Podcasts about music production

Join the Music Tectonics team for the June Seismic Activity with special guest Andrew Kahn, Managing Partner of Yamaha Music Innovation Fund. Hear Andrews best practices for pitching him (or not) at a conference, and what he feels is the most important aspect of any pitch deck. Hint: It's not a great power point. We also hear queries specific to founders in attendance. Among them are questions about funding AI startups, is it possible to compete with Ticketmaster, and what about this innovative new musical instrument? Really great insight from the heart of the funding world.    The News! The most important chart in music right now?   Getting AI companies to agree to licensing deals with copyright owners is “not doable” and “China's not doing it”, rambles Trump   Live Music News: GigSalad, Lightroom, new boards @ MVT, LIVE   The Death of the Middle-Class Musician   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

In this episode of Americana Podcast: The 51st State, host Robert Earl Keen heads into the heart of Red Dirt country with none other than Evan Felker, frontman of the Turnpike Troubadours and one of the most compelling songwriters in modern Americana. From the dusty backroads of Oklahoma to the national stage, Felker has built a legacy rooted in grit, grace, and lyrical honesty. His songs, shaped by weathered landscapes and worn-in truths, echo the spirit of legends like Woody Guthrie and Townes Van Zandt, but his voice, and his vision, are unmistakably his own. Together, Robert and Evan talk about Turnpike's celebrated return, the unpredictable path of creativity, and the quiet power of staying true to where you come from. It's a conversation full of craft, conviction, and the kind of insight only earned by living the life behind the lyrics. Episodes and Bonus content available on YOUTUBE!https://www.youtube.com/@robertearlkeenofficial Donate to the show!https://tiptopjar.com/americanapodcastInstagram@robertearlkeen1Have questions or suggestions? Emailcreatedirector@robertearlkeen.com

Send us a textOn this episode of the Grow My DJ Business Podcast Cream & Gary W Discuss: Smart individuals will leverage AI to enhance their work rather than replace it.The importance of human connection in live performances cannot be overstated.DJs should be proactive in adapting to new technologies like AI.DJs must navigate the balance between client requests and their professional expertise.The future of music creation will increasingly involve AI, but human creativity remains essential.Join the Grown My DJ Business Discord Here! Follow or subscribe wherever you are listening. Try Digital Music Pool for $9.99DMP is the ultimate record pool for pro DJs looking for the hottest exclusive tracks updated daily.Support the show

Catherine Anne Davies, also known as The Anchoress, joins Caro C to discuss her preferred recording methods, the decision to invest in her own studio and receiving three consecutive MPG Award nominations.Chapters00:00 - Introduction01:14 - From Multitrack To MPG Nominations04:09 - Balancing Locations And Condensed Hours 08:14 - Old School Recording Techniques11:20 - Recording Piano And Vocals12:51 - Piano Recording Technique14:09 - Re-releasing Communion 18:57 - Last Night From Glasgow21:39 - Favourite Synths24:41 - New Album Project27:20 - Recording Own Vocals32:24 - TeachingCatherine Anne Davies BiogCatherine Anne Davies is a producer, multi-instrumentalist and songwriter originally from Wales. Her artist project, The Anchoress, has seen her twice nominated for the Welsh Music Prize and named an Album of the Year by everyone from Elton John to The Sunday Times, to Record Collector.A three times nominee for the prestigious Music Producers Guild Awards, Catherine's early roots as a classically-trained flautist have seen her journey from her engineering and co-writing credits on Top 20 albums, to recently being appointed as Professor of Music Production and Songwriting at ICMP & SAE.Since winning a PRS Writer/Producer award in 2019,  she has spent much of the last six years on her current obsession with vintage synthesizers, as well as building a growing reputation as a go-to remixer for artists such Bishi, Thea Gilmore, and Roxanne DeBastion. Catherine's recent production projects include the lead radio single for Dot Allison's remix project, producing and mixing on the Hen Hoose Vol. 2 compilation, co-producing her BBC 6 Music supported collaboration with Band Spectra, and producing and mixing the forthcoming Liberty's Mother album.Catherine has previously co-written with and worked alongside a variety of prominent industry names including  Ed Harcourt (Paloma Faith & James Bay),  Liam Howe (Jessie Ware, Marina) and Paul Statham (Kylie, Dido). She has also co-written with artists outside of the alternative rock genre, including MOBO-nominated singer-songwriter/cellist  Ayanna Witter-Johnson  and British rapper  Riz MC .Catherine also joined the line-up of Simple Minds in 2014, appearing on the Big Music (2015)and Walk Between Worlds (2018) albums before departing in 2019.She released her debut solo album Confessions of a Romance Novelist in 2016, a collaborative album In Memory of My Feelings (2020) with Bernard Butler. The Art Of Losing (2021), and Versions (2023).http://theanchoress.co.uk/http://www.facebook.com/theanchoresshttp://instagram.com/theanchoressofficialhttps://www.youtube.com/channel/UCprifKdWotavrgXSy_qelEwCaro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

