Podcasts about boss dd

Send us a textIn this episode I take you through my 5 essential pedals. These are the ones I use all the time and how I set them up. 1. Compressor PedalWhy it's important: A compressor smooths out the dynamics of your playing by limiting the loudest notes and boosting the quieter ones. It helps create a more consistent sound, adding sustain, punch, and clarity. A great tool for players who want their tone to sound polished and even, especially when fingerpicking or in clean tones.Popular choices: Keeley Compressor, MXR Dyna Comp, Wampler Ego Compressor.2. Overdrive PedalWhy it's important: An overdrive pedal is key for adding warmth and grit to your tone. Whether you're looking for classic bluesy smoothness or heavier, more saturated rock tones, overdrive is essential for shaping your distortion and helping you achieve expressive, dynamic playing.Popular choices: Ibanez Tube Screamer, Fulltone OCD, Boss OD-3.3. Reverb PedalWhy it's important: Reverb creates space and depth by simulating the natural reflections of sound in an environment. Whether you're after subtle room ambiance or lush, expansive reverb tails, this effect is essential for adding dimension to your sound and making your tone feel more alive.Popular choices: Electro-Harmonix Holy Grail, Strymon BigSky, TC Electronic Hall of Fame.4. Graphic EQ PedalWhy it's important: A graphic EQ pedal gives you control over your tone's frequency response, allowing you to shape your sound by boosting or cutting specific frequency bands. It's great for fine-tuning your tone, compensating for room acoustics, or dialing in specific sounds for different musical contexts. It also acts as a powerful tool to carve out space in the mix when playing in a band.Popular choices: Boss GE-7, MXR Ten Band EQ, Behringer EQ700.5. Looper PedalWhy it's important: A looper pedal allows you to record short sections of your playing and loop them in real time, creating layers of sound. This is great for practice, songwriting, or performance, and it enables you to build complex, evolving compositions on the fly. It's a versatile pedal for solo artists and can be used creatively to add texture, rhythm, or melody to your performance.Popular choices: TC Electronic Ditto, Boss RC-3, Electro-Harmonix 720.Honorable Mention: Delay PedalWhy it's important: Delay is often used in conjunction with reverb to add depth, space, and rhythmic complexity. While it's not in your top 5, it's still worth considering for creating ambient soundscapes, rhythmic echo patterns, or lead lines with a sense of movement.Popular choices: Boss DD-7, MXR Carbon Copy, Electro-Harmonix Holy Grail.Download the Triad Method: https://thebluesguitarshow.com/the-triad-method/Support the showTo get your hands on THE TRIAD METHOD: https://thebluesguitarshow.com/product/the-triad-method/Become a Blues Guitar Show Member: https://www.buzzsprout.com/950998/subscribeHead over to www.thebluesguitarshow.com to subscribe to the mailing list

Resources for all pedals!( 1 ) Digitech Whammy  https://amzn.to/4frWlGk( 2 ) Jim Dunlop JP95 John Petrucci Signature Cry Baby https://rb.gy/43v7qq( 3 ) BOSS ES-8 Switching System https://amzn.to/3YpoSpC ( 4 ) iSP DECI-MATE 122.40  https://amzn.to/4fqyCpF( 5 ) KORG Pitchblack Advance 109 https://amzn.to/4dj9uzi( 6 ) Lunastone True Over Drive 2 2 https://www.lunastonepedals.com/trueoverdrive2/( 7 ) Lovepedal Kalamazoo https://rb.gy/lfa6mc( 8 ) Strymon Riverside 299.00  https://amzn.to/3WHOop4( 9 ) Ovaltone 34-Xtreme  http://stompboxsteals.blogspot.com/2020/01/overdrive-ovaltone-34-xtreme-another.html( 10 ) Bogner Harlow https://rb.gy/6hvlsm( 11 ) BOSS DD-500 https://amzn.to/3SuiLNbExploring Miyako's $5,000 Pedalboard - Gear BreakdownIn this episode, we dive into the intricate $5,000 pedalboard used by the talented guitarist Miyako. We'll review each pedal, discuss their practical applications, and show examples of where Miyako uses them in her performances. Highlights include a comparison between compact pedals and multi-effects units, a detailed look at some of the standout pedals like the Digitech Whammy and the John Petrucci Signature Wah, and an exploration of her drive pedals and delay effects. Plus, we'll cover the essential power supply units that keep her setup running smoothly. Stay tuned for an in-depth gear heads session.00:00 Introduction to Miyako's Pedal Board00:32 Compact Pedals vs Multi-Effects Units01:06 Miyako's Pedal Preferences and Setup02:44 Deep Dive into Miyako's Pedals09:57 Exploring Drive Pedals16:43 Digital Delay and Power SupplyLessons/Reaction REQUESTS

