural Disaster which dissects the last 24 hours before a mother goes back to work after maternity leave. Plus The Box in Plymouth is revealed as the winner of the UK Museum of the Year, with Chair of Judges Jenny Waldman. Presenter: Tom Sutcliffe Producer: Claire Bartleet

In this edition, we look at Tate Modern's exhibition dedicated to Mexican painter Frida Kahlo. It displays her famous self-portraits and works by other artists who were influenced by her. Also: French World Cup fans go crazy for Panini sticker albums as newsstands experience shortages. Meanwhile, the Ghanaian music genre of Highlife has been added to UNESCO's list of intangible cultural heritage. Finally, one of France's biggest music festivals, Solidays, kicks off this Friday with French stars Gims, Orelsan, Bigflo & Oli and American EDM group Major Lazer all set to perform.

¿Quién fue realmente Lupe Rivas Cacho? Mucho antes de que figuras como María Félix o Dolores del Río dominaran la pantalla, ella ya era una estrella que desafiaba las reglas de su tiempo. Su vida estuvo marcada por romances apasionados, polémicas políticas, censura, escándalos religiosos y una tragedia que cambió su destino para siempre. Fue vinculada sentimentalmente con Diego Rivera, enfrentó al poder, conquistó escenarios internacionales y vivió uno de los episodios más impactantes de la historia del espectáculo mexicano. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Menstruationstrusser, yoni-æg, klitorisolie og intimsaunaer med urtedamp. Kvindens køn er endelig ved at blive aftabuiseret, og industrien griber mulighederne. Vi skal også høre om bombeangreb på Ukraines UNESCO-arv, åbningen af det nye Frida Kahlo-museum og weekendens UFC-stævne ved det hvide hus. Vært: Morten Runge Medvirkende: Mette Byriel-Thygesen: Museumsinspektør på Nationalmuseet Mathilde Teglgaard Nielsen: Cand.mag. i kunsthistorie Christian Bigum: USA-korrespondent for Jyllands-Posten Marie Elisabeth Berg Christensen: Post.doc ved Institut for Kunst og Kulturvidenskab på Københavns Universitet Producer: David Turner Redaktør: Lasse Lauridsen

