Podcast appearances and mentions of Frida Kahlo

Después de 6 meses de silencio, La Orden de la Noche regresa más despierta que nunca. En este episodio abrimos el debate sobre el ascenso imparable de la inteligencia artificial: ¿utopía o amenaza inminente? ¿Estamos a las puertas de una guerra contra las máquinas? Nos sumergimos en las declaraciones explosivas de Dave Mustaine (Megadeth), quien advierte lo peligroso que es realmente el negocio del entretenimiento. Hablamos del lado oscuro de la industria a través de las trágicas muertes de Chester Bennington y Chris Cornell, y tocamos la vieja pero inquietante teoría de que Michael Jackson sigue vivo. Cerramos con una poderosa reflexión sobre el mural “El Hombre Controlador del Universo” de Diego Rivera: cómo fue censurado por los Rockefeller después de incluir a Lenin, y cómo ese acto artístico desencadenó una serie de eventos que involucraron a Trotsky, Frida Kahlo y la política mundial. Un episodio denso, eléctrico y conspirativo. Volvimos.....o nunca nos fuimos? #laordendelanoche #laordendelanochepodcast

De la Vénus de Milo à la Joconde en passant par Les demoiselles d'Avignon ou la Jeune fille à la Perle, les femmes sont souvent représentées dans les œuvres d'art. Mais quand il s'agit des femmes artistes, elles semblent bien moins présentes voire absentes des galeries ou des musées. Au-delà peut-être de la peintre Frida Kahlo ou de l'artiste multi-casquettes Niki de Saint Phalle, les noms de femmes connues dans le monde de l'art ne viennent pas facilement en tête pour le grand public. En France, un seul musée porte le nom d'une femme, celui de la sculptrice Camille Claudel. Les femmes seraient-elles moins créatives, moins talentueuses que les hommes ? Evidemment non, les femmes citées plus haut ont d'ailleurs su gagner leur place dans le milieu artistique et prouver leur légitimité. La sous-représentation de l'art au féminin pose néanmoins question et le sujet est loin d'être anecdotique. En créant, peignant, sculptant, c'est aussi une vision du monde, une sensibilité, une représentation des corps, un regard sur nos sociétés que les artistes proposent. Il est donc important de pouvoir aussi entendre le point de vue des femmes. Le problème est également pécuniaire, car si l'art est un marché, ce sont encore les hommes qui obtiennent la plus grosse part du gâteau. Comment visibiliser l'art féminin ? Quels rôles des musées et des galeries ?   Avec : • Camille Morineau, historienne de l'art et commissaire d'exposition. Co-fondatrice et directrice de AWARE (Archives of Women Artists, Research and Exhibitions) une association qui répertorie et visibilise les femmes artistes • Esther Korman, fondatrice de la galerie d'art Esther & Paul à Paris • Dieynaba Sidibé, dit Zeinixx, graffeuse, pionnière du Street art féminin au Sénégal.  En fin d'émission, la chronique Écouter le monde de Monica Fantini.   Programmation musicale : ► Déjà Vu – Emma Peters ► Keep on loving me – Lady Donli.

De la Vénus de Milo à la Joconde en passant par Les demoiselles d'Avignon ou la Jeune fille à la Perle, les femmes sont souvent représentées dans les œuvres d'art. Mais quand il s'agit des femmes artistes, elles semblent bien moins présentes voire absentes des galeries ou des musées. Au-delà peut-être de la peintre Frida Kahlo ou de l'artiste multi-casquettes Niki de Saint Phalle, les noms de femmes connues dans le monde de l'art ne viennent pas facilement en tête pour le grand public. En France, un seul musée porte le nom d'une femme, celui de la sculptrice Camille Claudel. Les femmes seraient-elles moins créatives, moins talentueuses que les hommes ? Evidemment non, les femmes citées plus haut ont d'ailleurs su gagner leur place dans le milieu artistique et prouver leur légitimité. La sous-représentation de l'art au féminin pose néanmoins question et le sujet est loin d'être anecdotique. En créant, peignant, sculptant, c'est aussi une vision du monde, une sensibilité, une représentation des corps, un regard sur nos sociétés que les artistes proposent. Il est donc important de pouvoir aussi entendre le point de vue des femmes. Le problème est également pécuniaire, car si l'art est un marché, ce sont encore les hommes qui obtiennent la plus grosse part du gâteau. Comment visibiliser l'art féminin ? Quels rôles des musées et des galeries ?   Avec : • Camille Morineau, historienne de l'art et commissaire d'exposition. Co-fondatrice et directrice de AWARE (Archives of Women Artists, Research and Exhibitions) une association qui répertorie et visibilise les femmes artistes • Esther Korman, fondatrice de la galerie d'art Esther & Paul à Paris • Dieynaba Sidibé, dit Zeinixx, graffeuse, pionnière du Street art féminin au Sénégal.  En fin d'émission, la chronique Écouter le monde de Monica Fantini.   Programmation musicale : ► Déjà Vu – Emma Peters ► Keep on loving me – Lady Donli.

