Podcasts about matisse

Matisse, Picasso ou Renoir… Tous les grands peintres du 20ème siècle ont été plagiés par Elmyr de Hory. Pendant 30 ans, ce génial faussaire a dupé de prestigieuses maisons de vente, des collectionneurs et des musées du monde entier. Créant des toiles "à la manière de", il se glissait à la perfection dans la tête de ceux qu'il copiait...Cet épisode de Faussaires est co-produit par Initial Studio et Bellota Films, adapté du documentaire audiovisuel « Elmyr de Hory, le faussaire du siècle », produit par Bellota Films, écrit et réalisé par Dimitri Pailhe.Bonne écoute ! Pour découvrir nos autres podcasts, suivez Initial Studio sur Instagram et Facebook. Crédits du podcastProduction exécutive du podcast : Initial Studio Production éditoriale : Sarah Koskievic et Mandy Lebourg Montage : Camille Legras et Victor Benhamou Illustration : Initial Studio Avec la voix d'Elsa Hamnane Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Matisse, Picasso ou Renoir… Tous les grands peintres du 20ème siècle ont été plagiés par Elmyr de Hory. Pendant 30 ans, ce génial faussaire a dupé de prestigieuses maisons de vente, des collectionneurs et des musées du monde entier. Créant des toiles "à la manière de", il se glissait à la perfection dans la tête de ceux qu'il copiait...Cet épisode de Faussaires est co-produit par Initial Studio et Bellota Films, adapté du documentaire audiovisuel « Elmyr de Hory, le faussaire du siècle », produit par Bellota Films, écrit et réalisé par Dimitri Pailhe.Bonne écoute ! Pour découvrir nos autres podcasts, suivez Initial Studio sur Instagram et Facebook. Crédits du podcastProduction exécutive du podcast : Initial Studio Production éditoriale : Sarah Koskievic et Mandy Lebourg Montage : Camille Legras et Victor Benhamou Illustration : Initial Studio Avec la voix d'Elsa Hamnane Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

The Martin Garrix Show #558Mix 11. Romain Garcia - Alone [ANJUNADEEP] 0.272. Duke Dumont - Your Loving [EMI] 5.053. Henry Wake Up - What I Need [CLUB WHATEVER] 8.084. OMNOM & Marco Strous - Everyone's Your Friend [INSOMNIAC] 11.235. Calvin Harris - Blessings feat. Clementine Douglas [SONY] 14.026. Thomas Gold - Turn It Up [RELIANT] 18.067. Johan S - Rollin' [Wh0 PLAYS RECORDS] 20.528. Wuki - Ain't It Fun [BREAKAWAY RECORDS] 24.189. Tiësto, Odd Mob, Goodboys - Won't Be Possible [ATLANTIC] 26.58Mix 2 10. Nicky Romero x millforlife x Rory Hope - Don't Be Shy [PROTOCOL] 29.2611. Mesto & Vluarr - All Night [STMPD RCRDS] 32.2112. NOME. - Bring It Back [STMPD RCRDS] 35.2913. Alle Farben x Maurice Lessing - Apollo 2. [WHITE/UNKNOWN] 38.0314. Skytech - The Rhythm [STMPD RCRDS] 41.1315. Mesto & Vluarr - Gemini [STMPD RCRDS] 43.5816. Just_us - Flashback [STMPD RCRDS] 47.0517. TELYKAST & LORYN - The Good Part [STMPD RCRDS] 49.2118. Martin Garrix & Matisse & Sadko - Dragon [SPINNIN] 52.4419. Illenium x Hayla - In My Arms [UNIVERSAL] 56.13A weekly selection of tracks that I love to listen to at home or play out at a party. New episodes uploaded weekly

Специальный выпуск шоу —100 знаковых танцевальных хитов за последние 10 лет. 1. ACRAZE Ft. Cherish - Do It To It 2. Riton x Nightcrawlers ft. Mufasa x Hypeman - Friday (Dopamine Re-Edit) 3. BYOR - Keep On Dancin' 4. James Hype & Miggy Dela Rosa - Ferrari 5. Mau P - Drugs From Amsterdam 6. Bob Sinclar ft. Steve Edwards – World Hold On (Fisher Rework) 7. HOSH & 1979 feat Jalja - Midnight The Hanging Tree (Slider & Magnit Remix) 8. Anyma ft. Meg Myers - Running 9. Supermode - Tell Me Why (MEDUZA Remix) 10. Dom Dolla ft. Clementine Douglas - Miracle Maker 11. Matisse & Sadko, Timofey - Feeling 12. David Guetta & Bebe Rexha - I'm Good (Blue) 13. Alexander Popov & Fedo - Lost In Space 14. Joel Corry x Da Hool - The Parade 15. Kx5 - Escape (John Summit Remix) 16. Dynoro feat. Gigi D'Agostino - In My Mind 17. Calvin Harris ft. Ellie Goulding - Miracle 18. Kelis - Milkshake 20 (Alex Wann Remix) 19. MK & Dom Dolla - Rhyme Dust 20. Swanky Tunes, Shapov - Rolling Deep 21. Cassö, RAYE & D-Block Europe - Prada 22. Rezone - Enjoy The Silence 23. Going Deeper, Mila Falls, LVNE - Sacrifice 24. Grigoré - El Tiempo 25. Kevin de Vries - Dance With Me 26. LF System - Afraid To Feel (Armand van Helden Remix) 27. ANOTR & Leven Kali & Erik Bandt – How You Feel 28. Solomun - Home 29. Adam Port & Stryv ft. Malachii - Move 30. Disclosure - She's Gone, Dance On 31. Mr. Belt & Wezol - It's Not Right (But It's Ok) 32. Adam Port, Keinemusik - Move (RITN Edit) 33. Claptone & Mylo - Drop The Pressure 34. Raffa Guido - Famax (Goom Gum Remix) 35. Loofy - Last Night 36. Maceo Plex & Faithless - Insomnia 2021 (Epic Mix) 37. Farruko feat. Victor Cardenas - Pepas (Kryder Remix) 38. Swedish House Mafia & Sting - Redlight 39. Volac, MKJAY, Daft Hill - Candy Shop 40. PAWSA - TOO COOL TO BE CARELESS 41. Argy & Goom Gum - Pantheon 42. Diplo & Miguel - Don't Forget My Love 43. Duke Dumont - The Giver (Reprise) 44. Majestic x Boney M – Rasputin 45. Eliza Rose & Interplanetary Criminal - B.O.T.A. (Baddest Of Them All) 46. Creeds - Push Up 47. fred again.. x Swedish House Mafia - Turn On The Lights again.. (feat. Future) 48. Artemas - i like the way you kiss me (Oliver Heldens Remix) 49. Oliver Tree & Robin Schulz - Miss You 50. Jaxomy x Agatino Romero x Raffaella Carra - Pedro (W&W Remix) 51. VER:WEST - 5 Seconds Before Sunrise

Gertrude Stein is a name that inspires equal amounts of both awe and fear in prospective readers. An absolute icon in her time, she was an unparalleled tastemaker: collecting work from Picasso and Matisse when they were unknown local painters; mentoring Hemingway and Fitzgerald as bright-eyed, unpublished hopefuls; and hosting ‘talk of the town' salons at her Parisian abode. However, when it comes to her writing, things have always been a bit more complicated.To help me unpack the life, legacy, and ‘afterlife' of this fascinating figure, today I have the pleasure of speaking with biographer, author and journalist Francesca Wade. Her new book, Gertrude Stein: An Afterlife, is set to hit shelves in the upcoming month. It was a great chat, and I hope you enjoy it.

