Podcast appearances and mentions of Federico Fellini

Rosita Steenbeek is schrijver. Na haar studententijd vertrok ze naar Rome, waar ze midden in het culturele leven belandde. Ze raakte bevriend met grote namen als Alberto Moravia, Federico Fellini en Marcello Mastroianni. Vanuit Rome schreef ze voor onder andere Vrij Nederland en vertaalde ze werk van Moravia en Susanna Tamaro. Verder schreef ze succesvolle romans zoals ‘De laatste vrouw', ‘Intensive Care' en ‘Ander licht'.     Nu komt Steenbeek met haar nieuwe boek ‘Over antieke wegen'. Na het verlies van haar moeder ondernam Steenbeek samen met fotograaf Art Khachatrian een fietsreis van Rome naar Mycene. Ze volgden de eeuwenoude Via Appia dwars door Italië en staken vervolgens over naar Griekenland. Een zware fietstocht vol bergpassen en nachtelijke ritten werd een emotionele reis, waarin ontmoetingen met mythische plekken haar dichter bij het verleden en haar moeder brachten. Femke van der Laan gaat met Rosita Steenbeek in gesprek.

Luego de cinco años, nuestro podcast, Los Padres del Cine, alcanza los cien episodios oficiales (sin contar en quinces, recomendaciones, domingos de drama, etc). Para celebrarlo, cada uno escogió su primer amor cinematográfico, la película que más espacio ocupa en su corazón.   Juanki seleccionó Ocho y medio de Federico Fellini, Pablo prefirió Stalker de Andrei Tarkovsky y el ex-padre del cine Robinson eligió Alguien voló sobre el nido del cuco de Milos Forman.    Timecodes: 0:00 Intro 21:49 ¿Qué es el arte? 36:49 Los orígenes de Los Padres del Cine 01:06:00 ¿Tiene sentido arrepentirse? 01:24:05 Ocho y medio 02:03:53 Alguien voló sobre el nido del cuco 02:46:56 Stalker

*Patreon Episode Preview* Luisa Opalesky is our special guest as we talk about how Federico Fellini's "8 1/2" and Bob Fosse's "All That Jazz" embody the spirit of her new book, "Big City Nobody," how the two movies are connected through Italian cinematography, seeing yourself in photographs you take of other people and more!

Listen on:Apple Podcasts:https://podcasts.apple.com/us/podcast/watchdog-on-wall-street-with-chris-markowski/id570687608 Spotify: https://open.spotify.com/show/2PtgPvJvqc2gkpGIkNMR5i Watch on: https://www.youtube.com/@WatchdogOnWallstreet/featuredChris compares the chaotic state of U.S. trade policy to a disjointed Federico Fellini film, highlighting the confusion and improvisation he sees coming from the Trump administration's handling of tariffs and trade wars. Markowski critiques Trump's inaccurate historical claims about tariffs and the Great Depression, explains how China's economy is straining under the pressure, and gives a historical overview of how trade wars contributed to World War II. He warns that abrupt tariffs destabilize businesses, spook consumers, and fail to solve long-standing problems. Amidst the uncertainty, Markowski calls for a smarter, more strategic approach to trade, rather than reactive chaos.  www.watchdogonwallstreet.com

There's a reading of this movie as Jean Renoir's exercise in delayed gratification. What's a cancan? Is that a cancan? Will they cancan? Oh no they can't cancan!! But maybe, just maybe… No they can't! And then just when you've given up all hope: they can cancan! And by god, they do. (Spoiler alert.) Join the Random Acts of Cinema Discord server here! *Come support the podcast and get yourself or someone you love a random gift at our merch store.  T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing Federico Fellini's Amarcord (1973).

*Patreon Episode Preview* We talk about the cinematography in Federico Fellini's "Juliet of the Spirits" from 1965, why it's Hollis Monk Thayer's favorite movie when it comes to color cinematography, Stephen's first time reaction to it, how still photography has so many differences with this production, Giulietta Masina's performance, the affect of watching art films on your life and more!

Dante Ferretti"Bellezza imperfetta"Io e PasoliniA cura di David MiliozziEdizioni Pendragonwww.pendragon.itDante Ferretti, tre premi Oscar, tra i più celebri scenografi al mondo, racconta il suo lungo sodalizio professionale e umano con Pier Paolo Pasolini, cominciato da giovanissimo sul set de Il Vangelo secondo Matteo e terminato il 2 novembre 1975, quando il cadavere martoriato del grande poeta e pensatore fu ritrovato all'idroscalo di Ostia. Ripercorrendo il lungo tratto di carriera che ha condiviso con Pasolini, l'autore ci mostra anche gli straordinari bozzetti delle scenografie che hanno dato forma all'immaginario filmico pasoliniano, confrontandoli con i fotogrammi degli stessi film.Consegnandoci un ritratto scanzonato e crepuscolare di un uomo che possedeva il raro dono di capire il suo tempo, insieme al sapore di un'epoca irripetibile del cinema italiano e internazionale (sfilano davanti ai nostri occhi Federico Fellini, Elio Petri, Maria Callas, Martin Scorsese, Tim Burton e tanti altri), queste pagine ci rivelano il volto inedito di un artista immenso, capace, sul set e nella vita, di investire le persone che gli erano accanto di un'energia umana e intellettuale tanto potente da cambiarle per sempre.Dante Ferretti (Macerata, 1943) ha avuto una carriera strepitosa che iniziò, ventenne, proprio con Pier Paolo Pasolini, di cui fu aiuto scenografo per Il Vangelo secondo Matteo (1964), Uccellacci e uccellini (1966) e Edipo re (1967); con lui firmò la sua prima scenografia, Medea (1970), e da quel momento Pasolini lo volle al suo fianco fino al suo ultimo film, Salò o le 120 giornate di Sodoma (1975). Ferretti ha lavorato con i più importanti registi italiani – Luigi Comencini, Marco Bellocchio, Elio Petri, Liliana Cavani, Marco Ferreri, Ettore Scola, Franco Zeffirelli –, e in particolare con Federico Fellini, per cui è stato aiuto scenografo nel Fellini Satyricon del 1969 e scenografo in cinque film, fino all'ultima opera cinematografica del maestro riminese, La voce della Luna (1990). I geniali, visionari mondi da lui creati per Il nome della rosa (1986) e Le avventure del barone di Munchausen (1988), per cui ricevette la prima nomination all'Oscar, lo hanno reso celebre a Hollywood e nel mondo, dando avvio a un impressionante elenco di collaborazioni internazionali – tra gli altri, Terry Gilliam, Neil Jordan, Anthony Minghella, Brian De Palma, Martin Brest, Julie Taymor, Tim Burton, Kenneth Branagh – e alla speciale affinità creativa con Martin Scorsese, per cui ha firmato le scenografie di ben nove film da L'età dell'innocenza (1993) a Silence (2016). Per Pendragon è autore di Bellezza imperfetta. Io e Pasolini (2024).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Scott and Marty continue their chronological deep dive into self-reflective filmmaking. Tune in as they brave monkey ghosts, talking mimes, and the occasional crotch muppet in their tireless quest to answer the question: When you gaze into the camera's lens, does the camera also look into you?Films we chase down on our motorized wheelchairs:Sullivan's Travels (1941, Dir. Preston Sturges) at 1:52Sunset Boulevard (1950, Dir. Billy Wilder) at 19:268 1/2 (1963, Dir. Federico Fellini) at 34:54Silent Movie (1976, Dir. Mel Brooks) at 49:13And don't forget Continuity Boulevard (1:06:36) and the lascivious Lightning Round (1:26:30)!Follow us on Spotify, Apple Podcasts, Google Podcasts, or Amazon Music.Visit us at slackandslashpod.comEmail us at slackandslash@gmail.com

Puntata 528 di Border Nights - La Notte ai confini, in onda ogni martedì alle 22 su Web Radio Network, in podcast su tutte le piattagorme digitali come ad esempio Spotify e la domenica sera in onde medie su Radio Briscola (Am 1449). Ci sarà il grande ritorno del professor Corrado Malanga per una chiacchierata a ruota libera. Poi Federica Francesconi che ci parlerà di come resistere al transumanesimo. Paolo Franceschetti ci narrerà i rapporti di Rudolf Steiner con la società teosofica e con la massoneria. Tom Bosco, insieme a Nikola Duper e Giorgio Cerquetti ci parleranno del rapporto di Federico Fellini con l'aldilà. Con la partecipazione di Maestro Di Dietrologia.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/border-nights--654467/support.

