Ask Zac

Since the DGT was released by PRS in 2007, I have been a fan. I didn't buy one then because I foolishly decided to get a more vintage-flavored reissue 1959 Les Paul, but have regretted that purchase ever since. With the new SE PRS DGT, I was able to scratch that humbucker with trem itch, but at an incredibly affordable price. The PRS DGT SE is a fantastic instrument that can really fill out your guitar arsenal at a great price.To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/Support the show

Mike Campbell is one of the most significant guitarists of our time as a result of his 40-year stint with Tom Petty & The Heartbreakers, and guesting with everyone from Don Henley, to George Harrison. He recently released his memoir, Heartbreaker, a lovingly honest telling of his life with the help of author Ari Surdoval. We take a look at the compelling story it tells, and the incredible legacy and influence of Mike Campbell.Amazon Affiliate link to Heartbreakerhttps://amzn.to/4lk9NyXSigned Copyhttps://talkshop.live/watch/pLo6krD_ObMdGo see Mike Campbell & The Dirty Knobs at a venue near youhttps://www.thedirtyknobs.com/#tourTo Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/Support the show

Joe Fick, leader of Kelley's Heroes and alumnus of the Don Kelley Band, joins us today. He shares of his time with the Dempsey's, The Don Kelley Band, working movies Walk The Line, and Baz Luhrmann's Elvis, to currently leading Kelley's Heroes. We also discuss the history of the upright slap style, challenges of transitioning from electric to upright bass, and a variety of upright bass playing styles. If you visit Nashville, you must see Joe and the band, Wednesday thru Saturday, at Nashville's famous Robert's Western World on Broadway. To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/Support the show

Leo Fender was heavily influenced by the work of Paul Bigsby in the late 1940s, yet in all of the interviews he did, he never acknowledged it. Today we look at both the influences, and the reasons why Leo did not give the credit that Paul Bigsby deserved for his innovations that filtered into every Fender guitar. To help us, we have an amazing copy of the 1948 Bigsby "Merle Travis" guitar, that clearly spotlights the influence on the Fender Telecaster, Stratocaster, and just about every instrument that Leo designed.Amazon affiliate links:The Bigsby Book by Andy Babuikhttps://amzn.to/4iwxtO6Sixteen Tons, By Merle Travis & Deke Dickersonhttps://amzn.to/4hgE6mC Follow me on Instagramhttps://www.instagram.com/askzac/To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/Support the show

I love Peavey amps from the early-to-mid 1980s, because I grew up with them in my favorite music shop, Clawson's Music in Corpus Christi, TX. In my last 80s Peavey episode, I looked at the Special 130, that is a killer amp, but is heavy, way too loud for most gigs, and at times a bit non-intuitive due to the mid-shift and multiple gain controls. My buddy, Mike LoPinto, who plays with Chris Stapleton, clued me into the Studio Pro 40. It checks all of the boxes, as it is easy to carry, has plenty of volume, a full sound with an Eminence 12 inch speaker, and is pretty cheap at the current going price of $100-$200. For me, it is a great grab and go amp, and the perfect amp to take to the gig as a backup to my Headstrong Lil King, or my Fender 1965 Deluxe Reverb. Follow me on Instagramhttps://www.instagram.com/askzac/To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/Support the show

With the recent visit  with a real-deal 1950 Broadcaster, I had the chance to experience the unique tonal options that Leo Fender's original blend control offered over your run-off-the-mill tone control. The only problem, was that awful #1 position, that put a suffocating blanket over the neck pickup. I started searching for a modified wiring scheme, and I found my episode from a couple of years ago with Rick Holmstrom, Mavis Staples' guitarist and bandleader. In it, he described his modified Broadcaster blend wiring that made the first position just a slightly lower volume, and slightly darkened neck pickup sound in position 1. I tried it, and loved it, and am sharing it with you now. I also share 2 YouTube Channels I have been enjoying, Adam Levy's, and Shane Theriot's.https://www.youtube.com/@AdamLevyGuitarhttps://www.youtube.com/user/TheRiotguitarInfo on the wiring:https://www.askzac.com/post/rick-holmstrom-mavis-staples-my-birthday-trip-to-new-orleans-ask-zac-162Follow me on Instagramhttps://www.instagram.com/askzac/To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/Support the show

Scott Baxendale sent me a 50s Harmony H-162 that he had done his conversion work on to check out. So we take a look at it, laying out the conversion process, and also looking at my Baxendale mandocello, and my Dan Lambert converted/repaired Buck Owens American. We end with a look at my refinished Waterloo WL-14, that also has a dual pickup system, and under-saddle, and a magnetic sound hole unit.Support the show

Today we get introduced to Gabe Tonon, and he shows off his 50s Esquire with a long throw Bender, and his two 60s maple-cap Fender Telecasters with Glaser B-Benders. Gabe is a wonderful player you can see opening for Zach Top in 2025 with Jake Worthington. Find Gabe here:https://www.instagram.com/gabe_tone_on/Follow me on Instagramhttps://www.instagram.com/askzac/To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/Support the show