Chaque semaine dans Destination RTL, Bernard Sabbah vous accompagne avec ses meilleurs conseils et vous inspire pour vos futurs voyages. Cette semaine, cap sur Nice, joyau de la Côte d'Azur et première ville touristique de France après Paris. Accessible en TGV ou en avion, Nice vous charmera par son patrimoine inscrit à l'UNESCO, ses ruelles colorées du Vieux-Nice, et sa mythique promenade des Anglais. Découvrez également ses trésors artistiques avec le musée Matisse et le musée national Marc Chagall. Ne manquez pas le Nice Jazz Festival et le Carnaval de Nice pour une immersion festive. Préparez votre séjour avec les bons plans de Bernard, entre croisières et hébergements de charme.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

East Fork Pottery founder and CEO Alex Matisse shares the story behind launching his Asheville-based pottery company and its new collection, a collaboration with Les Héritiers Matisse.See omnystudio.com/listener for privacy information.

À l'encre, au fusain, à la peinture, Henri Matisse n'a presque jamais cessé de représenter son visage: les yeux en amande, parfois souriant mais plus souvent austère, voire vieilli et toujours le même foulard noir noué autour du cou, dissimulant l'opération de la trachée qu'elle a du subir enfant. Elle c'est Marguerite Matisse, sa fille. L'exposition Matisse et Marguerite, au Musée d'art moderne de Paris, met en lumière cette femme de l'ombre. Mais Marguerite est bien plus que la fille ainée du peintre ou son modèle car à force d'avoir fréquenté l'atelier enfant, elle s'est elle-même lancée dans la peinture, avec un talent remarqué à l'époque. Elle est aussi devenue une courageuse résistante à l'occupation nazie dans les années 40 refusant de parler sous la torture. Et jusqu'à la fin de ses jours, elle s'est évertuée à défendre l'héritage artistique de son père, le peintre Henri Matisse.Charlotte Barat-Mabille et Hélène de Talhouët, commissaires de l'exposition sont les invitées de Sur le pont des arts. Matisse et Marguerite est à voir au Musée d'art moderne de Paris jusqu'au 24 août 2025. Au programme de l'émission :► Chronique Les librairies du mondeIsabelle Lambert, de la librairie Livre-S à Marche-en-Famenne en Belgique, nous présente le roman La pommeraie de Peter Heller édité chez Actes Sud en mars 2025. Ce roman nous emmène dans la nature sauvage du Vermont, ses étangs et ses longs hivers. Ici, une mère et sa fille vivent loin du monde dans une Pommeraie.Elle nous parle aussi, en cette date du samedi 26 avril 2025, de la fête de la librairie indépendante. Pour la 27è édition, ils sont plus de 700 libraires indépendants en Belgique, en France et en Suisse à célébrer l'évènement. À l'occasion de cette journée spéciale, chaque visiteur recevra l'ouvrage inédit intitulé « Esprit es-tu là ? ». Cet ouvrage publié par Gallimard spécialement pour l'occasion, explore le thème des fantômes dans la littérature et l'art. Il rassemblera les contributions de 5 artistes et intellectuel.les : Gabriel Dufay, Antoine Ginésy, Claire Morel, Daniel Sangsue et Vahram Muratyan.   ► ReportageSolène Gardré est allée au théâtre de Belleville voir le spectacle Maintenant, je n'écris plus qu'en français. Dans cette pièce autobiographique, l'auteur ukrainien Viktor Kyrylov se trouve à Moscou depuis 3 ans, lorsque la guerre éclate le 24 février 2022. Son monde bascule avec cette situation impensable : celle d'être dans le pays qui envahit son propre pays, l'Ukraine. ► Playlist du jourLéo Ferré - Est-ce ainsi que les hommes viventKokoroko - Sweetie

À l'encre, au fusain, à la peinture, Henri Matisse n'a presque jamais cessé de représenter son visage: les yeux en amande, parfois souriant mais plus souvent austère, voire vieilli et toujours le même foulard noir noué autour du cou, dissimulant l'opération de la trachée qu'elle a du subir enfant. Elle c'est Marguerite Matisse, sa fille. L'exposition Matisse et Marguerite, au Musée d'art moderne de Paris, met en lumière cette femme de l'ombre. Mais Marguerite est bien plus que la fille ainée du peintre ou son modèle car à force d'avoir fréquenté l'atelier enfant, elle s'est elle-même lancée dans la peinture, avec un talent remarqué à l'époque. Elle est aussi devenue une courageuse résistante à l'occupation nazie dans les années 40 refusant de parler sous la torture. Et jusqu'à la fin de ses jours, elle s'est évertuée à défendre l'héritage artistique de son père, le peintre Henri Matisse.Charlotte Barat-Mabille et Hélène de Talhouët, commissaires de l'exposition sont les invitées de Sur le pont des arts. Matisse et Marguerite est à voir au Musée d'art moderne de Paris jusqu'au 24 août 2025. Au programme de l'émission :► Chronique Les librairies du mondeIsabelle Lambert, de la librairie Livre-S à Marche-en-Famenne en Belgique, nous présente le roman La pommeraie de Peter Heller édité chez Actes Sud en mars 2025. Ce roman nous emmène dans la nature sauvage du Vermont, ses étangs et ses longs hivers. Ici, une mère et sa fille vivent loin du monde dans une Pommeraie.Elle nous parle aussi, en cette date du samedi 26 avril 2025, de la fête de la librairie indépendante. Pour la 27è édition, ils sont plus de 700 libraires indépendants en Belgique, en France et en Suisse à célébrer l'évènement. À l'occasion de cette journée spéciale, chaque visiteur recevra l'ouvrage inédit intitulé « Esprit es-tu là ? ». Cet ouvrage publié par Gallimard spécialement pour l'occasion, explore le thème des fantômes dans la littérature et l'art. Il rassemblera les contributions de 5 artistes et intellectuel.les : Gabriel Dufay, Antoine Ginésy, Claire Morel, Daniel Sangsue et Vahram Muratyan.   ► ReportageSolène Gardré est allée au théâtre de Belleville voir le spectacle Maintenant, je n'écris plus qu'en français. Dans cette pièce autobiographique, l'auteur ukrainien Viktor Kyrylov se trouve à Moscou depuis 3 ans, lorsque la guerre éclate le 24 février 2022. Son monde bascule avec cette situation impensable : celle d'être dans le pays qui envahit son propre pays, l'Ukraine. ► Playlist du jourLéo Ferré - Est-ce ainsi que les hommes viventKokoroko - Sweetie