What does it take to build the ultimate dream studio? Grammy-winning producer, engineer, and guitarist David Kalmusky returns to the show to share his journey of designing Addiction Sound Studios and how it's shaped his approach to music production. Known for his work with John Oates, Journey, Shawn Mendes, and many more, David talks about the importance of studio setups, the magic of drums and microphones in recording, and how technology has changed the way we make records. We talked about drive-by sessions, archiving sounds for future inspiration, and why it matters to always have gear ready to capture a great performance. David also reflected on Nashville's rich musical history, the legacy of instruments, and personal connections with legendary artists. In the second half, we talked about quality over quantity when it comes to instruments, the creative use of high-strung guitars, and the process of setting up an Atmos room for immersive mixing. David shared his thoughts on curating a creative space, navigating sound libraries, and how streaming has impacted music careers. We also got into the business side of things—like understanding royalties and publishing—and why internships can be such a valuable path for new producers. It was great to catch up with David and hear what he's been working on—lots of cool stuff in this episode. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is David Kalmusky, a Multi-Diamond producer, songwriter, guitarist, mixer, and engineer. His credits include Joss Stone, Shawn Mendes, Carrie Underwood, John Legend, Keith Urban, Mickey Guyton, Mötley Crüe, Nate Smith, Warren Zeiders, Parmalee, Rita Wilson, K. Michelle, and many more. By 2025, his catalog has amassed over 40 billion streams. Let me know if you'd like any tweaks! Dave has been a guest on the podcast in episodes RSR052 and RSR371. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/2xWtNo5m9U6zq6c90Q6sz6?si=7cbe860dc3b94e79 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/516

Welcome to The Void, music for lonely places and distant spaces. For July 2025, fellow PHUK resident Doogie Mustard guides us through the great beyond. Enjoy the show.Tracklist:1. Doogie Mustard - The Void Intro 2. Gowzer - Disco Biscuit (Original Mix) [Plastic Fantastic] 3. Gonzalo Cotroneo - Percept (Original Mix) [Spiritual Enhancer] 4. Juan Ram - Breathing (Original Mix) [Droid9] 5. Grav (RU) - Cosmos (Extended Dub Mix) [SkyTop] 6. M.O.S. - Nanda (Dilby Remix) [Mango Alley] 7. Redspace, ZERO CONTACT - One More Time (BERDU Remix) [La Foresta Recordings] 8. PASINDU - Magical Of Drums (Kyotto Remix) [Droid9] 9. Federico Monachesi - Liguria (Agustin Pietrocola Remix) [Progressive House Argentina] 10. Unusual Soul, Redspace - Shadows Of Consciousness (Original Mix) [Proportion] 11. Tomas Briski - Detach (Ric Niels Remix) [Mango Alley] 12. EANP - Medusa (Original Mix) [Plattenbank] 13. Paul Diep - Echo Garden (Original Mix) [NAM Recordings] 14. Cloaked - Orbifold (Original Mix) [Higher States] 15. CAMILA (AR) - Royal Road (Original Mix) [Natura Viva Black]

Remember when Michael Bublé was an abominable snowman and chased people with snowballs? Well, maybe you don't, but a lot of people do. Or what about when NLE Choppa showed up in FPS Ops? In this episode Dmitri talks with Mike Gubman of Chartis about the creative collaborations between musicians and game developers and what sort of opportunities those collabs create. Also, the News!    SiriusXM is launching a paid ad-supported tier. Will music streamers follow suit?   If your music strategy is ‘quick hits' on the US charts in 2025… good luck.   Concert ticket prices increased 80.5% in 3 years, 4X inflation   HITS Act becomes law in a Big Win For Independent Artists   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.

In this episode, Helmuts Bems, CEO of Sonarworks, shares deep insights into the company's journey, the science of calibration, and how AI is reshaping the future of music production. We explore the evolution of studio environments, the shift toward minimal hardware, and the integration of AI tools in creative workflows.Helmuts Bems co-founded Sonarworks in 2012 and has grown it into a global leader in sound calibration technologies, used in over 170 countries by Grammy-winning engineers and producers. Under his leadership, the company has expanded from high-end studio solutions to consumer-level products, and more recently, Voice AI tools. He brings a visionary perspective on the future of audio, technology, and human creativity.Follow Sonarworks:https://www.sonarworks.comInstagram: @soundidcreators Facebook: @soundidcreators LinkedIN: @SonarworksYoutube: @SoundIDCreatorsQuickly grow your skills and learn with Abe, the Ableton AI Chatbot:⁠⁠https://www.liveproducersonline.com/ableton-chatbot⁠⁠Join the newsletter to get free Ableton content + early episode access:⁠⁠⁠⁠⁠https://www.liveproducersonline.com/newsletter⁠⁠

