Podcasts about abdellah taia

durée : 00:53:25 - Le grand atelier - par : Vincent Josse, Tara Natouri - Les parcours violents que continuent de vivre les homosexuels, c'est par la fiction que l'écrivain Abdellah Taïa s'en empare, à travers la figure de Youssef dans son dernier livre "Le Bastion des Larmes", chez Julliard. Son invité, Antoine Idier a choisi un autre instrument : la sociologie. - invités : Abdellah TAIA, Antoine Idier - Abdellah Taïa : Écrivain et cinéaste marocain d'expression française, Antoine Idier : Sociologue et historien, maître de conférences à Sciences Po Saint-Germain-en-Laye, spécialiste de l'histoire de l'homosexualité et des cultures minoritaires - réalisé par : Lucie Lemarchand

Jordan Elgrably in conversation with Sarah AlKahly-Mills, with readings from both authors. City Lights celebrates the publication of "Stories from the Center of the World: New Middle East Fiction," edited by Jordan Elgrably, published by City Lights Books. You can purchase copies directly from City Lights here: https://citylights.com/stories-from-the-center-of-the-world/ "Stories from the Center of the World" gathers new writing from 25 emerging and established writers of Middle Eastern and North African origins, offering a unique collection of voices and viewpoints that illuminate life in the global Arab/Muslim world. The authors included in the book come from a wide range of cultures and countries, including Palestine, Syria, Pakistan, Iran, Lebanon, Egypt, and Morocco. In “Asha and Haaji,” Hanif Kureishi takes up the cause of outsiders who become uprooted when war or disaster strikes and they flee for safe haven. In Nektaria Anastasiadou‘s “The Location of the Soul According to Benyamin Alhadeff,” two students in Istanbul from different classes — and religions that have often been at odds with one another — believe they can overcome all obstacles. MK Harb‘s story, “Counter Strike,” is about queer love among Beiruti adolescents; and Salar Abdoh‘s “The Long Walk of the Martyrs” invites us into the world of former militants, fighters who fought ISIS or Daesh in Iraq and Syria, who are having a hard time readjusting to civilian life. In “Eleazar,” Karim Kattan tells an unexpected Palestinian story in which the usual antagonists — Israeli occupation forces — are mostly absent, while another malevolent force seems to overtake an unsuspecting family. Omar El Akkad‘s “The Icarist” is a coming-of-age story about the underworld in which illegal immigrants are forced to live, and what happens when one dares to break away. Contributors include: Salar Abdoh, Leila Aboulela, Farah Ahamed, Omar El Akkad, Sarah AlKahly-Mills, Nektaria Anastasiadou, Amany Kamal Eldin, Jordan Elgrably, Omar Foda, May Haddad, Danial Haghighi, Malu Halasa, MK Harb, Alireza Iranmehr, Karim Kattan, Hanif Kureishi, Ahmed Salah Al-Mahdi, Diary Marif, Tariq Mehmood, Sahar Mustafah, Mohammed Al-Naas, Ahmed Naji, Mai Al-Nakib, Abdellah Taia, and Natasha Tynes. Jordan Elgrably is a Franco-American and Moroccan writer and translator, whose stories and creative nonfiction have appeared in numerous anthologies and reviews, including Apulée, Salmagundi, and The Paris Review. Editor-in-chief and founder of The Markaz Review, he is the cofounder and former director of the Levantine Cultural Center/The Markaz in Los Angeles (2001-2020), and producer of the stand-up comedy show “The Sultans of Satire” (2005-2017) and hundreds of other public programs. He is based in Montpellier, France and California. Sarah AlKahly-Mills is a Lebanese-American writer. Her story “The Salamander” is included in the new book "Stories from the Center of the World: New Middle East Fiction," edited by Jordan Elgrably, and just published by City Lights. Her fiction, poetry, book reviews, and essays have appeared in publications including Litro Magazine, Ink and Oil, the Los Angeles Review of Books, Michigan Quarterly Review, PopMatters, Al-Fanar Media, Middle East Eye, and various university journals. Born in Burbank, CA, she now lives in Rome, Italy. Originally hosted live in City Lights' Poetry Room on Thursday, May 9, 2024. Hosted by Peter Maravelis. Made possible by support from the City Lights Foundation cosponsored with Golden Thread Productions. citylights.com/foundation

De 1954 à 1999, l'auteur Abdellah Taia raconte trois moments clés de la vie de sa mère, Malika, une femme marocaine de la campagne.  Invité : Abdellah Taia, auteur et cinéaste marocain d'expression française. Son dernier ouvrage « Vivre à ta lumière » vient d'être publié au Seuil.