In This Weeks Weekend Round Up, Robbie, AGT, Flex, Matisse & Abbi Round Up Premier League Fixtures, Liverpool 1 Win Away From Premier League Title & More... Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Martin Garrix Show #554Mix 11. Crooked Colours - I Can't Forget You (OMRI Remix) [SWEAT IT OUT]2. Wh0 & Sam Frandisco - In My Soul [Wh0 PLAYS]3. BYOR & Angel Janson - Saving It All [THE MYTH OF NYX]4. Black V Neck x GAWP x Juush - Losing My Head feat. Gaby G [HELDEEP]5. SIDEPIECE - Lick [TOOLROOM]6. Juush - Luv u bb [VIBES ON 10]7. 8181 ENZO – What's The Time8. Vluarr & S;AD – Losing Your Mind [STMPD RCRDS] Mix 29. Dom Dolla - Dreamin (Eli Brown Remix) [COLUMBIA/THREE SIX ZERO]10. Curbi & Scrufizzer - Move Over [NIGHT BASS]11. Bart B More - Rave Alert [REVEALED]12. RetroVision x Tollef - The Party [OH2 Records]13. Angrybaby - Put It Down 14. Martin Garrix, Matisse & Sadko, John Martin - Won't Let Go (Eleganto Remix) [STMPD RCRDS]15. Skytech - Sinner [STMPD RCRDS]16. R3HAB - Right Here, Right Now [SPINNIN]17. Martin Garrix, DubVision feat. Shaun Farrugia - Starlight (Keep Me Afloat) [STMPD RCRDS]18. Martin Garrix & Arijit Singh - Weightless [STMPD RCRDS]A weekly selection of tracks that I love to listen to at home or play out at a party. New episodes uploaded weekly

Matisse Laida is an artist whose practice is based around community and food. They are the founder of We Eatin' Good, a platform for queer people of colour to come together.Anthony 'Banda' Bandalan is a producer who cares deeply about community cultivation and uplifting his creative counterparts. Nickila De Silva is an artist who creates across video, music and writing. Her work explores collaboration and how it can exist alongside hierarchy and power. We interviewed Matisse, Banda and Nickila, as part of Multicultural Arts Victoria's Block Partee.We chat about:Hierarchy and power in the artsNetworking being a white conceptPerformative leadershipWhen gatekeeping is goodQueer people becoming removed from our culturesConnecting people through foodArt is archival and friendshipCode switching your practice Reflections on creating art together and apart How sharehouses shape usThe challenges of working within institutions Food that makes us feel the mostHosted by: Maria Birch-Morunga and Kate RobinsonGuests: Matisse Laida, Anthony Bandalan and Nickila De SilvaMusic by: The Green TwinsEdited by: Kate RobinsonSpecial thanks: Multicultural Arts Victoria, City of Darebin, Creative Victoria, Creative Australia, Melbourne Polytechnic, Victoria Government and VicHealth's Future Reset Program.This podcast was recorded on the lands of the Wurundjeri Woi Wurrung peoples of the eastern Kulin Nations.You can find us on Instagram @beingbiracialpodcast or send us an email at beingbiracialpodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Zaak 52: de kunstroof in de Kunsthal van RotterdamOf het nu groot of klein is, anoniem of niet, eenmalig of maandelijks, elke bijdrage helpt ons om dit fascinerende verhaal voort te zetten en meer verborgen verhalen aan het licht te brengen:https://fooienpod.com/kunstmaffiaZeer veel dank mochten jullie iets voor onze podcast over hebben! We're diving into the wild world of art heists today, folks, and let me tell ya, it's a doozy! Picture this: it's October 15, 2012, and the Kunsthal in Rotterdam is buzzing with excitement over the Avant Garde exhibition showcasing the stunning Triton Foundation collection. But hold on to your paintbrushes, because that very night, two not-so-masterful thieves break in through a back door and make off with seven priceless masterpieces, including works by the likes of Picasso and Matisse! We're talking about a heist worth millions – and spoiler alert, it's not as slick as it sounds. As we unravel this tale, we'll explore the bumbling antics of the crooks, the frantic police investigation, and the shocking twist involving Radu Dogaru's mother burning the evidence in her bathroom heater – yeah, you heard that right! So grab your favorite beverage, kick back, and let's get into the messy, hilarious, and downright outrageous world of art crime!Picture this: it's the fall of 2012 and the Kunsthal in Rotterdam is buzzing with the excitement of the Avant Garde exhibition, showcasing the dazzling collection from the Triton Foundation. The mastermind behind this collection? None other than the fabulously wealthy Willem Cordia, a big-shot collector who's finally decided to reveal all his prized possessions. But hold onto your hats, folks, because just as this glamorous show is in full swing, disaster strikes! In the dead of night, two bumbling thieves break in through a back fire door and in a flash, they've made off with seven priceless pieces, including works by legends like Picasso and Matisse. Talk about a plot twist! So, what do the police do? They throw together a special task force of 25 detectives. That's right, folks, 25! They scour the scene for evidence, only to find minimal clues – just some fingerprints and a couple of footprints. They even check the security footage from the one camera in the gallery. Spoiler alert: the thieves look like they've just walked off a heist film set, moving faster than I can decide what to binge-watch on Netflix. But here's the kicker: as the police chase down leads and sift through over 100 tips, they realize they're up against a wall. The thieves' identities remain a mystery and it seems like the art heist of the century might just slip through their fingers. As the investigation unfolds, we dive deep into the world of art theft, where high stakes, big money, and a sprinkle of chaos reign supreme. The thieves turn out to be not the sophisticated criminals everyone assumed, but rather young Romanians dabbling in petty crime. It's a rollercoaster of a story that leaves us questioning not only the fate of the stolen artworks but the very nature of crime and consequence in the art world. Will the masterpieces resurface? Or have they vanished into the black market forever? This episode is a wild ride through theft, deception, and a touch of dark humor, making you wonder just how far people will go for a piece of art.Takeaways: The Kunsthal Rotterdam hosted the Avant Garde exhibition displaying the Triton Foundation collection, which got stolen during the event. Willem Cordia, a wealthy collector, owned the collection, showcasing it for the first time publicly before the heist occurred. The robbery on October 15-16, 2012, resulted in the theft of seven masterworks, including pieces by Picasso and Matisse, which left the art world in shock. Despite the initial police...