Today we look at one of the rarest and coolest members of the Telecaster family, a December 1950 Fender Broadcaster. To  give some context, I cover what Fender was up to in late 1949 through the Summer of 1950 with the single and dual pickup Esquire, and how the addition of a truss rod caused the Broadcaster to be born. We also take a look at what makes the Broadcaster different feature wise from the later Telecasters, including the unique blend control that would be phased out in 1952.Support the show

Today we look at this cool Glaser B-Bender equipped Strat that I put together using a Glaser made neck from the 80s, and a non-tremolo swamp ash body. We get to hear the Seymour Duncan Hot Strat Stack pickups, and get a bit of history along the way. Much thanks to Jason Cornelius for the buddy deal on the Glaser neck, and to Brad Paisley for donating and painting the body.Get a Glaser bender on your Strat or Tele herehttps://www.glaserbender.com/scheduling-and-optionsFollow me on Instagramhttps://www.instagram.com/askzac/To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/Support the show

A comparison between flat wound, pure nickel, and ground wound strings on my Tele. I was inspired to do this by the back of a set of D'Addario strings, showing a chart of their string offerings, from mellow to bright. Today, we start at the mellow end of the spectrum with the flat wound, going mid-way through the chart to the all-steel half-round set. Thanks to Andy Pitcher at D'Addario for supplying the various strings.Follow me on Instagramhttps://www.instagram.com/askzac/To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/#askzac #daddariostringsSupport the show

I love honest, beat-up, Telecasters. Today we tell the story of one of the most aged butterscotch Telecasters I have laid eyes on. Besides telling its story, we also compare it to a near mint 53 Telecaster. Thanks to Andy T, for letting me borrow his beautifully aged Tele. Follow me on Instagramhttps://www.instagram.com/askzac/To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/#askzac #52telecasterSupport the show

Today I sat down with one of the finest solo-Jazz guitarists of our time, Tim Lerch. We discuss how a non-jazz player might get into solo guitar, his influences, his highly modified Fender Nocaster, and how he approaches tone and touch. Much thanks to Tim for taking the time for this interview while he was in Nashville teaching at a guitar seminar.Follow me on Instagramhttps://www.instagram.com/askzac/To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/#askzac #timlerch #jazztelecasterSupport the show

Earlier this year, I did an episode on the Buck Owens "American" guitars made by Harmony from 1969-1971. Mine was in pretty good condition, but missing its headstock overlay, and having survived a neck break. The day after I released that show, the head broke off again on its own. With learning there was a major structural issue, I turned to a Harmony restoration specialist, Dan Lambert, of El Paso, Texas. Dan had to rebuild the neck and extensively repair the headstock. Today we look at all the repairs and upgrades he did to the instrument, including recontouring the original ladder braces.Dan will be posting videos showing the repair process on this guitar on his YT channel.Dan Lambert's Youtube Channelhttps://www.youtube.com/@danlambertguitar6049/videosFollow me on Instagramhttps://www.instagram.com/askzac/To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/#askzac #buckowensSupport the show

Gibson has never been known for their amps. Though we may revere certain models, they pale in collectability with those made by Fender of the same era. After years of slow amp sales, Norlin, the owner of Gibson from 1969-1986, decided to start a new amp division under its own name, Lab Series. To design the new line, they turned to another division they owned, Moog, and they were tasked with making a transistor amp that sounded like a tube amp, and looked traditional, yet cutting-edge circuitry. Today, we look at the Lab Series line, and go through the unique features that made this a favorite for B.B. King, Ray Flacke, Ty Tabor, Alan Holdsworth, and Ricky Skaggs.  Follow me on Instagramhttps://www.instagram.com/askzac/To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/Support the show

We all have a tone obsession, but when is it healthy, and when is it not? I asked Barry O'Neal of Xact Tone Solutions to have a discussion on the "tone suck" of certain pedals, and it quickly morphed into a philosophical discussion on the potential pitfalls in the pursuit of tone.Follow me on Instagramhttps://www.instagram.com/askzac/To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/#askzac #xacttonesolutionsSupport the show

Luther Dickinson is an acclaimed sideman, solo artist, and producer, noted for his work with the North Mississippi Allstars, Phil Lesh, and the Black Crowes. We begin with a discussion of his legendary producer/musician father, Jim, and how he nurtured his son's playing and his work ethic. We also dive into how Luther became a devotee of open tunings via his dad's obsession with Bo Diddley. Dickinson is currently out playing shows with JD Simo and drummer Adam Abrashoff.Follow me on Instagramhttps://www.instagram.com/askzac/To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/#lutherdickinson #askzacSupport the show

