Podcasts about Titanic

Today: We had an exciting adventure going to the Titanic exhibit, what it was like and how neat it was, heading home and finding a buddy, what happened and how it's going, our pal Tristan Mayer from Pacific Perks hangs, plus who is winning the bracket? Have a great weekend!

Welcome to our monthly conversation with Konstantin, who is one of the most respected voices on YouTube about what is happening Inside Russia. Konstantin Samoilov is a well-known YouTuber whose channel ‘Inside Russia' comments insightfully on Russia's decent into authoritarianism over the last few years. But now, like many others, he's outside Russia, with no idea of when he can return there. ----------LINKS: @INSIDERUSSIA https://www.patreon.com/insiderussiaINSIDE RUSSIA is a source of current news on Russia - Konstantin carefully selects 9 news stories that are important and really matter, with commentaries and analyses by Konstantin delivered daily to channel patrons at Patreon.comGet your access to daily news updates at patreon.com/INSIDERUSSIA----------SUPPORT THE CHANNEL:https://www.buymeacoffee.com/siliconcurtainhttps://www.patreon.com/siliconcurtainhttps://www.gofundme.com/f/scaling-up-campaign-to-fight-authoritarian-disinformation----------TRUSTED CHARITIES ON THE GROUND:Car4Ukrainehttps://car4ukraine.com/en-US/campaignsDzyga's Pawhttps://dzygaspaw.com/projectsSuperhumans - Hospital for war traumashttps://superhumans.com/en/UNBROKEN - Treatment. Prosthesis. Rehabilitation for Ukrainians in Ukrainehttps://unbroken.org.ua/Come Back Alivehttps://savelife.in.ua/en/Chefs For Ukraine - World Central Kitchenhttps://wck.org/relief/activation-chefs-for-ukraineUNITED24 - An initiative of President Zelenskyyhttps://u24.gov.ua/Serhiy Prytula Charity Foundationhttps://prytulafoundation.orgNGO “Herojam Slava”https://heroiamslava.org/----------PLATFORMS:Substack: https://substack.com/@siliconcurtainTwitter: https://twitter.com/CurtainSiliconLinkedin: https://www.linkedin.com/in/finkjonathan/Podcast: https://open.spotify.com/show/4thRZj6NO7y93zG11JMtqm----------DESCRIPTION: Inside Russia: Internet Shutdowns, Elite Purges, and Putin's Regime in Panic (with Constantine)Jonathan hosts a bimonthly conversation with Konstantine of the YouTube channel “Inside Russia” about accelerating instability inside Russia, including rumors that Putin-regime architect Vladislav Surkov has fled ahead of a possible arrest and what his potential cooperation with Western services could mean. They discuss Russia's rich and powerful keeping families and assets in the West, the propagandist Solovyov “going rogue” as he criticizes military shortages and communications bans, and how a widening internet and messenger crackdown—especially severe in central Moscow—may relate to purges around Shoigu and fears of elite plotting. Constantine describes severe economic disruption from unreliable internet, business closures, layoffs, and unpaid salaries, likening it to a Titanic-style collapse. They also assess how higher oil prices may briefly ease pressure without saving the regime, and argue Russia is losing allies and geopolitical standing, citing Iran, Syria, and BRICS fading from propaganda.----------CHAPTERS:01:41 Surkov Rumors and Exile06:03 Londongrad and Elite Safe Havens11:04 Solovyov Goes Off Script12:59 Propagandists Smell Change16:35 Shoigu Purge and Internet Link18:34 Moscow Internet Blackout Mystery22:20 Frontline Fallout and Civilian Disruption25:09 Army Comms Breakdown26:03 Internet Shutdown Fallout26:37 Businesses Freeze Up27:53 Daily Life Disrupted28:47 Layoffs And Panic29:36 Titanic Collapse Analogy30:56 Wake Up Call And History32:40 Satire And Denial34:12 Oil Price Windfall41:38 Putin Abandons Allies----------

De la mano de Josep Guijarro vamos a bajar hasta casi cuatro mil metros de profundidad para conocer algunas de esas fake news que se han dado por ciertas alrededor del hundimiento más célebre de la historia: el del Titanic.

Spring is finally here, and with it comes the promise of warmer weather, longer days, and plenty of opportunities to get out and explore with your family. In this episode, Megan and Sarah share the spring activities and outings currently sitting at the top of their family bucket lists. From quick Kansas City outings to a fun road trip idea, they're talking through experiences they hope to check out this season- and inviting you to add them to your list, too! Whether you're looking for a day trip, a unique museum experience, a fun show for the kids, or a special spring event around the city, this episode is packed with ideas to help you make the most of the season. Here are some of the spots and events mentioned in today's episode: Wonders of Wildlife National Museum & Aquarium (Springfield, MO) If you're looking for a memorable family road trip, Megan recommends heading down to Springfield to visit this incredible aquarium and wildlife museum connected to the flagship Bass Pro Shops Outdoor World. Consistently ranked among the best aquariums in the United States, this massive attraction takes visitors on a 1.5-mile journey through immersive exhibits featuring sharks, stingrays, freshwater fish, and wildlife habitats from around the world. Highlights include: A walk-through underwater tunnel Interactive touch pools where kids can touch stingrays Beautifully designed exhibits that make you feel like you're stepping into different ecosystems Admission:Adults: about $45.99Children (ages 4–11): about $25.99Children 3 and under: Free Most families spend 2–3 hours exploring the aquarium and wildlife galleries at a relaxed pace. Fantastic Caverns Another fun stop while visiting Springfield is this one-of-a-kind cave experience. It's America's only ride-through cave, where visitors board a Jeep-drawn tram and travel through the cavern while a guide shares the history of the cave and points out stunning rock formations created by an ancient underground river! The guided tour lasts about 55 minutes, and the cave stays a comfortable 60°F year-round, making it a great activity no matter the season. Admission:Adults: about $36Children (6–12): about $18Children 5 and under: Free with a paying adult Best of all, no walking or stairs are required, making it a great option for families with kids or grandparents. KingCade Located inside Oak Park Mall, KingCade is a casual, all-you-can-play arcade that mixes retro favorites with modern games. Instead of paying per game, guests pay a flat fee and can play unlimited games during their visit. Pricing:Ages 10+: $9.99Under 10: $4.99 It's a fun, easy outing if you're already at the mall or looking for a quick entertainment option on a rainy spring day. Theatre for Young America at Union Station Kansas City If your kids love live theater, this children's theater company produces engaging shows designed specifically for young audiences. This spring they're performing Diary of a Wimpy Kid from March 17 – April 18. Tickets:General Admission: $12Union Station Members: $10 Showtimes typically include weekday morning performances and Saturday afternoon shows. Titanic: An Immersive Voyage Now through April 19, families can experience the story of the Titanic like never before at Union Station. This immersive exhibition allows visitors to walk through recreated rooms from the ship, explore artifacts, and hear powerful stories from passengers who were aboard the ill-fated voyage of the RMS Titanic. It's a powerful and fascinating historical experience for older kids and adults alike. Planet Comicon Kansas City One of Kansas City's biggest fan conventions returns March 27–29 with celebrity guests, cosplay, comics, gaming, and more. Family perks include: Kids 7 and under free on Friday and Saturday Family Day on Sunday, when kids 12 and under are free If your kids love superheroes, comics, or pop culture, this event is a blast! Parade of Hearts Kickoff Kansas City's beloved public art experience returns this spring. The kickoff event celebrates the start of the 2026 Parade of Hearts, where beautifully designed heart sculptures are displayed across the metro to highlight local artists and support Kansas City nonprofits. The April 4 event includes: A first look at the new heart-inspired artworks Family friendly activities Community celebrations of Kansas City's vibrant arts scene Spring always feels like a fresh start, and there's no shortage of fun ways to explore Kansas City and beyond with your family. Whether you're planning a road trip, checking out a new exhibit, or just looking for something fun to do on a Saturday, we hope today's episode gives you a few new ideas to add to your list! Be sure to check out our 101 Things To Do list, as well! Connect with Megan and Sarah We would love to hear from you! Send us an e-mail or find us on Instagram or Facebook!        

Deep-sea Exploration, Titanic dives and life on the ocean floor.In this extraordinary episode of Review It Yourself, we dive into the real-world adventures of legendary deep-sea explorer and diver Dik Barton — a man who has descended to historic wrecks including RMS Titanic and worked on the raising of the Mary Rose.From extreme underwater conditions to the emotional reality of visiting one of the world's most famous shipwrecks, this episode explores what it's truly like to work where history rests: on the ocean floor.If you're searching for Titanic diving stories, deep-sea exploration insights, or first-hand accounts from historic wreck dives, this conversation delivers authenticity, expertise, and unforgettable moments.What It's Really Like Diving to Titanic!Most people know Titanic through films and documentaries. Few have been on the seabed beside her.Dik Barton shares:The physical and psychological demands of deep-sea divingWhat it feels like approaching Titanic in darknessThe technology used in extreme underwater explorationThe dangers professional divers faceHis experiences working on the Mary Rose recovery projectLife lessons learned from decades beneath the surfaceThis episode blends maritime history, technical diving expertise, and personal storytelling into a gripping and human exploration of underwater discovery.History Beneath the Surface.Having worked on projects connected to both RMS Titanic and the raising of the Mary Rose, Dik offers rare insight into how underwater archaeology intersects with adventure, preservation, and respect for the past.This isn't theory — it's lived experience from someone who has operated in some of the most extreme environments on Earth.About Dik Barton:Dik Barton is a professional deep-sea diver, explorer, speaker and world adventurer. With decades of experience in commercial diving and historic wreck exploration, he brings unmatched credibility to discussions of maritime history and underwater operations.Connect with Dik Barton:Please see:Dik Barton's Website: https://dikbarton.com/This includes information about the Titanic Expert Club.White Star Heritage: https://whitestarheritage.com/Why You Should Listen.This episode is essential for anyone interested in:Titanic explorationDeep-sea diving careersUnderwater archaeologyMary Rose recovery historyReal-life extreme adventure storiesMaritime history interviewsIt's a powerful, grounded discussion that moves beyond myths and into the lived reality of exploration.Follow & Contact Review It YourselfStay connected with Review It Yourself for more in-depth interviews and thoughtful discussions:Instagram: https://www.instagram.com/reviewityourselfpodcast2021X / Twitter: https://twitter.com/YourselfReviewBlueSky: https://bsky.app/profile/reviewityourself.bsky.socialThreads: https://www.threads.net/@reviewityourselfpodcast2021Email: reviewityourselfpodcast@gmail.comFor guest enquiries, collaborations, or listener feedback, email directly — the show welcomes your thoughts and topic suggestions.Every review and share helps grow the podcast and secure more fascinating expert guests.Descend into history. Experience the reality of deep-sea exploration.Thank You to Clifford Ismay.Correction: Sean was trying to recall Bill Sauder's description of the smell of artefacts "the smell that comes off it is perfectly alien, perfectly fetid, you know it's a kind of death you have never experienced", from a National Geographic documentary. Bill Maynard was an actor on Heartbeat who played Greengrass. Hosted on Acast. See acast.com/privacy for more information.

