Podcasts about Kate Wolf

Dan Nadel joins Kate Wolf and Eric Newman to speak about his new biography, Crumb: A Cartoonist's Life. The book traces the life and art of Robert Crumb, arguably the most influential cartoonist of the last half century. Crumb emerged from the world of underground comics that he helped create in the late 1960s to both mainstream fame and commercial success. But he was a reticent celebrity who often felt at odds with the hippie culture that he became so identified with. Nadel sifts through the aspects of American culture that did inspire Crumb—from Disney cartoons to pre-war comic books to old blues 78s— and also looks closely at his troubled early life and complicated family. The book also faces the misogyny and racism in much of Crumb's work and explores his long marriage to his wife and frequent collaborator, cartoonist Aline Kominsky-Crumb.

Eric Newman and Kate Wolf speak with Sarah Schulman about her latest book, The Fantasy and Necessity of Solidarity. With a focus on practical politics, Schulman explores both how we imagine solidarity and what the work of solidarity requires. Rather than a horizontal movement, the book focuses on the ways achieving today's most pressing political goals—from Palestine's self-determination to immigration reform and protecting LBGTQ rights—requires working across various levels of individual privilege and power. With both historical and present day examples, Schulman presents a clear-eyed, long-term vision of a life in activism, laying out stumbling blocks and failures alongside meaningful progress, and the steps it takes to get there.

Eric Newman and Kate Wolf speak with Sarah Schulman about her latest book, "The Fantasy and Necessity of Solidarity." With a focus on practical politics, Schulman explores both how we imagine solidarity and what the work of solidarity requires. Rather than a horizontal movement, the book focuses on the ways achieving today's most pressing political goals—from Palestine's self-determination to immigration reform and protecting LBGTQ rights—requires working across various levels of individual privilege and power. With both historical and present day examples, Schulman presents a clear-eyed, long-term vision of a life in activism, laying out stumbling blocks and failures alongside meaningful progress, and the steps it takes to get there.

Maggie Nelson joins Kate Wolf to discuss her new book Pathemata, Or, The Story of My Mouth. It is at once a compressed record of her long struggle with chronic pain and a document of the boundless blur of the pandemic era. It combines vignettes of daily life and doctor's visits with dreams and memories, pushing at the partition between interior and exterior, symptom and experience, containment and surrender. Nelson depicts the mysteries of pain and the vulnerability of the human body with both humor and pathos, as well as the connections that are possible even in a moment of extreme isolation.

Maggie Nelson joins Kate Wolf to discuss her new book "Pathemata, Or, The Story of My Mouth." It is at once a compressed record of her long struggle with chronic pain and a document of the boundless blur of the pandemic era. It combines vignettes of daily life and doctor's visits with dreams and memories, pushing at the partition between interior and exterior, symptom and experience, containment and surrender. Nelson depicts the mysteries of pain and the vulnerability of the human body with both humor and pathos, as well as the connections that are possible even in a moment of extreme isolation.

In this episode of For the Love of Jewelers, master wax carver Kate Wolf sits down with host Mark Nelson. They explore Kate's journey as a wax carver, uncovering the experiences that shaped her career and drove her passion. Kate shares the story behind her line of wax carving tools, revealing the extensive research and design process that went into creating each one to ensure the highest level of precision and functionality for jewelry makers. 

Kate Wolf and Medaya Ocher speak to Lynne Tillman about her latest book, Thrilled to Death, a collection of short stories selected from over four decades of her work. The stories in Thrilled to Death attest to Tillman's range as a writer and stylist, showcasing her frenetic humor, deep psychological insight, and her innovation of the form. Ever playful and perverse, these stories cover terrains of urban existence, romantic obsession, familial entanglement, the interplay between culture—particularly film—and experience, along with the carnivalesque of American life in all of its absurdity.

Kate Wolf and Medaya Ocher speak to Lynne Tillman about her latest book, "Thrilled to Death," a collection of short stories selected from over four decades of her work. The stories in "Thrilled to Death" attest to Tillman's range as a writer and stylist, showcasing her frenetic humor, deep psychological insight, and her innovation of the form. Ever playful and perverse, these stories cover terrains of urban existence, romantic obsession, familial entanglement, the interplay between culture—particularly film—and experience, along with the carnivalesque of American life in all of its absurdity.