“Matisse et Marguerite” Le regard d'un pèreau Musée d'Art moderne de Parisdu 4 avril au 24 août 2025Entretien avec Charlotte Barat-Mabille, commissaire d'exposition au Musée d'Art Moderne de Paris, et co-commissaire de l'exposition,par Anne-Frédérique Fer, à Paris, le 14 avril 2025, durée 20'52,© FranceFineArt.https://francefineart.com/2025/04/23/3611_matisse-et-marguerite_musee-d-art-moderne-de-paris/Communiqué de presse Commissaires :Isabelle Monod-Fontaine, conservatrice générale du patrimoine honoraireHélène de Talhouët, docteure en histoire de l'art contemporain, enseignante-chercheuseCharlotte Barat-Mabille, commissaire d'exposition au Musée d'Art Moderne de Paris« Au temps de mon père, on vivait avec son drame quotidien, qui était la peinture. » Marguerite Duthuit-Matisse, 1970Le Musée d'Art Moderne de Paris présente une exposition inédite d'Henri Matisse (1869-1954), l'un des plus grands artistes du XXème siècle. Rassemblant plus de 110 oeuvres (peintures, dessins, gravures, sculptures, céramique), elle propose de montrer le regard d'artiste et de père que Matisse porte sur sa fille aînée, Marguerite Duthuit-Matisse (1894-1982), figure essentielle mais discrète de son cercle familial.L'exposition présente de nombreux dessins rarement sinon jamais montrés au public, ainsi que d'importants tableaux venus de collections américaines, suisses et japonaises exposés en France pour la première fois. Des photographies, documents d'archives et oeuvres peintes par Marguerite elle-même complètent l'évocation de cette personnalité méconnue du grand public.Depuis les premières images de l'enfance jusqu'à la fin de la Seconde Guerre mondiale, Marguerite demeure le modèle de Matisse le plus constant – le seul à avoir habité son oeuvre au cours de plusieurs décennies. Porteurs d'une franchise et d'une intensité remarquables, ses portraits trahissent une émotion rare, à la hauteur de l'affection profonde que Matisse portait à sa fille. L'artiste semblait voir en elle une sorte de miroir de lui-même, comme si, en la dépeignant, il accédait enfin à l'« identification presque complète du peintre et de son modèle » à laquelle il aspirait.Organisée de manière chronologique, l'exposition témoigne de la force du lien qui unissait l'artiste et sa fille, et permet d'appréhender l'immense confiance et le respect qu'ils se vouaient mutuellement. Elle est aussi l'occasion de découvrir le destin fascinant d'une femme hors du commun, qui joua un rôle de premier plan dans la carrière de son père.[...] Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Zaak 52: de kunstroof in de Kunsthal van RotterdamOf het nu groot of klein is, anoniem of niet, eenmalig of maandelijks, elke bijdrage helpt ons om dit fascinerende verhaal voort te zetten en meer verborgen verhalen aan het licht te brengen:https://fooienpod.com/kunstmaffiaZeer veel dank mochten jullie iets voor onze podcast over hebben! We're diving into the wild world of art heists today, folks, and let me tell ya, it's a doozy! Picture this: it's October 15, 2012, and the Kunsthal in Rotterdam is buzzing with excitement over the Avant Garde exhibition showcasing the stunning Triton Foundation collection. But hold on to your paintbrushes, because that very night, two not-so-masterful thieves break in through a back door and make off with seven priceless masterpieces, including works by the likes of Picasso and Matisse! We're talking about a heist worth millions – and spoiler alert, it's not as slick as it sounds. As we unravel this tale, we'll explore the bumbling antics of the crooks, the frantic police investigation, and the shocking twist involving Radu Dogaru's mother burning the evidence in her bathroom heater – yeah, you heard that right! So grab your favorite beverage, kick back, and let's get into the messy, hilarious, and downright outrageous world of art crime!Picture this: it's the fall of 2012 and the Kunsthal in Rotterdam is buzzing with the excitement of the Avant Garde exhibition, showcasing the dazzling collection from the Triton Foundation. The mastermind behind this collection? None other than the fabulously wealthy Willem Cordia, a big-shot collector who's finally decided to reveal all his prized possessions. But hold onto your hats, folks, because just as this glamorous show is in full swing, disaster strikes! In the dead of night, two bumbling thieves break in through a back fire door and in a flash, they've made off with seven priceless pieces, including works by legends like Picasso and Matisse. Talk about a plot twist! So, what do the police do? They throw together a special task force of 25 detectives. That's right, folks, 25! They scour the scene for evidence, only to find minimal clues – just some fingerprints and a couple of footprints. They even check the security footage from the one camera in the gallery. Spoiler alert: the thieves look like they've just walked off a heist film set, moving faster than I can decide what to binge-watch on Netflix. But here's the kicker: as the police chase down leads and sift through over 100 tips, they realize they're up against a wall. The thieves' identities remain a mystery and it seems like the art heist of the century might just slip through their fingers. As the investigation unfolds, we dive deep into the world of art theft, where high stakes, big money, and a sprinkle of chaos reign supreme. The thieves turn out to be not the sophisticated criminals everyone assumed, but rather young Romanians dabbling in petty crime. It's a rollercoaster of a story that leaves us questioning not only the fate of the stolen artworks but the very nature of crime and consequence in the art world. Will the masterpieces resurface? Or have they vanished into the black market forever? This episode is a wild ride through theft, deception, and a touch of dark humor, making you wonder just how far people will go for a piece of art.Takeaways: The Kunsthal Rotterdam hosted the Avant Garde exhibition displaying the Triton Foundation collection, which got stolen during the event. Willem Cordia, a wealthy collector, owned the collection, showcasing it for the first time publicly before the heist occurred. The robbery on October 15-16, 2012, resulted in the theft of seven masterworks, including pieces by Picasso and Matisse, which left the art world in shock. Despite the initial police...

Zaak 52: de kunstroof in de Kunsthal van RotterdamOf het nu groot of klein is, anoniem of niet, eenmalig of maandelijks, elke bijdrage helpt ons om dit fascinerende verhaal voort te zetten en meer verborgen verhalen aan het licht te brengen:https://fooienpod.com/kunstmaffiaZeer veel dank mochten jullie iets voor onze podcast over hebben! We're diving into the wild world of art heists today, folks, and let me tell ya, it's a doozy! Picture this: it's October 15, 2012, and the Kunsthal in Rotterdam is buzzing with excitement over the Avant Garde exhibition showcasing the stunning Triton Foundation collection. But hold on to your paintbrushes, because that very night, two not-so-masterful thieves break in through a back door and make off with seven priceless masterpieces, including works by the likes of Picasso and Matisse! We're talking about a heist worth millions – and spoiler alert, it's not as slick as it sounds. As we unravel this tale, we'll explore the bumbling antics of the crooks, the frantic police investigation, and the shocking twist involving Radu Dogaru's mother burning the evidence in her bathroom heater – yeah, you heard that right! So grab your favorite beverage, kick back, and let's get into the messy, hilarious, and downright outrageous world of art crime!Picture this: it's the fall of 2012 and the Kunsthal in Rotterdam is buzzing with the excitement of the Avant Garde exhibition, showcasing the dazzling collection from the Triton Foundation. The mastermind behind this collection? None other than the fabulously wealthy Willem Cordia, a big-shot collector who's finally decided to reveal all his prized possessions. But hold onto your hats, folks, because just as this glamorous show is in full swing, disaster strikes! In the dead of night, two bumbling thieves break in through a back fire door and in a flash, they've made off with seven priceless pieces, including works by legends like Picasso and Matisse. Talk about a plot twist! So, what do the police do? They throw together a special task force of 25 detectives. That's right, folks, 25! They scour the scene for evidence, only to find minimal clues – just some fingerprints and a couple of footprints. They even check the security footage from the one camera in the gallery. Spoiler alert: the thieves look like they've just walked off a heist film set, moving faster than I can decide what to binge-watch on Netflix. But here's the kicker: as the police chase down leads and sift through over 100 tips, they realize they're up against a wall. The thieves' identities remain a mystery and it seems like the art heist of the century might just slip through their fingers. As the investigation unfolds, we dive deep into the world of art theft, where high stakes, big money, and a sprinkle of chaos reign supreme. The thieves turn out to be not the sophisticated criminals everyone assumed, but rather young Romanians dabbling in petty crime. It's a rollercoaster of a story that leaves us questioning not only the fate of the stolen artworks but the very nature of crime and consequence in the art world. Will the masterpieces resurface? Or have they vanished into the black market forever? This episode is a wild ride through theft, deception, and a touch of dark humor, making you wonder just how far people will go for a piece of art.Takeaways: The Kunsthal Rotterdam hosted the Avant Garde exhibition displaying the Triton Foundation collection, which got stolen during the event. Willem Cordia, a wealthy collector, owned the collection, showcasing it for the first time publicly before the heist occurred. The robbery on October 15-16, 2012, resulted in the theft of seven masterworks, including pieces by Picasso and Matisse, which left the art world in shock. Despite the initial police...