Ever wondered why engineers intentionally add noise to audio? In this episode of Inside the Mix, returning guest, mastering engineer and Berklee professor Ian Stewart, breaks down what dither is, why it's used, and when to apply it in your music production workflow.Through clear explanations and real audio demos, Ian demonstrates how dither replaces digital artefacts with smooth, barely noticeable noise, preserving details such as reverb tails and low-level audio that would otherwise be distorted during bit depth reduction.You'll learn:Do I need to dither when exporting a 24-bit file to a 16-bit file?Can skipping dither cause distortion in quiet passages?When should you use dither in mastering?Whether you're mixing in 32-bit float or exporting for streaming, this episode explains how audio dither helps preserve quality during final delivery and when it's best to skip it.Links mentioned in this episode: Follow Ian Stewart 32-Bit Float Files ExplainedGoodhertz Good DitherIzotope RX 11Wavelabs 30th Anniversary Send me a message Support the showWays to connect with Marc: Book your FREE Music Breakthrough Strategy Call Radio-ready mixes start here - get the FREE weekly tips Grab exclusive access to BONUS content Follow Marc's Socials: Instagram | YouTube | Synth Music Mastering Thanks for listening!!

FLOW's Summer Party on 28th June 2025 - An amazing time had by all who came and reminder that our dancefloor community never stops bouncing. Next Event - 11th October - Hidden Heights StudioPort ManteauNaughty BearSeizmicMark BoneLoopyloosy Tickets now available - https://ra.co/events/2147841

Send us a textJoin us for an engaging episode of Living the Dream with Curveball as we chat with the talented KC Armstrong, a singer, songwriter, and producer with a rich musical history. KC takes us on a journey through his career, starting from his early days performing live at just 14 years old to his recent ventures as an Americana artist. He shares fascinating stories about his diverse influences, from The Beatles to Johnny Cash, and recounts memorable experiences with legendary musicians like Jeff Healey and Ronnie Hawkins. KC also opens up about his current projects, including mixing his second album and the excitement of performing live with his band. With an array of instruments under his belt and a passion for blending genres, KC embodies the spirit of creativity and perseverance. Tune in to discover more about his music, upcoming releases, and how you can support his journey.1. KC's Early Musical Journey2. Musical Influences and Genres3. The KC Armstrong Band4. Memorable Collaborations5. Upcoming Projects and Future Plans6. How to Support KC Armstrong

EP. 54: AI & Sync Licensing Secrets: How to Get Your Music on TV & Film  First Step For Sync? Get Your Music Meta-Data Done Right! - Grab your FREE guide on how to do this here: https://mailchi.mp/839e030188ce/9mc45541ff   

The Brush Still Moves: Dennis Perrin's Energy Lives On Through His Son Produced by Nef“You already have the power. You just need to believe.” — Dennis PerrinDennis Perrin wasn't just a painter. He was a transformer of energy. The kind of artist who didn't just capture light—he channeled it. And that same creative current is alive and pulsing through the work of his son, Jonas Perrin—better known in music circles as Produced by Nef.In a heartfelt Purpose Chasers podcast episode, Dennis opened up about far more than paint strokes and palette knives. He invited us into a world where belief reshapes reality and energy is the raw material of both art and life. He spoke about The Perrin Method, a practice rooted in presence, intention, and expansion—an internal renaissance that's accessible to anyone who dares to believe in their own growth.A Legacy of More Than ArtDennis's method wasn't just about aesthetics—it was about alignment. He believed that our thoughts and energy could mold the future. That we each hold the brush to paint our own path.Today, that same philosophy rings loud through the beats and bars of Nef's work—an alchemy of rhythm and precision that mirrors his father's devotion to mastery. While Dennis brought color to canvas, Jonas brings texture to sound, weaving emotion and clarity into every project he touches.Whether you're staring at a finished painting or vibing to a mastered track, one thing's certain: you're experiencing a frequency of the Perrin lineage.

300. Building Creative Magic with Simon Rogers: Mission, Meaning, and Making an Impact In this episode of Creative Chats, Mike Brennan speaks with Simon Rogers, founder of A Little Better Co., about the essence of creativity, his evolution in professional life, and the importance of aligning creativity with personal values. They discuss the challenges creatives face in a tech-driven world, the role of curiosity, and the responsibility of creatives to use their power for good. Simon emphasizes the need for mission-driven creativity and the joy found in the creative process, encouraging listeners to engage actively in their creative journeys. 3 Key Takeaways:

Today we have a fascinating conversation with Randy Nichols, artist manager and CEO of Force Media Management. Randy's been at the forefront of attempting to figure out the ticketing strategy math, especially the scalper side of the equation. We hear about his dive into the cold hard data, scalper chat rooms, and that time he sent someone undercover to the Ticket Scalpers Convention. We also talk about the allure of the “super fan” and why that is… baloney. Also we get into merch, and the general state of live music today.    News! YouTube to demonetize AI-generated videos starting July 15 Why fandom's ‘more is more' era could backfire YouTube's ‘Ask Studio' feature adds AI insight to its analytics Report: Threads is closing in on X's daily active users total   Shoutouts! Immensity_AI Klaviyo Openstage   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

In this episode of The XLNT Show, we sit down with Getter — the dubstep icon, genre-bending producer, and all-around creative force who's officially back and better than ever.We dive deep into his artistic evolution — from early viral bangers to the dark, emotional world of Visceral and the gritty rap persona Terror Reid. Getter opens up about the mental health struggles that led him to walk away from EDM, how he rediscovered his passion through rap, and why he's finally ready to return to heavy bass music with a new mindset and a new sound.Oh, and we also go full Chiliad mystery mode. Like… conspiracy-doc-level deep.⭐️ SUPPORT THE POD ⭐️ ➡️ ⁠⁠⁠⁠⁠⁠https://bit.ly/thexlntshow⁠⁠⁠⁠⁠⁠⭐️ #1 Sample & Preset Packs [Use code "THEXLNTSHOW" for 10% off your next purchase] ⭐️ ➡️ ⁠⁠⁠⁠⁠⁠bit.ly/XLNTSOUNDPACKS⭐️ BROSTEP VOL.1 OUT NOW! ⭐️ ➡️ https://bit.ly/XLNTBROSTEPInside the episode:The real reason Getter walked away from EDM — and what finally pulled him back inBuilding Terror Reid from scratch — and the strategic choices that made it a cult projectVisceral, backlash, and burnout — what really happened behind the scenesSkrillex, Suicideboys, and studio sessions that shaped his comebackWhy rap production saved his creativity — and what EDM producers can learn from itReconnecting with fans, mending old beefs, and planning the ultimate Getter × Terror Reid Red Rocks showThe Mount Chiliad mystery — yes, GTA V has a hidden storyline and Getter might be the only person who actually knows how to crack itIf you're a bass music fan, producer, or just someone who's followed Getter's wild ride through EDM and beyond — this one's for you. One of our most honest, hilarious, and mind-blowing episodes yet.Listen now and subscribe.

Resident in the mix returns with another outstanding mix from Garry Howden.Trilucid - Cheyenne. [UV]Jamie Stevens - Tell You Later (Feat. Wilma (AU) (GMJ & Matter Remix). [Music To Die For Recordings]Ruben Karapetyan - Perceptual Isolation.[Meanwhile]Rabiee Ahmad & Hassan Tariq Khan - In My Mind. [BCSA]Grisel Esquivel - Arcanas (Soulmade AR Remix) [Droid 9]BORDA - Hyperion. [BCSA]Mattias Herrera - Gardens [The Soundgarden]Juan Deminicis - Solar Reign [Kitchen Recordings]Gowzer - Diamond Sky. [Vapour Recordings]Solis [US] - Lumina . [Univack]Sandra Collins & Micke - Thirteen (Quivver Remix). [Dissident Music]Unusual Soul & Redspace - Shadows Of Consciousness. [Music Treasures]Framewerk - Only When I Lose Myself. [Bandcamp]Framewerk - Perception. [Bandcamp]

“Learning how to say your truth as yourself is really, really hard to do—especially at first.” In a world increasingly geared toward disposable art, how do we make something that matters? How can we stay true to our inner artist AND work with the algorithm? Is it even worth the compromise?With the release of his four-part album, Triptychs, Court Hoang set out to answer these questions in a way that worked for him. In this episode, Emmeline and Court chat about how streaming has changed music, how creativity doesn't always work on a schedule optimized for consistent content generation, and how making something honest is always better than making something perfect.Court also shares how songwriting can be the opportunity for the coveted life do-over. Stick around until the end to meet Emmeline's dogs!To learn more about Court Hoang, or to follow his musical journey, visit his official website. To buy Triptychs, check out Court on Bandcamp.For behind-the-scenes information and more about Journey of an Artist, visit the Journey of Series official webpage, or follow Emmeline on social media at @EmmelineMusic.

Confused about which audio sample rate to choose for your music? Whether you're recording your first track or mastering for Dolby Atmos, knowing the difference between 44.1kHz, 48kHz, and 96kHz is more than technical—it's essential to how your music sounds and where it ends up.In this episode of Inside the Mix, mastering engineer and Berklee professor Ian Stewart returns to demystify one of the most misunderstood elements in music production: digital audio sample rates.We answer common questions like:What is a sample rate in audio production?Should I use 44.1kHz or 48kHz when mixing?Does a higher sample rate improve sound quality?What sample rate should I use for streaming or mastering?Ian explains the Nyquist-Shannon theorem, how aliasing impacts your mix, and why 48kHz is the new practical standard, from YouTube to Bluetooth devices to Dolby Atmos. Plus, we discuss how higher sample rates give your plugins more headroom for harmonic generation and cleaner processing.Don't miss this one if you're serious about choosing the best sample rate for your music. And stay tuned, next episode we dive into dither.Links mentioned in this episode: Follow Ian Stewart Send me a message Support the showWays to connect with Marc: Radio-ready mixes start here - get the FREE weekly tips Grab exclusive access to BONUS content Book your FREE 20 Minute Discovery Call Follow Marc's Socials: Instagram | YouTube | Synth Music Mastering Thanks for listening!!