Fluent Fiction - Spanish: Artful Misadventure: A Day of Laughter and Discovery Find the full episode transcript, vocabulary words, and more:fluentfiction.com/es/episode/2026-06-13-22-34-01-es Story Transcript:Es: El sol brillaba alegremente sobre Coyoacán.En: The sun was shining cheerfully over Coyoacán.Es: Era un día primaveral perfecto y el Museo de Frida Kahlo estaba lleno de visitantes.En: It was a perfect spring day, and the Museo de Frida Kahlo was full of visitors.Es: Ismael miraba con admiración las obras de Frida.En: Ismael looked at Frida's works with admiration.Es: Luz, su amiga, lo acompañaba.En: Luz, his friend, accompanied him.Es: —¡Mira esa pintura, Ismael!En: "Look at that painting, Ismael!"Es: —exclamó Luz señalando una obra colorida.En: exclaimed Luz, pointing at a colorful piece.Es: Pero Ismael no escuchaba.En: But Ismael wasn't listening.Es: Estaba concentrado en su objetivo: ver la nueva pieza de Frida sin distracciones.En: He was focused on his goal: to see Frida's new piece without distractions.Es: Era un apasionado de la historia del arte pero también un poco despistado.En: He was passionate about art history but also a bit absent-minded.Es: Mientras caminaban, Luz notó que Ismael llevaba una chaqueta idéntica a la de un visitante cercano.En: As they walked, Luz noticed that Ismael was wearing a jacket identical to that of a nearby visitor.Es: Se rió para sí misma, pensando lo típico que era de Ismael no notar algo así.En: She laughed to herself, thinking how typical it was of Ismael not to notice such things.Es: En otra parte del museo trabajaba Sofía, una joven que igual que Frida, tenía un espíritu rebelde y creativo.En: In another part of the museum worked Sofía, a young woman who, like Frida, had a rebellious and creative spirit.Es: Ella soñaba con ser comediante de stand-up.En: She dreamed of becoming a stand-up comedian.Es: De repente, el murmullo del museo fue interrumpido por un pequeño caos.En: Suddenly, the murmur of the museum was interrupted by a small chaos.Es: —¡Alguien se llevó mi chaqueta!En: "Someone took my jacket!"Es: —gritó un turista.En: shouted a tourist.Es: Ismael se sintió incómodo.En: Ismael felt uncomfortable.Es: Miró su propia chaqueta y se dio cuenta de que había una etiqueta que no reconocía.En: He looked at his own jacket and realized there was a label he didn't recognize.Es: Revisó los bolsillos por si acaso.En: He checked the pockets just in case.Es: Para su sorpresa, encontró un objeto envuelto en una tela.En: To his surprise, he found an object wrapped in fabric.Es: Al abrirlo, sus ojos se abrieron como platos.En: When he opened it, his eyes widened.Es: Era un dibujo de Frida Kahlo, pequeño pero claramente valioso.En: It was a drawing by Frida Kahlo, small but clearly valuable.Es: Luz echó un vistazo y dejó escapar un jadeo.En: Luz took a look and gasped.Es: —¿¡Qué haces con esto!?En: "What are you doing with this!?"Es: —preguntó sorprendida.En: she asked, surprised.Es: Ismael, con el corazón acelerado, sabía que debía resolver el problema rápidamente.En: Ismael, with his heart racing, knew he had to resolve the problem quickly.Es: Luz, siempre lista para ayudar, sugirió que hablaran con Sofía.En: Luz, always ready to help, suggested they talk to Sofía.Es: Juntos se dirigieron a ella, tratando de no atraer más atención.En: Together they approached her, trying not to draw more attention.Es: Sofía los escuchó con paciencia.En: Sofía listened to them patiently.Es: Sus labios se curvaron en una sonrisa al entender la confusión.En: Her lips curled into a smile as she understood the confusion.Es: —Parece que hemos tenido una pequeña aventura, ¿verdad?En: "It seems we've had a little adventure, haven't we?"Es: —dijo Sofía, quien tenía un talento para calmar los nervios.En: said Sofía, who had a talent for calming nerves.Es: Después de una conversación rápida, aclararon el malentendido y devolvieron la chaqueta, ahora en posesión del verdadero dueño.En: After a quick conversation, they cleared up the misunderstanding and returned the jacket, now in possession of its rightful owner.Es: Debido a su buen ojo para los detalles cómicos, Sofía aseguró que todo quedara resuelto con una buena dosis de humor.En: With her good eye for comedic details, Sofía made sure everything was resolved with a good dose of humor.Es: Ismael, finalmente relajado, entendió que los momentos inesperados deben ser abrazados y no evitados.En: Ismael, finally relaxed, understood that unexpected moments should be embraced, not avoided.Es: Se rio de sí mismo mientras Luz y Sofía compartían una carcajada.En: He laughed at himself while Luz and Sofía shared a hearty laugh.Es: El día terminó con una renovada apreciación por el arte, la amistad, y las sorpresas de la vida.En: The day ended with a renewed appreciation for art, friendship, and life's surprises.Es: Ismael aprendió a disfrutar el presente y aceptar lo inesperado con una sonrisa.En: Ismael learned to enjoy the present and accept the unexpected with a smile.Es: Juntos, se despidieron de Sofía y prometieron regresar al museo, no tanto para el arte, sino para las memorias que coleccionarían juntos.En: Together, they bid farewell to Sofía and promised to return to the museum, not so much for the art, but for the memories they would collect together. Vocabulary Words:the sun: el solcheerfully: alegrementespring: primaveralvisitors: visitantesadmiration: admiraciónpainting: la pinturaexclaimed: exclamógoal: el objetivoabsent-minded: despistadojacket: la chaquetaidentical: idénticatypical: típicorebellious: rebeldecreative spirit: espíritu creativocomedian: la comediantesuddenly: de repentemurmur: el murmullochaos: el caosuncomfortable: incómodolabel: la etiquetapockets: los bolsilloswrapped: envueltofabric: la telavaluable: valiosogasped: jadeóracing (heart): aceleradomisunderstanding: el malentendidorightful owner: verdadero dueñocalming nerves: calmar los nerviosdose of humor: dosis de humor

Send us Fan MailAngelo, Rhea, and Jay are back and this week Hugh Laurie said the quiet part out loud, and the internet still hasn't recovered. After a freelance critic named Janet Murray posted on X that House has "the same narrative every episode," Laurie responded with a thread so sarcastic it went viral — cataloguing every alternative structure they tried, comparing the formula to Bach and Frida Kahlo, and closing with "I look forward to your first novel." The internet mobbed Murray immediately. But here's the thing: she's not wrong. House is formulaic — that's what procedurals are. Laurie's real defense wasn't "no it isn't." It was that if all you see is the formula, it wasn't meant for you. Is that the most honest thing a creator has ever said in public about their own work, or is it exactly what every creator thinks and should never, ever say out loud?THEN: Spielberg's Disclosure Day opens Friday. Reviews are calling it his best film in 20 years, with box office projections between $35 and $59 million. For Spielberg. Three of his last five films lost money (West Side Story, The Fabelmans, The BFG) roughly $380 million in losses combined. The Fabelmans is one of the best films of the decade and grossed $25 million total. Is Spielberg the most underrated working director in Hollywood right now?ALL THAT PLUS:  George R.R. is FROZEN OUT of The House of the Dragon, Angelo reviews Riot in Cell Block 99, we get a report from Tribeca by Keane Black, and much, MUCH more!MAKE SURE TO VISIT OUR SPONSOR: Steven Singer Jewelers!The TV Show is a weekly podcast hosted by Jay Black, with regular guests Angelo Cataldi and Rhea Hughes. Each week, we dive into the new Golden Age of Television, with a discussion of the latest shows and news.