Frédéric Taddeï reçoit Cyrille Sciama, directeur du musée des impressionnismes de Giverny, pour présenter l'exposition de la collection Namad. David Namad, collectionneur et marchand d'art libanais, prête 57 œuvres de 17 artistes, dont Monet et Picasso. Sciamma dévoile les trésors de cette collection, notamment les premières représentations des nénuphars de Monet et des œuvres rares de Gustave Moreau. L'exposition montre l'influence des impressionnistes sur les artistes modernes comme Matisse, Modigliani et Picasso.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

A new week means new questions! Hope you have fun with these!The pointed front end of a surfboard takes its name after what part of the human body?"All That Jazz", "Cell Block Tango", and "Mr. Cellophane" are all songs in what musical?What powerup in Mario Kart, when used, aims directly at the racer in first place?Which artist did Matisse and Picasso call "the father of us all"?What is the official language of Belize?Tanya McQuoid-Hunt was a main character in Season 1 and 2 of HBO's The White Lotus and was played by which actress?Which animal has a simple eye at the end of each of its arms?MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media:Patreon – patreon.com/quizbang – Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website – quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook – @quizbangpodcast – we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram – Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter – @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia – stay for the trivia.Ko-Fi – ko-fi.com/quizbangpod – Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!

he Art Newspaper's annual report on museum visitor figures is out and shows that the slow build-back after the Covid-19 closures is over, and museums are back at what we might consider their “natural level”. Host Ben Luke talks to the co-editor of our report, Lee Cheshire, about what that means, and who were last year's big winners and losers. A new exhibition at the museum in the former London home of the 19th-century designer, socialist activist and writer, William Morris, looks at his ubiquity in the 21st century. Our associate digital editor, Alexander Morrison, visits Morris Mania, as the show is called, and talks to the William Morris Gallery's director Hadrian Garrard. And this episode's Work of the Week is a painting made in the winter of 1906 to 1907 by Henri Matisse. It depicts his daughter, Marguerite, and is a highlight of a show at the Musée d'Art Moderne de Paris, called Matisse and Marguerite: Through her Father's Eyes. Ben Luke discusses the painting and its subject with Charlotte Barat-Mabille, one of the curators of the exhibition.Morris Mania, William Morris Gallery, London, 5 April-21 SeptemberMatisse and Marguerite: Through Her Father's Eyes, Musée d'Art Moderne de Paris, until 24 August 2025Subscription offer: enjoy a three-month digital subscription to The Art Newspaper for just £3/$3/€3. Get unrestricted access to the website and app, including all digital monthly editions dating back to 2012. Subscribe here: https://www.theartnewspaper.com/subscriptions-3FOR3?utm_source=podcast&promocode=3FOR3 Hosted on Acast. See acast.com/privacy for more information.

The artist Degas suffered retina disease for the last fifty years of his life, switching from paint to pastel because the chalk lines were easier to see. Renoir had to have brushes placed between his fingers when arthritis made them clench like claws; and when surgery left Matisse immobile, he turned to collage, directing assistants to attach colored pieces of paper to a larger sheet on the wall. What followed in each case was a creative breakthrough: Degas’s Blue Dancers, Renoir’s Girls at the Piano, Matisse’s The Sorrows of the King, and other masterpieces. By adapting to their trial, beauty emerged from their infirmity. In a similar way, Paul wasn’t planning to visit Galatia during his early missionary journeys. An illness forced him there (Galatians 4:13). Whether it was the illness he mentions in 2 Corinthians 12:7, an eye problem (Galatians 4:15), or something else, we don’t know. But Paul sought a different climate, wound up in Galatia and, even though he was ill, started preaching. Ironically, the Holy Spirit performed miracles through him (3:2–5) and the Galatian church was born. This surprising outcome may never have happened without Paul’s illness. What trial have you faced, and how did it change the direction of your life? By refocusing your gifts, you too may see God bring beauty out of your infirmity.

2 mil 373 trabajadores laboran en el programa Bachetón “La revolución impresionista: de Monet a Matisse” en Bellas ArtesHamás acepta nueva oferta para una tregua en la Franja de GazaMás información en nuestro Podcast

Faye Toogood is perhaps best known for her Roly-Poly chair, among the more famous pieces of furniture to come out of the 2010s and take over the zeitgeist, but the London-based designer's artistry and craft runs much deeper and spans much wider. She began finding, collecting, cataloging, producing, and editing her “assemblages” long before she ever had a name for them, and her design career has been marked by exactly that, beginning with the debut of Assemblage 1 (2010) and through to her latest, Assemblage 8: Palette (2024). On the whole, Toogood's creations serve as material investigations and discipline-defying attempts to better understand herself. Without formal training in design, Toogood—who was the Designer of the Year at the Maison&Objet design fair in Paris this past January and the Stockholm Furniture Fair's Guest of Honor in February—uses what she describes as the feeling of being “a fraud in the room” to her advantage. Through her work, she is an enigma; with projects across furniture, interiors, fashion, and homewares, she's unwilling to be defined by a single output and has instead built a multilayered practice and belief system that allows her to be “all heart and hands.” On this week's Time Sensitive—our debut of Season 11—Toogood talks about the acts of creation and connection, and how each underscores the enduring play that's ever-present in her work.Special thanks to our Season 11 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Faye ToogoodToogood[3:49] Assemblage 1[7:43] Assemblage 7[13:28] Seamus Heaney[14:50] Isamu Noguchi[14:50] Kan Yasuda[17:23] Roly-Poly chair[18:06] Rachel Whiteread[20:07] Barbara Hepworth Museum and Sculpture Garden[22:45] Matisse Chapel[25:40] “Ways of Seeing”[29:57] “Womanifesto!”[36:55] Assemblage 8[52:17] “The World of Interiors”

Send us a textOn this edition of The Brief Case, presented by Spirit Mountain Casino, Trail Blazers beat reporter/Insider Casey Holdahl discusses...• The Trail Blazers breaking a five-game losing streak with back-to-back wins versus the Raptors and Wizards• What to make of both Toronto and Washington deciding to sit players that started the game• Matisse Thybulle getting his first action of the season after sitting out the last year• Other injury non-updates• Trying to figure out which team -- the Mavs, the Suns or the Trail Blazers -- has the best path to claiming the last spot in the Play-In Tournament• Portland being 39-29-1 versus the spread this season