Eternity Music Production Suite FANTASTiC | 14 May 2025 | 7.74 GB Music Producers: Say goodbye to beat block! Our team of 10+ industry & certified platinum producers compiled an […]

Check out McMo's latest fantastic contribution to our PHUK Resident in the Mix series...Tracklist:1. 84 Avenue - Stellar (Extended Mix) [Sunexplosion]2. Temple Gate - Pure Distance (Zankee Gulati Remix) [Warung Recordings]3. D-MICE - Orbiter (Extended Mix) [SkyTop]4. Nikhila Hashen - The Void (Original Mix) [Soulsynth]5. Teleport-X, XAVI st - Many Things (Extended Mix) [Univack]6. Mike Kohl - Wonder Valley (Club Mix) [Manual Music]7. Agustin Pietrocola - Sorcerer (Original Mix) [Balkan Connection South America]8. D-MICE - Tension (Original Mix) [Protagonist Dark]9. CAMILA (AR) - Impetus (Original mix) [Natura Viva Black]10. Indigo Man - Similarity (Mayro Remix) [Undergroove Music]11. Jerome Isma-Ae - Rise (Envotion Extended Remix) [JEE Productions]12. Moodfreak, Haen - Frostbite (Original Mix) [YOMO Records]13. Puck - Hallucinate (Original Mix) [YOMO Records]14. Matt Oliver - Water Cut (Original Mix) [WARPP]15. Al Park - Stellar Drift (Original Mix) [Protagonist Dark]16. Mike Griego, Scippo - Trapped Under Ice (Original Mix) [A Line In The Sand]17. MYRNE, mor•a•mor - Blood Runs Blue (Extended Mix) [Anjunabeats]18. Nicolas Rada - Glasgow (Original Mix) [Meanwhile]19. Ezequiel Arias - What Is Music (Extended Mix) [Anjunadeep]20. D-Nox - Heartbeat (Original Mix) [Sprout]21. Laut, Marc Wiese - Melodies of Us (Extended Mix) [Sekora]22. foglight - Secret Temple (Original Mix) [Mango Alley]23. Adrià Falcó - Shiva's Journey (Extended Mix) [Hollystone Records]

Ever wondered if you're tracking the right metrics in your music production journey? That nagging question—"Am I measuring what truly drives growth or just staying busy?"—led me to create something that transformed my creative process completely.In this episode of Inside the Mix, I introduce the Producer Growth Scorecard—a free, gamified tool designed to help you track what actually moves the needle in your music career.Whether you're trying to release a new track every six weeks or just break through creative ruts, this system helps you focus on the right production habits. Each task—like finishing a loop, mixing a track, or releasing a single—earns points toward a weekly goal. The target? 40 points per week. Simple, measurable, and motivating.We'll dive into how the scorecard works, how it ties your day-to-day activity to long-term output, and why it's helping producers worldwide stay consistent and finish more music.If you've ever asked, “How do I stay productive as a music producer?” or “What should I track to grow as an indie artist?”—this is the episode for youLinks mentioned in this episode: Grab your FREE Producer Growth ScorecardSend me a messageSupport the showWays to connect with Marc: Radio-ready mixes start here - get the FREE weekly tips Grab exclusive access to BONUS content Book your FREE 20 Minute Discovery Call Follow Marc's Socials: Instagram | YouTube | Synth Music Mastering Thanks for listening!!

Is AI changing the future of music production? In this episode, I sit down with Bobby Owsinski, renowned producer, author, and music industry expert, to explore the evolving role of AI, mastering, and the creative process. We dive into the latest edition of Owsinski's Mastering Engineer's Handbook, the importance of reference tracks, and the challenges of self-mastering. Our conversation covers the adaptability of professional songwriters, the resurgence of traditional song structures like bridges, and essential mixing techniques. We also discuss the significance of mono mixing, the roles of engineers and producers, and how the legacy of the music industry continues to shape modern production. Bobby and I explore the fallibility of memory in music history, the evolution of guitar tone and equipment, and the impact of technology on sound. We discuss the future of immersive audio, particularly in theatrical settings, and share insights on discovering new music, staying engaged with diverse sounds, and the importance of content creation and organization. If you're looking for expert insights on mastering, mixing, and navigating the changing landscape of music production, this episode is packed with valuable takeaways! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is producer and engineer Bobby Owsinski, one of the best-selling authors in the music industry, with 24 books that have become staples in audio recording, music, and music business programs worldwide. His titles include The Mixing Engineer's Handbook, The Music Business Advice Book, and The Musician's AI Handbook. A contributor to Forbes as a category expert on the new music business, Bobby's industry blogs have won numerous awards, and he's appeared on CNN and ABC News as a music branding and audio expert. His highly-rated Inner Circle podcast is now in its 10th year, with over 500 episodes featuring top guests from across the music industry. Bobby Owsinski was featured in RSR010, RSR395 and RSR458 episodes. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/35qyOhVhDyTtol0MGSyCjf?si=7f4e7901c3a94ec5 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/513

