Podcast appearances and mentions of alix lambert

Alix Lambert's work spans multiple media and disciplines. From documentary filmmaking to boxing, Alix has spent the majority of her career trying to understand strange and beautiful aspects of human behaviour. Anthony first encountered her work while flipping through the 1993 Venice Biennale catalogue; feeling a strange sense of affinity for the black & white image of Alix punching a speed-bag in a wedding dress, Anthony and Alix connected to try to revive her 1993 film 'No Holes Barred.' In the early stages of conducting podcasts for this interview Anthony and Alix caught up online to talk about her latest directorial work with the film 'The Woods Are Real' (2023) and her process of coming to appreciate working through film as a medium.Follow Alix on instagram at @lixilambWatch The Woods Are Real on all major streaming platforms 12 March 2024Check out Alix's books at Percival PressDonate to Humanitet's Emergency Gaza AppealTheme music by Harry Bix Support Into the Paint on Acast+ https://plus.acast.com/s/in-the-paint-1. Hosted on Acast. See acast.com/privacy for more information.

On the latest episode of the Talkhouse Podcast, the iconic actor Viggo Mortensen sits down with his longtime friend and fellow filmmaker Alix Lambert. The occasion for their talk is the release of Falling, Mortensen’s debut as writer-director, an intense family drama starring Lance Henriksen, Laura Linney and Mortensen himself. In a fascinating, wide-ranging conversation, Mortensen and Lambert discuss not only Falling and the pandemic, but also Viggo’s musical collaborations with the guitarist Buckethead, the various cinematic exploits of Mortensen’s son Henry, Lambert’s current non-fiction project, the shared love that Russian opposition leader Alexei Navalny and Mortensen have for a very surprising TV show, and much more. For more filmmakers talking film and TV, visit Talkhouse at talkhouse.com/film. Subscribe now to stay in the loop on future episodes of the Talkhouse Podcast.

Sean & Matt share the launch of Storybrink - a new lit & media journal featuring a great array of superlative talents across the arts. Issue One's contributors incl. Alix Lambert, Campbell Scott, and more. How did we get here? And what's to come? Listen here to find out, then check out Storybrink.com

This week, we here at Talkhouse celebrate two monumental things: first off, this is the Talkhouse Podcast's 250th episode (holy shit, how did that happen?!?!? Thank you, listeners!) The second thing we're celebrating officially this week, and unofficially every other day of the year: mothers and maternal figures! For today’s show, we took a deep dive through the past five years of the podcast to share some of our favorite clips of artists discussing the myriad experiences that comprise motherhood. So buckle up for: Christina Choe and Andrew Ahn on Christina's mom's star turn as an actress. Tori Amos and Shirley Manson (Garbage) on the sacrifices and uncertainties of motherhood, and the continuing inspiration Tori receives from her own mother. Fred Armisen and Alix Lambert on the crazy, sad true story of Fred’s stepmother's time in East Berlin. Ben Lee and Jon Cryer on how Ben's mum helped him make a really important career decision when he was a teenager. Tracy Droz Tragos and Martha Shane on how Tracy's maternal instincts guided her experiences on and off screen while making Rich Hill. Julia Pott’s mum reviewing Get Out — on Julia's answering machine. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. —Elia Einhorn, Talkhouse Podcast host and producer  Today’s episode was co-produced by Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range.