Partendo da Federico Fellini e lettura dei tarocchi, Fabio Volo indaga le cose imparate dagli ascoltatori.

This week we dive into our 2nd installment of the Movies About Movies Festival with Federico Fellini's 1963 odd masterpiece 8 1/2. A film about a struggling filmmaker who has too many expectations and resorts to his dreams and fantasies to give him direction. What a ride! Enjoy!

India Mahdavi dessine des endroits dans lesquels on se sent bien, plein de rondeurs, de couleurs, de sensualité, de chemins de traverse aussi. A l'image de son Bishop, ce tabouret inspiré par la pièce du fou au jeu d'échecs, qui est devenu une de ses signatures. Cette architecte d'intérieur et designer est parmi les plus reconnues de notre époque. Elle a notamment créé les décors de l'Hôtel Townhouse à Miami et de The Gallery at Sketch à Londres et les espaces de boutiques Ladurée.Parmi ses réalisations récentes, la rénovation des chambres de la Villa Médicis, à Rome, ou encore les intérieurs du Musée PoMo, qui, à Trondheim, en Norvège, vient d'ouvrir ses portes. Au sujet de cet ancien bureau de poste, elle explique : « J'ai beaucoup travaillé sur des fragments du bâtiment qui sont des lieux interstitiels, comme une salle de lecture où on a voulu renouer avec la tradition de l'ornementation folklorique norvégienne. »Elle accueille « Le Goût de M » rue Lacaze, dans le 7e arrondissement à Paris, où elle a recréé tout un écosystème : un studio de création, une boutique, un showroom et deux espaces d'exposition. Celle qui est née en Iran a connu plusieurs domiciles dans son enfance, aux Etats-Unis, en Allemagne, mais aussi en France. A Saint-Paul-de-Vence, elle goûte à la pédagogie libre de l'école Freinet et s'émerveille de l'architecture contemporaine de la Fondation Maeght. En allant au cinéma, elle découvre des réalisateurs comme Stanley Kubrick, Federico Fellini, Luchino Visconti, pour qui les décors sont des personnages à part entière. Elle confie aussi son admiration pour le chef décorateur britannique Ken Adam, qui a œuvré sur de nombreux James Bond.Depuis six saisons, la journaliste et productrice Géraldine Sarratia interroge la construction et les méandres du goût d'une personnalité. Qu'ils ou elles soient créateurs, artistes, cuisiniers ou intellectuels, tous convoquent leurs souvenirs d'enfance, tous évoquent la dimension sociale et culturelle de la construction d'un corpus de goûts, d'un ensemble de valeurs.Un podcast produit et présenté par Géraldine Sarratia (Genre idéal) préparé avec l'aide de Diane Lisarelli et Juliette SavardRéalisation : Emmanuel BauxMusique : Gotan Project Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

On the sixty-fourth episode of the Cinematic Odyssey, Tristen and Max venture over to Italy for their first foray into Federico Fellini's most well-known film, 8 1/2. The dreamlike narrative filled with delusions and women has Max wondering if it would be easier watching if he spoke Italian and Tristen talking about his fountain vision as well as some extensive allegory. Recorded in October 2024. 

In Cineversary podcast episode #79, host ⁠Erik Martin⁠ marks the 65th anniversary of one of the crown jewels of world cinema,La Dolce Vita, directed by Federico Fellini. Accompanying him this month is filmmaker and Fellini scholarAntonio Monda, associate professor at New York University's Tisch School of the Arts. Together, they explore how the movie broke new ground, why it's still relevant, its multiple themes, and much more.Learn more about the Cineversary podcast at www.cineversary.com and email show comments or suggestions to cineversarypodcast@gmail.com.

Scott Kerr speaks with Stefano Peccatori, president & CEO of Rizzoli International Publications, the famed Italian publishing house recognized for producing high-end illustrated books in fashion, architecture, art, and design and its world-famous Rizzoli Bookstore in New York City. Stefano discusses how its Milanese founder Angelo Rizzoli went from poverty to successful book publisher to producing films like '8 1/2' by Federico Fellini. He also talks about how why Rizzoli is "not just a luxury brand, but part of the culture of luxury," positioning Rizzoli in a competitive high-end coffee table book market, why physical bookstores have seen a resurgence in popularity,  and the story behind producing a 300-page monograph on Italian clothing label Stone Island. Plus: Working with prestigious luxury brands on tribute booksFeaturing: Stefano Peccatori, President & CEO of Rizzoli International Publications (rizzoliusa.com)Host: Scott Kerr, Founder & President of Silvertone ConsultingAbout The Luxury Item podcast: The Luxury Item is a podcast on the business of luxury and the people and companies that are shaping the future of the luxury industry.Stay Connected: scott@silvertoneconsulting.comListen and subscribe to The Luxury Item wherever you get your podcasts. Tell a friend or colleague!

Ils onns 1930 ha el attratg l'attenziun da la publicitad cun sia musica da chombra ed ovras per orchester. Nino Rota è naschì ils 3 da december 1911 a Milaun. Gia cun 12 onns ha el gì il num d'in «uffant genial» suenter che ses oratori «L'infanzia di San Giovanni Battista» (ch'el ha scrit cun 8 onns) è vegnì preschentà publicamain. Cun sia musica da chombra ed ovras per orchester ha Rota attratg l'attenziun ils onns 1930. Il cumponist imitava a moda remartgabla stils da musica pli vegls ed il success da sia musica da film sa basa sin sia relaziun geniala da musica e maletg. En total ha Nino Rota scrit la musica per 150 films, tranter auter per classichers sco «La Dolce Vita» (1960) da Federico Fellini e «Der Pate» (1972) da Francis Ford Coppola.

FILMOTECAMURCIA.ESViernes 7 de febrero / 18:00 horasDescalzos por el parque (Barefoot in the park; Gene Saks, 1967). Estados Unidos. 105'. VOSEUn joven y conservador abogado (Robert Redford) es la quintaesencia de la sensatez y el sentido común. En cambio, su esposa (Jane Fonda) es un poco alocada y sólo piensa en pasárselo lo mejor posible. Ambos se enamoran al instante y se casan de inmediato; pero la dura realidad (un quinto piso sin ascensor, un apartamento como una caja de cerillas) hace que la pasión y la armonía se resientan. (El cuarto poder: Periodismo y Periodistas en el Cine)Domingo 9 de febrero / 17:30 horasLa dolce vita (Federico Fellini,1960). Italia. 175'Marcello Rubini es un desencantado periodista romano, en busca de celebridades, que se mueve con insatisfacción por las fiestas nocturnas que celebra la burguesía de la época. Merodea por distintos lugares de Roma, siempre rodeado de todo tipo de personajes, especialmente de la élite de la sociedad italiana. En una de sus salidas se entera de que Sylvia, una célebre diva del mundo del cine, llega a Roma, cree que ésta es una gran oportunidad para conseguir una gran noticia, y, en consecuencia, la perseguirá por las noches por diferentes lugares de la ciudad. ESTRENOS DE LA SEMANA Maria Callas (Pablo Larraín, 123 min.)con Angelina Jolie, Pierfrancesco Gavino, Kodi Smit-MacPhee La tumultuosa, bella y trágica historia de la vida de la cantante de ópera más importante del mundo, revivida y reimaginada durante sus últimos días en el París de los años setenta. Fuera de la ley (Potsy Ponciroli, 112 min.)Will (Himesh Patel) y Terry (Joseph Gordon-Levitt) son dos agentes de policía que se ven envueltos en un escandaloso crimen. Con el descubrimiento de un millón de dólares, los problemas se les multiplican. Los habitantes del pueblo, tan peculiares como codiciosos, también quieren adueñarse del botín. Todos ellos irán tomando una serie de decisiones cada vez más equivocadas y al margen de la ley que pondrá patas arriba toda la hasta ahora pacífica comunidad.

