Podcasts about Long Walk

The guys talk about the VW product portfolio and potential model deletions, staff reductions and production capacity cuts. Heard of the Denza Z? It's the BYD electric supercar designed to compete with the 911. #cardebate 1- Taylor in Boston is a new dad who needs a second car, but it needs to have a hint of specialness. #cardebate 2-  Cole in TX realizes he bought the wrong car - what he really wants is something smaller and lightweight. #cardebate 3- William in Canada wonders what car pairs best alongside a 2010 diesel Mercedes wagon? #carconclusion 1- The old people from DE (Bill and Alice) bought an enthusiast car! #carconclusion 2 - From EP 1038, Joseph's wife now fights him for seat time in fun cars. Look for us on Tuesdays if you'd like to watch us debate, disagree and then go drive again! 00:00 - Intro 2:26 - VW Group Cutting Model Lineup, Factories, And Jobs! #vw #vwchaos 9:57 - The BYD Denza Z - A 911 Killer? #byd #denza 18:10 - Car Debate #1: New Dad Needs A Hint Of Specialness #dadcar 37:30 - Car Debate #2: Lexus Buyer's Remorse #lexus 57:23 - Car Debate #3: What Pairs Well With A Diesel Benz? #mercedes #estate 1:10:56 - Car Conclusion #1: The Old People Bought An Enthusiast Car! #enthusiastcar 1:13:35 - Car Conclusion #2: Fight For The #funcar 1:16:00 - Did You See This? The Long Walk. #thelongwalk Thanks for taking the time to watch, and remember to support our sponsors Griot's Garage, Vredestein Tires, FCP Euro, Powerstop Brakes and Autotempest.com #griotsgarage #vredestein #fcpeuro #powerstopbrakes #autotempest Rate and review us on Apple Podcasts, and subscribe to our two YouTube channels. Write to us your Topic Tuesdays, Car Conclusions and those great Car Debates at everydaydrivertv@gmail.com or everydaydriver.com Instagram.com/everydaydriver Facebook.com/everydaydriver Audio-only MP3 is available on Spotify, Apple Podcasts and 10 other platforms. Learn more about your ad choices. Visit megaphone.fm/adchoices

What happens after the mission ends? For retired U.S. Army Explosive Ordnance Disposal (EOD) technician Jeff Truex, the most important mission of his life didn't begin on the battlefield—it began after he took off the uniform. In this inspiring episode of The Misfit Nation Podcast, Jeff shares his remarkable journey from serving 23 years in the United States Army, including 17 years as an EOD Bomb Disposal Technician, to becoming a passionate advocate for veteran mental health and suicide prevention. After losing a fellow EOD technician to suicide, Jeff helped launch After the Long Walk, a nonprofit organization dedicated to ensuring no veteran fights their battles alone. Through peer support, crisis intervention, education, and community outreach, the organization continues to save lives by reminding veterans that asking for help is one of the strongest things they can do. Throughout this conversation, Jeff opens up about military service, combat deployments, life after retirement, rediscovering purpose, motorcycles, brotherhood, outdoor cooking, and why authentic human connection is one of the most powerful forms of healing available. Whether you're a veteran, active-duty service member, first responder, military spouse, or simply someone looking for an inspiring story about resilience and leadership, this episode is packed with meaningful conversations that matter. In This Episode • Jeff's journey into Army Explosive Ordnance Disposal (EOD) • Serving 23 years in the U.S. Army • Combat deployments and military life • Transitioning from military service to civilian life • The veteran mental health crisis • Preventing veteran suicide through connection • Why asking for help isn't weakness • Brotherhood beyond the battlefield • Finding purpose after military service • Motorcycles, cooking, and building community About Jeff Truex Jeff Truex is a retired United States Army Explosive Ordnance Disposal (EOD) technician who served for more than 23 years, including 17 years performing one of the military's most dangerous jobs. Throughout multiple deployments, Jeff dedicated his career to protecting others by confronting explosive threats around the world. Today, Jeff serves as the President of After the Long Walk, a nonprofit organization committed to preventing veteran suicide through peer support, education, outreach, and community engagement. His mission is simple but powerful: ensure that every veteran knows they never have to fight alone. Learn more about Jeff's mission and the work of After the Long Walk: https://www.afterthelongwalk.com/ If you or someone you know is struggling, please reach out. There is always hope, and there are people who care. Follow The MisfitNation for more conversations with military veterans, first responders, entrepreneurs, leaders, and everyday people making an extraordinary impact. If you enjoyed this episode, please follow the podcast, leave a rating, and share it with someone who needs to hear this message. Learn more about your ad choices. Visit megaphone.fm/adchoices

