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11 episodes with Arthur Russell
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4 episodes with Arthur Russell
74 episodes with Arthur Russell
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2 episodes with Arthur Russell
2 episodes with Arthur Russell
Jess Damuck was one of Martha Stewart's right hands in creating magazines and television shows for over a decade. She is now a creative director, food stylist, and the author of the bestselling cookbooks Salad Freak, Health Nut, and Open Wide with Benny Blanco. "Martha Stewart is my guru!" Musician John Moods is a German-Polish songwriter and recording artist who's intention is to listen to the heart and liberate it from the desires of wanting or trying to be cool. The two close friends took a road trip from LA to visit Jaymee in Ojai for the day at a highly transitional time in both their lives, which resulted in a deeply intimate conversation on topics ranging from the inspiration behind John's iconic mustache, Jess's ranking as the #4 listener of Arthur Russell on Spotify in 2025, the invitation to take the 'Leap of love' in life, the mystical white van that saved Jaymee's life, and that artists themselves are the true unfinished project. Plus the skinny on Jess's new cookbook (due this year), the mystery of John's unfinished album, and so much more.Interested in Trauma Counseling/Mentorship with Jaymee?email: lacee@loveistheauthor.com to set up a free consultation,or visit: www.loveistheauthor.com/mentorship for more info.LITA PODCAST: hosted, produced, and recorded by Jaymee Carpenter. SOUND MIX: Chris FallerOPENING SONG: Tripura Subdari by Earthtones Music & Sheela BringiCLOSING SONG: Ocean Of Beauty by Earthtones Music & Sheela BringiSPONSORS: YERBA MADRE www.yerbamadre.comRAUM GOODS www.raumgoods.comBOSSANOVA SOAP www.bossanovasoap.comTOTALLY BLOWN www.totallyblown.usINDIAN LODGE ROAD www.indianlodgeroad.comTHiS SHOW is a LABOR of LOVE. PLEASE SUPPORT IT: www.patreon.com/loveistheauthorpodcastFAN CONTACT: lacee@loveistheauthor.comON INSTAGRAM: @loveistheauthor / @unconventionalgardener
This is an excerpt from a patrons-only episode. To hear the full thing, plus dozens more like it, visit Patreon.com/LoveMessagePod.We continue our mini-series on Arthur Russell by turning to his mid-70s pop and folk work. Starting in the famous Poet's Building in 1975, Tim and Jeremy explore life in the East Village, in particular the area's poetry scene. They discuss the aesthetics of setting spoken word to music, stop by Ginsberg, and drop in some Tibetan Buddhist classes. Elsewhere in the episode we hear about a number of recording sessions at the Columbia Records studio, get haunted by the spectre of Dylan, and speculate on whether Arthur could have been the fourth Talking Head. Tim shares some demos from Arthur's short-lived band the Flying Hearts, a version of Psycho Killer with punchy cello that didn't make the final cut, and some Laraaji-ish keyboard noodlings.www.loveisthemessagepod.co.ukPatreon.com/LoveMessagePodProduced by Matt Huxley.Books:Philippe Bourgeois - In Search of Respect: Selling Crack in El BarrioTracklist:Arthur Russell - Barefoot in New York William Carlos Williams - The Red Wheelbarrow Bright and Early - Apple to the Orange Arthur Russell - Nobody Wants a Lonely Heart Arthur Russell - I Couldn't Say it to Your Face Arthur Russell - Reach One (with Two Fender Rhodes) Talking Heads - The Girls Want to be with the Girls Talking Heads - Psycho Killer (acoustic version) The Flying Hearts - Ballad of the Lights The Flying Hearts - What's It Like
Craig Dunsmuir and Sandro Perri return to discuss Glissandro 70 and their new album G70 2: Bones Of Dundasa, getting emotionally attached to your neighbours who are cows, a table reading of this album's promotional one-sheet, embracing your own creations after periods of self-doubt and reflection, Andy Magoffin's playful humour and underrated songwriting genius in the Two-Minute Miracles, the key role Dunsmuir's vintage Roland HandSonic drum pad plays in Glissandro 70, incorporating humour and embracing rhythmic flop, key influences such as Fela Kútì, Boredoms, godspeed you! black emperor, and Sun Araw among others, the guiding spirit of Arthur Russell and working with his collaborator Peter Zummo, performing at Standard Time in Toronto on June 4 as part of the Tone Festival, news about new music and releases in their own pursuits, what could be next for Glissandro 70, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts.Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #1095: Holy FuckEp. #1078: GeologistEp. #1017: Dun-Dun BandEp. #896: The Folk ImplosionEp. #894: “Weird Al” YankovicEp. #889: Rick White and The SadiesEp. #877: Gastr del SolEp. #817: Nicole Rampersaud & Off WorldEp. #710: Mas AyaEp. #667: Efrim Manuel MenuckEp. #641: André Ethier and Sandro PerriEp. #443: Great Lake SwimmersEp. #355: Off WorldSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.
Episode 795: May 18, 2026 playlist: Panasonic, "Uranokemia" (Osasto) 1996 Blast First/Mute Object Hours, "Yellow House" (Solved By Walking) 2026 Three Lobed Christine Ott and Mathieu Gabry, "The crossing" (Aran) 2025 Gizeh Lili Holland-Fricke, "Grief Song" (String It Together) 2026 Scrawl Cabaret Voltaire, "Spies in the Wires (live)" (But What Time Is It Really?) 2026 Memetune Mere of Light, "Barbed Ephemera" (Heat of Ritual) 2026 Lighten Up Sounds Om, "Kapila's Theme" (Variations on A Theme) 2005 Holy Mountain / 2026 Drag City Lawrence English, "Sodium Vapour Halo (alone)" (The Rest Is My Ghost) 2026 Room40 Bright and Early, "Planted A Thought" (Love Is Overtaking Me) 2026 Audika Noveller, "Sunday in Copenhagen" (I Am The Weather) 2026 Experimentia Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.
This is an excerpt from a patrons-only episode. To hear the full thing, plus dozens more like it, visit Patreon.com/LoveMessagePod.We're back on the tail of Arthur Russell this week, paying close attention to his piece Instrumentals. A large ensemble composition comprised of multiple musical cells and first premiered at The Kitchen while he was music director, this work expresses Arthur's proximity to NYC's post minimalist scene. Jeremy and Tim discuss the works of several of the more prominent composers of that world, including Steve Reich, La Monte Young and Philip Glass, discussing the merits and failures of minimalism and how Arthur's music aligned and diverged. Elsewhere they spend time on Arthur's close friend and collaborator Peter Gordon, spend a moment unpacking Postmodernism, attempt to give a very potted account of just and equal temperaments, and give the stage to Memphis rockers Big Star.www.loveisthemessagepod.co.ukPatreon.com/LoveMessagePodProduced by Matt Huxley.Tracklist:Arthur Russell - Hey! How Does Everybody Know Captain Beefheart - Dachau Blues Arthur Russell - Instrumentals (Live at the Kitchen)La Monte Young - The Well-Tuned Piano Steve Reich - Music for 18 MusiciansHenry Flynt & Nova'Billy — Amphetamine Rhapsody
Kia ora fambly, I hope everyone had a fantastic long weekend! On Morning Glory today: classic numbers from Air, Arthur Russell and Prince. Later on, we hear a brilliant new ddwy remix. Ngā mihi to show sponsors, The Tuning Fork!