Alix Lambert is an artist, filmmaker, writer and a lot of other things based in Brooklyn, New York. Her feature length documentary The Mark of Cain was nominated for an Independent Spirit Award and aired on Nightline. She went on to produce additional segments of Nightline as well as 7 segments for the PBS series LIFE 360. She has directed and produced two other feature length documentaries; Bayou Blue (made in collaboration with David McMahon) and Mentor. She is currently directing the feature length documentary, Goodbye, Fat Larry. She has directed numerous shorts and music videos including You As You Were for the band Shearwater on Sub Pop Records and the animated short, Tiffany. Alix has written for a number of magazines including Stop Smiling, ArtForum, The LA Weekly, and Filmmaker Magazine, to name a few. She wrote Episode 6, season 3 of Deadwood: “A Rich Find” and was a staff writer and associate producer on John From Cinicinnati. She was also a writer on the video game Syndicate. Alix has exhibited her work in The Venice Biennale, The Museum of Modern Art, The Georges Pompidou Center, and the Kwangju Biennnale, to name a few. She is the author of four books: Mastering The Melon, The Silencing, Russian Prison Tattoos, and Crime. For theater, she has written and directed Crime, USA, which has been staged at Joe’s Pub in NYC, and the Cairns Festival in Australia and Crime, USA, Hartford, which was staged at Real Art Ways. Alix co-founded and is co-artistic director of The Brooklyn International Theater Company (with Nelson George and Danny Simmons). She has conceived of and directed two original series for MOCAtv; Crime: The Animated Series and Ambiance Man. She recently produced a segments for This American Life, and Theory of Everything. She received grants from the NEA, NYFA and The Roberts Foundation. Alix has received residencies and fellowships from: The MacDowell Colony, Headlands, The Studios of Key West, The McColl Center, The MIT Media Lab in Cambridge and was The Booth Tarkington Writer in Residence at Butler University for the 2014-15 school year. She is currently developing her original animated series Prison Zoo. She is also working on an upcoming graphic novel to be released on Hat & Beard Press based on her experiences in courtrooms and her sketches. Brian visited Alix at her Brooklyn home where she is working on her graphic novel and they spoke about crime, technology, the environment, indirock and a lot more.

Your host explores the transition from UFO to Drone on stage as part of Radiotopia Live! and pinpoints the date he crossed his own personal digital divide (Feb 21st 1997). Also filmmaker Alix Lambert tells us about a group of people who are still on Analog time. A version of the prison tape piece ran on 99% invisible. Thanks always to Roman Mars and Katie Mingle. Special thanks to Elyse Blennerhassett who not only introduced us to both Efren and Adolfo but she is also continuing to work with them on a longer term audio diary project that follows their daily life / experiences, and inner worlds. From their fight for innocence to their interactions, dreams, textures, smells, and memories.          

On the latest episode of the Talkhouse Film podcast, filmmaker, photographer and author Alix Lambert talks with her friend of almost 30 years, Fred Armisen. In a lively, wide-ranging conversation, the two touch upon such subjects as their mutual love of Bitmoji and airport texting, why Fred insisted The Wizard of Oz was a documentary to Alix's CalArts class, the incredible story surrounding Fred's half-brother's mother and the Stasi, and, of course, Portlandia, Documentary Now and his upcoming Spanish-language comedy show for Más Mejor. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film.

Artist Gary Panter packs up and sizes down, Alix Lambert explains the new computer trap. Plus your host on Gordon Comstock (the escaper protagonist of Orwell’s novel Keep the aspidistra flying).  

Die Filmemacherin Alix Lambert reiste 1999 in russische Gefängnisse, um Tattoos zu untersuchen. Was sie dort vorfand waren Tattoos, die nicht nur Körperschmuck waren, sondern die mit Bedeutung aufgeladen waren. Jedes Tattoo hatte eine eigene Bedeutung. „Das Segelschiff bedeutet, ich habe ein unstetes Leben geführt. Ich bin von Ort zu Ort gezogen. Hier ist ein Pirat und ein Totenkopf. Der Pirat steht für Raubüberfall und der Totenkopf für Mord. Viele Verurteilte haben Kreuze auf ihren Körpern. Wenn es ein Kreuz mit Jesus ist, bedeutet es, er ist ein Dieb-im-Gesetz“ (aus Alix Lambert, The Mark of Cain) ----- Music by Tiny Alligator

Alix Lambert, documentary filmmaker discusses her film Mentor. It’s a serious episode of the show, but we lighten the mood a little at the end with a brand new track from a brand new band from Nottingham, England called April Towers. LINKS: Head to our SoundCloud page for a selection of dumb bits including the “Uptown Funk/Jungle Love/Living in America” mash-up from episode 182. Visit HomeShirts.com for great vintage apparel. Check out our new collection of shirts of defunct teams. Use code “PFTR” and save 10%. The code now works BTW, and can be used on all associated sites. But buying from Cleveland is the best way to support the show. Check out some funny stuff over at Ross Rants. Think of it as a print version of PF’s Tape Recorder. Be sure to click over to Fangirl’s blog, CheckCheckHey! and her photo blog. Follow P.F. on Twitter @PF66 and like this podcast on Facebook. PF’s Tape Recorder logo designed by Dan Koabel. Meg and Dan’s The Queen’s Gambit podcast (it’s all about the TV series Arrow) is now available. You can also find it in iTunes. The PF’s Tape Recorder Episode Guide is up. Email our show here.  