Piše Sanja Podržaj, bere Eva Longyka Marušlič. Druga pesniška knjiga pesnice, prevajalke in aktivistke Ane Makuc Švercam lubenice je zorela dolgo časa in je s provokativno podobo, ki jo je ustvarila ilustratorka in vizualna umetnica Samira Kentrić, med bralke in bralce prišla konec lanskega leta. Zbirka izrazito angažiranih pesmi je pisana na način, ki ga poznamo že iz avtoričinega prvenca Ljubica Rolanda Barthesa – v vsaki pesmi spregovori druga oseba, vsaka v svojem unikatnem položaju. V njem beremo pesmi, ki se vživljajo v nekatere znane ženske iz zgodovine in literature. Med drugim imajo besedo fiktivne Saloma, Lolita in Rdeča kapica ter zelo resnične Virginia Woolf, Frida Kahlo in Sylvia Plath. Pesmi se berejo kot njihovi monologi in skušajo naslikati njihov psihološki portret. To nam, bralkam in bralcem, ponuja drugačen pogled na posameznico, ki je sicer imenovana, a bi bila lahko tudi slehernica, ter izpostavlja kompleksnost osebnosti, ki niso brez notranjih nasprotij in konfliktov. Te postopke poznamo na primer iz romanov hrvaške pisateljice Slavenke Drakulić, ki se je vživljala v Frido Khalo, Milevo Marić in v Doro Maar, ali pa iz svetovne uspešnice ameriške pisateljice Madeline Miller, ki je v romanu Kirka na ta način pisala o mitski čarovnici Kirki, znani iz Odiseje. Takšen pristop je izrazito feminističen, saj iz upovedovanja intimnega ustvarja družbeno kritiko in s tem potrjuje, da je osebno (še vedno) politično. Na podlagi primera namreč pokaže na neenakost in nepravičnost v patriarhalni družbi. Ti primeri pogosto izhajajo iz preteklosti, a kljub temu so vzporednice z današnjim časom jasne. Čeprav se zdi, da smo kot družba na področju pravic žensk in enakopravnosti spolov napredovali, se ob branju tovrstne literature vse prevečkrat pokaže, da nekatere težave trdovratno vztrajajo. In prav o teh lahko beremo v zbirki Švercam lubenice. Tudi v zbirki Švercam lubenice spregovorijo nekatere znane ženske, kot sta fiktivni Gospa Dalloway iz romana Virginie Woolf in Urška iz Prešernovega Povodnega moža, pa tudi pesnica Emily Dickinson. Vendar pa je večina govork in govorcev tokrat brezimnih posameznikov. Poleg žensk imajo besedo tudi otroci, moški in celo duhovi. Prepoznamo lahko celo nekatere dogodke, ki so odmevali v javnosti, na primer umor novinarke Kim Wall in reševanje tajskih dečkov iz poplavljene jame. Če zbirko primerjamo z avtoričinim prvencem, je tematsko bolj raznolika. Obsega petindvajset pesmi, med katerimi so nekatere povezane z naslovi, na primer Ženska v belem 1 in 2, v katerih spregovori Emily Dickinson, a bi ju lahko brali tudi kot credo pesnice, ki pravi: »Pišem, torej sem.« Na podoben način je skozi celotno zbirko posejanih sedem pesmi z naslovom Švercam lubenice, ki tudi tvorijo njeno jedro. V teh pesmih prisluhnemo eni govorki, vsaj tako se zdi, ženski, ki razmišlja o svoji nosečnosti, spreminjajočem se telesu in porodu, o tem, da bo po njem del nje »sam hodil po svetu«. Teh sedem pesmi predstavlja najmočnejši del zbirke, z njimi se najtesneje povezujejo tudi ilustracije, ki iz lubeničnih pešk tvorijo oblike ženskega telesa ali delov telesa in podobe, ki spominjajo na plod, zgovorna pa je tudi izbira semen za ustvarjanje le-teh. »Švercanje lubenic« postane metafora za nosečnost, za napet in težek trebuh pod široko bundo, kot lahko beremo v eni izmed pesmi. O tem obdobju, o katerem pogosto beremo same lepe stvari, namreč ko nosečnica sije, žari, je blažena, Ana Makuc piše bolj večplastno. To ni čas absolutnega veselja nad novim življenjem, temveč tudi negotovosti, strahu in sprememb, zaradi katerih se zamaje odnos do telesa in lastne identitete, ki se znajde na preizkušnji: »Težko je vedeti, / kdo si, / ko meje tvojega telesa / niso meje tvoje kože.« Otrok je del materinega telesa in tujek hkrati, materinstvo pa pomeni, vsaj za nekaj časa, obstajati za nekoga drugega. To ne prinese vedno samo pozitivnih občutkov, vendar družba od žensk, ki postanejo matere, to pričakuje. Tabu tako še vedno ostaja poporodna depresija, o kateri beremo v pesmi Nočna varuška, ali pa dejstvo, da dve rdeči črtici nista vedno zaželeni, kot v pesmi Ostani s težavo. Pesmi v zbirki Švercam lubenice so izrazito pripovedne in oprijemljive, na ta način omogočajo, da se tudi bralke in bralci zlahka vživimo v pesniške govorke in govorce. Ena od osnovnih funkcij branja je prav to, da se z vživljanjem v izkušnje drugih ljudi gradi empatija. Predsodki pogosto izhajajo iz neznanja in nerazumevanja, pesmi Ane Makuc pa so priložnost, da prisluhnemo. A zbirka ni brez svojih težav. Medtem ko se sedem pesmi Švercam lubenice tematsko zelo dobro povezuje z večino drugih v zbirki, ki govorijo o materinstvu, skrbstvenem delu, družinskem nasilju in zlorabi, pa nekaj pesmi izstopa, kot da bi se v zbirki znašle po naključju ali zaradi aktualnosti problematike. Morda se tako zdi, ker so po zbirki na redko posejane in jih ni veliko ter tako delujejo kot nekakšna anomalija v nizu pesmi, osredotočenih na ženske izkušnje. Takšna je na primer pesem Deport or game, v kateri lahko prepoznamo besede begunca iz dokumentarnega filma Rdeči gozdovi Nike Autor. Game oziroma igra predstavlja tvegano prečkanje schengenske meje, kar nekateri poskušajo tudi dvajsetkrat, kot beremo v pesmi, za nekatere pa je poskus usoden. Tako si lahko predstavljamo, da je bil usoden za begunko z dojenčkom, katere duh spregovori v pesmi Duh begunke z dojenčkom. Švercanje v naslovu namiguje tudi na prehajanje čez mejo in se s tem navezuje na begunsko problematiko, a vendar se ob pogledu na zbirko kot celoto zdi, da so bile nekatere pesmi dodane zgolj zato, da bi bilo v njej čim več aktualnih in angažiranih vsebin, čeprav bi bila brez njih vsebinsko povsem zaokrožena in celo bolj celovita. Še ena pesem, ki se zdi popolnoma iz konteksta zbirke, je pesem Jama, v kateri sledimo kolektivni pripovedi dvanajstih dečkov, ki so bili skupaj s trenerjem ujeti v jami 14 dni. Tu je še pesem Podmornica, ki govori o brutalnem umoru novinarke Kim Wall in zdi se, da pripoveduje njen morilec – pri tem sploh ni jasno, zakaj do besede ne pride žrtev zločina, ki ji je bil glas že tako ali tako odvzet. In medtem ko za večino pesmi lahko rečemo, da se upirajo črno-belemu pogledu na žensko izkušnjo, pa je recimo pesem Delo iz ljubezni na svoj način zasidrana v stereotipnih predstavah ženske – gospodinje, ki je »pri tridesetih s štirimi otroki / kot posušena starka«. Iz nje lahko razberemo nekakšno pomilovanje, skratka nasprotje od ubesedovanja večplastnosti in kompleksnosti ženskih življenj. Lahko se strinjamo z besedami Barbare Korun v spremni besedi: pesniška zbirka Ane Makuc Švercam lubenice marsikomu ne bo všeč. Je izrazito angažirana in politična, s tem pa nas sooča tudi z nekaterimi neprijetnimi dejstvi, ki bi jih morda najraje prezrli. Kljub nekaterim pomanjkljivostim gre za premišljene pesmi, ki nam ponujajo okno v svet nekoga drugega, drugačnega, in s tem priložnost, da premislimo o svojih prepričanjih. Ali bo knjiga prišla v roke tistim, ki bi takšna soočenja najbolj potrebovali, pa je stvar kakšne druge razprave. Vsekakor si želimo, da bi.