Join us today as we talk with Jessica Sobhraj, the co-founder and CEO of Cosynd; a platform that helps creators protect their copyrights. We start by talking about the complex legal maneuvers involving the US Copyright Office; we then head into the ongoing impact of AI and the proactive steps you should take to safeguard your intellectual property.    But first, the news!  Anthropic Scores Major Fair Use Win in Authors' Infringement Suit: ‘Using Copyrighted Works to Train LLMs to Generate New Text Was Quintessentially Transformative'   Affordances in the brain: The human superpower AI hasn't mastered   Deezer Exec Says ‘There's No Going Back' on AI Music: ‘The Industry Will Need to Make a Decision'   The music industry is building the tech to hunt down AI songs   Shoutouts mentioned 5 Calls Sureel   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

This week, the Emo Social Club charts the complete journey of Fil Thorpe. From his departure from pop-punk giants Neck Deep to forging a new cinematic sound with World's First Cinema, Fil discusses his past, present, and future in music. He shares insights on starting over, the creative process behind the new album "Something of Wonder," and his vision for what's to come.Topics Discussed:The decision to leave Neck Deep at the end of their third album cycle to move into production.The evolution of World's First Cinema from a film/TV sync project to a full-fledged band.The creative philosophy behind the debut album "Something of Wonder" and the goal of encapsulating the band's diverse, genre-blending sound.Reflections on the Warped Tour legacy and the "emo nostalgia" trend in the current music scene.The challenges and benefits of shifting from a large band to a two-person creative team.The story behind the single "Broken" and the decision to feature rapper JD Cliffe.Fil's vision for the future: creating authentic music that excites him personally rather than chasing viral trends.Thumbnail image from 1883 Magazine. Credit: @AnnaLeeMedia

What if your go-to vocal de-esser plugin could do so much more?In this episode, Marc Matthews and Tim Benson break down the creative power of de-essers and why they might be the secret weapon missing from your mix.We kick things off with how de-essers work (spoiler: it's more than just “s” sounds), before diving into smart, non-traditional de-esser techniques—like taming harsh cymbals, controlling boxy kick drums, and even smoothing out reverb tails and delay returns.Can you use a de-esser on backing vocal buses? Is a de-esser better than dynamic EQ for harsh instruments? We answer these, share real-world wins (and mixing mistakes), and explain when less control = better resultsIf you've ever asked, “Should I use a de-esser on something other than vocals?” or “How do I stop overprocessing my mix?”—this one's for you.Whether you're producing electronic vocals or mixing acoustic drums, you'll leave this episode with actionable tricks to clean up harsh frequencies without killing vibe or tone.Links mentioned in this episode: Listen to 'Darklight' on SpotifyListen to 'Future No More' on SpotifySend me a message Support the showWays to connect with Marc: Radio-ready mixes start here - get the FREE weekly tips Grab exclusive access to BONUS content Book your FREE 20 Minute Discovery Call Follow Marc's Socials: Instagram | YouTube | Synth Music Mastering Thanks for listening!!

In this special episode of Americana Podcast, host Robert Earl Keen takes listeners on a journey from the heart of Nashville to the sun-soaked streets of Los Angeles, exploring the rich history and evolving future of Americana and Country music. His guest is Shooter Jennings, an outlaw by birth and a tastemaker by trade, who has carved out a unique role in shaping the genre's direction.As the son of country legend Waylon Jennings and a producer for artists like Tanya Tucker, Brandi Carlile, and The Turnpike Troubadours, Shooter brings deep insight into both the legacy and the innovation within the genre. He and Keen discuss the differences and connections between the Nashville and California country scenes, his approach to producing, and the upcoming release of never-before-heard music from Waylon Jennings.Listen to the full episode wherever you get your podcasts or watch it on the official Robert Earl Keen YouTube channel. Episodes and Bonus content available on YOUTUBE!https://www.youtube.com/@robertearlkeenofficial Donate to the show!https://tiptopjar.com/americanapodcastInstagram@robertearlkeen1Have questions or suggestions? Emailcreatedirector@robertearlkeen.com