In this episode we investigate the lived experiences of incarcerated people in Russia, Canada and Austria. We talk to filmmaker Alix Lambert about her documentary on Russian prison tattoos, Kim Pate of the Elizabeth Fry Society about criminalized women in Canada, and Florian Klenk about his investigative reporting on prison conditions in Austria. ----- Music by Tiny Alligator Attributions: Herbert Boland Creative Commons License from freesound.org http://freesound.org/people/HerbertBoland/packs/1841/ cowsinbarn, orchardbirds, sheeheep: Herbert Boland / www.freesound.org cow moo Benboncan/ freesound

Travis DiNicola chatted by phone with visiting magician Eric DeCamps who will be perfomrming at the 2015 Indianapolis Winter Magic Festival, sponsored by IndyFringe. Sharon Gamble invited "Mentor" filmmaker Alix Lambert to talk about making the documentary and what she hopes will result from the documentary's screening presented by Butler University's College of Education and College of Liberal Arts and Sciences. Travis DiNicola caught up with Time for Three musicians, Nick Kendall, Zach De Pue, and Ranaan Meyer, over the holidays to talk about a new CD and their new WFYI TV documentary.

Matthew Socey reviews THE BOY NEXT DOOR and interviews Alix Lambert about the documentary MENTOR. Guest Mark Dubec reviews MORDECAI.

Ever wonder what it's like to be in the FBI? This week features performances of interviews with two retired FBI agents. They talk about how they entered this line of work, being a female agent, the mafia, what their jobs are like on a day-to-day basis, plus other stories and observations about serving on the force. The episode is performed by Maria Dizzia and Matthew Maher, and was recorded at Joe's Pub. The interviews were conducted as part of Alix Lambert's play Crime: USA, which is crafted from interviews with gang members, pawn shop owners, FBI agents, and more. For more, please visit http://www.thecivilians.org.To leave a comment, please visit The Civilians' blog http://blogforthecivilians.blogspot.com/!

This episode comes from Alix Lambert's new play, Crime, USA, which explores crime in America through a series of interviews with criminals, gang members, pawn shop owners, lawyers, FBI agents, and more in different cities across the country. A former gang member talks about about the first time he got in a fight when he was in the first grade, the first time he carried a gun, his experiences as a gang member, and his life outside the gang. This episode features actor Frank Harts as Antonio performed at Joe's Pub. This episode contains some language and content that may not be appropriate for children under the age of 18.For more, please visit http://www.thecivilians.org.To leave a comment, please visit The Civilians' blog http://blogforthecivilians.blogspot.com/!yes

Voices from Occupy Wall Street populate the latest episode of Let Me Ascertain You. The company's artists were out in Zuccotti Park interviewing the demonstrators about their reasons for protesting and what it was like living in the Park during the first few weeks of this historic movement. This episode features Matt Stadelmann as Robert Grote who was on the Brooklyn Bridge during the mass arrests; Matt Dellapina as Buddy Bolton, an out-of-work creative director for children's television; Alix Lambert at Charlotte Souza, a college-aged protester; Jordan Mahome as Preach of Occupy the Hood; and Kelly McCreary singing "I Have Not Slept" by Michael Friedman. What you are about to hear is from our live performance at Joe's Pub less than a month ago (on October 28), which was featured in the Washington Post, Wall Street Journal, The Faster Times, and New York Times.For more, please visit http://www.thecivilians.org.To leave a comment, please visit The Civilians' blog http://blogforthecivilians.blogspot.com/2011/11/occupy-wall-street-podcast.html!