This is an excerpt from a patrons-only episode. To hear the full thing, plus dozens more, become a patron from £3 a month at Patreon.com/LoveMessagePod.In this patrons episode we rejoin Arthur Russell in NYC as he takes up musical directorship of the supremely influential downtown arts centre The Kitchen. Jeremy and Tim discuss the Minimalist and Post-Minimalist stylings of the retinue of composer-performers in the area, including Christian Wolff and Rhys Chatham. We hear how Arthur - never a rock lover - became enamoured with the vernacular communication of the Modern Lovers, inviting them for a semi-legendary performance at his venue, and more broadly how their aesthetics of everydayness came to influence a slew of subsequent artists including Arthur himself.Elsewhere in the episode the guys discuss the curious case of Frank Zappa, gong baths, and share some personal reflections on their experiences with Arthur's music.Tracklist:Christian Wolff - For 1,2 or 3 People Rhys Chatham - Two Gongs Arthur Russell - Eli The Modern Lovers - Old World Arthur Russell - I Forget and I Can't Tell The Modern Lovers - Roadrunner (Live at the Kitchen) Frank Zappa - The Chrome Plated Megaphone of Destiny Peter Gordon - Machomusic
This is an excerpt of a patrons-only episode. To hear the full thing, and dozens more like it, visit Patreon.com/LoveMessagePod to sign up from just £3 a month.In this patrons episode we continue to unspool our mini-series on the great Arthur Russell. We rejoin the composer on the West Coast in the early 1970s, leaving him a few years later at the Manhattan School of Music as he prepares to move downtown. Along the way Tim and Jeremy discuss Arthur's friendship with Allen Ginsberg, his experiences of Buddhism, and an early recording session with the poet and one Bob Dylan. Elsewhere we hear about William Blake, ‘beginner's mind', Ginsberg's devotional music, hippie cowboys and Indian influences, and take a trip to Wales. In addition to his playing on the Ginsberg recordings, we also hear some of the first music composed by our subject.Tracklist:Allen Ginsberg - Wales VisitationAllen Ginsberg - Pacific High Studio Mantras - Om Ah Hum Vajra Guru Padma Siddhi HumAllen Ginsberg - A DreamArthur Russell - Goodbye Old Paint
On this episode of Songs of Our Lives, it's Ben Seretan! What a joy this episode was to record. Ben's the best. His new album, “Sunbeam of No Illusion,” with John Thayer is one of my early favorites so far this year. After talking about that, we get into all kinds of whimsy and fun with Arthur Russell, Sinai Vessel, Wham!, Clarence Carter, Celine Dion, Prince, Pet Shop Boys, and plenty more!Listen to all of Ben's picks HERESunbeam of No IllusionBen's WebsiteBen on IGSongs of Our Lives is a podcast series hosted by Brad Rose of Foxy Digitalis that explores the music that's made us and left a certain mark. Whether it's a song we associate with our most important moments, something that makes us cry, the things we love that nobody else does, or our favorite lyrics, we all have our own personal soundtrack. Join Foxy Digitalis on Patreon for extra questions and conversation in each episode (+ a whole lot more!)Follow Foxy Digitalis:WebsitePatreonInstagramTwitterBlueskyThe Jewel GardenSong ListFrank Luther “The Travels of Babar”Prince “The Beautiful Ones”Celine Dion “It's All Coming Back to Me Now” (Classic Paradise Mix)Clarence Carter “Strokin'”Black Flag “Nervous Breakdown”Audioslave “Cochise”Fiona Apple “The First Taste”Lea Thomas “We Must Be In Love”Sinai Vessel “Where Did You Go?Ry Cooder & V.M. Bhatt “A Meeting By the River”Wham! “Everything She Wants” (Todd Terry Club Mix)Arthur Russell “Our Last Night Together”Pet Shop Boys “Always On My Mind”
An especially cruisy edition of Tuesday Morning Glory on 95bFM. Today's show focuses on ambient guitar music, from the soft tones of Van Houten, to a new release from the beloved slowcore band Bedhead, to pioneering cellist/disco-man Arthur Russell. Huge ngā mihi to show sponsors, The Tuning Fork!
This is an excerpt from a patrons-only episode. To hear the full thing and dozens more like it, visit Patreon.com/LoveMessagePod to sign up.In this episode we begin a patrons mini-series on one of the most unique and beloved characters of the LITM story, Arthur Russell. Given Tim literally wrote the book on the singer, composer and multi-instrumentalist, you're in good hands. We begin with the story of Arthur's early life in Iowa and his move to San Francisco, including experiences with Buddhism and drugs, alongside musical instruction from the great Ali Akbar Khan. Tim and Jeremy paint a picture of Arthur's explorations in countercultural living, refute the idea that he simply wasn't good at finishing things, and introduce the musician as an avatar for the particular melting pot of NYC music and art culture. Join us next time to see us go bang…Produced by Matt Huxley.www.loveisthemessagepod.co.ukTracklist: Arthur Russell - This Time Dad You're Wrong Arthur Russell - That's Us / Wild Combination Ali Akbar Khan - Shri Rag Terry Riley - In C
On this week's episode we return to 70s for the first of a mini-series on post-punk. A historical period, an unhelpful genre descriptor, a structure of feeling? Whatever it is, the guitar bands of the UK and NYC in 1978 were creating some serious music. Jeremy and Tim discuss where the term came from, what exactly the ‘punk' it was following was, and some the music's early proponents. With reference to The Slits, Wire, Talking Heads and more, we hear about the Hacienda, John Peel, Modernism and Mark E Smith. The guys unpack how funk and reggae were influencing bands like The Contortions in their experimentation with rhythm, visit the CBGB club in New York, and dispute received ideas about the division between punk and disco. Finally, we introduce a major character in out story over the coming months: Arthur Russell.Tracklist:The Slits - New Town (John Peel Session) Wire - I Am the Fly The Fall - Stepping Out Talking Heads - Tentative Decisions The Contortions - I Can't Stand Myself Books:Simon Reynolds - Rip It Up and Start AgainJohn Savage - ‘The New Musick' in Time Travel
When the artist Jennie C. Jones listens closely to a piece of music, she's particularly attuned to its pauses, in-between moments, and breaks. Widely celebrated for her abstract works in painting, sculpture, and sound art that, in many instances, incorporate architecture or space—through which she often elevates undersung or little-known Black artists and musicians—her practice is largely informed by minimalism and color field painting, as well as by jazz and avant-garde music. Jones currently has two exhibitions on view at the Pulitzer Arts Foundation in St. Louis (through Feb. 1, 2026): “A Line When Broken Begins Again,” which features a selection of new and existing paintings, sculptures, works on paper, and sound pieces, and “Other Octaves,” a group show she curated of works by artists who have been formative to her practice. She was also commissioned to create the 2025 rooftop installation at New York's Metropolitan Museum of Art.On this episode of Time Sensitive, she discusses what listening as a conceptual practice looks like in action, the art of putting together a playlist, and her deep love of things tactile and analog.Special thanks to our Season 12 presenting sponsor, Van Cleef & Arpels.Show notes: [04:35] “Jennie C. Jones: A Line When Broken Begins Again” (2025)[04:35] “Other Octaves” (2025)[04:57] Carmen Herrera[04:57] Agnes Martin[04:57] Martin Puryear[04:57] Alma Thomas[04:57] Mildred Thompson[05:21] A Free and Shifting Tonal Center (2024)[7:26] Ellsworth Kelly[11:44] Fred Moten[11:44] “Dynamics” (2022)[13:02] Trisha Brown's “Leaning Duets” (1970)[14:40] Tadao Ando[14:55] “These (Mournful) Shores” (2020)[17:21] Moses Williams[17:21] Louis Dotson[18:20] Richard Tuttle[30:25] Olly Wilson[31:28] Maryanne Amacher[31:28] Arthur Russell[37:10] Jennie C. Jones: Compilation (2015)[38:30] “The Theater of Refusal: Black Art and Mainstream Criticism” (1993)[42:25] “Slow Birds” (2004) [42:25] "Slowly in a Silent Way, Caged” (2010)[42:25] Charlie Parker[1:09:47] “Jennie C. Jones: RPM (revolutions per minute)” (2018)[1:12:06] “Ensemble” (2025)
