Podcast appearances and mentions of Roger Deakins

On this edition of The Arts Section, host Gary Zidek talks to the playwright behind a world premiere that takes a comedic look back at one of Chicago's most eccentric characters. The Dueling Critics, Kelly Kleiman and Jonathan Abarbanel, join Gary to review a new musical that tells the story of the legendary rock group, the Kinks. Later in the show, Gary visits the curator of a new exhibit that covers DuPage's farming history. And we'll revisit Gary's interview with Oscar-winning cinematographer Roger Deakins, who's photo exhibit is on display in Chicago through the end of April.

En compañía de los chicos de Cine Actual comentamos Sicario, la película de Denis Villeneuve con Benicio del Toro. En Par Impar llamamos a los chicos del podcast Cine Actual (Francisco Javier Santiago, Daniel Rengel y Samuel Úbeda) para comentar Sicario, la ya mítica película de Denis Villeneuve con Emily Blunt y Benicio del Toro que retrata el mundo del narcotráfico en México y la frontera con EEUU. En la zona fronteriza entre Estados Unidos y México, la joven agente del FBI Kate Macer (Emily Blunt) es reclutada en medio de una iniciativa secreta del Gobierno para luchar contra el tráfico de drogas. Bajo el mando de Matt Graver (Josh Brolin), un frío miembro de las fuerzas gubernamentales, y de Alejandro (Benicio del Toro), un enigmático asesor, el equipo emprende una misión que lleva a la mujer a cuestionarse sus convicciones sobre la guerra contra los narcos y los límites de la ley. La película de Denis Villeneuve, que ahora ha alcanzado la gloria definitiva con Dune y su secuela, está escrita por el muy productivo Taylor Sheridan, que posteriormente presentaría la serie Yellowstone y todas sus secuelas y precuelas, y que aquí ensaya algunos de sus registros principales en una película tensa y excelentemente rodada por el director de fotografía Roger Deakins.

Mark and Zanandi discuss 2004 thriller The Village. Directed by M. Night Shyamalan, and starring Joaquin Phoenix, Bryce Dallas Howard and Adrien Brody, the polarizing film is considered to be a colossal miscalculation by some and a beautiful romance by others (which makes it great to talk about). In this episode, they also talk about misleading marketing, Roger Deakins, and the excellence of M. Night Shyamalan. Enjoy!

In episode two of our Visionary Remakes season, we survey the recent Coen brothers remake of True Grit (2010) and compare it to the original film, a John Wayne vehicle from 1969.Special Guest: Brian Eggert is the owner and film critic of Deep Focus Review, where he has written movie reviews, in-depth essays, and critical analyses since 2007. Brian also regularly appears on KARE 11, the NBC affiliate for the Twin Cities, to review and discuss movies. He belongs to the Society For Cinema and Media Studies, Minnesota Film Critics Alliance, Online Film & Television Association, International Film Society Critics, Independent Film Critics of America, The Critics Circle, and National Coalition of Independent Scholars.Westerns have gone through many cycles since the beginning of filmmaking. Right now, we are seeing an uptick in interest as the tv show Yellowstone dominates the traditional tv market. But back in 2010, Westerns were definitely far off in the background as comic book movies had begun to take over the box office. In 2010, the Coen brothers were coming off a very successful adaption of No Country for Old Men (2007) as well as two more left of center films, the sprightly spy romp Burn After Reading from 2008 and the niche existentialist A Serious Man from 2009. It is unclear why they decided to remake True Grit and focus on the novel from 1968 instead of the John Wayne movie which came a year later in 1969, but the choice was very successful. True Grit (2010) became the 2nd biggest Western in the modern box office.The 2010 True Grit showcases the refined talents of the Coens alongside the gorgeous cinematography of Roger Deakins, the layered and rich music from Carter Burwell, and a smashing breakout debut performance from Hailee Steinfeld as the lead Mattie Ross. The 1969 version of True Grit offers so much less. Despite John Wayne winning an Oscar for his portrayal of Rooster Cogburn, the original film seems totally out of step and out of time. In hindsight, it was an end-of-the-line production for the core creatives involved. The director, writer, and star actor were all at the end of their careers. Indeed this very type of Western was on its last leg as evidenced by the giant leap the genre made at the same time this film was being produced and released. Watch any of the bigger westerns from the late 1960s and then try to sit through True Grit (1969). The dislocation and disorientation is severe. The original True Grit was a swan song that came about a decade too late.

SEASON 2 - EPISODE 124 - Quyen Tran - Cinematographer On this episode of the Team Deakins Podcast, we speak with cinematographer Quyen Tran (AHSOKA, MAID, PALM SPRINGS). We start the episode with Quyen's harrowing recollection of her experience in New York City on 9/11, and she reflects on how the event steered her life towards filmmaking. While studying film at UCLA, Quyen fell into documentary filmmaking, and she shares how she's since branched into directing television and miniseries. She reveals who gave her the initial push to even try directing, and she reveals what she enjoys about it compared to cinematography. We also discuss the films and shows that influenced Quyen early in life, and we share our appreciation for the universal visual storytelling in THE BENNY HILL SHOW and I LOVE LUCY. We later learn how Quyen used lighting to lean into the darker moments of the sci-fi comedy PALM SPRINGS, and she shares how she feels her experiences as a director has made her a better cinematographer. Plus, Quyen reveals what we included in the “Roger Deakins lighting kit” distributed to her class while we were the cinematographer-in-residence at UCLA years ago. - This episode is sponsored by Aputure

Sparse. Laconic. Expansive. Languid. Wry. The Coen Brother's 2007 Neo-Noir Western 'No Country For Old Men' moves to the fatefully ticking beat of it's own Grandfather Clock.  It's a film that rewards close viewing and is astoundingly faithful to Cormac McCarthy's novel while also being so completely a "Coen Brothers film" even as it's their (only?) adaptation of an existing book. Featuring an iconic performance by Javier Bardem as the philosophical killer Anton Chigur, brilliant cinematography from frequent Coen collaborator Roger Deakins, and perfectly wrought twangily-Texas turns by Josh Brolin and Tommy Lee Jones. A number of signature Coens scenes of the lead characters interacting with a variety of shop clerks, receptionists, store owners, and authority figures abound.    