 Quando dirige il suo primo film, ha già vissuto mille vite. È stato apprendista di alcuni dei più grandi registi, da Federico Fellini a Michael Cimino. Ha lavorato in teatro e scritto libri. Il suo obiettivo è sempre stato uno: raccontare storie. In quest'intervista a Malcom Pagani, il regista Roberto Andò ricorda l'infanzia e l'adolescenza in Sicilia, ripercorrendo i passi della sua carriera, da quando, per caso, si è trovato sul set con Vittorio De Sica fino al suo ultimo film “L'abbaglio”. Learn more about your ad choices. Visit megaphone.fm/adchoices

The beverage brand's former CMO, which holds drinks like Aperol, breaks down why events like Coachella, the US Open and Cannes Film Festival are so important to its marketing strategy. Episode TranscriptPlease note, this transcript  may contain minor inconsistencies compared to the episode audio.[00:00:00] Damian: I'm Damian Fowler [00:00:01] Ilyse: And I'm Ilyse Liffreing [00:00:02] Damian: And welcome to this edition of The Current Podcast. [00:00:05] Ilyse: This week, we're delighted to talk with Julka Villa, the former Global CMO of Campari Group. [00:00:11] Damian: Founded in 1860, Campari is a household name in the global spirits industry with a portfolio of over 50 brands across world markets. [00:00:20] We're talking familiar names like Aperol, Sky Vodka, Wild Turkey Bourbon, and Courvoisier. [00:00:27] Ilyse: Julka is a marketing veteran with over 25 years of experience in the alcoholic beverage and beauty industries. A specialist in consumer focused brands. [00:00:37] Damian: Julka is responsible for the marketing vision, strategy, and execution of the Campari Group's brands. [00:00:44] At the same time, she has a bird's eye view of the company's worldwide presence, coordinating teams based in Milan, Paris, and New York. [00:00:52] Ilyse: We started by asking her about how she balances the Campari legacy with keeping its brands relevant for today's [00:01:00] consumers. [00:01:02] Damian: So Campari has a rich heritage. The company is now 164 years old. How do you go about balancing its legacy, the preservation of its legacy while keeping the brand modern and relevant for today's consumers? [00:01:18] Julka: I think that, if we go back to the roots of the Campari brand, about being [00:01:23] bold, about being visionary about investing in arts, think about Europe, Italy in the second half of the 19th century. There were so, few brands really investing Campari was one of the first really interacting with artists [00:01:42] and designers and giving them the freedom to, the brand in the way they saw it. if you look at how we started, you how we moved forward along our, our history. You can see that, the [00:02:00] twenties and thirties of last we start cooperating with cinema, really asking the people, working in the industries and producing the movies, postcards, producing, you know, designs and drawings for us. [00:02:16] You can see that, fast forward, to the eighties. We start cooperating with one of the greatest filmmakers. In the world, Federico Fellini, that was a big fan of the Campari brand. He was drinking Campari and he decided to cooperate with us to produce an advertising for the brand. And Fellini was the first filmmaker we cooperated with. But then, we kept this partnership, for instance, with Paolo Sorrentino 2017. And I was personally You know, working with him, it was a fantastic experience to see an artist really bringing to life, the brand, [00:03:00] respecting the legacy, but at the same time, renovating, since you're asking me how a brand modern still loyal to its root, it was amazing to see how we could kept the daring, attitude of the brand alive. According to his own style.  [00:03:20] Ilyse: Wow,that is super cool. so is pop culture still as important to the brand even today?  [00:03:27] Julka: Absolutely. Absolutely. So, and this is so important for the Campari brand, but for many other brands part of our portfolio, just for you to know, we have more than 50 brands. in our portfolio, and if you'd like we can talk about some of them, but when it, comes to Campari, think about the fact that our partnership with arts, have been, more recently renovated in our, cooperation with the major film festivals, in the world. We, are [00:04:00] partners of the Cannes Film the Locarno, in Berlinale. weclosed the first, year of partnership with the Toronto Film that's definitely a modern way to the brand, extremely aspirational, but still to get in touch with so many consumers and possible advocates of the brand. One of the things we really care about is not just to communicate our brands, but to assure our consumer to consume our brands throughout the signature cocktails in the best way possible and definitely feel festival for us are a huge opportunity to provide liquid tulips, as we say, to our consumers current and future.  [00:04:47] Damian: What's interesting is with these different brands, you're sort of talking about how they're valued differently in different markets. that's very interesting to me. How do you know and prioritize [00:05:00] which brands work best in which countries?  [00:05:04] Julka: We have, well identified, what we call the global brands. The brands that should be built everywhere in the world. Of course step by step and respecting the life stages, the brand is in a specific geography. And definitely the one I mentioned so far, are global brands. And so also global priorities, for the company. And then, depending on the area of the world, the characteristics of the market and the consumers, each individual, operating company, can, compose, portfolio, to have the best performance on the market. But definitely there are priorities everybody to focus  [00:05:51] Damian: if you think about the United States, is there a sort of priority? [00:05:55] Julka: Yeah,  [00:05:56] Damian: Leading brand here. [00:05:58] Julka: definitely, [00:06:00] uh, the priority for the United our giant aperitif brands, such as Campari Aperol, Grand Manier, Wild Turkey, Espolon, and of course, the local team is really excited to rebuild the Courvoisier brand. always acquisition we have just finalized. [00:06:21] Damian: Yeah, each of those brands has its own kind of, whole kind of narrative around them, I imagine. But I wanted to ask you actually a little bit about, The current moment that we're in, which we're seeing a kind of a lot of debate around alcohol versus no alcohol consumption, particularly when it comes to like Gen Z demographics. I mean, how do you think about and navigate these perception shifts?  [00:06:47] Julka: That's a very that's a very interesting question. And of course, as you can imagine, we have been spending a lot of time and resources really to dig deep into these shift and [00:07:00] transformation in a way of our consumer ships. One thing that is not that evident to, to everybody is that differently from the past, there is a sort of coexistence of, people drinking alcoholic products and non alcoholic products, depending on the moment they are in, the people they are with, what they have to do the day after. [00:07:23] And this kind of consciousness and, control on what to choose is even stronger in younger consumers as you were mentioned so they are more conscious they don't they are not you know afraid to make a choice that could be out of  [00:07:43] their are pool of friends. Everybody's drinking something alcoholic There's no problem at all for one of them to say “Look tomorrow I have to wake up very early I have a very important day I prefer to, to opt for a choice, a non alcoholic choice.” So more than a counter position [00:08:00] today, we see the coexistence, of these kind of choices, which is quite interesting, honestly, also because it gives us the opportunity to be more, mindful and, intentional in developing also the part of our portfolio, which is non alcoholic. For instance, we have a product which is an extremely strong product in Italy and definitely in a phase of conquering of continental Europe is, the name of the product is Crodino and is definitely our non alcoholic, kind of spritz. is a product that was invented and launched in the market, in 1965. [00:08:39] So this is a little bit a testament, to the personality of the company, wanting really to push boundaries. And actually we are preparing the launch of these fantastic product also in the U S, that we plan for next year.  [00:08:54] Ilyse: So it sounds like Campari really anticipated this trend of non alcoholic [00:09:00] beverages in a sense.  [00:09:02] Julka: Yeah, that's, that's correct. That's correct.  [00:09:05] Damian: I'm just curious on that point, you know, as a marketer, you must get lots of data back in terms of like, who's drinking what, maybe by generation, maybe by geography even. I'm interested to know, do you kind of look at that in terms of strategizing and find the discrete markets?  [00:09:24] Julka: even if, with the passing of the years, what we, really is of people. So demographics are not, gender or age brackets are not the main elements we look for because what really counts. Today is the mindset and the attitude of people, for instance, if I think about a product like Aperol with these with its signature cocktail, Aperol can see across generations drinking this product and across age brackets is the mindset. [00:09:57] And you would be amazed how people approaching Aperol [00:10:00] Spritz, enjoying Aperol Spritz, they really have in common, the way they appreciate life and what they are looking for in that specific moment. Either they are, 25 or 60. So there are also, a number of cross generational, alcoholic beverage experiences, and so the way we look at data is really about the motivation and the attitude of people when they are about to make a choice.  [00:10:27] Ilyse: Yeah, that kind of, shift towards mindset over demographics probably helps a lot when it comes to just I guess prioritizing channels for the brand and where to reach those audiences because I know in a lot of the times like Millennials and Gen Zers are in like social media and usually that's not an option when it comes to alcohol brands, is, so is the brand finding other channels to be just as effective, in reaching that kind of mindset that it's [00:11:00] after. [00:11:00] Julka: when, I think a strong, distinctive characteristic Of our marketing and activation strategies, really investing very seriously in, in events, because definitely there's a lot of will among consumers of all ages, really to leave, events, in person really experience, on their, skin, much more than in the past. [00:11:24] and then we amplify, if you want, through social media, those events. But, a big part of our investment. is really, put on organizing, these kind of events. When we, when it comes to the U. S., think about Coachella, which is, more than a music festival, is a lifestyle festival, as we all know. [00:11:43] Think about the U. S. Open. uh, but also if we go on the other side of the world, in the APAC region, think about, The Australian Open, which is for us a, opportunity to reach so many consumers. about [00:12:00] hundreds of thousands live offering our best signature cocktail in our, fantastic lounger and then we can definitely amplify this content on a number of social media where. alcoholic beverage can, have a direct relationship, with their consumers. So for us, it's always a mix. we really believe that we have winning products, very straightforward drinking strategy, and that's why we care so these to life in real life for we don't see this business as happening just, just virtually. Definitely.  [00:12:42] How do you kind of maintain and sort of keep tabs, as it were, on people who are loyal to the brands that you market? [00:12:52] definitely over the yearsWe invested and we improved, our, CRM, capacity, so [00:13:00] throughout, social media and massively through events, we gather as much as possible information about our consumers so that, we can definitely keep them, up to date. On our, yearly, program, but also we can establish a more direct dialogue. [00:13:18] Sometimes we consult them, a part of them for new projects. we listen to them, ask them questions about, trends, want to know more and I think that, especially when it comes to a lab important. [00:13:39] Feel part of a feel, really listen to is something as important as enjoying your favorite, brand and your [00:13:50] Damian: And what's interesting to me is I was thinking about this because about, maybe 12 years ago, I have a friend from Venice who lives in New York and we went to a [00:14:00] restaurant and she ordered an Aperol and at that, point it wasn't very, nobody really knew much about it here. [00:14:06] And since then, of course, it's huge. It's like a probably one of the most popular, cocktails around. I was just at the U. S. Open in the summer and I could see, your your [00:14:16] plaza there with Aperol everywhere. I guess it was, there's a sponsor, a partnership  [00:14:20] Julka: Mm hmm.  [00:14:21] Damian: But my question is, how did you could you walk us through how you, built that awareness from, that moment, however many years ago when it wasn't such a big, obviously big in Venice, she said it was the Venetian drink. [00:14:34] So I was like, Oh, that's interesting. [00:14:39] Julka: yes, I am. 10, 12 years ago, not only in the U. S., but in many other places outside Europe, definitely it was not established. you know, staple it is to die. and at the very beginning, we really faced, some very basic, difficulties. I have to say, it was not easy, to start [00:15:00] talking about, a signature cocktail that, needed, a bottle of Prosecco to be open, to be prepared because. [00:15:07] You know, if you are familiar with sparkly wines, the problem with it is that if you open it and you use just a little part and then you keep the bottle for a couple of days, the carbonation will just, yes, go away. So it was really. a very precise, consistent, and stubborn work of education. [00:15:28] There's just one certainty about education, which is that, you know, when you started that you will never know when you will finish. And actually it's a never ending story in a way. So we, in the past we put, and we keep putting a lot of, effort and an investment in educating the trade the bartenders bar owners But also the final consumers because at the end if the final consumer knows [00:15:52] the best way to prepare an upper spritz They will be your advocate and it happened to me so many times in the past [00:16:00] when I was receiving at the table in upper spritz that was not preparing the way It should have been, I was going back to the bar and I was saying there's something wrong with my cocktail. [00:16:13] it's a double, a double direction  [00:16:16] Julka: Yeah,  [00:16:18] efforts. And, Also, a very important part is, what we call, the oil spill approach. What does it mean? We start with the city, a major city, we start with the specific neighbors. and key on trade outlets in this neighbor. [00:16:39] We build a relationship of partnership. We invest on these venues and we create the phenomenon of the cocktail and then we expand. So distribution and presence comes just [00:16:52] after having started trend with a very high level, of the serve in a smaller [00:17:00] number of venues. [00:17:01] This, has been the approach in the U. S. and in every other part of the world. You mentioned Venice, which is the place where the brand really, started being known and appreciated and, recognized as, the champion of aperitif. But the phenomenon of Aperol Spritz started in Venice, expanded to the Veneto region, which is the region of Venice, and then expanded Milan and from Milan to the rest of Italy. [00:17:28] So the oil spill approach, as we call it, has always been, front and center of the strategy, of, And it's building.  [00:17:38] Ilyse: So interesting. when you think of Campari brands, it also sorts of implies Like a level of sophistication. in a sense, are marketing just drinks or is it something more, I don't know, like lifestyle?  [00:17:53] Julka: definitely. I think that,our brands are starting from, The most important ones really [00:18:00] stand for a certain lifestyle. you think about campari, it really represents the Milan. And, the lifestyle of the city. If you, think about aperol, you're talking about a more democratic sort of brand, really more casual. welcome. and, So they, [00:18:21] reflect a way of living and today even more important. If you think about the trend of escapism, traveling without traveling. I need a break. I need a moment for myself of real enjoyment with my friends. [00:18:36] brands like this, and they are signature cocktail, let's say Aperol Spritz for Aperol, Negroni, for instance, for Campari makes you really full for half hour, one hour you're spending with your friends in another place. So they really stand for a way of living for a place and for a moment in life where you really, recharge your batteries and, [00:19:00] you dedicate really a true moment to yourself.  [00:19:03] Julka: And that's it for this edition of The Current Podcast. [00:19:05] Damian: We'll be back next week, so stay tuned. [00:19:08] Ilyse: The Current Podcast's theme is by Love Caliber. The current team includes Kat Vesce and Sydney Cairns. [00:19:15] Damian: Cairns. And remember,  [00:19:16] Julka: we really believe that we have winning products, and that's why we care so these to life we don't see this business as happening just virtually.  [00:19:29] Damian: I'm Damian. [00:19:30] Ilyse: I'm Ilyse. [00:19:30] Damian: And we'll see you next time. And if you like what you hear, please subscribe and leave us a review. Also, tune in to our other podcast, The Current Report.

