Podcasts about CinemaScope

A life lost way too soon at 24 years old, James Dean will always be remembered as one of Hollywood's greatest actors. Add to that feat the fact that he only had leading roles in three films and his potential becomes infinitely more devastating. In honoring him seventy years after his passing, Sophia and Nick look back at two of his films that were also released that same year: Elia Kazan's triumphant adaptation of John Steinbeck's epic novel, East of Eden, and Nicholas Ray's definitive portrait of 1950's America, Rebel Without a Cause (34:24). Listen as they discuss Dean's career highlights and how his performances stand out even among many other Oscar nominees (and a winner!) and CinemaScope beauty that transports us back in time. Follow us on Twitter, Instagram, Bluesky, and TikTok @oscarwildpodFollow Sophia @sophia_cimFollow Nick @sauerkraut27Music: “The Greatest Adventure” by Jonathan Adamich

Probablemente no es la mejor ni la más esperada de las películas de semana santa. Es una película de calidad muy inferior a otros clásicos de esa lista, pero aún así tiene un lugar ganado en la historia del cine por una razón inapelable: "El manto sagrado" fue la primera cinta hollywoodense fotografiada y estrenada en Cinemascope.

Access this entire 87-minute episode (and additional monthly bonus shows) by becoming a Junk Filter patron for only $5.00 (US) a month! Over 30% of episodes are exclusively available to patrons of the show. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.patreon.com/posts/207-john-ford-124925337The writer and film programmer Chris Cassingham returns to the podcast from Milwaukee to discuss one of John Ford's greatest films, 1955's The Long Gray Line, Ford's only film shot in the CinemaScope format.Starring Tyrone Power in one of his final films before his unexpected death at age 44, The Long Gray Line tells the true story of Marty Maher, a young Irish immigrant who arrived to the West Point military academy in the late 1800s and lived and worked there for 50 years, moving up from the kitchen to become a non-commissioned officer and athletic instructor and a beloved figure to generations of cadets. The film spans this half-century and the narrative evolves from a wacky comedy to a stark and tragic tale of loss, as Maher and his wife Mary (Maureen O'Hara) continue to age as the continuum of young cadets come and go, some to die in combat through the two World Wars. We talk about Ford's innovations in the use of the then-new technology of CinemaScope, with his camera favouring the Z-axis (the depth of the widescreen image) to visually depict the theme of the film, life's vanishing points, with a protagonist who slowly realizes the lack of control he has over his own life, a film certainly influential on Scorsese's The Irishman, with Ford offering at once a tribute to West Point and a questioning of the futility of Maher's task, a lifetime spent training young men to die for their country. Follow Chris Cassingham on Twitter and Bluesky and subscribe to his new substack Dark Optimism.The Long Gray Line is currently available to watch for free (with ads) and in CinemaScope on YouTube and Tubi. Trailer for The Long Gray Line (John Ford, 1955)

Tyler reviews and talks about one of the "forgotten" best picture winners, the chaos surrounding the making of Cleopatra, the signifance of Sidney Poitiers win and the history of Cinerama

In episode five of our Visionary Remakes season, we dissect the original The Fly from 1958 as well as David Cronenberg's bombastic remake from 1986.Special Guest: Daniel Malone - Host of the great You Talkin' to Me? podcast where Daniel watches classic films with his son for the first time. Check it out!The impetus of this season was to explore how remakes can add, take away, or supercede the original. Of course, all remakes add to the discourse of the original, and it is not some arbitrary competition. But the intention to remake is in some sense always competitive. A producer, writer, and/or director wants to retell a story in a different way, presuming the original will no longer do. Often this desire is imprudent but The Fly is a great example of how that impulse can lead to something much deeper and richer than the original execution.The Fly (1958) is certainly not a bad film. It was an elevated B-movie for its time, shot in beautiful CinemaScope. Vincent Price dutifully shows up, and a couple scenes became iconic (both fly head reveals). When compared to David Cronenberg's masterpiece from 1986, the original suddenly feels quite quaint and slight, a time capsule curiosity rather than groundbreaking film. Cronenberg's The Fly is perhaps the paradigm of taking an interesting idea and expanding it into something much more and much better. The remake also demonstrates that an idea or concept is just the foundation of a film. The true totality of a movie is the collective creative action of hundreds of people. When it all gels, we get something special and magical.

Send us a textJoin animation historian Jerry Beck and George Feltenstein from the Warner Archive as they unfold the rich tapestry behind the Tom and Jerry CinemaScope Collection. Discover the revolutionary role of CinemaScope in the 1950s and how it breathed life into MGM studios amidst turbulent times. We promise you'll gain an understanding of how these iconic cartoons were meticulously restored, leveraging modern technology while preserving their original charm. Celebrate the 85th anniversary of Tom and Jerry by traversing their cinematic universe. Relish fan-favorite episodes like "Pet Peeve," "Touche, Pussycat," and "The Flying Sorceress," and appreciate their timeless appeal and artistic brilliance. Whether you're an animation aficionado or a nostalgic fan, prepare for an enlightening journey that cherishes the legacy of these beloved characters. Purchase: TOM AND JERRY: The Complete CinemaScope Collection (1954-1958) BLU-RAY The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog GroupOtaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. www.otakumedia.tv

"Let the old buzzard flap his wings right over me. Till he comes down and gets me, I got a lotta livin' to do." Our newest team member Amanda Rush joins us to talk about Otto Preminger's barrier-breaking Cinemascope musical Carmen Jones. We talk opera, Dorothy Dandridge, Harry Belafonte, and a form of short film called "Soundies." Follow the Show:TwitterInstagramWebsite Music by Mike Natale

Episode 5 of our Season on The Year Before Disneyland continues with December, 1954.  We begin with the FIVE ‘Disneyland' TV Show Episodes that month (including 3 Biggies), chat Disney's Sylvania Win, Walt being on the Cover of ‘Time,' and the Birth of ‘The Mickey Mouse Club.' Then we look at Bob Gurr's officially starting at WED, and Walt living up to his own Perfect Creationism.  And we round out 1954 in The Theatre with a Donald Duck Bio, his ‘Grand Canyonscope' Short, and the Premiere of the Feature that Short premiered WITH – both in CinemaScope! – ‘20,000 Leagues Under The Sea.'  For more info, or sharing YOUR questions & comments, please find us on Instagram @fromoutofthepastpodcast!  Thanks for listening …