On the #amwriting podcast's Margin Notes, host Jennie Nash talks with Caroline Bicks, Stephen E. King Chair in Literature at the University of Maine and co-host of the Everyday Shakespeare podcast, about her book Monsters in the Archives: A Year of Fear with Stephen King. Bicks describes how she became the first invited into King's Bangor archives after King called to meet her, and how her sabbatical became a year of researching five formative works (including Carrie, Night Shift, The Shining, Salem's Lot, and Pet Sematary) to understand how horror language creates lasting fear. She explains choosing a first-person narrative that blends literary criticism, archival discovery, and her own anxiety, including eerie moments in the archive and insights into King's word-level edits, literary influences, and Shakespearean foundations, especially The Shining's ties to Hamlet.#AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Read the Book* Monsters in the Archives by Caroline BicksTranscriptJennie: [00:00:00] Hi, I'm Jennie Nash, and you're listening to the #amwriting podcast, the place where we help writers of all kinds play big in your writing life, love the process, and stick with it long enough to finish what matters most. Welcome, everyone. This is Margin Notes, the part of the podcast where we're talking about the big decisions writers face in their work and creative lives.I'm here today with a super special guest. I'm so excited to speak with Caroline Bicks. She is the Stephen E. King Chair in Literature at the University of Maine, where she teaches courses in Shakespeare, early modern culture, and horror fiction. And she's the author of all kinds of very cool books ... about Shakespeare, including one on cocktails.Um, and, uh, is the co-host of the Everyday Shakespeare podcast, and we are here today to talk with her about her new book called [00:01:00] Monsters in the Archives: A Year of Fear with Stephen King. Welcome.Caroline: Thank you. Thanks for having me.Jennie: So this is gonna be the strangest interview you've probably ever done. ICaroline: don't know.Because- I've talked to a lot of people around the world about this Stephen King book.Jennie: I couldn't read your book. I, I couldn't read it. I can't read horror. Yeah. Which listeners of this podcast are gonna laugh about, ‘cause I'm actually coaching someone live and they're writing gothic horror, and they're probably like, “All you talk about is horror, Jennie.”But, um, it's actually the reason why I wanted to talk to you, because you made a decision in the writing of this book that I thought was super cool. Mm. Which was you put yourself in it.Caroline: Yeah.Jennie: And you're a scholar.Caroline: Yeah.Jennie: And you've written scholarly books, and you approach this with a scholarly perspective, but you, you really put yourself in it.And, and so [00:02:00] I was reading it for that part of the story and I had to skip over huge chunks of, of the, of the work. Because what you're doing in this book is you're getting at this question of- W- what, what is scary in writing? Like, how does it actually work? How does it act- what is the magic or the function that makes us feel this thing?And you actually feel it yourself while you're going through it, and I found it quite terrifying actually. So, um, that's kinda what I wanted to talk about is how did you make the decision? Well, first of all, you were the first person, I wanna make sure I get this right, ‘cause this is very cool. Yeah. You were the first person who was invited to the archives, the Stephen King archives.Caroline: Yeah. I mean, it's, it's a bit of a story, so I won't spend too much time on it, but just the mo- Oh, no, do. It's good ... when I ch- when I took this position... So I've been a Shakespeare professor my whole adult life, ba- as soon as I graduated from grad school in the late ‘90s, [00:03:00] and I was at Boston College for 15 years.I took this position at University of Maine nine years ago as a Shakespearean. Um, so it is an endowed chair in Stephen King's name because he's our most famous alum. So when I took the position, I, it was because I'm a Shakespearean, not because I'm a horror specialist. Um, I had always been a Stephen King fan since I read him when I was 12, and he scared the beje- Jesus out of me, um, with The Boogeyman story.Jennie: Right.Caroline: Um, so when I took this position though I was told, “You're never gonna meet Stephen King. Don't even make contact with him.” I'm like, “Fine, you know, this is still a great job. I'm excited.” Um- ThanksJennie: for the money. Yeah.Caroline: Thanks for... You know, no, it's a wonderful fund. It was funded by the Harold Alfond Foundation, and it's to support the public humanities, which is an incredible mission.So, um, I get to give money away to people. You know, it's a great, great position, but I was not a horror specialist. And particu- a- and as an adult, I actually wasn't reading horror because it scares me too much. You know? Yeah, yeah. Um, but it had grabbed me when I was a teenager. So it was about four years into the [00:04:00] job when I got a call at home from Stephen King, which just, uh, uh, my jaw hit the floor.And he said, “You know, I think it's time we meet.” I'm like, you know, I, I really fan-girled because I really, I have so much admiration for him and respect. Um, I invited him to come talk to our students. He was brilliant, generous, funny, kind, and I felt so at ease that I felt like I could ask... You know, and I got to know him professionally.We had a good professional relationship that developed from there. When I had a sabbatical year coming up the next year- I could have written another Shakespeare book. I had another one in my head. I've written a bunch of them but I knew that he and Tabitha had just collected all of his manuscripts and put them in a climate-controlled space attached to their home in Bangor, and I thought, “You know, this is an incredible opportunity.I would love to dig in there and be the first one in there, and just read those early drafts of the books that scared me so much when I was a teenager, and try to just explore why. Why were they sticking in my head still?” Um, again, I am not a specialist in... I'm not a cognitive scientist. I'm not a [00:05:00] specialist in horror literature, but I'm obviously highly trained in how to do literary analysis and how to do archival work, not Shakespeare, because we don't have any of his works, but, you know, I, I understand what that process is.So back to your question about why I wanted to bring myself into it, which was, you know, I had been experimenting with first-person storytelling after I got tenure. You know, ‘cause it's a long process, Kate. Right. And most of my writing had been academic writing, but I really had always loved storytelling And I got a piece into the Modern Love column.I started to have some success with publishing my first-person stories, and I was like, “You know, I love this.” So when I had this opportunity to go into his archives, they generously said yes, was amazing. I thought, “You know, I really wanna tell this story. I don't wanna write an academic book. I want this to be the story of a literature scholar, but really the story about a scared kid.”Jennie: Yeah.Caroline: You know, you, you never lose that scare, you know, I don't... This is the thing. Fear has stuck with me with those stories [00:06:00] for 40 years. So I was fascinated, and I just wanted to understand how he had crafted the language so that it was sticking in my head still. Because when I was talking to people around, you know, whenever you mention Stephen King to people, you know, if they've read him, they remember specific lines and specific words, and I was like, “That's an extraordinary, um, 50 years on to have that power.”So, um- Well- Anyway. Yeah. Go ahead. I, I could talk about this forever, so you tell me- Oh, no, it's- ... where you wanted to pick up from this.Jennie: It's so good. Well, I have to tell you this funny anecdote, which is that my college roommate was from Bangor, Maine, and babysat his kids in that house.Caroline: Oh, that's insane.Jennie: So when I went to visit her, she drove me by that house.There you go. And I was like, “Oh, hell no- Yeah ... would I ever babysit in that house.” Like, it's-Caroline: It's ‘cause it's like a gothic, it's like straight out of Haunting of Hill House ...Jennie: actually, and like these spiderweb gates that, and you describe that in the [00:07:00] book and, and the- Yeah ... archives are in that house. They'reCaroline: in the house.They're attached to the back. I know. And it, it was so, it was, it was insane. It was like a full-on 360 experience writing this book. Um, and I, I knew, like, so I did the research for a year. I didn't even know if this would be a book. I just knew I wanted to have the opportunity to be in there because it, I knew it was a great opportunity, and I was so curious, you know?Yeah. So I, I came out of the year with just tons of notes and observations, but I didn't have a book, you know? Yeah. And then I started experimenting with writing a chapter, and I just, the storytelling just came forward and then when I got an agent and she, you know, s- I, I, I was able to get a contract based on a proposal and that one chapter I had written and I was really fortunate to have a fabulous editor, David Ebershoff, at Hogarth, who is just such a wonderful writer himself, and he really encouraged me to bring my voice in and bring my story in even [00:08:00] more.Um, so that's- And- ... that's the story of that.Jennie: Was it hard for you as a scholar to do that?Caroline: You know what? It was so freeing and so fun that it actually wasn't, you know? Because I, I knew this wasn't going to be an academic book, so once I let go of that- Yeah ... um, I was like, wow, I have the, and yet I have this skill set I can bring forward, and I knew that's what would make this unique.Um, but I can combine my two favorite ways of writing, ‘cause I do actually love writing literary criticism. Like it's, I get a thrill out of it. I wouldn't be doing it this long if I didn't get a thrill out of it, but I also love telling my own stories and drawing a reader in. And so for me it was like just a circus carnival.Like it was so fun to be able to do it. Once I had the permission and I had a contract, I was like, fine, you know? I, I, who am I writing this book for? I'm writing it for me, you know? Like this is just something I wanna do because I'm so passionate [00:09:00] about it and I, and I love Stephen King. And, um, once I got into it that way and wasn't thinking about who's gonna criticize me for this, like how will academics view this, I was like, I don't care.I just don't care. I know I've got a great story to tell that people are gonna love to read because there's so many people that love not just Stephen King, but people who love reading about how great books get written, you know? Yeah. And so that was the audience I had in my mind when I, when I was crafting it.It was really, in my mind, anybody who cares about books and writing. It doesn't have to be... So when you say, you're not the first person who's said to me, “I can't read your book,” or, “I can't read-” Oh, I'm so glad. “... Stephen King books,” you know, and I'm like, “That's okay. You can skip, you know, the parts that really scare you,” because there's plenty about just like that first chapter I wrote about Pet Sematary, just his sticky notes back and forth with his copy editor, which is so fun I think.You know, it's just like, wow.Jennie: Totally. Yeah. But the thing that you do is you- Allow yourself to confront that fear-Caroline: Yeah ...Jennie: [00:10:00] that, that I feel that the people can't, that can't read horror feel. You know, anybody that even allows themselves to be scared feels. And-Caroline: Yeah ...Jennie: and you, you do some very specific things, um, which I, I found fascinating, including tracking down on eBay the original copy of that book you read as a- Yeah, I wanted-as a teenager.Caroline: Yeah, that was part of the process for me, was I wanted to make sure I was reading... So before I would go into the archives for each work, and I'd spent like two... I only picked five, because I wanted to... First of all, I knew I wanted to make this personal. Um, and those were the five that scared me the most when I was a teenager.So I grew up in the ‘70s and the ‘80s as a teenager, so for me, it was in real time when the books were coming out practically. So it was- Yeah ... Carrie, Night Shift, The Shining, Salem's Lot, Pet Sematary. Um, I'm forgetting one of course. Uh, but I went -Jennie: The other one.Caroline: The other one. Had a huge impact on me. [00:11:00] So it was those five, and I, I knew those were the ones I was gonna do a deep dive into, and that I wanted to really re-engage with, and bring my whole self to.So I wanted to find the copies that I had read in the ‘70s and the early ‘80s. And fortunately, it's pretty easy to find them. Uh, so yeah, but eBay sometimes I had to go on, or go into a used bookstore and, you know, find the like actual 1979 paperback, you know.Jennie: Um- I mean, that- Um ... I just, there's some, there's so much to say about that because-Caroline: YeahJennie: like, I just, um- We, we just had a new bookcase built, um, which is something I've wanted to do well for eight years in this house. But it's a thing I've always wanted to have, which is like a grand bookcase, and it just was finished last week, and we had all the books packed up in storage, and we brought all the books back.Then we went through this discernment process of what goes [00:12:00] on those shelves. And I, you know, I had all those books from when I was a kid, even when I was a kid-kid, and they're yellow, and moldy and falling apart, and the covers aren't on, and they're taped and-Caroline: Yeah ...Jennie: eh, but I cannot let them go-Caroline: Yeah ...Jennie: because those...that was the object.Caroline: That's the object. This is what I feel sad for kids now, because they're not gonna have those same memories, um, of books. Yes. You know? And I don't think they stick in your head the same way if you don't have the full sensory embodied experience with a book.Jennie: Right. You know? Even when you open...I read on Kindle, which I love for so many reasons. Yeah. But you don't even see the cover.Caroline: You don't see the cover, right. And for me, it's so much. Like, I remember going to the Scholastic Book Fair and being like- Yes ... “I'm getting Summer of My German S- Soldier because Christy McNichol's on the cover,” you know?Yes. Yes. So yeah, that was part of the journey for me was I did wanna just [00:13:00] reconnect with those books again, try to h- and as much as you can, you know, reexperience the feelings of f- like The Shining, I actually... the only one I still have from 1977 is the actual Shining that I read. Um, and that's, for me, that woman in room 217.Well, I know you haven't read it ‘cause you're probably... What? But, um, it, that particular one I still have from, from when I was growing up. Um, and I love that I still have it, and it still has the photo... You know, it's the version that has the photo inserts that includes the Kubrick film photos. Oh, okay.Jennie: Okay.Yeah, yeah.Caroline: And I read it before I saw the film, so I remember being- 15 reading it and then seeing the pictures and being like you know? And that's part of the experience, but it wasn't, it's different than seeing the film, you know? And I really, I wanted to write this book as a love letter to language and to books, and not to film.Like, there's, that's a whole other category I think that enters people's brains in totally different ways. It's a very different experience. For me it's about, like going back to your original question [00:14:00] about like why, why, why do stories cause fear, and like what's the value perhaps in that? Yeah. That was something I came to after this long journey really, and talking to people and thinking about why.And also by understanding and reading more about Stephen King's books and talking to him about them, and realizing for him how much these stories are rooted in personal experiences or fears of grief and loss. And- Yes ... that was really profound for me. And like The Night Shift, which is the ur-text that I start with, ‘cause that's the one I read when I was 12, and that's his first collection of short stories.It came out in 1978. It's 20 short stories. But he ends it with a story about his mother dying, and it's, I mean, it's thinly veiled autobiography. It's about a man who's watching his mother die in the hospital. Um, but it's clearly a mirror of his own experience losing his mother when he was 26. And I'm like, wow, what's that doing in a collection of horror stories?