Lorenzo Gnata"Cosmogonie"DesignElementi Gaggenau, Milanohttp://www.designelementi.it/http://www.amanutricresci.com/cramum/In occasione del lancio del nuovo centro di refrigerazione Expressive, Gaggenau e Cramum presentano "Cosmogonie", la prima mostra personale a Milano del giovane enfant prodige Lorenzo Gnata. Selezionato dal curatore e direttore creativo Sabino Maria Frassà, Gnata si distingue per la sua straordinaria capacità di fondere tecnica ed espressività, tecnologia e natura, luce e ombra, trasformando il disegno in una vera e propria scultura nello spazio. "Cosmogonie" rappresenta un vero e proprio viaggio visivo che esplora l'incontro tra arte e design, in un dialogo continuo tra forme e materia, dove l'innovazione tecnologica si intreccia con una profonda ricerca estetica. Fino al 17 luglio 2025, il pubblico sarà invitato a immergersi nei mondi visionari di Gnata, classe 1997, in un percorso che indaga la complessa relazione tra essere umano, tecnica e futuro. In questa mostra, luce, ombra e nero assumono il ruolo di protagonisti assoluti, fondendosi armoniosamente con l'iconico design del nuovo elemento firmato Gaggenau e con le imponenti installazioni dell'artista piemontese. Il risultato è un dialogo visivo di forte impatto e raffinata intensità, capace di offrire un'esperienza immersiva che invita a riflettere sulle connessioni profonde tra l'uomo, la tecnologia e il suo ambiente. La compenetrazione tra natura e tecnologia, cuore della pratica artistica di Gnata, emerge con forza lungo il percorso espositivo attraverso una serie di opere realizzate con la sua inconfondibile tecnica di disegno 3D organico e “aerospaziale”. "Con un approccio sofisticato e concettuale", evidenzia Frassà "Gnata rielabora i grandi capolavori del passato—da Melencolia I di Dürer (1514) a La Danza di Matisse (1910), fino alla pittura metafisica di Giorgio de Chirico con i manichini de Le Muse inquietanti(1917)—dando vita a universi in cui la fusione tra elementi organici e industriali si trasforma in un dialogo visivo potente e innovativo, capace di esplorare nuove possibilità di coesistenza tra l'uomo e il suo ambiente". Il bagaglio del passato si fonde, nell'opera di Gnata, con spunti derivanti da studi recenti, tra cui l'idea di responso-abilità di Donna Haraway e il concetto di resilienza organica di Anna Tsing. Il risultato è un'installazione artisticache si espande e si insinua in ogni angolo dello spazio, dialogando con gli elementi distintivi del design del brand tedesco, espressione di un'eccellenza tecnica e di un raffinato ingegno umano. In questo continuo scambio tra opera e ambiente, Cosmogonie si trasforma in una potente metafora visiva della resilienza, intesa non solo come principio fondante della nostra esistenza, ma come chiave dell'ordine stesso che regge il mondo. "Con Cosmogonie," spiega il curatore della mostra Sabino Maria Frassà, "Lorenzo Gnata, più che dominare il caos di forme e significati che ci circonda, lo abita e lo celebra, riconoscendo nell'interconnessione tra tutte le forme di vita e pensiero l'unico vero ordine possibile. Potremmo definire il suo gesto artistico con il neologismo 'bucantropico', che esprime il suo tentativo di dar vita a una pastorale umanizzata, in cui la dimensione naturale, rurale e idilliaca si fonde con tratti umani, generando un dialogo continuo tra materia e pensiero. Ci troviamo di fronte a una forma di panismo radicale, inteso come ultima possibilità per l'essere umano di sopravvivere a se stesso—un manifesto per un futuro condiviso e aperto, una cosmogonia tentacolare e rizomatica, capace di attingere al passato senza rimanere intrappolata in un presente claustrofobico." L'artista ci invita così a immaginare nuovi scenari, in cui la coesistenza collaborativa e partecipativa diventa il motore dell'evoluzione e delle possibilità future. Le sue opere si sviluppano come formazioni rizomatiche, espandendosi nello spazio e suggerendo una visione in cui la rinascita si compie attraverso ibridazione e contaminazione creativa. "La mostra è la prosecuzione di un percorso di collaborazione con il mondo dell'arte che ci sta dando grandi soddisfazioni," conclude Mistral Accorsi, Product & Brand Communication Manager di Gaggenau. “Le affinità tra la ricerca di design che distingue da sempre il marchio Gaggenau e le espressioni dell'arte contemporanea fanno sì che le esposizioni trasformino i nostri showroom in incubatori di contaminazioni creative, dando vita a esperienze culturali inedite e valorizzanti. Gli elementi di design e le installazioni d'arte non solo convivono, ma interagiscono e dialogano tra loro su frequenze che generano connessioni, ispirano idee e suscitano emozioni.”Lorenzo Gnata è nato a Biella nel 1997. Ha conseguito nel 2022 il diploma accademico di II livello in Pittura, presso l'Accademia Albertina di Belle Arti di Torino, diplomandosi col massimo dei voti. Attualmente vive e lavora a Cossato, in provincia di Biella.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.it Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

How did a Wall Street career lead to an art empire? What's the secret to overcoming doubts and building a thriving creative business? In Episode 230 of Late Boomers, Cathy and Merry sit down with Miriam Schulman, an art business coach, podcast host, and author, to uncover her inspiring journey from finance to fine art. Miriam shares her "belief triad" for success, debunks money myths, and reveals why email marketing trumps social media. Plus, get her top tips on pricing art and building a personal brand.Miriam SchulmanMiriam Schulman is an artist and founder of The Inspiration Place. Through her online classes, business coaching programs, and popular podcast, she's helped thousands of artists around the world develop their skill sets and create more time and freedom to do what they love by teaching them how to go from "so-so" sales to "sold-out" collections.After witnessing 9/11, she left a lucrative hedge fund job to focus on her art full time. Since then, Miriam and her art have been featured in major publications including Forbes, The New York Times, What Women Create, Art of Man, Professional Artist magazine, and Art Journaling magazine. Her artwork has also been featured on NBC's “Parenthood” and the Amazon series “Hunters” with Al Pacino. You'll find her best-selling book with HarperCollins Leadership, Artpreneur, The Step by Step Guide to Making a Sustainable Living as an Artist, wherever books are sold.When not working in her studio, she splits her time between New York City and a farmhouse in the country.Connect with MiriamMiriam's book: Artpreneur: The Step-by-Step Guide to Making a Sustainable Living From Your CreativityMiriam's podcast: The Inspiration Place (SchulmanArt.com/iTUNES)Website: https://www.schulmanart.com/YouTube: https://www.youtube.com/@schulmanartFacebook: https://www.facebook.com/schulmanart/Instagram: https://www.instagram.com/schulmanart/