Built from 1953-55, the Wide-Panel Princeton was short-lived, yet in that brief time had 5B2, 5C2, and 5D2 iterations with earlier versions using octal preamp tube, and the latter using a 12AX7. Though both the tweed Princeton and the Champ were single-ended (single power tube) amps, the mighty Princeton throughout the 50s in most years had a bigger speaker, larger cabinet, and the addition of a tone control. For fun, we go all the way back to the first year of the amps production, 1946, and take the amp from it's woody birth, up through TV-front, wide-panel, and narrow-panel versions.Follow me on Instagramhttps://www.instagram.com/askzac/To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/1957 Fender Esquire with a 1954 neck pickup, and original bridge pickup. Restoration and Aging on the Body by Dan "Danocaster" Strain. Refret by Nick at Glaser Instruments. Both pickups were rewound by Ron Ellis. Pickguard design by Jay & Kristi Smith of Juicebox Designs.#askzac #princetonampSupport the show

In the mid 1980s, Ricky Skaggs and Steve Wariner were frequently seen on television playing eye-catching Tele-looking instruments equipped with B-Benders, in vibrant colors, with beautiful flame maple necks. Though I had no idea what they were, I wanted one. I finally found the answer in the January 1987 issue of Guitar Player magazine, where it was revealed that these were custom instruments built by Nashville luthier, Joe Glaser, equipped with Seymour Duncan pickups, and his patented string bender. When I started gigging in the early 90s, I began saving my money, and once I had a respectable amount saved up, I called Glaser, only to find that he had ceased building guitars, and was instead concentrating on repairs, and his string bender business. I continued to search for one, but they seemingly never came up for sale. Recently, some of Joe's crew raided the shop attic, and they began using some leftover Glaser guitar parts to build out a handful of instruments. Today, we look at the last Glaser Bender guitar, and how I ended up with it after 35-years of searching. We also do a deep-dive on the Seymour Duncan 53-Tapped Tele set, and the Music City Bridge Wiring, plus clips with the guys that worked on the guitar, and Joe Glaser explaining his preference for single-bound Tele bodies, and figured maple necks. The pickupshttps://customshop.seymourduncan.com/53-tapped-tele/https://www.seymourduncan.com/single-product/hot-stack-stratGet on the list for a Glaser Convertible Bender installationhttps://www.glaserbender.com/scheduling-and-optionsPlaylisthttps://open.spotify.com/playlist/2SZpvTAXnsVbdDB6TSrFMv?si=42f8c409f9af4bd7Follow me on Instagramhttps://www.instagram.com/askzac/NYXL Strings Amazon Linkhttps://amzn.to/3Yo5hprTo Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/#askzac #glaserbender #seymourduncanTexas ToastThe #1 Country Music Podcast in Texas!Listen on: Apple Podcasts SpotifySupport the show

Today I share the story of playing the American Music Awards 50th Anniversary Special with Brad Paisley. He had a new single, "Truck Still Works," and wanted to fill things out with another guitar player. I lay out what I did to learn the guitar parts he wanted covered, the experience of playing on the show, and the gear that I used.Follow me on Instagramhttps://www.instagram.com/askzac/To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/#askzac #bradpaisleyTexas ToastThe #1 Country Music Podcast in Texas!Listen on: Apple Podcasts SpotifySupport the show

Today we sit down with the incredible father/son guitar team of Stuie and Sonny French, of The French Family Band. They tell their tale of how they moved from Australia to the United States in 2019, and quickly made an impact on the Nashville music scene through their shutdown era livestreams, and their more recent appearances on the Grand Ole Opry. Gear wise, Stuie shows us his modified Jason Isbell Tele and Gretsch, while Sonny shows off his Gibson Les Paul Special, and vintage Fender Coronado.Follow me on Instagramhttps://www.instagram.com/askzac/To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/#frenchfamilybandSupport the show

Ricky Skaggs released Highways & Heartaches in September 1982, and the album quickly moved to the number 1 spot on the Country Album chart, and spawned 3 number 1 singles. Besides being a well polished example of Ricky's Bluegrass/Country hybrid style, it also spearheaded the neo-traditionalist movement that brought an end to the more pop oriented "Urban Cowboy" era. The album featured Ricky's crack road band, and a couple of cuts with studio heavy hitters Lloyd Green and Joe Osborn. Besides the incendiary Telecaster playing of Ray Flacke, Skaggs himself burned on the albums closer, "One Way Rider," using a unique instrument built by Joe Glaser, a 5-string, bender equipped, Mandocaster. Today we look at the impact of the album, and we look at the Glaser built Mandocaster.Follow me on Instagramhttps://www.instagram.com/askzac/To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/#askzac #rickyskaggs #zacchildsSupport the show