The writer Pankaj Mishra joins Kate Wolf and Medaya Ocher to discuss his new book, The World After Gaza: A History. It probes how the legacy of the Holocaust has shaped the contemporary world order, including how it has shaped the government of Israel, and the current war in Gaza. The book grapples with how, within the relentless violence of the 20th century, trauma can lead to nationalism, and also how one genocide can lead to another.

The writer Pankaj Mishra joins Kate Wolf and Medaya Ocher to discuss his new book, "The World After Gaza: A History." It probes how the legacy of the Holocaust has shaped the contemporary world order, including how it has shaped the government of Israel, and the current war in Gaza. The book grapples with how, within the relentless violence of the 20th century, trauma can lead to nationalism, and also how one genocide can lead to another.

Kate Wolf and Medaya Ocher speak to writer Haley Mlotek about No Fault: A Memoir of Divorce and Romance. The book blends the history of divorce law and custom in North America over the last century with cultural criticism on the way divorce has been portrayed in literature, film, and online. Mlotek also records her own experience of ending a marriage, and the front row seat she had growing up to the dissolution of many other unions through her mother's work as a divorce mediator. At a time when it's easier than ever before to access divorce, No Fault looks at the many questions that still persist around “what divorce should be, who it is for, and why the institution of marriage maintains its power.”

Today we're sharing one of our favorite podcasts, LARB Radio Hour. For all you lovers of living writers, enjoy! Kate Wolf and Medaya Ocher speak to writer Haley Mlotek about No Fault: A Memoir of Divorce and Romance. The book blends the history of divorce law and custom in North America over the last century with cultural criticism on the way divorce has been portrayed in literature, film, and online. Mlotek also records her own experience of ending a marriage, and the front row seat she had growing up to the dissolution of many other unions through her mother's work as a divorce mediator. At a time when it's easier than ever before to access divorce, No Fault looks at the many questions that still persist around “what divorce should be, who it is for, and why the institution of marriage maintains its power.” Explore more episodes of LARB Radio Hour at https://lareviewofbooks.org/podcasts/ New episodes drop every Friday morning. Available wherever you get your podcasts.

Kate Wolf and Medaya Ocher speak to writer Haley Mlotek about "No Fault: A Memoir of Divorce and Romance." The book blends the history of divorce law and custom in North America over the last century with cultural criticism on the way divorce has been portrayed in literature, film, and online. Mlotek also records her own experience of ending a marriage, and the front row seat she had growing up to the dissolution of many other unions through her mother's work as a divorce mediator. At a time when it's easier than ever before to access divorce, "No Fault" looks at the many questions that still persist around “what divorce should be, who it is for, and why the institution of marriage maintains its power.”

Kate Wolf and Medaya Ocher are joined by the art critic and historian Hal Foster to speak about his latest book, Fail Better: Reckonings with Artists and Critics. A collection of essays that brings together over three decades of Foster's work, the book exhibits a rigorous philosophical and political engagement with a celebrated group of critics and artists who span the 1960s to the present. Foster digs deep into the work of Pop masters, Minimalists, and the Pictures Generation, as well as contemporary artists, always splaying open the vein of his critique to make it resonant beyond the confines of the art world, and in broader conversation with history and culture. In addition to writers like TJ Clark and Rosalind Kraus, in Fail Better he also reflects on his own work as a critic, and the changes that have occurred in the landscape between his emergence in the 1980s and now.  

Kate Wolf and Medaya Ocher are joined by the art critic and historian Hal Foster to speak about his latest book, "Fail Better: Reckonings with Artists and Critics." A collection of essays that brings together over three decades of Foster's work, the book exhibits a rigorous philosophical and political engagement with a celebrated group of critics and artists who span the 1960s to the present. Foster digs deep into the work of Pop masters, Minimalists, and the Pictures Generation, as well as contemporary artists, always splaying open the vein of his critique to make it resonant beyond the confines of the art world, and in broader conversation with history and culture. In addition to writers like TJ Clark and Rosalind Kraus, in "Fail Better" he also reflects on his own work as a critic, and the changes that have occurred in the landscape between his emergence in the 1980s and now.

