Podcasts about diy musicians

Send us a textAre you an artist or music producer dreaming of releasing your music on vinyl? In this episode of Girls Twiddling Knobs, Isobel Anderson sits down with Jenn D'Eugenio, founder of Women in Vinyl, to uncover the fascinating process behind pressing music onto records. Jenn shares expert insights on preparing your audio and artwork for vinyl, tips for selecting the right pressing plant, and how to make your vinyl release more sustainable.Whether you're an independent artist exploring physical formats, a vinyl enthusiast curious about the behind-the-scenes craftsmanship, or someone considering a career in this exciting industry, this episode is packed with invaluable tips and actionable advice.Jenn also highlights the role of women in the vinyl industry and offers a glimpse into Women in Vinyl's resources, from educational tools to career opportunities. Don't miss out on this comprehensive guide to vinyl pressing, sustainability, and innovation in analog sound.Key Topics Covered:How to prepare audio and artwork for vinyl pressingThe step-by-step process of creating a vinyl recordCommon mistakes to avoid when working with pressing plantsEco-friendly options for a sustainable vinyl releaseCareer advice for women and gender-nonconforming individuals interested in the vinyl industryLinks mentioned in this episode:Women in Vinyl >> Connect with Jenn on Instagram >>Infographic on the electroplating process >>Women in Vinyl podcast episode with Jett Galindo >>Women in Vinyl episode with Karyln King >>Vinyl Pressing Plant Directory >>Electroplating graphic >>If you loved listening to this week's episode of the podcast, leave a review wherever you're listening now and let me know

Send us a textCelebrating 100 episodes of empowering women in music, Girls Twiddling Knobs host Isobel Anderson takes listeners on a reflective journey through the evolution of the podcast, revisiting its top five most popular episodes, including conversations with Kate Nash, Orla Gartland and Victoria Witjeratne. Featuring listener Q&A, insights into key challenges for women in music technology, and plans for the future, this milestone episode highlights how the Girls Twiddling Knobs community has become a vital voice for diverse creators in music. Tune in to celebrate and explore what's next!If you loved listening to this week's episode of the podcast, leave a review wherever you're listening now and let me know

Send us a textIn a world that's always online, how do we stay true to ourselves as artists? This week on Girls Twiddling Knobs, we tackle this question with the fiercely original electronic music producer Maria Uzor.Growing up as a Black artist in a predominantly White area of the UK, Maria often felt like an outsider. But she turned that feeling into a sound that's bold, raw, and unmistakably hers. Join us as we explore how Maria channels her unique experiences into a blend of basement grittiness and cosmic vision.In this episode, you'll discover:✨ How Maria creates from an authentic place despite social media pressures

Send us a textWhat unique facets of our existence and identity does sound allow us to explore as women and gender diverse artists? This is one of the big questions that emerges inside this conversation with three of the five 2024 Oram Award winners.Whether it be through choreography, performance art, hacking or design, Lola De La Mata, xname and The Silver Field are all artists who have come to sound through alternative pathways. Inside this episode, you'll learn about the role that sound and experimental music plays in their practice, how they harness technology to express deeply personal and sensitive experiences and we'll also listen to some of their work too. You'll also learn more from one of the 2024 judges Dr Mariam Rezaei about the Oram Awards themselves, including the judging process and how you can apply for the next round. Find out more about:The Oram Awards >>xname >>The Silver Field >>Lola De La Mata >>Dr Mariam Rezaei >>Girls Twiddling Knobs >>Isobel Anderson >>Ready to level up your music making with the powerful art of field recording? Download my new FREE Essential Gear Checklist to Start Field Recording With Your Smartphone >> Loved this week's episode? Share it with a friend

Bobby Borg joined me on TAXI TV a couple weeks ago and after the show ended, I realized how much more we could have covered. Specifically, I felt that we could have gone more in-depth on the subject of marketing for musicians. He's the perfect person to talk about it because he's the author of, Music Marketing for The DIY Musician. But, he's much more than the author of that book!

In this episode of the DIY Musician Podcast, Cristina sits down with DIY Musician regulars Rachel and Jack to delve into their New Year's creative resolutions, share insightful songwriting goals, and reflect and celebrate their artist triumphs from 2023. As a bonus, Rue joins the conversation to provide valuable information on Tidal's innovative "Collabs" product, offering listeners an exclusive peek into the cutting-edge features reshaping the music collaboration landscape.

In Episode 349 of the DIY Musician podcast, Cristina has the pleasure of sitting down with two remarkable guests, Anna Held and Christine Barnum from CD Baby, as they celebrate an incredible 25 years of CD Baby being the leader in independent music. The episode is a journey through time, delving into the past of CD Baby and sharing amusing anecdotes that reflect the vibrant spirit of our journey. As we reminisced about the challenges and triumphs, the conversation was not only a nostalgic reflection but also a testament to the enduring importance of the artists who have been the heartbeat of our company. 

In the milestone Episode 349 of the DIY Musician podcast, Cristina has the pleasure of sitting down with two remarkable guests, Anna Held and Christine Barnum from CD Baby, as they celebrate an incredible 25 years of CD Baby being the leader in independent music. The episode is a journey through time, delving into the past of CD Baby and sharing amusing anecdotes that reflect the vibrant spirit of our journey. As we reminisced about the challenges and triumphs, the conversation was not only a nostalgic reflection but also a testament to the enduring importance of the artists who have been the heartbeat of our company.

Cristina gives a little insight into what is next for the DIY Musician Podcast, and Jack interviews artist BARii about their incredible journey as a DIY artist turned pro-songwriter.

Have you ever questioned the way that music technology software is designed? And how the tech tools and gear we use might look and feel completely different if they were designed by different humans (i.e. not just predominantly white, cis, heterosexual men living in the West). Well, this question didn't just bother today's guest, producer and researcher, Josephine Zwaan. It led her to write a masters thesis that totally reimagines how a DAW could behave through the lens of African philosophy, exploring ways to ‘decolonise the loop'. Josephine is a multifaceted, creative force who uses research as a tool to challenge and rethink existing frameworks and practices and creates music under the moniker of Suzooki Swift. She also co-founded rosetta, a Netherlands based initiative supporting female and nonbinary music producers, with an emphasis on education and community building. EPISODE HIGHLIGHTS{00:00} Intro{03:25} Josephine on her alter-ego, SUZOOKI SWIFT{06:06} Josephine on her track SWIMMIN'{12:56} Josephine on discovering her strengths in collaborations{15:49} What brought Josephine into music production?{20:15} Josephine on setting up her platform rosetta.{22:15} Inside Josephine's research on decolonising the loop{57:10} Episode SummaryCheck out Josephine's Website >>Connect with Josephine on Instagram >>  Check out Josephine's platform rosetta >> rosetta on Instagram >> Suzooki Swift on Instagram >>Boss it in the recording studio