À l'occasion du Jubilé 2025, proclamé par le pape François, des centaines de chantiers ont été lancés à Rome depuis deux ans, grâce à 4,3 milliards d'euros de financements. L'objectif est de restituer son prestige à la Ville éternelle et de la rendre plus durable. Mais les Romains sont exaspérés par les travaux qui perturbent leur vie quotidienne. En outre, ils redoutent l'arrivée de hordes de pèlerins. Environ 32 millions de fidèles sont attendus dans la capitale qui souffre déjà du surtourisme. De notre correspondante à Rome,La Ville éternelle, aussi chaotique que la scène du grand embouteillage dans le film « Roma » de Federico Fellini, sorti en 1972, c'est l'impression qui se dégage des deux côtés du Tibre. La directrice de la surintendance spéciale de Rome, Daniela Porro, rappelle que qui dit Jubilé, depuis le premier lancé en 1300 par le pape Boniface VIII, dit grands travaux : « La ville de Rome est aussi le reflet de toutes les opérations de rénovation et de modernisation réalisées à l'occasion des Années Saintes », affirme-t-elle.Mais sur les 205 chantiers prioritaires, seuls 64 sont achevés. Parmi ces derniers, la réfection de stations de métro ou encore la restauration de monuments. Antonella, avocate qui vit près du Panthéon, a un regard courroucé. « Aux difficultés de gestion des transports en commun s'ajoutent tant de travaux qui créent des désagréments. Et puis il y a des problèmes récurrents à Rome, comme la saleté, s'exaspère-t-elle. Tout un tas d'activités de restauration rapide ont été ouvertes, mais il n'existe aucun espace adapté à la consommation ».À lire aussiItalie: fermée pour des travaux, la fontaine de Trévi à Rome rouvre avec un accès limitéFuir Rome ou trouver des astuces pour slalomer entre les touristesRomain d'adoption, le Britannique James songe à prendre la poudre d'escampette. « Tout devient très compliqué. Même l'accès aux toilettes publiques… Vous comprenez ? Moi, je pense m'échapper à la campagne », rit-il.Pour Alessandra, vaillante octogénaire, sillonner à pied le cœur de Rome est un parcours du combattant. « J'ai accroché à ma canne une sonnette de vélo pour demander l'autorisation de passer, explique-t-elle, parce qu'il n'y a pas de place pour marcher. Il y a trop de touristes ! »Quant à Attilio, enseignant rencontré sur la piazza Navona, libérée des échafaudages, il déplore les rénovations tape-à-l'œil. « Tout a été concentré sur le maquillage du centre-ville. Je suis choqué par la fontaine des Quatre-Fleuves du Bernin, s'exclame-t-il. Elle est d'une blancheur immaculée ! Mais, à mes yeux, ces types de fontaines doivent avoir une patine pour préserver le sens de l'Histoire ».Les Romains sont donc loin de jubiler. D'autant que dans les zones touristiques, les prix montent en flèche. Celui du traditionnel « espresso » au bar atteint jusqu'à 4 euros contre 1,50 euro en moyenne.À lire aussiItalie: Rome, musée à ciel ouvert, souffre du tourisme de masse