"Credit to the Edit" trifft "Hinter der Kamera": Ein Deep Dive in die Montage von "September 5" Willkommen zu einer neuen Episode des "Credit to the Edit"-Podcasts! In dieser Sonderausgabe präsentieren wir ein Crossover mit dem Podcast „Hinter der Kamera“ und tauchen ein in die Welt des Filmschnitts, fokussiert auf den Film “September 5”. Rainer Nigrelli und Timo Landsiedel begrüßen dazu Regisseur Tim Fehlbaum und den renommierten Editor Hansjörg Weißbrich, die uns Einblicke in den Entstehungsprozess dieses Werks gewähren. Parallel beleuchtet die Episode des Podcasts „Hinter der Kamera“ die Kameraarbeit von “September 5” in einem Gespräch mit dem Bildgestalter Markus Förderer und Regisseur Tim Fehlbaum. “September 5”, der am 9. Januar 2025 in die Kinos kommt, thematisiert die Geiselnahme während der Olympischen Spiele 1972 in München. Tim wählt dabei einen ungewöhnlichen Ansatz: Die Ereignisse werden aus der Perspektive der ABC-Sportjournalisten geschildert, die das Geschehen vor Ort verfolgten. Diese Herangehensweise wirft Fragen auf: Wie lässt sich eine solch komplexe und vielschichtige Geschichte aus nur einer Perspektive vermitteln? Und wie gelingt es, Spannung und Dramatik über die gesamte Spieldauer von 90 Minuten aufrechtzuerhalten? Diese Fragen stehen im Mittelpunkt unseres Gesprächs. Tim und Hansjörg erläutern die Herausforderungen, die mit der Montage von September 5 verbunden waren. Etwa die Entwicklung der dichten, atmosphärischen Erzählweise. Oder wie die durch den dokumentarischen Ansatz entstandene Materialfülle überhaupt im Montageprozess bewältigt werden konnte. Oder wie Schnitt und Musik ineinandergreifen, um die Tonalität des Films setzen. Ein auditiver Blick hinter die Kulissen von “September 5” – für alle, die sich für Film und Filmmontage interessieren.   Hansjörg Weißbrich Hansjörg Weißbrich ist ein renommierter deutscher Filmeditor, der seit 1995 an über 60 Filmen mitgewirkt hat.  Zu seinen bekanntesten Werken zählen "23", "Crazy", "Lichter", "Requiem", "Sturm", "Wer wenn nicht wir", "Zwei Leben", "Nachtzug nach Lissabon", "Colonia Dignidad", "Unorthodox" und "She Said" . Für seine herausragenden Leistungen wurde Weißbrich mehrfach ausgezeichnet, darunter für den Deutschen Filmpreis, den deutschen Fernsehpreis sowie Filmplus/Edimotion. Er ist Mitglied der Deutschen Filmakademie und wurde 2018 in die Academy of Motion Picture Arts and Sciences berufen.   Tim Fehlbaum Tim Fehlbaum ist ein Schweizer Filmregisseur und Drehbuchautor, der für seine visuell bestechenden Weltvisionen bekannt ist. Nach seinem Studium an der Hochschule für Fernsehen und Film München gab er sein Spielfilmdebüt 2011 mit dem postapokalyptischen Thriller "Hell" (Montage: Andreas Menn). 2021 feierte sein Science-Fiction-Thriller "Tides" (Montage: Andreas Menn) Premiere auf der Berlinale. Sein jüngster Film, "September 5 – The Day Terror Went Live" (Montage: Hansjörg Weißbrich) wurde für einen Golden Globe Award nominiert. Fehlbaums Filme zeichnen sich durch ihre technische Präzision, künstlerische Tiefe und den Mut zur Auseinandersetzung mit gesellschaftlich relevanten Themen aus. Er gilt als einer der vielversprechendsten Regisseure seiner Generation.   Hinter der Kamera "Hinter der Kamera" ist ein monatlicher erscheinender Podcast, der sich mit Filmschaffenden wie Kameraleuten und Editor:innen auseinandersetzt. Moderator Timo Landsiedel konzentriert sich in ausführlichen Gesprächen auf die Motivation und Inspiration hinter den Bildern, wobei jede Folge ein aktuelles Projekt des Gastes beleuchtet. Zu den Gästen zählen erfahrene Bildgestalter wie Roger Deakins, Nikolaus Summerer oder Monika Plura. Timo Landsiedel Timo Landsiedel ist Fachjournalist und Buchautor mit Schwerpunkt Film und Medien. Er war Chefredakteur der Fachzeitschrift "Film & TV Kamera" und produziert neben "Hinter der Kamera" weitere Podcasts.   Timeline-Shortcuts 00:16 - Anmoderation 03:42 - Gesprächsstart: Tim Fehlbaum - Entstehung & Idee von “September 5” 12:40 - Im Schneideraum: "Weekly Assemblies", Musik-Diskussion & Feedback-Schleifen 20:35 - Gesprächsstart: Hansjörg Weißbrich - Die größte Herausforderung 33:28 - Intuition, Technik & die "Line-by-Line"-Methode 43:27 - Die Tonalität finden 53:29 - Perspektivwechsel, "Austarieren" & Archivmaterial 66:40 - Berufsethos: Umgang mit schwierigen Themen, Editor's Block 70:07 - Kategorien 83:00 - Abmoderation   Weiterhören Podcast-Crossover mit Hinter der Kamera: Timo Landsiedel und Rainer Nigrelli im Gespräch mit DoP Markus Förderer Links Hansjörg Weißbrich Tim Fehlbaum September 5

Forrest, Conan Neutron, Kristina Oakes and Zach Marsh talk about Blade Runner 2049 We have previously talked about Blade Runner, in December 2023, for Conan's birthday stream https://youtube.com/live/rLpLuIWnvwk Directed by Denis Villeneuve and filmed by Roger Deakins and starring Ryan Gosling, Harrison Ford, and Ana de Armas, it's safe to say this is right up our alley. So, right before Christmas, join us as we discuss Blade Runner 2049 on the penultimate Movie Night Dystopia episode!!! #bladerunner2049edit #bladerunner #bladerunner2049 #ryangosling #harrisonford #denisvilleneuve #dune #dune2 #ridleyscott #anadearmas #replicant #dystopian #dystopianfuture #doandroidsdreamofelectricsheep #android #moviepodcast #filmpodcast #filmdirector #justken Zach Marsh is a film director, screenwriter, and prolific Letterboxd user.. follow him on Letterboxd letterboxd.com/zachbmarsh He recently directed the film 'A Talk in the Park' Watch KT Baldassaro & Jared Skolnick's Girl in the Basement: https://www.youtube.com/watch?v=mcn2Q57VXEQ Join our discord: https://discord.gg/qYRttmUr The Movie Night Extravaganza Patreon helps us keep the show going.. become a Patron and support the show!! https://patreon.com/MovieNightExtra Conan Neutron has music available from Conan Neutron & The Secret Friends https://neutronfriends.bandcamp.com OR if you want to become a Protonic Reversal patron: https://patreon.com/protonicreversal

Programming Note: Color & Coffee is taking a break for the holidays. We'll return in late-January 2025 with new episodes and return to our regular release schedule. A very sincere thanks to all our listeners for an amazing 2024 and for helping us spread the word about the show! -------------------------------------------In the final episode of 2024, we sit down with Matt Wallach, Senior Colorist at Company3, to dive into his remarkable career and groundbreaking work on films like No Time to Die, Saltburn, Don't Look Up, and more.Matt takes us on a fascinating journey from his early days in the camera department to becoming an in-demand finishing colorists, collaborating with some of the biggest names in filmmaking. He shares how he took advantage of the film digital transition, blending timeless techniques with cutting-edge workflows to support legendary DPs like Roger Deakins, ASC and Linus Sandgren, FSF, ASC.In this episode, we uncover the secrets behind Matt's success in building trust with top cinematographers, his unique approach to dailies and finishing, and how he navigates the ever-evolving world of filmmaking. From cultural and technical shifts in production to delivering stunning, cinematic images, this is a conversation full of insights and inspiration.So, grab your favorite cup of coffee, and tune in to this incredible discussion with Matt Wallach!Guest Links:IG - https://www.instagram.com/captaincinema/Website - https://www.company3.com/artists/matt-wallach/IMDB - https://www.imdb.com/name/nm3546742/Send us a textFlanders Scientific Inc. (FSI)Reference Displays for Editors, Colorists and DITSPixelToolsModern Color Grading Tools and Presets for DaVinci Resolve Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Like the show? Leave a review!This episode is brought to you by FSI and PixelToolsFollow Us on Social: Instagram @colorandcoffeepodcast YouTube @ColorandCoffee Produced by Bowdacious Media LLC

In 1994, indie darlings the Coen Brothers went for the big time with a playful pastiche of classic Hollywood movies that pulled out every visual and comedic stop… and still crashed and burned at the box office. Host Rico Gagliano tells the story of the soaring Coens movie that paved the way for the flatlands of FARGO. Guests include HUDSUCKER's legendary cinematographer Roger Deakins (BLADE RUNNER 2049), acclaimed film podcaster Karina Longworth (YOU MUST REMEMBER THIS), and more.The latest season of The MUBI Podcast – BOX OFFICE POISON — dives into six visionary films... that were also notorious flops. Inspired by the new book of the same name by Tim Robey, film critic for The Telegraph, every episode is a wild ride through a great movie's rise, and fall, and rise.This holiday season, to gift the world's best movies visit mubi.com/gifts. To stream some of the films we've covered on the podcast, check out the collection Featured on the MUBI Podcast. Availability of films varies depending on your country. MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.