What is the best speaker for my Deluxe Reverb, is one of the most asked questions of all-time. A friend recently asked me about doing an episode on this topic, and added that I should give it some added weightiness by finding out what all the pros I know use. So I queried Brent Mason, John Leventhal, Tom Bukovac, Duke Levine, Luke McQeary, JD Simo, Guthrie Trapp, Redd Volkaert, Steve Wariner, James Pennebaker, Jeff King, Jerry McPherson, Rob McNelley, Jedd Hughes, Stuie French, Ryan Wariner, Andy Reiss, Derek Wells, and Kenny Vaughan to find out what they prefer in their Deluxe Reverb. I thought we would have a huge variety of speakers, but surprisingly, it really came down to 3-types. Today we compare those 3 varieties, and look at their strengths and weaknesses. We also look at the stock speakers that were shipped with vintage (1963-1967) BF Deluxe Reverb amps, and why most players don't use them.Follow me on Instagramhttps://www.instagram.com/askzac/To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/#askzac #deluxereverb #zacchildsSupport the show

In the 1960s and 70s, the JBL D120/K120 was the top choice  for the touring pro who didn't want to worry about blowing a speaker on the road. However, in 1983,  Electro-Voice released the EVM-12L, and soon after everyone from Eric Clapton & Stevie Ray Vaughan to Mark Knopfler and Larry Carlton were using EV speakers in their rigs. Today,  I lay out some history/context, and compare it with my usual Eminence GA-SC64, as we look at the 200-watt, 20 pound, 12" speaker that changed guitar tones throughout the 80s and 90s, the EVM 12L.Follow me on Instagramhttps://www.instagram.com/askzac/To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/#askzac #evm12l #zacchildsSupport the show

The hardtail Strat is a different beast from it's tremolo equipped brother, with a tone, and feel of it's own. Today we look at the history, and spotlight the famous players, all with a beautiful 1957 hardtail Stratocaster.Follow me on Instagramhttps://www.instagram.com/askzac/To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/#askzac #hardtailstrat #stratocasterSupport the Show.

Vince Gill is at the top of his game. He recently completed a 4-night run at the Ryman where he played a three-and-a-half hour show each night, still singing & playing the songs in the same keys, or higher. Gill is some kind of superhero, as artists half his age could barely do this. Today we sit down with Vince, as he shares stories about some of his favorite guitars and a life well lived.To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/#vincegill #telecaster #askzacSupport the Show.

Brent Mason, Redd Volkaert, Johnny Hiland, J.D. Simo, and Daniel Donato reunited with Don Kelley on August 5th 2024 for a one-time concert to celebrate the 25th Anniversary of Robert's Western World. Besides being a fete for one of the longtime anchors of Broadway's club scene, it was also a celebration of Don Kelley, and the incredible alumni of his band over the last 40-years. Today, we discuss both the concert and Kelley's influence on Nashville guitarists.To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/My interview with Don Kelleyhttps://www.youtube.com/watch?v=3vZWFFIxn14Strings: D'Addario NYXL 95-44https://amzn.to/41rnl0V1957 Esquire2023 Headstrong Lil' King with 12" Eminence GA-SC64 speakerhttps://headstrongamps.com/lil-king-ampMirage compressor pedal, Boss DM-3 delay#askzac #reddvolkaert #donkelleybandSupport the Show.

In the Spring of 1956, Leo Fender introduced the greatest little solid body of all-time, the Fender Electric Mandolin. Nicknamed ,Mandocaster, by collectors, they were designed to replicate the sound of Tiny Moore, and Johnny Gimble, the fiery 4-string mandolin playing veterans of Bob Wills Texas Playboys Band. The instrument was not a success as Western Swing's popularity was waning by the time Leo introduced it, but it found new and exciting uses in the ensuing 70 years. Today we look at the instrument, and the inspiration behind it, with a look at the playing and influence of both Tiny Moore and Johnny Gimble.To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/Gear Used:1958 Fender Electric Mandolin1959 Fender Harvard AmpThanks to the following siteswww.guitarhq.comwww.emando.comBook MentionedFender The Golden Age 1946-1970https://amzn.to/4duer8P#fendermandolin #mandocaster #askzacSupport the Show.

Have you ever wondered how we got light gauge strings? To give some context, until 1962, strings were 12-52, or heavier,  with a wound third, and nothing lighter was available unless you used a banjo string. How about this, did you ever wonder why every string manufacturer has a 10-46 set that has the exact same gauges, 10,13,17,26,36,46? And the same with 9s and 8s?  Today we tell the tale of the maverick guitarists of the late 1950's who wanted lighter strings with an unwound 3rd string, and of the guitar shop owner in Tarzana, California, who was the sole person brave enough to make, market, and sell them.Thanks to Derek Brooks and Chris Harrington with Ernie Ball, and to Joe Spann at Gruhn Guitars.To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/#askzac #ernieball #guitarstringsSupport the Show.

For years I went back and forth between 9s and 10s on my Telecaster, always frustrated with both gauges for different reasons. 9s, although easy to bend, were just not as full sounding, and I had to be careful not to "overplay" them, as they really needed to be played with a light touch. 10s, while certainly fatter sounding, always felt a bit too stiff for my liking. There just seemed to be to much of a difference in tension between the two sets. Finally, a friend clued me into the 9.5-44 D'Addario set, and I found to be the perfect happy-medium between the 9 and 10 gauges.    To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/Strings: D'Addario NYXL 95-44https://amzn.to/41rnl0V2023 Danocaster single cut in Duco red2023 Headstrong Lil' King with 12" Eminence GA-SC64 speakerhttps://headstrongamps.com/lil-king-ampMirage compressor pedal#askzac #guitarstrings  #daddariostringsSupport the Show.