On this episode of Songs of Our Lives, it's Dan Knishkowy (aka Adeline Hotel)! “Watch the Sunflowers” is Dan's latest Adeline Hotel record, the second in an ongoing trilogy that began with last year's “Whodunit.” We get into all of that, life moving forward, returning to music a decade later, and more! Then we chat about how visceral Mount Eerie can be, Arthur Russell's lyrics, The Meters crushing one of the all-timers, Scott Walker, Wilco, Lambchop + more!Listen to all of Dan's picks HEREWatch the SunflowersDan on InstagramAdeline Hotel Interview at Foxy DigitalisSongs of Our Lives is a podcast series hosted by Brad Rose of Foxy Digitalis that explores the music that's made us and left a certain mark. Whether it's a song we associate with our most important moments, something that makes us cry, the things we love that nobody else does, or our favorite lyrics, we all have our own personal soundtrack. Join Foxy Digitalis on Patreon for extra questions and conversation in each episode (+ a whole lot more!)Follow Foxy Digitalis:WebsitePatreonInstagramTwitterBlueskyThe Jewel GardenSong ListEdgar Wright “Flannery's Georgia”Mount Eerie “Two Paintings By Nikolai Astrup”Yumi Arai "Hikō-ki Gumo”Van Morrison “Astral Weeks”Loudan Wainwright “Motel Blues”Taking Back Sunday “A Decade Under the Influence”Ella Fitzgerald “Like Someone In Love”Lambchop “The Hustle”Arthur Russell “What It's Like”Wilco “Spiders (Kidsmoke)”The Meters “Wichita Lineman”Chet Atkins & Dolly Parton “Do I Ever Cross Your Mind?”Scott Walker “Duchess”
Kia ora tīma, Today's show centres on whimsical electronica... highlights: Arthur Russell, Ultramarine and Fila Brazillia. Big mihi to Morning Glory show sponsors, The Tuning Fork!
This week the Recovering Queen gang go full throttle with Brian May's lightning-fast rocker “Dead on Time” from Queen's album Jazz.Matt dusts off his guitars to deliver a frantic cover version, roping in Ian to risk life and larynx on vocals, and the mighty Arthur Russell to batter the drums into submission. Together, they attempt to keep up with Brian's warp-speed riffing and Roger's caffeine overdose drumming.We also chat about thunderbolts, Queen's proto-thrash credentials, and why this track never made it into the live setStrap in, this one leaves the station whether you've got a ticket or not.Don't forget to check out more Recovering Queen on linktr.ee/queenpodcast where you will find our Scorecard and our Karaoke videos on Youtube and much more
For the latest edition of Reading Is Funktamental, we speak with Brooke Wentz, author of Transfigured New York, a fantastic book of interviews with leading figures in the experimental music scene in NYC from 1980-1990 including composers like Arthur Russell, Glenn Branca, John Cage, La Monte Young and leading jazz musicians like John Zorn, Vernon Reid and Jean-Paul Bourelly. Brooke also discusses her work as a music supervisor for film and TV and her emergence as a leading force in world music with her company, Seven Seas Music. For more, read my earlier piece on Brooke here https://nysmusic.com/2023/10/27/golde.... Spaghetti Eastern Music "Reading is Funktamental" is a monthly one-hour show about great books written about music and music-makers. In each episode, host Sal Cataldi speaks to the authors of some of the best reads about rock, jazz, punk, world, experimental music, and much more. From time to time, the host and authors will be joined by notable musicians, writers, and artists who are die-hard fans of the subject matter covered. Expect lively conversation and a playlist of great music to go with it. "Reading Is Funktamental" can be heard the second Wednesday of every month from 10 – 11 AM on Wave Farm: WGXC 90.7 FM and online at wavefarm.org. It can also be found as a podcast on Apple, Spotify, and other platforms. Sal Cataldi is a musician and writer based in Saugerties. He is best known for his work with his genre-leaping solo project, Spaghetti Eastern Music, and is also a member of the ambient guitar duo, Guitars A Go Go, the poetry and music duo, Vapor Vespers, and the quartet, Spaceheater. His writing on music, books, and film has been featured in The New York Times, Rolling Stone, PopMatters, Seattle Times, Huffington Post, Inside+Out Upstate NY, and NYSMusic.com, where he is the book reviewer.
Jake Xerxes Fussell discusses When I'm Called and Arthur Russell's “Close My Eyes,” misperceptions about his relationship to folk music history, his late mentor Art Rosenbaum, why he couldn't rebel against rebellious parents, Harry Smith's Anthology of American Folk Music, the work of Vic Chesnutt, his own evolution as an interpreter of songs, perspectives on the merits of writing original lyrics to sing songs for a living, working on a soundtrack, tour, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. This one is fine, but please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online. Support vish on Patreon!Related episodes/links:Ep. #970: William TylerEp. #944: Bonnie “Prince” BillyEp. #935: Elijah Wald on ‘A Complete Unknown'Ep. #828: ‘Bob Dylan: Mixing Up the Medicine' with Mark Davidson & Parker FishelEp. #686: Bob Dylan Center's Mark Davidson & Parker FishelEp. #630: Nathan SalsburgEp. #600: The Weather StationEp. #571: Jennifer CastleBonnie “Prince” Billy (2019) – TeaserSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.
Quels sont les copieurs de Chic, quelle est la position du pianiste et comment devenir un gorille, vous saurez tout ! Kate Bush - Babooshka Prosper - Juge NxWorries - Everybody Gets Down Feist - My Moon My Man (Boys Noize Classic Remix) Visage - Fade to Grey (12" version) OMD - Enola Gay Kurtis Blow - The Breaks The Jam - Going Underground George Benson - Give Me The Night Change - The Glow of Love feat. Luther Vandross Sister Sledge - I'm a Good Girl Paul Simon - God Bless the Absentee Michel Berger - La groupie du pianiste France Gall - Il jouait du piano debout The Feelies - The Boy With The Perpetual Nervousness Bro. Valentino - Ah Wo (Brand New Revolution)Linton Kwesi Johnson - Di Black Petty Booshwah Roxy Music - Same Old Scene Stevie Wonder - All I Do (Reverend P edit)Mary Clark - Take Me I'm Yours Was (Not Was) - Wheel Me Out Loose Joints - Is It All Over My FaceDistribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Little Island's producing artistic director Zak Winokur talks about the summer events and performances being hosted there, including ones centering the works of writer James Baldwin and musician Arthur Russell, and a special presentation of Radiolab Live.