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 This title was released in February 2026. It will be exclusively available to buy from the Big Finish website until 31 March 2026, and on general sale after this date. Captain Lewis Haworth, young hacker MB, dark web operative Cole Smith and marine biologist Clare MacGregor found themselves in a changed world, controlled by the sinister Rakervia. In a secret military base in Arizona, they reactivated the Time Tunnel and set out across history, on a mission to track down the lost scientists Tony Newman and Doug Phillips, and restore the world as it should be. 2.1 Families and Lies - June 28 1969, by Mark B Oliver Cole arrives, alone, in Greenwich Village, Manhattan on Saturday, 28th June 1969, the day before the Stonewall uprising. With Lewis and MB nowhere to be found, he forges new friendships, but they have their own troubles. Inside the Project Tic-Toc Control Room, Clare must persuade Elenya that reuniting her friends is in all their interests. 2.2 Divine Intervention - April 1429, by Lisa McMullin MB and Cole find themselves in 15th Century France, towards the end of the Hundred Years War. It's France versus England but MB and Cole will be lining up on the side of France - alongside the Maid of Orleans herself - Joan of Arc. Is she a witch, a heretic or a feminist revolutionary? 2.3 Rendezvous with Tomorrow - April 15th 1912, by Gary Hopkins MB and Cole follow in the footsteps of Doctors Newman and Phillips aboard the doomed passenger ship Titanic in the year 1912. It seems that, after all, history can be re-written. Clara MacGregor, meanwhile, discovers that the past can be read in different ways. Is it possible that the journey's end is in sight? **Please note: the collector's edition CD box set is strictly limited to 1,000 copies and will not be repressed** Irwin Allen's The Time Tunnel TM & © 2026 Legendary. All rights reserved. Used under license. Based on the original television series "The Time Tunnel" © Legendary and Twentieth Century Fox Film Corporation. Recorded on: 17-19 July and 14-16 August 2024 Recorded at: The Soundhouse Producer, director and script editor Gary Russell said: "The Time Tunnel is one of those great Sixties science-fiction shows that ended too soon and without resolution. Ever since I was six years old, I used to think, what happened to poor Doug and Tony? To finally have the opportunity to restart Project Tic-Toc's computer spools, flashing lights and boot up the Tunnel again - and along the way maybe finally get an answer to Doug and Tony's fate - was simply too good an opportunity to pass up on. "We've had so much support and encouragement too from Legendary and Synthesis - who look after the Irwin Allen properties with so much love and respect - and for that I'm really grateful. They gave us the chance to bring The Time Tunnel into the twenty-first century with a bang." On making her Big Finish debut, Sandra Dickinson said: "It's a part to die for! The woman I'm playing has a rich history of being a very good human being, a loving, caring person, and is a tough cookie, so it was really fun to play, and to use the New York accent, which has been in my mind for a long time. "The 1960s was an amazing time. It's so apt at the moment to be talking about the LGBTQ rights movement. It's really nice to hear how it all started off in New York. And my dear son-in-law, David Tennant, has been standing up for them, bless him! So it's a great one to have done." The first episode's writer Mark B Oliver said: "I did a lot of research into the Stonewall Uprising, and what I found most fascinating were the oral histories that people have recorded over the years. These are people that were there and experienced what exactly happened. And the common thread is that they agreed to disagree about the exact details!" The second episode is scripted by Lisa McMullin, who said: "I've had a real hankering for quite a while to tell a pure historical story, so this was such a treat. It was really enjoyable telling the story of Joan of Arc. I had loads of interest in her before, and I'm always fascinated by how religion can be a real comforter to people but is also used to justify so much horror." And, finale writer Gary Hopkins said: "At the time we were discussing what we might want to do with this episode, I was reading a fantastic book called The Darks and Bounds of a Failing World, all about the tragedy of the Titanic and the Edwardian era. So it all fell into place at just the right time. I'd grown up watching various representations of the Titanic through film and television, but I always wanted to go back to the factual origin."

In this ep we talk how early is to early to drink on vacation, cruises, Titanic conspiracy, Bill Clinton Epstein testimony, National Debt, Preacher wants to see your tax returns, Kristi Noem fired, McDonalds CEO controversy, and much more! Email here: tokyoblackhour@gmail.com Check us out Facebook here: https://www.facebook.com/TokyoBlackHour/   Check out the Youtube Channel here: https://www.youtube.com/channel/UCX_C1Txvh93PHEsnA-qOp6g?view_as=subscriber Follow us on Twitter @TokyoBlackPod Get your apparel at https://tkbpandashop.com/  You can also catch us Apple Podcasts, Google Play, and Spotify Check out the mix here https://www.youtube.com/watch?v=outOhNt1vBA&t=1167s Need a logo for your business go here www.fiverr.com/eyeballa/buying 

Robach and Holmes cover the latest news headlines and entertainment updates and give perspective on current events in their daily “Morning Run.”See omnystudio.com/listener for privacy information.

Robach and Holmes cover the latest news headlines and entertainment updates and give perspective on current events in their daily “Morning Run.”See omnystudio.com/listener for privacy information.

Today's Headlines: Twelve days in, the Iran war has cost $11 billion and nearly 2,000 lives. The most damning number: 175 people — mostly children — killed when a U.S. Tomahawk missile hit an Iranian elementary school because the Defense Intelligence Agency used outdated targeting data. Trump is still blaming Iran. He spent yesterday in Kentucky rallying against Thomas Massie and bragging the war was over "in the first hour." US intelligence disagrees: Iran's government is intact and now led by a younger, more radical Supreme Leader. Trump and Netanyahu are also diverging — Trump wants a victory banner, Israel wants regime change. Hezbollah is firing rockets into Israel; Israeli strikes have displaced over 700,000 people in Lebanon. Iran has escalated in the Strait of Hormuz, hitting three commercial ships and threatening every regional port. The US and IEA announced one of the largest emergency oil reserve releases in history after the Trump administration reversed course in two hours. February inflation already showed fuel oil up 11.1% before any of this started.  The FBI is warning California law enforcement about potential Iranian drone strikes launched from ships off the coast, and thousands of Stryker employees — the company makes robotic surgery systems — arrived to find their devices locked with an Iran-linked hacking group's logo on their screens. A government watchdog found Hegseth's Pentagon burned $93 billion in September 2025 alone. The last five days of that month's spending exceeded Canada and Mexico's combined military budgets. Trump is threatening to veto all legislation until the SAVE Act — which would significantly restrict voting access — clears the Senate, while DHS investigates Arizona's 2020 election results and targets swing states ahead of the midterms. Epstein's accountant testified before House Oversight in a closed session; one detail leaked: a Trump accuser reportedly received a settlement from the Epstein estate. And a 12-foot gold statue appeared on the National Mall depicting Trump and Epstein in the Titanic bow pose — Epstein as Rose — with plaques noting their friendship was "built on luxurious travel, raucous parties, and secret nude sketches." Resources/Articles mentioned in this episode: NYT: ⁠First Week of Iran War Cost More Than $11 Billion, Pentagon Tells Congress⁠ NYT: ⁠U.S. at Fault in Strike on School in Iran, Preliminary Inquiry Says⁠ ABC News: ⁠Iran live updates: US senators told Iran war cost $11.3B in first 6 days⁠  NBC News: ⁠Live updates: Trump goes after Rep. Thomas Massie in Kentucky congressman's district⁠ ABC News: ⁠Iran live updates: US senators told Iran war cost $11.3B in first 6 days⁠ Reuters: ⁠Exclusive: US intelligence says Iran government is not at risk of collapse, say sources⁠ WSJ: ⁠Trump Says the Iran War Is Nearly Won but Israel Has Other Ideas⁠ ABC News: ⁠Iran live updates: US senators told Iran war cost $11.3B in first 6 days⁠ Axios: ⁠IEA announces historic oil reserve release amid Iran war⁠ WSJ: ⁠President Trump's Head-Spinning Pivot on an Emergency Oil Release⁠ Politico: ⁠Energy, food prices surged in February — before Iran fighting started⁠ ABC News: ⁠FBI warns Iran aspired to attack California with drones in retaliation for war: Alert⁠ WSJ: ⁠Iran Expands War With Major Cyberattack Against U.S. Company⁠ The New Republic: ⁠Pete Hegseth Blew Billions on Fruit Basket Stands, Chairs, and Crab⁠ NYT: ⁠Thune Is in a Vise as Trump and Far Right Demand Fight on Voter Bill⁠ ABC News: ⁠Trump administration opens investigation into Arizona's 2020 election results⁠ NYT: ⁠Trump Wants to ‘Take Over' Elections. These States Are Prime Targets⁠ Mediate: ⁠BOMBSHELL: Trump Accuser Got Payoff from Jeffrey Epstein Estate, Says Dem Lawmaker⁠ The Guardian: ⁠New satirical statue depicts Trump and Epstein as doomed lovers from Titanic⁠ Morning Announcements is produced by Sami Sage and edited by Grace Hernandez-Johnson Learn more about your ad choices. Visit megaphone.fm/adchoices

Kara sits down with Matthew Belloni, author of the flagship Puck newsletter What I'm Hearing and host of The Town podcast, to take the entertainment industry's temperature just a few days before the Academy Awards. They dig into the Warner Bros. Discovery/Paramount/Netflix saga and the consequences of the Ellison-backed deal for creatives and crews. Then Kara and Matt debate whether consolidation can fix Hollywood's broken economics and why legacy companies are facing a “Titanic-esque” moment as linear TV collapses. They also unpack the streaming wars, Netflix's next moves, Disney's succession questions and how AI could reshape filmmaking from visual effects to writers' rooms. Plus, they make their predictions for the Oscars. Questions? Comments? Email us at on@voxmedia.com or find us on YouTube, Instagram, TikTok, Threads, and Bluesky @onwithkaraswisher. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Robach and Holmes cover the latest news headlines and entertainment updates and give perspective on current events in their daily “Morning Run.”See omnystudio.com/listener for privacy information.

This week it's the tale of the Nantucket lightship LV-117 and her fateful collision with the Titanic's older sister. The Sameer Project (Tents / aid for Gaza) Sources: media.defense.gov/2020/Sep/28/2002507189/-1/-1/0/LIGHTSHIP_SNAPSHOT_OF_LIFE_ABOARD_LV78.PDFhttps://web.archive.org/web/20121024033319/https://www.uscg.mil/history/weblightships/LV117.aspChirnside, Mark. The 'Olympic' Class Ships: Olympic, Titanic, Britannic. 2nd rev. ed., The History Press, 2011Support the show

Robach and Holmes cover the latest news headlines and entertainment updates and give perspective on current events in their daily “Morning Run.”See omnystudio.com/listener for privacy information.

EP.620The discussion begins by confronting one of the biggest challenges within the “truth movement,” its own fragmentation. The guest argues that division, ego, and infighting have been deliberately engineered by provocateurs operating under elite influence. According to this view, the constant bickering among truth-seekers serves the interests of an unseen global power structure that thrives on confusion, distraction, and control.From there, the conversation dives into two of history's most dramatic and disputed tragedies, the deaths of Princess Diana and the sinking of the Titanic, framing both as carefully staged events designed to advance elite agendas. The guest suggests Diana was eliminated by royal and intelligence operatives because of her influence, independence, and outspoken humanitarianism, particularly her campaign against landmines, which allegedly threatened powerful financial interests tied to warfare and defense.He draws a parallel with the Titanic, describing it as another operation shrouded in myth but rooted in manipulation not a random maritime disaster, but an event orchestrated to eliminate key figures who opposed the creation of the Federal Reserve and to demonstrate control through fear and spectacle. Both incidents, he claims, reveal how the same interconnected network of global financiers, intelligence elites, and royal power works above governments and beyond borders.The larger message: these events, whether on the open sea, in a Paris tunnel, or within the digital chaos of today's media, are not isolated. They're chapters in a long, hidden history of engineered control, in which the appearance of tragedy conceals the architecture of power.