Originaria de Ciudad de México ,Amaranta Ibarra-Sandys, artista visual, pintora, educadora y promotora cultural radicada en Seattle, ha dedicado su vida al arte comunitario, la educación bilingüe y el empoderamiento cultural a través de la creatividad. Ademas, esta realizando un hermoso proyecto junto al grupo Monarcas (grupo de apoyo para mujeres trans latinas), una serie de autorretratos inspirados en Frida Kahlo que serán expuestos en relación con la ópera "El Último Sueño de Frida Kahlo".

In this special bonus episode of the Anglotopia Podcast, Jonathan Thomas launches an experimental new monthly format: a London events guide covering what's actually on in the city this month. June is arguably London's finest month — 16 to 17 hours of daylight, the longest evenings of the year, and an events calendar absolutely bursting at the seams. Jonathan walks through everything worth knowing about June in London: the major royal events including Trooping the Colour and Royal Ascot, the blockbuster summer exhibitions at Tate Modern, Tate Britain, the Royal Academy, the National Portrait Gallery, the V&A, and more, plus what's on in London theater from Shakespeare's Globe to the West End, live music at Wembley and the Roundhouse, and practical tips for surviving — and thriving in — a London heat wave. If this episode proves popular, Jonathan will make it a monthly fixture. Let him know what you think in the comments. Links Royal Events ~Trooping the Colour — Official Info~ ~Royal Ascot~ ~Wimbledon Tickets & Ballot~ ⠀Exhibitions — Book Ahead ~Frida Kahlo at Tate Modern~ ~Royal Academy Summer Exhibition (opens June 16)~ ~Anish Kapoor Retrospective at Hayward Gallery (opens June 16)~ ~Marilyn Monroe at National Portrait Gallery~ ~Barbara Hepworth at the Courtauld Gallery (from June 1)~ ~Schiaparelli: Fashion Becomes Art at the V&A~ ~Wes Anderson Exhibition at the Design Museum~ ~James McNeill Whistler Retrospective at Tate Britain~ ~The Queen's Fashion at The King's Gallery~ (sold out through 2026 — book 2027 dates now) ~Inside Aardman: Wallace & Gromit at Young V&A~ ~Hokusai: 36 Views of Mount Fuji at Dulwich Picture Gallery~ (closes June 30) ⠀Theater ~A Midsummer Night's Dream at Regent's Park Open Air Theatre (from June 20)~ ~Much Ado About Nothing at Shakespeare's Globe (from June 11)~ ~To Kill a Mockingbird — New West End Adaptation (opens June 25)~ ~Cyrano de Bergerac — West End (opens June 13)~ ~Buy West End Tickets via Anglotopia's Link~ (supports Anglotopia) ~TKTS Booth at Leicester Square — Half-Price Day Tickets~ ⠀Long-Running West End Shows The Lion King Hamilton Wicked Les Misérables Matilda Mamma Mia Six Harry Potter and the Cursed Child (almost always sold out — book well ahead) Sinatra — The Musical ⠀Live Music Harry Styles at Wembley Stadium (from June 12) Olivia Dean at the O2 (from June 12) Orville Peck at the Roundhouse, Camden ⠀Practical Resources ~National Gallery Extended Summer Hours (from July 1)~ ~Londontopia London Events Calendar~ ~Argos UK — Buy a Fan on Arrival~ ~Anglotopia June London Events Article~ (link to article) ~Friends of Anglotopia Club~ ⠀ Takeaways June is arguably London's best month to visit — 16 to 17 hours of daylight, reliably pleasant weather, and the richest events calendar of the year, though it is also peak tourist season with hotel prices running 20 to 40 percent above spring rates. Trooping the Colour — the monarch's official birthday parade — is the major royal event of the year in 2026. Even without a ballot ticket to Horse Guards Parade, you can experience the procession on the Mall and the balcony appearance at Buckingham Palace by arriving very early and staking out a good spot. Every major summer blockbuster exhibition in London requires advance booking — some, like The Queen's Fashion at The King's Gallery, are already sold out through 2026. Book tickets as soon as you finish listening, even if your trip dates aren't confirmed yet. The Frida Kahlo survey at Tate Modern, the James McNeill Whistler retrospective at Tate Britain, and the Marilyn Monroe exhibition at the National Portrait Gallery are Jonathan's top three must-book exhibition picks for the month. The Royal Academy Summer Exhibition — the world's largest open submission art show, running since 1769 — is a uniquely chaotic, democratic, and wonderful experience where everything on the walls is for sale and any artist can enter. Shakespeare's Globe is staging Much Ado About Nothing from June 11, and Regent's Park Open Air Theatre opens A Midsummer Night's Dream on June 20 — watching Shakespeare outdoors on a long June evening is one of the quintessential London summer experiences. London generally does not have air conditioning in older buildings, hotel rooms, or most tube lines. The first thing you should do after arriving in summer is buy a fan — Jonathan recommends going straight to Argos, Britain's version of a catalog store, for an affordable one. The tube's older lines (Central, Piccadilly) get brutally hot in summer due to London clay absorbing and retaining heat underground. The Elizabeth line is fully air conditioned and runs east-west across the city — use it as much as possible in a heat wave. The National Gallery is experimenting with extended summer evening hours, staying open until 7 PM most evenings and until 9 PM on Fridays from July 1 — Jonathan's suggestion: have an early dinner, then walk over for a free evening of world-class art. Don't try to pack too much in. Pick three or four things you genuinely care about, build your days around those, and leave time to wander, sit in Green Park with a deck chair, or walk