Send us a textMexico City pulses with energy that spans nearly seven centuries, from its 1325 Aztec founding to its contemporary status as a sophisticated global metropolis. The sprawling capital reveals itself as a layered cultural treasure through the expert insights of Arturo Sanchez, Head Concierge at Andaz Mexico City Condesa Hotel, who shares his perspective on this magnificent city.At the ancient heart of Mexico City, the Zócalo plaza anchors the historic center where visitors can explore the 13th-century Templo Mayor ruins alongside colonial masterpieces like the Metropolitan Cathedral. Diego Rivera's stunning murals depicting Mexican history adorn the National Palace walls, while nearby, the Palacio de Bellas Artes dazzles with its Art Nouveau and Art Deco architecture, housing a Tiffany glass curtain. A few blocks away, hidden murals in the Public Education Secretary buildings showcase Mexico's muralist tradition.Beyond downtown, the cobbled streets of Coyoacán neighborhood transport visitors to another era, where Frida Kahlo's iconic Blue House museum captivates with intimate glimpses into the artist's life. The National Museum of Anthropology stands as an essential starting point for understanding Mexico's complex history through its comprehensive collection of pre-Hispanic artifacts displayed in a stunning modern building.The city's vibrant festival calendar reaches its colorful peak during Day of the Dead celebrations (November 1-2), when locals honor deceased loved ones through offerings, marigolds, and communal gatherings. Mexico City's world-class culinary scene ranges from street tacos to Michelin-starred restaurants, while nearby excursions offer archaeological wonders like the Teotihuacan pyramids where sunrise hot air balloon rides create unforgettable experiences.Mexican wrestling (Lucha Libre) is an acrobatic theatrical performance where audiences choose sides in a communal celebration. As Arturo shares from personal experience, these authentic cultural moments create meaningful connections, revealing why Mexico City remains one of the world's most captivating destinations.**Arturo Sanchez lives in Mexico City and is head concierge at Andaz Mexico City Condesa Hotel there.**Podcast host Lea Lane has traveled to over 100 countries, and  has written nine books, including the award-winning Places I Remember  (Kirkus Reviews star rating, and  'one of the top 100 Indie books of  the year'). She has contributed to many guidebooks and has written thousands of travel articles. _____Our award-winning travel podcast, Places I Remember with Lea Lane, has dropped over 115 travel episodes! New episodes drop on the first Tuesday of the month, on Apple, Spotify, and wherever you listen. _____Travel vlogs of our featured  podcasts-- with video and graphics -- now drop on YouTube . Please subscribe, like, and comment. ****************************************Website: https://placesirememberlealane.com Travel Blog: forbes.comBlueSky: lealane.bsky.socialX (Twitter):@lealane Instagram: PlacesIRemembe

Porque todo indica que Sophie-Alexander Katz estaba destinada para convertirse en una de las actrices más versátiles de México. Ella, ha interpretado a reconocidas figuras como Frida Kahlo y trabajado en puestas en escena de Shakespeare y Moliere en Londres y Francia, también ha brillado en novelas como Para Volver Amar e incursionado en exitosas series de streaming de la talla de Mujeres Asesinas, 40 y 20 e Historia de un Crimen: La Búsqueda.Por supuesto, su versatilidad y arduo trabajo la han llevado también a la pantalla grande, protagonizando cintas complejas como Blanco de Verano, Puppet Soldiers, Labios Rojos y la Dictadura Perfecta, destacando su camaleónica habilidad para de verdad transformarse en el personaje.Con una gran pasión por su profesión, démosle la bienvenida a HDC…

En este episodio, José Gotés divulgador científico y tiktoker de la cuenta @cienciarara, se sienta a platicar con Mario de la Piedra Walter para hablar de su libro "Mentes geniales" una obra que encuentra la relación entre la neurociencia, las humanidades y las artes, explorando la relación de ciertas condiciones mentales con personajes como Dostoievski, Neil Harbisson, Sylvia Plath, Frida Kahlo, entre otros. Abordando también el tema de la Inteligencia Artificial y si esta pudiera llegar a reemplazar la genialidad humana. Hosted on Acast. See acast.com/privacy for more information.