A statue of Trump and Epstein, in a ‘Jack and Rose' pose from Titanic, has mysteriously appeared on the National Mall in Washington DC. So, what's going on here?Joining Seán to discuss is Joe Heim, Reporter for the Washington Post…

A Connie Willis ghost story that also has something to do with the Titanic.Support the show and gain access to monthly bonus episodes by becoming a patron on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rate and review the show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to help us reach more readers and listeners.Not enough science-fiction and fantasy in your life? Join us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Gene Wolfe Literary Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!Love Star Trek? Come find us on the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lower Decks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!Neil Gaiman fan? Love comics? Join us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hanging Out With the Dream King: A Neil Gaiman Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Check out Glenn's medieval history podcast ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Agnus⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!Check out Glenn's weird fiction story ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠"Goodbye to All That" on the Tales to Terrify Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Next time: Music: http://www.purple-planet.com

Joining me this week is author Alyson Richman to discuss her latest novel The Missing Pages. Tune in to learn all about what went into developing the world of Titanic victim Harry Elkins Widener, the power of historical fiction in connecting readers to the past, and what it takes to research a historical novel. Learn more about Alyson and her work on her website here. Grab your copy of The Missing Pages anywhere fine books are sold - or through my affiliate link on bookshop.org here. Support the show

HMHS Britannic was built by Harland & Wolff for the White Star Line as an OIympic Class ocean liner. Her older sisters were RMS Olympic and RMS Titanic. Britannic never realized the glory of translatlantic passenger service, as she was requisitioned by the Admiralty as a hospital ship for service during World War I. On 21 November 1916, Britannic struck a German mine in the Aegean Sea sank. Thirty sailors and medical staff were lost, but 1,036 survived. As noted in the episode, the following is a link to the article by Mark Churnside and Paul Lee regarding the "Gigantic" name controversy. https://www.paullee.com/titanic/gigantic.php Written, edited, and produced by Rich Napolitano. All episodes, notes, and merchandise can be found at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠shipwrecksandseadogs.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Original theme music by ⁠⁠⁠Sean Sigfried⁠⁠⁠, and you can find him at ⁠⁠⁠⁠⁠https://www.seansigfried.com⁠⁠⁠⁠⁠. **No AI was used in the production of this episode. Shipwrecks and Sea Dogs is a maritime history podcast about shipwrecks, tragic loss, and incredible accomplishments on the world's oceans and waterways. Follow Shipwrecks and Sea Dogs ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow on BlueSky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow on Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow on Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Send a textIn this episode of the Entertain This! Podcast, our hosts delve into James Cameron's iconic film Titanic, navigating the turbulent waters of romance and tragedy with incisive commentary. Amidst discussions of opulent sets and historical accuracies, we playfully posit Rose as the film's true antagonist—selfishly commandeering the floating door, dooming Jack to an icy fate, all while hoarding a priceless gem that could have funded a flotilla of lifeboats. Join us for a blend of scholarly analysis and lighthearted satire, exploring whether true love or sheer opportunism steered this cinematic ship to its legendary depths.Tune in to Entertain This! Every Monday for new episodes, insights, news or rumors on all things media from Movies, TV, and Gaming. Support the show

Weirdumentary has a forward by Stephen Bissette who wrote a book also likely to be of interest to listeners: Cryptid Cinema (affiliate link) (A follow-up to that book is under construction and will include research by your's truly about the "4-walling" tour of the PGF.) I linked to Feral House's page for Weirdumentary above at the request of Gary. If you're curious about their catalog, we talked with their owner recently about monstrous food and they also produced Al Ridenour's new book about Carnival. This is not a complete list of the films in the book - and it also covers a few TV series including In Search Of... and Arthur C. Clarke's _____ (he had three ITV series covering topics similar to ISO with each season getting a slightly different name). 1970: Chariots of the Gods, The Unexplained 1971: The Hellstrom Chronicles, The Man Who Saw Tomorrow 1972: Bigfoot Man or Beast, Monsters! Mysteries or Myths?, The Devil's Triangle, The Legend of Boggy Creek 1973: In Search of Ancient Astronauts 1974: Deadly Fathoms, In Search of Ancient Mysteries, In Search of Dracula, UFOs: Past, Present and Future 1975: Mysteries from Beyond Earth, The Force Beyond, The Legendary Curse of the Hope Diamond, The Man of Miracles, The Outer Space Connection 1976: Beyond Belief, In Search of Noah's Ark, Mysteries of the Gods, The Amazing World of Psychic Phenomena, The Legend of Bigfoot, The Legend of Loch Ness, The Miracle Healers, The Mysterious Monsters, World Beyond Death 1977: Aliens from Spaceship Earth, Journey into the Beyond, Mysteries of the Great Pyramid, The Lincoln Conspiracy, The Underground Doctors, The Unknown Force 1978: Are We Alone in the Universe?, Beyond and Back, Curse of the Mayan Temple, Manbeast! Myth or Monster?, Mysteries from Beyond the Triangle, Mysteries of the Mind, Mystery of the Sacred Shroud, Secret of the Bermuda Triangle, The Amazing World of Ghosts, The Late Great Planet Earth, The Lost City of Atlantis, The UFO Journals, UFO - Exclusive! , UFO: Top Secret, Unknown Powers, World of the Unknown 1979: Attack from Outer Space, Charles Berlitz's The Bermuda Triangle, Death: The Ultimate Mystery, Encounter with Disaster, Hypnosis and Beyond, In Search of the Historic Jesus, The Doomsday Chronicles, The Prophecies of Nostradamus, UFOs Are Real, World of Mystery 1980: Arthur C. Clarke's Mysterious World (TV), Land of Celtic Ghosts, Mysteries of the Mind, UFO Syndrome 1981: Search for the Titanic

Did Abnormal Refraction Doom The Titanic?In this powerful and thought-provoking episode of Review It Yourself, Sean sits down with renowned historian, author and TV presenter Tim Maltin to explore one of the most compelling alternative explanations behind the sinking of RMS Titanic — the Abnormal Refraction Theory.Drawing from his ground-breaking research in Titanic: A Very Deceiving Night, Tim explains how rare atmospheric conditions on 14 April 1912 may have distorted visibility in the North Atlantic. Could a natural optical illusion have delayed iceberg warnings, confused distress signals, and changed history forever?If you're searching for Titanic history, Titanic iceberg theories, or scientific explanations behind the Titanic disaster — this episode delivers evidence, clarity, and serious debate.A Deceptive Night in the North AtlanticMost Titanic discussions focus on speed, lifeboat numbers, or Captain Smith's decisions. But Tim Maltin's research introduces a fascinating scientific dimension:What is abnormal atmospheric refraction?How can mirage effects alter visibility at sea?Did false horizons hide the iceberg?Were distress rockets misinterpreted due to optical distortion?Could this explain the mysterious “nearby ship” debate?Blending maritime history, meteorology and survivor testimony, this episode re-examines one of history's most analysed disasters with fresh, data-driven insight.Whether you're a Titanic enthusiast, maritime historian, or fan of investigative book discussions, this is essential listening.About Tim MaltinTim Maltin is a leading British historian specialising in maritime history and the RMS Titanic. His research has been featured in international documentaries and media investigations examining the science behind the sinking.Connect with Tim:Website: https://www.timmaltin.comX (Twitter): @TimMaltinBook: Titanic: A Very Deceiving Night (available worldwide via major retailers)If you want the full scientific and historical breakdown of this theory, his book is a must-read.Tim's Book Recommendations (which Sean has ordered):-'The Ship That Stood Still' by Leslie Reade.-'A Titanic Myth: The Californian Incident' by Leslie Harrison.Why This Episode MattersThis episode is perfect for listeners interested in:Titanic disaster analysisAlternative Titanic sinking theoriesMaritime optical illusions and miragesHistorical myth-bustingIn-depth book discussionsIt's a compelling blend of science and storytelling that challenges what we think we know about Titanic's final hours.Follow & Contact Review It YourselfStay connected with Review It Yourself for more intelligent reviews, interviews, and deep dives into books and films:Instagram: https://www.instagram.com/reviewityourselfpodcast2021X / Twitter: https://twitter.com/YourselfReviewBlueSky: https://bsky.app/profile/reviewityourself.bsky.socialThreads: https://www.threads.net/@reviewityourselfpodcast2021Email: reviewityourselfpodcast@gmail.comFor guest enquiries, collaborations, or listener feedback, email directly — the show welcomes thoughtful discussion and future topic suggestions.Subscribe, Rate & Support the PodcastIf you enjoy independent, in-depth conversations like this:Subscribe on Apple PodcastsFollow on SpotifyLeave a 5-star rating and written reviewShare the episode with Titanic history fansRecommend Review It Yourself on social mediaEvery rating, review and share helps grow the podcast and bring more expert guests to the show.If this episode changed how you see the Titanic disaster, don't keep it to yourself.Follow, subscribe, and join us next time on Review It Yourself — where we examine the stories you think you already know. Hosted on Acast. See acast.com/privacy for more information.

Send a text Step into the retro wave zone as DJ Paulie and Lou take you on a deep dive back to 1997 on this week's Back in Time Brothers radio show!The brothers kick off the show by recapping their wild, exhausting weekend at the Innings Festival in Tempe, Arizona, where they rocked out to legendary acts like Public Enemy, Big Boi from Outkast, Blink-182, and Switchfoot.The hilarity continues with a brand-new "Busted" segment, highlighting the world's dumbest criminals. You won't believe the stories of a safe cracker who gave a security camera a high-def close-up, a fugitive who had himself paged over a courthouse PA system, and a burglar who accidentally locked himself in a 5-degree meat freezer for seven hours.For the main event, DJ Brit takes over the Top 10 Countdown to celebrate the most iconic One Hit Wonders of 1997. Get ready to feel the nostalgia with massive tracks like Freak Nasty's "Da' Dip," Chumbawamba's "Tubthumping," Mark Morrison's "Return of the Mack," and Meredith Brooks' smash hit "Bitch".The guys also hit the silver screen to count down the Top 10 Movies of 1997, reminiscing about massive blockbusters like Titanic, Men in Black, Face/Off, and Good Will Hunting. Then, Todd Snyder drops in for "Rock Talk" to uncover the biggest music industry scandals of the year, from the tragic loss of Notorious B.I.G. and heavy sampling lawsuits to Disney abruptly dropping the Insane Clown Posse.Finally, wrap up the episode with some mind-blowing trivia in "Random Fat Facts," where you'll learn why the famous MGM lion roar is actually a tiger, what horrific job the "Groom of the King's Stool" had to do for Henry VIII, and the sad story of the 52-hertz whale.Be sure to check out our brand new website at retrowavemedia.com and visit us at backintimebros.com. Plus, don't forget to catch our resident headbanger Chris K's "Big Hair Show" every Thursday!Tune in, turn it up, and let the music play!Support the showThanks for listening. Join us each Monday at 1pm Central at www.urlradio.net and follow us on Facebook!

Some people may think that the Jets have so many choices at quarterback. The real question is, what's the best option? The comparison turns into a Titanic reference which leads into C-Mac's hate for the movie, or the boat, or both!

After hearing a lot of negative discussion regarding Tua and the Jets, as soon as Carson Wentz's name comes up, somehow Tua sounds like a great option! Chris McMonigle is narrowing names down for his upcoming Yankee Podcast, Hoff is narrowing his wiggle room to flying to and back from Florida in time for Mondays show. Carton takes revenge on both! Some people may think that the Jets have so many choices at quarterback. The real question is, what's the best option? The comparison turns into a Titanic reference which leads into C-Mac's hate for the movie, or the boat, or both! Juan Soto is having a blast at the WBC and the games don't even count yet. Plus, Shohei is the best of the best in all of sports.

Tony dives the Titanic wreckage. "Good Morning Toy World" Your Source for Semi-Premium Adult Related Toy Talk.

The Gary & Shannon Show Hour 1 (03/06) - Is this finally Britney's turning point? Plus, Iran escalation, a Love Story bombshell, and do you cut it close at the airport? Britney DUI fallout: her own manager says "this is unacceptable" — but Gary asks is a DUI even rock bottom for her? Shannon says she's been living at the bottom for a while Friends spilling to the press "with her permission" — tacit proof she's surrounded by hangers-on Iran: Trump demands "unconditional surrender," Russia providing Iran with targeting info on Americans Daryl Hannah done dirty by Ryan Murphy on Love Story — her NYT essay today "Airport theory": the new trend of cutting it as close as possible to flight time #TerrorInTheSkies: Southwest's "Titanic" cleaning policy — only scrubbing the paid seats #TerrorInTheSeas: 80+ cruise guests hit with norovirus See omnystudio.com/listener for privacy information.