Jean-Luc Godard and Federico Fellini made two iconic films that are quite different, but they changed the way movies are made. Connect with us: Never Did It on YouTube: https://www.youtube.com/@neverdiditpod Never Did It on Letterboxd: https://letterboxd.com/bradgaroon/list/never-did-it-podcast/ Brad on Letterboxd: https://letterboxd.com/bradgaroon/ Jake on Letterboxd: https://letterboxd.com/jake_ziegler/ Never Did It on Facebook: https://www.facebook.com/neverdiditpodcast Hosted by Brad Garoon & Jake Ziegler with guest Jeff Richardson

On the two hundred and fifty-fifth episode of THE THIRD ACT PODCAST, the crew are working hard for their money.Christian, Jericho, and Armando are back talking Autumn Tale (1998) Conclave, and Heretic in the Recently Watched segment before diving into the episode theme "Mambo #255", where they slide down the stripper pole for a review of Sean Baker's Palme D'or winning comedic drama ANORA, paired with Federico Fellini's 1957 masterpiece NIGHTS OF CABIRIA. They also discuss capitalism, bumbling goons, being on the clock, the timeless power of empathy, and religion + love being an illusion.Keep in touch with us on Instagram and email us anytime at: TheThirdActPodcast@gmail.com  

Felicia is joined by Geoff Thomas to discuss the effects of capitalism on an old man and his dog in Vittorio De Sica's Umberto D. (1952). We chat about this film as a bridge between De Sica's as a neo-realist filmmaker and his move towards comedies. Along with the themes of questioning the moral compass of authority figures present in this film. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Check out our previous episodes with Geoff: Diary of a Chambermaid (Luis Buñuel 1964) The Silence (Ingmar Bergman 1963) Follow Geoff here: IG: @cinema_gnt Letterboxd: @gnthomas Website: https://cinemamemry.wordpress.com/ Spotify: @cinematicmeoriespodcast Spotify: @dontdespisemepodcast Apple Podcasts: @cinematicmemoriespodcast Apple Podcasts: @dontdespisemepodcast Sources: https://web.archive.org/web/20110721100149/ http://www.ingmarbergman.se/universe.asp?guid=66DA7015-8017-4303-9A31-658D02296D45 https://www.criterion.com/current/posts/292-seeing-clearly-through-tears-on-the-smart-sentiment-of-umberto-d https://www.nytimes.com/1955/11/08/archives/screen-honest-realism-de-sicas-umberto-d-is-story-of-old-man.html https://www.deepfocusreview.com/definitives/umberto-d/ https://cinemafromthespectrum.com/2017/02/24/umberto-d-review/ OUTRO SONG: Umberto D. by Alessandro Cicognini FILMS MENTIONED: The Silence (Ingmar Bergman 1963) Diary of a Chambermaid (Luis Buñuel 1964) Bicycle Thieves (Vittorio De Sica 1948) The Leopard (Luchino Visconti 1963) Ikiru (Akira Kurosawa 1952) Shoeshine (Vittorio De Sica 1946) The Third Man (Carol Reed 1949) Miracle in Milan (Vittorio De Sica 1951) Terminal Station (Vittorio De Sica 1953) After the Fox (Vittorio De Sica 1966) The Voyage (Vittorio De Sica 1974) Sunflower (Vittorio De Sica 1970) Two Women (Vittorio De Sica 1960) Marriage Italian Style (Vittorio De Sica 1964) Yesterday, Today, and Tomorrow (Vittorio De Sica 1963) Boccaccio ‘70 (Vittorio De Sica, Federico Fellini, Mario Monicelli, Luchino Visconti 1962) Rebecca (Alfred Hithcock 1940) Il boom (Vittorio De Sica 1963) Anora (Sean Baker 2024) Wild Strawberries (Ingmar Bergman 1957) Tokyo Story (Yasujirō Ozu 1953)

Mentioned in this episode:SBCC American Ethnic Studies - https://www.sbcc.edu/americanethnicstudies/Chicano Power Movement - https://en.wikipedia.org/wiki/Chicano_MovementBlack Power Movement - https://en.wikipedia.org/wiki/Black_power_movementEl Paso Del Norte - https://www.tshaonline.org/handbook/entries/el-paso-del-norteChicano Secret Service - https://www.facebook.com/ChicanoSecretService/El Teatro Campesino - https://elteatrocampesino.com/Cedric Robinson - https://en.wikipedia.org/wiki/Cedric_RobinsonGeorge Lipsitz - https://en.wikipedia.org/wiki/George_LipsitzChela Sandoval - https://en.wikipedia.org/wiki/Chela_SandovalClyde Woods - https://cbsr.ucsb.edu/news/remembering-clyde-woodsAnything But Mexican: Chicanos in Contemporary Los Angeles by Rodolfo F. Acuña - https://www.versobooks.com/products/1533-anything-but-mexicanRacial Formation in the United States by Michael Omi - https://www.routledge.com/Racial-Formation-in-the-United-States/Omi-Winant/p/book/9780415520317Ramón Favela - https://www.arthistory.ucsb.edu/people/ram%C3%B3n-favelaLiberation Theology - https://en.wikipedia.org/wiki/Liberation_theologyHoliday in Cambodia by the Dead Kennedys - https://en.wikipedia.org/wiki/Holiday_in_CambodiaDomestic Policy of the Ronald Raegan Administration - https://en.wikipedia.org/wiki/Domestic_policy_of_the_Ronald_Reagan_administrationAngela Davis - https://en.wikipedia.org/wiki/Angela_DavisSBCC's Courageous Conversations for Outrageous Times for the Chicana/o Culture Conference - https://www.facebook.com/events/784586975229427/Hidden Figures: The American Dream and the Untold Story of the Black Women Who Helped Win the Space Race by Margot Lee Shetterly - https://www.hiddenfigures.com/Xicana/o/x Time and Space Exhibit at the Atkinson Gallery - https://sbcc.edu/newsandevents/pressreleases/2023-9-5-Atkinson-Gallery-Exhibition-Xicano-a-x-Time-Space.phpDel Pueblo Cafe - https://dpcsb.com/EOPS - https://www.sbcc.edu/eopscare/Rasquachismo - https://en.wikipedia.org/wiki/RasquachismoSB Farmer's Market - https://www.sbfarmersmarket.org/Quesadilla - https://en.wikipedia.org/wiki/QuesadillaMole - https://en.wikipedia.org/wiki/Mole_(sauce)Like Water for Chocolate - https://en.wikipedia.org/wiki/Like_Water_for_Chocolate_(film)Chile Relleno - https://en.wikipedia.org/wiki/Chile_rellenoShort Rib - https://en.wikipedia.org/wiki/Short_ribsRibeye - https://en.wikipedia.org/wiki/Rib_eye_steakEl Taco de Mexico Oxnard - https://www.yelp.com/biz/jesses-el-taco-de-mexico-oxnardRudy's - https://www.rudys-mexican.com/Meun Fan Thai Cafe - https://meunfanthaicafe.com/ Carne Adovada (New Mexico) - https://en.wikipedia.org/wiki/AdobadaCarnitas El Brother - https://www.carnitaselbrother.com/Yolanda's Mexican Cafe - https://www.yolandasmexicancafe.com/Andria's Seafood Restaurant - https://www.andriasseafood.com/Bristol Farms - https://www.bristolfarms.com/stores/la-cumbreBangkok Avenue - https://www.bangkokavenuetoaks.com/Finish the Fight Virtual Play - https://timesevents.nytimes.com/finishthefightLone Star - https://en.wikipedia.org/wiki/Lone_Star_(1996_film)Human Flow - https://en.wikipedia.org/wiki/Human_FlowThe Pearl Button - https://en.wikipedia.org/wiki/The_Pearl_ButtonWashington Bullets by the Clash - https://www.youtube.com/watch?v=slOz1XFCUXEThe Black Power Mixtape - https://en.wikipedia.org/wiki/The_Black_Power_Mixtape_1967%E2%80%931975Race: The Power of an Illusion - https://en.wikipedia.org/wiki/Race:_The_Power_of_an_IllusionThe Wind That Swept Mexico by Anita Brenner - https://utpress.utexas.edu/9780292790247/Occupied America: A History of Chicanos by Rodolfo F. Acuna - https://www.pearson.com/en-us/subject-catalog/p/occupied-america-a-history-of-chicanos/P200000002694/9780137525508The House on Mango Street by Sandra Cisneros - https://www.penguinrandomhouse.com/books/27844/the-house-on-mango-street-by-sandra-cisneros/Federico Fellini - https://en.wikipedia.org/wiki/Federico_FelliniThe Brother from Another Planet - https://en.wikipedia.org/wiki/The_Brother_from_Another_PlanetEight Men Out - https://en.wikipedia.org/wiki/Eight_Men_Out