Episode 737: March 18, 2025 playlist: Alan Sparhawk, "Stranger" (With Trampled by Turtles) 2025 Sub Pop Dummy, "Unshaped Road (GMO's Gummy Remix)" (Bubbelibrium DLC) 2025 [self-released] Kara-Lis Coverdale, "Daze" (From Where You Came) 2025 Smalltown Supersound Arthur Russell, "Too Early To Tell (Live 12/20/85)" (Open Vocal Phrases Where Songs Come In and Out (Live 12/20/85)) 2025 Audika Nic Krog, "PARTS 12-13-14" (Perfect Pattern) 2025 Psychic Liberation Nicolas Jaar, "Piedras" (Piedras 1 and 2) 2025 Other People Faun Fables, "Ember Bell" (Counterclockwise) 2025 Drag City Emptyset, "Gloam" (Dissever) 2025 Thrill Jockey Eyed Jay, "Strangeland" (Strangeland) 2025 [self-released] Julien Demoulin, "A Trial Of Distances (HTDC remix)" (A Trial Of Distances) 2025 Sound In Silence Oh No Noh, "Almost Everywhere" (As Late As Possible) 2025 Teleskop Sugar Plant, "Just Be There" (E2-E4 2001 - Inspiration From E2-E4) 2001 Sal Disc / 2025 KiliKiliVilla Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.
My selections from Talomedz Records in Bari, Power Park Records in Berlin, All My Friends in London and a few other spots - featuring music from Kano, Arthur Russell, X-Press 2, Cevin Fisher, David Morales, East 17, Jennifer Paige, Deep Dish, Paul Oakenfold and more. Watch on Radio 1001's YouTube Follow our YouTube channel for more lost bargain bin vinyl discoveries Follow RecordReplay on Instagram
Matt Marble is an artist, author, audio producer and director of the American Museum of Paramusicology ("brilliant and humbling," The Paris Review). Both creatively and through historical research, his work explores the inspired intersections of art and metaphysics and the intuitive disciplines they mutually employ. Matt is the author of Buddhist Bubblegum: Esotericism in the Creative Process of Arthur Russell ("groundbreaking work," New York Times), and the producer/host of Secret Sound, a podcast exploring the metaphysical biopics of American musicians, and The Hidden Present, an audio interview series exploring intuitive discipline and spiritual imagination. Additional works have been featured by the California Festival, Warp Records, and the Philosophical Research Society. His writing, research, media production, and personal archive constitute the American Museum of Paramusicology (AMP), through which he also publishes the monthly AMP Journal. Matt's visual art and music are often rooted in his own dreamwork divination practice--the Astramira or "Wondering Stars." This work has been featured as a solo art exhibition at Greensboro Project Space, as well as through releases of instrumental guitar music and dream songs. His album of solo acoustic guitar music, The Living Mirror, was released by UK label The Crystal Cabinet in 2021. Matt holds a BA in speech & hearing science from Portland State University, a PhD in music composition from Princeton University, and a black rattlesnake from his dreams. On this episode, Matt discusses the relationship between music and mysticism, favorite musician-magicians, and how dreams influence his own sonic and visual art.Pam also talks about casting her love spell at Jinkx Monsoon's Carnegie Hall show, and answers a listener question about witchcraft and entrepreneurship.Check out the video of this episode over on YouTube (and please like and subscribe to the channel while you're at it!)Our sponsors for this episode are The Witch Summit, The Crystal Ballers podcast, BetterHelp, Black Phoenix Alchemy Lab, and The Witch and the Academic podcast.We also have print-on-demand merch like Witch Wave shirts, sweatshirts, totes, stickers, and mugs available now here, and all sorts of other bewitching goodies available in the Witch Wave shop.And if you want more Witch Wave, please consider supporting us on Patreon to get access to detailed show notes, bonus Witch Wave Plus episodes, Pam's monthly online rituals, and more! That's patreon.com/witchwave
Matt Marble is an artist, author, audio producer and director of the American Museum of Paramusicology. Both creatively and through historical research, his work explores the inspired intersections of art and metaphysics and the intuitive disciplines they mutually employ. Matt is the author of Buddhist Bubblegum: Esotericism in the Creative Process of Arthur Russell, and the producer/host of Secret Sound, a podcast exploring the metaphysical biopics of American musicians, and The Hidden Present, an audio interview series exploring intuitive discipline and spiritual imagination. Additional works have been featured by the California Festival, Warp Records, and the Philosophical Research Society. His writing, research, media production, and personal archive constitute the American Museum of Paramusicology (AMP), through which he also publishes the monthly AMP Journal.The term “paramusicology” was first coined in 1993 by author Melvyn Willin to address psychic and pagan histories of music. Musicology being the study of music, paramusicology is the study of paranormal music experience. Though the term has struggled to find solid footing, the paranormal generally refers us to that which is "beyond" or “outside” the normal—to experiences or phenomena which cannot be explained by scientific reasoning, objective perception, or causal agency. This points our awareness to what may be called the numinous* in human experience. Due to its abstract nature, to even convey the numinous requires active imagination and symbolic communication. The AMP explores how the numinous informs human listening. And it unpacks the esoteric philosophies and intuitive disciplines which facilitate and draw from our spiritual and auditory imagination.In this discussion, Matt shares a bit about his background, as well as his inspiration for creating his platform. He talks about his visual art project known as Wondering Stars, a mixture of music and physical visual works, and how this came out of his dreamwork.He also talks about his podcast, The Secret Sound, and his 7-part series called The Hidden Present, and we even go into a short discussion about musical modes (as used in Western music - (*thanks to my brother Dan for making that distinction) and their ‘moods', as well as how these can be useful tools for creativity.We then move to talk about the AMP Journal, and focus on Issue 16 from last August called “Spirit Invocations.” In this issues, Matt wrote about the film Longlegs and how sound (not ‘song', as I misspoke in the introduction) is key to this film, including the role of folk music and rock and roll and the esoteric aspects of these, along with how Marc Bolan served as inspiration and perhaps as blueprint of sorts for the main character. He also discusses the concept of the Fohat ( taken from the Theosophical Society) and how this may have inspired the ideas behind the metal balls that Longlegs placed inside the doll heads in the film.PROGRAM NOTEShttps://www.mattmarble.net/matt-marble (all links at the top of the page)https://www.mattmarble.net/buddhist-bubblegumhttps://www.mattmarble.net/amp-longlegshttps://mattmarble.bandcamp.com/https://www.youtube.com/@AmericanMuseumofParamusicologyhttps://www.instagram.com/americanmuseumofparamusicology/Full episode can be found at https://www.patreon.com/RejectedReligion, or purchased for a one-time fee. Music and Editing: Daniel P. SheaEnd Production: Stephanie Shea
Open hearts, featuring poems by Stefan Balan, Arthur Russell, Marda Messick and David Bergman.Support the show
Today's episode is on "Wild Combination: A Portrait of Arthur Russell", a 2008 film about the singer, instrumentalist, composer, collaborator, and all-around musical pioneer whose work has become more widely recognized well after his untimely passing. The movie is directed by Matt Wolf. Our guest today is Matty Monroe, the person behind the Indieheads subreddit and general knower and lover of all things indie music. Wild Combination is a biography of a man who was hard to know. He didn't leave a lot of surviving interviews, spoken audio, or writing. But he left behind a vast trove of music which is still being discovered and released. The film reflects on his beautiful relationship with his longtime partner Tom Lee, his parents, Chuck and Emily Russell, and the many musicians and artists who had the opportunity to work with Arthur. Plus there are some weird vibes from Rock Docs regular Allen Ginsberg. Arthur Russell's music is singular and transporting, and the movie is a fine tribute to the man and his work. Rock Docs is a Treble Media Podcast hosted by David Lizerbram & Andrew Keatts Twitter: @RockDocsPod Instagram: @RockDocsPod Cover Art by N.C. Winters - check him out on Instagram at @NCWintersArt
