Podcasts about ridley scott blade runner

Dámy a přátelé, nová epizoda je venku a tentokrát se můžeš těšit na něco trochu jiného… Hollywood je paralyzován stávkami a my zažíváme filmové sucho. Proto jsme se tentokrát rozhodli rozpitvat filmovou tvorbu Ridleyho Scotta a doporučit vám tři filmy, které máme pro změnu rádi. Čeká vás pokec o: Blade Runner

Notes:Fable reads a definition of thriller. Here is that definition:Thriller: A fast-paced, gripping, plot-centered story…usually the protagonist is in danger from the outset. These fast-paced stories typically involve major threats…and the attempts to prevent something from occurring. Common elements: faster pace, action scenes, plot twists, prominent villain, “ticking clock” timing. - “What's the difference between Suspense, Thriller and Action Adventure?” by Liz SchriftstellerHere are some articles and videos that we found helpful in preparation for this conversation:Masterclass Dan Brown Article - “Writing 101: What Is the Thriller Genre? Definitions and Examples of Thriller in Literature” Masterclass Article - “What Is a Red Herring in Writing? Definition of Red Herring with Examples” “Jordan Peele's Advice on Writing Thrillers” – Get Out - YouTube Video “How to Write a Contained Thriller” by Tyler Mowery - YouTube Video “A Classic Alfred Hitchcock Plot Structure Device For Screenwriters” by Michael Hauge - YouTube Video “How To Write A Thriller” - Tom Bradby gives four top tips on how to write a thriller - YouTube Video “How Knives Out Switches Genres (Twice)” by Just Write - You Tube VideoThe Invisible Ink Blog Article - “Superior Position” by Brian McDonaldReedsy Blog - “How to Write a Thriller in 7 Heart-Stopping Steps” Fable references a quote from an interview with director Alfred Hitchcock, where he compares surprise and suspense. Here is that full quote:There is a distinct difference between ‘suspense' and ‘surprise,' and yet many pictures continually confuse the two. I'll explain what I mean. . We are now having a very innocent little chat. Let's suppose that there is a bomb underneath this table between us. Nothing happens, and then all of a sudden, ‘Boom!' There is an explosion. The public is surprised, but prior to this surprise, it has seen an absolutely ordinary scene, of no special consequence. Now, let us take a suspense situation. The bomb is underneath the table and the public knows it, probably because they have seen the anarchist place it there. The public is aware the bomb is going to explode at one o'clock and there is a clock in the decor. The public can see that it is a quarter to one. In these conditions, the same innocuous conversation becomes fascinating because the public is participating in the scene. The audience is longing to warn the characters on the screen: ‘You shouldn't be talking about such trivial matters. There is a bomb beneath you and it is about to explode!' . In the first case we have given the public fifteen seconds of surprise at the moment of the explosion. In the second we have provided them with fifteen minutes of suspense. The conclusion is that whenever possible the public must be informed. Except when the surprise is a twist, that is, when the unexpected ending is, in itself, the highlight of the story."We touch on several of our previous podcast episodes. They are as follows:Episode 60: Let's talk about mysteries Episode 106: Adventure stories (part 1)Episode 107: Adventure stories (part 2)In this episode, we also reference two classes from Masterclass. Those are:Dan Brown Teaches Writing ThrillersDavid Baldacci Teaches Mystery and Thriller WritingBooks & Movies Mentioned:24 Season 1The Hunger Games by Suzanne CollinsMexican Gothic by Silvia Moreno-GarciaRebecca by Daphne Du Maurier And Then There Were None by Agatha ChristieGet Out – Directed by Jordan Peele The Pelican Brief – Directed by Alan J. Pakula The Pelican Brief by John Grisham The Client – Directed by Joel SchumacherRunaway Jury by John GrishamRunaway Jury – Directed by Gary FlederThe Bourne Identity by Robert LudlumThe Bourne Trilogy - Directed by Doug Liman / Paul GreengrassTinker, Tailor, Soldier, Spy: A George Smiley Novel by John le Carré Tinker, Tailor, Soldier, Spy – Directed by Tomas Alfredson Mission: Impossible – 6 Movie Collection Casino Royale – Directed Martin Campbell Memento – Directed by Christopher Nolan Ex-Machina – Directed by Alex GarlandGone Girl – Directed by David Fincher Gone Girl by Gillian Flynn Knives Out – Directed by Rian Johnson Blade Runner - Directed by Ridley Scott Blade Runner 2049 - Directed by Denis VilleneuveThe Maze Runner Series Complete Collection Boxed Set (5-Book) by James Dashner The Maze Runner – Directed by Wes BallSix of Crows by Leigh Bardugo Caraval by Stephanie Garber The Silence of the Lambs (Hannibal Lecter Book 2) by Thomas Harris The Silence of the Lambs – Directed by Jonathan DemmeMusic from: https://filmmusic.io 'Friendly day' by Kevin MacLeod (https://incompetech.com) Licence: CC BY (https://creativecommons.org/licenses/by/4.0/)