Kate Wolf and Medaya Ocher are joined by Deborah Treisman, the fiction editor at The New Yorker and host of The New Yorker's Fiction podcast. Deborah is the editor of a new anthology of short stories, A Century of Fiction in The New Yorker, 1925-2025, which features some of the incredible writers that The New Yorker has published over the past 100 years. There are stories by J.D. Salinger, Philip Roth, Muriel Spark, Vladimir Nabokov, Jamaica Kincaid, Mary Gaitskill, Don DeLillo and Zadie Smith and many, many more. Deborah discusses how she put the collection together and how she thinks about the short story as a form.

Kate Wolf and Medaya Ocher are joined by Deborah Treisman, the fiction editor at The New Yorker and host of The New Yorker's Fiction podcast. Deborah is the editor of a new anthology of short stories, "A Century of Fiction in The New Yorker, 1925-2025," which features some of the incredible writers that The New Yorker has published over the past 100 years. There are stories by J.D. Salinger, Philip Roth, Muriel Spark, Vladimir Nabokov, Jamaica Kincaid, Mary Gaitskill, Don DeLillo and Zadie Smith and many, many more. Deborah discusses how she put the collection together and how she thinks about the short story as a form.

Kate Wolf and Medaya Ocher are joined by writer and poet Aria Aber to discuss her first novel, Good Girl. Aber is the author of the poetry collection Hard Damage, which won the Prairie Schooner Book Prize and the Whiting Award. Her writing has appeared in The New Yorker, New Republic, The Yale Review, Granta, and elsewhere. Good Girl follows 19-year old Nila, who's trying to make sense of her family's history in Afghanistan and their expectations for her own life in Germany. Nila attends university and lives with her widowed father in a housing project in Berlin, where she escapes into the city's nightlife and a love affair with an older American writer. The novel probes identity, history, shame, racism, and desire, along with real life political events in Germany over the last decade.

Kate Wolf and Medaya Ocher are joined by writer and poet Aria Aber to discuss her first novel, Good Girl. Aber is the author of the poetry collection Hard Damage, which won the Prairie Schooner Book Prize and the Whiting Award. Her writing has appeared in The New Yorker, New Republic, The Yale Review, Granta, and elsewhere. Good Girl follows 19-year old Nila, who's trying to make sense of her family's history in Afghanistan and their expectations for her own life in Germany. Nila attends university and lives with her widowed father in a housing project in Berlin, where she escapes into the city's nightlife and a love affair with an older American writer. The novel probes identity, history, shame, racism, and desire, along with real life political events in Germany over the last decade.

In this week's episode, Medaya Ocher, Kate Wolf, and Eric Newman are joined by LARB contributor Gideon Jacobs for a discussion about the power of images in the era of Trump. Recorded in the hours after Trump's inauguration, Gideon and the hosts talk about how Trump and his associates use images and spectacle, the flattening and coarsening of our politics, and the possibilities for counter-imaging in dark times. You can read Gideon's essay, “Trump L'Oeil,” here at the Los Angeles Review of Books.

In this week's episode, Medaya Ocher, Kate Wolf, and Eric Newman are joined by LARB contributor Gideon Jacobs for a discussion about the power of images in the era of Trump. Recorded in the hours after Trump's inauguration, Gideon and the hosts talk about how Trump and his associates use images and spectacle, the flattening and coarsening of our politics, and the possibilities for counter-imaging in dark times. You can read Gideon's essay, “Trump L'Oeil,” at the Los Angeles Review of Books.

In this week's episode, we are talking about the wildfires that have ravaged L.A. Medaya Ocher and Kate Wolf speak to author David L. Ulin about Los Angeles as a place forged in precarity and grit, as well as some of the local literature of disaster, and what it means to accept the city as somewhere catastrophe can strike in an instant. Next they speak with Adrian Scott Fine, president of the Los Angeles Conservancy, about some of the historic structures that have been lost in the fire, historical and cultural memory, and how to honor the history of the city. Please find a full list of resources from Mutual Aid LA here. The Los Angeles Review of Books is hoping for collective safety and looking forward to a communal recovery. 

In this week's episode, we are talking about the wildfires that have ravaged LA. Medaya Ocher and Kate Wolf speak to author David L. Ulin about Los Angeles as a place forged in precarity and grit, as well as some of the local literature of disaster, and what it means to accept the city as somewhere catastrophe can strike in an instant. Next they speak with Adrian Scott Fine, president of the Los Angeles Conservancy, about some of the historic structures that have been lost in the fire, historical and cultural memory, and how to honor the history of the city. Please find a full list of resources from Mutual Aid LA on lareviewofbooks.org. The Los Angeles Review of Books is hoping for collective safety and looking forward to a communal recovery.