This summer, sound artist and “guerrilla academic” Ben Coleman got in touch to say how much he enjoys Phantom Power. He also suggested we check out another podcast he's into called Love is the Message. We're glad we did! Love is the Message: Music, Dance & Counterculture is a fantastic show from Tim Lawrence and Jeremy Gilbert, both of them authors, academics, DJs and audiophile dance party organisers. I recognized Tim Lawrence's name from his great book on Arthur Russell. Jeremy Gilbert is Professor of Cultural and Political Theory at the University of East London and a prolific author. Tim and Jeremy have been longtime collaborators and when the clubs closed and universities cut faculty hours due to covid, they started podcasting. The way I'd describe their show is, imagine the amazing college class you never got to take where you learn about the intersections of global dance music and radical politics, from the 1960s to today. They do shows on disco, Motown, reggae, tropicalia, funk, you name it with a strong cultural studies perspective. And I think the episode we're going to hear today is a perfect example of their approach—it's ostensibly an episode about Fela Kuti, but it's also terrific seminar on the Black Atlantic and the political history of Nigeria. So thanks, Ben, for the recommendation. Thanks, Tim and Jem for sharing the pod with me and doing this episode swap. And thanks everyone for listening. Talk next month! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
This summer, sound artist and “guerrilla academic” Ben Coleman got in touch to say how much he enjoys Phantom Power. He also suggested we check out another podcast he's into called Love is the Message. We're glad we did! Love is the Message: Music, Dance & Counterculture is a fantastic show from Tim Lawrence and Jeremy Gilbert, both of them authors, academics, DJs and audiophile dance party organisers. I recognized Tim Lawrence's name from his great book on Arthur Russell. Jeremy Gilbert is Professor of Cultural and Political Theory at the University of East London and a prolific author. Tim and Jeremy have been longtime collaborators and when the clubs closed and universities cut faculty hours due to covid, they started podcasting. The way I'd describe their show is, imagine the amazing college class you never got to take where you learn about the intersections of global dance music and radical politics, from the 1960s to today. They do shows on disco, Motown, reggae, tropicalia, funk, you name it with a strong cultural studies perspective. And I think the episode we're going to hear today is a perfect example of their approach—it's ostensibly an episode about Fela Kuti, but it's also terrific seminar on the Black Atlantic and the political history of Nigeria. So thanks, Ben, for the recommendation. Thanks, Tim and Jem for sharing the pod with me and doing this episode swap. And thanks everyone for listening. Talk next month! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies
This summer, sound artist and “guerrilla academic” Ben Coleman got in touch to say how much he enjoys Phantom Power. He also suggested we check out another podcast he's into called Love is the Message. We're glad we did! Love is the Message: Music, Dance & Counterculture is a fantastic show from Tim Lawrence and Jeremy Gilbert, both of them authors, academics, DJs and audiophile dance party organisers. I recognized Tim Lawrence's name from his great book on Arthur Russell. Jeremy Gilbert is Professor of Cultural and Political Theory at the University of East London and a prolific author. Tim and Jeremy have been longtime collaborators and when the clubs closed and universities cut faculty hours due to covid, they started podcasting. The way I'd describe their show is, imagine the amazing college class you never got to take where you learn about the intersections of global dance music and radical politics, from the 1960s to today. They do shows on disco, Motown, reggae, tropicalia, funk, you name it with a strong cultural studies perspective. And I think the episode we're going to hear today is a perfect example of their approach—it's ostensibly an episode about Fela Kuti, but it's also terrific seminar on the Black Atlantic and the political history of Nigeria. So thanks, Ben, for the recommendation. Thanks, Tim and Jem for sharing the pod with me and doing this episode swap. And thanks everyone for listening. Talk next month! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
This summer, sound artist and “guerrilla academic” Ben Coleman got in touch to say how much he enjoys Phantom Power. He also suggested we check out another podcast he's into called Love is the Message. We're glad we did! Love is the Message: Music, Dance & Counterculture is a fantastic show from Tim Lawrence and Jeremy Gilbert, both of them authors, academics, DJs and audiophile dance party organisers. I recognized Tim Lawrence's name from his great book on Arthur Russell. Jeremy Gilbert is Professor of Cultural and Political Theory at the University of East London and a prolific author. Tim and Jeremy have been longtime collaborators and when the clubs closed and universities cut faculty hours due to covid, they started podcasting. The way I'd describe their show is, imagine the amazing college class you never got to take where you learn about the intersections of global dance music and radical politics, from the 1960s to today. They do shows on disco, Motown, reggae, tropicalia, funk, you name it with a strong cultural studies perspective. And I think the episode we're going to hear today is a perfect example of their approach—it's ostensibly an episode about Fela Kuti, but it's also terrific seminar on the Black Atlantic and the political history of Nigeria. So thanks, Ben, for the recommendation. Thanks, Tim and Jem for sharing the pod with me and doing this episode swap. And thanks everyone for listening. Talk next month! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
Cork artist Yenkee aka Graham Cooney released his long-awaited debut album Night Golf via Soft Boy Records on October 25. He talks about making the album, being inspired by labelmates Kojaque and Kean Kavanagh, life in London, the dream of owning a house, the housing crisis, songwriting, and lots more on this episode of TPOE. Yenkee tour dates: December 1: Upstairs at Whelan's, Dublin December 10: Old Blue Last, London December 15: Folklore Rooms, Brighton December 21: City Hall, Cork Buy Night Golf: https://yenkee.bandcamp.com/album/night-golf --- Press release: Yenkee is now based in London, but it's where he was raised on the Northside of Cork City in Ireland where he developed his admiration for simplicity and his love for music. “Being Irish, you are always brought up around music and song. It's so ingrained, you can't avoid it”. It's this immersion that bred inspiration from a diverse array of artists. Arthur Russell's versatility, Dolly Parton's timeless songwriting, Manu Chao's eclectic style, Talking Heads' playful spirit and Fionn Regan's graceful depictions of Ireland all play a role in who Yenkee is today. His early projects, marked by an experimental spirit and a penchant for blending genres, laid the groundwork for what would become Yenkee. The transition to a solo career allowed him to fully explore his artistic vision, leading to a widely loved series of singles and EPs that garnered him placements on TV series' Normal People and Conversations With Friends and finding fans in people like Florence Pugh. Throughout these early days of Yenkee, ‘Night Golf' would begin to develop. It all started with a throwaway tweet Yenkee had posted in 2014 that simply said “#NightGolf”. The phrase stuck with him for years, eventually guiding the whole album's creation. “I had songs written but I just thought right, that's the name of the album. How do I fit the music around that title?.” The name inspired a strong visual component and evoked an 80s musical awakening within, guiding Yenkee back to his love for that era's music with Prefab Sprout, in particular, becoming a significant influence. Yenkee recorded most of the album himself in various makeshift setups, but his best days were spent with others. Whether that was with producer Peter Brien in his Belfast studio, working with Adam Kaye in Hackney or knocking out single-session songs with Karma Kid in South London, it was these moments that solidified what the album would become. ‘Night Golf' is a labour of love, a project born out of instinct rather than meticulous planning, designed more for dancing than deep contemplation. As Yenkee puts it, “It's only music at the end of the day.”