España envía la fragata Cristóbal Colón a Chipre por defensa ante los ataques de Irán, tras repatriar a 3000 españoles. La inteligencia artificial se percibe como mejora laboral. El CSIC halla el "botón del sueño" en peces cebra, clave contra el insomnio. Fernando Martín ironiza sobre los dramas infantiles (pelo, etiquetas). Se propone bajar ratios de alumnos. Britney Spears es arrestada por DUI. Arranca el Festival de Cine de Málaga con películas españolas e iberoamericanas. Lady Gaga exige matrimonio e hijos para sus relaciones. Niños de Coslada confiesan qué profesiones no quieren: abogado ("no quiero protestar, señoría") o cantante (por cansancio). Un experto en medicina china aconseja dormir antes de las 23h por salud. Una carta del Titanic se subasta por 166.000 dólares. Bruno Mars lanza 'The Romantic' y su gira ya es un éxito, sumando fechas en España.

Craig Carton & Chris McMonigle break down the shocking news: the highly anticipated Fanatics Flag Football event with Tom Brady, Saquon Barkley, Max Crosby, and Gronk is moving from Saudi Arabia to Los Angeles! What does this mean for player pay and taxes? Will Tom really be making $50 million?

So when I invite someone on the podcast, it's usually about promoting a particular project at a festival. There certainly is that here with director Andrew Kightlinger regarding his genre-breaking film OKAY (2026), which had its world premiere at Slamdance 2026, a festival that he also served on the jury. But we don't hit OKAY discussion until minute 27!That shouldn't surprise you, though, if you look at Andrew's biography. His origin story is incredible, yes, but what fascinated me the most is how deeply knowledgeable he is about the art of filmmaking. He was brought on to direct OKAY to highlight Fujifilm's GFX ETERNA 55 and Andrew did it in a way that made me rethink how he deal with human emotions on screen. There's a documentary about the project that is well worth watching.I wish every camera maker funded a gorgeous film to highlight their products. And I wish every filmmaker was as thoughtful as Andrew.In this episode, Andrew and I discuss:is Slamdance too indie? a hearty defense of the festival;his unique background into filmmaking, South Dakota by way of Madagascar;how pirated blockbusters are what's easily accessible around the world, including a hilarious story about belatedly watching TITANIC (1997);starting with shorts or jumping into features;the wild story about how he became a director and what he turned down to stay independent and true to his vision;how he makes successful pitches for investors, including a lot of dentists (who knew?!);how to find great collaborators;the common threads for films he judged at Slamdance and whether chapter headings say something about episodic content;what is OKAY about and how Andrew describes it;how to depict grief on screen and why OKAY is so original in its handling of the subject;giving feedback in a creative and useful way that finds a way to make art honestly;the connection between Fujifilm and Andrew;whether the ubiquity of great cameras means we're moving back to more story-led films;why some big budget films "look like crap";how indie films are screened and if Fujifilm thought about how people would watch the film;what's next for him.Andrew's Indie Film Highlight: WALKABOUT (1971) dir. by Nicholas Roeg; DIRTY WORK (1998) dir. by Bob SagetMemorable Quotes:"If anybody's thinking, ugh that's too hoity tody or that's not good enough, or whatever, just stop and just submit the movie...the movies are very varied. It's a very eclectic selection of films, and the tastes are all over the place, and that's what's really fun about the festival. It's it's a cornucopia of stuff and everybody should submit.""why is this kid obsessed with movies? Like, why? We want a scientist.""So we didn't see the last hour of Titanic until a year later when we went to Minnesota." "Because I went out to my dentist and said, hey, can I get 10 grand? He [said], sure!""A valuable lesson to learn as a filmmaker: choose your collaborators wisely.""Look at my name in the credits and you want to feel good about helping a young artist. And if you sell that to them, they'll invest. If you sell them numbers, they're not gonna do it.""Shorts are good as reps in the gym.""The common thread between all the movies that I watched on the feature jury, the movies in competition, I would say that 70% of them were in black and white, which is a trend right now, which kinda shocked me. And almost 50% of them had chapter headings throughout the film.""The short film is a movie about grief at its core, and it's about a woman who is grieving the death of her husband and she's trying to find healing by searching for him in the cosmos. And that's the general idea of the film, and people just need to watch it to figure out what that means.""OKAY is the most honest move I've ever made because I was able to pour myself into it.""Younger filmmakers send me like their ideas or treatments like, Hey, could you look at this? And I can tell that it's been written with that [AI] format.""[OKAY] was the weirdest concept by far. But they said, oh, that's our favorite one." "I wanted to make a movie that had very formalistic editing and very dirty 70 style camera work as well. And they didn't shy away from that."Links:Follow Andrew On InstagramWatch The Documentary On OKAYSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Explore stunning revelations from a new full-size 3D scan of the Titanic wreck. These Titanic new discoveries debunk myths from the famous film and uncover real reasons behind the 1912 disaster. Dive deep into Titanic facts vs movie as we reveal how the ship really sank. Learn more about your ad choices. Visit megaphone.fm/adchoices

Big Sal from Peshtigo is fired up, and today's target is the Minnesota Vikings — a franchise that somehow spent $245 million in a single offseason and has absolutely nothing to show for it. Forty-three million dollars over the salary cap, nine wins, no playoffs, and a roster being dismantled piece by piece. Pull up a chair. The Grave Digger Fiasco: Jevon Hargrave — $30 million, two sacks in Week 1, then 1.5 sacks the rest of the season. Sal has a neighbor named Gary with a $3,000 snow blower that tells this story better than any stat line. The Justin Jefferson Time Bomb: A $140 million extension structured to explode — $38 million in 2026, $43 million in 2027, $47 million in 2028. They duct-taped a bow on a ticking clock and called it cap management. Nine and Eight: After spending a quarter-billion dollars, the Vikings got shut out, finished below .500 against playoff teams, and are now cutting two team captains just to scrape together $18 million — bailing out the Titanic with Sal's coffee mug. Kyler Murray and Instagram Recruiting: Justin Jefferson is following the Cardinals' castoff on social media while Minnesota drowns. This is where the dream ends, brother. Subscribe, leave a five-star review, and text this episode to a Vikings fan. It's an act of mercy. This episode is brought to you by PrizePicks! Use code PACKDADDY to get started with America's #1 fantasy sports app. https://prizepicks.onelink.me/LME0/PACKDADDY To advertise on this podcast please email: ad-sales@libsyn.com Or go to: https://advertising.libsyn.com/packernetpodcast Help keep the show growing and check out everything I'm building across the Packers and NFL world: Support: Patreon: www.patreon.com/pack_daddy Venmo: @Packernetpodcast CashApp: $packpod Website: https://nfldraftgrades.com/ My Board: https://nfldraftgrades.com/board/83a18c42-7a0b-4590-8d1b-453e49840d02

Big Sal from Peshtigo is fired up, and today's target is the Minnesota Vikings — a franchise that somehow spent $245 million in a single offseason and has absolutely nothing to show for it. Forty-three million dollars over the salary cap, nine wins, no playoffs, and a roster being dismantled piece by piece. Pull up a chair. The Grave Digger Fiasco: Jevon Hargrave — $30 million, two sacks in Week 1, then 1.5 sacks the rest of the season. Sal has a neighbor named Gary with a $3,000 snow blower that tells this story better than any stat line. The Justin Jefferson Time Bomb: A $140 million extension structured to explode — $38 million in 2026, $43 million in 2027, $47 million in 2028. They duct-taped a bow on a ticking clock and called it cap management. Nine and Eight: After spending a quarter-billion dollars, the Vikings got shut out, finished below .500 against playoff teams, and are now cutting two team captains just to scrape together $18 million — bailing out the Titanic with Sal's coffee mug. Kyler Murray and Instagram Recruiting: Justin Jefferson is following the Cardinals' castoff on social media while Minnesota drowns. This is where the dream ends, brother. Subscribe, leave a five-star review, and text this episode to a Vikings fan. It's an act of mercy. This episode is brought to you by PrizePicks! Use code PACKDADDY to get started with America's #1 fantasy sports app. https://prizepicks.onelink.me/LME0/PACKDADDY To advertise on this podcast please email: ad-sales@libsyn.com Or go to: https://advertising.libsyn.com/packernetpodcast Help keep the show growing and check out everything I'm building across the Packers and NFL world: Support: Patreon: www.patreon.com/pack_daddy Venmo: @Packernetpodcast CashApp: $packpod Website: https://nfldraftgrades.com/ My Board: https://nfldraftgrades.com/board/83a18c42-7a0b-4590-8d1b-453e49840d02

Welcome to The Daily Wrap Up, an in-depth investigatory show dedicated to bringing you the most relevant independent news, as we see it, from the last 24 hours (3/4/26). As always, take the information discussed in the video below and research it for yourself, and come to your own conclusions. Anyone telling you what the truth is, or claiming they have the answer, is likely leading you astray, for one reason or another. Stay Vigilant. !function(r,u,m,b,l,e){r._Rumble=b,r[b]||(r[b]=function(){(r[b]._=r[b]._||[]).push(arguments);if(r[b]._.length==1){l=u.createElement(m),e=u.getElementsByTagName(m)[0],l.async=1,l.src="https://rumble.com/embedJS/u2q643"+(arguments[1].video?'.'+arguments[1].video:'')+"/?url="+encodeURIComponent(location.href)+"&args="+encodeURIComponent(JSON.stringify([].slice.apply(arguments))),e.parentNode.insertBefore(l,e)}})}(window, document, "script", "Rumble");   Rumble("play", {"video":"v74gh2i","div":"rumble_v74gh2i"}); Video Source Links (In Chronological Order): (21) R A W S A L E R T S on X: "

Album 8 Track 7: The Art of Creative Violence: Building Bold Brands w/ Noel CottrellAre legacy advertising holding companies sinking like the Titanic? In this episode of the Brands, Beats, and Bytes podcast, hosts DC and LT welcome creative savant and industry giant, Noel Cottrell.After building a storied career working with massive brands like Sissy Boy Jeans, Coca-Cola, and E-Trade (yes, he helped create the famous talking baby Super Bowl ads!), Noel is upending the agency model once again. He breaks down why he founded his new agency, Murder Hornet, on the principle of "creative violence"—the idea that discomfort is a catalyst for change, better work, and greater impact.Whether you are an agency veteran, a freelance creative, or a brand marketer looking for braver work, this episode is a masterclass in navigating the modern marketing landscape. Noel gets incredibly candid about his biggest career mistake, the rise of the indie agency, and exactly how his team is using AI to save clients hundreds of thousands of dollars.Key Takeaways:The Power of Creative Violence: Why playing it safe is the riskiest move a brand can make, featuring the wild origin story of the Sissy Boy Jeans campaign.Surviving the "Bloodbath": Why traditional holding companies are failing and how freelancers and indie agencies are perfectly positioned to win.The "Nest and Swarm" Model: How to build a highly flexible, future-proof agency structure.Real AI Integration: How to use AI agents to build bespoke creative teams and drastically cut production costs for clients.Owning Your F-Ups: A deeply personal lesson in leadership, ego, and the importance of professional forgiveness.Don't forget to subscribe, rate, and share with a fellow Brand Nerd!Instagram | LinkedIn

A call from the Ancient HORN Vaultsl  Reverbo reminds me of those days. 

Fernando Martín empieza el lunes con la Encuesta Absurda de CADENA 100. Hoy, Soraya ha sido la gran protagonista. Fernando le ha hecho preguntas como las siguientes: ¿el becario del Titanic declaró que el capitán no vio el peligro por presbicia? ¿Dejar un guante grande en la mesa al pagar propina se considera un "guantazo"? También, ha planteado si ¿poner dos cascabeles en la cara hace que "tu cara me suena"? ¡Escucha ya la Encuesta Absurda de Fernando Martín!