On our inaugural episode of Globally Lit, a podcast of international literature and translation, we first welcome Moroccan author Abdellah Taia to discuss his novel A Country for Dying. Next, the novel’s translator, Emma Ramadan, is in conversation with wonderful French language translator Laura Marris. And finally, Aliza Cohen reviews A Beautiful Darkness, a new graphic novel translated from French to English. Please purchase all the books discussed today through Riff Raff Books at riffraffpvd.com and visit the Cheuse Center at cheusecenter.gmu.edu and Books Across Borders at booksacrossborders.com. You can learn more about our translators today by visiting emmaramadan.com and lauramarris.com

Dalida, symbole de l'exil et l'immigration ? Après avoir beaucoup pleuré sur les vidéos de Dalida sur YouTube, Léa rencontre l'écrivain marocain Abdellah Taia, fan de la chanteuse. L'auteur du livre « Une mélancolie arabe » voit en Dalida un symbole de l'exil et de l'immigration. C'est ainsi qu'il se reconnaît en elle : Dalida est une femme arabe qui, comme lui, a pris le large. Qui vit encore avec Dalida ? Comment ses chansons lui survivent aujourd'hui, dans les cœurs, les esprits, et les fins de soirées ? À travers une approche sensible teintée d'humour et de mélancolie, Léa Veinstein décide d'enquêter sur cette personnalité enchanteresse, entre ultra-féminité et androgynie. Sur sa mélancolie malgré les strass et paillettes. Sur son parcours de femme orientale exilée. Sur la malédiction qui semble planer sur ses relations amoureuses. A chaque thème correspond une rencontre avec un fan inattendu : un psychanalyste, un chanteur travesti, un écrivain marocain, un philosophe traduit dans le monde entier... Son podcast raconte son année avec Dalida. Une année à chanter dans sa voiture, à errer sur Youtube en pleurant, et à tenter de comprendre : et si Dalida, loin d'être ringarde, était une histoire du transgenre, de l'immigration, et même une cougar avant la lettre ?   Enregistrement : 18-19 - Texte, voix et montage : Léa Veinstein - Musique originale et réalisation : Arnaud Forest - Illustrations : Julien Pacaud - Production : ARTE Radio