Jon got two-thirds of The Love of Cinema Podcast to talk about this epic movie! Jeff and John share personal stories they have associated with this movie, and the three keep giving the Coen brothers and Roger Deakins love for their brillianceThe Love of Cinema Socials: https://linktr.ee/theloveofcinemaPodcast Socials -Email: butasongpod@gmail.comFacebook: @butasongpodInstagram: @butasongpodTikTok: @butasongpodTwitter: @butasongpodNext episode: The Happiest Millionaire!

In this episode of Film & Whiskey, Bob and Brad explore the 2012 James Bond film Skyfall, discussing Daniel Craig's portrayal, Roger Deakins' stunning cinematography, and the intense villainy of Silva, played by Javier Bardem. They then sample the Bowmore Aston Martin Master's Selection 22-Year Scotch, diving into its rich flavor profile and luxurious collaboration with Aston Martin. Join them for insights on both Bond and one of the finest Islay Scotches. Timestamps: (0:00) Intro (6:50) Brad Explains (10:22) Performances, Themes (34:17) Bowmore Aston Martin 22 review (45:13) Two Facts and a Falsehood (50:17) Final Analysis (1:02:09) Let's Make it a Double and Final Scores Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ For more episodes and engaging content, visit Film & Whiskey's website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.filmwhiskey.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. --- Support this podcast: https://podcasters.spotify.com/pod/show/filmwhiskey/support

On this edition of The Arts Section, host Gary Zidek catches up with acclaimed cinematographer Roger Deakins. The 16-time Academy Award nominee just opened a new exhibition of his photography in Chicago. The Dueling Critics, Kelly Kleiman and Jonathan Abarbanel, review the Royal Shakespeare Company's new production of PERICLES. Later in the show, Gary visits the Cleve Carney Museum of Art's new video game exhibit, INSERT COIN. And we'll hear from a local big band that plays video game music covers.

Matthew Bannister on Dick Pope, the cinematographer who worked closely with Director Mike Leigh on films like “Secrets and Lies” and “Mr Turner”. Mike pays tribute. Sister Sally Butler, the American nun who blew the whistle on historic child sex abuse in her New York parish. Professor Tim Darvill OBE, the archaeologist best known for his work on the history of Stonehenge. Patti McGee, the first woman professional skateboarder. We have a tribute from skateboarding legend Tony Hawk.Interviewee: Sir Roger Deakins Interviewee: Mike Leigh Interviewee: Fr Ron Lemmert Interviewee: Dr Miles Russell Interviewee: Hailey Villa Interviewee: Tony HawkProducer: Gareth Nelson-DaviesArchive used: Life is Sweet, 1991, Film4 Trailer, Director, Mike Leigh. Film4 Production, released date in the UK 22/03/1991; Dick Pope in conversation with Roger Deakins on NAKED (Mike Leigh, 1993), Cinematographers on cinematography, YouTube channel 10/02/2022; 'Naked' Q & A with Dick Pope, British Society of Cinematographers, YouTube, uploaded 05/08/2022; Naked film promo, Director Mike Leigh, British Film Institute, BFI YouTube channel 8 Oct 2021; Mr Turner, Film Promo, Director Mike Leigh, eOne UK , eOne UK YouTube channel, 15/05/2014; America's Catholic Church In Crisis, Reporting Religion, BBC World Service, 29/03/2002; Sister Sally Butler interview, The National Catholic Reporter (NCR), NCROnline YouTube Channel 14/07/2017; Sister Sally Butler interview, A Matter of Conscience: Confronting Clergy Abuse, Director: John Michalczyk, Producer: Susan A. Michalczyk, Vimeo upload, Editor Gautam Chopra, 01/02/2015; The Standing Stones perform Johnny B Goode by Chuck Berry, Dir: Dr Miles Russell. Patti McGee interview, The Mike Douglas Show, KYW-TV, NBC, 1965;

Academy Award-winning cinematographer Roger Deakins and his wife and creative partner James Deakins (Team Deakins!) join John Williams in-studio to talk about the Roger Deakins Photography Exhibition at the Athenaeum Center for Thought and Culture. Roger and James talk about their partnership, how the role of cinematographer changes with each film, the movies they most […]

Academy Award-winning cinematographer Roger Deakins and his wife and creative partner James Deakins (Team Deakins!) join John Williams in-studio to talk about the Roger Deakins Photography Exhibition at the Athenaeum Center for Thought and Culture. Roger and James talk about their partnership, how the role of cinematographer changes with each film, the movies they most […]

Academy Award-winning cinematographer Roger Deakins and his wife and creative partner James Deakins (Team Deakins!) join John Williams in-studio to talk about the Roger Deakins Photography Exhibition at the Athenaeum Center for Thought and Culture. Roger and James talk about their partnership, how the role of cinematographer changes with each film, the movies they most […]

There is no other filmmaker working today that personifies being the "man in the arena", as Theodore Roosevelt so eloquently put it, than Matthew Heineman. His films have ranged from the frontlines of wars to the sweet and touching portrayal of Jon Batiste in AMERICAN SYMPHONY (2023). Just making one such film could be a career pinnacle -- Matthew has directed 14 wholly original, extraordinary special artistic contributions to the medium -- and he's here to share the details.In this episode, we discuss:you don't just walk onto the stage of Radio City Music Hall, in a special operations team room, or in a emergency room during COVID -- these are remarkably unique places. How did he manage that?how he is comfortable in such a wide array of different topics;whether he would recommend his path (he says it's important to have a "curiosity about the world");how his first film, OUR TIME (2009) was in a way his film school;how he sees the difference between journalism and documentary;his process regarding trust between filmmaker and subject ("trust is everything"), and he talks about how he earned the trust for the closeups in AMERICAN SYMPHONY;the story behind the creation of AMERICAN SYMPHONY;his reaction to the whiplash of the media regarding its chances at the Oscars and how he views awards as a filmmaker; Matt talks movingly about his relationship with awards as his career has evolved;"why do we make art and who do we make art for are questions that we constantly need to be asking";his relationship with the art of filmmaking, his friendship with Roger Deakins, and the importance of sound;what's next for one of the most talented filmmakers we have in both the narrative and documentary world and how he is able to toggle between both successfully.Matt's Indie Film Highlight: MURDERBALL (2005) dir. by Dana Adam Shapiro; Henry-Alex Rubin; SHERMAN'S MARCH (1986) dir. by Ross McElweeLinks:Our Time ProjectsFollow Matthew on InstagramSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Listen in as we talk about being part of the camera family, working with Roger Deakins and the Coen Brothers, True Grit, No Country for Old Men, trusting your gut, and so much more. Liza's IMDB To see pictures and things we discussed in todays episode check out the podcast page of The Op. Please check us out on the web and instagram and like us and review us if you enjoyed the episode. Theme Music - Tatyana Richaud Theme Mix - Charles Papert  

We're not letting Tom Chaney get away! Will Chip repent for his repeated dismissals of this film? What makes Roger Deakins' work special and subtle? Plus: Hailee Steinfeld's place in the child actor pantheon.