The forgotten liner that outshone Titanic in real life.What if the most dramatic story of the Olympic-class liners isn't the one you've seen on film?In this fascinating episode of Review It Yourself, we uncover the extraordinary true story of RMS Olympic — the ship often overshadowed by her ill-fated sister, Titanic — but whose career was packed with mutiny, collisions, U-boats, innovation, and wartime heroics.Sean and maritime historian guest Mark Chirnside dive deep into the remarkable history behind his definitive book, RMS Olympic: Titanic's Sister. First published in 2004 and expanded in its 2015 second edition, this meticulously researched volume restores Olympic to her rightful place in maritime history.Far from being the “boring older sister,” Olympic earned the nickname “Old Reliable” for good reason. She survived a major collision with HMS Hawke, served with distinction during the First World War, transported thousands of troops, and even rammed and sank a German U-boat. While Titanic's story has dominated popular culture, Olympic's 24-year career tells a powerful story of resilience, adaptation, and maritime safety reform in the early 20th century.In this episode, we explore:Why Olympic has been historically overlookedThe myths and misconceptions surrounding the Olympic-class linersThe ship's vital wartime service and technical innovationsHow historical narratives are shaped — and sometimes distortedThe research process behind writing a definitive maritime historyMark shares insights into archival research, the challenges of correcting the historical record, and why Olympic deserves far greater recognition among historians and enthusiasts alike.About the GuestMark Chirnside is a respected maritime historian specialising in White Star Line and Cunard liners of the late 19th and early 20th centuries. His work is known for its depth, accuracy, and myth-busting clarity.Find Mark's Website 'Mark Chirnside's Reception Room' (including blog) Here: https://markchirnside.co.uk/Listen & SubscribeIf you enjoy deep dives into film, history, and cultural storytelling without the faff, make sure you're subscribed to Review It Yourself on Apple Podcasts and Google Podcasts.New episodes explore films, historical subjects, and fascinating guests — always with sharp insight and honest analysis.Support the PodcastLove the show? Here's how you can help:Follow and subscribe on your podcast platformLeave a 5-star rating and written reviewShare the episode with fellow Titanic and maritime history enthusiastsFollow Review It Yourself on social media for updates and bonus contentYour support helps the podcast grow, attract expert guests, and continue producing in-depth conversations like this one.If you thought you knew the full story of the Olympic-class liners, this episode might just change your perspective.Follow & Contact Review It YourselfStay connected with Review It Yourself for more intelligent reviews, interviews, and deep dives into books and films:Instagram: https://www.instagram.com/reviewityourselfpodcast2021X / Twitter: https://twitter.com/YourselfReviewBlueSky: https://bsky.app/profile/reviewityourself.bsky.socialThreads: https://www.threads.net/@reviewityourselfpodcast2021Email: reviewityourselfpodcast@gmail.comFor guest enquiries, collaborations, or listener feedback, email directly — the show welcomes thoughtful discussion and future topic suggestions. Hosted on Acast. See acast.com/privacy for more information.

JV Noseworthy, known as Jen, is a retired Registered Nurse and paranormal investigator from Newfoundland & Labrador, Canada, and the host and founder of the Paranormal Newfound Land (PNL) Podcast. Launched in 2023, PNL has grown into a widely followed paranormal platform, entering its fourth season in 2026 with more than 250 radio and YouTube episodes exploring hauntings, supernatural encounters, and regional folklore. Jen also created the Global PNL Podcast Alumni Network and leads the BOG Team (Boots on Ground), a Newfoundland-based investigative group dedicated to historical paranormal research throughout the province. The podcast joined the United Public Radio Network (UPRN) during its second season, expanding its reach to a global audience.A dual Canadian-American citizen, Jen draws from over 30 years of experience as an operating room travel nurse working across the United States and Canada, where she encountered numerous unexplained and supernatural events in hospitals, historic locations, and private residences. Now living in a rural community on the Avalon Peninsula along Newfoundland's rugged North Atlantic coast, she investigates one of North America's most historically rich and haunted regions — home to Viking history at L'Anse aux Meadows, the haunted streets of St. John's, and the legendary Bell Island. Inspired by the island's deep history, maritime tragedies, and enduring paranormal lore, Jen continues to document firsthand experiences and lead investigations that explore the mysteries of Newfoundland's haunted past.Spaced Out Radio is your nightly source for alternative information, starting at 9pm Pacific, 12am Eastern.  We broadcast LIVE every night. -------------------------------------------------------You can now join the Space Traveler's Club;Join us at  https://www.patreon.com/sor_space_travelers_club  --------------------------------------------------------Grab Our Latest Spaced Out Radio Gear At:http://spacedoutradio.com/shop  It's a great way to support our show!--------------------------------------------------------OUR LINKS:TWITTER: https://www.twitter.com/spacedoutradio   FACEBOOK:https://www.facebook.com/spacedoutradioshow  SPACED OUT RADIO - INSTAGRAM:https://www.instagram.com/spacedoutradioshow  DAVE SCOTT - INSTAGRAM:https://www.instagram.com/davescottsor   TWITCH: https://www.twitch.com/spacedoutradioshow  WEBSITE: http://www.spacedoutradio.comGUEST IDEAS OR QUESTIONS FOR SOR?Contact Klaus at bookings@spacedoutradio.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/spaced-out-radio--1657874/support.

On May 6, 1937, the hydrogen filled zeppelin known as the Hindenburg exploded as it was landing in New Jersey. Surprisingly, 62 of the 97 people on board survived. Experts still argue as to what caused an airship the size of the Titanic to be destroyed in approximately 34 seconds.

As much as the first Scream lovingly poked the bear that was the 80s slasher genre, they played right into the same sensibilities those franchises did, as a sequel came out less than a year after the original was released to surprise success. It took a couple weeks to catch on. But once 1996's Scream gathered the best word of mouth since Pulp Fiction from a couple years before, it sure didn't take long for a sequel to get greenlit. Original writer Kevin Williamson, now the new hot writer on the block, was able to churn out a script, with original director Wes Craven back in the director's chair. But, in a story that will oft get repeated through this entire film series, problems started taking hold of the production. Not the least of which was something called the internet getting a hold of the shooting script and leaking who the original killers were supposed to be. With rapid rewrites and ever changing schedules, were Craven and company able to release a film amongst a crowded end of 1997 (which included a little film called Titanic) that proved to be at least watchable? Join Garrett, Matt, and Adam as they dissect Scream 2 and try to answer that question. As well as a whole host of others, including the question of whether Adam had actually seen this damn movie or not before this viewing.

Bring on the sweetness with new 5-hour ENERGY® shots, available right here:⁠https://click2cart.com/274100bu?utm_campaign=swtflvr&utm_medium=paid_video&utm_source=kf&utm_content=rels⁠ Thank you for the support! Run of Show - 00:00:00 - Start00:12:40 - Thoughts00:33:20 - Plot Learn more about your ad choices. Visit megaphone.fm/adchoices

Bring on the sweetness with new 5-hour ENERGY® shots, available right here:⁠https://click2cart.com/274100bu?utm_campaign=swtflvr&utm_medium=paid_video&utm_source=kf&utm_content=rels⁠ Thank you for the support! Run of Show - 00:00:00 - Start00:12:40 - Thoughts00:33:20 - Plot Learn more about your ad choices. Visit megaphone.fm/adchoices

Most personal injury firms don't collapse because of bad marketing. They collapse under their own weight. As your team grows, every new initiative gets harder to launch. Communication slows down. Silos form. Bureaucracy creeps in. So how do you scale to nearly 300 employees without becoming impossible to steer? David Chamberlin, VP of Marketing and Operations at The Law Offices of James Scott Farrin, shares how he keeps a massive firm moving like a startup—by turning reviews into a growth engine, engineering intake like a sales floor, and applying Lean principles to eliminate waste before it spreads. You'll learn: Why David treats reviews as a critical growth lever—not an afterthought. What a 20-person intake team with dedicated attorneys does to convert higher-value cases. How the intake team aggressively pursues unresponsive leads across phone, text, and email. How Lean reviews every department annually to eliminate waste and silos. If you like what you hear, hit Subscribe. We do this every week. Buy tickets for PIMCON 2026: pimcon.org Subscribe to our newsletter: newsletter.rankings.io  Get Social! Personal Injury Mastermind (PIM) powered by Rankings.io is on Instagram | YouTube | TikTok