Welcome back to The Video Store Podcast, where every week I recommend four films for you to rent from the video store this week. Today, we're diving into the world of classic horror anthologies. These are films that tell several stories within one, often with a framing device that ties everything together. If you're a fan of short, chilling tales, this episode is for you. First up is Dead of Night from 1945. This British film is one of the earliest horror anthologies and remains highly influential. It features five stories, all connected by a group of strangers who meet at a country house and realize they've all been having strange dreams. It's one of the first films to introduce the now-classic “ventriloquist dummy” horror trope, with a segment that stands out as one of the creepiest of the film. Directors like Alfred Hitchcock and Federico Fellini have praised Dead of Night for its surreal and unsettling atmosphere.Next, we have Black Sabbath, a 1963 Italian horror anthology directed by Mario Bava. It's made up of three stories, and depending on which version you watch, the order of those stories might change. Boris Karloff, famous for his role as Frankenstein's monster, appears in the third story and also introduces each segment. Bava's use of color in this film is incredible, especially in “The Wurdalak,” a tale about vampires, which Karloff stars in. Bava's visual style and ability to create mood really shine here, and the film is often credited with helping to shape Italian horror.The third recommendation is Kwaidan from 1964, a Japanese anthology directed by Masaki Kobayashi. The film adapts four traditional Japanese ghost stories, each with a unique, haunting style. It's a slow-burn film, with gorgeous set design and a painterly use of color, especially in the story “The Woman of the Snow.” Kobayashi originally intended for the film to be much longer, but the studio asked him to cut it down, so there's even more footage that exists beyond the version most people know. Kwaidan was nominated for an Academy Award for Best Foreign Language Film, which isn't typical for horror movies, especially one with such a dreamlike, experimental approach.Finally, there's The House That Dripped Blood from 1971. This British anthology was produced by Amicus Productions, a studio known for its anthology films, and it's one of their best. The movie features four stories tied together by a detective investigating mysterious deaths at a house. Each tale explores different horror subgenres, from vampires to haunted waxworks. It stars some familiar faces like Peter Cushing and Christopher Lee, who were regulars in British horror films of the era. The script was written by Robert Bloch, who's probably best known for writing Psycho, so you know the storytelling is solid.These four films are perfect examples of how diverse the anthology format can be, especially within the horror genre. They span different decades, countries, and styles, but all manage to deliver a range of creepy, atmospheric stories in one package. If you haven't explored horror anthologies before, these films are a great starting point.Thanks for listening to The Video Store Podcast. Be sure to check out these films, and I'll be back next week with more recommendations. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

The tenth episode of our season on the awesome movie year of 1969 features one of the Venice International Film Festival's major award winners, Federico Fellini's Fellini Satyricon. Directed and co-written by Federico Fellini and starring Martin Potter, Hiram Keller, Max Born and Salvo Randone, Fellini Satyricon won the Pasinetti Award for Best Italian Film at the 1969 festival and was nominated for an Oscar.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/fellini-satyricon-1970), Vincent Canby in The New York Times (https://www.nytimes.com/1970/03/15/archives/fellinis-magical-mystery-tour-fellinis-magical-mystery-tour.html), and Pauline Kael in The New Yorker.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1969 installment, featuring the Academy Awards Best Picture winner, John Schlesinger's Midnight Cowboy.

On this episode of What a Picture, Bryan and Hannah get podcaster's block (?) and go to a spa for two weeks to avoid recording this episode about 8 1/2, the 1963 movie directed by Federico Fellini that ranks #31 on Sight and Sound's 2022 Greatest Films of All Time Critics' Poll. Email us at podcast@whatapicturepod.com What a Picture website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://whatapicturepod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Bryan's Social Media: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Music is "Phaser" by Static in Verona.

Silvana vuelve al podcast para hablar con Villalobos respecto a la película que disparó la fama de Fellini afuera de Italia. Una mujer que vive y piensa como niña, un bruto legendario y la mezcla entre miseria y magia que fascinó al director a la hora de filmar entornos como el circo y la religión. 

Adam creates a hypnosis session inspired by the movie 8 1/2 by Federico Fellini. The hypnosis session used dream sequences from the movie, metaphors and symbols and the use of people from the past to create powerful insights and positive changes. The overall metaphor is to feel empowered to be the director of your life, being creative, decisive, and not afraid to take risks.  Adam's course Hypnotic Wealth can be found here: https://www.adamcox.co.uk/hypnotic-wealth.html  Coming Soon - The Hypnotists's Secret Circle: Adam will soon be launching a new low-cost membership to access his entire hypnosis archive without the intro, outro, and explanation and an exclusive community only for members. In the meantime you can secure a free sleep download here: https://tr.ee/MCuZqKPnEg  Adam Cox is one of the world's most innovative hypnotists and is known for being the hypnotherapist of choice for Celebrities, CEO's and even Royalty. To book a free 30-minute consultation call to consider working with Adam go to: https://go.oncehub.com/AdamCox Adam's rates for hypnotherapy in pounds and US dollars are here: https://www.adamcox.co.uk/hypnotherapist.html  You can contact Adam at adam@adamcox.co.uk Further information on Adam is here: https://linktr.ee/AdamCoxOfficial  Tags: Adam Cox, the hypnotist, NLP, asmr, hypnosis, hypnotherapy, hypnotist, stress, sleep, worry, meditation, guided meditation, hypnotism, anxiety, hypnosis for abundance, hypnosis for business success, hypnosis to feel enthusiastic about business, hypnosis for financial success, wealth hypnosis, abundance hypnosis, manifestation hypnosis, 8 1/2 by Fellini, Movie inspired hypnosis, 

The ninth episode of our season on the awesome movie year of 1969 features Jason's personal pick, Sam Peckinpah's The Wild Bunch. Directed and co-written by Sam Peckinpah and starring William Holden, Ernest Borgnine, Robert Ryan, Edmond O'Brien and Jaime Sánchez, The Wild Bunch was nominated for two Oscars.The contemporary reviews quoted in this episode come from Vincent Canby in The New York Times (https://www.nytimes.com/1969/06/26/archives/violence-and-beauty-mesh-in-wild-bunch.html), Pauline Kael in The New Yorker, and Judith Crist in New York Magazine.Please like, share, rate and comment on the show and this episode, and tune in for the next 1969 installment, featuring a Venice Film Festival award winner, Federico Fellini's Fellini Satyricon.