[00:15:00] And it's like, what? ‘Cause that is of course, at least for me and I think for a lot of people, that's the core fear we first have, is that where's mommy, right? Yeah. Right? You lose the person who's in charge of taking care of you, and if you're lucky, does it well and with care. Um, but even if it's not, like Carrie, you know, the more I was looking through the Carrie drafts, I was like, right, he's really homing in on Carrie calling out for her mother even though her mother's terrible and abusive to her, right?So it's, there's just this, I don't know. It's a long way around to say I think horror, and he writes about this really eloquently, is a way for us to metabolize our deepest fears. Um, and to look at trauma not head-on but sideways. Um, and he writes about that, um, a number of different places in a really powerful way.He's just such an extraordinary human. You know, he's been thinking about this and for so long.Jennie: Yeah. Yeah. So, so your willingness to [00:16:00] confront that, those particular fear, fears in your own self and on behalf of the reader, really puts you in it. I mean, like you, there's a really lovely moment where you are reading I think it's, I think it's Pet Sematary, reading the actual book, and you have to turn it over so you- Yeahdon't see, like on your nightstand so you don't see the cover. I'mCaroline: scared, I'm scared of the cover, right, still.Jennie: Yeah.Caroline: Yeah.Jennie: And then there's moments, se- several where you're driving And you're sort of holding your breath while you drive past a place that he writes about or, or- Mm-hmm ... you know, um, well you have to tell the story, I'm sure every interviewer asks you about the, um, the doorknob in the archive.You have to, like, I was-Caroline: Yeah, not too many people have asked me about that, but I'm like, that to me was the scary moment-Jennie: Wait, shut up ... the most, theCaroline: most sturdy. I'm like, wh- uh, why did that happen? But of course, I mean, there's a reason why it happened. It's, it's, it [00:17:00] automatically locks if, you know, the, if you- Okaydon't lock it So let's, let's play- So but it just happened that we were inside the archive room. It was me and, and Julie Ugli, who is their assistant, who was helping me through this whole process. And I know, and I was, like, literally holding the first page of the first draft of The Boogeyman, the story that had scared me so badly when I was 12, about a monster that comes out of closets, and we're like in this room.And the, the archive room, it actually, it almost feels like a closet. It's not huge at all. You know, it's just-Jennie: Yeah ...Caroline: top to bottom, ceiling to floor stacked shelving with, you know, boxes of materials. And yeah, and we were in there, and I'm holding the first page, and the lock closes on its own. It just goes...And I'm like, I'm looking at Julie, I'm like, “What is, what's happening?” We don't have our cell phones with us. I'm like, “Are we stuck in here? Like, what's gonna happen?”Jennie: In the scary archive- In this, I was terrified ... in the back of the scary house. Like-Caroline: I know, I know. It was like, you can't make this stuff up.That's why I was like, I [00:18:00] couldn't wait, when I finally got a chance to write the book and sit down and write, I was like, I can't wait to tell these stories, because they just... I, I'm not a fiction writer. Like, I, I have such mad respect for- I don't know about that ... well, I've m- We'll see I don't know. I have mad respect for people who can write fiction.For me, I only can write what I know and exper- So I'm like, ah. But these stories were just so amazing. Or like when I was reading The Shining, like the first draft of The Shining, which is crazy. I mean, it's so different from the published version. And like getting to the woman in room 217, and like reading th- and literally my head w- like I thought I was having a stroke.Like it was like, like... And it's like, and then I find an interview where Stephen King writes about how he was scared to go back to that scene when he was revising it, the book, because he was dreading it. And I was like, oh, my God, have I just like had some kind of telepathic experience with Stephen King?Like- Right ... across time, space, and yeah, it was amazing.Jennie: Well, yeah. I mean, [00:19:00] it's just, um, uh, I actually made myself go through the whole book skipping giant chunks.Caroline: I feel so badly I put you through this.Jennie: I know. I, I feel like why, I kept saying, “Why? Why did I think this was a good idea?” Um, and it- I mean, even just tangentially, I, I don't know.It's interesting. I have, I'm sure you have this too, anybody who reads a lot or spends a lot of time with words, you have a capacity to sort of pay half attention, if that makes sense.Caroline: Mm-hmm.Jennie: Um, like you c- could sort of look at it without letting it all the way in. Yeah. But I, I just was, I just was riveted by the thread of, of your story and your putting yourself through that as a scholar and a human.But, but then some really cool things happen, and I, and I have flagged, um... Do you, [00:20:00] w- would you mind reading a tiny piece? It's- No, not at all ... it's on page 82, and it's the p- the paragraph that starts, “These manuscripts.”Caroline: Yeah.Jennie: That would be amazing.Caroline: Absolutely. So this is actually the moment I just described to you, where my head was like, I got...Oh, actually, I had just discovered the last 150 pages of the original Shining manuscript in a random folder in the archives, and I was like, “What is this doing here?” And I was getting obsessive about the manuscripts at this point, clearly- Yeah. Yeah ... just like the main character in The Shining, Jack Torrance, who gets obsessed with the manu- with the papers in the basement of the Overlook Hotel.But here we go. “These manuscripts are definitely getting into my head, and not just its rational part. In his memoir, when King describes books as being a uniquely portable magic, he doesn't specify what kind of magic. What if manuscripts can absorb and store more than just ink and words? [00:21:00] What if their pages can pass on dark energy along with dark stories?Ghosts have more than one way of making sure their stories are heard, of ensuring that the past is not forgotten, but rather pressed into our minds, even if we wrench our heads off the pillow and refuse to listen.” And that last is a reference to my, I used to see a ghost when I was five, and I write about that in the book too.Jennie: I mean, when I read that, I was like, “That's, that's me.” Like, these ghosts and horrors are pressing themselves into my mind, and I'm refusing to listen, and they still, they still do. And, um, King's stories in particular are so iconic, you can't really escape them. Like, you, you know the scenarios, you know the characters, you know-Caroline: YeahJennie: you know. And, and so it was interesting for me reading this book that that described my [00:22:00] experience where I was both repelled and magnetized at the same time.Caroline: That's beautiful the way you just put that. I mean, I think that is exactly our relationship also, of course, to our own fears. You know, again, what makes these stories endure, and I didn't go into this book thinking like, “This is a book about promoting Stephen King,” and, you know- Rightlike, I don't work for Stephen King. I just want to put that out there. Right. He, you know, he graciously agreed to let me go into the archives. He's been very generous about answering all my questions I had about the manuscripts, but he never at any point was like, “You can't say this,” or, “This is how you're supposed to say this.”So, but what I came away with after this process was exactly what you're describing, why we need these stories, why they endure, actually, is because they tap into our very real human fears. It's not about the monsters. It's about the grief and loss that's coming for all of us if we live long enough, you know?So you, and you have to at some point confront that, you know? So if it's- Yeah ... you can [00:23:00] try to run away from it, but it's coming, and that's part of being human. That's the human experience, obviously. Not to be glib, but it's like-Jennie: Yeah ...Caroline: you will experience loss. You will experience grief. And if these stories help you metabolize that or have a cathartic experience with that feeling without having to actually experience your worst fear, right?Um, like Aristotle says, it's cathartic, right? It's you watch a play, a, a tragedy because you experience a catharsis.Jennie: And did you, did you get to that in your own process?Caroline: That's a really good question. Um- You know, I, I think I became more aware of it. You know, I am, you know, and I write about this very openly in the book, that I was an extremely anxious little kid, um, which is part of why I think the boogeyman triggered me in the particular way it did, you know.Um, and that I grew into a pretty [00:24:00] anxious adult, you know? Yeah. I think anxiety is one of those things that, you know, I... Again, I was born in the ‘60s, so we didn't have this language for this back then. Like, my parents wouldn't have known to call me an anxious child, you know? Right. They probably would've said, “Oh, she's shy,” or, “She's whatever.”Um, so I think I, you know, like, and I as an adult, I think I've, I've found ways to manage it pretty well, but I am definitely a control freak. Like, that's part of how I manage it. I shouldn't use that language, but you know, it's like I, I like to just control what I can control, and that makes me feel that I can put the anxiety at bay.So I will say I think it's been interesting for me, Nick, now when I have those moments that are my worst fear moments that sometimes still will creep up on me just even though when I think I've figured it out, like doom s- doom scenarios. I tend to go to doom scenarios. So, like, if I can't reach... Uh, I will say Life360 has been, like, the best invention on the planet for me-with my two kids [00:25:00] and my husband. I'm like, “I know exactly where everyone is.” Yeah. It has saved me a lot of worry. Sometimes Life360 doesn't work, or sometimes a person still doesn't answer the phone, and then I have to manage my anxie- And then it's like... So I will say it's been interesting going through this process and having to confront or revisit the core of what scares me and, like, why that impacts, you know, why certain moments come forward for me still.So I think, yeah, I think it has helped me to a degree. Like, I can recognize it more clearly now. I'm like, “Oh, right, that's why I'm scared of that,” you know? Um-Jennie: That's so cool.Caroline: Yeah.Jennie: And it feels like that's the, the, um, the transformation in the book is you're exploring how that actually works and the language and the stories.Mm-hmm. But you're, you're also exploring how it works in your own self, how it did when you were young, how it does now- Yeah ... these moments when you're scared. So it- Mm-hmm ... there's such [00:26:00] a depth to it and, I mean, I just, uh, even in my half reading of it, I just loved it. Thank you. And, um, there's something that happens That's kind of crazy, which is, so you're a Shakespeare scholarCaroline: Mm-hmmJennie: And I ha- I, I know from reading Steve, a- about Stephen King, from reading his book On Writing, of course, and, um, interviews and such that, uh, I'm, I'm probably gonna say this in a disrespectful way, and I don't mean it to be so, but the, the easiest way I can describe it is that he's always had sort of a chip on his shoulder that he's just a popular writer and not taken seriously in a literary way.Mm. I don't know if that's, if that is fair to say, but that's how I'm saying it. Uh,Caroline: yeah.Jennie: And, um, what, what I found incredible was that [00:27:00] here comes this Shakespeare scholar into his archives doing proper scholarly archiver, arch- archival work, and there's this moment when you begin to see Shakespearean themes in his, in his work, and you can't ignore it, and particularly in, in Carrie and- Yeahparticularly around exactly the thing you were wrestling with, which is like a young girl's- I don't know, sense of, of not being fitting in the world or, um-Caroline: Yeah ...Jennie: right? And so that, um, there's, on page, since you have the book in your hand, um, I think it's pageCaroline: 202. Mm-hmm.Jennie: And it refers back to that passage you just read about portable magic.It's the one that's I remembered.Caroline: [00:28:00] Right. Okay. So this is going back to when I first was, um, I was in the