along the Thames in the long evening light. June in London is as much about the atmosphere as the attractions. ⠀ Soundbites "The light is the headline for June. You get sixteen to seventeen hours of daylight. Twilight stretches from around eight PM to nearly ten PM. You can have a full day of exploring, sit down for dinner, and still walk home along the Thames and have some daylight." — Jonathan on why June is London's best month. "If you've ever wondered what the best month to visit London is, a lot of people will quietly tell you it's this one." — Jonathan on June in London. Plan your day around it. Get up stupidly early — three, four, five in the morning — get your spot on the Mall and soak up the atmosphere. It'll be like a party atmosphere." — Jonathan on how to experience Trooping the Colour without a ticket. "The Queen's Fashion at The King's Gallery is sold out for the rest of the year, and I know a lot of people are gonna be really disappointed when they try to get tickets and they simply can't." — Jonathan's warning on the most in-demand exhibition of the summer. "The walls are packed from floor to ceiling and everything is for sale. It's chaotic and wonderful. And it's a great way to see up-and-coming artists and established artists side by side." — Jonathan on the Royal Academy Summer Exhibition. "Shakespeare under the open sky in one of London's loveliest parks on a warm June evening — it doesn't get dark till ten PM anyway. Enjoy some champagne, enjoy some theater out in the green. That's my top theater pick for the month." — Jonathan on Regent's Park Open Air Theatre. "The first thing you should do after you land is go to what the British call an ironmonger — a hardware store — and buy a fan. Don't skimp. It is essential for Americans traveling in Europe." — Jonathan's number one summer travel tip. "The London clay is a heat sink. It absorbs heat and then it doesn't let it back out. So the tube gets really hot in the summer. If you are prone to heat issues, avoid the tube except the Elizabeth line, which is fully air conditioned." — Jonathan on navigating London in a heat wave. "I sat there in the rain in the 40s, got soaking wet. And I — not exaggerating — almost got hypothermia. It was July. I could not warm up when I got back to the hotel because the heating wasn't on and there weren't enough blankets because it was July." — Jonathan's cautionary tale about British summer weather. "Argos is exactly like Service Merchandise — you go in, there's a big catalog, you pick your thing, and it comes out on a conveyor belt. Get a fan. Don't even look at the weather forecast first. Just trust me — you're going to need a fan." — Jonathan's most practical London summer tip. ⠀ Chapters 00:21 Introduction — Jonathan launches the experimental monthly London events format 01:15 The Feel of June in London — Long days, the light, and why June is special 02:20 June Weather — What to expect, heat waves, and the maritime humidity problem 03:45 Peak Tourist Season — Crowds, hotel prices, and why June still beats July 05:00 Trooping the Colour — What it is, how to see it without a ticket, and Jonathan's tips for getting a good spot 08:30 Royal Ascot — Fascinators on the tube, the royal procession, and how to get tickets 10:00 Wimbledon — The ballot, resale tickets, strawberries and cream, and what to do if you can't get in 11:30 How to Book Exhibitions — Why advance booking is non-negotiable and the Queen's Fashion sellout warning 13:00 Frida Kahlo at Tate Modern — Jonathan's pick and why Tate Modern is worth seeing for the building alone 14:30 Royal Academy Summer Exhibition (June 16) — The world's largest open submission art show 15:30 Anish Kapoor at the Hayward Gallery (June 16) — The Cloud Gate connection and why it's worth seeing 16:15 Marilyn Monroe at the National Portrait Gallery — Just opened, book fast 17:00 Barbara Hepworth at the Courtauld Gallery — And why Somerset House is worth a visit anyway 17:45 Schiaparelli at the V&A — Fashion exhibitions and why the V&A excels at them 18:15 Wes Anderson at the Design Museum — A treat for film fans 18:45 James McNeill Whistler at Tate Britain — A sellout show, book immediately 19:30 Wallace & Gromit at Young V&A — The Aardman exhibition Jonathan is hoping to catch in August 20:15 Closing This Month — Mikalojus Čiurlionis at the Royal Academy (closes June 21) and Hokusai at Dulwich (closes June 30) 21:00 Theater — Why June is the best time for London theater 21:30 Regent's Park Open Air Theatre — A Midsummer Night's Dream, Jonathan's top pick of the month 22:00 Shakespeare's Globe — Much Ado About Nothing from June 11 22:30 New West End Openings — To Kill a Mockingbird (June 25) and Cyrano de Bergerac (June 13) 23:00 Long-Running Shows — Lion King, Hamilton, Wicked, Six, Les Mis, and how to get discount tickets 24:00 Live Music — Harry Styles at Wembley, Olivia Dean at the O2, Orville Peck at the Roundhouse 25:00 Practical Tips: Heat — Does London have air conditioning? (Mostly no) 26:30 The Fan Imperative — Buy one at Argos, the British Service Merchandise 28:30 Pack for All Weathers — The July outdoor concert near-hypothermia story 30:00 Humidity and Heat — Why British summer heat hits differently than dry American heat 31:00 Use the Long Days — 17 hours of light, late museum hours, rooftop bars, evening walks 32:00 National Gallery Extended Hours — Stay open till 7 PM, Fridays till 9 PM from July 1 33:00 Don't Overpack Your Itinerary — Pick three or four things, leave time to wander 34:00 Wrap-Up — Londontopia events calendar, listener feedback request, Friends of Anglotopia Video Version