Arianne Phillips is an American costume designer. Phillips was recognized for her work on the Broadway musical Hedwig and the Angry Inch, starring Neil Patrick Harris, earning her a Tony award nomination for Best Costume Design. Phillips has a long-standing relationship with Madonna, with collaborations including photo shoots, music videos and designing tour costumes for six world tours over the past two decades. She has been nominated for the Academy Award for Best Costume Design three times, for James Mangold's Walk the Line (2005), Madonna's directorial debut, W.E. (2011), and for Quentin Tarantino's Once Upon a Time in Hollywood (2019). Phillips has also received a two BAFTA Award nominations for Tom Ford's A Single Man (2009) and Quentin Tarantino's Once Upon a Time in Hollywood. Her film career also includes Tom Ford's Nocturnal Animals (2016), Matthew Vaughn's Kingsman: The Secret Service (2014) and Kingsman: The Golden Circle (2017), James Mangold's Girl, Interrupted (1999) and 3:10 to Yuma (2007), John Cameron Mitchell's Hedwig And the Angry Inch (2001), Mark Romanek's One Hour Photo(2002), and Milos Forman's The People Vs. Larry Flynt (1996). In between film and music projects, Phillips works as a freelance fashion editor and stylist, collaborating with photographers for publications such as Italian Vogue, V Magazine, Harper's Bazaar, German & Spanish Vogueand W Magazine. She continuously challenges herself by taking on projects that explore new expressions of her creativity. In 2018, she made her New York City Metropolitan opera debut, designing Nico Muhly's opera, Marnie. Miuccia Prada selected Phillips for her Iconoclasts project; to curate installations for the brands flagship stores in London and Beijing which included a short fashion film for the brand, which Phillips wrote and directed, called Passages. Her friend Alessandro Michele, Creative Director of GUCCI commissioned her to create content for a special issue of A Magazine he guest edited and to style a brand film directed by Gia Coppola. She has also collaborated on special projects with Van Cleef and Arpels, Cartier, Valentino and Swarovski. Phillips was an inaugural member of the TIMES UP coalition and was asked by Reese Witherspoon to design its logo. Lawrence Sher, ASC,is an American cinematographer and film director, best known for comedy films such as Garden State, The Dictator, and The Hangover series, frequently collaborating with directors Todd Phillips and Zach Braff.[ He made his directorial debut with Father Figures, which began a wide theatrical release on December 22, 2017, by Warner Bros. Pictures. He was nominated for an Academy Award and BAFTA Award for Best Cinematography for the 2019 film Joker, directed by Phillips. As cinematographer of the 2009 film The Hangover, Sher described how a scene early in the movie shows the main characters on the roof of their hotel overlooking a stereotypical shot of the Las Vegas Strip; Sher indicated that he had tried to evoke the behind-the-scenes Vegas—after the characters wake up the following morning—by shooting a scene behind the hotels where the real action takes place. Actor Bradley Cooper credited Sher's visual style with enhancing the film's comedy, noting how Sher has "a great eye, a lot of energy and he just knows what's funny" and that "Some guys just can't shoot comedies, but Larry knows exactly what he's doing." With the success of Zach Braff's Kickstarter, Sher worked on Braff's 2014 feature, Wish I Was Here. In January 2020, Sher was nominated for the Academy Award for Best Cinematography for his work on the movie Joker, but lost to Roger Deakins for 1917.

Wiz RECOMMENDS The Secret Garden I know what you are thinking: what an odd film to suddenly decide to watch. The Secret Garden, Agnieszka Holland's 1993 adaptation of the novel by Frances Hodgson Burnett, is honestly a movie that has been forgotten despite that it's considered a great adaptation of a beloved novel and is shot by one of the best cinematographers of all-time: Roger Deakins. And by no surprise whatsoever, The Secret Garden is gorgeous. Everything in the movie has a magical feel to it, despite it being more grounded than whimsical. But a lot of the scenes, whether it's inside the manor or in the garden, it has an absolutely stunning look that elevates the story three-fold. But the film is not only just a looker, but it's also a thoughtfully artistic film. The film has balanced perfectly the sadder elements of the film with the more fantastical, which helps in not only being something that the audience it was meant for enjoying it, but adults as well. It's honestly very well done: even when the film gets dark dealing with death, illness and neglect, it has this feel that makes it seem more fairy tale than tragic drama. But I'll say this: if you are an adult just wanting to watch a movie, this isn't as in-depth as you'd like it. Again, the main audience is likely pre-teen and female who also likes nature (and melancholy, honestly), but there is just enough in the film for parents to get something out of it. It's actually quite surprising this movie doesn't get talked about more as a film that has aged so well: it's gorgeous with a smartly done story. Warner Bros. should release a Limited 4K UHD of this film: I'd snatch it in a second.

Shotcraft: Lessons, Tips & Techniques on the Art and Science of Cinematography is a new book by veteran cinematographer, producer and director Jay Holben. Shotcraft offers a comprehensive guide to the art and science of filmmaking. Based on his popular column in American Cinematographer, the book offers insightful essays and practical tips that cover a wide range of topics, from technical fundamentals to creative storytelling. Jay emphasizes the importance of understanding the technical aspects of cinematography while also nurturing one's artistic vision. He encourages readers to experiment with different techniques, test, try and learn about the latest technology, and build a strong network within the industry. Key takeaways: Master the fundamentals: A solid grasp of technical knowledge, including lighting, exposure, and camera movement, is essential for successful cinematography. Develop your artistic eye: Cinematography is as much about creativity as it is about technical skill. Experiment with different styles and techniques to find your unique voice. Build a strong network: Networking with other filmmakers can provide valuable opportunities, mentorship, and support. Create a compelling reel: A well-crafted reel is a powerful tool for showcasing your skills and attracting potential clients, especially before you have agency representation. You can buy Shotcraft: Lessons, Tips & Techniques on the Art and Science of Cinematography on Jay's website: http://jayholben.com/shotcraftbook Jay has a companion book to Shotcraft coming out next month. It covers tips and stories from the top cinematographers in the world such as Roger Deakins, Harris Savites, Janusz Kamiński, and Greig Frazier. Find Jay Holben: http://jayholben.com/ Instagram: @jayholben **WIN A COPY OF SHOTCRAFT! Like, Follow and Comment on our post for this week's episode on Instagram, Facebook or Threads and we will pick a winner** *Winner must be within the continental U.S.!* Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ Sponsored by ARRI: https://www.arri.com/en The Cinematography Podcast website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

Dana and Tom with returning guest, Kieran B (host, Best Picture Cast) revisit The Shawshank Redemption (1994): written and directed by Frank Darabont, score by Thomas Newman, cinematography by Roger Deakins, starring Tim Robbins, Morgan Freeman, Bob Gunton, and Clancy Brown.Plot Summary: In the somber corridors of Shawshank Prison, where hope is a rare commodity and despair is a constant companion, Andy Dufresne (Tim Robbins), a quiet and introspective banker, finds himself wrongfully convicted of the brutal murder of his wife and her lover. Sentenced to life in the unforgiving confines of Shawshank, he is thrust into a world where the human spirit is tested daily.Andy's journey is one of quiet resilience and unyielding hope. He befriends Ellis “Red” Redding (Morgan Freeman), a seasoned inmate known for his ability to procure contraband. Through Red's eyes, we witness Andy's transformation from a man broken by circumstance to a beacon of hope for his fellow prisoners. Andy's ingenuity and determination lead him to uncover the corrupt practices of the prison warden, using his financial acumen to expose the rot within Shawshank's walls.In the end, Andy's journey is not just a tale of escape, but a testament to the enduring power of hope and friendship. His story delves into the depths of human suffering and emerges with a profound sense of resilience and triumph.Guest: Kieran BHost and Creator of the Best Picture Cast; @bestpicturecast on X, IG, LetterboxdPrevious Episodes: Cat on a Hot Tin Roof (1957), Lost in Translation (2003), Gran Torino (2008), Stalag 17 (1953), Shane (1953), A Fistful of Dollars (1964), The Best Years of Our Lives (1946) Revisit, and 12 Angry Men (1957) Revisit.Chapters:00:00 Introduction and Guest Introductions03:59 Cast and Recognition for The Shawshank Redemption10:17 Relationship(s) to The Shawshank Redemption16:53 What is The Shawshank Redemption About?19:07 Why is The Shawshank Redemption so Universal?23:54 Is The Shawshank Redemption the Best Film of 1994?26:25 Plot Summary for The Shawshank Redemption28:19 Did You Know?29:49 First Break30:29 What's Up With the BPC?34:09 Ask...