Sometimes a book can take inspiration from a (not so) simple map. At the end of his previous book, Queer French: Globalization, Language, and Sexual Citizenship (Routledge, 2007), Denis Provencher discusses a map of “gay Paris” drawn by Samir, one of his French interlocutors of North African descent. Samir’s queer urban landscape left out most of the Marais, an area typically considered a center of gay life in the French capital. A follow-up to that 2007 study in some ways, Queer Maghrebi French: Language, Temporalities, Transfiliations (Liverpool University Press, 2017) is also much more. This new book explores the biographies, experiences, cultural work, and activisms of men of Maghrebi origin, men who were either born in or immigrants to contemporary France. Exploring the workings of culture, religion, community, and kinship, the book engages and intervenes in the fields of queer theory, gender studies, ethnography, linguistics, and cultural studies. Combining analysis of a variety of cultural texts—including art, literature, photography, film, and performance—with ethnographic data drawn from multiple interviews, QMF interrogates diasporic identity, language, mobility, time, and space. Over the course of the book’s several chapters, Provencher considers the lives and work of the artist and photographer 2Fik; the queer activist, scholar, and imam Ludovic-Mohamed Zahed; the novelist Abdellah Taia; and the filmmaker and screenwriter Mehdi Ben Attia. The final chapter of the book focuses on three anonymous working and middle-class men Provencher interviewed over the course of the project. In addition to highlighting language, temporality, and transfiliation, the book is attentive throughout to the role of technology—its screens and networks—in enabling and shaping different forms of community and (self-)representation. Interdisciplinary in its approach, the book will be of great interest to readers across the fields of LGBTQ, Maghrebi French, and cultural studies. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the culture and politics of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written by Vancouver artist/musician Casey Wei (performing as “hazy”). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sometimes a book can take inspiration from a (not so) simple map. At the end of his previous book, Queer French: Globalization, Language, and Sexual Citizenship (Routledge, 2007), Denis Provencher discusses a map of “gay Paris” drawn by Samir, one of his French interlocutors of North African descent. Samir’s queer urban landscape left out most of the Marais, an area typically considered a center of gay life in the French capital. A follow-up to that 2007 study in some ways, Queer Maghrebi French: Language, Temporalities, Transfiliations (Liverpool University Press, 2017) is also much more. This new book explores the biographies, experiences, cultural work, and activisms of men of Maghrebi origin, men who were either born in or immigrants to contemporary France. Exploring the workings of culture, religion, community, and kinship, the book engages and intervenes in the fields of queer theory, gender studies, ethnography, linguistics, and cultural studies. Combining analysis of a variety of cultural texts—including art, literature, photography, film, and performance—with ethnographic data drawn from multiple interviews, QMF interrogates diasporic identity, language, mobility, time, and space. Over the course of the book’s several chapters, Provencher considers the lives and work of the artist and photographer 2Fik; the queer activist, scholar, and imam Ludovic-Mohamed Zahed; the novelist Abdellah Taia; and the filmmaker and screenwriter Mehdi Ben Attia. The final chapter of the book focuses on three anonymous working and middle-class men Provencher interviewed over the course of the project. In addition to highlighting language, temporality, and transfiliation, the book is attentive throughout to the role of technology—its screens and networks—in enabling and shaping different forms of community and (self-)representation. Interdisciplinary in its approach, the book will be of great interest to readers across the fields of LGBTQ, Maghrebi French, and cultural studies. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the culture and politics of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written by Vancouver artist/musician Casey Wei (performing as “hazy”). To hear more, please visit https://agonyklub.com/. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Sometimes a book can take inspiration from a (not so) simple map. At the end of his previous book, Queer French: Globalization, Language, and Sexual Citizenship (Routledge, 2007), Denis Provencher discusses a map of “gay Paris” drawn by Samir, one of his French interlocutors of North African descent. Samir’s queer urban landscape left out most of the Marais, an area typically considered a center of gay life in the French capital. A follow-up to that 2007 study in some ways, Queer Maghrebi French: Language, Temporalities, Transfiliations (Liverpool University Press, 2017) is also much more. This new book explores the biographies, experiences, cultural work, and activisms of men of Maghrebi origin, men who were either born in or immigrants to contemporary France. Exploring the workings of culture, religion, community, and kinship, the book engages and intervenes in the fields of queer theory, gender studies, ethnography, linguistics, and cultural studies. Combining analysis of a variety of cultural texts—including art, literature, photography, film, and performance—with ethnographic data drawn from multiple interviews, QMF interrogates diasporic identity, language, mobility, time, and space. Over the course of the book’s several chapters, Provencher considers the lives and work of the artist and photographer 2Fik; the queer activist, scholar, and imam Ludovic-Mohamed Zahed; the novelist Abdellah Taia; and the filmmaker and screenwriter Mehdi Ben Attia. The final chapter of the book focuses on three anonymous working and middle-class men Provencher interviewed over the course of the project. In addition to highlighting language, temporality, and transfiliation, the book is attentive throughout to the role of technology—its screens and networks—in enabling and shaping different forms of community and (self-)representation. Interdisciplinary in its approach, the book will be of great interest to readers across the fields of LGBTQ, Maghrebi French, and cultural studies. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the culture and politics of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written by Vancouver artist/musician Casey Wei (performing as “hazy”). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sometimes a book can take inspiration from a (not so) simple map. At the end of his previous book, Queer French: Globalization, Language, and Sexual Citizenship (Routledge, 2007), Denis Provencher discusses a map of “gay Paris” drawn by Samir, one of his French interlocutors of North African descent. Samir’s queer urban landscape left out most of the Marais, an area typically considered a center of gay life in the French capital. A follow-up to that 2007 study in some ways, Queer Maghrebi French: Language, Temporalities, Transfiliations (Liverpool University Press, 2017) is also much more. This new book explores the biographies, experiences, cultural work, and activisms of men of Maghrebi origin, men who were either born in or immigrants to contemporary France. Exploring the workings of culture, religion, community, and kinship, the book engages and intervenes in the fields of queer theory, gender studies, ethnography, linguistics, and cultural studies. Combining analysis of a variety of cultural texts—including art, literature, photography, film, and performance—with ethnographic data drawn from multiple interviews, QMF interrogates diasporic identity, language, mobility, time, and space. Over the course of the book’s several chapters, Provencher considers the lives and work of the artist and photographer 2Fik; the queer activist, scholar, and imam Ludovic-Mohamed Zahed; the novelist Abdellah Taia; and the filmmaker and screenwriter Mehdi Ben Attia. The final chapter of the book focuses on three anonymous working and middle-class men Provencher interviewed over the course of the project. In addition to highlighting language, temporality, and transfiliation, the book is attentive throughout to the role of technology—its screens and networks—in enabling and shaping different forms of community and (self-)representation. Interdisciplinary in its approach, the book will be of great interest to readers across the fields of LGBTQ, Maghrebi French, and cultural studies. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the culture and politics of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written by Vancouver artist/musician Casey Wei (performing as “hazy”). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sometimes a book can take inspiration from a (not so) simple map. At the end of his previous book, Queer French: Globalization, Language, and Sexual Citizenship (Routledge, 2007), Denis Provencher discusses a map of “gay Paris” drawn by Samir, one of his French interlocutors of North African descent. Samir’s queer urban landscape left out most of the Marais, an area typically considered a center of gay life in the French capital. A follow-up to that 2007 study in some ways, Queer Maghrebi French: Language, Temporalities, Transfiliations (Liverpool University Press, 2017) is also much more. This new book explores the biographies, experiences, cultural work, and activisms of men of Maghrebi origin, men who were either born in or immigrants to contemporary France. Exploring the workings of culture, religion, community, and kinship, the book engages and intervenes in the fields of queer theory, gender studies, ethnography, linguistics, and cultural studies. Combining analysis of a variety of cultural texts—including art, literature, photography, film, and performance—with ethnographic data drawn from multiple interviews, QMF interrogates diasporic identity, language, mobility, time, and space. Over the course of the book’s several chapters, Provencher considers the lives and work of the artist and photographer 2Fik; the queer activist, scholar, and imam Ludovic-Mohamed Zahed; the novelist Abdellah Taia; and the filmmaker and screenwriter Mehdi Ben Attia. The final chapter of the book focuses on three anonymous working and middle-class men Provencher interviewed over the course of the project. In addition to highlighting language, temporality, and transfiliation, the book is attentive throughout to the role of technology—its screens and networks—in enabling and shaping different forms of community and (self-)representation. Interdisciplinary in its approach, the book will be of great interest to readers across the fields of LGBTQ, Maghrebi French, and cultural studies. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the culture and politics of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written by Vancouver artist/musician Casey Wei (performing as “hazy”). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sometimes a book can take inspiration from a (not so) simple map. At the end of his previous book, Queer French: Globalization, Language, and Sexual Citizenship (Routledge, 2007), Denis Provencher discusses a map of “gay Paris” drawn by Samir, one of his French interlocutors of North African descent. Samir’s queer urban landscape left out most of the Marais, an area typically considered a center of gay life in the French capital. A follow-up to that 2007 study in some ways, Queer Maghrebi French: Language, Temporalities, Transfiliations (Liverpool University Press, 2017) is also much more. This new book explores the biographies, experiences, cultural work, and activisms of men of Maghrebi origin, men who were either born in or immigrants to contemporary France. Exploring the workings of culture, religion, community, and kinship, the book engages and intervenes in the fields of queer theory, gender studies, ethnography, linguistics, and cultural studies. Combining analysis of a variety of cultural texts—including art, literature, photography, film, and performance—with ethnographic data drawn from multiple interviews, QMF interrogates diasporic identity, language, mobility, time, and space. Over the course of the book’s several chapters, Provencher considers the lives and work of the artist and photographer 2Fik; the queer activist, scholar, and imam Ludovic-Mohamed Zahed; the novelist Abdellah Taia; and the filmmaker and screenwriter Mehdi Ben Attia. The final chapter of the book focuses on three anonymous working and middle-class men Provencher interviewed over the course of the project. In addition to highlighting language, temporality, and transfiliation, the book is attentive throughout to the role of technology—its screens and networks—in enabling and shaping different forms of community and (self-)representation. Interdisciplinary in its approach, the book will be of great interest to readers across the fields of LGBTQ, Maghrebi French, and cultural studies. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the culture and politics of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written by Vancouver artist/musician Casey Wei (performing as “hazy”). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sometimes a book can take inspiration from a (not so) simple map. At the end of his previous book, Queer French: Globalization, Language, and Sexual Citizenship (Routledge, 2007), Denis Provencher discusses a map of “gay Paris” drawn by Samir, one of his French interlocutors of North African descent. Samir’s queer urban landscape left out most of the Marais, an area typically considered a center of gay life in the French capital. A follow-up to that 2007 study in some ways, Queer Maghrebi French: Language, Temporalities, Transfiliations (Liverpool University Press, 2017) is also much more. This new book explores the biographies, experiences, cultural work, and activisms of men of Maghrebi origin, men who were either born in or immigrants to contemporary France. Exploring the workings of culture, religion, community, and kinship, the book engages and intervenes in the fields of queer theory, gender studies, ethnography, linguistics, and cultural studies. Combining analysis of a variety of cultural texts—including art, literature, photography, film, and performance—with ethnographic data drawn from multiple interviews, QMF interrogates diasporic identity, language, mobility, time, and space. Over the course of the book’s several chapters, Provencher considers the lives and work of the artist and photographer 2Fik; the queer activist, scholar, and imam Ludovic-Mohamed Zahed; the novelist Abdellah Taia; and the filmmaker and screenwriter Mehdi Ben Attia. The final chapter of the book focuses on three anonymous working and middle-class men Provencher interviewed over the course of the project. In addition to highlighting language, temporality, and transfiliation, the book is attentive throughout to the role of technology—its screens and networks—in enabling and shaping different forms of community and (self-)representation. Interdisciplinary in its approach, the book will be of great interest to readers across the fields of LGBTQ, Maghrebi French, and cultural studies. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the culture and politics of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written by Vancouver artist/musician Casey Wei (performing as “hazy”). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices

Documentary filmmaker Laura Poitras joins Kate, Eric, and Medaya to discuss her new film, Risk; the product of filming Julian Assange and the Wikileaks team over the past seven years. The film is a companion piece to Poitras' Academy Award winning Citizen Four, about Edward Snowden. Both films place Poitras at the epicenter of two of the most significant politcal phenomena of our digital age; and, in both instances, she has crafted brilliant films. Also, Abdellah Taia returns to recommend Russell Banks' novel from the 1980's Continental Drift.

In a powerful show, author Abdellah Taia talks with co-hosts Kate Wolf and Eric Newman about his new collection from Semiotexte, "Another Morocco;" and also about his experience as the first prominent Moroccan author to come out of the closet; his love of Morocco; how he knew he would lose part of himself when he moved to France; and his bitterness towards French liberal society, which may be less homophobic, but is not tolerant of the young man he was in Morocco. George Prochnik, author of a new book about Gershom Scholem, returns to recommend Scholem's magisterial biography The Mystical Messiah: Sabbatai Sevi about one of the most astonishing figures in Jewish history.

Går det att äta sig lycklig? Är en förhöjd livskänsla beroende av halstrad anklever? Och hur gör man litteratur av återkommande restaurangbesök? Möt den storsäljande deckarförfattaren som plöjer ned enorma pengar och flyger världen över för att hitta den ultimata smakkicken, och det mest exklusiva vinet därtill. Marie Lundström möter Mons Kallentoft, aktuell med sin nya bok Food Junkie. Hur många självbiografiska romaner kan man egentligen skriva? Den marockanske författaren Abdellah Taia har skrivit sex böcker om sitt liv, och har inga planer på att sluta. Som barn drömde han om att bli en intellektuell i Paris. Men i dag, när han faktiskt är en intellektuell i Paris, jagas han istället av sitt förflutna. Snart kommer hans andra bok på svenska, Frälsningarmén, som dessutom är på väg att bli film. Missa inte Mona Masris intervju med Abdellah Taia. Varför har många författare ett så starkt motstånd mot terapi? Och vad säger terapeuten själv om det? Frågan går vidare till psykologen och KBT-terapeuten Liv Svirsky. Och så har Gunnar Bolin besökt Ungerns och en av Europas mest lästa litteraturtidskrifter, Élet és Irodalom eller Liv och litteratur på svenska. I det hårdnande massmedieklimatet i landet blir tidskriften en av landets viktigaste oppositionella röster. Hela denna anrättning kryddas sedan med en nypa fallskärmsjägarpoesi, signerad akademiledamoten Jesper Svenbro.

Salvation Army (Semiotext(e)) In Abdellah Taïa's family and in his native country, homosexuality is surrounded by silence. All sorts of behaviors are tolerated if they are not spoken of, an intolerable circumstance for a writer...