In the summer of 1968, Fender released their most unconventional finishes to date, the Blue Flower & Paisley Red finishes. Available on only the Telecaster and Telecaster Bass, their striking appearance was made possible by a new product line from Borden Chemicals of Columbus, Ohio, "Cling Foil." This new "beautifully embossed" & "beautifully printed" foil was a product designed to go on refrigerators, tv-trays, cabinets, and boxes of all types to make them look more hip and modern. Somehow, Fender decided to take this existing product being sold in hardware stores and paint shops, and glue it to the front and back of their non-contoured Telecaster. Today we take a deep dive with an original 1968 Blue Flower Telecaster, and look at the differences between it and a standard Tele, detail the novel finishing process it required, and theorize as to why these are so much harder to find than their paisley brothers from 1968-69.Support the Show.

To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/The Blues Brothers movie was a blockbuster in the summer of 1980. Even with a 27.5 Million dollar budget, that's 102 million in 2024 money, it managed to make that back in a couple of weeks. A sequel was even being discussed, but plans were shelved when John Belushi passed away in 1982. Today we take a look at the impact of the movie on both viewers, and the careers of its musical stars, Aretha Franklin, James Brown, Cab Calloway, and John Lee Hooker. We also take a look at the guitars used in the film by Steve Cropper, and Matt "Guitar" Murphy. We end with a short lesson showing how to play Murphy's intro to "Sweet Home Chicago."   Strings: D'Addario NYXL 95-44https://amzn.to/41rnl0V1953 replica Telecaster2023 Headstrong Lil' King with 12" Eminence GA-SC64 speakerhttps://headstrongamps.com/lil-king-amp#askzac #bluesbrothers #stevecropperSupport the Show.

 To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/Today we look back at Delbert McClinton's 1989 Alligator Records release, Live From Austin. The year it was released, I was 16 and a drummer friend gave me this album on cassette, and I completely wore it out. Having not been exposed to much besides top-40 of the 1980s, and the contemporary gospel music of the day, The Texas Roadhouse music of McClinton was a revelation with its big, sweaty horns, incredibly tight rhythm section, and fine harp work. The band also featured the guitar work of David Millsap and Stephen Bruton, who brilliantly complemented each other with both their tones and parts. In a conversation with another Delbert veteran, James Pennebaker, I was clued into the fact that Bruton was sitting in with the band for the Austin City Limits TV taping that was also used as the audio for the "Live From Austin" album. Besides diving in on this wonderful album, we also take a look at the influence of the late great Stephen Bruton.Amazon Link to albumhttps://amzn.to/3Vg7fW2Spotifyhttps://open.spotify.com/album/3G0J7CgCqslFZf9XMSimIj?si=zTuTt-_qRKWqIOwfToJ-8QBruton playlisthttps://open.spotify.com/playlist/6MSreKA4PmWffPtJ1wJoZ3?si=96fc6ab90856495dStrings: D'Addario NYXL 95-44https://amzn.to/41rnl0V2023 Headstrong Lil' King with 12" Eminence GA-SC64 speakerhttps://headstrongamps.com/lil-king-amp#askzac #stephenbruton #delbertmcclinton Support the Show.

To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch  - https://my-store-be0243.creator-spring.com/Nashville is a "Telecaster-Town," a common phrase bandied about, and many will stress the  importance of Tele ownership if one wants to work as a pro guitarist in Music City.  Surprisingly, the Tele did not immediately earn this status the day Leo Fender introduced the Broadcaster in 1950. In fact, it took more than a decade after its release before it became an essential for 615-area session men. The trailblazers of the Tele include, Jabo Arrington, Billy Sanford, and Fred Carter Jr, though lesser known names, they made both the sound and the playing techniques associated with it Nashville essentials. A major sub-plot of this story takes place in Shreveport, LA, where Billy Sanford & Fred Carter Jr, along with James Burton, and Roy Buchanan were all performing and hanging out together in the late 1950s. Together, these players forged a style based around the use of the Telecaster, and utilizing a mix of Delta Blues, Rockabilly, Western Swing, and wild string bending allowed by their shared use of banjo strings.   Jabo Arrington article from VG maghttps://www.vintageguitar.com/40127/jabo-vince-and-broadcaster-0048/Strings: D'Addario NYXL 95-44https://amzn.to/41rnl0V2023 Headstrong Lil' King with 12" Eminence GA-SC64 speakerhttps://headstrongamps.com/lil-king-amp#askzac #telecasterSupport the Show.