final round of the job for the Stephen E. King Chair in Literature, and I was working on a book about Shakespeare's, the girls in Shakespeare's plays and world and teenage girls and their cognition.Like, the how were people during Shakespeare's day thinking about girls' brains? Yeah. So I'd been working on this for 10 years. Um, and then I was getting ready to give my job talk. This was the first time Stephen King and Shakespeare came together for me, and it was getting ready, and this, again, this is an authentic story, like write what you know.So I was getting ready for the job talk. I remembered that King's 1974 novel, Carrie, featured a 16-year-old girl whose telekinetic powers are unleashed when she gets her first period in the school shower. I started rereading it, and within a few pages came across an uncanny phrase. When she's walking home after being dismissed early, Carrie feels her brain flexing in a new way, [00:29:00] as if her powers have been waiting below the surface for her to reach, quote, “mental puberty.”I couldn't have wordsmithed this dynamic cognitive change better myself. In the last part of my job talk, I used the phrase to connect the brain work of Juliet Capulet, who's described as being two weeks away from seeing the change of 14 years, to Carrie's newly activated adolescent mind. It felt like a moment of pure portable magic between Stephen King, Shakespeare, and me.Jennie: Ugh, so beautiful.Caroline: Oh, thank you. Yeah. I mean, that was just so gobsmacking. Like, when that happened, I was like, I ca- I can't believe it, but yeah.Jennie: And then, now I may be getting some of the things wrong here, but then you- You realize, is it Carrie that, that you realize he was, you thought he was emulating a play, a Shakespeare play?Caroline: I think you're thinking of Shining. I mean, definitely at the end of the Carrie [00:30:00] chapter I return to, I did notice echoes of Macbeth, and I was convinced that that must have been what he was thinking about. And, and what's funny is, so one of the conversations I got to have with him, I mean, he's so generous with his time, one of my last conversations with him was about the end of Carrie, and that's a book that he actually doesn't like very much.You know, it was his first published novel, he was 26, and he's like, “I think that was written by a young man who thought he knew more than he did.” So he's, it's not a book that he goes back to. He recognizes it's important, and it's important to him, but, ‘cause it started his whole career, his whole trajectory.Um, but he didn't particularly, he hasn't returned to it. Yeah. So that was a fun chance for me to sort of talk to him and say, “Hey, you know what? I think you should maybe go back,” ‘cause it's it's, there's a lot of Shakespeare in there. Anyway, but the Shining chapter, what was fascinating, so there's this first draft, which I, I write a lot about, called The Shine, that's in the archives, with a totally different ending.Um, and when I looked at it, [00:31:00] he'd also divided it into acts and scenes, like Roman numeral acts and little- Mm ... Roman numeral scenes. And I was like, “This, what is this? This is like a Shakespeare play.” Like, that's what it looked like. And then sure enough, I found out he was imagining, he was thinking of a Shakespeare tragedy when he wrote The Shining.And that was the first moment where I was like, “What? This is insane.” Like, this- Yeah ... like, ob- obviously that became, for me, the story I wanted to tell about that particular set of manuscripts, was sort of uncovering, like, what's the Shakespeare play? Like, what's the tragedy? And I didn't wanna ask him because I didn't want- I wanted to go in with my mind clear, like, of any outside influence.I just wanted to see what my Shakespeare brain, because I'm so embedded in Shakespeare. I also have a Shakespeare podcast I do with my best friend. Like, we're, I'm always thinking about Shakespeare and how it relates to everyday life. You know, and so I'm like, “Well, how does it relate to The Shining?” Which is, like, an ur-American text.Like, this, like, say what you want about horror, [00:32:00] like- I'd be shocked if people don't know what The Shining's about, even if they haven't read it even if they haven't seen the film. Like, you probably know something about The Shining, right? Right. So I was like, if there's a Shakespeare tragedy at the foundation of this, you know.And here's the thing about Stephen King that I came to learn, again, reading all of his notes and finding these edits, and I did find traces of Macbeth in the first draft of The Shine, um, that he ended up taking out. So I was like, “Oh, is it Macbeth? It feels like it could be Macbeth.” There's so many things it has in common with it, with hallucinations and with baby bashing.And, you know, all of these horrible things that are in Macbeth are certainly in that book. Um, but I really wanted to go in, like, just on an adventure, like, see what I saw. So I didn't ask him which chi- tragedy until I was fully done with all my research and I felt like I had it all done. And that's when he drops that he was thinking of Hamlet.And once he said that, of course, it became so ... I mean, I [00:33:00] had seen traces, there were references to Ophelia that also didn't make it into the final published draft. So you wouldn't know this. This is the beauty of archival work, like you're gonna see things that other people will never know about unless you tell the story.That's why I felt so passionate about this. Like, “I need to tell people-” Yeah ... “that Ophelia was in the first draft, that he was thinking of Ophelia.” ‘Cause of course, you know, again, even if you don't know The Shining, the woman in the tub, the woman in the bathtub, like a drowned woman in a tub, like ah, Ophelia.Yeah. Like Ophelia's another one of those ur, like she's so, she's such a part of our cultural air, right? I mean, like no matter what country you're in. Right. There's a reason Taylor Swift has a whole, you know, song The Fate of Ophelia. Like people know what that means. Um, so I was like, “Oh my gosh, this is, this is incredible.This is even deeper than I thought it was gonna be.” Um, but also it made me appreciate how much that book is about intergenerational trauma. Um, and it's not ... So he doesn't like the Kubrick film [00:34:00] for reasons that, you know, a couple different reasons. One is that it flattens out the character of Jack Torrance, and Jack Torrance is an abused child himself, and he passes on that abuse to his son, Danny, right?Um, but you wouldn't know that from Kubrick's film. While Hamlet, of course, is about a father's ghost coming forward. Like, “The past is a ghost,” King writes, which is so f- powerful, right? Um, here's this ghost saying, “You need to kill for me.”Jennie: Yeah.Caroline: Yeah. And that's what happens to Jack. Yeah, so anyway, that's a long way to say that wasEach chapter was my favorite in different ways, but that one I loved being able to do the deep Shakespeare dive.Jennie: And was that ... You know, so I started that question by saying I, I had heard or understood or maybe inferred that, um, you know, King himself had this sort of desire- Okay ... to be taken more seriously.Was that, that must have been, I don't know, powerful for both you and him, uh, to [00:35:00] come to that? Not like, “Oh, you're the only person that's ever made him feel that way” or-Caroline: Yeah,Jennie: no,Caroline: I agree ... or agree with that, but. Like I, yeah. And, um, I mean, I will say I think part of the reason he was always really ... I mean, first of all, he's just so generous, and any writer who's ever worked with him has the same experience.Like he just gives his time. He just loves writing and writers so much that he will just, he'll just t- like any email I would send him, he'd write back in like an hour with a response. The part about how he feels about academia, you know, and I never directly asked him that because I didn't wanna ... You know, if he wanted to bring it up, great.But I think- Yeah ... my, after going on this journey with him, he clearly loves talking about- literature. He's the most well-read person I've ever met. I'm just gonna say that hands down. Like, the guy reads- Really? ... cons- constantly and if you read his early works, like even when he was 17, he wrote The Long Walk, okay, which just came out as a film, [00:36:00] and in that, he's citing T.S.Eliot, he's cit- he's citing Poe at 17. Okay? So he's, he, he, this, he comes by this honestly. He's not just trying to seem smart. Like, he literally is constantly reading and it's clear when you read his manuscripts or when you read his published books, he's making references to all, whether it's Shirley Jackson or Wallace Stevens or, you know, uh, he's so capacious in his knowledge of literature.And, like, just a couple months ago, he sent me an email, I don't, I can't remember, we were talking about something about Salem's Lot, and he was like, “Yeah, when I was writing Salem's Lot,” which again, this is 1975 when he's writing Salem's Lot, so that's a long time ago. He's like, “I was really into James Dickey's poetry.”Jennie: Whoa.Caroline: You know, who was an American no, you know, poet laureate. Uh, he's like, “And I was reading everything I could read of, of his and then I read Deliverance, and then I went back to his poetry, and that really impacted how I wrote the chapters [00:37:00] about the Lot,” which if you've read Salem's Lot, has some very lyrical, poetic chapters about the town, like, “The town knew about darkness.The town had its secrets and knew how to kept it.” And then he, like, sends me the entire poem that he was thinking about that James Dickey wrote. So I mean, it's, he's, and it's not performative. He's not, like, he has nothing. He doesn't need to prove anything to me, you know?Jennie: Right, to anyone, yeah.Caroline: He just literally loves, he loves literature.Like, this guy, he loves poetry. I mean, he actually writes poetry. He wrote poetry as an undergraduate. Uh, it was actually the core start for him of The Stand, was a poem he wrote called The Dark Man one day when he was, like, hungover in the school, like, cafeteria. Like, so it's like he, he's been thinking about literature and living with literature and, uh, since he was a teenager, if not earlier.His mom brought him, uh, Bram Stoker out of the public library when he was nine, so I mean, the guy- Whoa ... ‘cause he asked for it. He asked for Dracula. [00:38:00] I wasn't reading Dracula when I was nine. Were you? I mean-Jennie: No,Caroline: no. I was reading Little House on the Prairie. I mean-Jennie: Yeah. Yeah, exactly. Wow. Wow. So- I mean, this book, again, it's called Monsters in the Archives: My Year of Fear with Stephen King by Carolyn Bicks.It's just incredible, whether you're a King fan, whether you're a horror fan, um, but for sure for all writers, which are all our listeners. If you can, if you can bear it.It's very specific, um, a very specific- specific exploration of, of how good writing works really. Yeah. Right. And, and how you... You know, there's always that perennial question of how do you get emotion on the page? How do you make your reader feel something? And you, you show it very specifically, and I wanted so badly [00:39:00] to, to get into the details, and I, and I, I just, I just couldn't.Um, maybe someday, but, um, I just, I just can't recommend it enough for, for, um, this audience and, um, you know, anyone who's interested in any of these things we've talked about.Caroline: Thank you so much. I really appreciate that. And I will say, like, the Pet Sematary chapter, which is the first one, that was the first day I was in the archives.One of the things I discovered about him day one was how much attention he pays to word sounds. So I think for any writer interested in sort of doing a deep dive into, like, how one word change, right- Yeah ... can make a difference, you know? Yeah. And I didn't appreciate that about his writing until I went in there and saw his notes to the copy editor where he's like, “Nope, the word's clitter, not clatter.This is why.” You know? Like,Jennie: he's- There's a, um- Yeah ... yeah, there's a book I love, it's probably right behind me, um, called The Artful Edit by Susan Bell, in which she [00:40:00] shows examples of that kind of very careful change in, um, The Gre- The Great Gatsby and The English Patient and various works of, of literature, and your, your whole book is like that.It's, it's just amazing. Um- Thank you ... so is the next book gonna be the Shakespeare one you had thought of before? Or are you gonna- ... go in the, in the personal direction?Caroline: You know, it's such a good question. I think right now I'm just taking a break, you know, because I'm the kind... Like, I immerse myself in a project, and this has been so all-consuming.Um, and I'm back to doing my Everyday Shakespeare podcast, which I love and I missed. Um, so I'm doing that. And I, I really don't like to think too far ahead about what I'm going to write. I like to have it come organically.Jennie: Yeah.Caroline: Um, so I could go back into the archives. I could write another one of these kinds of books, but I don't know if that's the [00:41:00] right thing for me right now.Jennie: Yeah.Caroline: Um, I want to make sure whatever I write next- You know, I loved writing this book so much. It's my favorite... I mean, it's, it was such a powerful experience for me, um, because I could bring my personal experiences into it and my scholarly self into it. I don't... You know, it's gonna be hard to recreate that.Yeah. I think it can be done, but I don't wanna force it. Yeah. So I'm gonna wait and see what the next, what the next oneJennie: is. Don't you, don't you love the interviewer who's like, “Hey, congratulations. You wrote a book. What, what's your nextCaroline: one?” What are you working on now? What are you doing now? I know. And I get that.I'm like-Jennie: So mean ...Caroline: I'm just, I'm just reading books I wanna read. I'm doing my laundry. I'm getting to know my dog again. You know?Jennie: Oh, wow. Well, thankCaroline: you. But, you know, it's a fair question. Yeah.Jennie: Yeah, yeah. Thank you for coming and chatting about this, and for writing such a cool book. And- Thank you ... um, I'm looking forward to seeing what you do next.Caroline: Thank you, Jennie. It was a [00:42:00] pleasure.Jennie: Well, for our listeners, until next time, stop playing small and write like it matters.The #amwriting podcast is produced by Andrew Perilla. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output because everyone deserves to be paid for their work This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