Let's review some more 70's movies now!
Today we start with 
 #1(Bloody Town Hall 1979) This documentary filmed in 1971 was a labor of love to edit and get it released by 79. This is a bloody mess that at least I found super interesting. BTH captures an important time, by way of an extremely odd event in NYC where Feminists take on Douchey Norman Mailer, a whole lotta chaos, and someone filmed it. NYC Gay Liberation Front members can be seen here for brief cameo. Other writers here of note are Germaine Greer, Diana Trilling, Jill Johnston, and Betty Friedman, to name a few.
#2 is (Johnny got his gun 1971). This book was read by anyone in high school who had a Vet for an English teacher. Author and director here was famous blacklisted writer Dalton Trumbo, they made a bio pic about him with the meth making chemistry teacher from Breaking Bad. This films good and trippy, also extremely heavy and sad, also also METALLICA (listen to the song One for the plot). We love Donald Sutherland and he had just passed at the time of recording so we are slowly goin through the few DS films that we haven't already reviewed or showcased. Timothy Bottoms, Kathy Fields, and massive character actor Peter Brocco are here, along with the guy who became a tree in Mr. Sycamore. 
#3 (Badlands 1973) Ok this ones arty. The Dad of the guy from Platoon, and Carrie from Carrie star here. Carrie is groomed by the Apocalypse now guy to be with him and watch him play macho militia survivalist dude, after killing her father. 
#4 (Last American Hero 1973)Before he owned a video arcade in Tron, the guy from King Kong who loves magic was a moonshiner turned Southern hick nascar racer. Gary Busey helps him here, as well as Geraldine Fitzgerald, Valerie Perrrine, and Ned Beatty.
#5 (Cassanova 1976) Donald Sutherland has Mr. Burns in the Simpson's Dracula parody hair here. Director here is the one and only Federico Fellini, and if you wanna read something funny, go to IMDB and check out his biography, unless someone changes it, it is one one the weirdest mini bio's I have ever read. Film looks stunning, but is it good? Well, our hot takes are ready. 
#6 (north Dallas forty 1979) This film experienced some real big problems taking on Big Sports. It's foolish to think that it wouldn't be the same as taking on the mob or the government. This is based on a book from someone who was in it Peter Gent. I was bullied by jocks and organized sports fans as far back as I can remember. I seem to be missing the gene to enjoy pretending I play a role sporting events. I digress, because I could watch a movie about sports or a show about sports if it's good, and this is good. Nick Nolte, and Charles Durning are here, as well as the director of First Blood, where John Jay Rambo was once in charge of million dollar equipment and now he can't even get a job parking cars. Finally today we review another made for TV movie gem called
 #7(The 5.20 an hour dream 1980) Alice from the hit TV show Alice is here and very good as Ellen a rad Mom who needs her car repaired and takes on patriarchy in the factory. Can these butts allow her to do a job she can do even though she is not a man? 
As always thanks for listening and please give us the stars and a review, it can help peeps find the pod.

On n'épouse jamais son fantasme, disait le cinéaste italien Federico Fellini. Il se pourrait bien que la peinture épouse tous les fantasmes d'une peintre diplômée de l'École Nationale Supérieure des Beaux-Arts de Paris, née en Iran. Silhouettes de femmes apprêtées sur un champ de ruines, visage de femme poignard sous le menton, beauté de femme blanche enlaçant beauté de femme africaine, scènes de guerre, allusion biblique ou mythologique, les toiles de Nazanin Pouyandeh font place à l'humanité. Mais, foin de blabla droit-de-l'hommiste, non, Nazanin n'a d'yeux que pour une humanité féminine, transgressive, désobéissante à l'image de son exposition éponyme à voir en ce moment à Montpellier, en France. Bien sûr, nos yeux d'amoureux, de journaliste, de critique, vont chercher des indices de sa vie passée en Iran. Ils vont chercher des tapis persans, des tapis volants, des préjugés coiffés de turban, chers vous tous, passez votre chemin... La Pouyandeh n'est pas l'Iranienne de service attendue, c'est une guerrière, peut-être bien une amazone.

This is a big one, folks. Alana and Sam take a deep dive into cinematic meta-fiction as they explore the relationship between the seminal film 8 1/2 (1963) and its four most prominent New Hollywood descendants: Alex in Wonderland (1970), All That Jazz (1979), and Stardust Memories (1980). We approached this project with the seriousness and rigor we feel it deserves which apparently to us means making you listen to us talk for nearly four hours! Topics include: the 1976 Tonys, acting teachers in 70s movies, and the ontological argument.Start timecodes for each segment: Federico Fellini's 8 1/2 - 0:00:00Paul Mazursky's Alex in Wonderland - 0:56:10Bob Fosse's All That Jazz - 1:46:35Woody Allen's Stardust Memories - 2:23:57

Hello dear friends! Gather round because do we have a spectacle for you! This week, we have a Patreon-supported pick from our friend Clayton. Clayton is taking us to the world of the Italian Neorealists with Federico Fellini with La Strada. For Dalton and Arthur, it is our first true conversation with the Neorealists. Dustin walks us through that as we bring La Strada to the analysis table. Tune in now! TIMESTAMPS 01:24 - Introductions and Synopsis 04:16 - Quick La Strada Reviews 19:24 - Expanding the Syllabus 36:16 - Analysis 57:29 - Shelf or Trash 48:34 - Wrap Up and Next Week's Film

On this episode of They Live By Film, Adam, Chris, Zach discuss Through a Glass Darkly by Ingmar Bergman, and Federico Fellini's Casanova. Youtube: https://www.youtube.com/@theylivebyfilmThe Radiance Films Podcast: https://podfollow.com/1762070615Punk Vacation: An Unofficial Vinegar Syndrome Podcast: https://podfollow.com/1760290937Wild Side: The Official Monda Macabro Podcast: https://podfollow.com/1762695719Adam's Letterboxd: https://letterboxd.com/TheOwls23/Adam's Twitter/X: https://twitter.com/adamlundy23Zach's Letterboxd: https://letterboxd.com/dharmabombs/Chris' subreddit: https://www.reddit.com/r/personalhistoryoffilmChris' Twitter/X: https://twitter.com/prsnlhstryfflm

durée : 00:51:04 - Les Nuits de France Culture - par : Albane Penaranda - En 1960 sort "La Dolce Vita" du jeune réalisateur Federico Fellini. Palme d'or au Festival de Cannes alors qu'il provoque un véritable scandale dans les milieux catholiques, cet épisode des "Chemins de la philosophie" proposait en 2016 de comprendre en quoi il s'agit d'une œuvre fondamentale. - réalisation : Louise Devillard - invités : Jean Antoine Gili Critique de cinéma, professeur d'histoire du cinéma à l'université Paris-I-Panthéon-Sorbonne, spécialiste du cinéma italien

Join us for an engaging and heartfelt journey through Italian American heritage and filmmaking. We were lucky to have this fascinating discussion with filmmakers Mary Lou and Jerome Bongiorno. In this podcast, they each shared their rich Italian roots, tracing back to the Veneto region and connections to Shakespeare's "Romeo and Juliet." The conversation also explores the distinct Italian communities within Newark, New Jersey, and their cultural nuances. Most importantly though this conversation navigates the world of Italian cinema and its profound cultural impact. Reflecting on the Newark Riots Rebellion of 1967, the discussion shifts to the brilliance of legendary Italian filmmakers like Federico Fellini, Antonioni, Rossellini, and Pasolini. Their works continue to inspire and shape contemporary cinema. The conversation also touches on the humanity of canonized saints, such as Elizabeth Ann Seton and Mother Cabrini, shedding light on their personal struggles and remarkable achievements. In the final chapters, we explore family secrets and cultural expectations, examining how societal pressures shaped personal histories, particularly among the World War I and II generations. The conversation shifts to the impact of family dynamics in Italian-American filmmaking, focusing on Martin Scorsese's relationship with his mother, Catherine. We discuss the broader significance of authentic representation in Italian-American media, moving beyond stereotypical portrayals to highlight diverse stories and achievements. Finally, we share insights from our recent filming experience in Sicily, capturing the evolving landscape of Italian society through unique narratives. Join us for this rich tapestry of stories, culture, and history. --- Support this podcast: https://podcasters.spotify.com/pod/show/italianamerican/support

"L'ultimo mago" (Neri Pozza) di Francesca Diotallevi è un mix di finzione e realtà come la scrittrice aveva già fatto nel romanzo "Dai tuoi occhi solamente" in cui si raccontava la storia della fotografa americana Vivian Maier. In questo caso si narra di Gustavo Rol, sensitivo, realmente vissuto a Torino fra il 1903 e il 1994. Il salotto in cui Rol manifestava le sue capacità ritenute da alcuni paranormali era frequentato da persone come Federico Fellini e l'avvocato Agnelli. La scrittrice sceglie di raccontare l'affascinante e controversa figura di Gustavo Rol attraverso personaggi di fiction, a partire da Nino che torna a Torino dopo essere stato prigioniero in India durante la Seconda Guerra mondiale.