Ucar , Giselle www.deutschlandfunk.de, Kultur heute

Most people don't think of themselves as creative. In fact, research shows that about 75% of adults self-identify as non-creative. But what if the problem isn't that they lack creativity — it's that they've been defining it wrong? Blythe Harris, co-founder and former chief creative officer of Stella & Dot, and Mallory May, jewelry designer and illustrator, created Daily Creative to change that conversation. Their practice is built around mini-c creativity: just five minutes of creative engagement per day — no talent required, no finished product expected — that delivers measurable benefits including lower stress, improved focus, healthier dopamine, and the kind of meditative calm most of us are chasing through much more complicated means.In this episode: the science behind why five minutes works, how Blythe's near-death experience in 1995 became the seed of Daily Creative, why perfectionism kills creativity faster than anything else, and how to start a creative practice that actually sticks — whether you're going through a career transition, entering midlife, managing kids on Zoom school, or just looking for five minutes that are genuinely yours.Follow Duologue: Instagram: @duologuepod Substack: duologue.substack.com Find Blythe & Mallory here:

Cindy Adams delivers a sharp-tongued and eclectic monologue that blends New York social commentary with global news. She begins by lampooning the messy realities of the Memorial Day holiday, mocking beach culture and the local obsession with championship sports before pivoting to a scathing critique of Prince Andrew and Sarah Ferguson based on a new biography. The program transitions into an interview with former Fire Commissioner Sal Cassano, who provides a grounded perspective on the bravery of first responders and the harrowing legacy of September 11th. Adams concludes the episode with her signature "bitchery," touching on the legacy of Frida Kahlo, warning her audience about modern telephone scams, and offering a cynical view of international politics. Throughout the recording, her purpose is to maintain her persona as a veteran media figure who trades in secrets, ensuring her listeners are both informed and entertained by her unapologetic worldview. Learn more about your ad choices. Visit megaphone.fm/adchoices

La Mesa - 22.05.2026 - Frida Kahlo, entre el arte y el mito by En Perspectiva

Frida Kahlo's short life came to a tragic and painful end. She painted until her dying day and her legend has grown ever since. Joining us again for the conclusion of this series, our friend Amy!Sources:Herrera, Hayden, and Frida Kahlo. Frida Kahlo. New York, N.Y., Rizzoli, 1992.‌Kahlo, Frida. The Letters of Frida Kahlo. Chronicle Books (CA), 1995.