In this special episode, hosts Medaya Ocher, Kate Wolf, and Eric Newman discuss the case for and against giving up—on life, vices, dreams, creative pursuits, jobs, relationships, exercise, and work. Their conversation is inspired by Adam Phillips's recent book On Giving Up, in which the psychoanalyst observes that “we give things up when we believe we can change; we give up when we believe we can't.” The hosts discuss what is acceptable to give up, their own fears of failure, both fictional and real-life inspirational quitters, and whether Bartleby was onto something when he said he'd prefer not to.

In this encore special episode, hosts Medaya Ocher, Kate Wolf, and Eric Newman discuss the case for and against giving up—on life, vices, dreams, creative pursuits, jobs, relationships, exercise, and work. Their conversation is inspired by Adam Phillips's recent book On Giving Up, in which the psychoanalyst observes that “we give things up when we believe we can change; we give up when we believe we can't.” The hosts discuss what is acceptable to give up, their own fears of failure, both fictional and real-life inspirational quitters, and whether Bartleby was onto something when he said he'd prefer not to.

In our last episode of the year, Kate Wolf speaks with the poet, playwright, and performance artist Ariana Reines about her latest book, Wave of Blood. A hybrid text that includes poems, diary entries in verse, and various forms of public address, Wave of Blood spans the six month period between October 2023, after the outbreak of war in Gaza, and April 2024. In it, Reines wrestles with the genocide and what she calls “the mind of war,” as well her own ancestry as the descendant of Holocaust survivors, her late mother, and a contemporary culture steeped in violence, shame, and anxiety. Searching for power within a moment of seeming powerlessness, and for words in a time of unspeakable tragedy, the writing in the book seeks to address the recent past with deep introspection and personal responsibility, while also upholding poetry as a way to “open the space of the miraculous—and keep it open. Forever.” Also, Kathryn Davis, author of Versailles, returns to recommend Thursbitch by Alan Garner.

In our last episode of the year, Kate Wolf speaks with the poet, playwright, and performance artist Ariana Reines about her latest book, Wave of Blood. A hybrid text that includes poems, diary entries in verse, and various forms of public address, Wave of Blood spans the six month period between October 2023, after the outbreak of war in Gaza, and April 2024. In it, Reines wrestles with the genocide and what she calls “the mind of war,” as well her own ancestry as the descendant of Holocaust survivors, her late mother, and a contemporary culture steeped in violence, shame, and anxiety. Searching for power within a moment of seeming powerlessness, and for words in a time of unspeakable tragedy, the writing in the book seeks to address the recent past with deep introspection and personal responsibility, while also upholding poetry as a way to “open the space of the miraculous—and keep it open. Forever.” Also, Kathryn Davis, author of Versailles, returns to recommend Thursbitch by Alan Garner.

It's time for our favorite episode of the year. Hosts Kate Wolf, Medaya Ocher, and Eric Newman discuss their favorite books, movies, TV shows, music, scandals and (new category!) memories of 2024. For a full list of picks, visit lareviewofbooks.org/podcasts/larb-radio-hour/

Medaya Ocher and Kate Wolf are joined by writer Kathryn Davis, the acclaimed author of many novels, including Labrador, The Girl Who Trod on a Loaf, Hell, The Walking Tour, The Thin Place, Versailles, Duplex, and Silk Road, and a memoir, Aurelia Aurélia. Davis discusses her novel Versailles, originally published in 2002, recently reissued by Graywolf. Versailles is the story of Marie Antoinette, beginning when she's a teenager traveling to France. The book is a lyrical meditation on personhood and girlhood, amidst the objects and structures of power, politics and history.  

Medaya Ocher and Kate Wolf are joined by writer Kathryn Davis, the acclaimed author of many novels, including Labrador, The Girl Who Trod on a Loaf, Hell, The Walking Tour, The Thin Place, Versailles, Duplex, and Silk Road, and a memoir, Aurelia Aurélia. Davis discusses her novel Versailles, originally published in 2002, recently reissued by Graywolf. Versailles is the story of Marie Antoinette, beginning when she's a teenager traveling to France. The book is a lyrical meditation on personhood and girlhood, amidst the objects and structures of power, politics and history.