FRIDAY HR 3 MONSTER SPORTS - NBA - Labron says he's not gonna make the fans wait. Golden State in the mix? World Cup final. Russ checks out The Long Walk. What are some of our favorite Stepehn King works? Gambling on sports rules? See omnystudio.com/listener for privacy information.

We're back, mid-July, and talking about the potentially-in-trouble Paramount deal, Lindsey Graham and Mitch McConnel becoming roommates, Trump's pathetic sore loser speech, two more ICE murders (Houston & Maine), Trump's reflecting pool disaster, RFK JR's diarrhea lettuce, cringe inducing Haley Stevens, plus another weird JD Vance fetish.  We're also talking about X-Men 97, The Bear, Star City, the movie Long Walk, and GOT House of Dragons. All of this is more, and we're still going on about that. Recorded on July 17, 2026.   Tip jar! https://www.buymeacoffee.com/ysgoat   Get your YSGOAT tees, totes, mugs, and more in our store HERE.   Check out Rob's Etsy shop to buy his prints, stickers, original artwork, and more HERE.  

Welcome to another episode of the Media Boat Podcast. We start with Sony Music participating in union busting practices. Next, EA College Football 27 uses scummy microtransactions in single player experience. Later, Emmy nominations were released with The Pitt and Hacks leading the charge. We wrap it all up with casting for an upcoming live action Naruto movie. We also have thoughts on Life Is Strange: Double Exposure, SGDQ, and The Long Walk. All this and more on this weeks episode of the Media Boat Podcast.

Today on the Woody and Wilcox Show: Man accused of cutting off his genitals and starting a fire; Fun With Golf Audio; Movie news: the Long Walk by Stephen King and the Invite; Woody's wife may have kidney stones; Wilcox received a ticket from New York City; Carolina Hurricanes owner has wife and kid's names engraved on Stanley Cup; And more!

Ep 285 Peacewarts: Resonant Charms 101 - The Architecture of a Sentence (Class 4) In class 4, we analyze the "Pronoun Blueprint" and the internal structure of speech to understand how sentences can either bridge divides or ignite factions. We compare the distributive responsibility found in Lincoln's Second Inaugural and Nelson Mandela's 1994 inaugural address. We also introduce the Metaphor Temperature Test as a tool for identifying and cooling high-conflict rhetoric. Homework: Look up the final paragraph of Lincoln's Second Inaugural (1865) and a short passage from Mandela's Inaugural (1994). Write down one question about any of this episode's topics. If you don't have a question, write 'no question.' Optional: Review your last three emails or texts during a disagreement. Apply the Metaphor Temperature Test and rewrite one sentence to change its temperature. If you'd like to read more on this subject, some book suggestions are Lincoln at Gettysburg: The Words that Remade America by Garry Wills, a brilliant masterclass on sentence architecture and structural balance that demonstrates how deliberate rhetoric can reshape a fractured national identity, and Long Walk to Freedom by Nelson Mandela, which provides the essential global perspective on using balanced, inclusive language to distribute social responsibility and systematically mend a divided nation. Learning Topics: The Pronoun Blueprint (we/our vs. you/they); Distributed responsibility in leadership; Lincoln and Mandela as case studies; The Metaphor Temperature Test; Parallel structure as a de-escalation tool. Join the Community / Get the Books:AvisKalfsbeek.com Podcast Music: Javier Peke Rodriguez “I am late, madame Curie”https://open.spotify.com/artist/3QuyqfXEKzrpUl6b12I3KW

This week on You Had Me At Skip It, Mike and Taylor hand the show over to the listeners for a special mailbag episode. From guilty pleasure movies we'll defend forever to the biggest surprises and disappointments of the year, we're tackling your questions and putting our movie tastes on trial. Which recent review deserves a second chance? Which film would have worked better as a TV series? And what movie have we spent years recommending that maybe wasn't as great as we remembered? Along the way, we'll revisit some of our recent reviews, including How to Make a Killing, Obsession, The RIP, Forbidden Fruit, The Long Walk, and Trust Me: The False Profit, while answering the questions you've been dying to ask.

LOOK OUT: join your hosts David, Cara, and Robert as they wrap up their summer blockbuster series with SUPERGIRL.You can check out some of our older episodes on our YouTube channel: https://www.youtube.com/playlist?list=PL-dpEKWvhcZoQ4PLu1HfUg-KXfWwrtnklYou can also check out more of Long Walk Productions' original content here: https://www.youtube.com/channel/UCVrMG74aomWR_WQs7yYT6_g

How far would you go to survive? This week on 3 Guys and a Flick, we're taking on one of Stephen King's most haunting stories as we review The Long Walk, the long-awaited film adaptation directed by Francis Lawrence. We break down the unforgettable performances from Cooper Hoffman, David Jonsson, and Mark Hamill, explore the film's grim dystopian world, and dig into the powerful themes of war, sacrifice, conformity, and the cost of entertainment. Did the movie live up to decades of anticipation? Did it capture what made King's novel so unforgettable? Along the way, we discuss the film's most shocking and emotional moments, debate what the ending really means, examine the creative decisions behind the adaptation, and reveal our final ratings. Whether you're a lifelong Stephen King fan or just experienced The Long Walk for the first time, there's plenty to unpack. Join us for laughs, debate, behind-the-scenes trivia, and a deep dive into one of the year's most talked-about thrillers. Take the walk… if you think you can keep up.

In PCJ Pops, the Pop Culture Junkies share their recommendations on what to experience in pop culture, today and yesterday. Shauna rented 2025's dystopian drama The Long Walk, based on the Richard Bachman (aka Stephen King) novel. Starring Mark Hamill, the film follows a group of kids literally walking for their lives in a totalitarian regime. It's available for rental on Prime. We have affordable and rewarding Patreon tiers! Be the first to hear new and uncensored content, if you dare! Click here: https://www.patreon.com/popculturejunkiepodcast/posts Apple Podcast: https://podcasts.apple.com/us/podcast/pop-culture-junkie/id1536737728 Spotify:https://open.spotify.com/show/7k2pUxzNDBXNCHzFM7EL8W Website: www.popculturejunkie.com Facebook: PopCultureJunkiePodcast Instagram: @pop.culturejunkie Threads:@pop.culturejunkie  Bluesky: @pop-culture-junkie.bsky.social Email: junkies@popculturejunkie.com Shauna on Instagram: @shaunatrinidad  Shauna on Threads: @shaunatrinidad Olivia on Instagram: @livimariez 

Send us Fan Mail In this episode, Marty gives Clif the movie Scream 7 to watch and Clif gives Marty the movie The Long Walk to watch. First up is Scream 7, which brings Neve Campbell back as Sidney Prescott for another showdown with Ghostface. Clif questions the film's writing, predictable twists and increasingly over-the-top kills, while Marty argues that the franchise still knows how to reinvent itself, balancing nostalgia with a few fresh ideas. It's one of the liveliest debates the show's had in a while.Then it's on to The Long Walk, where the conversation shifts from masked killers to psychological endurance. Clif and Marty discuss how the adaptation captures the hopeless tension of King's story, the emotional toll of the competition and why sometimes the scariest horror movie doesn't need monsters at all.They also cover listener mail, AI deepfakes, safe rooms with questionable design choices and the age-old question of whether horror fans are willing to forgive absolutely anything if Ghostface is holding the knife.Support the showFind our films here:The Love Song of William H ShawRevenge of ZoeWriting Fren-ZeeMaking Pondo on FacebookX (formerly Twitter):@MakingPondoInstagramMaking Pondo on Letterboxd:Season OneSeason TwoSeason ThreeSeason FourTheme Song "The Rain" by Russ PacePhotos by Geoffrey Notkin

LISTEN: join your hosts David, Robert, and Cara as they break down their next summer blockbuster, Steven Spielberg's "Disclosure Day."You can check out some of our older episodes on our YouTube channel: https://www.youtube.com/playlist?list=PL-dpEKWvhcZoQ4PLu1HfUg-KXfWwrtnklYou can also check out more of Long Walk Productions' original content here: https://www.youtube.com/channel/UCVrMG74aomWR_WQs7yYT6_g

HOUR 1- ADD News, Blind Charlie's Long Walk and MORE full 1990 Fri, 26 Jun 2026 15:42:00 +0000 7eYht4EPB14nz73iamHhcykAKbDD4na1 society & culture Klein/Ally Show: The Podcast society & culture HOUR 1- ADD News, Blind Charlie's Long Walk and MORE Klein.Ally.Show on KROQ is more than just a "dynamic, irreverent morning radio show that mixes humor, pop culture, and unpredictable conversation with a heavy dose of realness." (but thanks for that quote anyway). Hosted by Klein, Ally, and a cast of weirdos (both on the team and from their audience), the show is known for its raw, offbeat style, offering a mix of sarcastic banter, candid interviews, and an unfiltered take on everything from culture to the chaos of everyday life. With a loyal, engaged fanbase and an addiction for pushing boundaries, the show delivers the perfect blend of humor and insight, all while keeping things fun, fresh, and sometimes a little bit illegal. 2024 © 2021 Audacy, Inc. Society & Culture https://player.amperwavepodcasting.com?fee

Blind Charlie's Long Walk full 522 Fri, 26 Jun 2026 15:24:00 +0000 wBQ6eFU907ePzne98GDqZmrUl5KkeqLf society & culture Klein/Ally Show: The Podcast society & culture Blind Charlie's Long Walk Klein.Ally.Show on KROQ is more than just a "dynamic, irreverent morning radio show that mixes humor, pop culture, and unpredictable conversation with a heavy dose of realness." (but thanks for that quote anyway). Hosted by Klein, Ally, and a cast of weirdos (both on the team and from their audience), the show is known for its raw, offbeat style, offering a mix of sarcastic banter, candid interviews, and an unfiltered take on everything from culture to the chaos of everyday life. With a loyal, engaged fanbase and an addiction for pushing boundaries, the show delivers the perfect blend of humor and insight, all while keeping things fun, fresh, and sometimes a little bit illegal. 2024 © 2021 Audacy, Inc. Society & Culture https://player.amperwavepodcasting.com?feed-link=https%3A%2F%2Frss.am

A new week means new questions! Hope you have fun with these!Martin Short, Steve Martin and Selena Gomez star in what mystery comedy?What is the most abundant cell in the human body?The Formation World Tour was the first all-stadium tour by which female artist? For two extra points, what album was it done with, the best selling album of 2016.What is the very fitting three letter ticker symbol for Harley-Davidson?A "McBurney incision" is made in the lower right abdomen by a surgeon about to remove what?The current Prime Minister of Hungary is Péter Magyar. What does Magyar mean in Hungarian?Amphibians & mammals are classified as what 11-letter (plural) term, due to the fact that they have backbones?Richard Bachman wrote Thinner, The Long Walk, and Blaze and is the pen name for which author who has written more than 100 books?A specific hummingbird, whose name we won't mention cause it will spoil the answer, is unique for being the only bird to have what physical feature?What industry-leading project management tool comes from the japanese name for godzilla?"Seward's Folly" was a sarcastic nickname for the 1867 purchase of what?Only four players have scored more than one hat-trick at the men's FIFA World Cup, name them two and a half points for each right answer:What is it called when a player uses all 7 tiles at once in Scrabble?Who was the God of the Underworld and husband to Isis in Egyptian mythology?What 1981 arcade game that Dungeon Crawler Carl is skilled at, has the player direct an animal across a freeway or a river with logs?In Iron Man, what character did Gwenyth Paltrow play?MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media:Patreon – patreon.com/quizbang – Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website – quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook – @quizbangpodcast – we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram – Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter – @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia – stay for the trivia.Ko-Fi – ko-fi.com/quizbangpod – Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!