Frank Carbajal grew up the son of Mexican migrant farmworkers in California's Imperial Valley, where summer temperatures hit 115 degrees and his mother worked the fields through her third trimester. Today he's the founder and president of Es Tiempo LLC, a co-author of three books on Latino leadership, founder of the Silicon Valley Latino Leadership Summit at Stanford University, and a former keynote speaker in Ken Blanchard's network. In this conversation with Simma, Frank talks about what it actually means to be Latino in America today — and why that word doesn't fit everyone who could claim it. He breaks down the Bracero Program that brought his parents to the U.S., the "101 Infrastructure Divide" that shows how Latino hands built Silicon Valley while Latino representation in tech sits in the single digits, and why his mother told him being bilingual is a superpower. This is a conversation about immigration, identity, family, and what it takes to move from picking fruit in the fields to standing in front of executive boardrooms — without ever forgetting where you came from. What You'll Learn What the Bracero Program was, and how it shaped Mexican American families in California for generations Why "Latino" is not one identity — and how to talk to people about their background without making assumptions The real numbers behind Latino representation in education, the corporate boardroom, and venture capital How to start a conversation across race and culture without getting yourself into trouble Why being bilingual is a competitive advantage, not something to hide What "the 101 Infrastructure Divide" means and why it matters for anyone working in or with the tech industry How to spot the difference between performative diversity and actual connection Key Takeaways Latinos are not a monolith. There are 20 Latin American countries, multiple generations of Latino Americans, and people who identify as Latino, Latina, Chicano, Mexican American, American, or simply as a leader — and all of those answers are valid. The hands that built Silicon Valley are not the hands sitting in its boardrooms. Latino representation in tech leadership and venture capital is still in the low single digits despite Latinos making up over 40% of California's population. Conversations across race work when you start with what's in front of you — food, art, family, a shared interest — not with politics or assumptions. Bilingualism is a superpower. So is resilience. Frank's parents had third- and fourth-grade educations and built a life for their children through nothing but hard work. Leadership, not identity politics, is the through-line that travels across borders, languages, and generations. Timestamps [00:00] — Simma's opening: why this podcast exists for anyone who wants to talk across race but is afraid of saying the wrong thing [02:30] — Meet Frank Carbajal: Es Tiempo LLC, Silicon Valley Latino Leadership Summit, two published books, and the award he's most proud of (hint: it's not the corporate one) [05:00] —  What legacy means in a Latino family [07:00] — The elephant in the room: why race conversations are crucial conversations, and what "healthy conversation" actually looks like [09:00] — The numbers don't lie: 65 million Latinos in the U.S., but only 1–2% of PhDs, 1.5% of CEOs and board members, and less than 2% of venture capital [11:00] — What is the Latino community, really? Why "Latino" doesn't fit everyone — and why some people say "Just call me a leader" [14:00] — The Bracero Program explained: Frank's parents, migrant farmworkers, and the pathway that shaped a generation of Mexican American families [17:00] — Born on Juneteenth in 115-degree heat: Frank's mother worked the fields through her third trimester and almost died giving birth to him [19:00] — The 101 Infrastructure Divide: how Latino hands built Silicon Valley's buildings by hand — including NVIDIA's $4.9 trillion headquarters — while Latino representation in tech stays in the single digits [22:00] — When Simma brought a Spanish-speaking facilitator to a workshop, and her class hated him. Why language alone is not connection. [25:00] — Frank's mother's wisdom on sangrón: how she could spot arrogance instantly, and why she'd rather work with a humble white person who spoke Spanish than an arrogant Latino with a sense of entitlement [28:00] — Bilingual is a superpower: Frank's parents told him to never be embarrassed, and why he tells his own daughters the same thing [30:00] — "Wow, you speak without an accent" — the microaggression Latino professionals know too well, and how Frank handles it [32:00] — Afro-Latinos, Caribbean Latinos, Mexican Americans, Chicanos, Latinos of European descent: why the Latino community is not a monolith, and the language families use to describe all the shades within it [35:00] — Frank's Brazilian soccer coach who was Afro-Latino, spoke three languages, and taught a 10-year-old Frank what unity actually looks like on a team [37:00] — How to have a conversation across difference without stepping on a landmine: Frank's mentor's advice about reading the room — start with the Frida Kahlo painting on the wall, not politics [40:00] — Simma and Frank agree: food and stories are how you build a bridge. Why curiosity beats tiptoeing every time. Guest Bio Frank Carbajal is the founder and president of Es Tiempo LLC, a leadership development and keynote speaking firm. He is the founder of the Silicon Valley Latino Leadership Summit, held at Stanford University, which brings top Latino thought leaders together from across the country. He is co-author of Building the Latino Future: Success Stories for the Next Generation (with a foreword by management guru Ken Blanchard) and co-author of El Futuro Latino, published in 14 Latin American countries. He was part of Ken Blanchard's keynote speaker network and works with CEOs, executives, managers, and small business owners on leadership development. Frank received the 2013 Father of the Year Award from Building Peaceful Families and the 2013 Portraits of Success Award from the Hispanic Development Corporation. He serves on the advocacy committee for the Silicon Valley Education Foundation. He is the son of Mexican immigrants, the husband of a Salvadoran American wife, and the father of three daughters. Connect with Frank Carbajal Email: frank@estiempo.com LinkedIn: Search Frank Carbajal (C-A-R-B-A-J-A-L) Company: Es Tiempo LLC Click here to DONATE and support our podcast All donations are tax deductible through Fractured Atlas. Simma Lieberman, The Inclusionist, helps leaders create inclusive cultures. She is a consultant, speaker, and facilitator. Simma is the creator and host of the podcast, Everyday Conversations on Race. Contact Simma@SimmaLieberman.com to get more information, book her as a speaker for your next event, help you become a more inclusive leader, or facilitate dialogues across differences. Go to www.simmalieberman.com and www.raceconvo.com for more information Simma is a member of and inspired by the global organization IAC (Inclusion Allies Coalition)  Connect with me: Instagram Facebook YouTube Twitter LinkedIn Tiktok Website Previous Episodes Dr. Gina Paige on African Ancestry: How DNA Reconnects Black Americans to Their African Roots From Black Panther to Corporate America: Elmer Dixon on Race, Revolution, and Why DEI Is Not Dead Why We Can't Stop Talking About Race: A Conversation with Carole Copeland Thomas Loved this episode?  Leave us a review and rating