Kate Wolf speaks to filmmaker Raoul Peck about his latest documentary, Ernest Cole: Lost and Found, out in theaters now. The film excavates the life and work of Ernest Cole, the South African photographer, using his own writing and a recently rediscovered archive of his photographs. Cole was one of the first people to capture the brutal realities of the apartheid regime on film. After escaping South Africa for the United States, he published his landmark book on apartheid, House of Bondage (1967). Years later, his career languished, and he became homeless and died of cancer in 1990. Peck's film looks closely at the conditions that thwarted Cole's promise as an artist, the legacies of racial segregation, and the devastating ways they still play out today. Also, Renee Gladman, author of My Lesbian Novel and To After That (TOAF), returns to recommend The Long Form by Kate Brigg. Plus Alan Minsky, executive director of Progressive Democrats of America (and producer of our show) stops by to talk about the fate of progressive activism under the incoming Trump administration

Kate Wolf speaks to filmmaker Raoul Peck about his latest documentary, Ernest Cole: Lost and Found, out in theaters now. The film excavates the life and work of Ernest Cole, the South African photographer, using his own writing and a recently rediscovered archive of his photographs. Cole was one of the first people to capture the brutal realities of the apartheid regime on film. After escaping South Africa for the United States, he published his landmark book on apartheid, House of Bondage (1967). Years later, his career languished, and he became homeless and died of cancer in 1990. Peck's film looks closely at the conditions that thwarted Cole's promise as an artist, the legacies of racial segregation, and the devastating ways they still play out today. Also, Renee Gladman, author of My Lesbian Novel and To After That (TOAF), returns to recommend The Long Form by Kate Brigg. Plus Alan Minsky, executive director of Progressive Democrats of America (and producer of our show) stops by to talk about the fate of progressive activism under the incoming Trump administration

Kate Wolf and Medaya Ocher are joined by the editorial director of the New York Review of Books and the founder of the NYRB classic series, Edwin Frank, to discuss his first work of nonfiction, the book, Stranger than Fiction: Lives of the Twentieth Century Novel. Taking the novel as the preeminent art form of the last century, Frank's book charts its winding path of development, beginning with Fyodor Dostoevskey's Notes from the Underground, published in 1864, and ending with W.G. Sebald's Austerlitz which arrived more than a 100 years later. Along the way, Frank looks at the many different forms and categories great 20th century novels take, from the distinctly modern and popular science fiction of H.G. Wells to the “minorness” of Franz Kafka; the historical precision of Thomas Mann to Gerturde Stein's stress on sentence itself, and James Joyce's stress on words. The book connects an eclectic collection of authors by way of style, sensibility, reception, temporality, and perhaps most importantly the influence of cataclysmic world events on their work and the shaping of their work on the world.

Kate Wolf and Medaya Ocher are joined by the editorial director of the New York Review of Books and the founder of the NYRB classic series, Edwin Frank, to discuss his first work of nonfiction, the book, Stranger than Fiction: Lives of the Twentieth Century Novel. Taking the novel as the preeminent art form of the last century, Frank's book charts its winding path of development, beginning with Fyodor Dostoevskey's Notes from the Underground, published in 1864, and ending with W.G. Sebald's Austerlitz which arrived more than a 100 years later. Along the way, Frank looks at the many different forms and categories great 20th century novels take, from the distinctly modern and popular science fiction of H.G. Wells to the “minorness” of Franz Kafka; the historical precision of Thomas Mann to Gerturde Stein's stress on sentence itself, and James Joyce's stress on words. The book connects an eclectic collection of authors by way of style, sensibility, reception, temporality, and perhaps most importantly the influence of cataclysmic world events on their work and the shaping of their work on the world.

In this special episode, Kate Wolf, Medaya Ocher, and Eric Newman are joined by writer and psychoanalyst Jamieson Webster to talk about the role of psychoanalysis in politics. Their discussion emerges from Webster's essay, “Freudulence,” published in the latest issue LARB Quarterly Journal, which reassesses a controversial book co-authored by Sigmund Freud that gives a psychoanalytic reading of the presidency of Woodrow Wilson, including his disastrous handling of the Treaty of Versailles. Taking the recent election into account, the panel debates if psychoanalysis indeed belongs in politics. Could it help the electorate as a tool for making wiser decisions or understanding why we're attracted to certain leaders? How much does self-knowledge, or lack thereof, tip the scales of history?