Christophe est le papa de Matisse, un jeune garçon de 15 ans qui a trouvé la mort après avoir été poignardé à plusieurs reprises en avril 2024 par un ado du même âge. Sa mort avait suscité une vive émotion dans notre pays. Aujourd'hui, Christophe s'installe au micro de Maître Geiger et revient sur ce drame. Que s'est-il vraiment passé ? Où en est l'enquête ? Qu'attend ce papa courageux du procès qui arrive ? Un témoignage très touchant.Maître Marc Geiger est avocat pénaliste au barreau de Carpentras. Vous pouvez le retrouver régulièrement aux côtés de Faustine Bollaert dans Ça commence aujourd'hui sur France 2. Sa bienveillance, son humanité en font une personnalité à part dans le monde judiciaire. L'enfance, la justice : deux mondes qui ne devraient jamais se croiser. Pour cette nouvelle saison Marc Geiger rencontre 10 enfants devenus adultes, peut-être trop vite... Ils ont connu l'horreur du crime, le cauchemar du monde de la justice, et l'enfer de l'après.Retrouvez Marc Geiger sur Instagram : @marc.geiger.336Une production Réservoir Prod / Médiawan / France Télévision Retrouvez également Marc Geiger dans Ça commence aujourd'hui en vidéo sur france·tv : https://www.france.tv/france-2/ca-commence-aujourd-hui/

Chelsea fans have seen enough. Chelsea FC are sinking further down the Premier League table and Chelsea fans are arranging a protest for the next home game vs Southampton at Stamford Bridge next week. Chelsea's ownership model has left Chelsea with serious concerns with many fans believing that without these owners selling Chelsea, we may never be a successful football club again... Subscribe to Matisse -  @matissearmani  MORE GBFC -  @MoreGBFC 

The Martin Garrix Show #545Mix 11. Lost Frequencies - Love Is The Only Thing (Deluxe Mix) [SONY]2. Robby East - Into The Flames feat. ALLKNIGHT 3. BLONDISH - Self Love [INSOMNIAC]4. Edd - Every Morning (Todd Terry Dub Mix) [HELIX RECORDS]5. Genesi, Meduza - Run [DIYNAMIC MUSIC]6. Jay Robinson & Scrufizzer - PRT [NIGHT BASS]7. Matroda - About To Lose It [TERMINAL UNDERGROUND]8. Funkin Matt - Super Soaker [HELDEEP]9. Goodboys & KREAM - Paradise [TOMORROWLAND MUSIC]Mix 210. Avicii feat. Sandro Cavazza - Forever Yours (Tim's 2016 Ibiza Version) [UMG]11. Martin Garrix & Jay Hardway - Registration Code [SPINNIN]12. CLUB 909 - Dance With Me [ETERNAL NIGHTS]13. Merow feat. Felix Samuel - Fading Lights [STMPD RCRDS]14. Nicky Romero x David Guetta - Shout [PROTOCOL]15. NOME. feat. Kris Kiss - Arsonist [STMPD RCRDS]16. Martin Garrix & Matisse & Sadko - Break Through The Silence [SPINNIN]17. Martin Garrix & Jex - Told You So (Skytech Remix) [STMPD RCRDS/CASABLANCA]A weekly selection of tracks that I love to listen to at home or play out at a party. New episodes uploaded weekly

In this episode, Mark Baratto sits down with entrepreneur Kirby Myers. We dive into how she started her business, the ways she balances charity work with her marriage and family, and how she still finds time to relax amidst it all. More on Kirby's Closet Kirby's Closet is a women's boutique serving up Tropical Glam in the heart of downtown Key West. The boutique is bursting with bright, fun, and unique clothing encouraging you to “Dress Happy.” Inside the Closet, there's a little something for everyone—all at an affordable price—and you'll always be welcomed with a smile. Kirby carries the fun and fabulous Never Fully Dressed line from the UK, which offers an amazing selection of clothing in sizes 2–16. Another UK label, Dancing Leopard, is known for its comfort and style, and Kirby also offers their inclusive sizing range. She also showcases the vintage-inspired Flying Tomato line from Los Angeles, a variety of Matisse shoes, basics like bodysuits and bralettes, as well as handmade Kimonos and Kaftans. Plus, there's a delightful selection of local artists featured: soaps and lotions from Always Summer, custom Closet candles by BellaLaine Art, and charming greeting cards by Whimsy Key West and Kassy Burnette. Stop by during regular boutique hours or book your own private personal styling session or group shopping party. Trust us, you'll want to stay awhile… Connect with Kirby Online Website: KirbysCloset.com Instagram: @KirbysClosetKW Facebook: Facebook.com/KirbysClosetKW  

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

The Martin Garrix Show #541Mix 11. Ollie Red - UK Keys [D'EAUPE]2. Luis Torres & Alkemy - No Turning Back [FUTURE HOUSE MUSIC]3. Gabriele Ranucci - No Pain No Gain [D'EAUPE]4. SUBSHIFT & POLOVICH - Vibin' [THE MYTH OF NYX]5. Matroda - Good Girls [TERMINAL UNDERGROUND]6. Valentino Khan - The Sound [VK MUSIC]7. Voltech - Jump [CONTROVERSIA]8. John Summit - Focus feat. CLOVES [EXPERTS ONLY]9. Martin Garrix & Jex - Told You So (Agents Of Time Remix) [STMPD/CASABLANCA]Mix 210. LUPO.THEBOY - Paris [LOVE CLVB]11. Steve Angello, Modern Tales - Darkness In Me [SIZE/ASTRALWERKS]12. Valentino Khan feat. NoMe - Magnetic [VK MUSIC]13. Lavern - Into The Lights [UMG]14.  MORTEN & David Guetta - Night In Detroit [FUTURE RAVE]15. RetroVision - Can You Feel It [STMPD RCRDS]16. Matisse & Sadko - Himalaya [STMPD RCRDS]17. Martin Garrix & Sem Vox feat. Jaimes - Gravity [STMPD RCRDS]A weekly selection of tracks that I love to listen to at home or play out at a party. New episodes uploaded weekly

In This Weeks FCM, Matisse & Anita Join Mayowa To Discuss The WORST Man Utd Team Ever? Nunez DAGGER, Arteta Failing? Chelsea THERAPY & More... Learn more about your ad choices. Visit podcastchoices.com/adchoices

durée : 00:05:27 - Le Journal de l'éco - par : Anne-Laure Chouin - Tous les ans, des milliers d'œuvres tombent dans le domaine public. C'est le cas cette année de celles d'Henri Matisse. L'œuvre du peintre est entrée sur un nouveau marché : celui de la commercialisation d'œuvre du domaine public.