Vi har en tætpakket episode klar til jer! Hvilken dom fælder vi over Spielbergs hypede alien-basker 'Disclosure Day'? Hvad lærer vi om Michael Jackson i Netflix-dokumentaren 'The Verdict'? Og lever gyserfænomenet 'The Backrooms' op til hypen?? Desuden taler Kasper og Frederik om Zach Galifianakis' nye haveprogram, anden sæson af komedieserien 'The Four Seasons', suspense-gyseren 'The Long Walk' og den helt igennem fænomenale 'Mit liv som Zelenskyj'. 03.00: The Backrooms 13.20: Michael Jackson – The Verdict 28.40: Disclosure Day 39.30: This is a Gardening Show 43.40: The Four Seasons S2 46.15: The Long Walk 49.20: Horisont – Mit liv som Zelenskyj Følg Frederik og Kasper her: https://www.playpilot.com/dk/user/streamteam https://www.instagram.com/frederikdirks  https://www.facebook.com/streamteamradio/  https://www.instagram.com/kasperlund  

Day 22 of the 30 Day Walking Challenge. During today's ten-minute walk, Dave talks about Andrew and Lindsey's 11 day walk.Download your FREE 30 Day Fitness Chain Tracker for this challengeSupport the mission of Walking is Fitness and buy Dave a coffeeCheck out the sponsors of Walking is FitnessRythm Health is the world's easiest blood test to help you learn what's happening inside your body. They are offering you 15% off your first month and free shipping at rythmhealth.com/walkingI've been using Warby Parker glasses for nine years I love them! Buy one pair of glasses and get 20% off any additional pairs at warbyparker.com/walkingSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"Catch our latest chat where Ken Schaefer and I explore Stephen King's 'The Long Walk' adaptation and its thought-provoking themes. Ken also shares his thoughts on the new series from the creaters of STranger Things - The Boroughs #StephenKing #MovieNight" #dufferbrothers Learn more about your ad choices. Visit megaphone.fm/adchoices

WE WISH FOR a million listeners! Join your hosts David, Cara, and Robert as they transition from watching LOST to watching summer blockbusters until they go on hiatus. This week, the blockbuster is OBSESSION, and true to the title, they're all obsessed.NEXT WEEK'S MOVIE: Disclosure Day. You can check out some of our older episodes on our YouTube channel: https://www.youtube.com/playlist?list=PL-dpEKWvhcZoQ4PLu1HfUg-KXfWwrtnklYou can also check out more of Long Walk Productions' original content here: https://www.youtube.com/channel/UCVrMG74aomWR_WQs7yYT6_g

  Welcome back to the  Dr. Mary Travelbest Guide podcast. I returned from another 90-day journey around the world, and I'm excited to connect with fellow solo travelers, share experiences, and help build world peace, one person at a time. The FAQ is: Do you feel isolated as an American traveling now?  I've been solo traveling quite a bit over the past year, and I've noticed a trend. There have been multiple times when people in a group have discussed where they're from and asked questions about each other's countries. And then it gets to me, and I say the US, and it goes silent until the conversation moves on to someone else. It happens in hostels and bars. In fact, I've had multiple times where I say I'm American and the person will just instantly walk away. I know my country has done awful things that have earned this reputation. It's just disappointing that it creates a slightly isolating feeling at first. Luckily, I've had experiences where people have been really friendly, and I hope to have more of those. Has anyone else had similar experiences? I want to make it clear to those from the United States that they should not let this discourage them. The majority of my interactions don't go this way. I'm posting because I've had repeated, small incidents in several countries and want to see if others have noticed a pattern. Even when they happen, they've never felt more than just passive-aggressive.   60-second confidence challenge Your challenge today, the Confidence Challenge in Johannesburg, is safety.    If you like today's Confidence Challenge, my book series delves deeper into how to feel safe when you travel alone. I also discuss my safari in Kenya, part of East Africa. You may want to book a safari in South Africa and read the book as you move through the 5 steps to solo travel, from easy to more challenging, with tips on foreign-language communication. You can find the series at the link in the description.    See Book A for addressing this concern.  Find it on the website​​ at https://www.5stepstosolotravel.com/ or on Amazon. It's a several-part series. Today's destination is Johannesburg, South Africa. Today, we're talking about Johannesburg, or "Joburg," a place that may not feel easy at first—but that's exactly why it matters. We will cover the Apartheid Museum, Soweto, Mandela, soccer, Maboneng, Rosebank, and Sandton. We'll also tell you about a good tour guide and how to get informed. Let's be clear: this is not a relaxed, wander-anywhere kind of destination. But if you approach it thoughtfully, it becomes one of the most eye-opening cultural experiences you can have. So let's walk through what's worth your time and what requires your attention. Johannesburg is not built for tourists—it's built from history. Gold mining in the 1800s created the city. Apartheid shaped it. And today, you feel both, everywhere. You'll notice: Stark contrasts between wealth and poverty Gated neighborhoods, security systems, and guarded homes Areas where the infrastructure feels inconsistent And if you're willing to see it clearly, this city teaches you something few others can. The Apartheid Museum If you are on a solo or group tour, start here. Not optional. The Apartheid Museum is one of the most powerful museums in the world. You don't just read history—you walk through it. Give yourself at least 2–3 hours. And be ready—it's emotionally heavy. Soweto + Mandela's Legacy   Next, visit Soweto—short for "South Western Township." Soweto is where history becomes personal. Before your trip, if you can, read Mandela's book, The Long Walk to Freedom. https://www.imdb.com/title/tt2304771/   Walk down Vilakazi Street—home to both Nobel Peace Prize winners from the area. Nelson Mandela Desmond Tutu Visit the Nelson Mandela House, now a museum. You'll see: Local life Street vendors Music, dancing, and community But go with a guide. Not optional. There were small fires in the neighborhoods along the roadside, and some traffic lights were not working. Be aware, but be ready to learn.   Want to see a Soccer game while here? There are two teams you can watch at home games.   Johannesburg-based Soweto giants Orlando Pirates play home games at  Orlando Stadium, which the City of Johannesburg owns. While Carling Black Label has recently partnered with Kaizer Chiefs as a sponsor, the teams' major sponsors historically have included Vodacom and others.   https://www.espn.com/espn/story/_/id/43608195/what-soweto-derby-why-kaizer-chiefs-orlando-pirates-south-africa-most-popular-teams   Head to Maboneng, Johannesburg's creative district. Think: Street art Local designers Live music Markets like The Playground It's one of the few places where you can walk more freely—but still stay aware. Grab a meal, enjoy the vibe, but don't linger alone after dark.   Now, let's visit Rosebank + Sandton (Modern Johannesburg)   If you're wondering where things feel familiar—this is it. In Rosebank: Visit the arts and crafts market Browse local goods safely In Sandton: Upscale shopping Restaurants Hotels like Marriott Global brands like Apple and Nike It's polished—but don't confuse that with the whole city. A few dining places to consider: Pata Pata in Maboneng Salvation Café https://www.salvationcafe.co.za/ Looking for a travel guide in Johannesburg? Here's a suggestion. Beck N Coll. Benoni is Colleen Becker's hometown, just outside of Johannesburg. Her grown Son is Calvin. She's married to Glenn. "Beck n Coll "is their travel company name.  Through other means,nsuch aske Servas and Host a Sister, they have had 70-plus guests so far. Help them by booking your trip with them. Here is the website for more info. This episode is not a sponsored post. They can book you on a safari tour as they are experts here.   https://www.beckncoll.co.za/ https://www.instagram.com/hostasister/ Here is more on Host A Sister. It's  a global Facebook community connecting women worldwide to share homes for free, fostering friendship, cultural exchange, and safe, budget-friendly travel. Members (women and non-binary individuals) offer accommodation, local meetups, and travel advice without monetary exchange, ensuring it remains a non-dating platform, and I used it here. I met Colleen through Servas, and she told me about Host a Sister, which I used later in my 90-day trip. Let's summarize and add value with my reality check: Not every place will feel intuitive or walkable—plan your stops. You'll hear "be careful," and you should question what that actually means. Here's the reality: Do not travel alone at night Use Uber or arrange drivers Stay in known areas (Sandton, Rosebank) Avoid spontaneous wandering Keep your phone out of sight in public But also, don't assume constant danger. Many travelers report no issues when they stay aware and structured, like me. This guidance is not fear-based travel. It's informed travel. Johannesburg is not about comfort. It's about understanding. You will see: Inequality Resilience Creativity   My missteps: Wrong Airport in Johannesburg   Travel Mistake to Avoid    I should have booked Johannesburg's other airport from Cape Town. I didn't realize there were two airports, and I picked the cheaper one. I ended up on the wrong side of town and had to Uber from the airport to the train station. Then I got on the train and got to my destination.   So, in the end, I did not save any money.   Check the airport before you book Safari Air!   Thanks for listening, and I'll see you on the next journey. AI was used to select some of the suggestions for this episode.   Connect with Dr. Travelbest 5 Steps to Solo Travel website Dr. Mary Travelbest X Dr. Mary Travelbest Facebook Page Dr. Mary Travelbest Facebook Group Dr. Mary Travelbest Instagram Dr. Mary Travelbest Podcast Dr. Travelbest on TikTok Dr.Travelbeston YouTubee In the news  