In this special episode, Kate Wolf, Medaya Ocher, and Eric Newman are joined by writer and psychoanalyst Jamieson Webster to talk about the role of psychoanalysis in politics. Their discussion emerges from Webster's essay, “Freudulence,” published in the latest issue LARB Quarterly Journal, which reassesses a controversial book co-authored by Sigmund Freud that gives a psychoanalytic reading of the presidency of Woodrow Wilson, including his disastrous handling of the Treaty of Versailles. Taking the recent election into account, the panel debates if psychoanalysis indeed belongs in politics. Could it help the electorate as a tool for making wiser decisions or understanding why we're attracted to certain leaders? How much does self-knowledge, or lack thereof, tip the scales of history?

Kate Wolf and Eric Newman are joined by Pulitzer Prize-winning poet, novelist, and translator Forrest Gander to discuss his new book, Mojave Ghost. A long poem situated along the 800-mile length of the San Andreas Fault, which runs from Northern California where Gander lives to his birthplace in the Southern California Desert, the work reflects both exterior and interior landscapes with tender precision and heightened awareness. Gander moves through memory, grief, and fault lines— in the earth, our country, and himself. He confronts what it means to be a self that contains divisions born out of time, experience, and relationships to other people, both living and gone. Also, Simon Critchley, author of Mysticism, returns to recommend A Most Remarkable Creature by Jonathan Meiburg, and give a tip of the hat to Housekeeping by Marilynne Robinson.

Kate Wolf and Eric Newman are joined by Pulitzer Prize-winning poet, novelist, and translator Forrest Gander to discuss his new book, Mojave Ghost. A long poem situated along the 800-mile length of the San Andreas Fault, which runs from Northern California where Gander lives to his birthplace in the Southern California Desert, the work reflects both exterior and interior landscapes with tender precision and heightened awareness. Gander moves through memory, grief, and fault lines— in the earth, our country, and himself. He confronts what it means to be a self that contains divisions born out of time, experience, and relationships to other people, both living and gone. Also, Simon Critchley, author of Mysticism, returns to recommend A Most Remarkable Creature by Jonathan Meiburg, and give a tip of the hat to Housekeeping by Marilynne Robinson.

Kate Wolf speaks with filmmakers Brett Story and Stephen Maing about their new documentary Union, which is out in theaters now. It follows, in real time, the forming of the first ever Amazon union in the country, the ALU, at the JKF8 plant in Staten Island. Later in the conversation Chris Smalls, the president of ALU, joins as well. Chris began to petition for the Amazon union after he was fired by the company in March of 2020 for walking off the job in protest of the lack of Covid safety precautions at the plant. The film picks up about a year later as Chris and his fellow organizers are gathering signatures to ratify their petition to formalize the union process. It captures the ensuing months of grueling work by Chris and other ALU members as they try to convince the 8,000 plus workers at the JFK8 plant that a union is in their best interest. The film is an object lesson in the many tactics needed for political organizing, and the inevitable discord that comes with it, both from the outside—in this case, one of the biggest companies in the world—and from within as well. Also, Alexis Pauline Gumbs, author of Survival Is A Promise: the Eternal Life of Audre Lorde, returns to recommend Audre Lorde's The Black Unicorn.

Kate Wolf speaks with filmmakers Brett Story and Stephen Maing about their new documentary Union, which is out in theaters now. It follows, in real time, the forming of the first ever Amazon union in the country, the ALU, at the JKF8 plant in Staten Island. Later in the conversation Chris Smalls, the president of ALU, joins as well. Chris began to petition for the Amazon union after he was fired by the company in March of 2020 for walking off the job in protest of the lack of Covid safety precautions at the plant. The film picks up about a year later as Chris and his fellow organizers are gathering signatures to ratify their petition to formalize the union process. It captures the ensuing months of grueling work by Chris and other ALU members as they try to convince the 8,000 plus workers at the JFK8 plant that a union is in their best interest. The film is an object lesson in the many tactics needed for political organizing, and the inevitable discord that comes with it, both from the outside—in this case, one of the biggest companies in the world—and from within as well. Also, Alexis Pauline Gumbs, author of Survival Is A Promise: the Eternal Life of Audre Lorde, returns to recommend Audre Lorde's The Black Unicorn.