To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac  Or check out my store for merch  - https://my-store-be0243.creator-spring.com/A discussion with my friends, JD Simo, and Dan "Danocaster" Strain about how they set pickup height on Telecaster type guitars. The discussion begins with a look at Simo's 2nd Danocaster, and how he had just changed the pickups to a set of Budz 58s, that then evolves into a discussion on pickups as JD adjusts his new instrument. We also discuss pickups that favor harmonics over fundamental tones, and how JD and I love our Headstrong Lil King amps.2023 Headstrong Lil' King with 12" Eminence GA-SC64 speakerhttps://headstrongamps.com/lil-king-ampDanocaster Guitarshttps://danocaster.com/#askzac #jdsimo #danocasterSupport the Show.

To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac  Or check out my store for merch  - https://my-store-be0243.creator-spring.com/Today we look at forgotten R&B guitar greats Chips Moman, Tommy Cogbill, Booker T. Jones & Joe South. They each played on huge hits, yet are rarely hailed, and worse yet, many times their parts are credited to other players. We right this wrong by looking at Chip's part on "Respect," Tommy's on Seesaw," Booker's on "I Forgot To Be Your Lover," and Joe's work on "Chain Of Fools." CORRECTION Estelle, not Mae Axton founded STAX.Playlist Chips Moman, Tommy Cogbill, Booker T. Jones & Joe Southhttps://open.spotify.com/playlist/6m3jIsJDPv2YsxJaMDfZ23?si=b85ionyPTBekDoX20wYf0w&pi=u-fPRZ8oNKTjCz1967 Fender Telecaster - stock except for compensated saddles. Refret by Nick at Glaser InstrumentsMore on the 1967 Maplecap Telehttps://youtu.be/K62c9ycOTlUAmp:2023 Headstrong Lil' King with 12" Eminence GA-SC64 speakerhttps://headstrongamps.com/lil-king-ampStrings: D'Addario NYXL 95-44https://amzn.to/41rnl0V#askzac #r&bguitar #telecasterSupport the Show.

To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac  Or check out my store for merch  - https://my-store-be0243.creator-spring.com/Tips and tricks to help you unlock a wider array of tones from your Telecaster. We look at a combination of picking hand placement, and some counter-intuitive pickup choices to create a wider array of sounds from the simple 2-pickup Tele. Rosanne Cash performing "500 Miles" with John Leventhal on guitarhttps://www.youtube.com/watch?v=Q_XgghFZt1o#askzacSupport the Show.

To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac  Or check out my store for merch  - https://my-store-be0243.creator-spring.com/Today's episode features two legends of the Nashville music scene, Joe Glaser and Steve Wariner. Glaser's innovations include a neck plate mounted bender system, 3-pickup Tele-style builds, Plek fret leveling and nut cutting technology, Music City Bridge hardware and tool supply, and running the world-respected Glaser Instruments repair shop in Nashville. Steve Wariner is one of the most acclaimed singer/songwriters & guitarists to ever hit Music City. The 4-time Grammy Winner formed a guitar style using two Glaser Bender-equipped guitars, a Strat-style with beautiful neck inlays, and a red 3-pickup Tele. Both instruments became closely associated with Wariner via the many public appearances, videos, and photos featuring them. Today Joe and Steve discuss the inspiration and creation of these instruments, and how their collaboration helped shape their careers.We also look at Jeff Senn's painstakingly made copy of Steve's red 3-pickup Tele that was made for Wariner to fly with when he wants to leave the original at home.Support the show

To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac  Or check out my store for merch  - https://my-store-be0243.creator-spring.com/If you play gigs with an electric guitar, you have most likely been told to "turn it down" multiple times in your performing career. To help you address this common problem, we look at a variety of methods for dealing with electric guitar volume, including the pros and cons of each. These include turning the amp around, having the amp behind the stage, using plexiglass shields that reflect sound, and the use of sound-absorbing baffles.Speight Baffleshttps://www.speightbaffle.com/Support the show

To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac  Or check out my store for merch  - https://my-store-be0243.creator-spring.com/Albert Lee shares the background and process of recording Emmylou's seminal Luxury Liner album released in December 1976. From the gear he used, to how the musicians were presented with the tunes before recording. This was taken from an informal discussion backstage with Albert at London's O2 arena.#askzac #albertlee #emmylouharrisSupport the show

To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac  Or check out my store for merch  - https://my-store-be0243.creator-spring.com/Nacho Banos, the patron saint of the Telecaster, compares a 1950 Broadcaster and a 1953 Telecaster backstage at a Brad Paisley concert in Zurich, Switzerland. He takes us fully down the rabbit hole comparing electronics, finish, screws, neck shape, and everything else you can think of.To dive deeper on this subject, check out Nacho's amazing Pinecaster Book.https://pinecasterbook.com/Support the show