SQUELCHING NOISES: join your hosts David, Robert, and Cara as they discuss their last LOST adjacent movie, 2015's "Bone Tomahawk."You can check out some of our older episodes on our YouTube channel: https://www.youtube.com/playlist?list=PL-dpEKWvhcZoQ4PLu1HfUg-KXfWwrtnklYou can also check out more of Long Walk Productions' original content here: https://www.youtube.com/channel/UCVrMG74aomWR_WQs7yYT6_g

We are joined by writer & podcaster Louis Peitzman (Supporting Actresses) for YA dystopia...but with boys! We talk King adaptations, the "slow apocalypse" of this movie, super subtle military propoganda, looking at a rainbow with your best bro, and, of course, Judy Greer.Follow us on Twitter, Bluesky, and IG! (And Jordan's Letterboxd / Brooke's Letterboxd) Follow Louis on Twitter and listen to Supporting Actresses!In celebration of Pride Month, support Advocates for Trans Equality alongside us!For privacy & ad info, visit: audacyinc.com/privacy-policy/

This week on Horror Café Podcast, Jackie and Eryka discuss The Long Walk,

Today, Pastor Kyle takes another look at the story of Abraham arranging to get a wife for his son, Isaac. There are some principles that Abraham set for his servant, who he tasked with the job of finding a wife for Isaac. Join Pastor Kyle as he looks at these principles and how they may apply to us today – and not just to those who are looking for a spouse.

SAYING GOOD-BYE: join your hosts David, Cara, and Robert as they conclude their LOST 20-year-retrospective by discussing the series- and the podcast itself- as a whole.You can check out some of our older episodes on our YouTube channel: https://www.youtube.com/playlist?list=PL-dpEKWvhcZoQ4PLu1HfUg-KXfWwrtnklYou can also check out more of Long Walk Productions' original content here: https://www.youtube.com/channel/UCVrMG74aomWR_WQs7yYT6_g

In this bonus episode, Duncan recaps his journey and shares lessons that he learned along the way.This is a follow-up to our 10/27/23 episode on hiking the Continental Divide Trail. We recommend listening to that episode and reading the show notes first:https://demmelearning.com/blog/hiking-continental-divide-trail-show/

Get your new boots strapped on and show us your sacks! Join Alec and guest Dom Berger as we explore The Long Walk, the chilling film adaptation of Stephen King's dystopian novel. We break down its high-stakes premise, themes of survival and conformity, standout performances, and how the movie brings one of King's earliest and most haunting stories to the screen. Join us for a look at the tension, symbolism, and lasting impact of this unforgettable journey.TikTok: https://www.tiktok.com/@wheel.of.horror7?is_from_webapp=1&sender_device=pc YouTube: https://www.youtube.com/@wheelofhorrorpodcast1802/videos Apple Podcast: https://podcasts.apple.com/us/podcast/wheel-of-horror/id1534102813 Spotify: https://open.spotify.com/show/3HnyAISG8Z8hvMFdSG60tE?si=9b785cf21c7f46a3 Instagram: https://www.instagram.com/wheel_of_horror/ Twitter/X: https://twitter.com/HorrorWheel

As Pastor Kyle continues his series on the life of Abraham, we come to the time when Abraham sends his servant out to find a bride for Isaac. You may wonder what this has to do with us today, but look at it as a picture of the Father arranging to get a bride for His Son with the assistance of a third party.

Mass Movement Presents… Episode 93: I Could Walk 500Miles…  In which the middle-aged crew chat about ‘The Long Walk',‘Daredevil: Born Again', ‘The Boys', ‘Send Help', ‘Darth Maul: Shadow Lord', ‘Texas Hold It', discuss the comics and books floating their collective boat, talk to artist and writer Norm Konyu about Edgar Allen Poe, get mad as hell about the woeful ineptitude governing their daily commute and much, muchmore. And somewhere in amongst the usual chaos, they find the time to spin tunes by Age of Malice, The Death of Pop Culture, and The Small Packages.  Tune in, turn it up, and geek out. This one's a doozy…

THE END: join your hosts David, Cara, and Robert as they continue their LOST 20-year-retrospective with the two part season finale, 6x17/18, "The End Parts 1 & 2."You can check out some of our older episodes on our YouTube channel: https://www.youtube.com/playlist?list=PL-dpEKWvhcZoQ4PLu1HfUg-KXfWwrtnklYou can also check out more of Long Walk Productions' original content here: https://www.youtube.com/channel/UCVrMG74aomWR_WQs7yYT6_g

In our series, we are learning about what it means to walk with God by looking at Abraham's life. Today, we reach the time where Abraham's wife, Sarah, dies. We see how he handles this event in his life; which brings us to the point that everybody has to pass through death. Death is the “Last Enemy” for all humanity. How should we, as Christians, view death? Listen and learn.

ACROSS THE SEA: join your hosts David, Cara, and Robert as they continue their LOST 20-year-retrospective with episodes 6x15, "Across the Sea," and episode 6x16, "What They Died For."You can check out some of our older episodes on our YouTube channel: https://www.youtube.com/playlist?list=PL-dpEKWvhcZoQ4PLu1HfUg-KXfWwrtnklYou can also check out more of Long Walk Productions' original content here: https://www.youtube.com/channel/UCVrMG74aomWR_WQs7yYT6_g

Dan has some truly incredible tales this week. We  begin in Pennsylvania.  After a tense argument, a man reluctantly agrees to take an evening walk with his lifelong best friend through the woods outside their small town. But the deeper they wander into the darkness, the more uncomfortable things get. Next up, a young couple renting an isolated farmhouse in rural Oregon begin experiencing vivid nightmares after moving into their new home. It becomes apparent to them both that these are far from normal dreams. Then Lynze gives us three tales. Her first is a new thing to be afraid of, a Fetch- an Irish folklore about a doppleganger type thing. Then, a young family leaves their brand new home after a few encounters with a ghost or mimic of their daughters. Lastly, a new dad experiences some kind of something trying to watch over his newborn baby and has evidence to prove it!  Wet Hot Bad Magic Summer Camp 2026: Have you heard?! We have some amazing friends joining us at camp! Astonishing Legends and True Crime Campfire will both be bringing their shows to the live stage this summer! If you want to see them and us, get your tickets at badmagicproductions.com  Do you want to get all of our episodes a WEEK early, ad free? Want to help us support amazing charities? Join us on Patreon! Want to be a Patron? Get episodes AD-FREE, listen and watch before they are released to anyone else, bonus episodes, a 20% merch discount, additional content, and more! Learn more by visiting: https://www.patreon.com/scaredtodeathpodcast. Send stories to mystory@scaredtodeathpodcast.com Send everything else to info@scaredtodeathpodcast.com Please rate, review, and subscribe anywhere you listen. Thank you for listening! Follow the show on social media: @scaredtodeathpodcast on Facebook and IG and TT Website: https://www.badmagicproductions.com/ Facebook: https://www.facebook.com/scaredtodeathpodcast Instagram: https://bit.ly/2miPLf5 Mailing Address: Scared to Death PO Box 3891 Coeur d'Alene, ID 83816 Opening Sumerian protection spell (adapted): "Whether thou art a ghost that hath come from the earth, or a phantom of night that hath no home… or one that lieth dead in the desert… or a ghost unburied… or a demon or a ghoul… Whatever thou be until thou art removed… thou shalt find here no water to drink… Thou shalt not stretch forth thy hand to our own… Into our house enter thou not. Through our fence, breakthrough thou not… we are protected though we may be frightened. Our life you may not steal, though we may feel SCARED TO DEATH." Subscribe to SiriusXM Podcasts+ to listen to new episodes of Scared to Death ad-free and a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The past couple of weeks, Pastor Kyle has been focusing on how Abraham's belief in God's promise to make him a father of a great nation has had an effect on his actions. Today, Pastor Kyle's takes a deep dive into what he believes are the two greatest promises of God and how that impacts how we live today.

Episode Notes The Wedding and the Marriage: On Creative Devotion and the Gift of the Slow Burn What does it actually mean to be devoted to your work — not the version of it you imagined, but the version that wants to exist? In this deeply personal episode, Michael reflects on the six-year journey of writing Resonance: The Art and Science of Human Connection — and the humbling gap between the grand launch he envisioned and the initiation the universe had in store. Recorded live from Tulum, Mexico, just weeks after the book's release, this is a raw and honest meditation on ego, surrender, patience, and what it means to stay in the work when the fanfare doesn't come. What You'll Hear in This Episode: The moment Michael nearly folded after five years — and the four-month ultimatum that changed everything Why he moved to Austin, found the right environment, and finally cracked the book's structure The emotional experience of recording the audiobook and hearing his "composition" for the first time How a crypto portfolio hit by 100% China tariffs wiped out his marketing budget — and what he did next The difference between the wedding (the launch) and the marriage (the lifelong commitment to the work) Why he stopped chasing the bestseller list and started thinking like Ryan Holiday's perennial bestseller What Esther Perel's Mating in Captivity and Steven Pressfield's The War of Art teach us about the slow burn The Miles Davis principle: music is what lives in the space between the notes Nelson Mandela's Long Walk to Freedom as a model for creative endurance How the principles of Resonance — listening, devotion, releasing transactional expectation — apply to your creative life, not just your relationships Key Themes: Creative initiation and the fire that forges you Releasing egoic expectation vs. listening to what wants to live The gift of the slow burn and the perennial work Environment as a creative catalyst Dissonance vs. resonance in relationships — and in your work What vision fasts and initiatory rituals teach us about patience and preparation Quotes From This Episode: "It's not about the night of the wedding. It's going to be about the years of commitment in the marriage." "How can I listen to what wants to live — and become an instrument for that song?" "Music is what lives in the space between the notes." — Miles Davis "I wasn't positive how the ideas came together in the most poignant way. But I knew it was in there." Referenced in This Episode: Resonance: The Art and Science of Human Connection by Michael Trainer — available wherever books are sold The War of Art — Steven Pressfield Mating in Captivity — Esther Perel Long Walk to Freedom — Nelson Mandela The Ryan Holiday perennial bestseller framework Connect with Michael:

NEVER LEAVING YOU again: join your hosts David, Cara, and Robert as they continue their LOST 20-year-retrospective with episodes 6x13, "The Last Recruit," and 6x14, "The Candidate."You can check out some of our older episodes on our YouTube channel: https://www.youtube.com/playlist?list=PL-dpEKWvhcZoQ4PLu1HfUg-KXfWwrtnklYou can also check out more of Long Walk Productions' original content here: https://www.youtube.com/channel/UCVrMG74aomWR_WQs7yYT6_g

In the past few weeks, Pastor Kyle has been discussing Abraham's faith and trust in God – ultimately to the point of trusting His promise regarding his descendants through his only son (at that time), Isaac. In order to trust someone, we need to believe that they are trustworthy and faithful. Today, we take a deeper look into how Abraham can trust God and how & why we can also trust Him, too.