In this episode of Drive-In Double Feature Podcast, Nathan and Ryan explore one of the most celebrated James Bond films, "Skyfall" (2012). Directed by Sam Mendes, this installment sees Daniel Craig's Bond returning to action to protect MI6 from a former agent turned villain, Raoul Silva, portrayed by Javier Bardem. The hosts discuss the film's thrilling action sequences, emotional depth, and stunning cinematography by Roger Deakins. They also dive into how "Skyfall" delves deeper into Bond's past, making it one of the most introspective and character-driven films in the franchise. Join them for a breakdown of why "Skyfall" is hailed as a modern Bond classic.

Ben Rekhi, Filmmaker, joins Susan and Ben to discuss Children of Men, a 2019 sci-fi thriller film. Ben shares what it's like having a career as a writer, director, and producer of feature and documentary films. He discusses interning with Roger Deakins on O Brother, Where Art Thou?, working in film finance at IM Global, and winning Best Actress and Best Supporting Actor at the 2021 Gawad Urian Awards as well as Best Actress at the 69th Filipino Academy of Movie Arts and Sciences (FAMAS) Awards for Watch List. Ben plays our “Evil Plans” game. Follow Ben on Instagram@rekh_creation, Twitter @BenRekhi, or IMDb. Find more of his work at benrekhi.com. Watch List, Waterborne, The Ashram, and The Reunited States are available to stream now on Amazon. Ben recommends The Creative Act: A Way of Being by Rick Rubin, available in audio at Audible and in print. Rate and review on Apple Podcasts to help us reach more listeners. Find out about our guests and upcoming events by following us at Facebook, Twitter, Instagram, and TikTok, contribute to our Patreon, or shop at lifeinthecredits.com. Life in Our Credits Hosts: Susan Swarner and Ben Blohm Executive Producer: Michelle Levin Logo Art: Melissa Durkin Music Composer and Performer: Steve Trowbridge --- Support this podcast: https://podcasters.spotify.com/pod/show/lifeinthecredits/support

Welcome to Cyberpunk Cinema – the Definitive Dive into the Dark Future of Science Fiction. I am your host, Anthony La Pira, and I will be taking you on a cinematic journey through the sprawling cityscapes, the crippling datastorms, and the cybernetic implants that encompass all things Cyberpunk.In this week's episode, I will be breaking-down the 2017 legasequel cyberpunk modern masterpiece, Blade Runner 2049  – co-written by Hampton Fancher and Michael Green, based on the characters from “Do Androids Dream of Electric Sheep?” by Philip K. Dick, and directed by Denis Villeneuve, starring Harrison Ford, Ryan Gosling, Ana de Armas, Dave Bautista, Robin Wright, Sylvia Hoeks, and Jared Leto.Young Blade Runner K's discovery of a long-buried secret leads him to track down former Blade Runner Rick Deckard, who's been missing for thirty years.This film has only gotten better with every passing year. It is Denis Villeneuve's triumphant legacy-sequel to one of the greatest science fiction films of all-time. Everything rips in this film, from the compositions by Roger Deakins, to the score by Hans Zimmer, to the pacing orchestrated by Denis, to the sense of isolation and desolation that permeates throughout the film, and the question that haunts all replicants and humans alike – what does it mean to be human?  So, do me a favor – it's time to access your cranial jacks, boot up your Ono-Sendai Cyberspace 7, and slap on your damn mirror-shades. You know what time it is! Cyberpunk Cinema starts…now!Anthony's IG - https://www.instagram.com/stormgiantproductionsCyberpunk Cinema IG - https://www.instagram.com/cyberpunk.cinemaSignal Fragment SoundCloud - https://soundcloud.com/signalfragmentSend us a Text Message.

Sometimes a movie comes along and it just is a movie. We felt left out the loop here with A Serious Man. We didn't quite understand it, and thats okay. Not every movie is going to work for us. We enjoyed some of the performances, the cinematography and really struggled just about everywhere else. Do we need to delve further into the Coen filmography to better understand the way their minds work? Let us know on Twitter and Instagram! NerdWriter1- A Serious Man: Can Life Be Understood? Listen to the score Read the screenplay "Remember That We Suffered" Watch A Single Man Watch our other episode about another Coen Brothers film - True Grit Watch The Tragedy of Macbeth Listen to our episodes about other Carter Burwell scored movies - The Banshees of Inisherin, Three Billboards Outside Ebbing Missouri, True Grit, The Kids Are All Right and The Blind Side Listen to our episodes about other Roger Deakins shot films - 1917 and True Grit More Michael Stuhlbarg talk - The Post, The Shape of Water, Call Me By Your Name, Arrival, Lincoln and Hugo Theme music by RomanBelov   #ASeriousMan #BestPicture #BestOriginalScreenplay #MichaelStuhlbarg #RogerDeakins #Oscars2010 #2010Oscars #AcademyAwards #Oscars 

This week, the boys grab a beer and head back to 2010 to cover Denis Villeneuve's ‘Incendies', now streaming on Prime, and discuss what else was happening in that surprising year. From ‘The Social Network' to ‘The King's Speech' to a whole lot of profitable animated films, led by the $1 Billion-grossing ‘Toy Story 3', as well as some other big-budget films like ‘Inception' and sequels to Harry Potter, Twilight, and Shrek. We also discuss Hollywood's inflated production costs and gripe about clean toilet paper littered throughout public bathrooms. Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro + Hollywood's Inflated Production Costs; 14:48 Gripes; 20:22 Films of 2010; 36:21 ‘Incendies'; 01:22:53 What You Been Watching?; 01:29:45 Next Week's Episode Teaser Additional Cast/Crew/Mentions: Lubna Azabal, Mélissa Désormeaux, Maxim Gaudette, Mustafa Kamel, Hussein Sami, Rémy Girard, Dominique Briand, Frédéric Paquet, Hamed Najem, Ahmad Massad, Bader Alami, John Dunn-Hill, Nadia Essadiqi, Rand Faris, Baraka Rahmani, Wajdi Mouawad, Valérie Beaugrand-Champagne, Grégoire Hetzel, André Turpin, Monique Dartonne, Greg Berlanti, Channing Tatum, Scarlett Johansson, Woody Harrelson, Ray Romano, Jim Rash, Colin Woodell, Colin Jost, Keenan Flynn, Bill Kirstein, Rose Gilroy. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: Carlos Beer, ‘Prisoners', ‘Enemy', ‘Sicario', ‘Blade Runner 2049', ‘Unstoppable', Roger Deakins, ‘Dune', Mark Zuckerberg, Adelaide Film Festival, ‘Fly Me To The Moon', Godzilla Minus One, Auckland, New Zealand, Preparation H, Hemmoroids, Harr yDean Stanton, CVS, Duane Reade, Walgreens, Road Rash, The Lion King, Pivot, Ross, Friends, Couch, NASA, David Ellison, David Zazlav, Al Jolson, Oscars, Academy Awards, BAFTA, BAFTAS, Apple TV, Apple Movies, Apple Podcasts, Adelaide, Australia, Queensland, New South Wales, Melbourne. 

What's a moody anti-Western got to do with mythmaking, outlaws, celebrity, bold robbers, parasocial relationships, betrayal, guilt, capitalism, Roger Deakins, Brad Pitt, and Casey Affleck? A lot, it turns out! Join us and Edward Lewis to explore the contours of Andrew Dominik's retelling of the end of Jesse James' life. We on Twitter! We on the web!