Truly an artist who needs no introduction to the No Tags universe, Midland is also one of the nicest people we know in this bottomless viper pit called dance music.Harry Agius has been a constant presence on the dancefloor since we were first finding our feet as music writers, and we've followed him every step of the way – from his early run of steppy house records on Aus Music and Phonica, to ‘Final Credits' mania in 2016, and his current incarnation as something of a grande dame of gay club culture.That role is one he's grown into slowly but surely, as he explains to us in this episode, and it blossoms into something very special on his debut album Fragments Of Us. It's far from your typical wham-bam, nine-tracks-and-an-ambient-interlude dance music long-player. Constructed around gay voices past and present – including ‘80s artist and Aids activist David Wojnarowicz, mould-breaking Black filmmaker Marlon Riggs, and Luke Howard of London institution Horse Meat Disco – it's a genuinely personal record that's also a kind of time capsule for future generations.We talked to Harry about growing into his identity as a gay DJ, the many, many reasons to turn down a gig, and whether Arthur Russell would have liked dubstep. Plus, he loves his films! We get an excellent recommendation and confirmation, if it were needed, that he's #PartyGirlHive.As ever, if you enjoyed this episode of No Tags, please do rate, review and subscribe on your go-to podcast app, as it does really help. We'd also ask you to consider subscribing to our paid tier, which costs £5 a month and helps us continue planning, recording and editing these (often long!) podcasts. Get full access to No Tags at notagspodcast.substack.com/subscribe
Et un doublé New Order, et surtout un doublé Kylie Minogue !
Deux heures de freestyle, c'est l'aléatoire du mercredi !Young MC - Bust a move Star bandz - Yea Yea (feat. Veeze) Geordie Greep - The new sound Geordie Greep - Terra Saya Gray - Shell (of a man) Valerie Dore - The Night Marie Davidson - Contrarian Demiyaa - Make it Up to you (feat. Lil Rae) Donald Fagen - I.G.Y Marvin Gaye - Midnight Lady Sofie Royer - Baker Miller Pink Panda Bear - Defense (feat. Cindy Lee) Jourdin Pauline - Top of the Morning (feat. Cash Cobain Bay Swag) Youth Lagoon - My Beautiful girl LTJ Bukem - Horizons Drexciya - Unknown Journey (pt.1) Roc Marciano - Bebe's Kids Arthur Russel - The boy with a smileTalking Heads - Psycho killer (acoustic version)Paul Mc Carthney - Coming Up Mtume - Juicy Fruit Ashford & Simpson - Bourgie Bourgie Kings of Tomorrow - Flutez
Will and Jeremiah discuss the latest releases by Being Dead, MJ Lenderman, and Real Farmer, plus a live report and bonus songs.
Richard King in conversation with David Eastaugh https://www.faber.co.uk/product/9780571379668-travels-over-feeling/ An icon of New York's downtown music scene is brought vividly to life in this tapestry of archive and oral history' Guardian The music of Arthur Russell defies classification. Across a twenty-year career he created a body of work which ranged from his pioneering compositions as part of the New York avant-garde alongside artists including Philip Glass and Allen Ginsberg, to his genre-expanding disco and art pop productions, to his posthumously released folk songs. Travels Over Feeling is the result of extensive research by author Richard King, curating the ephemera and documentation found in both Arthur's and other private archives, and consists of hand-written scores, lyrics, photos, letters and drawings. Throughout, King has conducted wide-ranging original interviews with Arthur's collaborators, contemporaries, family and friends. The resulting book reveals a true picture of one of the most distinctive artists of the last fifty years.
Welcome back to LaunchLeft! This week Rain is joined by Alexis Taylor from Hot Chip and Lawrence from Mozart Estate. Throughout this episode they discuss how Alexis and Lawrence met and why Alexis chose to Launch Mozart Estate. They also talk about the power of music and healing, and how music and other forms of art can make such a big impact on the world. They chat about their individual careers, what their next steps are, and how the expenses of creating new records or playing live impact their creativity. Tune in to the episode to hear why art and music are so important and enjoy Lawrence’s (Mozart Estate) new song to close the show. IN THIS EPISODE: [1:34] Was there another artist that uplifted or helped Alexis when he was getting started? [11:33] What are the different types of artists? [13:20] Lawrence from Mozart Estate joins the show. [14:04] How did Lawrence and Alexis meet? [25:31] Would Alexis ever do anything else other than music? [30:59] What other bands have influenced Lawrence and Alexis? [39:05] Has Alexis dealt with competitiveness in his time as an artist? [38:58] What are Rain, Alexis and Lawrence currently focusing on for their individual careers? [50:13] What is the end goal of chasing your dreams? [58:67] If you are a new listener of Mozart Estate what should you start listening to? KEY TAKEAWAYS: There are different forms of art that can help people connect and work through trauma, such as a film, or music, or piece of art. Artists are such an important part of our humanity. By centering the truth of art will allow the gift to continue to spread. Keep holding belief in yourself and following your dreams, that’s what will pull you through when times are hard. RESOURCE LINKS: LaunchLeft Podcast Smart Link Links for Alexis Taylor: Alexis Taylor Instagram Alexis Taylor Komi Alexis Taylor's Merchandise Alexis Taylor's Facebook Links for Mozart Estate: Mozart Estate Instagram Mozart Estate Facebook Mozart Estate X Profile Cherry Red Website Alexis Taylor’s Bio Best known as a founding member of the UK electropop outfit Hot Chip, Alexis Taylor also pursues a solo career as an introspective singer-songwriter one moment and a synth/drum machine/guitar wig-out noise-maker the next, finding different angles on his music with each album. Taylor's debut, ‘Rubbed Out’, arrived in 2008, a mix of electronic improvisations and bubble gum lofi pop, somewhere between Alex Chilton, Paul McCartney and Arthur Russell. Since then, Alexis has released a further five albums; ‘Await Barbarians’, ‘Piano’, ‘Listen With(out) Piano’ (to be played on two turntables simultaneously) ‘Beautiful Thing’ - with DFA/Unkle producer Tim Goldsworthy - and his latest offering ‘Silence’ - a personal and reflective, almost entirely acoustic record released in 2021 featuring jazz improviser Kenichi Iwasa, harpist Rachel Horton Kitchlew and double-bassist Sam Becker. Alexis has collaborated with the likes of Peter Gabriel, Robert Wyatt, Bonnie 'Prince' Billy and David Byrne, as well as remixing Neu!, Au Revoir Simone and Kraftwerk (alongside his Hot Chip bandmates). He is also a member of Atomic Bomb, About Group, Fainting By Numbers & Fimber Bravo. Mozart Estate’s Bio Lawrence is known for fronting influential pop groups Felt, Denim and Go-Kart Mozart. Now he’s back on the road and using the moniker Mozart Estate. A new name for a new time, he says. A new band too and a brand-new album out now entitled Pop-up! Ker-ching! And The Possibilities Of Modern Shopping. The band are touring the UK all summer and beyond. Will Hodgkinson’s book Street-Level Superstar, A Year With Lawrence is published on 5th September.