In this episode, host Anne Marie Gunn highlights the book “Pleasure Activism” by adrienne maree brown and shares her own lineage of who taught her how to feel good. “Hot & Heavy Homework” Prompt from “Pleasure Activism”:“Write up your pleasure activism lineage! Who awakened your senses? Who politicized your experiences of body, identity, sensation, feeling good? If they are still living, have you thanked them properly? If yes, good, do it again. If not, reach out. If they are ancestors, honor them with a pleasure altar covered in sticky fruit, sweet smalls, sacred water, and thick earth, centered around fire. Gratitude is part of pleasure too.” Additional sources mentioned/shared:PLEASURE Definition & Meaning - Merriam-Webster SENSUAL Definition & Meaning - Merriam-Webster The Tool Shed “Wild Geese” by Mary Oliver“Holy Hurt” by Hillary McBride“The Vagina Monologues” by V Ensler“Your Body is Not an Apology” by Sonya Renee Taylor“Sister Outsider” by Audre Lorde, specifically the essay “Uses of the Erotic”Other authors: Taylor Jenkins Reid and Patti Smith, Haley Jakobson, Jenny Slate, Cheryl StrayedVisual artists: Frida Kahlo, Hilma af Klint, Martha Jungwirth, Etel Adnan Musical artists: Bon Iver, Dijon, Rihanna, Janelle Monae, Chappell RoanQueer Sex Therapy on Instagram (Casey Tanner)

After a pretty emotional main episode, we ease things up a bit with Natty Harris in this week's Spark. And yes, there's still depth, but there's also plenty of laughs. We get into the creative trends Natty's quietly over (sorry, sans serif lovers), the tiny things that can instantly improve your day, and why a really good pen might be one of life's greatest underrated joys. There's also a very relatable chat about overthinking, writing, and that awkward gap between what's in your head and what actually makes it onto the page. Natty shares her creative hero, Frida Kahlo, and why being unapologetically yourself is harder than it sounds but absolutely worth striving for. Plus, we build the ultimate dinner party guest list, talk Netflix obsessions, and get into the kind of questions that are somehow both silly and weirdly revealing. And of course, we end on a high note with possibly the best question we've ever had for a future guest. It involves pasta. You've been warned.

A podcast introducing the exciting new Spanish-language opera with music by Gabriela Lena Frank to a libretto by Nilo Cruz: what would happen if the myth of Orpheus and Euridice were reenacted by the famous Mexican painters Diego Rivera and Frida Kahlo? Some Seattle Opera personnel attended the Chicago performances of this magic realist opera, coming to Seattle Opera January 2027. Michaela Calzaretta, chorus master and head of music staff, discussed FRIDA & DIEGO with Alex Minami, co-director of programs and partnerships, and Alicia Moriarty, director of production.

La primera gran reina de la música ranchera… pero su vida fue una tragedia. Lo que vivió fuera del escenario es más impactante que su fama. Descubre la historia de Lucha Reyes: entre el éxito, el dolor y un final rodeado de misterio. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

In part 2, Frida Kahlo and Diego Rivera begin their tempestuous relationship and Frida paints some of her most iconic works. Joining us again is our special guest, Amy!Sources:Herrera, Hayden, and Frida Kahlo. Frida Kahlo. New York, N.Y., Rizzoli, 1992.‌Kahlo, Frida. The Letters of Frida Kahlo. Chronicle Books (CA), 1995.

In this episode, Jack and Miles are joined by actor/writer/comedian Mo Fry Pasic to talk about, arguably, the most iconic artist of the 20th century: Frida Kahlo! They'll explore her life as art, her many relationshIps, her based politics and much more!See omnystudio.com/listener for privacy information.

Frida Kahlo is now the most famous painter that Mexico has ever produced and has since become a legend in the art world for painting some of the most recognizable, beautiful, and often disturbing images in the art lexicon. This episode will examine her early life and the catastrophic event that would influence her entire life and art going forward.Special guest, artist Amy Ashton! Look for her work at @straycatseattle on instagram and on Etsy!Sources:Herrera, Hayden, and Frida Kahlo. Frida Kahlo. New York, N.Y., Rizzoli, 1992.‌Kahlo, Frida. The Letters of Frida Kahlo. Chronicle Books (CA), 1995.‌