To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac  Or check out my store for merch  - https://my-store-be0243.creator-spring.com/My first memory of seeing a guitar in person was seeing a Buck Owens “American” guitar leaning against a couch at a neighbor's house while visiting my grandmother in the mid-1970s. Soon after seeing it, I understood its significance by seeing Buck play an identical one on the Hee Haw television show. Later, via the influence of Dwight Yoakam, Emmylou Harris, and the Desert Rose Band in the 1980s, I would dig back and start listening to all of the great albums that Owens made through the 50s and 60s that in turn influenced my heroes. Through the years, I kept looking for one, but one was never up for sale nearby, as I really wanted to see what this Harmony-made mail-order guitar was like. It wasn't until recently that I was able to test out and acquire one of these red, white, and blue beauties from one of the fine chaps at Glaser Instruments, and I was able to finally join the “Buck Club.” This of course threw me down the rabbit hole of finding out everything that I could online from sites like SilvertoneWorld.Net and even calling up Buckaroo Jim Shaw, who continues to run Buck's Crystal Palace club in Bakersfield, CA to get the full low-down on the story behind it. And though Owens is certainly the star here, I have to give Pat Smear of Nirvana, and the great Ryan Adams credit for their role in raising the “cool” factor on these crazy 70s creations. To close the episode, I share the story that Jim Shaw shared with me that they sold hundreds of warehoused versions of the Buck models to cover their expenses during the pandemic. It was hard for me not to see this as Owens working things out from beyond the grave. Special thanks to Buckaroo Jim Shaw, and Buck Owens' Crystal Palace.www.BuckOwens.comAlso for the wonderful information gathered from Silvertone World.https://www.silvertoneworld.net/acoustic/1219buckowens/1219_Buck_Owens_American.html#askzac #buckowens #buckowensamericanSupport the show

To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac  Or check out my store for merch  - https://my-store-be0243.creator-spring.com/One of my Patreon members offered to send me his PRS NF-53 to check out, as he was curious as to my take on Paul Smith's version of a Tele-Style guitar. Being both a Telecaster fan, and having a great appreciation for Paul's high level of fit and finish, I said yes to his proposition. The NF-53 is quite a well-built, and well-thought-out instrument, and while not truly traditional, it does offer features that would make it incredibly useful for those who are adverse to the vintage-style Telecaster family.Thank you to Jesse.2023 Paul Reed Smith NF-531965 Deluxe Reverb with a WGS ET65 speaker#askzac #prsnf53Support the show

To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac  Or check out my store for merch  - https://my-store-be0243.creator-spring.com/Ever wondered how Leo Fender came around to making the G&L Broadcaster after a decade of Music Man guitars, and the early G&L designs with active electronics and too many knobs and switches? The truth is better than fiction here, and you're going to love to hear what motivated Leo to return to his roots, with a twist to save his pride. I also share the story of the early G&L ASAT I use in the video that was formerly owned by John Jorgenson and is now in the possession of Brad Paisley.Gear used:1987 G&L ASAT formerly owned by John Jorgenson, now owned by Brad PaisleyStrings: EB 10-46Pick:Pick Boy Small Jazz, Tortoise Shell, 1.00mmEffects: Boss DM-3Amp:1964 Vox AC10.#askzac #gandlguitars    #telecasterSupport the show

To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac  Or check out my store for merch  - https://my-store-be0243.creator-spring.com/We kick the episode off with a direct comparison using my 2023 Danocaster guitar which is equipped with a bridge that handles both top loading and string thru. We then take a look at the history of Fender's top loader Telecasters, and the possible reasons for changing the construction of them during that era. To reveal Fender's pattern, we analyze the models that featured toploading bridges beforehand, the Musicmaster, Duo Sonic, and the revamped 1957 Precision Bass. Gear used:2023 Danocaster Single-Cut with Budz 58 pickups. 6.4 pound, ash body, .91 maple V neck.Strings: D'Addario NYXL 95-44https://amzn.to/41rnl0VPick:Pick Boy Small Jazz, Tortoise Shell, 1.00mmEffects: Amp reverb2023 Headstrong Lil King amp with a 12" Alessandro 64 Speaker#askzac #danocaster   #toploaderSupport the show

John Leventhal returns to go in-depth on his first solo album, Rumble Strip. We discuss his process of composing, recording, and the gear he used to create the 16 poignant tracks on the album. Leventhal also discusses his signature acoustic guitar tones that utilize both the natural "acoustic" sound, plus an "electric" sound hole pickup run-through effects and a tube amplifier. He also weighs in on the 30th-anniversary re-release of The Wheel, his first collaboration with his wife, noted singer-songwriter, Rosanne Cash.John is a multi-Grammy Award-winning producer and musician. A short list of Leventhal's collaborators includes Marc Cohn, Shawn Colvin, Rosanne Cash, William Bell, and Sarah Jarosz. Rumble Strip - Release Date January 26th, 2024https://music.apple.com/us/album/rumble-strip/1713810040To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac  Or check out my store for merch  - https://my-store-be0243.creator-spring.com/#askzac #johnleventhal #rosannecashSupport the show