Kate Wolf and Medaya Ocher speak with writer and scholar Simon Critchley about his new book, Mysticism. Defining mysticism not as a religion but as a “tendency, a distillation of existing devotional practice,” the book begins by considering some of the great mystics of the Christian tradition. These include Critchley's favorite mystic, Julian of Norwich, known as the first woman to ever write a book in English, Margery Kempe, Christina the Astonishing, and Meister Echkhart, a German theologian who influenced philosophers like Hegel and Heidegger and was tried as a heretic shortly after his death by Pope John in 1329. But more than a history or survey of mysticism, Critchley's book is invested in isolating the loss of self and experience of ecstasy its practitioners describe, and looking for resonance within contemporary culture. He examines the work of writers such as Anne Carson and Annie Dillard, and the musician Nick Cave, suggesting that mysticism lives on as a secular aesthetic experience in the “world of enchantment opened in art, poetry and—especially—music.” Also, Deborah Levy, the author of The Position of Spoons: And Other Intimacies, returns to recommend two books scheduled to be published next year, On Breathing: Care in a Time of Carastrophe by Jamieson Webster, and Baldwin: A Love Story by Nicholas Boggs.

Kate Wolf and Medaya Ocher speak with writer and scholar Simon Critchley about his new book, Mysticism. Defining mysticism not as a religion but as a “tendency, a distillation of existing devotional practice,” the book begins by considering some of the great mystics of the Christian tradition. These include Critchley's favorite mystic, Julian of Norwich, known as the first woman to ever write a book in English, Margery Kempe, Christina the Astonishing, and Meister Echkhart, a German theologian who influenced philosophers like Hegel and Heidegger and was tried as a heretic shortly after his death by Pope John in 1329. But more than a history or survey of mysticism, Critchley's book is invested in isolating the loss of self and experience of ecstasy its practitioners describe, and looking for resonance within contemporary culture. He examines the work of writers such as Anne Carson and Annie Dillard, and the musician Nick Cave, suggesting that mysticism lives on as a secular aesthetic experience in the “world of enchantment opened in art, poetry and—especially—music.” Also, Deborah Levy, the author of The Position of Spoons: And Other Intimacies, returns to recommend two books scheduled to be published next year, On Breathing: Care in a Time of Carastrophe by Jamieson Webster, and Baldwin: A Love Story by Nicholas Boggs.

Kate Wolf and Eric Newman speak with Alexis Pauline Gumbs about Survival Is A Promise: the Eternal Life of Audre Lorde. A deeply researched and impressionistic biography of one of the most iconic figures of 20th century Black, queer, and feminist thought, Survival Is A Promise is a love letter to Lorde, pushing past her broad circulation in social media memes, inspirational quotes, and other forms of contemporary iconography. Gumbs' book locates the tectonic forces Lorde at once brought into view and moved through herself. Also, Rumaan Alam, author of Entitlement, returns to recommend Visitors by Anita Brookner.

Kate Wolf and Eric Newman speak with Alexis Pauline Gumbs about Survival Is A Promise: the Eternal Life of Audre Lorde. A deeply researched and impressionistic biography of one of the most iconic figures of 20th century Black, queer, and feminist thought, Survival Is A Promise is a love letter to Lorde, pushing past her broad circulation in social media memes, inspirational quotes, and other forms of contemporary iconography. Gumbs' book locates the tectonic forces Lorde at once brought into view and moved through herself. Also, Rumaan Alam, author of Entitlement, returns to recommend Visitors by Anita Brookner.

Kate Wolf speaks to the author Deborah Levy about her new book, a collection of essays called The Position of Spoons: And Other Intimacies. The piece collected here cite Levy's early influences from French writers like Colette, Simone de Beauvoir and Marguerite Duras to JG Ballard and Anna Quinn. The collection also moves through snippets of Levy's life: her relationship to her mother, her youth in dreary London, her abiding interest in surrealism and psychoanalysis, the way inspiration strikes and then takes shape for her novels, and the sensual and aesthetic pleasures of food and nature. In her review of the book for LARB, Grace Linden writes: “It is evident to everyone who reads Levy that language is her plaything….her words are lit from within.” Also, Emily Witt, author of Health and Safety: A Breakdown. returns to recommend A Song for the River by Philip Connors.

