Podcast appearances and mentions of Art Rosenbaum

This Hip Deep episode presents the stunning radio premiere of "Oh, David," the traditional song of the annual Easter Rock in Winnsboro, Louisiana. The Easter Rock is in fact a surviving ringshout—the oldest known form of African American music—but it's about 600 miles west of the ringshout's heartland in Georgia. It's located across the Mississippi River from Vicksburg in the Louisiana Delta, where they don't call it a "ringshout," but a “rock.” And it totally rocks. Producer Ned Sublette attends the Easter Rock ceremony and talks with Dr. Joyce Marie Jackson, a scholar and Louisiana native, who has been working with the Rockers for almost 20 years and confirms their tradition as a direct musical link to slavery days. In Athens, Georgia, Sublette visits Art Rosenbaum, producer of recordings by Georgia's McIntosh County Shouters, and more. Produced by Ned Sublette. APWW #734

This old Celtic tune was recorded and tabbed by Art Rosenbaum in the 1970's based on banjo player Bob Lucas' rendition. As Tune of the Week, it's an interesting research project. Played in sawmill tuning, it might be a most enjoyable listen once familiar with it. Here I play rather slowly and am just trying to reproduce its many notes. The first half is based on a flutists' mp3. The second half is from Art's tab.

This old Celtic tune was recorded and tabbed by Art Rosenbaum in the 1970's based on banjo player Bob Lucas' rendition. As Tune of the Week, it's an interesting research project. Played in sawmill tuning, it might be a most enjoyable listen once familiar with it. Here I play rather slowly and am just trying to reproduce its many notes. The first half is based on a flutists' mp3. The second half is from Art's tab.

Celebrate the life and work of the Grammy-winning Indianapolis folklorist Art Rosenbaum.

Can you separate the artwork from the artist? “I have assumed as axiomatic that a creation, a work of art, is autonomous,” T.S. Eliot. Eliot himself now an artist who challenges critics in hindsight about his own work. Eliot scholars debate the possible prejudice and anti-semitism in his work. Does it mean the poet, rather than the poem's narrator, is prejudiced? Is a comedy routine with sexist or inflammatory viewpoints reflecting the performers own ethics or is it part of reflecting the culture to create such humour? Eugene and Candy talk bout whether or not they can, or should, separate art from it's creator. And what are the perimeters of objectionalble actions that would stop them from listening or viewing. The incredible Art Rosenbaum is not an artist leaving doubt of his great worth. This episode is in honour of Art Rosenbaum and his body of work that has inspired Eugene. The opening music is Art Rosenbaum performing "Shout Lulu" at the Tiki Parlour. You can find the video on Youtube....Filmed and Recorded by David Bragger www.OldTimeTikiParlour.com   Or here: https://www.youtube.com/watch?v=8QUROydAbFA   Please email the agents, requests, ideas, thoughts and criticsm to: theagency.podcast@gmail.com

Durham, North Carolina singer and guitarist Jake Xerxes Fussell @jxfussell grew up in Columbus, Georgia, son of Fred C. Fussell, a folklorist, curator, and photographer who hails from across the river in Phenix City, Alabama. Fred's fieldwork took him, often with young Jake in tow, across the Southeast documenting traditional vernacular culture, which included recording blues and old-time musicians with fellow folklorists and recordists George Mitchell and Art Rosenbaum and collaborating with American Indian artists (which led Jake eventually to his graduate research on Choctaw fiddlers.) This education and influence is evident in his fantastic contribution to Radio L'envie. The Colonial Band of Boston - New England Band Music – Jargon Buck Ramsey – The Goodnight-Loving Trail Louie Gonnie – Falling Leaves Grey Larsen & Andre Marchand - A Pack of Lies (Les menteries) /Cedulie's Reel (Reel a Cedulie) Jimmy Giuffre – The Swamp People Julia Illanes – Adios Caminito Terence Blanchard – Wading Through Robin Holcomb – Help a Man Lawrence & Vaughn Eller – Cindy in the Summertime Ron Miles – The Rumor Kaufman String Quartet – Ennanga II Aubrey Ghent – There Is a Fountain Filled with Blood Link in bio to MIXCLOUD and SOUNDCLOUD

It's the end of another comic based show, which means it's time for a new episode of Small Screen Rundown. Clay joins us as we cover the new Amazon Prime show Invincible and talk about some differences between the book and the show. Twitter: @comicrundown Instagram: @comicbookrundown Email: comicbookrundown@gmail.com Hosted by Joe Janero, Ron Hanes and Clay Hinojosa Edited by Joe Janero Theme song provided by the other member of the Sex Turtles (Cam Malidor) Find our t-shirts at Redbubble and TeePublic https://www.redbubble.com/shop/comic+book+rundown?ref=search_box http://tee.pub/lic/vBbIJZ4eLQ0