Wampler METAVERSE:https://www.wamplerpedals.com/products/delay-reverb/metaverse/Boss DD-200:https://www.boss.info/global/products/dd-200/Line 6 DL-4 MK II:https://line6.com/effects-pedals/dl4-mkii/Meris LVX:https://www.meris.us/product/lvx/Hologram Electronics MICROCOSM:https://www.hologramelectronics.com/microcosmPoison Noises THROWBACK:https://www.poisonnoises.com/shop/p/throwbackKeeley Electronics HALO, ECCOS & COMP PRO:https://robertkeeley.com/product/halo-andy-timmons-dual-echo/https://robertkeeley.com/product/eccos-delay-looper/https://robertkeeley.com/product/keeley-compressor-pro-namm-2015/The Sound of Justice FX HYDRA:https://reverb.com/marketplace?query=the%20sound%20of%20justice%20fxBeetronics WANNABEE:https://www.beetronicsfx.com/products/wannabee-beelateral-buzzTwo Notes REVOLT & TORPEDO C.A.B. M+:https://www.two-notes.com/en/revolt-guitar/https://www.two-notes.com/en/torpedo-series/torpedo-cab-m/

To Support the Channel:https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac  Or check out my store for merch  - www.askzac.comSteve Gibson has worked with everyone from Beatle George Harrison to Randy Travis. And if you have enjoyed George Strait's work since the early 90s, then that's Steve and Brent Mason covering all of the guitar work on the Texan's hits over the last 3 decades. In today's episode, we spotlight a guitarist whose style has always been to play precisely what the song needs.Spotify Playlisthttps://open.spotify.com/playlist/1EZ...Our Truetone Lounge interview with Steve   • Truetone Lounge |...  Gear Used: 1982 Kubicki body, 2022 Danocaster Neck, Glaser Convertible Bender, 80s Duncan middle, Ron Ellis 50/60 Tele pickup set. Amp:1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.Effects used:amp verb, Boss DD-2#askzac #guitartech #telecasterSupport the show

To Support the Channel:Tip jar:  https://paypal.me/AskZacVenmo @AskZac  Or check out my store for merch  - www.askzac.comHow you prepare for a gig dictates whether you will be asked to work with that client/artist again in the future. In this episode, I show how I prepare musically, what questions I ask the client, how I choose what gear to take, and the importance of having backups for everything. A very practical AZ episode.Gear for this video1957 Fender Esquire with an added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain. Bridge pickup re-wind by Ron EllisStrings: D'Addario Pure Nickel 10-45Pick:D'Andrea MH 351Amp:1964 Vox JMI AC10 with 12" Celestion Blue Alnico Speaker in a custom cab built by Kyle Bollendorf. Effects used:Boss DD-29v power via Truetone CS6  https://amzn.to/3gnJQPW #askzac #guitartech #telecasterSupport the show