This week on The Pod Charles Cinecast, it's the penultimate episode of the monthly miniseries – BROTHERLY LOVE – where we are pitting some films from filmmaking brothers the Coen Brothers vs. the Farrelly Brothers. This month, we hit the road in the year 2000, with two films featuring people looking to clear their name. It's Joel & Ethan Coen's folk musical comedy O BROTHER, WHERE ART THOU? and Peter & Bobby Farrelly's dark comedy ME, MYSELF & IRENE. In O Brother, Where Art Thou?, George Clooney stars as Ulysses Everett McGill, a criminal who convinces two fellow convicts (Tim Blake Nelson and John Turturro) to break out of prison to seek treasure he left buried from a previous job. Turns out he really just wants to stop his wife (Holly Hunter) from getting remarried. Along their journey, they meet a young black musician who sold his soul to the devil, and cut a hit record together. They also meet a cyclops, sirens, and countless others in this unique adaptation of Homer's The Odyssey. With more brilliant cinematography from Roger Deakins, a tremendous soundtrack featuring loads of old folk, gospel, and bluegrass standards, and quality performances all around, this is another winner for Joel and Ethan Coen. Can they ever be stopped?The Farrelly Brothers can attempt to do so with their road comedy Me, Myself & Irene, starring Jim Carrey in his first film with the Farrelly's since Dumb and Dumber. Carrey, who was just coming off starring in back-to-back serious roles (The Truman Show and Man on the Moon) returned to the gross-out comedy as Charlie Baileygates, a Rhode Island state trooper who develops a split personality. Charlie must escort Irene (Renée Zellweger) to New York, where she is wanted for hit-and-run. The pair are then forced to go on the lam to avoid Irene's mafia-connected ex-boyfriend, whilst Charlie is also trying to suppress his new alter-ego, Hank. Some of this one holds up, but it is pretty much relying on a very wrongfully depicted mental illness – so take that for what you will. Is it enough to topple the sweet tunes of O Brother? We'll let you decide...Which brother will win Brotherly Love, and be crowned the best brother filmmaking duo of the 90s? Tune in to find out...If you enjoy the podcast, leave a Rating and Review! It really helps us out!As always, you can follow the Podcast on http://twitter.com/ThePCCPodcast and http://instagram.com/ThePCCPodcastIf you'd like to Support the Podcast and get Bonus Content, visit: http://patreon.com/ThePCCPodcast

In today's episode of the podcast, I chat with Dan Milnor, an acclaimed documentary photographer who shares transformative insights on creativity, industry challenges, and the true impact of social media on your work.The Big Ideas:Seek Inspiration, Not Imitation: Embrace the storytelling and influence behind another artist's work rather than copying style or gear.The Value of Authentic Engagement: Understand social media's shallow interactions and focus on building a genuine audience.Embracing a Multifaceted Identity: Delve into various creative outlets to enrich your photography and personal brand.Isolation for Innovation: Discover how stepping away from the crowd can enhance your unique voice and creativity.Photography Action Plan:Explore Outside Influences: Visit the websites of conceptual artists or photographers you admire at least a few times per year. Jot down what elements of their work inspire you the most. Incorporate what resonates with you into your photography, be it their storytelling approach or their thematic focus, to craft a richer narrative in your images.Prioritize Care with Equipment: Familiarize yourself with the functionalities of your current equipment, such as the exposure compensation dial, to enhance your shooting efficiency without the need to upgrade immediately. Engage in Long-Term Projects: Select a subject matter that sparks your curiosity and devote time to a long-term photographic project. This commitment often leads to deeper insights and more substantive work. Resist the industrial pressure to multitask on numerous short-term endeavors and instead focus on developing a solid body of work that reflects your dedication and skill. Rethink Social Media Engagement: Create a portfolio website showcasing your unique photographic work to establish a professional online presence that's independent of social media validation. Begin reducing your reliance on social media platforms by actively seeking genuine engagement with your audience through direct channels like newsletters or local exhibitions.Embrace a Multifaceted Approach to Photography: Invest time in developing additional skills that complement your photography, such as writing or video, which can enhance your storytelling capabilities and marketability. Explore your other interests and hobbies alongside photography. These pursuits can provide fresh perspectives and inspirations, enriching the creative content of your photographic work.Resources:Visit Dan's Website Shifter Media: https://shifter.mediaDan Milnor's YouTube Channel: https://www.youtube.com/@DANIELMILNOR505Learn What Camera Settings to Use in our free guide!https://perfectcamerasettings.com/ Build Your Dream Photography Business and Keep More of the Money You Earn with CloudSpot Studio.And get my Wedding and Portrait Contract and Questionnaires, at no cost!Sign up now at http://deliverphotos.com/Connect with the Beginner Photography Podcast! Join the free Beginner Photography Podcast Community at https://beginnerphotopod.com/group Send in your Photo Questions to get answered on the show - https://beginnerphotopod.com/qa Grab your free camera setting cheatsheet - https://perfectcamerasettings.com/ Thanks for listening & keep shooting!

Kelsi and Trey finish off their anti-war series and begin their Emily Blunt discussion with the very thrilling and politically complicated Denis Villeneuve's Sicario. This is a technical masterclass on several fronts; with an imposing performance from Benicio Del Toro, stunning photography from Roger Deakins, and a brutal soundtrack from the late-great Jóhann Jóhannsson. However, while Sicario is a cinematic powerhouse, this episode explores the movie's challenge of paralleling a military state with drug cartels and how the film may have a difficult legacy because of underdeveloped subversions. Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠ Instagram: ⁠@theextracredits⁠⁠⁠ Twitter: ⁠@theextracredits⁠⁠⁠ Send requests, questions, and thoughts to our email: extracreditspod@gmail.com

This week, our Queensland/Victoria bloke Dave says g'day, cracks open some tinnies and Tim Tams, and takes us to the Melbourne Bojangles as seen in ‘Chopper', our featured conversation for our ‘Films of 2000' segment. We'll give you some context, we'll talk about where Eric Bana rose in Australian television before Hollywood saw this film and begged him to get shredded and work on American and British accents. Writer/Director Andrew Dominik (Blonde, Killing Them Softly, The Assassination of Jesse James by the Coward Robert Ford) lived with Mark “Chopper” Reade to prepare the script for filming, and holy cow. We also gripe about youth sports. Grab some Cutter beer and listen to our convo!  
Our phone number is 646-484-9298, it accepts texts or voice messages.  0:00 Intro; 3:40 Gripes;13:04 Films of 2000: ‘Chopper'; 01:06:33 What You Been Watching?; 01:15:35 Next Week's Episode Teaser Additional Cast/Crew/Mentions: Eric Bana, Andrew Dominik, Bark Brandon Rea, Vince Colosimo, Simon Lyndon, Brad Pitt, Roger Deakins, David Field. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: Preparation H, Hemmoroids, Harr yDean Stanton, CVS, Duane Reade, Walgreens, Road Rash, The Lion King, Pivot, Ross, Friends, Couch, NASA, Killers of the Flower Moon, Leonardo DiCaprio, Robert DeNiro, Martin Scorcese, Lily Gladstone, Jesse Plemmons, David Ellison, David Zazlav, Al Jolson, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, The Crown: Season 6 part 2, Napoleon, Ferrari, Beer, Scotch, The Weekend, Clifford Odets, Travis Scott, U2, Apple, Apple Podcasts, 101 Dalmatians, The Parent Trap, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir. 