Scopri il misterioso archivio di Casa Azul, un tesoro nascosto per decenni che rivela l'intimità di Frida Kahlo attraverso l'obiettivo di Graciela Iturbide. L'articolo Frida Kahlo e l'Archivio Segreto della Casa Azul proviene da Andrea Concas - Il mondo dell'arte come nessuno ti ha mai raccontato.

Vita e opere di Tina Modotti, fotografa e rivoluzionaria del Novecento. La storia, la politica, l'amicizia con Frida Kahlo e lo stile prospettico.

Los Bohemios Necios todos los domingos en vivo 18h a través de XHABC 760AM.IG / X @RodrigoDLCadenaIG @VaniarCarpio / X @Vania_rcIG/ X @DionicioBohemio Dionicio Sánchez Alvarado

Narrado por Liau Vela para EDENEX. En una evocadora y poética misiva dirigida al espíritu de Frida Kahlo, el escritor Javier Sierra recurre al recurso epistolar para adentrarse en el misterio de unas supuestas apariciones fantasmales ocurridas en la célebre Casa Azul de Coyoacán, durante los días del confinamiento por la pandemia. Lejos de la fridamanía contemporánea que ha transformado a la artista en icono global del feminismo, Sierra plantea una reflexión íntima y metafísica sobre la dualidad de Frida: ¿cómo una mujer atea, comunista y racional podría ahora estar regresando como fantasma? A través de un tono profundamente personal, casi confidencial, el autor recorre anécdotas y símbolos de la vida de Frida, desde sus diarios y dolores físicos hasta el legado pictórico que mezcla el sufrimiento con la mística indígena. La carta transita entre la incredulidad y la fascinación por los rumores de que la artista sigue manifestándose en su casa —moviendo corsés, dejando huellas—, y se pregunta si, tal vez, su alma chamánica jamás se fue del todo. Sierra, con un estilo envolvente y nostálgico, ofrece una meditación sobre la persistencia de los grandes espíritus, sobre la verdad que hay detrás del arte y sobre cómo, incluso después de la muerte, una figura como Frida Kahlo continúa generando preguntas que ni el racionalismo ni la historia oficial pueden responder del todo. https://www.edenex.es

In this episode of Art + Business + Murals, I'm diving into why having a distinct mural art style isn't just helpful — it's essential.I'll share how your unique style becomes your brand, how it helps clients remember and recommend you, and how it makes pricing and pitching your work so much easier. We'll also talk about the great artists of the past — from Frida Kahlo to Keith Haring — and how their unmistakable styles helped shape their legacies.Plus, I'll explore the balance between personal style and community-based mural work — and why artists with versatile styles can truly shine in collaborative spaces.Whether you're just finding your style or refining it, this episode will remind you why your creative fingerprint matters. ——— Thank you so much for tuning into the Art + Business + Murals PodcastIf you'd like to say ‘hi' to me, or if you have any podcast topic ideas or artists you'd like me to interview, please email: podcast@sarahsculley.com Please follow along: Instagram // https://www.instagram.com/sculleydesign/ Facebook // https://www.facebook.com/sculleydesign You Tube // https://www.youtube.com/@SarahSculley/videos Website // https://www.sculleydesign.comFeel free to give this podcast a star rating and ‘follow' so you are notified when new episodes come out each Monday. Please share it with any creatives in your life.

In this episode of The People of Penn State, Katie sits down with Arianna Davis ('09 Com), the Digital Editorial Director at TODAY.Arianna leads the TODAY Show's digital strategy and frequently appears on air to highlight the top stories making waves online. She's also the author of What Would Frida Do? A Guide to Living Boldly, a vibrant tribute to the life and legacy of artist Frida Kahlo.In this conversation, Arianna reflects on her time at Penn State and how it helped shape her path, shares insights into her impressive career in media, discusses her journey as an author, and much more. (Bravo fans—don't miss her take on the best Real Housewives franchise!)Now based in New York City, Arianna is busy working on her next novel, planning her 2026 wedding with her fiancé, and watching The Real Housewives with her dog, Leo.Follow Arianna on Instagram @ariannagab.

#196What if your students could step inside the Louvre Museum, explore Frida Kahlo's studio, or walk through the streets of ancient cities, all without leaving your classroom? In this episode, we explore the Google Arts & Culture app with French teacher and tech integration specialist Heidi Trude. From boosting cultural understanding to sparking meaningful conversations, Heidi shares creative ways to use this free tool to make language and culture come alive in your classroom.Topics in this Episode:how Heidi first discover the Google Arts & Culture app, and what made her decide it was a good fit for your classroomHeidi's favorite features of the app, and how she incorporate them into her lessonsusing Google Arts & Culture to enhance your students' understanding of art, history, and culture projects or activities using the app that have a particularly powerful impacthow tools like Google Arts & Culture are shaping the future of how we teach cultural understanding and global awareness in the classroomHeidi's Resource: Making Art Come Alive with the Google Arts and Culture AppConnect with Heidi TrudeWebsite: Tech with TrudeFacebook: Heidi.TrudeInstagram: @hlt2007X/Twitter: @htrude07Connect with Joshua and the World Language Classroom Community: wlclassrom.comX (aka Twitter):  @wlclassroomThreads: @wlclassroomInstagram:  @wlclassroomFacebook:  /wlclassroomWLClassroom Facebook Group__________________________Interested in having Joshua work directly with your department, school or district?  Look at options for collaborating in person or remotely.______________________________Sign up for Talking Points to get  tips, tools and resources for your language teaching.______________________________Join Joshua as a guest on the podcast.______________________________Join Joshua for a Leveling Up Coaching Episode  on the podcast.  Send me a text and let me know your thoughts on this episode or the podcast.