We take a brief detour from Jack's Summer to talk about a sometimes-overlooked gem of a song that has fallen out of the live show in recent years for the most part. I haven't ever spoken to another fan who considers this one of their favorites. Is it one of your favorites? Review from hiddenjams.com: https://hiddenjams.com/2014/10/14/review-andrew-mcmahon-in-the-wilderness/ Live in DC, 2014: https://youtu.be/FdYT37QZeiA Live at Mohegan Sun, CT, 2015: https://youtu.be/XvPFsYNNLeg HuffPost article, 2014: https://www.huffpost.com/entry/fangs-wilderness-chats-w_b_8398818 Fan-made Music Video by December Hotel: https://youtu.be/_xsV4F_oAog

We take a brief detour from Jack's Summer to talk about a sometimes-overlooked gem of a song that has fallen out of the live show in recent years for the most part. I haven't ever spoken to another fan who considers this one of their favorites. Is it one of your favorites? Review from hiddenjams.com: https://hiddenjams.com/2014/10/14/review-andrew-mcmahon-in-the-wilderness/ Live in DC, 2014: https://youtu.be/FdYT37QZeiA Live at Mohegan Sun, CT, 2015: https://youtu.be/XvPFsYNNLeg HuffPost article, 2014: https://www.huffpost.com/entry/fangs-wilderness-chats-w_b_8398818 Fan-made Music Video by December Hotel: https://youtu.be/_xsV4F_oAog

Music Theory in the Studio: Must-Have Skill or Creative Buzzkill? Should every musician or producer know music theory? Is it a necessary tool or an outdated gatekeeper? In this episode of Inside the Recording Studio, Chris and Jody tackle one of the most debated questions in modern production: does knowing music theory actually help in the studio—or can it sometimes get in the way? From beatmakers who can't read a note to session players who know every scale in every mode, the creative spectrum is wide—and this conversation explores all sides of it.  In this episode: Should producers, musicians, and engineers be fluent in music theory? Does music theory speed up the writing and recording process—or complicate it? Can theory knowledge hinder spontaneity and vibe in a creative session? What happens when you're collaborating with someone who doesn't know theory? And: how to find the sweet spot between structure and instinct in your workflow Whether you're a self-taught genius or a classically trained perfectionist, this episode will give you a fresh take on where music theory fits into today's studio landscape. And of course, there's this week's Friday Finds—plus a bit of good-natured nonsense for balance.   #InsideTheRecordingStudio #MusicTheoryDebate #MusicProductionTips #MixingEngineer #HomeStudioLife #ProducerMindset #StudioWorkflow #FridayFinds #RecordingLife #CreativeCollaboration

Composer and musician Yann Tiersen talks to William Stokes about his love of modular synthesis, the joys and challenges of touring and performing and how he found himself unexpectedly involved in film composition, followed by an exclusive performance using five selected modules.Chapters00:00 - Introduction01:26 - An Accidental Film Composer05:44 - Recording And Mixing Process11:38 - Visiting Erica Synths13:21 - Trans Musicale Festival In Rennes18:47 - Eskal Studio On Ouessant Island21:00 - Module 1: Serge New Timbral Oscillator25:51 - Module 2: Instruō Lúbadh31:06 - Module 3: Mutable Instruments Beads32:58 - Module 4: Erica Synths Black Stereo Delay37:21 - Module 5: TouellSkouarn Ar Merc'het Brao41:30 - Yann Tiersen PerformanceYann Tiersen BiogYann Tiersen is a French composer and multi-instrumentalist whose work spans classical, electronic, and experimental music. He gained international recognition in 2001 for his soundtrack to Le Fabuleux Destin d'Amélie Poulain (Amélie), following the success of his 1998 album Le Phare, which achieved gold status in France.Since then, Tiersen has released numerous studio albums and has performed extensively across Europe, North America and Asia. His discography includes collaborations with artists such as Jane Birkin, Elizabeth Fraser and Matt Elliott. His work has been featured in films, theatre productions and contemporary art installations.Tiersen's compositions have appeared in a range of films beyond Amélie, including Good Bye, Lenin! (2003), Alice et Martin (1998) and Tabarly (2008), as well as various short films and documentaries. His music is frequently used for its emotive and atmospheric qualities, particularly in European cinema.His latest release, Rathlin from a Distance | The Liquid Hour (2024), is a double album where the first part comprises eight solo piano pieces written during a 2023 sailing trip, each linked to a specific location. The second part shifts to electronic production, incorporating modular synths, samples and rhythmic textures, created following a night at sea near Belfast. The project reflects Tiersen's ongoing interest in location-based composition and the integration of acoustic and electronic elements.Tiersen records at his studio on the island of Ushant, off the coast of Brittany and continues to tour internationally.https://www.yanntiersen.com/https://www.instagram.com/yanntiersenhttps://www.facebook.com/yanntiersen.officialhttps://www.youtube.com/yanntiersenWilliam Stokes BiogWilliam Stokes is a producer, writer and artist in three-piece avant-psych band Voka Gentle. As well as being a critic and columnist for Sound On Sound, conceiving the popular Talkback column and heading up the Modular column, he has also written on music and music technology for The Guardian, MOJO, The Financial Times, Electronic Sound and more. As an artist in Voka Gentle he has made records with producers from Gareth Jones (Depeche Mode, Grizzly Bear, Nick Cave) to Sam Petts-Davies (Radiohead, The Smile, Roger Waters), has had songs featured on franchises from FIFA Football to The Sims and has toured across the UK, Europe and the USA, playing festivals from Pitchfork Avant-Garde in Paris to SXSW in Austin, Texas. He has collaborated with artists including the Flaming Lips' Wayne Coyne, Morcheeba, Panda Bear and Sonic Boom. Alongside being a guitarist and pianist, he is a synthesis enthusiast with a particular interest in sampling and explorative sound manipulation. As a producer and engineer, he has made albums with acclaimed avant-garde musicians from composer Tullis Rennie to Mute Records artist Louis Carnell. “I'm always seeking out the most ‘out-there', experimental, risk-taking musicians I can find to work with,” he says, “to capture vibrant, detailed recordings and create three-dimensional mixes of music that might otherwise struggle to know where to begin in the studio environment.” Stokes currently lectures in Music Production at City, University of London.https://www.vokagentle.com/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