From The Walking Dead creator Robert Kirkman, and based on the Skybound/Image comic of the same name by Kirkman, Cory Walker, and Ryan Ottley, INVINCIBLE is an hour-long, adult animated superhero show that revolves around seventeen-year-old Mark Grayson (Steven Yeun), who's just like every other guy his age — except that his father is the most powerful superhero on the planet, Omni-Man (J.K. Simmons). But as Mark develops powers of his own, he discovers that his father's legacy may not be as heroic as it seems.Invincible will also star Sandra Oh (Killing Eve), Seth Rogen (This is the End), Gillian Jacobs (Community), Andrew Rannells (Black Monday, Girls), Zazie Beetz (Deadpool 2), Mark Hamill (Star Wars: The Last Jedi), Walton Goggins (Justified), Jason Mantzoukas (Brooklyn Nine-Nine), Zachary Quinto (Star Trek), Mahershala Ali (Moonlight), Melise (The Flash), Kevin Michael Richardson (The Simpsons), Grey Griffin (Avengers Assemble), Khary Payton (The Walking Dead) and more.FOLLOW USFollow Daniel on Twitter, Instagram, and LetterboxdFollow Shahbaz on Twitter, Instagram, and LetterboxdFollow Anthony on Twitter, Instagram, and LetterboxdFollow The Movie Podcast on Twitter, Instagram, Discord, and YouTube

Explore the work of the celebrated folklorist, musician, and painter Art Rosenbaum. During the mid-20th century, Rosenbaum made a series of field recordings of traditional Indiana music. Art's work documenting Hoosier musicians like blues guitarist Scrapper Blackwell and fiddler John W. Summers resulted in the production of several critically acclaimed albums during the 1960s.

Explore the work of the celebrated folklorist, musician, and painter Art Rosenbaum. During the mid-20th century, Rosenbaum made a series of field recordings of traditional Indiana music.

Explore the work of the celebrated folklorist, musician, and painter Art Rosenbaum. During the mid-20th century, Rosenbaum made a series of field recordings of traditional Indiana music.

Strange things begin to happen to Mark Grayson as he begins to develop superpowers. Luckily, his dad is around to show him the ropes, at least he WOULD be if he weren't so busy saving the world all the time. We welcome Clay from his many, many podcasts to the show for this amazing series. You can follow him on Twitter and Instagram @FanboyClay Twitter: @comicrundown Instagram: @comicbookrundown Email: comicbookrundown@gmail.com Hosted by Joe Janero, Ron Hanes and Clay Hinojosa Edited by Joe Janero Theme song provided by one of the Sex Turtles (Joe Cubas) Find our t-shirt at https://www.redbubble.com/shop/comic+book+rundown?ref=search_box

Passed down through generations, northern Georgia banjo player Chesley Chancey (1913 - 1980) passed the tune Mulberry Gap from his grandfather on to Stephen Wade in 1979 while Art Rosenbaum recorded it at Chesley's home. He played it in the 2-finger style. I play it in the clawhammer style.

Passed down through generations, northern Georgia banjo player Chesley Chancey (1913 - 1980) passed the tune Mulberry Gap from his grandfather on to Stephen Wade in 1979 while Art Rosenbaum recorded it at Chesley's home. He played it in the 2-finger style. I play it in the clawhammer style.

Passed down through generations, northern Georgia banjo player Chesley Chancey (1913 - 1980) passed the tune Mulberry Gap from his grandfather on to Stephen Wade in 1979 while Art Rosenbaum recorded it at Chesley's home. He played it in the 2-finger style. I play it in the clawhammer style.

Passed down through generations, northern Georgia banjo player Chesley Chancey (1913 - 1980) passed the tune Mulberry Gap from his grandfather on to Stephen Wade in 1979 while Art Rosenbaum recorded it at Chesley's home. He played it in the 2-finger style. I play it in the clawhammer style.

Passed down through generations, northern Georgia banjo player Chesley Chancey (1913 - 1980) passed the tune Mulberry Gap from his grandfather on to Stephen Wade in 1979 while Art Rosenbaum recorded it at Chesley's home. He played it in the 2-finger style. I play it in the clawhammer style.

Passed down through generations, northern Georgia banjo player Chesley Chancey (1913 - 1980) passed the tune Mulberry Gap from his grandfather on to Stephen Wade in 1979 while Art Rosenbaum recorded it at Chesley's home. He played it in the 2-finger style. I play it in the clawhammer style.