Pablo Ortiz de Zárate habla sobre el arrepentimiento, y lo hace a partir de los testimonios recogidos por la enfermera Bronnie Ware entre pacientes terminales. Pablo nos guía por los cuatro remordimientos más comunes al final de la vida: no haberse permitido ser felices, no haber expresado lo que sentían, haber trabajado demasiado y no haber seguido sus verdaderos deseos. Obras como los Girasoles de Van Gogh, las Sandías de Frida Kahlo o la Vanitas de Pieter Claesz nos ayudan a reflexionar sobre estos arrepentimientos.

durée : 00:24:58 - Le Feuilleton - Au nom de quoi devrais-je continuer à souffrir ainsi ? Je n'ai pas choisi le martyre. J'ai aimé la vie intensément tant que c'était la VIE, mais maintenant… au nom de quoi et de qui dois-je supporter tout cela ?

durée : 00:24:31 - Le Feuilleton - Moi… moi j'ai dévoré la vie. Ma vie. Mais je n'ai conçu aucune vie. À quatre reprises, j'ai conçu le fils et la fille que j'aurais voulus, mais la vie les a assassinés tandis qu'ils commençaient à bouger dans mon ventre.

durée : 00:25:03 - Le Feuilleton - "Personne ne saura jamais comme j'aime Diego. Je ne suis pas seulement sa mère, je suis l'embryon, le germe, la première cellule qui potentiellement l'a engendré. Je suis lui depuis les plus primitives et les plus anciennes des cellules qui, avec le temps, sont devenues lui."

durée : 00:24:44 - Le Feuilleton - Ce jour là je suis allée chez Diego Rivera, il était perché sur un échafaudage. Il a regardé en bas. Il a dû voir une jeune fille de vingt ans au corps nerveux, et… je sais ce qui l'a attiré chez moi depuis le début : mes sourcils, qu'il a toujours qualifiés d'"ailes de mouette noire".

durée : 00:25:14 - Le Feuilleton - "Je suis allée à mon enterrement dans la pluie légère d'une fin d'après-midi, dans un autobus qui me ramenait à Coyoacán. Au coin du marché San Juan, un tram nous a foncé dessus, nous a éperonné, s'est accroché à nous. Cela n'a pas été une collision, plutôt un lent dévorement !

durée : 00:24:31 - Le Feuilleton - Moi… moi j'ai dévoré la vie. Ma vie. Mais je n'ai conçu aucune vie. À quatre reprises, j'ai conçu le fils et la fille que j'aurais voulus, mais la vie les a assassinés tandis qu'ils commençaient à bouger dans mon ventre.

durée : 00:25:14 - Le Feuilleton - "Je suis allée à mon enterrement dans la pluie légère d'une fin d'après-midi, dans un autobus qui me ramenait à Coyoacán. Au coin du marché San Juan, un tram nous a foncé dessus, nous a éperonné, s'est accroché à nous. Cela n'a pas été une collision, plutôt un lent dévorement !

durée : 00:24:45 - Le Feuilleton - Ce jour là je suis allée chez Diego Rivera, il était perché sur un échafaudage. Il a regardé en bas. Il a dû voir une jeune fille de vingt ans au corps nerveux, et… je sais ce qui l'a attiré chez moi depuis le début : mes sourcils, qu'il a toujours qualifiés d'"ailes de mouette noire".

durée : 00:25:03 - Le Feuilleton - "Personne ne saura jamais comme j'aime Diego. Je ne suis pas seulement sa mère, je suis l'embryon, le germe, la première cellule qui potentiellement l'a engendré. Je suis lui depuis les plus primitives et les plus anciennes des cellules qui, avec le temps, sont devenues lui."

durée : 00:24:58 - Le Feuilleton - Au nom de quoi devrais-je continuer à souffrir ainsi ? Je n'ai pas choisi le martyre. J'ai aimé la vie intensément tant que c'était la VIE, mais maintenant… au nom de quoi et de qui dois-je supporter tout cela ?

Sube a El Cocodrilo y realiza un fascinante recorrido por el sur de la Ciudad de México para explorar uno de los movimientos arquitectónicos más influyentes del siglo XX: el Funcionalismo. Descubre la emblemática Casa-Obrera de México, concebida por el visionario arquitecto Juan O’Gorman, junto con las icónicas construcciones de San Ángel, como la Casa de Cecil y los estudios de Diego Rivera y Frida Kahlo. Únete a la comunidad de El Cocodrilo con Sergio Almazán en su sitio web y redes sociales: www.sergioalmazan.com X: @salmazan71 https://x.com/salmazan71 IG: @ElcocodriloMVS https://www.instagram.com/elcocodrilomvs/ Facebook: El Cocodrilo MVS https://www.facebook.com/ElCocodriloMVSSee omnystudio.com/listener for privacy information.

Robin celebrates the 40th birthday of the great, witty, profound Guerrilla Girls, with guests "Frida Kahlo" and "Kathe Kollwitz"—the Originals still going strong!