How can trauma become a catalyst for creative transformation? What lessons can indie authors learn from the music industry's turbulent journey through technological disruption? With Jack Williamson. In the intro, Why recipes for publishing success don't work and what to do instead [Self-Publishing with ALLi Podcast]; Why your book isn't selling: metadata [Novel Marketing Podcast]; Creating a successful author business [Fantasy Writers Toolshed Podcast]; Bones of the Deep – J.F. Penn. Today's show is sponsored by ProWritingAid, writing and editing software that goes way beyond just grammar and typo checking. With its detailed reports on how to improve your writing and integration with writing software, ProWritingAid will help you improve your book before you send it to an editor, agent or publisher. Check it out for free or get 15% off the premium edition at www.ProWritingAid.com/joanna This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Jack Williamson is a psychotherapist, coach, and bestselling author who spent nearly two decades as a music industry executive. He's the founder of Music & You, his latest nonfiction book is Maybe You're The Problem, and he also writes romance under A.B. Jackson. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Finding post-traumatic growth and meaning after bereavement, and using tragedy as a catalyst for creative transformation Why your superpower can also be your Achilles heel, and how indie authors can overcome shiny object syndrome Three key lessons from the music industry: embracing change, thinking creatively about marketing, and managing pressure for better creativity The A, B, C technique for PR interviews and why marketing is storytelling through different mediums How to deal with judgment and shame around AI in the author community by understanding where people sit on the opinion-belief-conviction continuum Three AI developments coming from music to publishing: training clauses in contracts, one-click genre adaptation, and licensed AI-generated video adaptations You can find Jack at JackWilliamson.co.uk and his fiction work at ABJackson.com. Transcript of the interview with Jack Williamson Jo: Jack Williamson is a psychotherapist, coach, and bestselling author who spent nearly two decades as a music industry executive. He's the founder of Music & You, his latest nonfiction book is Maybe You're The Problem, and he also writes romance under A.B. Jackson. Welcome to the show. Jack: Thank you so much for having me, Jo. It's a real honour to be on your podcast after listening all of these years. Jo: I'm excited to talk to you. We have a lot to get into, but first up— Tell us a bit more about you and why get into writing books after years of working in music. Jack: I began my career at the turn of the millennium, basically, and I worked for George Michael and Mariah Carey's publicist, which I'm sure you can imagine was quite the introduction to the corporate world. From there I went on to do domestic and international marketing for a load of massive artists at Universal, so the equivalent of the top five publishers in the publishing world that we all work in. Then from there I had a bit of a challenge. In December 2015, I lost my brother, unfortunately to suicide. For any listener or any person that's gone through a traumatic event, it can really make you reassess everything, make you question life, make you question your purpose. When I went through that, I was thinking, well, what do I want to do? What do I want out of life? So I went on this journey for practically the next ten years. I retrained to be a psychotherapist. I created a bucket list—a list of all the things that I thought maybe my brother would've wanted to do but didn't do. One of the things was scatter his ashes at the Seven Wonders of the world. Then one of the items on my bucket list was to write a book. The pandemic hit. It was a challenge for all of us, as you've spoken about so much on this wonderful podcast. I thought, well, why not? Why not write this book that I've wanted to write? I didn't know when I was going to do it because I was always so busy, and then the pandemic happened and so I wrote a book. From there, listening to your wonderful podcast, I've learned so much and been to so many conferences and learned along the way. So now I've written five books and released three. Jo: That's fantastic. I mean, regular listeners to the show know that I talk about death and grief and all of this kind of thing, and it's interesting that you took your brother's ashes to the Seven Wonders of the world. Death can obviously be a very bad, negative thing for those left behind, but it seems like you were able to reframe your brother's experience and turn that into something more positive for your life rather than spiralling into something bad. So if people listening are feeling like something happens, whether it's that or other things— How can we reframe these seemingly life-ending situations in a more positive way? Jack: It is very hard and there's no one way to do it. I think as you always say, I never want to tell people what to do or what to think. I want to show them how to think and how they can approach things differently or from a different perspective. I can only speak from my journey, but we call it in therapeutic language, post-traumatic growth. It is, how do you define it so it doesn't define you? Because often when you have a bereavement of a loved one, a family member, it can be very traumatic, but how can you take meaning and find meaning in it? There's a beautiful book called Man's Search for Meaning, and the name of the author escapes me right now, but he says— Jo: Viktor Frankl. Jack: Yes. Everyone quotes it as one of their favourite books, and one of my favourite lines is, “Man can take everything away from you, apart from the ability to choose one thought over the other.” I think it's so true because we can make that choice to choose what to think. So in those moments when we are feeling bad, when we're feeling down, we want to honour our feelings, but we don't necessarily want to become them. We want to process that, work through, get the support system that we need. But again, try to find meaning, try to find purpose, try to understand what is going on, and then pay it forward. Irrespective of your belief system, we all yearn for purpose. We all yearn for being connected to something bigger than ourselves. If we can find that through bereavement maybe, or through a traumatic incident, then hopefully we can come through the other side and have that post-traumatic growth. Jo: I love that phrase, post-traumatic growth. That's so good. Obviously people think about post-traumatic anything as like PTSD—people immediately think a sort of stress disorder, like it's something that makes things even worse. I like that you reframed it in that way. Obviously I think the other thing is you took specific action. You didn't just think about it. You travelled, you retrained, you wrote books. So I think also it's not just thinking. In fact, thinking about things can sometimes make it worse if you think for too long, whereas taking an action I think can be very strong as well. Jack: Ultimately we are human beings as opposed to human doings, but actually being a human doing from time to time can be really helpful. Actually taking steps forward, doing things differently, using it as a platform to move forward and to do things that maybe you didn't before. When you are confronted with death, it can actually make you question your own mortality and actually question, am I just coasting along? Am I stuck in a rut? Could I be doing something differently? One of the things that bereavement, does is it holds a mirror up to ourselves and it makes us question, well, what do we want from our life? Are we here to procreate? Are we here to make a difference? Some of us can't procreate, or some of us choose not to procreate, but we can all make a difference. And it's, how do we do that? Where do we do that? When do we do that? Jo: That's interesting. I was thinking today about service and gratitude. I'm doing this Master's and I was reading some theology stuff today, and service and gratitude, I think if you are within a religious tradition, are a normal part of that kind of religious life. Whether it's service to God and gratitude to God, or service and gratitude to others. I was thinking that these two things, service and gratitude, can actually really help reframe things as well. Who can we serve? As authors, we're serving our readers and our community. What can we be grateful about? That's often our readers and our community as well. So I don't know, that helped me today—thinking about how we can reframe things, especially in the world we're in now where there's a lot of anger and grief and all kinds of things. Jack: That's what we've got to look at. We are here to serve. Again, that can take different shapes, different forms. Some of us work in the service industry. I provide a service as a psychotherapist, you serve your listeners with knowledge and information that you gather and dispense through the research you do or the guests you have on. We serve readers of the different genres that we write in. It's what ways can we serve, how can we serve? Again, I think we all, if we can and when we can, should pay it forward. Someone said this to me once in the music industry: be careful who you meet on the way up and how you treat them on the way up, because invariably you'll meet them on the way down. So if you can pay forward that kindness, if you can be kind, considerate, and treat people how you want to be treated, that is going to pay dividends in the long run. It may not come off straight away, but invariably it will come back to you in some way, shape, or form in a different way. Jo: I've often talked about social karma and karma in the Hindu sense—the things that you do come back to you in some other form. Possibly in another life, which I don't believe. In terms of, I guess, you didn't know what was going to happen to your brother, and so you make the most of the life that we have at the moment because things change and you just don't know how things are going to change. You talk about this in your book, Maybe You're The Problem, which is quite a confronting title. So just talk about your book, Maybe You're The Problem, and why you wrote that. Put it into context with the author community and why that might be useful. Jack: Thank you for flagging my book. I intentionally crossed out “maybe” on the merchandise I did as well, because in essence, we are our own problem. We can get in the way, and it's what happened to us when we grew up wasn't our fault, but what we do with it is our responsibility. We may have grown up in a certain period or a climate. We didn't necessarily choose to do that, but what we do with that as a result is up to us. So we can stay in our victimhood and we can blame our parents, or we can blame the generation we are in, or we can blame the city, the location—however, that is relinquishing your power. That is staying in a victim mindset rather than a survivor or a thriver mindset. So it's about how can we look at the different areas in our life. Whether that is conflict, whether that is imposter syndrome, whether that is the generation we're born into. We try to understand how that has shaped us and how we may be getting in our own way to stop us from growing, to stop us from expanding, and to see where our blind spots are, our limitations are, and how that may impact us. There's so much going on in the moment in the world, whether that is in the digital realm, whether that is in the geo-climate that we're in at the moment. Again, that's going to bring up a lot for us. How can we find solutions to those problems for us so that we continue to move forward rather than be restricted and hindered by them? Jo: Alright. Well let's get into some more specifics. You have been in the author community now for a while. You go to conferences and you are in the podcast community and all this kind of thing. What specific issues have you seen in the author community? Maybe around some of the things you've mentioned, or other things? How might we be able to deal with those? Jack: With authors, I think it is such a wonderful and unique industry that I have an honour and privilege of being a part of now. One of the main things I've learned is just how creative people are. Coming from a creative industry like the music industry, there is a lot of neurodivergence in the creative industries and in the author community. Whether that is autism, whether that is ADHD—that is a real asset to have as a superpower, but it can be an Achilles heel. So it's understanding—and I know that there is an overexposure of people labelling themselves as ADHD—but on the flip side to that, it's how can we look at what's going on for us? For ADHD, for example, there's a thing called shiny object syndrome. You've talked about this in the past, Joanna, where it's like a new thing comes along, be it TikTok, be it Substack, be it bespoke books, be it Shopify, et cetera. We can rush and quickly be like, “oh, let me do this, let me do that,” before we actually take the time to realise, is this right for me? Does this fit my author business? Does this fit where I'm at in my author journey? I think sometimes as authors, we need to not cave in to that shiny object syndrome and take a step back and think to ourselves, how does this serve me? How does this serve my career? How does this work for me if I'm looking at this as a career? If you're looking at it as a hobby, obviously it's a different lens to look through, but that's something that I would often make sure that we look at. One of the other things that really comes up is that in order for any of us to address our fears and anxieties, we need to make sure that we feel psychologically safe and to put ourselves in spaces and places where we feel seen, heard, and understood, which can help address some of the issues that I've just mentioned. Being in that emotionally regulated state when we are with someone we know and trust—so taking someone to a conference, taking someone to a space or a place where you feel that you can be seen, heard, and understood—can help us and allow us to embrace things that we perceive to be scary. That may be finding an author group, finding an online space where you can actually air and share your thoughts, your feelings, where you don't feel that you are being judged. Often it can be quite a judgmental space and place in the online world. So it's just finding your tribe and finding places where you can actually lean into that. So there'd be two things. Jo: I like the idea of the superpower and the Achilles heel because I also feel this when we are writing fiction. Our characters have strengths, but your fatal flaw is often related to your strength. Jack: Yes. Jo: For example, I know I am independent. One of the reasons I'm an independent author is because I'm super independent. But one of my greatest fears is being dependent. So I do lots of things to avoid being dependent on other people, which can lead me to almost damage myself by not asking for help or by trying to make sure that I control everything so I never have to ask anyone else to do something. I'm coming to terms with this as I get older. I feel like this is something we start to hit—I mean, as a woman after menopause—is this feeling of I might have to be dependent on people when I'm older. It's so interesting thinking about this and thinking— My independence is my strength. How can it also be my weakness? So what do you think about that? You're going to psychotherapist me now. Jack: I definitely won't, but it's interesting. Just talking about that, we all have wounds and we all have the shadow, as you've even written about in one of your books. And it's how that can come from a childhood wound where it's like we seek help and it's not given to us. So we create a belief system where I have to do everything myself because no one will help me. Or we may have rejection sensitivity, so we reject ourselves before others can reject us. So it's actually about trying, where we can, to honour our truths, honour that we may want to be independent, for example, but then realising that success leaves clues. I always say that if you are independent—and I definitely align a hundred percent with you, Joanna—I've had to work really hard myself in personal therapy and in business and life to realise that no human is an island and we can't all do this on our own. Yes, it's amazing with the AI agents now that can help us in a business capacity, but having those relationships that we can tap into—like you mentioned all of the people that you tap into—it's so important to have those. I always say that it's important to have three mentors: one person that's ahead of you (for me, that would be Katie Cross because she's someone that I find is an amazing author and we speak at least once a month); people that are at the same level as you that you can go on the journey together with (and I have an author group for that); and then someone that is perceived to be behind you or in a younger generation than you, because you can learn as much from them as they can learn from you. If you can actually tap into those people whilst honouring your independence, then it feels like you can still go on your own journey, but you can tap in and tap out as and when needed. Sacha Black will give you amazing insights, other people like Honor will give you amazing insights, but you can also provide that for them. So there's that safety of being able to do it on your own. But on the flip side, you still have those people that you can tap into as and when necessary as a sounding board, as information on how they were successful, and go from there. Jo: No, I like that. If you're new to the show, Sacha Black and Honor Raconteur have been on the show and they are indeed some of my best friends. So I appreciate that. I really like the idea of the three mentor idea. I just want to add to that because I do think people misunderstand the word mentor sometimes. You mentioned you speak to Katie Cross, but I've found that a lot of the mentors that I've had who are ahead of me have often been books. We mentioned the Viktor Frankl book, and if people don't know, he was Jewish and in the concentration camps and survived that. So it's a real survivor story. But to me, books have been mostly my mentors in terms of people who are ahead of me. We don't always need to speak to or be friends with our mentors. I think that's important too, right? Because I just get emails a lot that say, “Will you be my mentor?” And I don't think that's the point. Jack: Oh, I a hundred percent agree with you. If you don't have access to those mentors—like Oprah Winfrey is one of the people that I perceive as a mentor—I listen to podcasts, I read her books, I watch interviews. There is a way to absorb and acquire that information, and it doesn't have to be a direct relationship with them. It is someone that you can gain the knowledge and wisdom that they've imparted in whatever form you may consume it. Which is why I think it is important to have those three levels: that one that is above you that may be out of reach in terms of a human connection, but you can still access; then the people at the same level as you that you can have those relationships and grow with; and again, that one behind that you can help pave the way for them, but also learn from them as well. So a hundred percent agree that that mentor that you are looking for that may be ahead of you doesn't necessarily need to be someone that is in a real-world relationship. Jo: So let's just circle back to your music industry experience. You mentioned being on the sort of marketing team for some really big names in music, and I mean, it's kind of a sexy job really. It just sounds pretty cool, but of course the music industry has just as many challenges as publishing. What did you learn from working in the music industry that you think might be particularly useful for authors? Jack: The perception of reality was definitely a lot different. It does look sexy and glamorous, but the reality is similar to going to conferences. It's pretty much flight, hotel, and dark rooms with terrible air conditioning that you spend a lot of time in. So sorry to burst the illusion. But I mean, it does have its moments as well. There is so much I've learned over the years and there's probably three things that stand out the most. The first one was I entered the industry right at the height of the music industry. In 2000, 2001. That was when Napster really exploded and it decimated the music industry. It wiped half the value in the space of four years. Then the music industry was trying to shut it down, throwing legal, throwing everything at it, but it was like whack-a-mole. As soon as one went down such as Napster, ten others popped up like Kazaa. So you saw that the old guard wasn't willing to embrace change. They weren't willing to adapt. They assumed that people wanted the formats of CDs, vinyls, cassettes, and they were wrong. Yes, people wanted music, but they actually wanted the music. They didn't care about the format, they just wanted the access. So that was one of the really interesting things that I learned, because I was like, you have to embrace change. You can't ignore it. You can't push it away, push it aside, because it's coming whether you like it or not. I think thankfully the music industry has learned as AI's coming, because now you have to embrace it. There's a lot of legal issues that have been going on at the moment with rights, which you've covered about the Anthropic case and so on. It's such a challenge, and I just think that's the first one. The second one I learned was back in 2018. There was an artist I worked on called Freya Ridings. At that time I was working at an independent record label rather than one of the big three major record labels. She had great songs and we were up against one of the biggest periods of the year and trying to make noise. At the time, Love Island was the biggest TV show on, and everyone wanted to be on it in terms of getting their music synced in the scenes. We were just like, we are never going to compete. So we thought, we need to be clever here. We need to think differently. What we did is we found out what island the show was being recorded on, and we geo-targeted our ads just to that island because we knew the sync team were going to be on there. So we just went hard as nails, advertised relentlessly, and we knew that the sync people would then see the adverts. As a result of that, Freya got the sync. It became the biggest song that season on Love Island, back when it was popular. As a result of that, we built from there. We were like, right, we can't compete with the majors. We have to think differently. We need to do things differently. We need to be creative. It wasn't an easy pathway. That year there were only two other songs that were independent that reached the top 10. So we ended up becoming a third and the biggest song that year. The reason I'm saying that is we can't compete with the major publishers. But the beauty of the independent author community is because we have smaller budgets—most of us, not all of us, but most of us—we have to think differently. We have to make our bang for our buck go a lot further. So it's actually— How can we stay creative? How can we think differently? What can we do differently? So that would be the second thing. Then the third main lesson that I learned, and this is more on the creative side, is that pressure can often work against you, both in a business sense, but especially creativity. I've seen so many artists over the years have imposed deadlines on them to hand in their albums, and it's impacted the quality of their output. Once it's handed in, the stress and the pressure is off, and then you realise that actually those artists end up creating the best material that they have, and then they rush to put it on. Whether that's Mariah Carey's “We Belong Together,” Adele with her song “Hello,” Taylor Swift did the same with “Shake It Off”—they're just three examples. The reason is that pressure keeps us in our beta brainwave state, which is our rational, logical mind. For those of us that are authors that are writing fiction, or even if we are creating stories in our nonfiction work to deliver a point, we need to be in that creative mindset. So we need to be in the alpha and the gamma brain state. Because our body works on 90-minute cycles known as our ultradian rhythm, we need to make sure that we