Medaya Ocher talks with Ramaan Alam about his new novel, Entitlement, that tells the story of Brooke, a product of the upper middle class, who works for an aging billionaire looking for places to give away his fortune. Brooke comes to recognize all that she could do with a vast fortune of her own. Entitlement captures the centrality of wealth and dreams of wealth in the contemporary American imagination. Also Garth Greenwell, author of Small Rain, returns to recommend Michael Gorra's Portrait of a Novel: Henry James and the Making of an American Masterpiece.      

Kate Wolf and Medaya Ocher talk to Emily Witt about her latest book, Health and Safety: A Breakdown. A personal history that reflects on this past turbulent decade, the book begins right before the election of Donald J. Trump, a time when Witt finds herself ever more drawn to Brooklyn's underground techno music scene. Quitting Wellbutrin in 2012, she'd already started experimenting with psychedelics, but once she's going out dancing all night, her drug use transforms from a focused ritual under the rubric of the vaguely therapeutic to something more like hedonism: a brief accessing of utopia one party at a time. Then she meets a DJ named Andrew who's at the heart of the scene, and the kind of conventional domestic life she thought she was foregoing suddenly comes into focus, before the pandemic and social uprising of 2020 arrive and change everything. Health and Safety is about trying to find different ways to survive, live, and make family, as well as the changing landscape of New York, the ingenuity and creativity of promoters and DJs, and the shaky line between the collective and the individual in a world gone mad. Also, Danzy Senna, author of Colored Television, returns to recommend Another Word for Love by Carvell Wallace.

Eric Newman speaks with Garth Greenwell about his latest novel, Small Rain. The novel picks up the story of the same unnamed narrator from Greenwell's earlier novels, What Belongs to You and Cleanness, a poet and teacher now in his forties and settled down with his partner in the Midwest. Their placid life is upended when a sudden and excruciating pain sends the narrator to the hospital, where he's diagnosed with an aortic tear -- a life-threatening condition. Unfolding from this point, the novel explores how the narrator navigates his recovery as he's treated in a cramped hospital room in the midst of the COVID19 pandemic. Dilating on the power of art and intimacy to buoy us up in moments of extreme suffering, as well as the moments in which suffering overwhelms the transcendent capacity of art, Small Rain reckons with how we make our way through the agonies and ecstasies, unique and mundane, of life itself. Also, Sofia Samatar, author of Opacities, returns to recommend two books by Fleur Jaeggy, Sweet Days of Discipline and These Possible Lives.

Eric Newman and Kate Wolf speak with Katherine Bucknell about her new biography of Christpoher Isherwood, Christopher Isherwood Inside Out. The book moves along the horizons of Isherwood's many journeys as a pathbreaking British writer whose work excavated fascist terrors and queer pleasures alike: in plays, films, memoir, voluminous diaries, and celebrated novels such as Goodbye Berlin and A Single Man. Bucknell's biography examines the tectonic forces of the 20th century that shaped Isherwood's life and career, spanning two world wars, gay liberation, the AIDS crisis, and the spiritual awakening in America of the 1950s and '60s. It brings into intimate relief an enigmatic writer whose experience shuttled between the visceral physicality of erotic desire and the gossamer abstractions of ascetic life, often-conflicted, but always yearning for deeper understanding, and committing everything to the page.

Kate Wolf talks to Danzy Senna about her latest novel, Colored Television. It follows a writer named Jane Gibson who's finally making headway on her second book, a magnus opus her husband calls the “mulatto War and Peace” that's been nearly a decade in the making. Jane's helped along by her family's stay in the tony, Eastside Los Angeles home of a friend of hers—a former fiction writer who long ago sold out to work in TV. Jane and her husband, Lenny, help themselves to this friend's wine and clothes, and Jane yearns for his financial stability. When her novel is rejected by her agent, she decides to try on his career in Hollywood as well. Colored Television is a hilarious unpacking of class, marriage, race, midlife, exploitation, Los Angeles, and what it takes to be an artist when no one cares about your work. Also, Charlotte Shane, author of An Honest Woman, returns to recommend a trilogy of historical novels by Sharon Kay Penman: Here Be Dragons, Falls the Shadow, and The Reckoning.