Check out my Coping with Political Stress Ebook Workbook  If you are a therapist or counselor looking for continuing education, check out my NBCC Approved $5 Podcourses and other continuing education offerings. Plus, get your first Podcourse half off. Support the Podcast, Buy Me a Coffee  I'm so glad you're here for another episode of The Therapy Show!  After a little spring break getaway with my family (including a visit to the incredible Frida Kahlo exhibit in Richmond—highly recommend!), I'm back and ready to dive into something I hear from so many of you: feeling overwhelmed by the news. If you've ever wanted to just tune it all out, trust me—you are not alone. The nonstop headlines, the urgency, the crises—it can feel like too much for anyone's nervous system. But today, I'm unpacking why avoiding the news isn't the long-term solution and how we can build a healthier, more resilient relationship with the world around us. Together, we'll explore what happens in your brain and body when the news feels like too much, and I'll share practical tools to help you stay informed without feeling emotionally drained. I'm pulling some insights straight from my Coping with Political Stress & Anxiety Workbook, including setting media boundaries, choosing calm sources, and reflecting on your emotional responses. This episode is your invitation to stop running from the noise and learn how to walk through it with intention—building strength, resilience, and clarity along the way. Not a therapist but want the Ebook Workbook? Click here! Let's dive in! The content provided in this podcast is for informational and educational purposes only and is not intended to replace professional mental health care, diagnosis, or treatment. Always seek the advice of your own licensed mental health provider or medical professional regarding your specific situation. While I am a licensed marriage and family therapist, and my guests are also professional counselors, the discussions in this podcast are meant to offer general insights and should not be taken as personalized therapeutic advice. Listening to this podcast does not establish a therapist-client relationship with me or any of my guests. If you are experiencing a mental health crisis or have thoughts of harming yourself or others, please contact a mental health professional, call 911, or go to the nearest emergency room immediately. You can also reach out to a crisis hotline, such as the Suicide and Crisis Lifeline at 988 in the United States, for immediate support. Every individual's journey is unique, and what works for one person may not be suitable for another. Please use discretion and seek appropriate care as needed.

Frida Kahlo, the legendary Mexican painter, is celebrated not only for her vivid and emotionally raw self-portraits but also as a timeless icon of disability pride and resilience. From childhood polio to a catastrophic bus accident at 18, Kahlo endured lifelong physical pain and countless surgeries—yet she transformed that suffering into some of the most powerful artwork of the 20th century. In this episode, we explore how Frida used her chronic pain and disability as fuel for creativity, boldly redefining what beauty, identity, and strength look like. Her unapologetic self-expression and refusal to conform to societal expectations continue to inspire people around the globe—especially those living with disabilities. Join us as we celebrate the life, art, and lasting impact of Frida Kahlo—an artist whose legacy proves that pain does not limit power, and disability does not diminish vision.

Vous aimez Les Fabuleux Destins, le podcast Bababam Originals qui vous plonge dans les destins les plus surprenants et incroyables ? Vous allez adorer nos autres créations originales ! Aujourd'hui, on vous invite à découvrir le podcast Bababam Originals A la folie pas du tout, qui raconte les histoires d'amour qui ont fait rêver des générations. Mais au-delà de la romance, il existe un envers du décor qu'on ne connaît pas toujours... Bonne écoute ! On vous dévoile la face cachée de l'un des couples d'artistes peintres les plus iconiques du XXe siècle : Frida Kahlo et Diego Rivera. Une histoire d'amour tumultueuse où l'art cimente la passion et répare les douleurs. Au moment de sa rencontre avec Frida en 1928, Diego Rivera est un peintre mondialement connu pour ses fresques murales à la gloire du Mexique et du communisme. L'homme a 43 ans, une carrure d'éléphant, deux divorces derrière lui et quelques enfants disséminés aux quatre coins du globe. Entre le coureur de jupons et cette jeune artiste pionnière du féminisme, le courant va passer, très très chargé en électricité… Un podcast Bababam Originals Ecriture : Claire Loup Voix : François Marion, Lucrèce Sassella Réalisation : Mathew Roques Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Jo's Art History Podcast, Jo McLaughlin is joined by Alexandra Muller, to discuss the artist Frida Kahlo.Whether you're an art enthusiast, a history buff, or just curious about the stories behind the masterpieces of the past, this episode is packed with fascinating discussions and fresh perspectives.Guest Details:Alexandra is a UK based artist.Find Alexandra online:Instagram: https://www.instagram.com/ruinsofcats/?hl=enhttps://www.instagram.com/witchwifeart/?hl=enHost Details:Jo McLaughlin is the creator and host of Jo's Art History Podcast, an art historian, writer, and passionate storyteller dedicated to making art history accessible and engaging for all.Find Jo online:Website: www.josarthistory.comInstagram: @josarthistoryLinkedIn: Jo McLaughlinResources & References:The Two Frida'shttps://www.fridakahlo.org/the-two-fridas.jspThe Flying Bed (Henry Ford Hospital)https://www.fridakahlo.org/henry-ford-hospital.jspThe dreamhttps://www.fridakahlo.org/the-dream-the-bed.jspLinks:https://www.youtube.com/watch?v=rxKR2cHmlPYhttps://www.youtube.com/watch?v=9tKFIbT5UHcSupport the Podcast:If you enjoyed this episode, please consider leaving a review and rating on whatever platform you are listening on. Your support helps us reach more art lovers!Follow Jo's Art History Podcast for more episodes on Itunes, Spotify or wherever you listen to podcasts.Let's keep the conversation going! Share your thoughts on social media using #JoArtHistoryPod and tag us @josarthistory.If you would like to purchase a book from my Amazon wish list as a gift to say thank you and support a future episode, please do so here:https://www.amazon.co.uk/hz/wishlist/ls/FZ1XZKILJJCJ?ref_=wl_shareThanks for listening!