To Support the Channel:Tip jar:  https://paypal.me/AskZacOr check out my store at  - www.askzac.comFred Newell is best known for his decade-long position as the lead guitarist on Nashville Now, the hugely popular flagship show of TNN, The Nashville Network. Few are aware of all the sessions he played on that were huge hits for Alabama, George Strait, Jerry Reed, and The Kendalls. In this episode, I cover his early days, move to Nashville, session career, a decade on Nashville Now, and his switch to pedal steel guitar and tours with Waylon Jennings. I also take a look at his iconic red-neck Tele that was silkscreened with the TNN logo and heavily featured during the run of the show from 1983-1993.Detailed shots of the TNN guitar are on my sitehttps://www.askzac.com/post/fred-newe...Gear for this video1983 TNN Telecaster - Detailed photos here:https://www.askzac.com/post/fred-newe...Pick:Danocaster MediumAmp:1964 Vox JMI AC10 with 12" Celestion Blue Alnico Speaker in a custom cab built by Kyle Bollendorf. Effects used:Boss RV-2 Reverb on the "Plate" setting.Boss DD-2 DelayAmp tremolo9v power via Truetone CS6  https://amzn.to/3gnJQPW #askzac #guitartech #telecasterSupport the show

To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac  Or check out my store for merch  - www.askzac.comIn this episode, we take a trip in the Wayback Machine and take a look at my 1992 era pedalboard. After last week's Klon, and the birth of boutique episode, I thought about what was my rig was back in the early 90s. Besides the original TS808, that is long gone, I still had all of the pedals I used, and even the plastic Boss BCB6 pedalboard that I used back then. I go through the board, giving a demo, and a bit of history including what they cost new, and what that would be adjusted for inflation now. You won't believe how much a Boss DD-2 would cost in today's dollars new!Gear Used:1982 Kubicki Tele body with Danocaster soft V maple neckGlaser B-Bender circa 1996APC Adder (Neck) Ron Ellis 60T (Bridge)Pick:Blue Chip TPR 35 RB Strings: Ernie Ball 10,13,15, 24, 32, 42. Nickel-Plated Steel.Amp:1967 Deluxe Reverb amp with Celestion V30 speakerEffects used:Boss PSM-5 Master SwitchBoss TU-12H TunerBoss CS-2 CompressorIbanez reissue TS808Demeter Tremulator "Early Red Knob" TremoloBoss DM-2 delayBoss DD-2 digital delayBoss BCB-6 pedalboard with original daisy chain and Mogami patch cablesPower via 1990's Boss PSA 120 - 9v dc old style transformer 120v #askzac #guitartech #telecasterSupport the show

What is a delay pedal? How is it like a house of mirrors? And how can it help you in your teaching and practice? Listen in as James creates soundscapes on-the-fly with the help of a BOSS DD-5 digital delay.

Delay is one of those plugins that can be deceptively tricky in music production: use too much and it can sound gimmicky; use it without knowing what you're trying to achieve and it can sound silly, and;, not understanding all it's capabilities beyond something that makes things sound... 'echoey'

In this episode, we share our thoughts on this versatile stompbox. It includes 12 distinctive delay modes and provides a massive amount of creative potential.