Chronique "La Photo de Romeo" : parlons photo & video avec Romeo. Aujourd'hui, Romeo revient sur le film de Ridley Scott "Blade Runner" sorti en 1982.https://www.instagram.com/laphotoderomeo/ ◢◢◢◢◢◢◢◢◢◢◢◢◢◢◢◢◢◢◢ StereoChic Radio est une association, Vous pouvez soutenir notre projet et l'aider à le faire grandir en devenant membre pour 2 € par mois. CA NOUS SERA D'UNE AIDE PRECISEUSE. Merci !association/stereochic/adhesions/ 

Its very rare that we get to do two such seminal works of a genre! This week we get that lucky and get to examine two of the best films of their decade in the genre of Science Fiction! First up we tackle the seminal work of Stanley Kubrick that takes a look at the future which is now our past in 2001: A Space Odyssey. Following that we hop in a floating police cruiser and take a trip to 2019 and examines the concept of what it is to be human in the 1982 classic by Ridley Scott Blade Runner! Spoiler Alert: The future or past is a very depressing place that seems to have just as many problems as now!

On this second part of a three part series, host Edward Havens continues to discuss favorite 80s movies, the state of streaming services today, religion, books, movie theatres, wrestling and so much more with his brother-in-law, Ph. D. student Michael Hourigan. ----more---- Amongst the movies discussed during this episode: Blade Runner (1982, Ridley Scott) Blade Runner 2049 (2017, Denis Villeneuve) The Breakfast Club (1985, John Hughes) Bull Durham (1988, Ron Shelton) The Color of Money (1986, Martin Scorsese) Diner (1982, Barry Levinson) The Empire Strikes Back (1980, Irvin Kershner) Ferris Bueller's Day Off (1986, John Hughes) Garden State (2004, Zack Braff) Indiana Jones and the Kingdom of the Crystal Skull (2008, Steven Spielberg) Indiana Jones and the Temple of Doom (1984, Steven Spielberg) Mad Max: Fury Road (2015, George Miller) Mission: Impossible 2 (2000, John Woo) Pineapple Express (2008, David Gordon Green) Raiders of the Lost Ark (1981, Steven Spielberg) St. Elmo's Fire (1985, Joel Schumacher) Star Wars (1977, George Lucas) Untitled Furiosa Prequel (2023, George Miller) Used Cars (1980, Robert Zemeckis)

On this second part of a three part series, host Edward Havens continues to discuss favorite 80s movies, the state of streaming services today, religion, books, movie theatres, wrestling and so much more with his brother-in-law, Ph. D. student Michael Hourigan. ----more---- Amongst the movies discussed during this episode: Blade Runner (1982, Ridley Scott) Blade Runner 2049 (2017, Denis Villeneuve) The Breakfast Club (1985, John Hughes) Bull Durham (1988, Ron Shelton) The Color of Money (1986, Martin Scorsese) Diner (1982, Barry Levinson) The Empire Strikes Back (1980, Irvin Kershner) Ferris Bueller's Day Off (1986, John Hughes) Garden State (2004, Zack Braff) Indiana Jones and the Kingdom of the Crystal Skull (2008, Steven Spielberg) Indiana Jones and the Temple of Doom (1984, Steven Spielberg) Mad Max: Fury Road (2015, George Miller) Mission: Impossible 2 (2000, John Woo) Pineapple Express (2008, David Gordon Green) Raiders of the Lost Ark (1981, Steven Spielberg) St. Elmo's Fire (1985, Joel Schumacher) Star Wars (1977, George Lucas) Untitled Furiosa Prequel (2023, George Miller) Used Cars (1980, Robert Zemeckis)