Los Bohemios Necios todos los domingos en vivo 18h. a través de XHABC 760AM.IG / X @RodrigoDLCadenaIG @VaniarCarpio / X @Vania_rcIG/ X @DionicioBohemio Dionicio Sánchez Alvarado

The Art Institute's Frida Kahlo's Month in Paris: A Friendship with Mary Reynolds explores a pivotal moment in Kahlo's career. Reset sits down with Caitlin Haskell, Gary C. and Frances Comer senior curator of Modern and Contemporary Art, one of the curators behind the exhibition to learn more about the two artists' friendship and their connection to the surrealist art movement. This exhibition will be open now until Sunday, July 13, 2025. Tickets are an additional $5 in addison to a general admission. For a full archive of Reset interviews, head over to wbez.org/reset.

Memory Feather, who was born with a misshapen hand and was able to communicate with animals, looks back to when she was a child living with her newly divorced mother in a dilapidated hotel far from home. Her mother, Virginia cleans rooms and turns occasional tricks to support Memory until 1953, when she's forced to return to the Mississippi Gulf Coast town where her difficult, bigoted parents live. Much to their disdain, Virginia's childhood friend Mac welcomes Mem and her mother to live with him and offers Virginia a job in his antique store. As a gay man in the 1950s, Mac suffers harassment and violence, and even Memory's cat Minerva knows that the good-looking hustler who's moved in with Mac is evil. Mem recalls her anxiety, her fears, and her role in the series of events that changed her life forever. Minrose Gwin is the author of The Queen of Palmyra, a Barnes & Noble Discover Great New Writers pick and finalist for the John Gardner Fiction Book Award; Promise, shortlisted for the Willie Morris Award in Southern Literature; and The Accidentals, which received the 2020 Mississippi Institute for Arts and Letters Award in Fiction. She has also published a memoir, Wishing for Snow, about the collision of poetry and psychosis in her mother's life, and four books of literary and cultural criticism, most recently Remembering Medgar Evers: Writing the Long Civil Rights Movement. She was coeditor of The Literature of the American South, a Norton anthology, and The Southern Literary Journal. She received the Society for the Study of Southern Literature Richard Beale Davis Award for Distinguished Lifetime Service to Southern Letters and the Wisdom/Faulkner Books-in-Process Award for Rescue, the novel she's working on now. Like the characters in her novel Promise, Minrose Gwin is a native of Tupelo, Mississippi. She began her writing career as a journalist and later taught at universities across the country, most recently the University of North Carolina at Chapel Hill, where she was Kenan Eminent Professor of English. She lives in Albuquerque, NM, with her partner, Ruth Salvaggio, cats Ella Fitzgerald and Frida Kahlo and a busy-body Chihuahua named Henry. In her spare time, she volunteers at the city animal shelter taking care of new-born kittens who have lost their mothers. minrosegwin.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

During the Hollywood Reporter's roundtable for documentary filmmakers, the woman who made a doc about Frida Kahlo said, “There's a whole universe of people who are incredibly invested in Frida. We heard from a few, making sure that we didn't call her a “feminist,” because that word didn't exist when Frida was alive.”I don't doubt that a lot of people are invested in Frida Kahlo and I don't doubt that her feminism is contentious – but “feminist” was absolutely a word in Frida's lifetime. It had been for many years by the time she might claim or not claim it. It's possible it was not yet popular in Mexico but at least here in the states it was well known enough to appear in newspapers as early as the 1910s. They dedicated a lot of space to the subject. There were debates here in New York City.To keep reading ⁠Forgetting Feminist History visit the Songs for the Struggling Artist blog.This is Episode 440Song: Don't Forget Me When I'm GoneImage of Members of the 19th Airlift Wing & the U.S. Air Force ‘Wings of Blue' Parachute Team, which was just deleted from the U.S. Air Force website. (I lifted this from the Mighty Girl Facebook page. No photo credit given.) To support this podcast:Give it 5 stars in Apple Podcasts. Write a nice review!Rate it wherever you listen or via: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ratethispodcast.com/strugglingartist⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join my mailing list: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.emilyrainbowdavis.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Like the blog/show on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/SongsfortheStrugglingArtist/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support me on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/emilyrdavis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Or on Kofi: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://ko-fi.com/emilyrainbowdavis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or PayPal me: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.paypal.me/strugglingartist⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join my Substack: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://emilyrainbowdavis.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow me on Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@erainbowd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Me on Mastodon - @erainbowd@podvibes.coMe on Blue sky - @erainbowd.bsky.socialMe on Hive - @erainbowd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pinterest⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tell a friend!Listen to The Dragoning ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and The Defense ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. You can support them via Ko-fi here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ko-fi.com/messengertheatrecompany⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠As ever, I am yours,Emily Rainbow Davis

Happy Women's History Month! Behind most incredible women is a deeply annoying man.

Stephen Gibson is the author of several poetry collections, including Self-Portrait in a Door-Length Mirror, selected by Billy Collins as the winner of the 2017 Miller Williams Poetry Prize; Rorschach Art Too, winner of the Donald Justice Prize; and Rorschach Art. His most recent book is Frida Kahlo in Fort Lauderdale. Gibson, who retired in 2015, taught at Palm Beach State College for thirty-two years. He lives in West Palm Beach, Florida. Find more the new book at: https://www.stephen-gibson.com/ As always, we'll also include the live Prompt Lines for responses to our weekly prompt. A Zoom link will be provided in the chat window during the show before that segment begins. For links to all the past episodes, visit: https://www.rattle.com/rattlecast/ This Week's Prompt: Write a poem that references small talk in a big way. Next Week's Prompt: Write an ekphrastic poem based on a work of art by an artist that shares your first or last name. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

Have you ever met someone who felt like a mirror of you? In Katherine Brabon's new novel, Body Friend, the protagonist meets two women named Frida and Sylvia. All three are living with chronic illness and they're in profound pain. But when it comes to dealing with that pain, Frida and Sylvia are polar opposites — and our protagonist is caught in the middle. Katherine knows these difficulties firsthand. She joins Mattea Roach to talk about living with and writing about chronic pain. If you enjoyed this conversation, check out these episodes:Kate Gies: Reclaiming her body after years of medical traumaSarah Leavitt: Illustrating grief too wide for words

3/11/25: Rep Pat Duffy: the crisis at hand – the loss of federal funds. Amherst Coll Prof Rick Lopez: "Beyond Fridamania" – the Frida Kahlo phenomenon here! Downtown Nhmpton Assoc new ED Andrea Monson: econ devel & the new face of Northampton. Hamp Mayor GL Sciarra: the threat of losing federal funds.