This is the audio from our video here: https://youtu.be/FWZmr1rE-yM Why do tape delay machines sound sooooo good? It’s a question we are delving into over a series of shows. We kick off with our personal favourite REAL TAPE machines. Erm, our only machines, in fact. Life too short for long YouTube videos? Please see the ‘Interesting bits and go-to sections’ information below. COVID-19: This video was filmed long before the social distancing measures were advised by various governments across the world. Rest assured that all of us at That Pedal Show began observing social distancing and stay-at-home measures as soon as they were announced. Be well y’all! There’s just something magic about tape echo. Be it an Echoplex, Space Echo, Copicat or what have you, that – literally – magnetic blend of warmth and often idiosyncratic unpredictability is what puts the tear in your eye and the emptiness in your wallet. Both Dan and I have been on a voyage of tape discovery these past months; smitten by the sounds, maddened by the maintenance and confused at the question of why modern pedal simulations just don’t stand up. Or do they? So in this first instalment of (probably) three, we indulge in the tape machines themselves. Consider it a context setting siting lap of what’s to come. In Part 2 we will delve a little more deeply into the single-head Echoplex side of things and a bunch of modern pedals, then follow that up in Part 3 with a similar treatment of the multi-head Space Echo approach. No, we haven’t looked at the European-style Wems/Meazzis etc… maybe that’s one for the future. At present we don’t own any. Off we go then… please enjoy the episode! Pedals & stuff in this episode… • TheGigRig Three2One https://www.thegigrig.com/three2one • Sonic Research ST-200 Turbo Tuner Australia: http://bit.ly/2mR1s8c • Metropoulos Supa-Boost https://store.metropoulos.net/products/copy-of-supa-boost-handwired-high-voltage-boost-pedal?variant=19776952860745 • Thorpy Warthog UK & Europe: http://bit.ly/2ELIE48 Australia: http://bit.ly/2MLINum • Keeley D&M Drive UK & Europe: http://bit.ly/2oTblU1 USA: http://bit.ly/2quRShW Australia: http://bit.ly/2pUDUAE • Diamond VIB1 Vibrato http://www.diamondpedals.com/products/vibrato/ • Boss DD-200 UK & Europe: http://bit.ly/2kyinR3 USA: http://bit.ly/2rpIPzv Australia: http://bit.ly/2smiUsQ • Fulltone Tube Tape Echo https://www.fulltone.com/products/tube-tape-echo • Roland RE-201 Space Echo Try Soundgas: https://soundgas.com/features/roland-tape-echo/ • Echo Fix EF-X2 Echo Fix EF-X2 Tape Echo Australia: http://bit.ly/2sQ56r3 https://echofix.com/products/echo-fix-ef-x2-tape-echo • Hiwatt Custom Tape Echo No longer made • TheGigRig G2 https://www.thegigrig.com/g2 * Why do we have preferred retailer links? Find out here: http://www.thatpedalshow.com/partners Interesting bits and go-to sections… - Social distancing: 0:00 - Intro playing: 0:48 - Hello and welcome: 2:05 - Where did the PRS DGT go? 2:55 - What are we doing today? 3:50 - Today’s echo machines: 4:30 - Pick / plectrum tangent: 6:35 - Today’s amps: 7:10 - Fulltone preamp on and off: 7:40 (8:23) - Fulltone preamp overdriving: 8:56 - Mick’s Belle Epoch Deluxe realisation: 10:25 - Fulltone controls and echo sounds: 10:40 - …tone on the repeats: 11:45 - …high and low tape speeds: 12:35 - …with overdrive pedals: 13:40 - Boss DD-200 quick comparison: 14:35 - Slapback sounds from the Fulltone: 15:50 - The importance of the preamp: 18:50 - Roland Space Echo RE-201: 20:35 - RE-201 and TTE quick comparison: 21:17 - RE-201 preamp: 24:15 - RE-201 playback heads: 25:50 - Echo Fix EF-X2: 30:00 (30:50) - …preamp sound and echo: 32:45 - Hiwatt Custom Tape Echo story: 35:00 - …sounds: 38:15 - …auto tape stop: 40:35 - …multi head: 41:20 - Hiwatt and Boss DD-200 compared: 42:09 - The next shows: 43:00 - What’s the commonality with tape? 44:00 - Schwang to end: 45:55 Guitars in this episode: • Fender American Vintage ’62 Stratocaster – watch Mick’s video here: http://bit.ly/2cQv3yT • Fender Custom Shop ’63 Telecaster – watch Dan’s video here: http://bit.ly/2Hlpy5Y • PRS DGT – watch Mick’s video here: http://bit.ly/2d8Xo2I • 1961 Fender Stratocaster - no video yet Amps in this episode • Two Rock Classic Reverb Signature / 212 cab with TR12-65B speakers • Marshall 1987x / 1960Ax cab with Celestion G12M Greenback speakers We hope you enjoy this episode. Please subscribe to our channel. You can buy TPS merch to support our efforts https://www.thatpedalshowstore.com We are on Patreon – crowdfunding for creatives https://www.patreon.com/ThatPedalShow Please visit our preferred retailers! UK & Europe: Andertons Music http://bit.ly/2cRvIvt Australia: Pedal Empire http://bit.ly/2mWmJQf