01. The police - Spirits in the material world, 1981 / The Police - Walking in the moon, 1981 / Soda Stereo - Moiré, 1995 02. Tristan Perich - Noise Patterns section 1 / Max Headroom, compendio de frases 03. Ridley Scott - Blade Runner, Escena donde Deckard conoce a Rachel / Steve Reich - Pendulum 04. Gustavo Prado - Kurzweil: el profeta del futuro !Robots! TRENDO / Laurie Spiegel - The Expanding Universe álbum, 1980 05. Marco Martínez - La singularidad el precedente del missing no. 2015 / Donna Summer - I feel love, 1977 --- Send in a voice message: https://anchor.fm/dominiopublico/message

Pela terceira vez aqui no nosso podcast, trouxemos um convidado ilustríssimo para atacar um tema quente: o clássico do Ridley Scott Blade Runner (1982) assim como sua continuação dirigida pelo Denis Villeneuve, Blade Runner 2049 (2017). Indicações da semana (47:40): Ghost in the Shell (Mamoru Oshii, 1995) O Farol (Robert Eggers, 2019) Alien (Ridley Scott, 1979) Cubo (Vincenzo Natali, 1997) Produção e Edição: Élis Estúdios Para contato, dúvidas e sugestões, estamos disponíveis nos endereços: supercuts.pod@gmail.com twitter.com/supercutspod instagram.com/supercutspod facebook.com/supercutspod

tracklist comizio 270:..Pier Paolo Pasolini - Comizi D'Amore..Antonio Pietrangeli - Io La Conoscevo Bene..Wow - Come La Notte..Mario Monicelli - La Ragazza Con La Pistola..Z. N. R. - Solo Un Dia..Valerio Zurlini - La Prima Notte Di Quiete..Sandro Perri - Floriana..Federico Fellini - 8 1/2..The Cinematic Orchestra - Wait For Now/Leave The World..Ridley Scott - Blade Runner..Unkle - Requiem (When You Talk Love)..Valerio Zurlini - La Prima Notte Di Quiete..Burnt Friedman - Berlin, A Cidade Que Não Morreu..Valerio Zurlini - La Prima Notte Di Quiete..Jean Luc Godard - 2 o 3 cose che so di lei..GDG Modern Trio - X-Rated

tracklist comizio 270:..Pier Paolo Pasolini - Comizi D’Amore..Antonio Pietrangeli - Io La Conoscevo Bene..Wow - Come La Notte..Mario Monicelli - La Ragazza Con La Pistola..Z. N. R. - Solo Un Dia..Valerio Zurlini - La Prima Notte Di Quiete..Sandro Perri - Floriana..Federico Fellini - 8 1/2..The Cinematic Orchestra - Wait For Now/Leave The World..Ridley Scott - Blade Runner..Unkle - Requiem (When You Talk Love)..Valerio Zurlini - La Prima Notte Di Quiete..Burnt Friedman - Berlin, A Cidade Que Não Morreu..Valerio Zurlini - La Prima Notte Di Quiete..Jean Luc Godard - 2 o 3 cose che so di lei..GDG Modern Trio - X-Rated

tracklist comizio 270:..Pier Paolo Pasolini - Comizi D’Amore..Antonio Pietrangeli - Io La Conoscevo Bene..Wow - Come La Notte..Mario Monicelli - La Ragazza Con La Pistola..Z. N. R. - Solo Un Dia..Valerio Zurlini - La Prima Notte Di Quiete..Sandro Perri - Floriana..Federico Fellini - 8 1/2..The Cinematic Orchestra - Wait For Now/Leave The World..Ridley Scott - Blade Runner..Unkle - Requiem (When You Talk Love)..Valerio Zurlini - La Prima Notte Di Quiete..Burnt Friedman - Berlin, A Cidade Que Não Morreu..Valerio Zurlini - La Prima Notte Di Quiete..Jean Luc Godard - 2 o 3 cose che so di lei..GDG Modern Trio - X-Rated

Academy Award-nominated director Ridley Scott (Blade Runner, Black Hawk Down, The Martian) joins me on the podcast to discuss how he saved his movie ALL THE MONEY IN THE WORLD from the Kevin Spacey scandal by making the unprecedented decision to recast the role with the legendary Christopher Plummer and reshoot much of the film just 6 weeks before it hits theaters.  He talks about the late billionaire J. Paul Getty, why the richest man in the world refused to pay his own grandsons’ ransom, and what the oil magnate’s heirs have had to say about the film.  Then actor Charlie Plummer (Boardwalk Empire, The Dinner), who plays Getty's kidnapped grandson talks about the unimaginable wealth and privilege that came with being a Getty and what it was like to re-enact the gruesome moment when the real-life John Paul Getty III got his ear chopped off. ALL THE MONEY IN THE WORLD opens in theatres on Christmas day 12/25.  To find out more visit www.allthemoney-movie.com.  Today's episode is sponsored by Grasshopper.  Please subscribe to Kickass News on Apple Podcasts and take our listener survey at www.podcastlistener.com/KICK.