Passed down through generations, northern Georgia banjo player Chesley Chancey (1913 - 1980) passed the tune Mulberry Gap from his grandfather on to Stephen Wade in 1979 while Art Rosenbaum recorded it at Chesley's home. He played it in the 2-finger style. I play it in the clawhammer style.

This Hip Deep episode presents the stunning radio premiere of “Oh, David,” the traditional song of the annual Easter Rock in Winnsboro, Louisiana. The Easter Rock is in fact a surviving ringshout—the oldest known form of African American music—but it’s about 600 miles west of the ringshout’s heartland in Georgia. It’s located across the Mississippi River from Vicksburg in the Louisiana Delta, where they don’t call it a “ringshout,” but a “rock.” And it totally rocks. Producer Ned Sublette attends the Easter Rock ceremony and talks with Dr. Joyce Marie Jackson, a scholar and Louisiana native, who has been working with the Rockers for almost 20 years and confirms their tradition as a direct musical link to slavery days. In Athens, Georgia, Sublette visits Art Rosenbaum, producer of recordings by Georgia’s McIntosh County Shouters, and more. Produced by Ned Sublette. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW PGM #734 Distributed 4/13/2017

My rendition is roughly based on the fiddling of Edden Hammons. I also used the Low Bass A tuning (as named by Art Rosenbaum) to get the droning 4th string. This is the tuning used by Tommy Jarrell on John Brown's Dream. The tuning is a(low)AAC#E, or in relative terms 12 4 3 5.

My rendition is roughly based on the fiddling of Edden Hammons. I also used the Low Bass A tuning (as named by Art Rosenbaum) to get the droning 4th string. This is the tuning used by Tommy Jarrell on John Brown's Dream. The tuning is a(low)AAC#E, or in relative terms 12 4 3 5.

Inspired from Art Rosenbaum and Pete Seeger. I'm studying Art Rosenbaum's material, especially 2-finger style from Pete Steele's playing. Though his tab was for that style, I found that it worked equally well for clawhammer and was easier. :( Oh well, please don't call me lazy. :)

Inspired from Art Rosenbaum and Pete Seeger. I'm studying Art Rosenbaum's material, especially 2-finger style from Pete Steele's playing. Though his tab was for that style, I found that it worked equally well for clawhammer and was easier. :( Oh well, please don't call me lazy. :)

Sometimes an event and a new tuning combine to inspire a tune, like in Hillside. It's a tribute to my mother's neighbor, Mrs. Fields, who passed away in her late nineties. Growing up with good neighbors is a blessing, isn't it. Hillside is the final resting place for some of my family members and now for dear Mrs. Fields. The new tuning for me is f#DGAD, which I found in an Art Rosenbaum resource book. It's a "D variant" and he calls it "Little Black Train" tuning. This recording is my first effort using three tracks with Garage Band using my Mac Traynham Whyte Laydie and Gold Tone cello banjo.

Sometimes an event and a new tuning combine to inspire a tune, like in Hillside. It's a tribute to my mother's neighbor, Mrs. Fields, who passed away in her late nineties. Growing up with good neighbors is a blessing, isn't it. Hillside is the final resting place for some of my family members and now for dear Mrs. Fields. The new tuning for me is f#DGAD, which I found in an Art Rosenbaum resource book. It's a "D variant" and he calls it "Little Black Train" tuning. This recording is my first effort using three tracks with Garage Band using my Mac Traynham Whyte Laydie and Gold Tone cello banjo.

#734 airdate 6/30/2016 Producer: Ned Sublette The Ring and the Shout. At one time thought to have died out, the ring shout is the oldest known form of African American music. Producer Ned Sublette travels to Winnsboro, Louisiana, to record the Easter Rock, an annual ritual with a direct connection to antebellum slavery days, in an endangered plantation church with a wooden floor that serves as a drum when the Rockers are in charge. And we visit Athens, Georgia, to speak with Art Rosenbaum, co-producer of the McIntosh County Shouters' forthcoming album.

When it comes to retail technology solutions, old school cash registers might not be the technology you are looking for. Point of Sale industry veteran, Art Rosenbaum shares is Thoughts about next generation technologies that may or may not shape the retail industry in the next few years.

Most people think folk music as a thing of the past. It seemed to disappear in the sixties. But if you search hard enough, folk music and the musicians who play it are still around. Art Rosenbaum has made it his life’s work to find and record it. He’s become the Indiana Jones of folk music. Independent producer Philip Graitcer traveled with Rosenbaum to visit a few traditional musicians. Originally aired on Weekend America, January 24, 2009