To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac  Or check out my store for merch  - https://my-store-be0243.creator-spring.com/After rebuilding my board numerous times depending on if the gig was an amp or direct situation, I decided to have a pedalboard built that could easily do one or the other, or both if needed. I started off with my favorite pedals, then added the UA Dream 65 amp modeler, and a Walrus Audio Canvas Line Driver. This would allow me to go direct. To be amp-friendly, we needed a junction box that would bypass the Dream 65 and Canvas. Since we were adding the junction box, and there was space available,  we also included insert jacks (before delays, and after overdrives) to allow me to use a volume pedal or other effects in the right position in the signal chain.  Gear used:Turbo Tuner, Mirage Compressor, Analogman Boss TR-2, Ibanez Mostortion, Boss DM-3 analog delay, Line 6 Echo Park. UA Dream 65, Walrus Audio Canvas Line Driver, Metro 24 board, and a Truetone CS6 power supply.#askzac #pedalboard  #XacttonesolutionsSupport the show

To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac  Or check out my store for merch  - https://my-store-be0243.creator-spring.com/Eldon Shamblin was Leo Fender's favorite guitarist, playing in his favorite band, Bob Wills & The Texas Playboys. Fender supplied the Playboys with amps and steel guitars but he wanted badly to get his new Spanish guitar, the Broadcaster, in their guitarist's hands. Unfortunately, Eldon had no interest in the plank with strings and politely passed on the offer. A few short years later, Leo was still bent on converting Shamblin, so he had his crew build a one-of-a-kind gold Stratocaster in the summer of 1954, and gifted it to the Playboy guitarist during one of their regular visits to the Fender factory. Eldon at first refused the golden solid body, but Leo convinced him to take it with him and try it on the bandstand. Shamblin soon dropped his hollow-body Gibson and became a lifelong Stratocaster player, using them until his passing on August 4th, 1998. Today we take a look at Eldon Shamblin's importance as a guitarist and arranger for Bob Wills & The Texas Playboys, and the fantastically rare and beautiful golden 1954 Stratocaster that Leo Fender gave him. Photos and video on my sitewww.askzac.com/post/eldon-shamblins-1954-gold-stratocasterPlaylisthttps://open.spotify.com/playlist/1efYMv1CjoK8jpJp7sqS55?si=77fd65af7a7b4568Gear used:2023 Headstrong Lil' King with 12" Eminence GA-SC64 speakerhttps://headstrongamps.com/lil-king-amp1955 Stratocaster built by my old college buddy, B. Paisley, using a mix of old and new parts. Ron Ellis 50/60 middle and neck, Duncan Twang banger in the bridge.https://www.ronellispickups.com/Strings: D'Addario NYXL 10-46Affiliate linkhttps://amzn.to/494qQ1yPick:Pick Boy Small Jazz, Tortoise Shell, 1.00mmEffects: Amp reverb#askzac #eldonshamblin #stratocasterSupport the show

To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac  Or check out my store for merch  - https://my-store-be0243.creator-spring.com/What started as a walk-thru, became Dan Strain sharing a gold mine worth of tone-tips for Telecaster fans. We talk about tuners, string trees, saddles, bridges, pickups, neck pockets, swapping necks, and the Duco red color that was chosen for this guitar.#askzac #telecaster   #danocasterSupport the show

Duke Levine's resume is filled with a catalog of stellar solo albums, high-profile sideman gigs, and essential session work. We have Tom Bukovac to thank for making this interview happen, as he had requested Duke on a recent session here in Nashville, that gave us a chance to catch up in person with the Boston-area great. To kick off, we begin with a discussion of his latest gig, touring with Bonnie Raitt.  Via the new gig, he has had his first experience with using in-ear monitors and having amps off-stage. We also cover his early gigs with Jonatha Brooke & The Story, Mary Chapin Carpenter, and how he got a record deal in the early 90s. Levine also talks about the eternal tone hunt, covering his move away from using compressor pedals to replacing them with low-gain overdrive pedals. We also cover his pedal board where he uses a Radial switcher to keep his tone as pure as possible by removing unused items from his chain.#askzac #dukelevine #telecasterSupport the show

To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac  Or check out my store for merch  - https://my-store-be0243.creator-spring.com/For years I have had pedalboard envy. Not for a huge board with tons of effects, but for the super clean and buttoned-up look of the pro-built boards. Xact Tone Solutions has built my favorites, so I finally decided to have a larger board built around a UA Dream 65 amp modeler, yet that could also go to an amp, or both. I also decided to get the XTS treatment on my tried and true grab-go board. This is a walk-through of my board with Barry and Eric, who have no issues with adding their valuable input or giving me a hard time. Gear used:Turbo Tuner, Mirage Compressor, Analogman Boss TR-2, Ibanez Mostortion rehoused by XTS, Boss DM-3 analog delay, Line 6 Echo Park. Mono board. Truetone CS6 power supply#askzac #pedalboard  #XacttonesolutionsSupport the show