honour our cycle and work with that. If we go past that, our creativity and our productivity is going to go down between 60% and 40% respectively. So as authors, it's important—one, to apply the right amount of pressure; two, to work in breaks; and three, to know what kind of perspective we're looking at. Do we need to be rational and logical, or do we need to be creative? And then adjust the sails accordingly. Jo: That's all fantastic. I want to come back on the marketing thing first—around what you did with the strategic marketing there and the targeted ads to that island. That's just genius. I feel like a lot of us, myself included, we struggle to think creatively about marketing because it's not our natural state. Of course, you've done a lot of marketing, so maybe it comes more naturally to you. I think half the time we don't even use the word creative around marketing, when you're not a marketeer. What are some ways that we can break through our blocks around marketing and try to be more creative around that? Jack: I would challenge a lot of authors on that presumption, because as authors we're in essence storytellers, and to tell a story is creative. There's a great quote: “One death is a tragedy. A thousand deaths is a statistic.” If you can create a story, a compelling narrative about a death in the news, it's going to pull at the heartstrings of people. It's going to really resonate and get with them. Whereas if you are just quoting statistics, most people switch off because they become desensitised to it. So I think because we can tell stories, and that's the essence of what we do, it's how can we tell our story through the medium of social media? How can we tell a story through our creative ads that we then put out onto Facebook or TikTok or whatever platform that we're putting them out—BookBub, et cetera? How can we create a narrative that garners the attention? If we are looking at local media or traditional media, how can we do that? How can we get people to buy in to what we're selling? So it's about having different angles. For me with my new romance book, Stolen Moments, one of the stories I had that really has helped me get some coverage and PR is we recorded the songs next door to the Rolling Stones. Now that was very fortunate timing, very fortunate. But everyone's like, “Oh my God, you recorded next door to the Rolling Stones?” So it's like, well, how can you bring in these creative nuggets that help you to find a story? Again, marketing is in essence telling a story, albeit through different mediums and forms. So it's just how can you package that into a marketable product depending on the platform in which you're putting it out on. Jo: I think that's actually hilarious, by the way, because what you hit on there, as someone with a background in marketing, your story about “we recorded an album for the book next door to the Rolling Stones”—it's got nothing to do with the romance. Jack: Oh, the romance is that the pop star in the book writes and records songs. Jo: Yes, I realised that. But the fact is— For doing things like PR, it's the story behind the story. They don't care that you've written a romance. Jack: Yes. Jo: They're far more interested in you, the author, and other things. So I think what you just described there was a kind of PR hook that most of us don't even think about. Jack: I'm sure a lot of authors already know this, so it's a good reminder, and if you don't, it's great. It's called the A, B, C technique. When you get asked a question, you Answer the question. So that's A. You Build a bridge, and then you go to C, which is Covering one of your points. So whenever you get asked a question, have a list of things you want to get across in an interview. Then just make sure that you find that bridge between whatever the question is to cover off one of your points, and that's how you can do it. Because yes, you may be selling a story, like I said, about writing the songs, but then you can bridge it into actually covering and promoting whatever it is you're promoting. So I think that's always quite helpful to remember. Jo: Well, that's a good tip for things like coming on podcasts as well. I've had people on who don't do what you just mentioned and will just try and shoehorn things in in a more deliberate fashion, whereas other people, as you have just done with your romance there, bring it in while answering a question that actually helps other people. So I think that's the kind of thing we need to think about in marketing. Okay, so then let's come back to the embracing change, and as you mentioned, the AI stuff that's going on. I feel like there's so many “stories” around AI right now. There's a lot of stories being told on both sides—on the positive side, on the negative side—that people believe and buy into and may or may not be true. There's obviously a lot of anger. There's, I think, grief—a big thing that people might not even realise that they have. Can you talk about how authors might deal with what's coming up around the technological change around AI, and any of your personal thoughts as well? Jack: I was thinking about this a lot recently. I mean, I guess everyone is in their own ways and forms. One of the things that came up for me is we have genre expectations and we have generation expectations. When we look at genres, you will have different expectations from different genres. For romance, they want a happily ever after or a happy for now. For cosy mysteries, they expect the crime to be solved. So we as authors make sure we endeavour to meet those expectations. The challenge is that if we are looking at AI, we are all in our own generations. We might be in slightly different generations, but there are going to be different generation expectations from the Alpha generation that's coming up and the Beta generation that's just about to start this year or next year because they're going to come into the world where they don't know any different to AI. So they will have a different expectation than us. It will just be normal that there will be AI agents. It will just be normal that there are AI narrators. It will be normalised that AI will assist authors or assist everyone in doing their jobs. So again, it is a grieving period because we can long for what was, we can yearn for things that worked for us that no longer work for us—whether it's Facebook groups, whether it's the Kindle Rush. We can mourn the loss of that, but that's not coming back. I mean, sometimes there may be a resurgence, but essentially, we've got to embrace the change. We've got to understand that it's coming and it's going to bring up a lot of different emotions because you may have been beholden to one thing and you may be like, yes, I've now got my TikTok lives, and then all of a sudden TikTok goes away. I know Adam, when he was talking about it, he'll just find another platform. But there'll be a lot of people that are beholden to it and then they're like, what do I do now? So again, it's never survival of the fittest—it's survival of the most adaptable. I always use this metaphor where there are three people on three different boats. A storm comes. And the first, the optimist, is like, “Oh, it'll pass,” and does nothing. The pessimist complains about the storm and does nothing. But the realist will adjust the sails and use the storm to find its way to the other side, to get through. It's not going to be easy, but they're actually taking change and making change to get to where they need to go, rather than just expecting or complaining. I get it. We are not, and I hate the expression, “we're all in the same boat.” I call bleep on that. I'm not going to swear. We're not all in the same boat. We're all in the same storm, but different people are going through different things. For some, they can adjust and adapt really quickly like a speedboat. For others, they may be like Jack and Rose in the Titanic on that terrible prop where they're clinging to dear life and trying to get through the storm. So it's about how do I navigate this upcoming storm? What can I do within my control to get through the storm? For some it may be easier because they have the resources, or for some of us that love learning, it's easy to embrace change. For others that have a fear mindset and it's like, “Oh, something new, it's scary, I don't want to embrace it”—you are going to take longer. So you may not be the speedboat, but at some point we are going to have to embrace that change. Otherwise we're going to get left behind. So you need to look at that. Jo: The storm metaphor is interesting, and being in different boats. I feel I do struggle. I struggle with people who suddenly seem to be discovering the storm. I've been talking about AI now since 2016. That's a decade. Jack: Yes. Jo: Even ChatGPT has been around more than three years, and people come to me now and they're talking about stories that they've seen in the media that are just old now. Things have moved on so much. I feel like maybe I was on my boat and I looked through my telescope and I saw the storm. I've been talking about the storm and I've had my own moments of being in the middle of the storm. Now I definitely do struggle with people who just seem to have arrived without any knowledge of it before. I oscillate between being an optimist and a realist. I think I'm somewhere between the two, probably. But I think what is driving me a little crazy in the author community right now is judgment and shame. There are people who are judging other people, and there's shame felt by AI-curious or AI-positive people. So I want to help the people who feel shame in some way for trying new technology, but they still feel attacked. Then those people judge other authors for their choices to use technology. So how do you think we can deal with judgment and shame in the community? Which is a form of conflict, I guess. Jack: Of course. I think with that, there's another great PR quote: “If it bleeds, it leads.” Especially in this digital age, there's a lot of clickbait. So the more polarising, the more emotion-evoking the headline, the more likely you are to engage with that content—whether that is reading it or whether that's posting or retweeting, or whatever format you are consuming it on. So unfortunately, media has now become so much more polarising. It's dividing us rather than uniting us. So people are going to have stronger positions. There's so much even within this to look at. One is, you have to work out where people are on the continuum. Do they have an opinion on AI? Do they have a belief? Or do they have a conviction? Now you're not going to move someone that has a conviction about something, so it's not worth even engaging with them because they're immovable. Like they say, you shouldn't talk about sports, politics, and religion. There are certain subjects that may not be worth talking about, especially if they have a conviction. Because they may not even be able to agree to disagree. They may not be willing or able to hear you. So first and foremost, it's about understanding, well, where are those people sitting on the continuum of AI? Are they curious? Do they have an opinion, but they're open to hearing other opinions? Do they have a belief that could be changed or evolved if they find more information? That's where I think it is. It's not necessarily our jobs—even though you do an amazing job of it, Joanna—but a lot of people are undereducated on these issues or these new technologies. So in some cases it's just a case of a lack of education or them being undereducated. Hopefully in time they will become more and more educated. But again, it's how long is a piece of string? Will people catch up? Will they stay behind? Are they fearful? I guess because of social media, because of the media, as they say, if you can evoke fear in people, you can control them. You can control their perspectives. You can control their minds. So that's where we see it—a lot of people are operating from a fear mindset. So then that's when they project their vitriol in certain cases. If people want to believe a certain thing, that's their choice. I'm not here to tell people what to think. Like I said earlier, it's more about how to think. But I would just encourage people to find people that align with you. Do a sense test, like a litmus test, to find where they sit on the continuum and engage with those people that are open and have opinions or beliefs. But shy away or just avoid people that have convictions that maybe are the polar opposite of yours. Jo: It's funny, isn't it? We seem to be in a phase of history when I feel like you should be able to disagree with people and still be friends. Although, as you mentioned, there's certain members of my family where we just stay on topics of TV shows and movies or music, or what books are you reading? Like, we don't go anywhere near politics. So I do think that might be a rule also with the AI stuff. As you said, find a community, and there are plenty of AI-positive spaces now for people who do want to talk about this kind of stuff. I also think that, I don't know whether this is a tipping point this year, but certainly— I know people who are in bigger corporates where the message is now, “You need to embrace this stuff. It is now part of your job to learn how to use these AI tools.” So if that starts coming into people's day jobs, and also people who have, I don't know, kids at school or people at university who are embracing this more—I mean, maybe it is a generational thing. Jack: Yes. Look, there were so many people that were resistant to working from home, or corporations that were, and then the pandemic forced it. Now everyone's embraced it in some way, shape, or form. I mean, there are people that don't, but the majority of people—when something's forced on you, you have to adapt. So again, if those things are implemented in corporations, then you're going to see it. I'm seeing so many amazing new things in AI that have been implemented in the music industry that we'll see in the publishing industry coming down the road. That will scare a lot of people, but again, we have to embrace those things because they're coming and there's going to be an expectation—especially from the younger generations—that these things are available. So again, it's not first past the post, but if you can be ahead of the wave or at least on the wave, then you are going to reap the rewards. If you are behind the wave, you're going to get left behind. So that's my opinion. I'm not trying to encourage anyone to see from my lens, but at the same time, I do think that we need to be thinking differently. We need to always embrace change where we can, as we can, at the pace that we can. Jo: You mentioned there AI things coming down the road in the music industry. And now everyone's going, wait, what is coming? So tell us— What do you see ahead that you think might also shift into the author world? Jack: There are three things that I've seen. Two that have been implemented and one that's been talked about and worked on at the moment. The first, and this will be quite scary for people, is that major record labels—so think the major publishers on our side—they're all now putting clauses in their contracts that require the artists that sign with them to allow their works to be trained by their own AI models. So that is something that is now actually happening in record labels. I wouldn't be surprised, although I don't have insight into it, if Simon & Schuster, HarperCollins, et cetera, are potentially doing the same with authors that sign to them. So that's going to become more standardised. So that is on the major side. But then on the creative side, there are two things that really excite me. The music AI platforms that we're hearing about, the stories that we've seen in the press, and it's the fact that with a click of a button, you can recreate a song into a different genre. I find it so fascinating because if you think about that—turning a pop song into a country song or a rap song into a dance song—the possibilities that we have as authors with our books, if we wish to do so, are amazing. I just think, for example, with your ARKANE series, Joanna, imagine clicking a button and just with one click you can take Morgan Sierra and turn her into a romantic lead in a romance book. Jo: See, it's so funny because I personally just can't imagine that because it's not something I would write. But I guess one example in the romance genre itself is I know plenty of romance authors who write a clean and a spicy version of the same story, right? It is already happening in that way. It's just not a one-click. Jack: Well, I think you can also look at it another way. I think one of the most famous examples is Twilight. With Twilight and Stephenie Meyer, if she had the foresight—and I'm not saying she didn't, just to clarify—but fan fiction is such a massive sub-genre of works. And obviously from Twilight came 50 Shades of Gray. Imagine if she had the licensing rights like the NFTs, where she could have made money off of every sale. So that you could then, through works that you create and give licence, earn a percentage of every release, every sale, every consumption unit of your works. There are just so many possibilities where you can create, adapt, have spinoffs that can then build out your world. Obviously, there may need to be an approval process in there for continuity and quality control because you want to make sure you're doing that, but I think that has such massive potential in publishing if we wish to do so. Or like I said, change characters. Like Robert Langdon's character in Dan Brown's books—no longer being the kind of thriller, but maybe being a killer instead. There's so many possibilities. It's just, again, how to think, not what to think—how to think differently and how we can use that. So that's the second of three. Jo: Oh, before you move on, you did mention NFTs and I've actually been reading about this again. So I'm usually five years early. That's the general rule. I started talking about NFTs in mid-2021, and obviously there was a crypto crash, it goes up and down, blah, blah, blah. But forget the crypto side—on the blockchain side, digital originality, and exactly what you said about saying like, where did this originate? This is now coming back in the AI world. It could be that I really was five years early. So amusingly—and I'm going to link to it in the notes because I did a “Why NFTs Are Exciting for Authors” solo episode, I think in 2022—it may be that the resurgence will happen in the next year, and all those people who said I was completely wrong, that this may be coming back. Digital originality I think is what we're talking about there. But so, okay, so what was the other thing? Jack: So the third one is the one that I'm most excited about, but I think will be the most scary for people. Obviously consumption changes and formats change. Like I said, in music I've seen it all the time—whether it's vinyl to cassettes, to CDs, to downloads, to streaming. Again, there's different consumption of the same format, and we see that with books as well, obviously—hardbacks, paperbacks, eBooks, audiobooks. Now with the rise of AI, AI narration has made audiobooks so much more accessible for people. I know that there are issues with certain people not wanting to do it, or certain platforms not allowing AI narration to be uploaded unless it's their own. The next step is what I'm most excited about. What I'm seeing now in the music industry is people licensing their image to then recreate that as music videos because music videos are so expensive. One of my friends just shot a music video for two million pounds. I don't think many authors would ever wish to spend that. If you can license your image and use AI to create a three-minute music video that looks epic and just as real as humanly possible, imagine if those artists—or if we go a step further, those actors—license their image to then be used to adapt our books into a TV series or a film. So that then we are in a position where that is another format of consumption alongside an audiobook, a paperback, an eBook, hardcover, special edition, and so on and so forth. It potentially has the opportunity to open us up to a whole new world. Because yes, there are adaptations of books that we're seeing at the moment, but for those of us that are trying to get our content into different formats, this can be a new pathway. I'm going to make a prediction here myself, Joanna. Jo: Mm-hmm. Jack: I would say in the next five to ten years, there will be a platform akin to a Netflix, Amazon Prime, Disney Plus, Apple Plus, where you can license the rights to an image of an actor or an actress. Then with the technology—and you may need people to help you adapt your book into a TV series or a film—that can then be consumed. I just think the possibilities are endless. I mean, again, I think of your character and I'm like, oh, what would it be if Angelina Jolie licensed her image and you could have her play the lead character in your ARKANE series? I mean, again, the possibilities potentially are endless here. Jo: Well, and on that, if people think this won't happen—1776, I don't know if you've seen this, it's just being teased at the moment. Darren Aronofsky has made an American revolutionary story all with AI. So this is being talked about at the moment. It's on YouTube at the moment. The AI video is just extraordinary already, so I totally agree with you. I think things are going to be quite weird for a while, and it will take a while to get used to. You mentioned coming into the music industry in 2000, 2001—I started my work before the internet, and then the internet came along and lots of things changed. I mean, anyone who's older than 40, 45-ish can remember what work was like without the internet. Now we are moving into a time where it'll be like, what was it like before AI? And I think we'll look back and go like, why the hell did we do that kind of thing? So it is a changing world, but yes, exciting times, right? I think the other thing that's happening right now, even to me, is that things are moving so fast. You can almost feel like a kind of whiplash with how much is changing. How do we deal with the fast pace of change while still trying to anchor ourselves in our writing practice and not going crazy? Jack: Again, it's that everything everywhere all at once—you can get lost and discombobulated. I always say be the tortoise, not the hare—because you don't want to fly and die. You want pace and grace. Everyone will have a different pace. For some marathon runners, they can run a five-minute mile, some can run an eight-minute mile, some can run a twelve-minute mile. It's about finding the pace that works for you. Every one of us have different commitments. Every one of us have different ways we view the industry—some as a hobby, some as a business. So it's about honouring your needs, your commitment. Some of us, as you've had people on the podcast, some people are carers. They have to care. Some people are parents. Some people don't have those commitments and so can devote more time and then actually learn more, change more as a result. So again, it's about finding your groove, finding your rhythm, honouring that, and again, showing up consistently. Because motivation may get you started, but it's habit and discipline that sees you through. Keep that discipline, keep that pace and grace. Be consistent in what you can do. And know where you're at. Don't compare and despair, because again, if you look at someone else, they may be ahead of you, but the race is only with yourself in the end. So you've got to just focus on where you are at and am I in a better place than I was yesterday? Am I working on my business as well as in my business? How am I doing that? When am I doing that? And what am I doing that for? If you can be asking yourself those questions and making sure you're staying true to yourself and not burning out, making sure that you are honouring your other commitments, then I think you are going at the pace that feels right for you. Jo: Brilliant. Jo: Where can people find you and your books and everything you do online? Jack: Thank you so much for having me on, Joanna, today. You can find me on JackWilliamson.co.uk for all my nonfiction books and therapy work. Then for my fiction work, it is ABJackson.com, or ABJacksonAuthor on Instagram and TikTok. Jo: Well, thanks so much for your time, Jack. That was great. Jack: Thank you so much. The post Post-Traumatic Growth, Creative Marketing, And Dealing With Change with Jack Williamson first appeared on The Creative Penn.