"Stupid people ruin shit." --George As part of our exploration of all things Blade Runner, the Busy Dads take a solid look at the new sequel to the cult classic.  What does a movie like Blade Runner 2049 mean for the modern cinema experience?  Do quiet, meditative movie experiences have any chance against the behemoths of Disney's Marvel and the endless spawn of sequels and franchise wannabes?  Just how DAMN good was this movie?  Find out and we dive in head first into Blade Runner 2049 on this episode of Busy Dads Do Sci-Fi Podcast. BIBLIOGRAPHY: MOVIES: Blade Runner, 1982, dir. by Ridley Scott Blade Runner 2049, 2017, dir. by Denis Villeneuve BOOKS Do Androids Dream of Electric Sheep by Philip K. Dick It Devours by Phillip K. Dick & Jeffrey Canter SPOILER POLICY:  We take a “fly on the wall” approach to our listeners.  As such, some of what we discuss falls into the realm of SPOILERS.  Consider yourself warned. If you enjoyed BUSY DADS DO SCI-FI, please take the time to rate and review us on iTunes, Stitcher, Tune In, Google Play or wherever you may find your podcasts.  You can follow us on Twitter or Instagram at bddscifi. Thanks for listening and keep coming back.  See you in two weeks. Theme song by Tony Fernandez

Finalmente foi lançada a esperada sequência do cult/clássico de 1982 dirigido por Ridley Scott: Blade Runner 2049 traz de volta Harrison Ford, agora ao lado de Ryan Gosling, em um filme com a Ana de Armas, Robin Wright e Jared Leto. E o filme vem dirigido por Deus… quer dizer, Denis Villeneuve, que parece não conhecer o verbo “errar” em seu dicionário. Mas e aí? Será que Blade Runner 2049 é bom mesmo? Será que o filme faz jus ao que Scott dirigiu? E será que ele vai fracassar nas bilheterias assim como seu antecessor? Rafael Arinelli e Daniel Cury conversam com Stephania Amaral, do Feito por Elas, e Felipe Mendes, do Cinemascope, e discutem vários assuntos a respeito de Blade Runner 2049. Foi melhor ou pior que o Blade Runner original? E o que dizer da câmera de Denis Villeneuve e da fotografia de Roger Deakins? É um filme de atmosfera... mas isso influencia nas eventuais falhas no roteiro? E o que dizer das reviravoltas e das revelações? (sim, o podcast tem spoilers). Além de falar sobre tudo isso, nós jamais deixaríamos de discutir as questões existenciais e os temas apresentados pelo filme. Será que os replicantes são humanos? O que faz de alguém um humano? Qual o sentido de se sentir com solidão? E qual o significado das personagens Luv e Joi? Falamos sobre as referências que o filme nos traz, refletimos sobre as cenas finais do filme, e ainda questionamos a famosa pergunta que o mundo faz desde 1982: Deckard é realmente um replicante? Confira isso e ainda indicações do Plano Detalhe clicando no Play! Interlinked. Clica, vai! Cells. Cells. Interlinked. > 09m09: Repercussão > 21m28: Pauta Principal > 1h38m10: Plano Detalhe > 1h49m21: Encerramento & Erros de Gravação Fale Conosco: • Email: contato@cinemacao.com • Facebook: https://www.facebook.com/cinemacao/ • Twitter: https://twitter.com/cinemacao • Instagram: https://www.instagram.com/cinemacao/ >> Contribua com o Cinem(ação) A partir de 10,00 você contribui para que o Cinem(ação) se mantenha ativo. Com textos diariamente, trailers dos lançamentos, artigos picantes e podcasts inspiradores, queremos manter a máquina girando e é você o motor para nossa continuidade. Com o apoio mínimo você estará ajudando não só nosso canal, mas o audiovisual brasileiro, pois atingimos milhares de pessoas que pensam e sonham com o cinema. Apoie nosso projeto agora e contribua para um produto melhor. http://bit.ly/apoia-cine http://bit.ly/patreon-cinemacao Planos Detalhes: • Série: This is Us • Filme: Gattaca • Filme: Grave • Exposição: MASP - Histórias da Sexualidade • Crítica da Isabel Wittman: Blade Runner 2049 Edição: http://issoaidesign.com.br/