3/11/25: Rep Pat Duffy: the crisis at hand – the loss of federal funds. Amherst Coll Prof Rick Lopez: "Beyond Fridamania" – the Frida Kahlo phenomenon here! Downtown Nhmpton Assoc new ED Andrea Monson: econ devel & the new face of Northampton. Hamp Mayor GL Sciarra: the threat of losing federal funds.

3/11/25: Rep Pat Duffy: the crisis at hand – the loss of federal funds. Amherst Coll Prof Rick Lopez: "Beyond Fridamania" – the Frida Kahlo phenomenon here! Downtown Nhmpton Assoc new ED Andrea Monson: econ devel & the new face of Northampton. Hamp Mayor GL Sciarra: the threat of losing federal funds.

3/11/25: Rep Pat Duffy: the crisis at hand – the loss of federal funds. Amherst Coll Prof Rick Lopez: "Beyond Fridamania" – the Frida Kahlo phenomenon here! Downtown Nhmpton Assoc new ED Andrea Monson: econ devel & the new face of Northampton. Hamp Mayor GL Sciarra: the threat of losing federal funds.

Creativity isn't just about making art—it's about breaking barriers, telling stories, and shaping the future. In honor of Women's History Month, this episode highlights some of the most inspiring women in history who used their creativity to spark change.From Maya Angelou, who turned words into a movement, to Frida Kahlo, who transformed pain into art, and Toni Morrison, who redefined literature—we're exploring how these women used creativity as a tool for empowerment and revolution.Plus, I'll share ways you can tap into your own creative power—whether you're an artist, entrepreneur, or simply someone who wants to think outside the box.

"At the end of the day, we can endure much more than we think we can. " - Frida Kahlo

“Frida Kahlo: In her own image” es una exhibición que ofrece una mirada íntima a la vida de una de las mujeres mexicanas más influyentes del siglo XX. Sobre su obra, su identidad y su vigencia conversamos con Perla Labarthe Álvarez, directora del Museo Frida Kahlo.

Frida Kahlo, una de las artistas más icónicas de la historia, sufrió un accidente de autobús a los 18 años que la dejó con graves heridas en la columna y en su cuerpo. A pesar del dolor físico que la acompañó toda su vida, nunca dejó de pintar. Sus obras, llenas de pasión y simbolismo, se convirtieron en una inspiración para millones, recordándonos que las dificultades no deben detenernos, sino impulsarnos a crear, crecer y dejar un impacto. En la vida, enfrentamos situaciones que parecen limitarnos. Pueden ser problemas de salud, dificultades económicas o heridas emocionales que nos hacen dudar de nuestro propósito. Pero Dios nos ha dado talentos, dones y una misión única. Lo que a los ojos del mundo parece una limitación, en manos de Dios puede convertirse en un testimonio poderoso. Si te has sentido desanimado por los desafíos que enfrentas, recuerda que Dios puede usar cada circunstancia para Su gloria. No dejes que el dolor o el miedo te detengan. En Sus manos, tu historia puede ser transformada en algo hermoso. La Biblia dice en Romanos 8:28: “Y sabemos que a los que aman a Dios, todas las cosas les ayudan a bien, esto es, a los que conforme a su propósito son llamados” (RV1960).

Frida Kahlo and Diego Rivera were married lovers, rivals, and life long friends. In a life filled with pain, Frida Kahlo created art and beauty. Find out more about the artwork of Frida Kahlo, Casa Azul, and the work of the beloved Mexican artist. If you've ever wondered "who is Frida Kahlo" you're in luck!  Audience Survey: https://forms.gle/FDEcdHLyrmNxZTd37   00:00:00 Catch-Up 00:16:00 Letters 00:29:31 Enemies & Lovers 00:39:39 The Trolley Accident 00:54:55 The First Marriage 01:10:37 Artistic Career 01:26:20 Weinstein Accusation 1:40:34 Artwork & Final Thoughts

Karrin Taylor Robson has made it official, jumping into next year's gubernatorial race. Our Friday NewsCap panelists analyze that and the rest of the week's top stories. Plus, Ballet Arizona is shining the spotlight on Frida Kahlo — why she's the seminal icon of women in art.

Rosie reflects on the powerful story of Frida Kahlo's transformation through tragedy, exploring how inspiring narratives can boost our mental health and resilience. She shares research on the impact of uplifting stories and offers a simple practice to help us see ourselves as the hero of our own journey. Learn more about your ad choices. Visit podcastchoices.com/adchoices

DEFENDANT: Frida Kahlo EVIDENCE: Cigar Box Cabernet Sauvignon, Frida Edition SCENE OF THE CRIME: Maipo Valley, Chile -- Hey there, true crime aficionados! In today's episode, we're diving into the fascinating world of Frida Kahlo, an iconic artist who painted her own path despite all odds. We'll chat about her tumultuous relationship with fellow artist Diego Rivera, her unapologetic embrace of her unique beauty, and how her unyielding spirit came to symbolize Mexican cultural pride.   Join us as we sip on a delightful wine that pairs perfectly with tales of revolutionary art and passionate affairs. We'll explore her creative process, her struggles with health and heartbreak, and how her legacy continues to inspire generations.   So grab a glass, settle in, and let's toast to Frida — the artist who defied conventions and captivated the world. Cheers!