Rockshow Episode 203 NicoNico, born Christa Päffgen on October 16, 1938, in Cologne, Germany, was a singer, songwriter, and actress best known for her work with The Velvet Underground and her solo career. She became an iconic figure in the music and fashion scenes of the 1960s and 1970s.Early Life and CareerNico began her career as a model and actress in the 1950s. She appeared in several films, including Federico Fellini's La Dolce Vita (1960). Her striking beauty and unique style made her a fixture in the European fashion world.Music CareerNico's music career took off when she was introduced to Andy Warhol, who managed The Velvet Underground. Warhol suggested that Nico should sing with the band, leading to her contributions to their seminal debut album, The Velvet Underground & Nico (1967). Her deep, haunting voice added a distinct atmosphere to tracks like “Femme Fatale,” “All Tomorrow's Parties,” and “I'll Be Your Mirror.”After her work with The Velvet Underground, Nico embarked on a solo career. Her debut solo album, Chelsea Girl (1967), featured a more folk-oriented sound, with contributions from members of The Velvet Underground and Bob Dylan. However, she soon moved away from this style, developing a darker, more experimental sound.Her subsequent albums, such as The Marble Index (1968), Desertshore (1970), and The End (1974), showcased her unique approach to music, blending avant-garde, classical, and gothic elements. Nico's solo work is often characterized by its bleak, introspective lyrics and minimalistic instrumentation, often featuring harmonium, an instrument she played herself.Later Years and LegacyNico's later years were marked by struggles with addiction and a nomadic lifestyle. She continued to release music and perform throughout the 1980s, but her health and career declined. Nico died on July 18, 1988, from a heart attack while on vacation in Ibiza.Despite her tragic life, Nico has left a lasting impact on music and culture. She is often remembered as one of the most enigmatic and influential figures in the world of alternative and avant-garde music. Her work has influenced countless artists, and she remains a cult icon to this day.#Nico #ChristaPäffgen#TheVelvetUnderground #ChelseaGirl #TheMarbleIndex#AvantGarde #GothicMusic#IconicSinger #MusicLegend#AndyWarhol #70sMusic#FemalePioneers #CultIcon#DarkWave #MusicHistoryhttps://www.newyorker.com/books/under-review/the-misunderstood-voice-of-nicohttps://open.spotify.com/artist/0IwlY33zbBXN7zlS9DP2Cj?si=gx1MGIOYRKmFzNRGfPu9dghttps://www.facebook.com/share/g/4j1eLTrZBEMMfYiL/?mibextid=K35XfPhttps://music.youtube.com/channel/UCjk87eFr83Lr7ioGcHgx0Cg?si=y32T3v6rbxXtRYzXhttps://music.apple.com/us/artist/nico/136825https://www.imdb.com/name/nm0630113/?ref_=ext_shr_lnkPlease follow us on Youtube,Facebook,Instagram,Twitter,Patreon and at www.gettinglumpedup.comhttps://linktr.ee/RobRossiGet your T-shirt at https://www.prowrestlingtees.com/gettinglumpedupAnd https://www.bonfire.com/store/getting-lumped-up/Subscribe to the channel and hit the like button This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/rob-rossi/support https://www.patreon.com/Gettinglumpedup

Theater critic J. Wynn Rousuck joins Midday to share another weekly review of a theatrical production in the greater Baltimore region. This week, reviews of two musicals at the John F. Kennedy Center for the Performing Arts in Washington, D.C. Nine is based on the groundbreaking 1963 movie, “8 1/2,” by Italian filmmaker Federico Fellini, while Back to the Future: The Musical is adapted from the 1985 film for the stage. (Photo by Matthew Murphy and Evan Zimmerman.)Email us at midday@wypr.org, tweet us: @MiddayWYPR, or call us at 410-662-8780.

In this 1527th episode of Toronto Mike'd, Mike chats with Canada's original news videographer Dominic Sciullo about his many years at CityTV, CP24, Global, Zoomer and his recent acquisition of artifacts, film reels, and unseen footage of the iconic Federico Fellini. Toronto Mike'd is proudly brought to you by Great Lakes Brewery, Palma Pasta, Ridley Funeral Home, The Advantaged Investor podcast from Raymond James Canada, The Toronto Maple Leafs Baseball Team and RecycleMyElectronics.ca. If you would like to support the show, we do have partner opportunities available. Please email Toronto Mike at mike@torontomike.com

Our summer travels continue this week to Italy, where Federico Fellini is our guide. The title translates to “the sweet life” in English, and that’s what star Marcello Mastroianni seeks in Rome, over the course of seven days. Mastroianni is a tabloid journalist, and we follow him through seven stories, during the film. Anita Ekberg is the female star probably most known to American film fans. La Dolce Vita ranks among Fellini’s best, and the movie also gives us a glimpse of modern Italy, a generation removed from World War II. Shelly Brisbin with Micheline Maynard and Dr. Drang.

Our summer travels continue this week to Italy, where Federico Fellini is our guide. The title translates to “the sweet life” in English, and that’s what star Marcello Mastroianni seeks in Rome, over the course of seven days. Mastroianni is a tabloid journalist, and we follow him through seven stories, during the film. Anita Ekberg is the female star probably most known to American film fans. La Dolce Vita ranks among Fellini’s best, and the movie also gives us a glimpse of modern Italy, a generation removed from World War II. Shelly Brisbin with Micheline Maynard and Dr. Drang.

This week, we have another brand new "In Conversation" episode with Daresha Kyi, an award-winning director and producer! In this episode, we chat with Daresha about her filmmaking journey. She shares experiences and lessons learned from her various projects as well as invaluable advice for aspiring filmmakers. (01:12) Check out Daresha's list of impactful films: Ganja & Hess, Quilombo, Black Orpheus, Sweet Sweetback's Baadasssss Song, Lars and the Real Girl, The Godfather Part II, Harold and Maude, Cinema Paradiso, Life Is Beautiful, The Spirit of the Beehive, My Life as a Dog, Benny & Joon, Being There, American Beauty, and Chinatown As well as Daresha's Mount Rushmore of filmmakers: Federico Fellini, Ava DuVernay, Martin Scorsese, and Pedro Almodóvar We are available on all podcasting platforms but please follow, rate, and review us on Apple Podcasts and Spotify apps. We greatly appreciate the support! Follow us on social media: IG: @recappinpodcast Twitter: @recappinpodcast FB: ReCappin' with Delora and Ashley Contact us: Email: recappinpodcast@gmail.com

Greg screens Federico Fellini's 1963 classic "8½."

This week, Josh and Drusilla are joined by a very special guest: Matt Landsman, manager of the newly re-opened Vista's Video Archives Club and Programmer at Be Kind Video. The episode is focused on 1968's Spirits of the Dead. From wiki: “Spirits of the Dead (French: Histoires extraordinaires, lit. 'Extraordinary Tales', Italian: Tre passi nel delirio, lit. 'Three Steps to Delirium'), also known as Tales of Mystery and Imagination and Tales of Mystery,[8] is a 1968 horror anthology film comprising three segments respectively directed by Roger Vadim, Louis Malle and Federico Fellini, based on stories by Edgar Allan Poe. A French-Italian international co-production, the film's French title is derived from a 1856 collection of Poe's short stories translated by French poet Charles Baudelaire; the English titles Spirits of the Dead and Tales of Mystery and Imagination are respectively taken from an 1827 poem by Poe and a 1902 British collection of his stories.But they also discuss Bulldog Drummond, Quentin Tarantino, micro cinemas, VHS, Tales from the Darkside, Monster Squad, Sleepaway Camp, Blood Beach, Fright Night, Creepshow, Jill Schoelen, The Peoples' Joker, The Pit, The Gate, Troll, Ghoulies, Critters, Speak No Evil, Force Majeur, Bad Boy Bubby, the love of Terrence Stamp and Jane Fonda, and more! NEXT WEEK: Inside (2007) Follow them across the internet:Matt Landsman:https://twitter.com/MattLandsmanhttps://twitter.com/archivesclubhttps://twitter.com/bekindvideo Bloodhaus:https://www.bloodhauspod.com/https://twitter.com/BloodhausPodhttps://www.instagram.com/bloodhauspod/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/ 

Arch Brown, an amateur photographer turned incidental filmmaker first came to broad public attention through his films. During gay liberation's first decade, Brown's homoerotic films achieved an international following garnering amazing reviews.Fellow filmmaker and producer, Jack Deveau, entrusted Brown with a surreal film which has been compared to the works of Jean-Luc Godard, Federico Fellini, Luis Buñuel and Jean Cocteau. So what is  Arch Brown's The Night Before trying to tell us?Dick Fisk was one of the most famous faces of gay erotica in the mid to late 1970's and onward into the early 1980's. He was manly, oozed sexuality and confidence and….that mustache. He appeared in only a handful of magazines and movies but his iconic look made him Falcon Studios first "instant" superstar.In this episode we are going to celebrate Arch Brown, a filmmaker who would become a master craftsman and philanthropist after leaving the corporate world behind, his film, The Night Before, a beautifully crafted film that was on Variety's 50 top-grossing film's list in the nation for five weeks. And finally we will celebrate Dick Fisk, the archetypal Castro clone with the perfect physique and generous endowment whose contributions to the gay adult entertainment industry still resonate with his admirers today. Support the show