Feeling overwhelmed by all the recording software choices? Been using the same DAW for a while and feel like it's time to switch it up? Haven't started recording your music because you don't have the right gear? If so, this episode is a MUST LISTEN because we're breaking down the pros and cons of a variety of recording softwares and demystifying this often overwhelming decision.If you're curious what software Isobel uses, you also won't be disappointed because inside you'll learn her top favourite 3 DAWs and why, when and what she uses them for. And if you're not even sure what a DAW is, don't worry! We're breaking all of this down, and more :)EPISODE HIGHLIGHTS{02:31} What is a DAW?{04:37} Why does it feel so hard to choose a DAW?{13:24} Isobel's run-through of 7 popular DAWs{36:58} Isobel's Top 3 DAWs{39:21} Episode SummaryCheck out Ableton Live >> Check out Logic Pro X >> Check out Pro Tools >> Check out FL Studio >> Check out Cubase >> Check out Cakewalk >> Check out GarageBand >> Boss it in the recording studio

It's not easy growing a career in the arts but it's down right tough if you're living with a disability too. In this episode, Isobel is joined by journalist, digital producer and disabled rights activist Meg Fozzard to discuss the challenges disabled artists can face, the things the industry can do better and strategies Meg has developed over the years to grow her career whilst having a disability.Inside, you'll gain some really practical knowledge on things like access riders and funding but also hear how it felt for Meg to become disabled right after she'd graduated from university and was starting her career in the arts. Whether you're a disabled artist, temporarily able artist or working to make music and the creative arts more inclusive, this episode is a must listen.EPISODE HIGHLIGHTS{00:00} Intro{05:02} Meg's experience as a Producer{06:51} The importance of recognising disability as being fluid{10:16} Meg's story of becoming disabled after graduating university{19:18} Meg on how becoming disabled has impacted her work{22:36} Meg's advice to freelancers navigating the creative industries{30:06} What is an access rider and how to write one{33:57} ​​Where are the creative industries getting things right in relation to disability access?{35:24} Meg on her experience producing the podcast Equal Too{39:28} How can able-bodied individuals support their disabled peers? {42:16} Meg on the Access to Work scheme{44:08} Organisations helping people with disabilities in the creative sector{46:35} Episode SummaryFind out more about Meg Fozzard >> Check out the charity Drake Music >> Find out more about the UK government's Access to Work scheme >>Check out the Disabled Artists Networking Community >>Boss it in the recording studio

If you've ever wondered what music mastering is, how to get your music mastered or even get into mastering yourself, this podcast episode is for you because Isobel is joined by Weird Jungle mastering engineers Katie Tavini and Izzy McPhee. Between them, they've racked up credits with We Are Scientists, Bloc Party, Frankie Morrow, Ash, Waverly, Arlo Parks and so many more. But what's also interesting about Katie and Izzy is that they met through the amazing Saffron studios' mentoring scheme. So, not only will you hear them demystifying the mastering process in their discussion with Isobel, but also their experience of mentoring and how it's enriched both their lives and their practice. EPISODE HIGHLIGHTS{00:00} Intro{04:15} What is Mastering?{08:31} Why is Mastering so mystifying for so many people?{11:14} Izzy takes us through her Mastering chain{15:22} What brought Katie and Izzy to Mastering?{29:27} Izzy on the benefits of having a music-industry mentor{32:07} Katie on the importance of being a mentor to others{36:40} Katie on setting up her group 2% Rising with musician Rookes{39:22} Being the ‘token woman' in music technology spaces{49:14} How do you go about getting your music mastered?{52:23} How should musicians work with mastering engineers?{58:43} Izzy's advice for budding mastering engineers{1:01:55} Katie's advice for those wanting to get started in Mastering{1:04:13} Episode SummaryFind out more about Weird Jungle Mastering >>Check out Katie Tavini >>Check out Izzy McPhee >>Check out Saffron Music >>Listen to Episode 61: Art, Activism and Music Production: In Conversation with Rookes/Jenny Bulcraig >>Boss it in the recording studio

It's common to hear people make the case for initiatives and spaces that help women become more confident with music tech. And many women will say they wished they had more confidence when it comes to music production, mixing and the whole recording process. But what if this pursuit for more confidence was actually further sabotaging the progress of women with music technology? What if, instead, we need to be questioning the whole focus on confidence itself?In this solo episode, Isobel explores some of the reasons she doesn't focus on confidence when it comes to her unique approach for teaching women recording and production and she draws from wider theories and research to help better understand concepts such as confidence in the context of gender. This episode asks what else might we need to change if not women's confidence if more women and girls are to truly thrive in music technology spaces. EPISODE HIGHLIGHTS{00:00} Intro{02:28} Previous episodes and resources relating to confidence vs assertiveness{04:33} Is confidence really the missing link towards music tech spaces becoming more inclusive?{10:01} Why has confidence become so highly valued in music tech spaces?{12:58} Isobel on why community is more important than confidence in music tech{15:13} Student testimonials on the strength and importance of the community insideHome Recording Academy{17:46} Why it's important to re-evaluate community culture as a whole, rather than help individual women to become more confident with music tech{19:37} Episode SummaryListen to Episode 18: Gender and Music Tech Education with Dr Eddie Dobson >> Listen to Episode 56: Being Assertive In Music Tech Spaces >>Listen to Teaching Women Music Technology [Pt1] Why Have We Failed (So Far)?? >>Listen to Teaching Women Music Technology [Pt 2] My Unique Approach >>Read Rhetoric of Masculinity >>Boss it in the recording studio

If you've ever felt stumped as to what to do with all those field recordings you've been making… Or like experimental music sometimes lacks a human touch… this episode is a must listen because Isobel is joined by Cathy Lane, an artist, composer and academic inspired by everyday experiences and, in particular, how ‘hidden histories' can be investigated from a feminist perspective. Inside, Cathy shares so many gems from her vast experience and knowledge as one of the most highly regarded artists and academics in her field.Cathy has worked with composed sound for the last three decades and has developed a practice that combines oral history, archival recordings, spoken word and environmental recordings in formats ranging from gallery installations to books, essays and concert presentations. A Professor of Sound Arts at University of the Arts London and directs Creative Research in Sound Arts Practice (CRiSAP), Cathy shares how this work is also deeply influenced by her beginnings in grass-roots community-run learning spaces.This episode is a real treat so get comfy and plug in!EPISODE HIGHLIGHTS{00:00} Intro{05:08} How Cathy got started using music technology{09:29} Cathy on the women-only groups she was involved in, and the acceptability of these spaces.{14:55} Her PhD and access to technology{18:59} What is electroacoustic music?{27:06} Cathy's PhD thesis, on using space in composition{34:47} Using field recordings in composition to convey meaning{38:37} Her discovery of field recording{45:07} Cathy on her piece, Am I Here?{51:43} Cathy on her piece, Here We All Are{59:41} Using field recordings as part of the compositional process{01:09:09} Cathy's technology setup{01:16:05} Episode SummaryCheck out Cathy's Website >> Cathy's CRiSAP profile >> Find Cathy on Facebook >> Say hello to Cathy on Instagram >>Boss it in the recording studio

Have you ever recorded in a studio and felt like time just slipped away? Or maybe you wished you'd felt more comfortable or like you were using the time better? If so, this episode is not to be missed because Isobel is joined by Brighton based producer and engineer, Phoebe Bentham, who's sharing her top tips on preparing like a pro for your next recording studio session. Inside, Phoebe also discusses her route into production and engineering, her love of microtonal music, how she went about recording a choir, live drums and guitar in just one day and her advice for any trans listeners wanting to work in recording studios. EPISODE HIGHLIGHTS{00:00} Intro{03:43} How Phoebe got started in sound engineering{15:43} Phoebe explains her love of microtonal music{20:40} Phoebe's advice on how to prepare for a studio session and how to effectively work with an engineer{26:31} Her definition of a producer vs an engineer{34:04} More tips on how to prepare for a studio session{43:20} How Phoebe engineered and mixed a live performance of Lambrini Girls' track Help Me I'm Gay{56:50} How Phoebe recorded an 18-person choir for Angel Maxine's track Be Yourself{01:09:58} Phoebe's advice for trans women forging careers in sound engineering{01:17:09} Episode SummaryConnect with Phoebe on Instagram >> Listen to EP#55 Are You a Music Producer? >> Boss it in the recording studio

Do you struggle with perfectionism? We totally get it - it can be easy to put off recording your music out of the belief that every single element of it needs to be perfect. It can also be tricky to find time to dedicate solely to making music; so perfectionism combined with limited time can make it really difficult to actually sit down and get the music made. Inside this episode Isobel discusses the importance of taking ‘imperfect action' when making music, and explains how using the ‘assignment method' helped her ditch the perfectionism and spend meaningful time making music. Remember, done is better than perfect!EPISODE HIGHLIGHTS{00:00} Intro{02:39} Why Isobel started using the assignment method{05:29} What is the assignment method?{13:18} How you can start using the assignment method in your music-making{17:39} Episode SummaryJoin the Home Recording Kickstarter on September 8-12 and transform your opportunities in music in 2023 >> https://femalediymusician.com/kickstarter Love Girls Twiddling Knobs? Leave a review wherever you're listening and let me know!Girls Twiddling Knobs is hosted by Isobel Anderson, produced by Isobel Anderson and Jade Bailey and is a Female DIY Musician Production.Explore more episodes here.Listen on Spotify.Join the Girls Twiddling Knobs Podcast Community here >>

DJing is still a pretty white, male industry, but when this week's guest, DJ Paulette, first began spinning vinyl in Manchester's nightclubs in the 90s, black women DJs were few and far between. Winner of the DJ Mag's Top 100 Lifetime Achievement Award, DJ Paulette's career has spanned over two decades and multiple locations. But inside this candid conversation, Paulette also shares the personal path she's trodden along the way.Paulette shares the real sense of threat she felt DJing as a black woman in the clubs in 90's Manchester, her time doing PR for some of the 90s and 00s most influential dance music artists and setting Paris on fire with her iconic flavour of House music selections. But perhaps just as interesting is Paulette's experience of losing her mojo with DJing, packing it all in and moving back to Manchester and how she's rebuilt her career and reconnected with the DJ artform. EPISODE HIGHLIGHTS{00:00} Intro{04:26} Paulette's early memories of music and introduction to DJing{10:50} Her experience as a black woman DJ in the early 90s{13:17} Inside DJ Paulette's first gig{17:16} What it was like being one of the only female DJs in the 90s UK club scene{24:30} Paulette's experience working in music PR alongside DJing{36:23} Moving to Paris to pursue her DJing career{46:03} Losing her mojo for dance music and DJing{01:04:43} How moving back to Manchester helped Paulette fall back in love with DJing{01:08:05} The importance of speaking out against discrimination in order to help the younger generation{01:11:11} The meaning and inspiration behind her track “Sheroes”{01:26:47} Episode SummaryDJ Paulette's Website >>DJ Paulette on Instagram >>Listen to ‘Sheroes' >>Pre-Order ‘Welcome to the Club' >>Join the Home Recording Kickstarter on September 8-12 and transform your opportunities in music in 2023 >> https://femalediymusician.com/kickstarter Love Girls Twiddling Knobs? Leave a review wherever you're listening and let me know!Girls Twiddling Knobs is hosted by Isobel Anderson, produced by Isobel Anderson and Jade Bailey and is a Female DIY Musician Production.Explore more episodes here.Listen on Spotify.Join the Girls Twiddling Knobs Podcast Community here >>

What if fame and commercial success weren't as great as the industry leads many artists to believe? This weeks guest, Kate Nash, had to face this question from an early age after her debut album found overnight success during the naughties. Because, even though there were good times and a few great people, burn out, industry sharks and misogyny were in abundance too. Kate was dropped from her label and, while many artists might understandably call it a day, Kate picked herself up and entered a new phase as a independent musician. And, as Kate shares inside this BONUS Special episode, while it's meant making music on her terms, it's also brought new challenges - between negotiating terms, building a trustworthy team and balancing the books - it's been far from an easy ride. But as you'll hear in this candid conversation, Kate has passion, courage and oodles of heart and has created a career encompassing music, acting and activism. This one's a must listen for any independent women in music!EPISODE HIGHLIGHTS{03:52} Introducing Kate Nash{12:44} Kate's journey to signing a record deal {27:23} Maintaining a work-life balance as an independent artist{34:48} Her personal experience as a woman in the industry {43:06} The meaning behind her track 'Conventional Girl'{46:41} Kate's experience of music technology and working with producers{01:00:30} Kate stars in new film 'Coffee Wars''Kate Nash: Underestimate The Girl' Documentary >>Watch the Official Trailer for 'Coffee Wars' >> Follow Kate on Instagram >>Visit Kate's website >> Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️

Björgvin Benediktsson is an Icelandic-American author, audio engineer, entrepreneur, and educator. He helps music, audio, and creative professionals level up their music and audio skills, transform those skills into income, grow their online business with digital products, and systemize their marketing so that they can make a bigger impact with their careers.  He's a coach and mentor to multiple businesses and serves as a venture advisor at the McGuire Center for Entrepreneurship at the University of Arizona. His advice has been featured in MusicTech magazine, Startup Tucson, The Huffington Post, CD Baby's DIY Musician's Blog, Audiotuts, and at the SAE Institute. His latest book, “You Get What You Give”, teaches people the mindset that takes the sleaze out of marketing and selling, the success strategies for overcoming imposter syndrome, and the entrepreneurial principles needed to launch a profitable business. IN THIS EPISODE, YOU'LL LEARN ABOUT: Building an audience Telling a story with your music Defining success in your career Setting realistic goals Desire vs. having a clear strategy Battling imposter syndrome Maintaining work-life balance Setting client expectations Creating efficiencies in your process Having an ROI mindset To learn more about Björgvin Benediktsson, visit: https://www.audio-issues.com/ To learn more tips on how to improve your mixes, visit https://masteryourmix.com/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of the #1 Amazon bestselling book, The Mixing Mindset – The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Join the FREE MasterYourMix Facebook community: https://links.masteryourmix.com/community To make sure that you don't miss an episode, make sure to subscribe to the podcast on iTunes or on Android. Have your questions answered on the show. Send them to questions@masteryourmix.com Thanks for listening! Please leave a rating and review on iTunes!

Kevin Breuner is a musician, educator, and advocate for independent artists. He is best known as the former Vice President of Marketing at CD Baby, one of the largest distributors of independent music in the world. During his tenure at CD Baby, Kevin played a critical role in helping independent musicians distribute their music online and build successful careers in the music industry. He also hosts the popular podcast "DIY Musician" and has written extensively on the subject of music marketing and distribution. Today, Kevin continues to champion independent artists and help them navigate the ever-changing landscape of the music industry.He emphasizes the importance of email lists, as they offer a more effective way to convert fans and build deeper relationships with them compared to social media platforms. In this episode, you learn:How to build and maintain an email list that effectively converts fans and builds deeper relationships with them.Ensure that your social media profiles direct fans to your email list and that the digital presence is streamlined to avoid confusion and lost conversions.Focus on creating visually engaging and memorable content on platforms like TikTok that highlight the catchiest parts of their music to create anticipation for future releases.Connect with Kevin on his Instagram at: https://www.instagram.com/kbreunerLearn more about CD Baby at their official website: https://cdbaby.com/Want to Fast Track Your Music Career? Try MusicMentor™ Pro For Free: https://link.modernmusician.me/MusicMentorApply for Gold Artist Academy: https://link.modernmusician.me/apply-for-coaching

[Headphones Advised] Listen to the shifting, singing Antarctic sea ice in mesmerising binaural audio to mark the end of another incredible season of Girls Twiddling Knobs. For this Season Finale, Isobel travels to University College London's Bartlett Sch. of Architecture to meet composer and lecturer Emma-Kate Matthews. Follow Emma and Isobel on a binaural tour of this incredible hive of architectural and engineering exploration and deep into The Sound Lab. There, Emma shares her journey into sound, music and academia and gives us a binaural sneak peak of her incredible new composition, Conversations at the Edge of the World. In this electroacoustic delight, Emma Kate shares how the sea ice recordings inside “appear to breathe and sing” and we think they provide the perfect finale to Season 04.EPISODE HIGHLIGHTS{0:00} Intro{03:36} A binaural tour of the University College London's Bartlett School of Architecture{23:50} Exploring how sound and space work together {44:46} Emma-Kate's journey into sound, music and academia{01:16:58} A binaural preview of her work 'Conversations at the Edge of the World'{01:38:54} Episode SummaryEmma Kate Matthews Website >>More info about Conversations at the Edge of the World >>The Bartlett Sch. of Architecture >>Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️

NEWSKI guests on Gig Boss podcast about survivng the modern music industry. host: Adam Meckler More on NEWSKI: https://newskimusic.com/ More on Gig Boss: https://podcasts.apple.com/us/podcast/gig-boss/id1604648883 NEWSKI ON TOUR: 3/29 - YPSILANTI, MI - Ziggys 3/30 - HAMILTON, ON - Mill's Hardware 3/31 - TORONTO, ON - Horseshoe Tavern 4/1 - ELORA, ON - Elora Brewing Co 4/2 - BARRIE, ON - Queens Hotel 4/6 - STEVEN'S POINT, WI - UWSP Dreyfus Center   4/7 - MILWAUKEE, WI - Anodyne Walkers Point (early 7p) 4/8 - MANITOWOC, WI - Sabbatical Brewing 4/12 - CHICAGO, IL - Golden Dagger 4/13 - ST PAUL, MN - Turf Club 4/14 - APPLETON, WI - Appleton Beer Factory 4/21 - COLUMBUS, OH - Rambling House Series 4/22 - YOUNGSTOWN, OH - Westside Bowl 4/23 - PHILADELPHIA, PA- Krobath Concert Series 4/26 - NYC - Bowery Electric (early 6pm) 4/27 - DEWEY BEACH, DL - Fort Ishu House Show   4/28 - WASHINGTON DC - Pearl St Warehouse 4/30 - RICHMOND, VA - Hardywood Brewing 5/3 - ORLANDO, FL - Will's Pub 5/4 - ST AUGUSTINE - Sarbez 5/5 - WEST DESTIN, FL - Rock by the Sea Fest 5/6 - WEST DESTIN, FL - Rock by the Sea Fest 5/7 - COLUMBUS, MS - Sunstroke House Music (early 6p) 5/20 - HAVANA, IL - Havana Songwriters Fest (solo)   5/23 - SEATTLE, WA - Fun House 5/24 - BEND, OR - Old St Francis School 5/25 - PORTLAND, OR - The White Eagle 5/26 - PORT ANGELES, WA - JFFA Festival  6/2- MARSHFIELD, WI - Hub City Days 6/17 - SHEBOYGAN, WI - Three Sheeps 6/23 - CEDAR RAPIDS, IA - Newbo City Market 6/30 - BARABOO, WI - Tumbled Rock Brewing 7/1 - MADISON, WI - Terrace at Memorial Union 7/12 - GOSHEN, IN - Goshen Brewing 7/15 - GRAND RAPIDS, MI - Founders 7/16 - THREE OAKS, MI - Acorn Theatre 

Orla Gartland's career started out as a DIY artist on Youtube and has since seen her music rise in success and synced on both the hit TV shows Normal People and Heart Stopper. Inside this episode, she shares why recording and production has become integral to her creative process, especially in the creation of her debut album, Woman On The Internet.Over the last 5-10 years, recording and production gear has become affordable and intuitive enough that many musicians and songwriters have started integrating it into their creative process. Inside this week's episode, Isobel is joined by one of the most exciting artists to have emerged from the UK and Ireland in recent years, Orla Gartland, and hears how she has adopted this approach herself. Orla joins us from her studio space in London where she is writing a new album. EPISODE HIGHLIGHTS{0:00} Intro{03:30} Orla's experience as a DIY artist{15:15} Creating her artistic world {20:02} Orla's journey into recording and production and the moment she began to take more control of the process{29:00} Owning the title of ‘producer' and investing in her skills in recording and production{34:40} The process of creating her debut album, Woman on the Internet{45:00} Writing and recording her track ‘You're Not Special Babe' {53:14} Why Orla preferred the process of recording to tape for her track ‘Left Behind'{01:07:34} How her recording process has changed for her next album{01:16:12} What's coming up for Orla in 2023{01:19:00} Episode SummaryOrla's website >>Listen to Woman on the Internet >>Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️

Whether you're in a band, have a team or are a totally DIY, solo musician, you'll likely need to work with other people from time-to-time to get your music out into the world. But it doesn't always feel easy or rewarding and, even worse, sometimes – especially if you're a woman in music – collaborative relationships can be disrespectful. So, inside this episode, Isobel shares three steps you can take to ensure your collaborative relationships are respectful, rewarding and successful. Isobel also shares her own past experiences of disrespectful collaborations and how destructive they can be, not only to our self-esteem, but also our enthusiasm for following a career in music. This episode will show you how to make collaborating in music feel awesome.EPISODE HIGHLIGHTS{0:00} Intro{03:34} What Forms Does Collaboration Take In Music?{05:32} Why Collaboration Can Be Tricky (Especially For Women In Music){10:48} Isobel's Experiences Of Disrespectful Collaborations{15:26} 3 Steps To Respectful Collaborations As A Woman In Music{35:39} What To Do When A Collaboration Turns Sour{38:11} Why You Don't Need To Collaborate With An Ar*E H*Le, Even If They Say You Should{40:22} Episode SummaryListen to EP#17 with Neeta Sarl >>Listen to EP#51 with Emily Nash >>Listen to {BONUS EPISODE} Why Music Technology Education Has (Largely) Failed Women >>Read the House of Commons Women and Equalities Committee Misogyny in Music Inquiry >>SUPPORT FOR UK MUSICIANSMusician's Union Bullying and Harassment Helpline: 0800 088 2045Help Musicians Music Minds Matter Support Line: 0808 802 8008  Music Support helpline: 0800 030 6789Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️

Kevin Breuner is the SVP of Artist Engagement & Education at CD Baby. He and his team produce educational content to help independent artists move their careers forward in a rapidly changing industry. Kevin plays guitar in Smalltown Poets, who recently released their 10th album NWxSE. Kevin and I spoke about the changes happening in the music industry. Whether it's AI, social media, or changing trends, Kevin looks for ways to help independent artists navigate their careers. Listen on Apple, Spotify, Stitcher, Google, or watch on YouTube Show Notes: Kevin Breuner Instagram - https://www.instagram.com/kbreuner/ DIY Musician - https://diymusician.cdbaby.com/ DIY Musician Podcast - https://podcast.cdbaby.com/ Smalltown Poets - https://smalltownpoets.tv/home CDBaby - https://cdbaby.com/ Brian Funk Website - https://brianfunk.com Music Production Club - https://brianfunk.com/mpc  5-Minute Music Producer - https://brianfunk.com/book Intro Music Made with 16-Bit Ableton Live Pack - https://brianfunk.com/blog/16-bit Music Production Podcast - https://brianfunk.com/podcast Save 25% on Ableton Live Packs at my store with the code: PODCAST - https://brianfunk.com/store Thank you for listening.  Please review the Music Production Podcast on your favorite podcast provider! And don't forget to visit my site https://BrianFunk.com for music production tutorials, videos, and sound packs. Brian Funk  

There have never been so many initiatives fostering marginalised talent in electronic music and sound, and one such platform is the UK's Oram Awards. Established in 2017, the Oram Awards is a partnership between The Radiophonic Institute, PRS Foundation & The Daphne Oram Trust, and elevates the work and voices of women, Trans and Non-Binary music creators working in sound innovation, music and related technologies.Inside this episode, Isobel gets the chance to chat with 2022 winners Kelly Jayne Jones and Amble Skuse to discuss their artistic practice and what winning an Oram Award means to them as women in music. Isobel is also joined by judge and Senior Lecturer of Sonic Arts at Goldsmiths University, Iris Garrelfs, who shares why Daphne Oram is such an inspirational figure and how you can apply for the 2023 awards yourself. Find out more about the Oram Awards >>Follow the Oram Awards on Instagram >>Links to the websites of this week's guests:Amble Skuse >>Kelly Jayne Jones >>Iris Garrelfs >>Check out Daphne Oram's An Individual Note >>Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️

Now, you might have heard about this production technique in the context of compression. You may already be using this technique in your own projects but even if you're not just yet, you might have heard someone talk about adding sidechain compression either in a studio or on a YouTube video.But, if you're totally new to sidechaining, today's episode will break it down so you're no longer in the dark. And if you're already using sidechaining in your music, perhaps we'll just fill in any gaps in your knowledge or confirm that you've got this whole sidechaining thing wrapped up. EPISODE HIGHLIGHTS{0:00} Intro{02:34} Side chaining in a nutshell{02:49} Why we use it in music production{04:25} 3 of the most common uses of side chaining{10:43} The best way to start using side chaining in your tracks{11:00} Episode SummaryRead Sage Audio's blog post, What is Sidechaining >>Read Ledger Note's article What is Sidechaining >>Read iZotope's blog post 5 Essential Tips for Mixing Reverb >>Watch @mikerussell's ‘Sidechain Compression to Duck Music W/ Voice' video tutorial >>Watch @mastering.com's ‘Vocal Reverb  Sidechaining' Logic video tutorial >>Watch @whatsupimforrest's ‘Silent Sidechaining / Ghost Compression' Tutorial for Ableton Live 11 >>Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️

Pop Art Painter Jamie Roxx (www.JamieRoxx.us) welcomes John3 (Blues) to the Show!    (Click to got there) ● Web: john3music.com ● FB: @john3music ● IG: @john3music John3 is a songwriter and recording artist located in Waco, Texas. In his spare time he is also a gamer and blogger. He is also an avid collector of guitars and other stringed instruments (ukulele and mandolin). In his late high school years he found a knack for songwriting. Then in college discovered the music program at McLennan Community College (MCC). That's when he knew he wanted to pursue music a profession. He received a degree in audio technology, then opened his own recording studio, Connor Music Productions. There he produced and recorded dozens of artists from around Central Texas. Great times! After nearly a decade of producing artists, he then decided to shift focus to teaching and songwriting, which he absolutely loves doing. As a DIY Musician, he has written and recorded four albums in four years. He loves spending my time writing and recording new material in his home studio. When he's not working on music he enjoys spending time with his family, especially his nieces Brooklyn and Katherin.

Greg ferraiolo and his partner TJ Pederson are Business-Based Artist Development Experts who help DIY Musicians develop, launch and scale their music career through their Signature 6-Week Artist Development Program, the Musician Success Blueprint.They are the co-founders of Musician Indie Coalition, the owners of the industry-leading video game soundtrack label Skill Tree Records and they are both musicians.TJ and Greg spent the majority of their careers working for the legendary Grammy award-winning composer, producer, arranger and guitarist Nile Rodgers, where they worked their way from interns to senior management positions at Nile's label.Their current mission is to show aspiring artists and bands that becoming a full-time DIY musician is an achievable profession for anyone that believes their calling is music and that possesses the musical talent, drive, work ethic and willpower to never give up.www.musicianindiecoalition.com

It's easy to feel tied down or boxed in as a woman in the music industry, and many artists use a pseudonym to create separation between their personal and creative lives. But today's guest, Riz Maslen, has been releasing electronic music under multiple musical identities for the past three decades.Inside this episode, Riz shares how she's used different monikers to play with different genres, contexts and identities, what it was like getting into production during the ‘90s in London and her new ambient release, Stairway 13. Riz also shares the important qualities she thinks women bring to the field of production and why less can be more when it comes to music tech gadgets and gear.EPISODE HIGHLIGHTS{0:00} Intro{03:00} How Riz got started in music{09:54} Forging her way in the London music scene and getting started with music production{16:55} The women that shaped Riz's own confidence in music{21:15} The process of recording her first track released on Ninja Tune and her experience of life on the road{28:38} Why Riz decided to release music under different monikers and a walkthrough of her creative process{44:32} The unique qualities women bring to music production{48:28} A look into Riz's recording setup and her top tips for getting started for free!{56:35} Riz's advice for releasing music under a different moniker {01:01:17} Episode SummaryCheck out Riz's music here >>Listen to Stairway 13 here >>Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️

If you've ever struggled to own the title of ‘Musician' this episode's for you. Every single person has a slightly different definition of what actually makes a musician, but the reality of how and why we *feel* like one is often complex and even pretty misunderstood.Inside this episode, Isobel sits down with pianist and Home Recording Academy alumni student, Lois Lelland, about why she struggled to feel like a ‘proper' musician in the past and why that's now totally changed. In fact, Lois is set to release an amazing new EP of compositions she has lovingly recorded and produced herself and she's never felt so excited and confident as a musician. EPISODE HIGHLIGHTS{0:00} Intro{03:43} Why Lois struggled to feel like a ‘proper' musician{09:11} When this began to change for Lois|{12:43} Starting to record her music from home{17:18} Why Lois took part in Home Recording Academy not just once, but twice.{26:09} The process of self-recording, producing and releasing her stunning debutEP, Sepia.{50:42} Collaborating with other musicians{54:16} Episode SummaryListen to Lois' new album, Sepia >>Follow Lois on Instagram >>Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️

“Surely if women *really* wanted to record and produce music, they'd just get on with it like their male peers, right?” Well… Sadly it's not that simple. Today in 2023, women still are considerably outnumbered on music production programmes and in recording studios and are less likely to learn through free online resources, like YouTube, compared to their male contemporaries.It's true that women, in theory, aren't banned from taking part in these spaces. So, inside this BONUS podcast episode Isobel explores why the problem might not be lack of access. Instead, could it be a culture that lacks an inclusive approach? If so, what culture would enable women to better learn and thrive with music technology? EPISODE HIGHLIGHTS{0:00} Intro{07:47} How most music tech spaces have traditionally operated{19:55} Episode SummaryGrab your spot on Isobel's FREE Live masterclass ‘5 Simple Steps to Record Your Music from Home' >>[So they are easier to navigate, these references are not academically formatted]Annenberg Inclusion Initiative – Inclusion in the Recording Studio? >>Music Teacher Magazine – Only a quarter of A Level Music Technology students are female >>House of Commons Women and Equalities Committee Misogyny in Music Inquiry >>Written evidence from the Music Producer's Guild >>Technology and the Gendering of Music Education >>‘Women in Audio: contributions and challenges in music technology and production' >>Women Make Music 5 Year Report >>Register for the Home Recording Kickstarter: A LIVE 5 Day Challenge for Women In Music (Jan 27-31) >> https://femalediymusician.com/kickstarter Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️

If your first few attempts at self-producing your music have left you feeling like throwing in the towel, this episode is for you. Jess Magoch is an award winning Philadelphia based Hip Hop/Jazz artist who decided it was time to become more independent through developing her skills in recording and production. But as Jess shares in her chat with Isobel, it wasn't a straightforward process. It took patience, practice and self-compassion for Jess to gradually build up her production chops and, eventually, she and other people couldn't believe how good her recordings were sounding. In fact, a major sync exec for brands like Vogue and Vanity Fair was blown away by Jess' production skills. What's even better is that Jess now feels 100 X more confident, independent and excited about her music moving forward.EPISODE HIGHLIGHTS{0:00} Intro{06:40} How Jess got started in music and how she used it to find her voice{11:30} Why you're never ‘too old' to pursue your music{18:00} The moment when a major sync exec was blown away by Jess's production skills{24:39} The process of learning and taking action is more important than the ‘perfect' outcome{34:24} The most important lessons Jess has learned from recording and and producing her music {40:45} How learning these skills has allowed Jess to communicate her ideas with confidence and produce her music on her terms{58:07} Jess shares the plans for her forthcoming album, Trivial Pursuit, and her advice for other DIY musicians{01:03:36} Episode SummaryPre-order Jess's new album, Trivial Pursuit >>Download Jess's unreleased song for FREE >>Find out more about Jess and follow her journey >> Register for the Home Recording Kickstarter: A LIVE 5 Day Challenge for Women In Music (Jan 27-31) >> https://femalediymusician.com/kickstarter Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️

Have the last few months of financial insecurity made you question if you can keep investing in your music? Many musicians are having to make some tough decisions when it comes to basic living costs, let alone their music careers. But inside this episode, Isobel shares how having the ability to record and produce yourself will not only save you money but can make you money too.No, this isn't some pie in the sky, “Let's make a hit record, baby!” stuff. Making an income from your music isn't always straightforward and there's no sugar coating that. But having basic skills in recording and production is one of the best ways you can keep showing up as an artist, regardless of a global recession. Keep listening to find out how. EPISODE HIGHLIGHTS{0:00} Intro{06:06} What is the financial situation here in the UK right now?{08:59} What are the financial challenges musicians are facing right now?{11:40} How does this affect women specifically?{17:26} How can you recession-proof your music?{23:42} Episode summary{24:34} How can you get financial help if you're struggling right now?{25:52} Next week's teaserRead about the music gender pay gap in Music Business Weekly >>Read about Counting the Music Industry >>Get support from Help Musicians >>Get support from the Musicians Union >> Funding from Arts Council England >>Fund your music through the PRSF >>Fund your music through Help Musicians >>Register for the Home Recording Kickstarter: A LIVE 5 Day Challenge for Women In Music (Jan 27-31) >> https://femalediymusician.com/kickstarter Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️

There's nothing more frustrating than being creatively restricted by the skills and tools at your disposal, and oftentimes this leads to musicians being overly-reliant on others to get our music out into the world. But this week's podcast guest, VOLTA HYMN (AKA Delali Zevon-Aniakwah), decided to develop her music tech know-how in order to forge her own artist project and become fully independent.Inside this conversation, Delali shares how attending one of Isobel's 5 day recording challenges helped her record her new release, INCOGNITO MODE, and we get the chance to hear two tracks off the record and the concepts behind them. EPISODE HIGHLIGHTS{0:00} Intro{02:55} How Delali got started in music and the artists that influence her{13:20} What led Delali to form her artist identity, VOLTA HYMN{18:07} Learning to record and produce herself as an independent musician{22:03} How attending one of Isobel's 5 day challenges helped Delali record her new album, INCOGNITO MODE{30:39} The process of writing and producing her album{42:30} What's next for Delali?{44:45} Episode SummaryRegister for the Home Recording Kickstarter: A LIVE 5 Day Challenge for Women In Music (Jan 27-31) >> https://femalediymusician.com/kickstarter Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️

If you want to make 2023 the year you finally have amazing recordings of your music without breaking the bank, this episode is for you. Inside, Isobel shares 5 Key Strategies to Home Record Your Music Like a Pro!Even if you've worried that recording your music at home will automatically make it sound amateur in comparison to paying for commercial studio time, this episode will show you how amazing sounding tracks are in fact, well within your grasp. All you need is a little insider know-how, and Isobel is pulling back the curtain and giving you exactly that - these are the strategies she's honed from years of recording and producing music and helping thousands of other women do the same.EPISODE HIGHLIGHTS{0:00} Intro{03:35} First-and-foremost, record good quality audio{05:35} Have a project map{11:58} Make a to-do list when you recording{15:20} Save presets{16:50} Organise your session{18:50} Episode SummaryDownload my FREE 3 Steps to Sound Treating your Home Recording Space  PDF Guide >> Speed Up Your Production Process with my 6 Music Production Hacks To Save You Time checklist >>'Tis the season to be giving, so why not gift the Girls Twiddling Knobs podcast to a friend or loved one?

How many times have you been given advice on your music, recording or production, even though you didn't ask for it? Or perhaps you're always looking for advice rather than trusting your own internal resources and instincts? For many women in music, getting advice can feel like a tricky terrain to traverse without getting mansplained at, stereotyped or thrown a unhelpful red herring.So, inside this episode, Isobel examines the types of advice we might receive as musicians, if women really are more likely to receive unsolicited advice than their male counterparts and the effects this might have on our careers. Crucially, Isobel outlines three questions to ask yourself before seeking out advice and one principle to stick by if you're on the receiving end of it.EPISODE HIGHLIGHTS{0:00} Intro{03:41} The most common types of advice musicians might receive{05:54} Are women in music *really* more likely to receive unsolicited advice?{10:32} How might this affect our confidence and careers?{13:40} How to respond to unsolicited advice{15:39} Women can also give bad advice {18:41} How to get good quality advice on your music{23:00} Next week's teaserREFERENCESA Study of Unsolicited Advice >>8 Types of Advice >>How the gender bias in performance reviews impact womens' careers >>Women in Music: 9 Female Producers on the Challenges They Face and How We Can All Support Women Beatmakers in Today's Industry >>The Best Advice to Women in Music from Female Musicians >>Music Feedback: When to Take the Opinions of Others Seriously and When Not to Care >>Check out Jeia here >>Check out SADIVA here >>Check out Saaaz here >>'Tis the season to be giving, so why not gift the Girls Twiddling Knobs podcast to a friend or loved one?

It's not uncommon for musicians to feel disheartened by recording and releasing their music when they don't receive the recognition or respect they'd like. But inside this episode, Penny White (AKA Jenny Welch) shares how this all changed once she became more involved in the process of recording and production.This is a journey that has resulted in Jenny recording and releasing two EPs, being made track of the week on BBC Introducing: Midlands and feeling more fulfilled than ever before in the process. Penny shares her past experiences recording and releasing, how learning to record and produce helped her fall back in love with her music and how she produced a bigger sound on her new EP, TWO. EPISODE HIGHLIGHTS{0:00} Intro{04:08} How Jenny got into music{13:42} Why Jenny fell out of love with music and had to take a break {24:20} How she regained control of her music again{33:24} Recording and releasing her music for the first time{37:21} Her experience of learning about recording and production in a women-only space{43:55} What success looks like now for Jenny{48:09} The process of recording her second EP, TWO.{01:05:07} Jenny's advice for getting started with recording{01:09:03} Episode SummaryPenny Music Artist Website >>Listen to TWO on Spotify >>Watch the video for ‘Better Than This' >>Ready to level up your music making with the powerful art of field recording? Download my new FREE Essential Gear Checklist to Start Field Recording With Your Smartphone >> Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️

Recording and producing as a woman in music is still pretty nonconformist, but in the context of the Middle East, it's a down-right act of resistance, as this week's guest Blu Fiefer explains.The Lebanese based artist has had to face many of the familiar challenges regarding accessing safe-spaces in which to record, being taken seriously as a female artist and forging a career in a competitive industry. But she's also had to do this in a time of conflict, revolution and collective trauma and in a society that has told her even just being a woman following her music definitely isn't OK. Despite this, Blu has become one of the only female Hip Hop producers and label owners in the Middle East today. This episode will inspire you to follow your heart, take bold steps and chase meaning rather than hollow success in your music.EPISODE HIGHLIGHTS{0:00} Intro{03:40} Blu Fiefer's experience of moving from Lebanon to London to start her journey in music{16:21} How Blu's pursuit of a music career is an act of revolution in Lebanon{34:16} How feeling unsafe as a woman in music led Blu to set up her own label{52:39} The meaning behind her track “Shut Up” and a walkthrough of her creative process{1:03:19} Her favourite part of the recording and production process{01:08:50} Blu's forthcoming album{01:31:41} Episode SummaryListen to Blu Feifer on Spotify >>Follow Blu on Instagram >>Ready to level up your music making with the powerful art of field recording? Download my new FREE Essential Gear Checklist to Start Field Recording With Your Smartphone >> Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️

Nowadays, pretty much everyone feels busy, but for musicians this can really start to eat into vital music making time. Urgent tasks can seem to dominate your schedule, and before you know it, the day's gone and your music's been left to the bottom of your to-do list. Inside this episode, Isobel shares how she's managed to make time for her music, even though her diary seems busier than ever. Between running a business, holding space for (literally) thousands of other women in music and all the usual day-to-day chores, it's not always felt easy, but Isobel has been making the time to record and produce some of her favourite music to date. Keep listening to find out how.EPISODE HIGHLIGHTS{0:00} Intro{04:17} Business vs feeling overwhelmed{06:19} Why I wasn't making music as much (if at all){07:43} What made me want to prioritise it more{09:58} What batching is and how it helped{20:32} 3 other time-hacks that Isobel swears by{22:01} Why it matters to you{23:43} Episode SummaryGrab your spot on my new workshop, 3 Time Hacks To *Actually* Make Your Music Happen in 2023, on Wednesday 7 December >>NEW LIVE WORKSHOP, DEC 7 @ 6PM GMT - ⏰ 3 Time Hacks To *Actually* Make Your Music Happen in 2023 ⏰Find out more and grab your spot >> Loved this week's episode? Share it with a friend

If you're someone who loves a good concept album, this episode is for you because Isobel is joined by musician and producer, Miss Grit, to discuss their new album Follow The Cyborg. Combining both grit and cleanliness in equal measure, Miss Grit's music is an exploration of what it means to be human and then reframe this on our terms.But this doesn't mean Follow The Cyborg was made in a big, flashy studio. Miss Grit prefers to record and produce music in the privacy of their own home in order to fully embrace the intimacy of making music. Inside this episode. Miss Grit shares the process of making their new album, their experience of learning music tech in a male dominated environment and why they're so fascinated by cyborgs too!**CORRECTION: Miss Grit releases the SINGLE, Follow The Cyborg in November 2022. The album of the same title will be released in Spring, 2023**EPISODE HIGHLIGHTS{0:00} Intro{03:15} Miss Grit's journey into music technology{11:27} Forming the ‘Miss Grit' identity and navigating social media as an artist{17:36} What Cyborgs represent in Miss Grit's music{23:43} A walkthrough of their creative process{31:04} Why Miss Grit prefers to record in their home studio{40:57} Their advice for home-recording musicians{46:34} Episode SummaryListen to Miss Grit's new single ‘Follow The Cyborg' >>Check out Miss Grit's website >> Follow Miss Grit on Instagram and FacebookListen to the episode hereListen on SpotifyEager to listen to the amazing music composed and produced by our fabulous Girls Twiddling Knobs guests? Don't blame you! Take a listen to the Girls Twiddling Knobs Spotify playlist >> Love Girls Twiddling Knobs? Leave a review wherever you're listening and let me know!Girls Twiddling Knobs is hosted and produced by Isobel Anderson with production support from Jade Bailey and Francesca O'Connor and is a Female DIY Musician Production.Explore more episodes here.Listen on Spotify.Join the Girls Twiddling Knobs Podcast Community here >>

Thinking of making a musical change of direction? This Golden Nugget episode is for you. Inside, Isobel takes you through a powerful exercise from EP#46 to get clarity on whether this is the right thing for you as an artists and what a musical change-up might look like for you as an individual.EPISODE HIGHLIGHTS{00:00} Intro{02:02} When would you change direction in your music? {03:40} Why would you change direction in your music?{05:18} What happens next? {06:25} A simple, powerful exercise to help you change musical direction{10:12} Episode summaryListen to the full original episode HERE >>And don't forget to subscribe to the podcast and share it with a friend.—----------------------------Girls Twiddling Knobs is hosted and produced by Isobel Anderson with production support from Jade Bailey and Francesca O'Connor and is a Female DIY Musician Production.Explore more episodes here.Listen on Spotify.Join the Girls Twiddling Knobs Podcast Community >>Ready to level up your music making with the powerful art of field recording? Download my new FREE Essential Gear Checklist to Start Field Recording With Your Smartphone >> Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️

With hundreds of attendees both in person and virtual, dozens of presentations from industry insiders and countless jam sessions, mentoring workshops and after parties, the 2022 DIY Musician Conference was the biggest and best indie music event of the year! If you were there, you doubtless made some connections that will last the rest of your music career. If you weren't, this Conference recap is the next best thing.Kevin and Chris discuss their five takeaways and highlights from the weekend in Austin. And they give us a preview of what's next for the DIY Musician Conference.

With 60,000 new tracks released on Spotify every day, you need an advantage that will help your music rise above the noise and get noticed amidst that daily mountain of new music.You can't leave it to luck. Your advantage will come from work, strategy, connections, and collaboration. And you can find all of that at the DIY Musician Conference.Learn how to prepare, what to bring, and most importantly: What to achieve when it's all happening!

The role of a music manager can be pretty tough; not only do you have all the hopes and dreams of your artists wheying heavy on your shoulders but you also do all the hard-ball industry negotiations and career strategising too - none of which you can ever be sure will actually work out.But as well as this, today's guest, Vanessa Threadgold, was also faced with an even bigger challenge throughout her career: how to make sure her female artists were protected against studio environments that, at worst, were unwelcoming and, at worst, down right exploitative and abusive. Inside this episode, Vanessa shares how this question led her to co-found Cactus City, a music studio and social enterprise helping women to have safer studio experiences and more opportunities to build a profitable music career too.  —------------------------Girls Twiddling Knobs is hosted and produced by Isobel Anderson with production support from Jade Bailey and Francesca O'Connor and is a Female DIY Musician Production.EPISODE HIGHLIGHTS{0:00} Intro{07:21} How Vanessa found her career in the music industry{18:07} Redefining success as a musician{33:41} What led Vanessa to set up Cactus City and create a safe recording space for women{52:15} In what other ways does Cactus City cultivate positive change in the music industry?{55:44} Maintaining a healthy work-life balance{01:23:26} How to start monetising your music{01:32:30} Ways to keep updated and get involved with Cactus City{01:33:59} Episode SummaryGirls Twiddling Knobs listeners get 10% off iZotope's award-winning audio plugins and a 30 day free trial of their incredible Music Production Suite 4.1. Just use the code GIRLSPOD10 here >>Fancy making your own safe studio space at home? Download my FREE 3 Step Guide To Sound Treating Your Home Recording Space >>Find out more about Cactus City >>Music Royalties Explained >>PRS for Music (UK performing right body) >>PPL (UK master rights body) >>Listen to the episode hereListen on SpotifyJoin the Girls Twiddling Knobs Podcast Community here >>Which vocal mic is your perfect match? TAKE THE QUIZ >> Love Girls Twiddling Knobs? Leave a review wherever you're listening and let me know!

Not many producers enter into the industry at quite the rate or age that this week's guest did, but at just 21 years old, Charlie Deakin Davies was already producing countless artists, winning prestigious awards and producing the audio for Balcony TV. Fast forward to now, and after two years working as one of Gary Barlow's in-house songwriters and producers, Charlie has an established career working with some of today's hottest musicians and bands. Alongside this, Charlie has co-founded the Trans Creative Collective, drawing from their own experience as gender non-binary and wanting to create more opportunities for other trans creatives. Girls Twiddling Knobs is hosted and produced by Isobel Anderson with production support from Jade Bailey and Francesca O'Connor and is a Female DIY Musician Production.EPISODE HIGHLIGHTS{03:04} Intro{05:18} Charlie's journey into music production{13:44} How they began working with Gary Barlow{21:52} Their experience of working in the industry as non-binary {35:48} A day in the life of a Music Producer{52:00} Tips on how to secure work as a producer{01:03:08} The Trans Creative Collective {01:19:25} Episode SummaryGirls Twiddling Knobs listeners get 10% off iZotope's award-winning audio plugins and a 30 day free trial of their incredible Music Production Suite 4.1. Just use the code GIRLSPOD10 here >>Are you ready to find your perfect vocal mic? Take the 45 second quiz now >>Find out more about Charlie's work >>Check out the Trans Creative Collective on Instagram >>Watch the Abbey Road #TransDayOfVisibility documentary >>Listen to the episode hereListen on SpotifyJoin the Girls Twiddling Knobs Podcast Community here >>Which vocal mic is your perfect match? TAKE THE QUIZ >> Love Girls Twiddling Knobs? Leave a review wherever you're listening and let me know!

Micah Bickham is a live performance director, handling the creative content development and production of original content at Vevo. He's directed and worked with Ariana Grande, The Weeknd, Justin Bieber, Billie Eilish, Lorde, Halsey, J Balvin, Camila Cabello and many others. Micah started his career as a tape duplicator for Joel Osteen. In 2008 he created a production company focused on live performances captured in a cinematic way. Today, we discuss how Micah creates official live performance music videos under Vevo for artists like Ariana Grande, driving greater support for her music. -- Who is MIcah Bickham? DIY Musician to Joel Osteen TV Editor Content Production @ Vevo Types of Vevo Original Content Promo Timelines Ariana Grande Live Performances What do you want to be known for? -- Safety Net ft. Ty Dolla $ign https://www.youtube.com/watch?v=r2XJ9P1NvJc Positions https://www.youtube.com/watch?v=uL52DajINdY -- Create a website with Bandzoogle.com! Share your music, merch, videos, and bio with anyone with one link. Try it free for 30 days with an exclusive promo code “thesetup” to get 15% off the first year of any subscription. (That is less than $11/month.) -- If you enjoy the podcast, would you please consider leaving a 5 star review on Apple Podcasts/iTunes? It takes less than 30 seconds, and it really makes a difference in helping to convince hard-to-get guests. I also love reading the reviews! -- For show notes and past guests, please visit thesetupseries.com Want to meet our guests? Join our community (“Set Up Set List") at thesetupseries.com/community --- Send in a voice message: https://anchor.fm/thesetupseries/message Support this podcast: https://anchor.fm/thesetupseries/support

Tara Divina is a heart-healing medicine musician who creates songs to bring our deepest prayers into reality. She draws on her experience as a Vice President at the Warner Music Group to offer business coaching for conscious musicians, visionary artists, and business owners so they can build an organic fan base using authentic self-expression, and generate a sustainable income using all of their gifts. Tara has worked with hundreds of musicians and dozens of record labels over 10+ years to generate tens of millions in digital music sales. She currently works with a small, exclusive selection of musicians, authors, and artists to help them reclaim their identity as creative artists, integrate it into their existing businesses, and build a following. In this episode, we discuss branding, Spotify playlisting, engaging with people on social media, crowdfunding, and much more.  You can learn more about Tara at taradivina.com Join the Academy: https://www.patreon.com/makingitacademy Got questions? Leave a comment or send me a DM on IG  https://www.instagram.com/makingitwithchrisg/  Who Am I? I've booked, promoted, and produced over 2,500 shows with the world's biggest promoters (Live Nation and AEG Presents) and independently. Here is more about my background - http://www.makingitwithchrisg.com/aboutme.  What's that sound?I have Tourette Syndrome, which is why you may hear a regular vocal sound. My producer calls it Jazz. I have quite a few tics and have had Tourette Syndrome since I was 6 years old. To learn more about Tourette's or support research for Tourette Syndrome, please visit https://tourette.org/.