When musician ARTHUR RUSSELL died in 1992, at age 40, of complications related to HIV-AIDS, he was an obscure figure — though a legend in the 70s and 80s underground music scenes at downtown New York clubs such as The Loft and Paradise Garage. RICHARD KING, author of 'Travels Over Feeling'(Faber) a poignant and evocative visual chronology of Arthur's life and times, came to the the Bureau to tell us about him and why he matters. Despite his prodigious output, his inability to finish songs, and the genre-busting uniqueness of much of his music, meant that he released only two albums under his own name in his lifetime. But in the decades since his death, a series of posthumous releases have generated a deep love and admiration in many who have been lucky to come across his music. We also get into indie record shop culture, music sobbery, the underground New York club scene of the mid seventies and ask the question: 'How do you know when, a song, a book or a piece of art is finished?' Thanks to Dan Papps at Faber, to Steve Knutson of Audika Records and Cat Corrigan of Beggars Banquet who have posthumously released much of Arthur's unpublished work, for permission to include his music. We also included two selections from Matt Wolf's film 'Wild Combination: A Portrait of Arthur Russell' Image by Joel Sokolov/Courtesy of Audika Records #arthurrussell #newyorkclubs #avantagarde #philipglass #audikarecords #richardking #faber #hiv #music
Hello, welcome back to Aquarium Drunkard Transmissions. On Saturday, April 20th, Aquarium Drunkard Transmissions returned to the esoteric grounds of the Philosophical Research Society in Los Angeles for a living taping with guest host Will Sheff (Okkervil River) in conversation author Sean Howe, discussing Agents of Chaos: Thomas King Forçade, High Times, and the Paranoid End of the 1970s, book on High Times founder, provocateur, and trickster Thomas King Forçade as part of PRS' Earth Day celebration Plantstock. I am such a big fan of PRS, where we recorded a live talk with Matt Marble on the esoteric influences of Arthur Russell last fall. It's a place that invites inquiry, rewards curiosity, and enjoys the beauty of the unknown. Which makes it a perfect setting for this talk. Howe's Agents of Chaos is a time machine that transports the reader directly to the chaotic, funky-smelling center of the paranoid 1970s. The result of almost a decade of sleuthing, Howe's fascinating book details the true story of Thomas King Forçade, mysterious founder of High Times Magazine, cannabis kingpin, el supremo of the Underground Press Syndicate, Yippie agitator, known drug smuggler, and possible CIA spook. Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. Next week on Transmissions? Shabaka Hutchings. For heads, by heads. Aquarium Drunkard is powered by our members. Keep the servers humming and help us continue doing it by subscribing to our online music magazine. This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/aquariumdrunkard
We were joined by countercultural historian Pat Thomas, and Peter Hale, manager of the Ginsberg estate, and discover their new collaboration Material Wealth Mining the Personal Archive of Allen Ginsberg.*A prolific poet, raconteur, activist, and thinker, Allen Ginsberg was also a prolific collector, meticulously saving letters, postcards, draft notes and manuscripts, photographs and snapshots, appearance bills and rally broadsheets, not only featuring him personally, but also his fellow poets, singers, lovers, writers, journey companions, friends, and agitators. Gathered here publicly for the first time is his personal archive of events and experiences documenting his life as a young man, breakaway poet, expansive spirit, curious intellectual traveler, and relentless enthusiast of the provocative and the profane.There are hundreds of thousands of items carefully stored and archived at Stanford University's Allen Ginsberg collection. Counterculture historian Pat Thomas, with the full cooperation of the Allen Ginsberg Estate's Peter Hale, has compiled and annotated a remarkable volume of material, unearthing in the process one astounding find after another. The result is a tome of previously unpublished historical paperwork and vintage graphics and photographs and ephemera that promises an unprecedented look inside one of the most prolific poets and agitators of cultural mores of the 20th century.*Pat Thomas is a counterculture historian and archival music producer (and liner-note writer) whose expertise and interests have helped him author such books as Listen, Whitey! The Sights & Sounds of Black Power 1965–1975 and Did It! Jerry Rubin: An American Revolutionary. He has co-curated Invitation to Openness: The Jazz & Soul Photography of Les McCann 1960-1980, co-edited My Week Beats Your Year: Encounters with Lou Reed, an anthology of interviews about the iconic musician, and contributed to The (Original) Adventures of Ford Fairlane: The Long Lost Rock n' Roll Detective and Kerouac on Record: A Literary Soundtrack. Thomas was a consultant on the PBS documentary The Black Panthers: Vanguard of the Revolution and compiled the 3-CD box set The Last Word on First Blues for the Allen Ginsberg Estate (1970s recordings of Ginsberg, Bob Dylan, and Arthur Russell), and the 2-CD set Songs of Innocence and Experience of Ginsberg's 1969 recordings (with Don Cherry and Elvin Jones) putting William Blake poems to music with vocals by Allen.Peter Hale grew up in Italy, Germany, and then Boulder, CO where he earned a BA in Classics, Greek & Latin, from the University of Colorado, all the while attending classes in music, poetry and meditation at Naropa University. He became part of the staff at Allen Ginsberg's office in 1992, and in 1997 helped craft his posthumous estate, which he currently manages. He studied Guitar with Dave Van Ronk & Danny Kalb, and Piano with Peter Barbieri. He currently produces his own music, and djs around NYC. He lives in Ridgewood, Queens.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Hey friends of the marginal musical mindset - fiends of the beep - capturing psychedelic sounds from outer space and delivering them to your device! Loads of Dub Reggae, Psyche Rock and Old School Acid. Features Andrew Weatherall, Arthur Russell, The Orb, Moiré, Lee ‘Scratch' Perry, Adrian Sherwood, Derrick Carter and loads more. Tune into new broadcasts of Golazo, Wednesday 12 - 2 PM EST / 5 - 7 PM GMT.For more info visit: https://thefaceradio.com/golazo///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.