This week on The Pod Charles Cinecast, it's the 3rd episode of the monthly miniseries – BROTHERLY LOVE – where we are pitting some films from filmmaking brothers the Coen Brothers vs. the Farrelly Brothers. This month, it's all about bowling! For some reason, both of these sets of brothers made bowling movies – and both of them performed pretty badly on release, only to become cult classics. So, we'll be talking about Joel & Ethan Coen's 1998 neo-noir comedy THE BIG LEBOWSKI, and Peter & Bobby Farrelly's 1996 sports comedy, KINGPIN. Which is the better bowling movie?In The Big Lebowski, Jeff Bridges shines in a career role as Jeffrey "The Dude" Lebowski in a tale of mistaken identity, deceitfulness, severed toes, nihilists, White Russians and lots of bowling. After his rug get soiled by a couple of guys looking for money from a millionaire with the same name, The Dude falls down a rabbit hole that feels straight out of a Raymond Chandler novel. This film is damn near perfect. It's funny, has a great story, stellar performances with a supporting cast boasting John Goodman, Steve Buscemi, Julianne Moore and John Turturro, a kick ass soundtrack and some insanely good cinematography from Roger Deakins. The Dude Abides.But is it a better bowling movie than Kingpin? Woody Harrelson plays Roy Munson, a young bowler who is just about to make it big, before his rival, Ernie McCracken (Bill Murray doing Bill Murray shit) tricks him into doing con games, which results in Roy's bowling hand getting destroyed. Years later, Roy is an alcoholic with a hook for a hand and no prospects, before he stumbles upon Ishmael (Randy Quaid), a promising young Amish man that Roy attempts to take to the top of the bowling world. It's more of what you expect from the Farrelly's, with some gross out humour, fun 90s soundtracks, and some hit or miss elements. But, it's pretty much the Farrelly's most underrated, and potentially one of their better titles. And, it actually is more about bowling than The Big Lebowksi, it just may look as nice. I mean, Deakins, man...Which brother will win Brotherly Love, and be crowned the best brother filmmaking duo of the 90s? Tune in to find out...If you enjoy the podcast, leave a Rating and Review! It really helps us out!As always, you can follow the Podcast on http://twitter.com/ThePCCPodcast and http://instagram.com/ThePCCPodcastIf you'd like to Support the Podcast and get Bonus Content, visit: http://patreon.com/ThePCCPodcast

It's a Benicio Double Feature! I breakdown Denis Villeneuve's masterpiece "Sicario" and slurp everyone up along the way - looking at you, Roger Deakins. Truly a great film in every way. Towards the end of the episode, I briefly discuss "Basquiat" a smaller indie film, also with a star-studded cast - starring Jeffery Wright, featuring our man of the hour, Mr. Del Toro. Enjoy! Subscribe, like, comment, or whatever.    MERCH: http://rfat.bigcartel.com RFAT Audio Podcast Network: http://linktr.ee/rfataudio Everything Else: http://linktr.ee/rfat   "I RFAT, YOU RFAT, WE RFAT"  #ifeelliketuesday  #rfat #sicario #benicio #beniciodeltoro #basquiat #denis 

"And this guy peed on it." We wrap our mini series of looking at the iconic cinematographer, Roger Deakins, with the cult classic from 1998, "The Big Lebowski." In accordance with the tenets of his duderness, this episode is chill AF. We talk about how non-traditionally this flick reached cult status, and how John Goodman's Walter Sobchak is the MVP. Of course, we discuss the lived-in warmth this movie has visually, and how obviously that is thanks in part to Deakins' masterful handiwork. Stay tuned, because next month we're mixing things up a bit! We're bringing back co-host Ryan to discuss our first ever book-into-movie discussion, starting with "Marley & Me." Prepare your tear ducts.--We are Uncultured Universe - the podcast where two friends show each other movies, tv, music, or anything else to get a little more cultured. Remember to like, review & subscribe!--Stay up to date on all new episodes here: https://linktr.ee/uncultureduniverseCheck us out and follow on Instagram @‌uncultureduniverse

This week I'm honored to be joined by Dallas Film Commissioner Tony Armer to discuss what, precisely, a film commissioner does. On this episode he discusses his own path to getting involved in the film industry, breaks down different kinds of incentives cities and states use to woo productions, and talks about how Dallas has made itself more attractive to major productions looking for a place to shoot. We also talk a bit about Tony's podcast; do yourself a favor and check out the episode featuring a post-screening Q&A with cinematographer Roger Deakins, who was in town a few months back for a showing of Blade Runner 2049. And if you enjoyed this podcast, please share it with a friend!

"If you fail, it will be a massacre." The Uncultured Universe continues to look at the people who bring a film to life, with this month's focus being on the cinematographer synonymous with the profession: Roger Deakins. To kick off the series, we watched the 2019 war epic, "1917." The boys pore over the realities of war, the neurodivergent tendencies of reacting emotionally to powerful and sweeping scores and cinematic moments, and the sheer awesomeness that this limited-cut/seemingly one-take masterpiece accomplishes. And of course, massive gushing over how damn good this flick looks, of course thanks in part to Deakins himself. Be sure to stay tuned for our next episode, where we go in the complete opposite direction of war, and look at another Deakin's classic "The Big Lebowski."--We are Uncultured Universe - the podcast where two friends show each other movies, tv, music, or anything else to get a little more cultured. Remember to like, review & subscribe!--Stay up to date on all new episodes here: https://linktr.ee/uncultureduniverseCheck us out and follow on Instagram @‌uncultureduniverse

"For never was a story of more woe than this of Juliet and her Romeo."The Uncultured Universe wraps our February Baz Luhrmann series by talking about perhaps one of his most well known film, "William Shakespeare's Romeo + Juliet."The boys verily dive in to examine this strikingly beautiful film, that is both timeless and yet a perfect time capsule of the 90's. From Leo's perfectly mid-nineties shaggy long hair, to just how incredibly hot everyone is in this movie, no stone is left unturn'd. Also, never trust your fate to an experimental Friar or a delivery service.Stay tuned next month, where we take a look at the highly influential and accomplished cinematographer, Roger Deakins!--We are Uncultured Universe - the podcast where two friends show each other movies, tv, music, or anything else to get a little more cultured. Remember to like, review & subscribe!--Stay up to date on all new episodes here: https://linktr.ee/uncultureduniverseCheck us out and follow on Instagram @‌uncultureduniverse

Kelsi and Trey discuss the informal universe of Ridley Scott and Denis Villeneuve's project of Blade Runner set in a postmodern society where a few humans play god, consumerism is religion, and all of the human condition has been reduced to constructs and commodities. A lot to explore thematically with class and gender, as well as stylistically with the scope and scale of Roger Deakins, and then the iconic Ryan Gosling and Harrison Ford throwing punches while Sylvia Hoeks and Jared Leto stealing the show by the end! Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Patreon link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/TheExtraCredits?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Send requests, questions, and thoughts to our email: extracreditspod@gmail.com ⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠ Instagram: ⁠@theextracredits⁠⁠⁠ Twitter: ⁠@theextracredits⁠⁠⁠ Tik Tok: ⁠The Extra Credits

We welcome another awesome new guest this week, another Glendoran, Trenton Hughes. We discuss globetrotter dreams, pb & j's and the Sorcerer's Stone, and a favorite movie snack first in Last Four, before diving into the dark underbelly of Sicario. We get into the realism of the film, our favorite characters, the dynamic duo of Denis Villanueve and Roger Deakins, and much more on this week's Log It! Hosted on Acast. See acast.com/privacy for more information.

Fargo, eh? You're darn tootin'!   After the disappointing reception to their previous film, the Coen brothers decided to retreat into something much smaller in scope. And although they expected Fargo to have somewhat limited appeal, it would go on to become one of their biggest hits.  Topics include: the nebulous nature of the movie's claim that this is based on a true story, the lengths William H. Macy went to in order to secure his role, how Roger Deakins' cinematography reinforces the major themes of the story, the origins of the film's unusual but iconic score, pushback on the idea that this is in any way punching down at Minnesotans, the movie's unexpected success, the first attempt to turn it into a television series back in 1997, the more successful incarnation that began in 2013, and much more!   Facebook | Twitter | Instagram Apple Podcasts | Stitcher | Google Play | Spotify Chris's Instagram & Twitter | Kristen's Instagram Chris & Kristen's Web Series: The Strange Case of Lucy Chandler