In this episode, we take an in-depth look at this pedalboard staple. With a rich 30 year history, it is a pedal that has earned its way into the heart of so many guitarists. 

Mark Carrano in the studio for some jams. The guys talk about the Waves Infected Mushroom Pusher, Waves Tune Real-Time, Boss DD-200 Digital Delay Effects Pedal, and the Effalo Velosynth.

Guys...sometimes the weather gets crazy and dry and the pollen is in the air and I just ate a bunch of cheese and drank a beer...well sometimes you get the sniffles.In Episode 91 of 60 Cycle Hum we start off right away with some new gear chat, specifically the Surfy Bear Reverb and the Boss DD-6. Then we get into a trio of ads...well a duo of ads, a vintage Ibanez TS-808 supposedly owned by Stevie Ray Vaughan and a guitar shaped like the bird. Somewhere in there we talk about the wrong way to ship a guitar. For this week's topic we touch on the subject of jack placement on pedals which turns into a discussion on pedal board layout and whether or not mini-pedals matter if you're using full sized jacks.This week's music was sent in by Will Cobb. The song has no title.This week's adsPillowsSRV TSThe Bird

Recorded on December 12th 2014. Just two channels of Juno, with a bunch of delay and spring reverb. Playing without Quantize or MIDI means the timing is a bit off, but I kinda like it. Juno 106 / Boss DD-6 / Vermona Retroverb / Tascam 414 MKII.

GEAR Synths: Korg EMX, Korg MicroKorg Drum Machine: Tr-707 Effects Unit: KP3 Effects Pedals: Boss ODB-3,Boss DD-7, BBE Two-Timer, Behringer Ultra Chrous Programs: Logic Midi: Midi Solutions Quadra-Thru INFO bandcamp: www.sorry-about-this.bandcamp.com soundcloud: www.soundcloud.com/sorry-about-this youtube: www.youtube.com/iamscatterpattern tumblr: www.sorry-about-this.tumblr.com twitter: www.twitter.com/@scatterpattern scatterpattern: www.soundcloud.com/scatterpattern Gamma Dragons: www.youtube.com/GammaDragons Robotic Moustache: www.soundcloud.com/robotic-moustache email: knotty_mo@hotmail.com

Episode 1.Dan reviews the Boss DD-20/Alex shows stereo mic-ing for acoustic guitar/Wade checks out Guitarplayer.com/We all talk about Cheap Guitars at Walgreens, Target, etc.

More about Paul Gilbert’s guitar playing with lots of excerpts from Paul’s "Get Out of My Yard" CD. Also Paul’s cool trick with the BOSS DD-3.

This is a live improvised soundscape using a Godin XTSA guitar, fed into a Roland GR-33 guitar synthesiser and a Boss RC-20XL looper and Boss DD-20 delay pedal.

This is a live improvised soundscape using a Godin XTSA guitar, fed into a Roland GR-33 guitar synthesiser and a Boss RC-20XL looper and Boss DD-20 delay pedal.

This is a live improvised soundscape using a Godin XTSA guitar, fed into a Roland GR-33 guitar synthesiser and a Boss RC-20XL looper and Boss DD-20 delay pedal.

More live experimental ambient looping using a Roland GR-33 guitar synthesizer, a Boss RC-20XL and a Boss DD-20 all controlled via a Godin XTSA.