CAN'T FEEL ANYTHING? It's okay, neither can Sayid. Join your hosts David, Cara, and Robert as they continue their LOST 20-year-retrospective, now in season 6.You can check out some of our older episodes on our YouTube channel: https://www.youtube.com/playlist?list=PL-dpEKWvhcZoQ4PLu1HfUg-KXfWwrtnklYou can also check out more of Long Walk Productions' original content here: https://www.youtube.com/channel/UCVrMG74aomWR_WQs7yYT6_g

We look at the themes this movie explores, how it uses the common elements of social experiment movies, and why characters make friends in a last man standing scenario.Follow the show on Instagram @intanalysispod and on Bluesky @intanalysispod.bsky.socialFollow Jelani on Twitter, YouTube, and Instagram @jelanitkellyFollow Evan on Bluesky @ev-wess.bsky.social on Instagram and Letterboxd @ev_wessFollow Angel on Bluesky @angelsarch15.bsky.social on Instagram @angelsarch15 @angelmichelli.film @serenitycinema1 and on Letterboxd @serenitycinemaOur logo is by Kelsey Hendry

Genesis 16 reminds us that God's promises don't fail—our patience often does. When the waiting feels too long, we're tempted to take control and force outcomes.   In this episode, Pastors Whit George, Blake Zimmerman, and Angela Ekstrum explore how even in human missteps, God is still at work, forming hearts, shaping character, and advancing His plan to redeem all mankind. He is not just fulfilling dreams; He is forming people.   Show notes: Weekend Message Will You Wait on the Lord? Listen to the full weekend message here: Will You Wait on the Lord? Referenced from Last Week Whit mentions last week's message and Tell Me More episode: God Desires Deep Relationship with His People https://youtu.be/rmGpV7ik1Sw?si=HmYHx8DGGilulL2M God With Us: Trust, Covenant, and Abraham's Long Walk of Faith | Tell Me More https://youtu.be/ikn31xDCT4Q?si=O9remz8f2a3SXVzg Resources Mentioned The Making of a Leader — Robert Clinton The Great Divorce — C.S. Lewis Next Steps Are you looking for a next step? COTMU applications are now open! Learn More: https://churchonthemove.com/cotmu

Send us Fan MailIn this week's episode 350 of the Fragmented to Whole Podcast, I'm joined by guest Art Blanchford to explore the journey from workaholism and people-pleasing into recovery, purpose, and spiritual alignment.Art shares his experience as a high-achieving corporate executive who spent decades in constant motion—running multi-billion dollar companies and staying in a cycle of overwork. When the pandemic forced everything to stop, it exposed what was really going on underneath. Through Workaholics Anonymous, he began learning how to let go of control and reconnect with himself.Some of the talking points we go over in this episode include:How workaholism can be socially rewarded while quietly disconnecting you from yourselfWhat happens when constant busyness stops and you're left with what's underneathWhat recovery in Workaholics Anonymous looks like and why many people don't recognize this patternThe shift from people-pleasing into a life guided by purpose and spiritualityWhat it really means to “let go and let God” in a practical wayThis conversation is a reminder that recovery isn't just about changing behavior—it's about reconnecting to yourself and creating a life that feels aligned instead of driven.Be sure to tune in to all the episodes to receive tons of practical tips on living a more whole life and to hear even more about the points outlined above.Thank you for listening! If you enjoyed this episode, take a screenshot of the episode to post in your stories and tag me! And don't forget to follow, rate and review the podcast and tell me your key takeaways!Learn more about Fragmented to Whole at https://higherpowercc.com/podcast/Feeling drained? Take my free Boundaries Drain Quiz to find out where your energy is leaking and how to reclaim it. Start your quiz here: https://higherpowercc.com/drain/CONNECT WITH BARB NANGLE:Subscribe to “Friday Fragments” weekly newsletterLinkedinWork with Barb! Book a “Say No Without Guilt” Session

As we continue with Pastor Kyle's series on the life of Abraham, we see how Abraham has learned to have COMPLETE trust in God's promises. Trust is basic to obedience. Last week, we saw that Abraham had full obedience to God. Today, we will see how he was able to obey God due to his complete trust in Him. So what does this have to do with us, today? Listen to find out.

In this episode, Pastors Whit and Gabe reflect on Genesis 15 and how it shapes the entire story of Scripture. Rather than portraying a distant God who sets requirements from afar, Genesis reveals a God who desires closeness—who patiently walks with His people. What we see in these scriptures is faith not as a transaction or a moment, but as a lifelong walk of trust. More than a clean record or a distant destination, the story of Abraham is about with‑ness: God joyfully dwelling with His people and inviting them into a relationship that transforms everything. Show Notes Key Scripture References: Genesis 15 John 3:16 Hebrews 11:10 2 Corinthians 4:17–18 Book Mentioned: "With" by Skye Jethani Listen to the Weekend Message! Church on the Move Tulsa: God Desires Deep Relationship with His People https://www.youtube.com/watch?v=rmGpV7ik1Sw    

Tyler Grey, former Delta Force operator, Ranger, sniper, actor, and one of Hollywood's most trusted military advisors, tells Chad Robichaux the full story behind SEAL Team, Suicide Squad, The Gray Man with Ryan Gosling, and the near-fatal Iraq raid that ended his military career 20 seconds from bleeding out.In this episode of The Resilient Show, Tyler and Chad go deep on the Delta Force selection process (the Long Walk), what "calm in chaos" really means at the Tier 1 level, why Tyler calls Hollywood "the largest psyops campaign in the history of the world," and his original theory that most combat veterans don't have PTSD, they have LTSD (Lack of Traumatic Stress Disorder). A concept Tyler coined after spending 3–4 years working out why the standard diagnosis never fit him or the guys around him.Tyler also opens up about the MAC makeup store moment that broke him after Delta Force, the four things every veteran loses when they transition out (purpose, identity, brotherhood, worth), the 45 seconds he had left to live on a back patio in Sadr City, why Ryan Gosling is "the single best shooter I've ever taught," the "trophies" every high-performer collects to cover a self-worth wound, and his new company that's about to launch a pistol sight that's will change the game.TYLER GREY'S BOOK:- Forged in Chaos (paperback + audiobook narrated by Tyler): https://a.co/d/06ddsXfN FOLLOW TYLER GREY:- Instagram: https://www.instagram.com/tyleragrey- YouTube: https://www.youtube.com/@tyleragreyCHAD ROBICHAUX'S NEW BOOK — "RIPTIDE":- https://www.tyndale.com/p/riptide/9781496488756THE RESILIENT SHOW is hosted by former Force Recon Marine and Mighty Oaks Foundation founder Chad Robichaux. Weekly long-form conversations with warriors, first responders, and leaders sharing stories of resilience, redemption, and truth.——Stay up-to-date with all things Resilient by subscribing to our Resilient Times Newsletter: https://resilienttimes.substack.comRESILIENT:Follow Us On Patreon: ⁠https://patreon.com/theresilientshowFollow Us On Instagram: ⁠https://www.instagram.com/resilientshowFollow Us On Twitter:⁠ ⁠https://twitter.com/resilientshowFollow Us On TikTok:⁠ ⁠https://www.tiktok.com/@resilientshowLIVE RESILIENT STORE:https://shop.theresilientshow.comFollow Chad: ⁠⁠https://www.instagram.com/chadrobo_officialhttps://x.com/ChadRoboSPONSORS:GoldCo https://chadlikesgold.comSmith & Wesson: ⁠⁠https://www.smith-wesson.com⁠⁠Vortex Optics: ⁠https://vortexoptics.com⁠Gatorz Eyewear: ⁠⁠https://www.gatorz.com⁠⁠Allied Wealth: ⁠https://alliedwealth.com⁠BioPro+: ⁠⁠https://www.bioproteintech.com/CHAD30⁠⁠BioXCellerator: ⁠https://www.bioxcellerator.com⁠SLNT: https://slnt.com------The Resilient Show is a proud supporter of military and first responder communities in partnership with ⁠Mighty Oaks Foundation⁠.

Rick welcomes Soda from Coventry Carols returns to the podcast to talk about some of our recent favorite horror movies. We get into The Long Walk, Bring Her Back, Undertone, 28 Years Later, Strange Harvest, Frankenstein & films by the Adams Family. We also dedicate this episode in loving memory to our departed friends, Terry Taylor & Sheri Rocco.  Please subscribe, review & give us that 5 star boop!

We conclude our mini-series of adaptations from last year based upon the work of Stephen King with the film that many Constant Readers have been waiting to see for decades. THE LONG WALK was famously the first novel King ever wrote (although not the first he published) and fans have been curious about an adaptation for years. Francis Lawrence (of the Hunger Games films) stepped in to adapt this bleak and deeply humanistic examination of men putting themselves on the line for a grueling walk in which only one of them can emerge the winner.Starring David Jonsson, Cooper Hoffman, and Mark Hamill as the villainous voice driving each of the participants towards inevitable doom with the promise of untold riches, The Long Walk is a blistering portrait of the ways in which we surrender ourselves to systems literally designed to destroy us. It's also an occasionally disarming picture of the way shared trauma can bond a community, and how friendships can be forged when we see those around us as more than merely a number.We're joined by friends of the show Joe George and Kate Micham for a thoughtful and open dialogue about the limits of endurance and the stubborn persistence of hope and love. Also featuring a Patron-only WHATCHA segment, this is one we really hope you enjoy.Patron Only Segment: Whatcha Watchin' / Readin' / Listenin' To8:37 - THE LONG WALKSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jess and Michael talk about a novel by some guy named Richard Bachman. (*whisper* It's really Stephen King!) We're walking long this episode, but do we know why?