After some mini reviews, the boys got giddy talking about the film year 2013, which was a doozy- ‘Gravity', '12 Years a Slave', ‘The Wolf of Wall Street', to name a few. We chose to take a second look at Denis Villeneuve's ‘PRISONERS', starring Hugh Jackman and Jake Gyllenhaal as committed as they'll ever be. We discussed how, with the help of Roger Deakins our podcast hero, this familiar genre looked and felt better and more visceral than the rest of the bunch. Also, Viola Davis crushed a supporting role (duh), Terrence Howard was heartfelt as a sub, Maria Bello brought life to the tricky in-bed-all-day grieving mother, and Paul Dano….. holy crap. Also, listen for our spoiler-free mini reviews of ‘ARGYLLE', ‘POOR THINGS', and ‘FERRARI'.  Find all of our Socials at: https://linktr.ee/theloveofcinema.  
Our phone number is 646-484-9298, it accepts texts or voice messages.  0:00 Intro, Gripes + mini reviews; 20:52 2013 + ‘Prisoners'; 01:15:01 What You Been Watching? Additional Cast/Crew: Johan Johansson, Matthew Vaughn, Dua Lipa, Bryce Dallas Howard, Henry Cavill, Sam Rockwell, Adam Driver, Penelope Cruz, Ridley Scott, Shailene Woodley, Emma Stone, Mark Ruffalo, Willem Defoe, Yorgos Lanthimos. Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ  Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: SAG Awards, Italy, Monza, Lewis Hamilton, Mercedes, Formula 1, Masters of the Air, Oscars, Academy Awards, Los Angeles, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, The Crown: Season 6 part 2, Napoleon, Ferrari, Beer, Scotch, The Weekend, Clifford Odets, Travis Scott, U2, Apple, Apple Podcasts, 101 Dalmatians, The Parent Trap, Switzerland, West Side Story, Wikipedia, Australia, Queensland, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike.  

On this week's episode we show special guest Samuel Tady a film we are certain he's going to love, and amazed he hasn't seen – 1917! Join us for a bunch of fun behind-the-scenes trivia, a story from Patrick and Lolo about seeing cinematographer Roger Deakins in person, and Sam's thoughts on the film! Watch this week's Indie Film Shout Out:UNDER THE SUN, directed by guest Samuel Tady: https://youtu.be/1rQ8RxxVmME?si=pEGR4HVzqAXsk-nk And then watch the trailer for the upcoming sequel, INDUSTRIAL EVOLUTION: https://youtu.be/o24wSA84y1E?si=1DbtV7scsPoFqrC0 Check out our newest sketch, fresh off it's festival run, VEGAN APOCALYPSE: https://youtu.be/jI3s0v9H9Zg?si=qR5dKnRyL94ZVoH_ Become a Patron of Patrick and Lolo today (on our newly re-organized Patreon page!) for access to exclusive podcast episodes and videos:https://www.patreon.com/ixfilmproductions Watch our award winning feature comedy Almost Sorta Maybe, now on streaming – search for it on Amazon, WatchFreeFlix, Spectrum, Comcast or Xfinity – or follow the link below to watch it on Tubi! https://tubitv.com/movies/100000169/almost-sorta-maybe Have a favorite (or least favorite) famous movie that you think we should've seen? Reach out to IX Film Productions on Twitter, Instagram or email and we'll add it to our list!Follow IX Film Productions for podcast updates, original web shorts, behind the scenes sneak peeks and comedy feature films at:Facebook: www.facebook.com/ixfilmproductionsInstagram: @IXProductionsYouTube: www.youtube.com/ixfpSubscribe to our newsletter for monthly updates on our website: www.ixfilmproductions.com"First Timers Movie Club" is brought to you by IX Film Productions."Making the World a Funnier Place one Film at a Time"MusicThe Curtain Rises by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/5007-the-curtain-risesLicense: http://creativecommons.org/licenses/by/4.0/

Only a few episodes left in this season of Oscar Rewind. This week we're talking about True Grit. At least we mostly talk about True Grit. We get side tracked a lot in this one folks, so please try and keep up. We wouldn't say western is our favorite genre, but the Coen brothers made this one a hit for us. The cinematography by the genius that is Roger Deakins, and the beautiful, show stopping performance by Hailee Steinfeld had us glued to our screens! What's your favorite western? Let us know on Twitter and Instagram and leave us a review where ever you listen to podcasts! Listen to Delilah and have a relaxing night Listen to the score Listen to our Django Unchained episode Read Cultish by Amanda Montell Listen to Sounds Like A Cult Listen to our other episodes about other Carter Burwell scored movies - The Banshees of Inisherin, Three Billboards Outside Ebbing Missouri and The Kids Are All Right Watch The Harder They Fall Listen to our other Roger Deakins episode - 1917 Listen to our episode about The Martian Listen to our episode about Good Will Hunting Listen to our episode about Butch Cassidy and the Sundance Kid Theme music by RomanBelov  #TrueGrit #BestPicture #BestDirector #BestActor #BestSupportingActress #BestAdaptedScreenplay #BestSoundEditing #BestSoundMixing #BestArtDirection #BestCinematography #BestCostumeDesign #RogerDeakins #HaileeSteinfeld #JeffBridges #JoelCoen #EthanCoen #TheCoenBrothers #Oscars2011 #2011Oscars #AcademyAwards #Oscars

(Deep Dive begins at 51:20) Join your favourite TransAtlantic podcasting crew: Ian and Ethan (we cut Megan, Georgia, and Liam for the runtime) as we're joined by BFF of the BFE: Hermes Auslander as we head to Catholic School in 1968 Brooklyn in the dramatic powerhouse Doubt. We're joined by BFF of the BFE: Hermes Auslander and we're flip-flopping across the wave of subtext as we try to figure out what's being said without being said throughout this one.  We're counting feathers in our 203rd episode as we discuss:  Why is Meryl Streep as highly regarded as she is Some of the clever tricks done by cinematographer Roger Deakins to keep us in the dark How star power can affect the viewing of a narrative regarding allegiance to a character Discussions about authority and how to exercise that authority Confirmation bias and how the same piece of information can fulfil two competing ideologies Whether or not Doubt is the Best Film Ever Catch so much more of Hermes on his podcast, The Scuttlebutt Podcast at . https://podcasts.apple.com/us/podcast/the-scuttlebutt-podcast/id1503504933 (Apple) or https://open.spotify.com/show/2n9CNB9X6QXnmvn78HBEoJ?si=ca1784afd4874ff3 (Spotify) Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Lina Oberholzer Ensign Ian Davies Chris Pedersen  Duane Smith (Duane Smith!) Randal Silva The Yeetmeister Nate The Great Rev Bruce Cheezy (with a fish on a bike) Andy Dickson Holly Callen Richard Ryan Kuketz Dirk Diggler Shai Bergerfroind Stew from the Stew World Order podcast NorfolkDomus Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/ Massive thanks to Lex Van Den Berghe for the use of 'Mistake' by Luckydog.  Catch more from Lex's new band, The Maids of Honor at https://soundcloud.com/themaidsofhonor Also massive thanks to Moonlight Social for our age game theme song.  You can catch more from them at https://www.moonlightsocialmusic.com/

Academy Award-winning cinematographer Roger Deakins and co-author James Ellis Deakins discuss “Byways,” a book of Roger Deakins' still photography, before their Atlanta signing event at the Plaza Theater. Plus, artist Virginia Derryberry details her solo exhibition, “Private Domain,” on view at the Marrietta Cobb Museum of Art, and Karen Kelly explains how the Children's Museum of Atlanta is putting kids in touch with their emotions in the new exhibition, “Emotions at Play with Pixar's ‘Inside Out.'”See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Cinematographer Sir Roger Deakins, who has won two Academy Awards for his work on "1917" and "Blade Runner 2049," is coming to Kansas City with his wife and collaborator James Ellis Deakins for events at the Country Club Plaza and National World War I Museum and Memorial.

WHERE IS COLONEL MACKENZIE?! We're back, baybee! We've got a brand new list created in collaboration with our beloved listeners, and we're kicking off season three with what some would argue is the best movie ever made. The person most confused by the film this week was: the trench rat.See omnystudio.com/listener for privacy information.