Los tripulantes de la misión Artemis II viven una experiencia indescriptible  La escritora Samanta Schweblin gana el premio español de literatura Aena  Dieciocho pinturas de Frida Kahlo propician una nueva desavenencia entre México y España Rubén Blades rendirá tributo a Willie Colón en su nueva gira 

durée : 00:03:29 - Le 18/20 : un jour dans le monde - par : Guillaume Auda - Au Mexique, l'annonce du départ à l'étranger de plusieurs œuvres majeures de Frida Kahlo suscite une vive polémique. Le monde de l'art, mais aussi une partie de l'opinion publique, dénonce l'exil d'un patrimoine considéré comme national. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Winning answer: Not that big I read an interview with Madonna who said that when people came into her home in LA and they saw her Frida Kahlo collection of paintings, if they didn't like Frida Kahlo, she couldn't be their friend. If I'm hanging out with somebody who turns non-problem problems into problems… I mean, I can still be their friend, but I just don't really wanna hang out with them. Here's the sticky question that changes everything… How big of a problem do you want to make this? The obvious answer is always going to be, like…  Not that big of a problem. Problems don't change until you change how you relate to them. (When we bless them.) We can't control the circumstances in our lives, but we can choose how we think about them. If storms and fires are the work of the Divine, so are flat tires and breakups. All of it is a blessing (even if it's in disguise). Problems become portals when we get excited about transforming them. Where everyone else sees a roadblock, we can be like, guys… it's a secret passage to higher consciousness. Listen in for an excerpt from my new book Bless & Release. Spoiler: The book is funny. That's all I want. Well, it's not all I want. It's what I want the most. With Love, Danielle   As mentioned in this episode: Order Bless & Release and get early access to chapters dropped weekly: daniellelaporte.com/bless Join us on Sundays at 9am PT | 12noon ET for Bless Club. A free weekly LIVE practice with Danielle LaPorte. 15 minutes. Every Sunday. Save your seat: daniellelaporte.com/blessclub 

This Spring, renowned Mexican artists Frida Kahlo and Diego Rivera are being celebrated by the Museum of Modern Art in a dual exhibition. 'Frida and Diego: The Last Dream,' looks at how Kahlo and Rivera represented a shift in the development of Mexican identity, art, and culture in the early 20th century. The show is presented in conjunction with the Metropolitan Opera, which is presenting 'El Último Sueño de Frida y Diego,' an opera debuting this Spring that explores the relationship between Rivera and Kahlo through a fictional narrative. MoMA worked with the opera's set designer Jon Bausor to create unique setting for the art on view. Bausor discusses the process for designing this exhibit alongside Beverly Adams, MoMA curator of Latin American Art. 'Frida and Diego: The Last Dream' is on view through September 12. Photo by Robert Gerhardt via MoMA

Episode No. 749 features curator Mari Carmen Ramírez and Isabelle Frances McGuire. Ramírez is the curator of "Frida: The Making of an Icon" at the Museum of Fine Arts, Houston. The exhibition reveals how Frida Kahlo went from virtually unknown to mainstream audiences at the time of her death in 1954 to becoming famed as both an artist and as a kind of celebrity icon. Among the factors it identifies are North American geopolitics, the role of culture in the promotion of nationhood, tourism, and international trade, and more. "Frida" features more than 30 works by Kahlo and 120 more by five generations of artists she inspired. It is on view at the MFAH through May 17. A fascinating catalogue was published by the MFAH in association with Yale University Press. Amazon and Bookshop offer it for about $60. McGuire is included in the 2026 biennial exhibition at the Whitney Museum of American Art, New York. The show was curated by Marcela Guerrero and Drew Sawyer with Beatriz Cifuentes and Carina Martinez. It's on view through August 23. This segment was taped when McGuire was included in the Museum of Contemporary Art Chicago's "Descending the Staircase" exhibition in 2024. McGuire is a Chicago-based artist whose work considers the body and how our understanding of it can be filtered by video games, film, animatronics, and other technologies. The 2024 MCA Chicago exhibition marked her first inclusion in a museum exhibition; since then McGuire has shown at Artist's Space, New York, and at the Renaissance Society, Chicago. For images see Episode No. 648. Instagram: Isabelle Frances McGuire, Tyler Green.

Get to know Frida Kahlo with Beth Evans, Youth and Family Programs Coordinator for the National Portrait Gallery at Smithsonian Institution. Beth tells us what we can learn from Frida's example, and what makes her art and life so special. [This episode originally aired in the app in 2022.]

Frida Kahlo was a Mexican artist who made self-portraits of herself, sometimes with her pet monkey. We are going to visit her in her home, called the Blue House. Enter her lush garden, watch her get ready to be photographed by a friend, and discover how she used your clothes to express herself along the way.

Today's poem is Perspective, Coyoacán by Corey Van Landingham. The Slowdown is your daily poetry ritual. In this episode, Maggie writes… “Today's poem is an ekphrastic poem, a poem inspired by a piece of art. It opens with an epigraph that is a quote by Frida Kahlo. It strikes me now, reading that line of hers, that while she's talking about painting herself, it can also refer to writing about oneself.” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp