Individual who oversees and manages the recording of an artist's music
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This week on Sol Meets Heart, Hugs reconnects with his former Philadelphia neighbor JG (Justin Geller) — sound designer, light architect, music producer, and one of those rare people who just makes the world feel more alive. JG's career is built on saying yes before he knows how, learning fast, and translating the invisible into something you can walk through and feel. They cover his journey from electronic music obsession to designing immersive installations for places like Longwood Gardens and the Philadelphia Museum of Art, what it means to be creatively fulfilled by helping others realize their visions, and the 15-minute habit that reignited his own music after five years of silence. JG also previews his first new Remote Places track in nearly seven years. If you've ever wondered how to plant small seeds that grow into the life you actually want — this one's for you.Become a supporter of this podcast: https://www.spreaker.com/podcast/sol-meets-heart--3691166/support.
Back in 1962, the Tornados released "Telstar" a spaced out instrumental written and produced by Joe Meek. It was the First Record by a British Rock Group to Reach Number One in the US Hot 100 and it set Meek apart from the record producers of his time. We explore "Telstar" and the Meek's career and legacy, from ingenuity to outer space to paranoia and beyond. Plus, a jaw-clenching Mouthgarf Report and I See What You Did There! Sources: https://en.wikipedia.org/wiki/Telstar_(instrumental) https://en.wikipedia.org/wiki/Joe_Meek https://en.wikipedia.org/wiki/I_Hear_a_New_World https://www.tinymixtapes.com/news/joe-meeks-pop-masterpiece-i-hear-a-new-world-gets-the-chance-to-haunt-a-whole-new-generation-of https://open.spotify.com/album/2icihEwgiDuWvCL80YlWCb?si=7nQM4ZV8Se6gbmq-WmTVTg https://open.spotify.com/track/6W5mQNW9bBqPdZq8RmJeVm?si=b153299c18ea49c7 Please give us a 5 star rating on Apple Podcasts! Want to ask us a question? Talk to us! Email debutbuddies@gmail.com Listen to Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster. Get some sci-fi from Spaceboy Books. Get down with Michael J. O'Connor and the Cold Family and check out his new compilation The Best of the Bad Years 2005 - 2025 Next time: First Steven Spielberg Film
Send us Fan MailIf you enjoyed this deep dive into the music industry, make sure to subscribe to the channel and leave a comment below with your favorite part of the conversation!From his roots in Evansville to building a career in Colorado and back again, DJ Wills joins The Day's Grimm to discuss the reality of the music industry. In this episode, Wills breaks down the grind of being an entertainer, the evolution of his sound, and the essential role of branding for independent artists.We dive into the highs and lows of his journey, exploring how he transitioned from a local music enthusiast to a professional DJ, and why he eventually chose to return to his hometown. Wills shares raw insights into the challenges of social anxiety, the necessity of discipline in a creative career, and his upcoming plans for animated projects and live sets. Whether you are an aspiring producer, a local music fan, or just looking for an honest conversation about the hustle, this episode covers the practical side of turning a passion into a sustainable career.KEY TOPICS COVERED:The importance of branding and marketing over raw popularity in the modern music scene.How DJ Wills transitioned from a local enthusiast to a professional DJ.Challenges of managing social anxiety while performing in the public eye.The role of discipline in maintaining a long-term music career.Why networking with the right people—not just other stars—is critical for growth.Managing multiple creative projects and the importance of saying no to preserve your brand.Insights into moving cities to pursue a career and eventually returning home.The evolution of music distribution and how artists adapt to industry changes.NOTABLE QUOTES:"It's all about branding guys, not popularity. I swear. And just be good at what you do." — Wills"It's pointless to be talented and be great at something if you don't have the discipline." — Wills"I am the brand. I know how I impact these people. I'm not Michael Jackson, but I do have people cry. I have people give me money." — WillsTIMELINE: 00:00 — Intro 00:03 — DJ Wills Joins The Day's Grimm 04:12 — Growing up in Evansville and Early Musical Memories 09:38 — High School Culture and Finding Music 19:26 — The Shift to Home Production and Engineering 24:00 — How "Wills" Got His Name 28:49 — Thoughts on Rap Beefs and Music Business 36:12 — Sampling, DJing, and Copyright Realities 42:30 — Moving to Colorado and the Music Scene 56:12 — Returning to Evansville and Future Projects 1:19:37 — Overcoming the Desire to Quit 1:26:33 — Final Thoughts and Where to Follow[The Days Grimm Podcast Links]- YouTube: https://www.youtube.com/c/TheDaysGrimm- Our link tree: linktr.ee/Thedaysgrimm- GoFundMe account for The Days Grimm: https://gofund.me/02527e7c [The Days Grimm is brought to you by]Sadness & ADHD (non-medicated)
Episode SummaryOn this episode of The Bandwich Tapes, I sit down with Liam Duncan, the Winnipeg singer-songwriter, producer, and bandleader better known as Boy Golden. Liam has been carving out a distinct lane in modern roots music through records like Church of Better Daze, For Jimmy, For Eden, and now Best of Our Possible Lives, his 2026 album released by Six Shooter Records. Along the way, he has earned major recognition in Canada, including a Juno nomination for For Eden and a Canadian Folk Music Award, while continuing to grow as both an artist and a producer. We begin with the new album itself, which feels relaxed on first listen but reveals a deeper level of craft the more time you spend with it. Liam talks about the balance between intentional songwriting and the freedom of a loose studio environment, and he explains how careful pre-production gave the band room to breathe once the red light was on. That combination of structure and openness runs through the whole conversation.We spend a good stretch of time on the making of Best of Our Possible Lives, including Liam's collaboration with co-producer Robbie Lackritz and a remarkable studio cast that includes Pino Palladino, Abe Rounds, Austin Parachoniak, FONTINE, Gabe Noel, and Joseph Shabason. Liam shares what it was like to sing and play inside a rhythm section that strong, how live the sessions really were, and why letting go of technical responsibilities helped him become a better performer in the room. The result is a record that feels warm, human, and deeply played. From there, the conversation opens out into larger questions about communication, collaboration, songwriting, and identity. Liam talks about learning to speak differently to different musicians, the value of being both a bandleader and a sideman, and why he does not feel especially tied to recreating his records onstage. We also get into the meaning behind the name Boy Golden, the freedom of writing through an alter ego, and the way fiction, metaphor, and autobiography all live together inside a song.What I love about this conversation is that Liam is thoughtful without sounding guarded. He is clearly serious about songs, sound, and arrangement, but he also leaves room for instinct, humor, and surprise. This episode is about more than one record. It is about what happens when an artist learns to prepare deeply, trust the people around him, and leave enough space for the music to become what it wants to become.Key TakeawaysLiam built Best of Our Possible Lives through a mix of deliberate songcraft and a relaxed, collaborative studio process.Working with players like Pino Palladino and Abe Rounds gave the music a rhythmic center that made everything else feel easier to sing and play over.Sharing production duties with Robbie Lackritz allowed Liam to step away from technical tasks and focus more fully on performance. He adjusts how he communicates musical ideas depending on the player, whether that means theory, feel-based language, or simply playing something through a few more times.The Boy Golden name gave Liam more artistic freedom than writing under his own name, especially in how he blends truth, fiction, and storytelling.He values live performance as an art form in its own right and is not especially interested in reproducing studio recordings exactly onstage.He is already thinking ahead creatively, including new writing methods and experiments with combining multiple song ideas into larger suites.Music from the EpisodeBoy Golden - You Got itBoy Golden - SufferBoy Golden - The Matter at HandBoy Golden - Best of Our Possible LivesBoy Golden - ChickadeeAbout the PodcastThe Bandwich Tapes is a podcast where I sit down with musicians, songwriters, producers, and creative thinkers for thoughtful conversations about craft, collaboration, career, and the deeper philosophy of making music. It is a space for stories, process, and the lived experience behind the work.Connect with the ShowEmail: contact@thebandwichtapes.com
The stacked We Lost The Sea, Overhead, The Albatross and Dimscûa UK tour starts tomorrow. Mr Departure Songs, Mark Owen, joins the pod from Paris to discuss playing Europe before arriving on these shores for their debut UK run. Selling out cities, sacrificing profits for crew, early load ins and bigger production and where they sit in the post rock landscape. Do not miss this tour.Buy your We Lost The Sea tickets: https://www.seetickets.com/tour/we-lost-the-seaAnd your pod merch: www.nomad-stores.com/collections/2-promoters-1-podWe go again, every Thursday morning.
In this episode, Eddie Bazil breaks down the different types of EQ, explains their most common uses in mixing and production, and demonstrates how they shape and enhance sound with practical audio examples.Chapters00:00 - Introduction00:48 - What EQ Is And Different Types01:33 - Active And Passive02:45 - Linear Phase And Minimum Phase03:46 - High-Pass and Low-Pass Filters04:36 - Example 1: Using Synth Filters06:47 - Common Functions Of EQ07:27 - Example 2: Shaping A Kick Drum10:31 - Example 3: Rebalancing An Acoustic Guitar13:48 - Selecting The Right EQ Shape15:55 - Managing Redundant Frequencies18:15 - Example 4: Rebalancing A Mix#PultecEQP-1 #XferSerum #BozDigitalTransgressor2 #EventideSplitEQ #SonibleEntropyEQ+ #SSLNativeXSaturator #SSLValveComp #TokyoDawnTDRArbiterTrack CreditsExample 2: from 'Puppet' by John Walden.Example 3: from James Perret.Example 4: from 'Another Way' by forester. Written, performed and produced by René Schneeberger.https://foresterdnb.bandcamp.com/musichttps://open.spotify.com/intl-de/artist/2BtzZiEDaReXLveskYtYkmhttps://soundcloud.com/foresterdnbhttps://cambridge-mt.com/Eddie Bazil BiogEddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands, including Art Of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra, and many more. By his 20s, he was working as a sound designer for Akai, Roland, Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie began developing libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Rob Papen, Arturia, and Propellerheads.During this time, he trained in music production. He soon gained several prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer, and was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. This led to him offering educational workshops and classes, and becoming a contributing creator and Forum moderator for Sound On Sound.Recently, he was invited by the Recording Academy to become a professional member, approved educator, and mentor for their member base. Eddie now concentrates on providing private sound design and mixing/production tuition, and creating content for Sound On Sound magazine.https://eddiebazil.co.uk/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts
Today our hosts welcome Phillip Carter of the 40 Watt Podcast. It takes them 45 minutes to get to his object because they're all just so good at conversing! They talk about blues, jazz, early influences, discovery of tube amps, the importance of the right speaker, and of course ask the big questions like: are guitar solos good? Check out all things 40 Watt: https://40wattpodcast.com/ Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @40wattpodcast, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!
Tracklist: Jay-x (Drums Performing) Deepsessions Darktech AIO (The Beginning - Innervoix Rmx) Kosmos Rec Jay-x (Brain Vision) Yatagan Records Marc Henry (Neurotronik) Skyline Archive Jay-x (Randomizer) Spirit Noise Records A.DH.S. (Hyena) Electric Ballroom Tao Andra (Reflex) Terminal M Adam Beyer, Mark Reeve (Love Within) Drumcode SAMDMA (Aura) Set About Music Jay-x (Overboost) Yatagan Records Amir Telem (The Stone) Future Techno Records Sheik (Inner Voice) Reload Black Label Rein (Meet Her at the Warehouse) Let Techno Unite Records Roman Adam, Junoia (Soft Disintegration) Alula Tunes
Justin reflects on a recent interview with Diplo about AI replacing singers and uses it as a doorway into a deeper conversation about art, product, beauty, and human value. He argues that art is not valuable because it sells or because it reaches technical perfection. Art matters because it comes from a human being in process. Drawing on examples from Diplo's collaborations, Billy Corgan's resistance to AI songwriting, CS Lewis on beauty, and Justin's own work coaching artists, this episode invites creators to resist the machine's value system and remember that the work is not the point. The human becoming through the work is. Links For Justin: Read Justin's Substack Order In The Low - NEW Book with Scott Erickson Coaching with Justin Order In Rest - New Book of Poems Order Sacred Strides JustinMcRoberts.com Support this podcast NEW Single - Let Go NEW Music - Sliver of Hope NEW Music - The Dood and The Bird The Book - It Is What You Make it Hearts and Minds Amazon Barnes and Noble
What happens when a musical pioneer finds himself and his artistic voice after a period of disillutionment? In this episode of TRUST ME I KNOW WHAT I'M DOING, I sit down with musician, composer, and producer Karsh Kale to discuss his latest album, DUST, and the 'silent war' of staying creative in a world driven by algorithms. Karsh opens up about feeling lost after the pandemic and shares what he had to 'unlearn' to find his way back to music—not through a studio, but through a canvas and a paintbrushWe dive deep into: • The Creative Reset: Why Karsh started painting for "no one" to rediscover his childish curiosity. • The 10-Year-Old Rule: How he stopped chasing trends and decided to make a record specifically for his younger self. • Lessons from a Legend: What he learned about "permission" and identity while performing alongside Zakir Hussain. • The Anatomy of Dust: The symbolism of the end of an era and the rebirth that follows. Whether you're an artist feeling the weight of the "dopamine cycle" or just someone looking to find more joy in your work, Karsh's journey back to his "honest truth" is a blueprint for us all. If you enjoyed this deep dive, please subscribe and share it with someone who may need a creative spark.--------------------------Chapters00:00 Introduction 03:16 The Evolution of Artistic Expression05:55 Finding Personal Meaning in Music08:37 The Symbolism of 'Dust' and Rebirth11:19 Creating a Mirror for Listeners14:13 Letting Go 15:46 Sponsor Break: Travelopod17:28 The Importance of Authenticity in Art20:21 The Lost Art of the Full Album Experience24:23 Translating Moods into Live Performances27:20 Optimism in the Independent Music Industry29:49 Sponsor Break: Timberdog Ruffrest30:59 The Role of Mentorship and Legacy35:34 Knowing When a Song is Finished36:59 The Intersection of Art and Music38:14 Music as an Escape and a Place to Be FoundLearn more about Karsh Kale:https://www.instagram.com/karshkale/Big shout outs to Yashraj Akashi for connecting and building trust through Tedx and EDGE, and to 7-year-old Ishank Singh for becoming the youngest and fastest to ever swim the Palk straight between Sri Lanka and India. Support the Show: If you enjoyed this episode, please subscribe and leave a review on Spotify, Apple, or Amazon or wherever you podcast!TRUST ME I KNOW WHAT I'M DOING is proudly brought to you by TRAVELOPOD, with personalized travel support to help you explore the wonders of the world. Start your next journey at vacation.travelopod.comThis episode is brought to you by RuffRest by Timberdog. Learn more at https://timberdog.com/
Today our hosts welcome back Doctor John Snyder of Electronic Audio Experiments. We catch up on his latest project, released into the world today: a hybrid delay pedal made in collaboration with Chase Bliss called Big Time. He also brings with him the Caroline Guitar Company Wave Cannon, a rad distortion pedal that likely set him on the path toward being a go-to collaborator and in-demand brilliant mind of our industry. The release day energy is good and we're all just excited to talk about pedal architecture! Check out EAE: https://www.electronicaudioexperiments.com/ Check out Big Time: https://www.chasebliss.com/big-time Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @electronicaudioexperiments, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!
In this episode of Everything Is Personal, Len May sits down with Fast, Naim, and Frank of Fun Lovin' Criminals for a wide-ranging conversation about creativity, chemistry, and carving out a sound that never fit neatly into one box. From the energy of the 90s music scene to the band's blend of hip-hop, rock, funk, jazz, soul, and cinematic storytelling, the conversation explores how Fun Lovin' Criminals built a style that felt effortless but was anything but accidental. Fast, Naim, and Frank open up about their early influences, songwriting process, live performance, collaboration, touring, and the moments that shaped their evolution as artists. They also reflect on how the music industry has changed, what keeps them inspired after decades of making music, and why staying creatively curious still matters. It's a conversation about sound, friendship, instinct, reinvention, and the personal stories behind a band that continues to move in its own lane. EndoDNA: Where Genetic Science Meets Actionable Patient Care EndoDNA bridges the gap between complex genomics and patient wellness. Our patented DNA analysis platforms and AI technology provide genetic insights that support and enhance your clinical expertise. Click here to check out to take control over your Personal Health & Wellness Connect with EndoDNA on SOCIAL: IG | X | YOUTUBE | FB Connect with host, Len May, on IG Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.
What does the sound of mystery, curiosity, and the unknown truly feel like? In this special episode, Rob McConnell and The Music of The ‘X' Zone takes listeners on an immersive journey through the music that has defined one of radio's most distinctive and enduring programs. From haunting themes to dramatic transitions, the music of The ‘X' Zone has played a powerful role in setting the tone for conversations that explore the paranormal, the unexplained, and the mysteries of our world. This episode highlights the soundscape behind the show—where every note helps create the atmosphere that listeners have come to recognize and love. More than just background, this music reflects the identity of The ‘X' Zone itself—bold, intriguing, and always pushing the boundaries of curiosity. It's the soundtrack to thousands of conversations, interviews, and moments that have captivated audiences across generations. Join us for a unique and engaging listening experience that brings the spirit of The ‘X' Zone to life through music—where sound meets mystery, and where every track tells part of the story.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-x-zone-radio-tv-show--1078348/support.Please note that all XZBN radio and/or television shows are Copyright © REL-MAR McConnell Meda Company, Niagara, Ontario, Canada – www.rel-mar.com. For more Episodes of this show and all shows produced, broadcasted and syndicated from REL-MAR McConell Media Company and The 'X' Zone Broadcast Network and the 'X' Zone TV Channell, visit www.xzbn.net. For programming, distribution, and syndication inquiries, email programming@xzbn.net.We are proud to announce the we have launched TWATNews.com, launched in August 2025.TWATNews.com is an independent online news platform dedicated to uncovering the truth about Donald Trump and his ongoing influence in politics, business, and society. Unlike mainstream outlets that often sanitize, soften, or ignore stories that challenge Trump and his allies, TWATNews digs deeper to deliver hard-hitting articles, investigative features, and sharp commentary that mainstream media won't touch.These are stories and articles that you will not read anywhere else.Our mission is simple: to expose corruption, lies, and authoritarian tendencies while giving voice to the perspectives and evidence that are often marginalized or buried by corporate-controlled media
On this episode of The Bandwich Tapes, I sit down with singer-songwriter Ryan Dart for a conversation that goes far beyond music, into growth, healing, and what it really means to live honestly as an artist.We start with Ryan's songwriting process, which is less of a routine and more of a way of life. Whether he's hiking, sitting in a restaurant, or wrapping up the day, writing has become a daily practice, one that serves as both therapy and a way to process the world around him.From there, we rewind to his early years, growing up in rural Arkansas, surrounded by music from artists like Bob Dylan, Johnny Cash, and Townes Van Zandt. That foundation shaped not only his sound but also his approach to storytelling and songwriting.Ryan shares his unique journey through the music industry, working as a producer, engineer, tour manager, and guitar tech, including time on major tours with bands like The Who, Aerosmith, and Van Halen. Seeing the industry from every angle could have pushed him away from music, but instead, it clarified his purpose.We spend a lot of time discussing something at the center of this episode: growth through hardship. Ryan opens up about going through a divorce, rebuilding his life, and how that process completely reshaped his songwriting. Rather than rushing to document heartbreak, he allowed time and healing to transform those experiences into something deeper and more honest.That same honesty carries into a conversation about sobriety, self-awareness, and learning to let go of people-pleasing. Ryan talks about how removing those layers has opened his creativity in ways he never had access to before, and how writing from a place of truth has changed everything.We also get into the practical side of his current creative life, recording his new album in Colorado, committing to writing and releasing a new song every week, and building a body of work that reflects who he is right now.This is a conversation about starting over, trusting the process, and creating from a place that's real.Key TakeawaysRyan Dart approaches songwriting as a daily practice rooted in observation and emotion.His early influences—from Bob Dylan to Johnny Cash—shaped his storytelling voice.Working behind the scenes in the music industry gave him a full perspective on the business.Growth through divorce and personal reflection led to a completely new songwriting voice.Sobriety and self-awareness have opened up a deeper level of creativity.Letting go of people-pleasing has allowed him to write more honestly.His weekly songwriting project is building both discipline and a large creative catalog.Music from the EpisodeIf Love Don't Break You - Ryan DartDirt Road Woman - Ryan DartDancin' On Your Porch - Ryan DartAbout the PodcastThe Bandwich Tapes is my chance to sit down with musicians, songwriters, and creative artists for thoughtful conversations about their craft, their journey, and the experiences that shape the music we hear.Connect with the ShowEmail: contact@thebandwichtapes.com
On this episode, I discuss my music production journey. Getting into music as a child and now using gear which professional music producers use. I watched the Micheal Jackson biopic and give my thoughts. Finally a Dancehall Reggae Mixtape I've been sitting on since November 2025. Here's the tracklisting for that: 'Buff Dem' Chi Ching & Iwaata 'World A Movie' Voicemail, Essah, 808 Delavega, Energy Di Dancer 'Who Mek The Rum' Kraff Gad 'Shot E Rum' Shawn Storm 'Bare Vibes' Shane O 'Banner' Damian Jr. Gong Marley 'Savior' Chronixx Thoughts? Comments? Do so on the blog here. Rate, like, leave a review on Apple podcasts or wherever you're able to do so. If you've enjoyed this episode, please support this podcast by doing any, all your shopping through my affiliate link: AMAZON: https://amzn.to/4s5BwX9 or DONATE/TIP here SUBSCRIBE Everywhere HERE Let's keep in touch, sign up for the email list here Thanks for listening!
Today our hosts welcome Shelby Pollard of Black Bobbin. He brings with him the city of Chicago, as well as a 65/61 Jazzmaster refin that set him on the path of Jazzmaster expertise back in his days working at Chicago Music Exchange. Today, Black Bobbin is a curated boutique of interesting guitar products, including the Black Bobbin JM, which represents the culmination of Shelby's knowledge and preferences in the world of Jazzmasters (you've also heard Dan yapping about how much he likes his). There's a lot of insight and tidbits of knowledge throughout this one - go hit play! Check out Black Bobbin: https://blackbobbin.com/ Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!
Send us Fan MailIn this enlightening episode of Living the Dream with Curveball, we welcome Don Rodriguez, a visionary music producer and founder of the iandi Music Studio. Don shares his transformative journey from real estate to the music industry, where he has redefined the traditional record label model to empower independent artists. With a groundbreaking contract that allows artists to retain ownership of their masters and compositions, Don is changing the game for musicians looking to navigate the complexities of today's music landscape.Join us as we delve into the importance of having a record label, the challenges independent artists face in being heard amidst millions of new songs, and the necessity of quality production in achieving musical success. Don explains the unique features of his studio, the value of publishing, and how he is building a catalog of independent artists' music to connect them with opportunities in the entertainment industry. This episode is a must-listen for aspiring musicians and anyone interested in the evolving world of music production.What You'll Learn in This Episode:- The importance of independent artists owning their music- How to navigate the challenges of being heard in a crowded market- The role of a producer in an artist's career- Insights into the music publishing process and why it matters- How Don's innovative contract model benefits artistsSupport the show
Today the whole Object Worship world suffers a Setback - did I say suffers? I mean revels in! Our hosts are talking all about the new Old Blood Noise Endeavors Setback, a reverse pedal with all the bells and whistles. They start with some anecdotes about their personal gear journeys, then dive into Setback: the development process, control choices, art and name, and why you're gonna wanna set back and play one. Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!
Let's get one thing straight. Percussion in music productions is not just “extra stuff you throw in at the end.” It's the difference between a track that feels alive and one that just… sits there like it forgot what rhythm is. In this episode of Inside the Recording Studio, Chris & Jody crack open the world of percussion in music production and show you exactly how to use it without turning your mix into a chaotic mess. Because yes, there is a line. And yes, a lot of people cross it. Frequently. Loudly. With cowbells. From congas and cabasas to loops and one-shot FX, they walk through how percussion actually fits into your track. Not as decoration, but as a tool to shape groove, build tension, and create movement. The kind of movement that makes people nod their heads instead of skip your track. They also dig into recording setup tips and mixing strategies that help you avoid the classic mistakes. Like stacking too many percussion layers, fighting your own drum kit, or panning things so wildly your mix feels like it's falling apart. Here's the reality. Just because you can add another shaker doesn't mean you should. Chris & Jody explain how to make smart decisions about what stays, what goes, and what gets turned down before it ruins everything. There's also the eternal battle between live and programmed percussion. Are you a hands-on bongo slapper, or are you locked to the grid clicking in MIDI notes? Either way, they've got you covered with practical advice on making both approaches work without sounding stiff or overproduced. And of course, they manage to keep things entertaining while doing it. Because nothing says “learning experience” like solid production advice mixed with just enough nonsense to keep you awake. Friday Finds makes its return too, featuring gear and tools that might just end up in your next session. Bottom line? If your tracks feel flat, percussion might be the missing piece. Or the thing you've been overdoing this whole time. Hit play, fix your groove, and maybe… just maybe… use less cowbell. Subscribe for more home studio gear breakdowns and recording setup tips every week. #PercussionProduction #MusicProductionTips #HomeStudioGear #RecordingSetupTips #MixingTechniques #AudioProduction #BeatMakingTips #StudioWorkflow
21-year-old composer Jeremy Abboud—aka The Rockyts—joins Caught on the Mike for a deep dive into independence, creativity, and building a sound entirely your own. From recording every instrument in his basement studio to surpassing 3.5 million streams without a label, Jeremy is proving what's possible when you fully trust your vision. We get into his latest single Wonder, the second release from his upcoming third album, and unpack the wild reality of writing songs in dreams—on what he calls “dream pianos.” Jeremy also reflects on working with legendary producer Eddie Kramer at just 16, charting in Canadian rock by 18, and making the move from Ottawa to Los Angeles to take things to the next level. This episode is all about creative control, momentum, and what it means to build something real—completely on your own terms.
Tracklist1) Jay-x (Overboost) Yatagan Records2) Sisko Electrofanatik (Long Kiss) Gain Records3) AENVR (Drive) 4) Jay-x (Image Cycles) Katana Records5) Co-Fusion (SuckBit Tunnel) Harthouse Records6) Jay-x (Accent) Deepsessions Darktech7) Jay-x (Isolation) Oxynoiz Records8) Benjamin Di Bora (A Dream Called Existence) Kraftek Records9) Bastian Basic ( Flashback 99) Dean Beatz Records10) Charlotte De Witte (Malina) KNTXT Records11) Jay Lumen (My Bassline) Arcane Music12) Nucerian (Evolutions) Jason Fierros13) Sebastian Cordemans (Memento Mori) Future Techno Records
Guest: Xola Malik AKA Kid Sensation https://kidsensation.com/home Host: Serv Wahan MD DMD https://www.drwahan.com/ content type Interview primary goal Educational summary In this engaging interview, Seattle hip hop pioneer Kid Sensation shares his journey from local DJ and rapper to international performer. Discover the evolution of Seattle's hip hop scene, the impact of collaborations, and the power of music across cultures. In this engaging interview, Kid Sensation shares his journey through hip hop, from his early influences like LL Cool J and Run DMC to his collaborations with Sir Mix-A-Lot. He discusses the role of producers, his creative process, and how he balances nostalgia with new music, all while offering insights into his personal life and community work. keywords Seattle hip hop, Kid Sensation, Sir Mix-A-Lot, music industry, hip hop history, international tours, music collaboration, Seattle music scene Hip Hop, Kid Sensation, Music Production, Seattle Rap, 90s Hip Hop, Music Industry, Personal Growth, Community Engagement, Xola Malik, back to Boom, Posse on Broadway, Rippin, Ken Griffey Jr, way I swing, rollin with number one, swass key topics Seattle hip hop scene development Kid Sensation's early career and collaborations Impact of 'Posse on Broadway' and 'Back to Boom' International performances and cultural exchange The evolution of music distribution and industry barriers Influences of early hip hop artists like LL Cool J and Run DMC The role of producers in music creation and their impact Balancing nostalgia with contemporary music production Kid Sensation's personal story and community work guest name Kid Sensation Xola Malik key frameworks Music Industry Gatekeeping Collaboration and Unity in Hip Hop Evolution of Music Distribution Role of the Producer in Music Balancing Nostalgia and Innovation in Hip Hop action items Visit Kid Sensation's website for his latest projects Read 'Kings' to learn about youth empowerment Follow Kid Sensation on social media for updates Titles From Seattle Streets to Global Stages: Kid Sensation's Hip Hop Journey How Kid Sensation Helped Shape Seattle's Hip Hop Scene sound bites "That song still hits on all levels" "We toured with NWA and others" "My first rap name was DJ Dangerous." Chapters 00:00 Introduction to the Journey of Music and Influence 01:39 Growing Up in Seattle and Early Musical Influences 06:23 The Rise of Kid Sensation and Collaborations with Sir Mix-A-Lot 11:31 The Impact of Iconic Songs and Music Evolution 16:05 The Changing Landscape of Music Distribution 22:03 Seattle's Hip Hop Scene: Gaps and Collaborations 23:09 Collaborative Spirit in Seattle's Music Scene 25:30 The Role of Local Radio in Music Discovery 27:01 International Experiences and Collaborations 31:34 The Power of Music and Global Connections 35:06 Influences and Inspirations in Hip Hop 36:12 Understanding the Role of Producers 39:41 The Unique Collaboration with Ken Griffey Jr. 45:03 Recording with Ken: A Memorable Experience 46:53 Freestyling: The Art and the Reality 49:05 The Evolution of Kid Sensation: From DJ to Rapper 51:26 The Inspiration Behind New Music 55:30 Relocating to Texas: A New Chapter 58:38 Community and Opportunity: A Positive Perspective 01:00:08 Giving Back: The Kings Project and Its Impact resources Kings: Young Men Discovering Purpose and Shaping Their Destiny - https://kidsensation.com Kid Sensation Official Website - https://kidsensation.com Presently Past the Future Album - https://music.apple.com/tt/album/presently-past-the-future/1535786060 guest links Instagram - https://www.instagram.com/therealkidsensation/ Official Website - https://kidsensation.com Website - https://kidsensation.com
Today our hosts welcome Dave Gill of Baltimore Sonic Research Institute. Dave is a long-time hog, first time guest, and we have a great time getting into a lot of specifics about Boss pedals, particularly the PS-5 Super Shifter. We ponder the historical arc of Boss' popularity, the different considerations looking at a company that size vs a company like Old Blood vs a company like BSRI, and we reiterate that the best thing about this industry is the people. It's a good hang, and you're invited! Buy some BSRI: https://www.bsriaudio.com/ Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @bsriaudio, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!
A2thaMo is joined by Southern Com4rt to talk about Video Games, Politics, Pam Bondi, Student Loans, War Funding, Music Production, TV Shows, Paradise, Neighbors, Daredevil, Sinners, Jaden Ivey Situation, Pooh Shiesty Gucci Mane Incident, Group Chat, Church Camp, New Puppy, and more while listening to new music!Legend Music - Sir NastyLets Go Fishin RW - ItsYaBoiH2Another Time - Southern Com4rtThis Right Here - A2thaMo Makes Beats
Today our hosts welcome Blair White, owner of Eastside Music Supply in Nashville Tennessee. As a stockist and a friend, Blair's history runs in parallel with Old Blood's in a lot of ways, and we talk a lot about what it's like to create a business around the idea that a Nashville guitar store should actually be weird and cool and a good time. We focus the object talk around his Rickenbacker 330, and talk about the many ways he experiences music, whether at the shop, playing out, playing at home, or on the road teching for Adrian Belew. Visit Eastside Music Supply online: https://eastsidemusicsupply.com/ (And if you're in or around Nashville, go check it out in person!) Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @eastsidemusicsupply, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!
What is music production!? What does a producer actually do!? What is “mixing”!? Questions I know you scream… Aaron Cupples has the answers. He's responsible for Kirin J Callinan's Big Enough, co-writing, producing and mixing much of the Bravado album. Worked closely with The Drones for their Gala Mill and Feelin Kinda Free albums, Tropical Fuck Storm too. Played in Dan Kelly's Alpha Males band, recording the album Drowning In The Fountain Of Youth (and mixed some Leisure Panic). Paul Kelly. Spiritualised. The leading man of Civil Civic and a decorated film composer too! Hope you enjoy! RobbieSUBSCRIBE TO THE WELCOME TO MEET YOU PATREON FOR FULL ACCESS TO EXCLUSIVE EPISODES ALL OUR LINKS CAN BE FOUND HERE
Today it's a whole bunch of topics! Dan starts with an anecdote about selling gear, and the listeners bring in their would-you-rathers, guest suggestions, and other pressing thoughts and concerns. Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!
Interview begins at 4:11 To follow Alan, visit - www.alanwilliamsevidence.com/ Check out Alan's free send off concert at the Moloney Performing Arts Center - 35 Wilder Street Sunday, March 29th at 7:30PM
Being a tour manager at any level is an incredibly challenging role, but when the band schedule you're responsible for includes headline sets at the likes of Leeds, Reading and Download, it takes a special kind of composure and professionalism to pull it off.So the fact that this week's guest, Neil Anderson, has literally kept the Biffy Clyro show on the road for the best part of two decades is something to be celebrated.This is his “wholesome” tale, told for the first time.Buy your We Lost The Sea tickets: https://www.seetickets.com/tour/we-lost-the-seaAnd your pod merch: www.nomad-stores.com/collections/2-promoters-1-podWe go again, every Thursday morning.
Episode 200 calls for a guest who thinks towards the future. DJ and musician Yu Su has a composer's ear for detail and a chef's instinct for serving up textured sonic platters.We talk about sound as material, about burning and melting ideas down, then reshaping them into something new, and about why minimal arrangements can feel more dynamic when every layer has room to breathe. Along the way we get into dancefloor culture as a sensory ritual, the strange power of rules and instructions, and Yu Su's “polyphonic eating” dinners where silence becomes part of the experience.Yu Su's story stretches from Kaifeng to Vancouver to London, with early years of classical piano and a lasting love for Debussy that later makes sense as a bridge to ambient, dub techno, minimal tech house, and leftfield club music. She explains why certain styles only click with the right context, how an early electronic music experience at a Floating Points night rewired her ears, and how she learned production by reverse engineering beats until the logic revealed itself.If you enjoy Lost and Sound and want to help keep it thriving, the best way to support is simple: subscribe, leave a rating, and write a quick review on your favourite podcast platform. It really helps others find the show. You can do that here on Apple Podcasts or wherever you like to listen.Yu Su on Instagram: https://www.instagram.com/yusu_suyu/Yu Su on Bandcamp:https://yusu.bandcamp.com/album/foundryYu Su's new LP Foundry is out on May 1st on Short SpanHuge thanks to Audio-Technica – makers of beautifully engineered audio gear and sponsors of Lost and Sound. Check them out here: Audio-TechnicaMy book Coming To Berlin is a journey through the city's creative underground, and is available via Velocity Press.You can also follow me on Instagram at @paulhanford for behind-the-scenes bits, guest updates, and whatever else is bubbling up.
Professional producers Chevy One and Gareth Young talk to Julian Rodgers about the advantages of a hybrid hardware and digital studio setup and how combining the two can streamline workflow and speed up modern music production.Chapters00:00 - Introduction01:07 - Hardware In A Modern Hybrid Studio03:47 - What Does Hybrid Currently Mean07:31 - Benefits Of Having A Console08:43 - Using Control Surfaces14:54 - Matching Tools To Tasks23:24 - On The Way In And The Way Out31:46 - Recallable And Software-Integrated Hardware37:16 - Hardware Vs Software Workflow#LA2A #Console1 #Audient #SSLChevy One BiogAward-winning producer and composer Chevy has built a two-decade career across records, global brands and music technology. Operating a modern hybrid studio, he balances analogue commitment with digital flexibility. Recent work includes IKEA's latest National Swedish campaign and product leadership at All Our Minds.https://www.linkedin.com/in/joseluismontorohttps://audiocentralstudio.co.ukGareth Young BiogGareth is the owner of Cube recording studios a residential studio in Cornwall where he has worked with clients such as The XX, Tom Misch and Sam Ryder. Gareth has recently co-written and produced Tom Meighan's top twenty debut solo album, ‘The Reckoning ‘ and as a writer/producer he has co-written and produced hits for the Sugababes, Appleton, Dannii Minogue, Ronan Keating and All Saints to name a few.http://garethyoung.comhttps://www.facebook.com/cuberecordingcornwallhttps://x.com/cuberecordinghttps://www.instagram.com/cube_recordingJulian Rodgers BiogJulian Rodgers is a freelance writer and audio engineer with a background in live sound. After many years working in education introducing new users to Pro Tools, he now lives by the sea in West Cornwall, where he plays keyboards in a couple of bands. He also plays bass and guitar equally badly, and remains an enthusiastic collector of microphones and opinions about all things audio.https://www.linkedin.com/in/julian-rodgers-04621926Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts
Send us Fan Mail“The thing that's going to kill you first is your ego.” How do we balance our desire to do it all and be it all--and all of the messaging that tells us to do those things--with our knowledge that we aren't always the foremost expert? In this episode, Emmeline sits down with Sean Martin of hard rock band The Quarantined to talk about how humility AND motivation can be collaborative forces in one's creative career. Sean shares about how the willingness to "start over" has been one of his greatest assets, how failure is actually a GOOD thing, and how “DIY has its place, but it can also destroy you if you only rely on it.” He also discusses how he managed to land his dream producer for The Quarantined's new album, Aversion to Normalcy. To learn more about Sean and The Quarantined, or to follow their musical journey, visit their official website, follow them on Spotify, and stream the new album Aversion to Normalcy. For behind-the-scenes information and more about Journey of an Artist, visit the Journey of Series official webpage, or follow Emmeline on social media at @EmmelineMusic.
Show Notes Scott Scheferman -- known throughout the cybersecurity and music communities as Shagghie -- brings a rare combination of backgrounds to this conversation: classically trained on trumpet, a live techno producer since the late nineties, a student of synthesis at its lowest circuit level, and now a full-time researcher working on what he calls the Joy Protocol -- a frequency-based framework designed to produce measurable physiological and neurological benefits through sound and light. The conversation opens with Scott recounting his musical journey -- from blues trumpet in the Caribbean to losing his cherished instruments during a move to the United States, to a 25-year silence before his daughter convinced him to pick up the horn again. Then came the synthesizers. He describes performing live techno with six drum machines and synthesizer sequencers at a San Diego club, his parents in the crowd, sweating and dancing by 2:00 AM. For Scott, that was the moment of arrival -- not just as a performer, but as someone understood. From there, the conversation moves into the physics. Scott and Sean explore how frequency operates across the entire spectrum -- from the 7.83 hertz resonant frequency of the Earth itself to the quantum oscillations that defy measurement. Scott makes the case that sound is not merely an aesthetic experience but a literal force, one that operates on the body, mind, and cellular structure in ways now being confirmed by a new wave of scientific research. The Solfeggio scale, long dismissed by mainstream music as esoteric, turns out to have been built around frequencies that have specific, studied, physiological effects on the human body. The conversation doesn't shy from harder territory. Scott discusses directional sound weapons he witnessed firsthand at Booz Allen Hamilton, the documented Havana syndrome incidents, and how blue light frequencies are engineered into consumer electronics to trigger dopamine responses. These aren't conspiracy theories, he argues -- they are the same science, used from the opposite direction. The Joy Protocol is the inverse: taking those same mechanisms and applying them to produce healing, not harm. Even the 40-hertz frequency -- which Scott now seeks out on his wife's Power Plate machine at the gym -- produces a physical response he describes as immediately and unmistakably real. The episode closes on the question every musician, listener, and creator should be sitting with: if certain frequencies heal and others harm, if the A-440 tuning standard may have been a deliberate departure from something more resonant, and if the spaces between notes matter as much as the notes themselves -- then what does it mean to produce music intentionally? Scott points toward the guitar as a last frontier that AI cannot replicate: the harmonic overtones that physically manifest in wood when an instrument is tuned to a resonant frequency cannot be induced after the fact. That reality, he suggests, is both a challenge and an invitation. Host Sean Martin, Co-Founder at ITSPmagazine, Studio C60, and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/ Guest(s) Scott "Shagghie" Scheferman, Cybersecurity Strategist, Musician, and Researcher | Website: https://www.scottscheferman.com/ | On LinkedIn: https://www.linkedin.com/in/scottscheferman/ Resources Scott Scheferman's Personal Website | https://www.scottscheferman.com/ Music Evolves: Sonic Frontiers Newsletter | https://www.linkedin.com/newsletters/7290890771828719616/ Keywords scott scheferman, shagghie, frequency healing, quantum consciousness, cymatics, solfeggio frequencies, sound as medicine, live techno, music production, joy protocol, sean martin, music, creativity, art, artist, musician, music evolves, music podcast, music and technology podcast More From Sean Martin on ITSPmagazine More from Music Evolves: https://www.seanmartin.com/music-evolves-podcast Music Evolves on YouTube: https://www.youtube.com/playlist?list=PLnYu0psdcllTRJ5du7hFDXjiugu-uNPtW On Location with Sean and Marco: https://www.itspmagazine.com/on-location ITSPmagazine YouTube Channel: https://www.youtube.com/@itspmagazine Be sure to share and subscribe! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Today our hosts talk about Andy's experience recording with last episode's guest, and his discovery of the Roland JC-40 through that process. An amp that manages to be both a direct-in silent recording solution and an in-the-room tool. We talk about various tonal revelations, and get reminders that sometimes you need the confidence to say this is good and I will now perform well. Also we're both coming off head colds so who knows what we were on about! Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!
On this episode of The Bandwich Tapes, I sit down with pianist, composer, improviser, label founder, and educator Kris Davis—one of the most forward-thinking voices in creative music today. Our conversation left me feeling genuinely energized. Kris approaches music with a rare combination of curiosity, discipline, and fearless experimentation, and it was a joy to dig into how all of that shows up in her work.We start with what's immediately ahead for her: a trip to Hamburg to premiere a newly expanded big band version of a trio piece with the NDR Big Band. Kris shares the very real “composer panic” that comes with catching an engraving mistake right before rehearsal—one of those behind-the-scenes realities of composing that every musician can relate to.From there, we talk about festivals—especially Big Ears, which feels like its own musical universe—and dive into two major pillars of her work: prepared piano and large-form composition. Kris reflects on studying with pianist Benoît Delbecq, whose approach to prepared piano emphasized rhythm, individuality, and finding a personal sonic vocabulary.One of the highlights of our conversation is a deep look at her remarkable Solastalgia Suite, written for the Lutosławski Quartet after a commission through Poland's Jazz to Pad Festival. Kris talks about learning how to write for strings in real time and how the concept of **solastalgia—the grief you feel for your home while you're still living in it—**became the emotional core of the piece.We also zoom out into the bigger picture of her work: her leadership role alongside Terri Lyne Carrington at Berklee's Institute of Jazz and Gender Justice, and her decade-long journey building Pyroclastic Records, a label dedicated to supporting adventurous music and the artists creating it. At its heart, this conversation is about craft, community, curiosity, and the importance of taking creative risks on purpose.Key TakeawaysThe behind-the-scenes realities of composing for large ensembles—including last-minute engraving panic before a premiere.Why festivals like Big Ears create a unique ecosystem for creative music.How studying with Benoît Delbecq shaped Kris Davis's approach to prepared piano.The creative challenge of writing for string quartet for the first time.The emotional meaning of solastalgia and how it shaped the Solastalgia Suite.Kris's work at Berklee's Institute of Jazz and Gender Justice alongside Terri Lyne Carrington.How Pyroclastic Records has grown into an important platform for adventurous and forward-thinking music.Music from the EpisodeDiatom Ribbons — Kris DavisInterlude (from the Solastalgia Suite) — Kris DavisLife on Venus (from the Solastalgia Suite) — Kris DavisRun the Gauntlet — Kris DavisAbout the PodcastThe Bandwich Tapes is a long-form conversation podcast where host Brad Williams sits down with some of the most thoughtful musicians, composers, and artists working today. The show explores the stories behind the music—creative process, collaboration, career paths, and the human experiences that shape the sounds we love.Connect with the ShowEmail: contact@thebandwichtapes.com
A Note from James:In the Blondie song “Rapture,” which was the number-one song in 1981, Debbie Harry has this famous line: “Fab Five Freddy told me everybody's fly.”So the question is—who is Fab Five Freddy?This guy is one of the central figures in the birth of hip-hop culture. Not just rap music, but the whole ecosystem: graffiti, breakdancing, fashion, DJ culture, art, film—everything that eventually turned into a massive global industry.Hip-hop today represents hundreds of billions of dollars in music, fashion, and entertainment. But in the late '70s and early '80s it was just a small creative movement happening in New York.Fab 5 Freddy helped connect all those worlds. He bridged graffiti artists, musicians, downtown art scenes, and eventually MTV.He also just wrote a book called Everybody's Fly, and it was a huge honor for me to talk with him about the origins of hip-hop and how creativity actually grows.Episode Description:Before hip-hop became a global industry, it was a loose network of DJs, graffiti artists, dancers, and musicians creating something entirely new in New York City.Fab 5 Freddy was at the center of it.In this conversation, he explains how hip-hop emerged from a mix of street culture, art scenes, punk music, and experimentation with records and sound. He discusses the origins of graffiti tagging, the rise of DJs like Grandmaster Flash, and the cultural moment when Blondie's “Rapture” helped bring hip-hop into mainstream awareness.Freddy also shares how the first hip-hop film, Wild Style, helped unify the culture's elements—music, dance, graffiti, and fashion—and introduce them to a wider audience.The conversation then turns to the modern era: AI-generated music, the attention economy of social media, and why artists today may need to slow down and develop their work before exposing it to the world.What You'll Learn:How hip-hop emerged from a mix of music, graffiti, dance, and street cultureWhy early DJs searched old records for breakbeats to create new soundsHow the film Wild Style helped define hip-hop culture for the worldWhy artists today may need to resist posting unfinished work onlineHow creativity evolves when technology disrupts the music industryTimestamped Chapters[00:02:00] The Story Behind the Title Everybody's Fly[00:03:01] A Note from James[00:04:15] Meeting Biz Markie and the Culture of Collecting Hip-Hop History[00:05:35] How Jazz, Blues, and Soul Influenced Early Hip-Hop[00:06:22] DJs Digging Through Records to Find Breakbeats[00:07:40] Grandmaster Flash and the Science of DJing[00:08:41] Why Producers Became Central to Hip-Hop Music[00:09:54] Blondie's “Rapture” and Hip-Hop's Mainstream Breakthrough[00:11:00] The Downtown Art Scene: Basquiat, Keith Haring, and Andy Warhol[00:12:24] The Origins of Graffiti and Tagging Culture[00:13:48] Graffiti as Competition and Artistic Evolution[00:15:12] Punk Rock and Hip-Hop: Parallel Cultural Revolutions[00:17:47] The Idea for the First Hip-Hop Film Wild Style[00:19:02] Bringing Breakdancing, Graffiti, and Rap Together on Film[00:21:50] Lessons Modern Artists Can Learn from Early Hip-Hop[00:22:49] Why Posting Creative Work Too Early Can Hurt It[00:24:00] Social Media, Attention, and the Speed of Culture[00:26:00] Hip-Hop's Global Influence[00:29:00] The Birth of Conscious Rap[00:31:12] Directing KRS-One's “My Philosophy” Video[00:33:00] Finding Great Hip-Hop in the Streaming Era[00:36:00] Battle Rap and Lyrical Skill[00:37:00] Artists Who Still Push the Genre Forward[00:40:11] How Rappers Make Money Today[00:43:00] What Makes an Artist Stand the Test of Time[00:47:00] Sampling, Technology, and the Evolution of Music Production[00:54:00] AI Music and the Future of Creativity[01:02:00] What “Everybody's Fly” Really MeansAdditional Resources:Fab 5 Freddyhttps://en.wikipedia.org/wiki/Fab_Five_FreddyRapturehttps://en.wikipedia.org/wiki/Rapture_(Blondie_song)Wild Stylehttps://en.wikipedia.org/wiki/Wild_StyleGrandmaster Flashhttps://en.wikipedia.org/wiki/Grandmaster_FlashKRS-Onehttps://en.wikipedia.org/wiki/KRS-OneDebbie Harryhttps://en.wikipedia.org/wiki/Debbie_HarrySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Send a text"I want to sing songs that sound like me." When the whole world is telling you to follow a trend, or to cover a certain song, or to jump on the bandwagon of serious artistry, how should you respond?Mark Winters says: by being unapologetically YOU.In this episode, Emmeline sits down with Houston-based singer-songwriter Mark Winters to talk about how his positive attitude, unique scientific background, and happy home life have fueled his music career. Mark shares a story about picking up a guitar to play for his wife, then talks about how songwriting increasingly set his soul on fire. He also discusses how his belief in great days and great lives has helped him to infuse his sound with infectious optimism. Plus, Emmeline and Mark talk about the nerdy science behind WHY music is such an effective--and affective--art form. To learn more about Mark Winters, or to follow his musical journey, visit his official website or follow him on Instagram.For behind-the-scenes information and more about Journey of an Artist, visit the Journey of Series official webpage, or follow Emmeline on social media at @EmmelineMusic.
Bridging Western & Indian Classical Music w/ Srikanth Chary | VS Pop™ Orchestral ThinkingCR Srikanth is a U.S.-based composer and producer blending Western classical, Indian classical traditions, and modern cinematic pop. A Berklee-trained composer and ASCAP member with over 250 original works, he bridges concert composition, media scoring, and contemporary releases through his imprint VS Pop™. Today he shares insights on cross-cultural composition, orchestral thinking in modern music, and building an independent career in today's digital music landscape.Linkshttps://open.spotify.com/artist/16N9BJJPufgA3rnpQ06iSa?si=08pc-fGLRfGyOeirNfdzkQhttps://www.instagram.com/crsrikanth_creator_vspop/Tabs:Music History,Musician,Music Licensing,Music Producer,Music Production,Pop Culture,Bridging Western & Indian Classical Music w/ Srikanth Chary | Pop™ Orchestral Thinking,Live Video Podcast Interview,Podcast,Interview,Phantom Electric Ghost Podcast,PodmatchSupport PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:https://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprRSShttps://anchor.fm/s/3b31908/podcast/rssSubstackhttps://substack.com/@phantomelectricghost?utm_source=edit-profile-page
We've been following the career of local SLC rapper Menace since 2020. He always comes through with fresh music. He is passionate, prolific and stoically silent. Music is his way of breaking that silence and letting himself be known. Lately his focus has shifted to a deeper desire to help people, and it has changed the message of his lyrics. Support the show
Audionautic | Covering the Latest in Music Production, Marketing and Technology
This week's episode is a round robin conversation about the things we overcomplicate in the studio.Kick drums. Arrangement. Mix bus processing. Sound design. Workflow. We all have areas where we spiral — adding layers, tweaking endlessly, chasing perfection, or solving problems that didn't exist in the first place.We're unpacking why we do it, when complexity helps, and when it quietly holds us back.Sometimes improving isn't about learning more. It's about doing less.Join us for a thoughtful (and slightly confessional) discussion about creative overthinking in music production.Lars has a new single, check it here:https://errorpronerecords.bandcamp.com/album/completely-incoherent-dreamsThanks to our Patrons who support what we do:Audionauts: Abby, Bendu, David Svrjcek, Josh Wittman, Paul Ledbrook, Matt Donatelli and Stephen SetzepfandtLars Haur - Audionaut ProducerJonathan Goode - Audionaut ProducerJoin the conversation:
Said The Sky returns to the XLNT Show! This time to talk about breaking out of EDM expectations, making music without rules, and why his latest album has almost no drums. From building emotional records that feel more like singer-songwriter projects than dance music, to navigating identity in a scene that doesn't fully fit what he makes—this episode gets real about creativity, risk, and trusting your instincts as an artist.We also dive into his songwriting process, working with vocalists, and how he balances collaboration without losing his own sound.Use code "THEXLNTSHOW" for 10% off!➡️ http://bit.ly/XLNTSOUNDPACKS
Have you ever felt like the more you learn about music production, the harder it actually gets to finish a song? You aren't alone. In this episode, I'm sharing the 5 biggest mental blocks I've faced, from "tutorial paralysis" to the crushing weight of trying to be a "Great Artist," and the practical shifts I used to break through them. After 6 years of the Jamuary challenge, I've learned that the secret to finishing more music isn't a new plugin or more music theory; it's about moving from a romanticized "Artist" identity to a prolific "Maker" mindset. In this episode, we discuss: The "Quantity Over Quality" Hack: Why having a routine allows you to fail safely. The Skills of Finishing: Why completing "bad" music is the only way to prepare for your best work. Learning by Doing: How to escape the "Tutorial Junkie" cycle and get your hands dirty. Killing the "Artist" Label: Why viewing your work as a "body of work" is more freeing than chasing a single masterpiece. Stop overthinking, start creating, and let's get those ideas out of your DAW and into the world. Listen on Apple, Spotify, YouTube Links: Brian Funk Website - https://brianfunk.com Music Production Club - https://brianfunk.com/mpc 5-Minute Music Producer - https://brianfunk.com/book Intro Music Made with 16-Bit Ableton Live Pack - https://brianfunk.com/blog/16-bit Music Production Podcast - https://brianfunk.com/podcast Save 25% on Ableton Live Packs at my store with the code: PODCAST - https://brianfunk.com/store Thank you for listening. Please review the Music Production Podcast on your favorite podcast provider! And don't forget to visit my site https://BrianFunk.com for music production tutorials, videos, and sound packs. Brian Funk
Pat Villaceran| Building Worlds That Could Exist Without AlgorithmsThe Anti-Viral Creative StrategyPat Villaceran & James Harris (as dual guests)Headline: The Duo Building Worlds Across Continents Through Sound & StoryGuest Bio:Pat Villaceran and James Harris are the co-creators of VOL. II: KURATA, the new musical chapter from the award-winning cultural movement Hinabi Privé. Operating from two different continents, they have built a seamless creative partnership that serves as a powerful model for the future of global collaboration.Pat, the visionary architect, crafts the deep narratives and emotional frameworks. James, the sonic alchemist, translates those worlds into cinematic music and sound. Together, they are pioneering an “anti-algorithm” approach to art, focusing on depth, community, and multi-sensory experiences that stand in defiance of disposable digital content.Link:https://hinabiprive.com/https://www.instagram.com/hinabi.priveTags:Creative,Creative Writing,Guitar,Guitarist,Live Music,Music Festivals,Musician,Music Interviews,Music Production,Songwriter,Pat Villaceran & James Harris| Building Worlds That Could Exist Without Algorithms,Live Video Podcast Interview,PodcastSupport PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:https://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprRSShttps://anchor.fm/s/3b31908/podcast/rssSubstackhttps://substack.com/@phantomelectricghost?utm_source=edit-profile-page
Today our hosts welcome back Jeremy SH Griffith. He's guested, he's guest-hosted, and now he... well we don't know, he's just a friend making great conversation. He has a few objects to talk about, chief among them the Vhikk X Forge-TME, and opens the conversation with a question about objects more broadly: what is the value of a complex hardware setup to a young producer in an in-the-box world? Listen to Jeremy's album Kimbo: https://jeremyshgriffith.bandcamp.com/album/kimbo Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @_j_s_h_g_, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!
In this episode of Acta Non Verba, Marcus Aurelius Anderson sits down with virtuoso guitarist Angel Vivaldi to explore the intersection of artistry, authenticity, and perseverance. Angel shares insights from his recent tour with legendary guitarist Steve Morse, discusses his creative process behind concept albums like "Synapse," and reveals how he balances being 65% artist and 35% business. The conversation dives deep into topics ranging from working with difficult people and learning from enemies, to the role of AI in music, the importance of vulnerability, and why the only thing worse than living with regret is dying with it. This is a masterclass in commitment, creativity, and staying true to yourself in an industry that constantly demands compromise. Episode Highlights [2:14] Learning from Steve Morse's Humility and Reinvention - Angel describes touring with guitar legend Steve Morse and witnessing him reinvent his playing technique due to arthritis. Despite being one of the greatest guitarists alive, Morse remained humble enough to learn legato and tapping techniques from Angel, demonstrating that true mastery includes the willingness to continuously evolve. [20:59] The Muse and Discipline: Speaking Her Language - Angel shares his philosophy on creativity and the muse: "She has a lot of people to visit and she's gonna favor those who know how to speak her language. What is her language? Music." He explains why showing up consistently to practice—even without inspiration—is essential, because you're refining how you speak music so the muse can work through you. [39:44] The Synapse Album: Painting Studios and Neurotransmitters - Angel reveals the extreme creative process behind his concept album "Synapse," where each song represents a different neurotransmitter. He painted his studio a different color for each song (red for adrenaline, green for serotonin), changed scents, and even wrote at specific times of day to embody each neurochemical state—a process that nearly broke him but resulted in some of his most authentic work. [82:13] Learning from Your Enemies: Unfiltered Feedback - Angel offers a provocative perspective: "Your enemies have no stake in you liking them or them liking you. If you want unfiltered, uncensored, direct feedback on your flaws as a human being, look to your enemies." He explains how to parse criticism from adversaries to find genuine insights while filtering out projection and insecurity. Angel Vivaldi is an American virtuoso guitarist, songwriter, and producer who has been pushing the boundaries of instrumental guitar music since beginning his solo career in 2003. Self-taught from age 15, Angel has released multiple concept albums including "Universal Language," "Away With Words Parts 1 & 2," and "Synapse," each showcasing his unique blend of progressive metal, fusion, and melodic sensibility. Beyond his solo work, Angel is a multifaceted creative force—he's a cinematographer, fashion enthusiast, interior designer, and entrepreneur who founded Zenith Council, an artist services company helping musicians with branding, marketing, and creative vision. Recently, he toured as a guest guitarist with legendary Steve Morse, managing Morse's career while contributing rhythm guitar and content creation. Angel's approach to music and life embodies his belief that authenticity and vulnerability are the keys to creating art that truly resonates. Learn more about the gift of Adversity and my mission to help my fellow humans create a better world by heading to www.marcusaureliusanderson.com. There you can take action by joining my ANV inner circle to get exclusive content and information.See omnystudio.com/listener for privacy information.
Is Steely Dan's Gaucho more perfect than Aja? Maybe even ... too perfect? Two years in the studio. The greatest session musicians alive asked to play take after take after take until it was exactly right. And sometimes that STILL wasn't enough for Donald Fagen and Walter Becker.On today's episode of You'll Hear It, jazz pianists Peter Martin and Adam Maness are breaking down the 1980 album track by track: the jazz harmony hiding inside those smooth grooves, the abstract poetry of the lyrics, and the insane stories behind how this thing got made. Including the $150,000 drum machine invented specifically for this record, the interview quote that cost them a third of a song, and the drum track that took 85 takes and 35 tape edits to piece together.And after all that, we didn't get another Steely Dan record for 20 years.Was it worth it?Read about the simple mistake that would haunt Steely Dan for 44 years in this week's edition of the You'll Read It newsletter: https://youllhearit.com/newsletterWatch our FULL breakdown of Steely Dan's Aja: https://youtu.be/G10mYohR6T400:00 - Steely Dan's Gaucho: A Monument to Perfect01:15 - "Babylon Sisters"11:00 - What Makes Steely Dan Genius13:35 - The Precision of Purdie's Drums on Babylon Sisters16:10 - Abstract Lyrics19:35 - "Hey Nineteen"22:25 - Pristine Rhodes25:25 - Isolated Vocal Stems on "Hey Nineteen"33:00 - "Glamour Profession"38:55 - The Mingus Influence40:10 - "Gaucho"43:20 - The Keith Jarrett Lawsuit48:50 - Gaucho Chorus Deep Dive54:10 - "Time Out Of Mind"57:50 - Monument to Perfectionism (Lead Boots)1:01:35 - Perfectionism and Jazz1:05:05 - Is Gaucho More Perfect Than Aja?1:06:25 - "My Rival"1:10:40 - Bowie / Steely Dan Side-By-Side1:14:00 - Too Fussy?1:19:05 - Open Studio Plays "Glamour Profession"
In this episode of the Crazy Wisdom podcast, host Stewart Alsop interviews John von Seggern, founder of Future Proof Music School, about the intersection of music education, technology, and artificial intelligence. They explore how musicians can develop timeless skills in an era of generative AI, the evolution of music production from classical notation to digital audio workstations like Ableton Live, and how AI is being used on the education side rather than for creation. The conversation covers music theory fundamentals, the development of instruments and recording technology throughout history, complex production techniques like sidechain compression, and the future of creative work in an AI-assisted world. John also discusses his development of Cadence, an AI voice tutor integrated with Ableton Live to help students learn music production. For those interested in learning more about Future Proof Music School or becoming a beta tester for the AI voice tutor, visit futureproofmusicschool.com.Timestamps00:00 Future Proofing Musicians in a Changing Landscape03:07 The Role of AI in Music Education05:36 Generative AI: A Tool for Musicians?08:36 The Evolution of Music Creation and Technology11:30 The Impact of Recording Technology on Music14:31 The Fragmentation of Culture and Music17:19 Exploring Music History and Theory20:13 The Relationship Between Music and Memory23:07 The Future of Music Creation and AI26:17 The Importance of Live Music Experiences28:49 Navigating the New Music Landscape31:47 The Role of AI in Finding New Music34:48 The Creative Process in Music Production37:33 The Future of Music Theory and Composition40:10 The Search for Unique Artistic Voices43:18 The Intersection of Music and Technology46:10 Cultural Shifts in the Music Industry49:09 Finding Quality in a Sea of ContentKey Insights1. Future-proofing musicians means teaching evergreen techniques while adapting to AI realities. John von Seggern founded Future Proof Music School to address both sides of music education in the AI era. Students learn timeless production skills that won't become obsolete as technology evolves, while simultaneously exploring meaningful creative goals in a world where generative AI exists. The school uses AI on the education side to help students learn, but students themselves aren't particularly interested in using generative AI for actual music creation, preferring to maintain their creative fingerprint on their work.2. The 12-note Western music system emerged from mathematical relationships discovered by Pythagoras and enabled collaborative music-making. Pythagoras demonstrated that pitch relates to vibrating string lengths, establishing mathematical ratios for musical intervals. This system allowed Western classical music to flourish because it could be notated and taught consistently, enabling large groups to play together. However, the piano is never perfectly in tune due to necessary compromises in the tuning system. By the 1920s, composers had explored most harmonic possibilities within this framework, leading to new directions in musical innovation.3. Recording technology fundamentally transformed music by making the studio itself the primary instrument. The invention of audio recording in the early-to-mid 20th century shifted music from purely instrumental composition to sound-based creation. This enabled entirely new genres like electronic dance music and hip-hop, which couldn't exist without technologies like synthesizers and samplers. Modern digital audio workstations like Ableton Live allow producers to have unlimited tracks and manipulate sounds in infinite ways, making any imaginable sound possible and moving innovation from hardware to software.4. Generative AI will likely replace generic music production but not visionary artists. John distinguishes between functional music (background music for films, work, or bars) and music where audiences deeply connect with the artist's vision. AI excels at generating functional music cheaply, which will benefit indie filmmakers and similar creators. However, artists with strong creative visions who audiences follow and identify with won't be replaced. The creative fingerprint and personal statement of important artists will remain valuable regardless of the tools they use, just as DJs created art through curation rather than original production.5. Copyright restrictions are limiting generative music AI's quality compared to other AI domains. Unlike books and visual art, recorded music copyrights are concentrated among a few companies that defend them aggressively. This prevents AI music models from training on the best music in each genre, resulting in lower-quality outputs. Some developers claim their private models trained on copyrighted music sound better than commercial offerings, but legal constraints prevent widespread access. This situation differs significantly from other creative domains where training data is more accessible.6. Modern music production involves complex technical skills like sidechain compression and multi-track mixing. Today's electronic music producers work with potentially hundreds of tracks, each with sophisticated processing. Techniques like sidechain compression allow certain elements (like kick drums) to dynamically reduce the volume of other elements (like bass), ensuring clarity in the final mix. Future Proof Music School teaches students these complex production techniques, with some aspiring producers creating incredibly detailed compositions with intricate effects chains and interdependent track relationships.7. Culture is fragmenting into micro-trends, making discovery rather than creation the primary challenge. John observes that while the era of mass media created mega-stars like The Beatles and Elvis, today's landscape features both enormous stars (like Taylor Swift) and an extremely long tail of creators making niche content. AI will make it easier for more people to create quality content, particularly in fields like independent filmmaking, but the real problem is discovery. Current algorithmic recommendations don't effectively surface hidden gems, suggesting a future where personal AI agents might better curate content based on individual preferences rather than platform-driven engagement metrics.
Send a textIn this electrifying episode of Living the Dream with Curveball, we chat with Steve Sxaks, a punk rocker turned audio engineer, award-winning educator, and published author. Steve shares his incredible journey from the Philadelphia punk rock scene to founding Marston House Recording, a studio that has become a cornerstone for artists across genres. With over 16 years of experience producing music, Steve reveals the unique connection he found between punk rock and hip hop, and how this fusion has influenced his work. He discusses the importance of artist trust, the creative process behind the Marston House Ciphers, and the valuable lessons he learned from his time in the military that shaped his approach to music education and leadership. Steve also dives into his new book, *Invasion of the Punk Rockers Who Drink Blood*, offering insights into its relatable themes and the lived experiences that inspired it. Tune in for an inspiring conversation that celebrates creativity, authenticity, and the power of community in the music industry. Don't miss out on Steve's upcoming projects and collaborations that are sure to make waves in the underground scene!mosaic: Exploring Jewish Issuesmosaic is Jewish Federation of Palm Beach County's news magazine show, exploring Jewish...Listen on: Apple Podcasts SpotifySupport the show
- AI Coding Revolution and Its Implications (0:10) - AI Coding vs. Human Coding (2:54) - AI's Role in Business and Job Transformations (4:35) - BrighteLearn.ai and AI's Continuous Improvement (5:51) - AI's Capabilities and Future Projections (7:37) - Health and Technology Integration (15:09) - The Role of Censorship and Depopulation (30:16) - The Financial Reset and Its Implications (56:36) - Preparation for Financial Chaos (1:18:10) - The Role of AI in Future Preparedness (1:21:47) - AI Integration and Initial Setup (1:25:28) - AI Tools and Recent Developments (1:29:46) - Differences Between AI Models (1:33:59) - AI's Role in Technological Advancements (1:43:06) - AI in Content Creation and Planning (1:48:56) - AI in Video and Music Production (1:56:34) - AI's Impact on Society and the Future (2:32:50) - AI's Role in Decentralization and Freedom (2:33:03) - AI's Potential for Creating AI Avatars (2:34:15) - AI's Role in Technological Competition (2:35:10) - Challenges with Current AI Models and Bias (2:38:42) - China's Leadership in AI and Censorship (2:41:41) - Customizing Chatbots and Medical Tourism (2:43:00) - Jailbreak Techniques and Health Solutions (2:45:18) - Technocracy Atlas and Epstein Data (2:47:32) - Commitment to Open Source and Decentralized Knowledge (2:49:27) - Health Ranger Store New Year's Sale (2:51:49) For more updates, visit: http://www.brighteon.com/channel/hrreport NaturalNews videos would not be possible without you, as always we remain passionately dedicated to our mission of educating people all over the world on the subject of natural healing remedies and personal liberty (food freedom, medical freedom, the freedom of speech, etc.). Together, we're helping create a better world, with more honest food labeling, reduced chemical contamination, the avoidance of toxic heavy metals and vastly increased scientific transparency. ▶️ Every dollar you spend at the Health Ranger Store goes toward helping us achieve important science and content goals for humanity: https://www.healthrangerstore.com/ ▶️ Sign Up For Our Newsletter: https://www.naturalnews.com/Readerregistration.html ▶️ Brighteon: https://www.brighteon.com/channels/hrreport ▶️ Join Our Social Network: https://brighteon.social/@HealthRanger ▶️ Check In Stock Products at: https://PrepWithMike.com
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