Episode 670: December 22, 2023 playlist: Ceremony, "The Bells of St Mary" (The Bells of St Mary) 2023 [self-released] Ladytron, "All Over By Xmas" (All Over By Xmas) 2023 [self-released] Herrmann und Kleine, "Catch a Snowflake" (Our Noise) 2002 Morr Music Hell Interface, "Soylent Night" (Whine And Missingtoe) 1997 V/Vm Test Records Arthur Russell, "Hiding Your Present From You" (Springfield) 2005 Audika The Residents, "Santa Dog For Gamelan Orchestra" (Dot.Com) 2000 Ralph Tim Hecker, "Winter Cop" (No Highs) 2023 Kranky Ultramarine, "Winter Circle" (Ghosts of Christmas Past Remake - Expanded Edition) 2015 Les Disques Du Crepuscule Glenn Jones, "A Different Kind of Christmas Carol" (The Giant Who Ate Himself and Other New Works For 6 and 12 String Guitar) 2018 Thrill Jockey People Like Us, "Deck The Halls And Run To The Hills" (Christian Marclay's Sounds of Christmas with People Like Us) 2004 [self-released] Scanner, "Last Christmas Christmas Last" (Tis the Season) 2020 [self-released] Alabaster DePlume, "Gifts of Olive" (Gifts of Olive) 2023 International Anthem The Legendary Pink Dots, "Seasonal Chill" (The Legendary Pink Dots' Christmas Special 2023) 2023 [self-released] Low, "One Special Gift" (Christmas) 1999 Chairkickers Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.
Welcome back to Transmissions. We're still buzzing from this last weekend, which saw a live taping of Transmissions at The Philosophical Research Society, the Los Angeles campus founded in 1934 by esoteric scholar Manly Palmer Hall, featuring Jason P. Woodbury's talk with Matt Marble, an artist, author, audio producer and director of the American Museum of Paramusicology, best known for his podcasts, including Secret Sound, an exploration of the metaphysical history of American music, and the interview show The Hidden Present. He's the author of Buddhist Bubblegum: Esotericism in the Creative Process of Arthur Russell, and that's what we gathered at PRS to discuss. Hall founded PRS with a dedication “to the ensoulment of all arts, sciences, and crafts,” and we hope you find this talk as ensouling as we did. Special thanks to our friends and PRS, especially Alex McDonald and AV director Sara Alessandrini, who you'll hear us refer to throughout the episode, for their help making this happen. And we want to thank Steve Knutson of Audika Records for getting the word out, and of course a warm thanks to everyone who turned up for the show, both in person and via Zoom, to be a part of this special presentation. Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. Next week on the show, Maria Elena Silva on her remarkable new album, Dulce. For heads, by heads. Aquarium Drunkard is powered by our patrons. Keep the servers humming and help us continue doing it by pledging your support via our Patreon page.
Arthur Russell: The Peter Zummo ReflectionsComposer/trombonist Peter Zummo in remembrances of longtime collaborator composer/cellist Arthur Russell (1951-92) illustrated with excerpts from a musically ethereal and emotionally charged 1985 concert at Roulette. Produced by Beck Zegans, this special edition is a major contribution to the legacy of the unpredictable, calculated, and disciplined work of a treasured artist and the complex, emergent scene that both misunderstood and nurtured the work. Listen to the full, unedited performance at roulette.org/event/arthur-russell. Photo: Tom Lee.https://roulette.org/
Composer/trombonist Peter Zummo in remembrances of longtime collaborator composer/cellist Arthur Russell (1951-92) illustrated with excerpts from a musically ethereal and emotionally charged 1985 concert at Roulette. Produced by Beck Zegans, this special edition is a major contribution to the legacy of the unpredictable, calculated, and disciplined work of a treasured artist and the complex, emergent scene that both misunderstood and nurtured the work. Listen to the full, unedited performance at roulette.org/event/arthur-russell. Photo: Tom Lee.
This week on Transmissions, we welcome returning guest Cécile Schott, aka Colleen. Her latest album, Le Jour Et La Nuit Du Réel—the day and night of reality—was tracked using a minimalistic setup, a Moog Grandmother and two delays: a Roland RE-201 Space Echo and a Moogerfooger Analog Delay. But for Schott, this assemblage allows for near infinite synthesis, and a genuine multitude of expression. As the world gets stranger and more difficult to understand, the record wordlessly questions what is real—and the times of day and night when the line between real and imaginary blurs. LIVE TRANSMISSIONS: On September 30th, we're hosting a live taping of Transmissions at Manly P. Hall's Philosophical Research Society with Matt Marble, discussing his fantastic book about Arthur Russell, Buddhist Bubblegum. Get more info and tickets here. Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. Next week on the show, Matt Marble.
Welcome to Aquarium Drunkard Transmissions; this week on the show, we're joined by Jarvis Taveniere of Woods. You know his long running Woods band with Jeremy Earl of course—and Woodsist, their record label and Woodsist Festival, which returns September 23-24 upstate with Kevin Morby, Avey Tare, Cochemea, Tapers Choice, Ana Saint Louis, Natural Information Society, Kurt Vile, Scientist, DJ Aquarium Drunkard—that's our own Justin Gage—plus many more. The band also just released a glowing new album, Perennial, which finds the band in a gentle, rambling mode. Jarvis and host Jason P. Woodbury, alongside Willian Tyler and Sadie Sartini Garner, were all members of a book club through much of the pandemic, reading selections of authors like JG Ballard, Kiese Laymon, Eve Babitz and others. LIVE TRANSMISSIONS: On September 30th, we're hosting a live taping of Transmissions at Manly P. Hall's Philosophical Research Society with Matt Marble, discussing his fantastic book about Arthur Russell, Buddhist Bubblegum. Get more info here. Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. Next week on the show, Coleen joins us to discuss her tremendous new album.
Episode 648: August 13, 2023 playlist: Lost Girls, "Ruins" (Ruins (single)) 2023 Smalltown Supersound Nation of Language, "Too Much, Enough (Radio Edit)" (Strange Disciple) 2023 Play It Again Sam Sparkle Division, "Foxy" (Foxy) 2023 Temporary Residence Slowdive, "the slab" (everything is alive) 2023 Dead Oceans From the Mouth of the Sun, "The Herd (Murmuration)(Edit)" (Valley of the Hummingbirds) 2023 Lost Tribe Sound Arthur Russell, "Get Around To It" (Caliing Out of Context) 2004 Audika 808 State, "Flow Coma" (Newbuild) 1988 Creed / 1999 Rephlex Remanence, "Sentinel Species (excerpt)" (Sepiadrone) 2023 Aperus Jose Orozco Mora, "Sucesion II" (Sucesiones) 2023 Important Me Lost Me, "Eye Witness" (RPG) 2023 Upset the Rhythm Michael Mayer, "Talmi" (Total 23) 2023 Kompakt Big Blood, "Gates of Steel" (First Aid Kit (bonus)) 2023 Ba Da Bing! Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.
Season 20 Episode 8 Hot Blue Summer - Dayaway Shooting Star - Sylvie Further Down the Road (Maston Remix) - Sylvie Waiting for the Band - Nicky Hopkins You Have Something Special - Joanna Sternberg This Is Not Who I Want To Be - Joanna Sternberg I Never Get Lonesome - Arthur Russell Iowa Dream - Arthur Russell Wan Ka Helaa - Dur-Dur Band Int. Riyo - Dur-Dur Band Int. Love Missive - Courrier Sud Fool Moon - Courrier Sud Trapdoor - Los Bitchos This episode features a clip from a recent episode of Sam Harris' podcast Making Sense, where he talks about the incomprehensible waste of collective attention the human race has wasted on about the least important human to ever be born. I didn't include much of it, when he gets into a media analysis and so on, but I'm 100% with him on all of it.
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