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El antiguo adagio 'more money, more problems' nunca fue tan literal. En este episodio, tenemos la historia de la tragedia marítima más memeable de la memoria reciente: OceanGate y el submarino Titán. Nos adentramos en la vida de Stockton Rush, un hombre con un desprecio casi sobrenatural por cualquier regulación de seguridad, cuyo speedrun de malas decisiones lo llevó a construir una trampa mortal piloteada con un control de PlayStation pirata, en camino a ver las ruinas del Titanic.También puedes escucharnos en Spotify, Apple Podcasts, Amazon Music o tu app de podcasts favorita.Apóyanos en Patreon:https://www.patreon.com/leyendaspodcastApóyanos en YouTube:https://www.youtube.com/c/leyendaslegendarias/joinVisita nuestra página para ver contenido extra:https://www.leyendaslegendarias.comSíguenos:https://instagram.com/leyendaspodcasthttps://www.tiktok.com/@leyendaspodcasthttps://twitter.com/leyendaspodcasthttps://facebook.com/leyendaspodcast#Podcast #LeyendasLegendarias

Let's Retire Retirement author Derek Coburn finds the flaws in how we traditionally plan for life after work — and demonstrates how we can do it smarter.Full show notes and resources can be found here: jordanharbinger.com/1286What We Discuss with Derek Coburn:Traditional retirement planning is fundamentally broken. Financial advisors ask when you want to retire, not if you should, leading millions to sacrifice health, happiness, and relationships in pursuit of an arbitrary finish line they never actually chose.By planning to work just 10 years longer, the amount you need to save drops by 96% — from $2,400 per month to $110 — freeing up money and energy to actually live your life now rather than deferring it indefinitely.Alzheimer's and dementia are the "iceberg to your financial plan's Titanic." These conditions don't kill you quickly, meaning care costs can drain family resources for years, and your parents' health has a direct impact on your retirement security.The pursuit of happiness as a direct goal actually backfires. Research shows people prioritizing personal pleasure get sicker and die sooner, while those driven by purpose and meaning experience lower inflammation and stronger immunity.You likely have more freedom than you realize. Finding work you don't hate, even part-time, lets you stay engaged, maintain purpose, and enjoy the compounding benefits of extra years while spending more time with the people who matter most.And much more...And if you're still game to support us, please leave a review here — even one sentence helps! Sign up for Six-Minute Networking — our free networking and relationship development mini course — at jordanharbinger.com/course!Subscribe to our once-a-week Wee Bit Wiser newsletter today and start filling your Wednesdays with wisdom!Do you even Reddit, bro? Join us at r/JordanHarbinger!This Episode Is Brought To You By Our Fine Sponsors: The Cybersecurity Tapes: Listen here: thecybersecuritytapes.comBetterHelp: 10% off first month: betterhelp.com/jordanBoll & Branch: 15% off first set of sheets: bollandbranch.com, code JORDANBombas: Go to bombas.com/jordan to get 20% off your first orderButcherBox: Free protein for a year + $20 off first box: butcherbox.com/jordanThe President's Daily Brief: Listen here or wherever you find fine podcasts!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

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