Support Breaking Walls at https://www.patreon.com/thewallbreakers The weather on Monday January 9th, 1956 warmed throughout the day. It hit forty degrees Fahrenheit by nightfall. The front cover of The New York Daily News featured a photo of patrolman Ray Cusack, who rescued many children from a fire in Hempstead, New York. Dwight Eisenhower was still undecided on whether or not to seek a second term, while Democrat hopeful Adlai Stevenson claimed Ike's recent State of the Union Address was merely a veiled State on the Republican party. Meanwhile the families of both US diplomats and UN officials fled from the Jordanian sector of Jerusalem after violent anti-western riots broke out for the second day in a row. If you turned on your radio at 8:15PM eastern time, you'd have heard a Boston Symphony concert on NBC, and Metropolitan Opera auditions on ABC. WOR aired True Detective, but if you wanted the best in radio detective fiction you'd have turned on CBS, where Bob Bailey was starring in Jack Johnstone's production of Yours Truly Johnny Dollar, written by E. Jack Neuman. The prison where Vance served time is Sing Sing, originally opening in Ossining, New York in 1825. Among the executions in their electric chair were Julius and Ethel Rosenberg, on June 19th, 1953, for Soviet espionage. A good mink coat cost about twenty-five-hundred dollars in 1956. Both Orin Vance and Don Freed were voiced by Lawrence Dobkin. By 1956 Dobkin was a radio legend with experience in both New York and Hollywood. The Westin Hotel Chain was launched in 1930 by Severt W. Thurston and Frank Dupar as Western Hotels. They were the first hotel chain to introduce credit cards in 1946. Today the chain, called Westin since 1981, is owned and operated by Mariott. There are Westin Hotels in both the Times Square and Grand Central area. In January of 1956, 57th street was home to various art exhibitions like Kay Sage's surrealist paintings at the Catherine Viviano gallery, a contemporary Greek Art exhibition at Sagittarius gallery, a European group show at the Matisse gallery, and art and artifacts of various Central African tribes at 57th and Lexington. The Sutton theater, also on 57th street, was showing The Night My Number Came Up starring Michael Redgrave and Sheila Sim. Gloria Tierney's fictional apartment at 1231 East 57th is an impossibility. The address would put it in the East River.

The Martin Garrix Show #5391. Mesto & Vluarr - Over Soon [STMPD RCRDS]2. Lavern - Love The Time [STMPD RCRDS]3. Justin Mylo & Vluarr - So Close [STMPD RCRDS]4. Julian Jordan feat. Mingue - Bon Voyage [STMPD RCRDS]5. Mike Williams & Vluarr - High Enough [STMPD RCRDS]6. Martin Garrix & DubVision feat. Jaimes - Empty [STMPD RCRDS]7. DubVision & Afrojack - Underwater [STMPD RCRDS]8. Third Party - Believe [STMPD RCRDS]9. NUZB & Merow - Anywhere With You [STMPD RCRDS]10. Matisse & Sadko & Sentinel - Once Again [STMPD RCRDS]11. Agdem - Samdo [STMPD RCRDS]12. Lavern - In My Mind [STMPD RCRDS]13. Vluarr & Crime Zcene - Lunacy [STMPD RCRDS]14. Eleganto - Does It Seem [STMPD RCRDS]15. Blinders - TRGGERED [STMPD RCRDS]16. Julian Jordan - I DONT KNOW [STMPD RCRDS]17. RetroVision - Can You Feel It [STMPD RCRDS]18. Sikdope & Blinders - VAMP [STMPD RCRDS] 19. Vluarr & Merow - Control [STMPD RCRDS]20. Dillon Francis & Julian Jordan - The Sound [STMPD RCRDS]21. Merow - The Moshpit [STMPD RCRDS]22. CMC$, MALARKEY, YTRAM - I Don't Know Your Name (The Wire) [STMPD RCRDS]A weekly selection of tracks that I love to listen to at home or play out at a party. New episodes uploaded weekly

In most regions of the United States, RSV season starts in the fall and peaks in the winter. In September 2023, the ACOG released a Practice Advisory recommending a single dose of Pfizer's RSV vaccine (Abrysvo) for eligible pregnant individuals between 32 0/7 and 36 6/7 weeks of gestation who do not have a planned delivery within 2 weeks, using seasonal administration, to prevent RSV lower respiratory tract infection (LRTI) in infants. This is recommended from September to January. Currently, the US recommendation is for this to be given once, with subsequent deliveries receiving neonatal Beyfortus in RSV season. The recommendation from NICE is to have this vaccination with every pregnancy. The prescribing information for Abrysvo includes a warning to inform patients that a numerical imbalance in preterm births in Abrysvo recipients (5.7%) occurred compared to those who received placebo (4.7%). This imbalance was only seen in trial participants residing in low- to middle-income countries with no temporal association to vaccination or association with other adverse events in the mother or the newborn. Now, that phase 3 clinical data has gone through peer review and is a new publication. This is the MATISSE global study and will be officially published in the Green Journal February 2025…but we will summarize the results NOW in this episode! Listen in for details.

After basking in the glow of a two game winning streak (the Blazers will never lose again, we're certain) we go over some of the things that we manifested for the team at the beginning of the season. We might be making progress! Plus, Scoot's game winner in front of his biggest fan, Greg Oden returns to Moda Center, Matisse might live at Moda Center and will the Blazers be able to make any trades? 1:00 Scoot makes children's dreams come true - an eyewitness report on Scoot's game winner  19:45 Early Nate Bjorkgren era thoughts 28:00 Ways that Deandre Ayton could be impactful with the younger players 36:00 Revisiting some of the things we said we were going to manifest this season:  Greg Oden being as big man coach (a bit of background on his journey) 44:00 Backwards dunks for Donovan Clingan 45:15 Anfernee trash talking 47:50 Scoot slowing down on offense 54:00 Jabari Walker's uniform on the website, health and playing time for Shaedon Sharpe and Robert Williams 55:00 Matisse Thybulle making the Moda Center his home home.  Ryan Rupert handle and reduced reliance on Eurostep 59:55 Jermai Grant topic of discussion for his play rather than his fashion. Will the Blazers be able to trade him this season?  1:05 Outlet passes 1:14:00 Takes

The Martin Garrix Show #536Mix 11. GREG, Luke Drash - Under Artists [TERMINAL UNDERGROUND]2. Vintage Culture, Roddy Lima - Analog Ascent [VINTAGE CULTURE]3. Matt Sassari, HUGEL feat. Sonique - It Feels So Good [Cr2 RECORDS]4. Sunnery James & Ryan Marciano - Disto [ARMADA]5. D.O.D - Reach For You [ARMADA]6. Chapter & Verse - Regulate [HELIX RECORDS] (edit)7. Bolier & Voost - Renegade [THE MYTH OF NYX]8. The Stickmen Project x Jonasu - More Party [NITRON/SONY9. YTRAM & Elderbrook – Fire [SONY/STMPD RCRDS]Mix 210. Megisto – Bad Boy [STMPD RCRDS]11. Rbør, Simo Moumen - Never Go Back [FUTURE RAVE] (edit)12. Fonzerelli x Kryder - Moonlight Party [BLACK HOLE RECORDINGS]13. Martin Garrix & Blinders - Aurora [STMPD RCRDS]14. Martin Garrix & Dean Lewis - Used To Love (SWACQ Remix) [SONY/STMPD RCRDS]15. Martin Garrix & Matisse & Sadko - Forever [SONY/STMPD RCRDS]16. Julian Jordan & Nouni - NEVER STOPPIN' (PRINSI Remix) [STMPD RCRDS]17. Repiet - Better Way [VIRGIN]18. Matisse & Sadko - Himalaya [STMPD RCRDS]A weekly selection of tracks that I love to listen to at home or play out at a party. New episodes uploaded weekly.