On today's episode we talk with Bomo Piri, Chief Brand Officer at Native Instruments. Our conversation begins with the techno Berlin roots of the brand and dives into what's happening today with their strategic partnerships -- like the London based Young Urban Artist Foundation, and a very cool sounding recent collab with Mustard at Coachella. We chat about Bomo's unique marketing approach as well as the importance of authentic community engagement, and how they see that as a throughline to most of their marketing efforts.   The News! US music publishing revenue jumped 13.4% to $7bn in 2024, outpacing the growth rate of recorded music   PlayStation's concert series is coming to the US   UMG JV with investment firm WTSL focuses on ‘artist-led IP'   Sony Music CEO Talks AI: ‘We Are Going to Do Deals for New Music AI Products This Year'   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

In this episode of The Bandwich Tapes, I talk with producer, mixer, and engineer Rachael Moore, whose work spans some of the biggest names in music and film. Rachael has been a major force in Nashville for over a decade, collaborating with legends such as Robert Plant, Alison Krauss, and T-Bone Burnett. She also produced and recorded all the music for the Showtime series George & Tammy, starring Jessica Chastain and Michael Shannon.Rachael shares her journey from growing up in the South to becoming a trusted name in Nashville's production scene. We discuss her beginnings as a session engineer, the lessons she learned from top producers, and how she built a career by combining technical precision with a deep understanding of artists' needs. She talks about her work on TV and film projects, including George & Tammy, Nashville, The Old Man, and the indie film Downtown Owl.What stood out to me in our conversation was Rachael's clear commitment to collaboration and service. She sees music production as a people-first business and takes pride in delivering on an artist's vision, sometimes in unconventional ways, but always with heart. From navigating the pandemic to shaping organic sounds across genres like country, Americana, indie, and rock, Rachael's story is a testament to adaptability, creativity, and love for the craft.Thank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com.The theme song, Playcation, was written by Mark Mundy. 

Send us a textWhen a dream of pro baseball fizzled, Darryl found himself staring at a blank wall in his college dorm—until Curtis Mayfield's “Give Me Your Love” filled the silence. That one track set a new course, reshaping his identity and fueling a passion for music that's taken him from Napster downloads to EA Sports and ultimately launching his own platform for creatives, Bass Parlour.Hear how one song became a soundtrack to reinvention, love, and life's unexpected second acts.Full Show Notes

On today's podcast we have a truly amazing talk with Damien Riehl, a musician and technology lawyer who is one of the masterminds behind All the Music Project; an algorithmically generated catalogue of 471 billion melodies, which was then put into the public domain in an attempt to protect musicians from being sued for copyright claims. It is a fascinating conversation. Damien's Ted Talk here   News! Gen Z is embracing a digital detox and the ‘Martha Stewart summer'   Apple Intelligence Is Gambling on Privacy as a Killer Feature   The iPhone is your karaoke mic in tvOS 26's Apple Music Sing   Nothing will stand in the way of independents (and why the world's first three-person indie unicorn is only a matter of time away)   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

Ever wondered why your mixes don't sound professional, even with decent gear and endless YouTube tutorials? In this episode, Marc Matthews and Tim Benson, AKA Aisle9, reveal the overlooked production habits that separate amateur mixes from polished tracks.Discover how using reference tracks, including your own successful work, can instantly level up your sound. The duo also expose their most cringeworthy recording mistakes, from misaligned mics to monitor mishaps, underscoring why getting things right at the source is critical.You'll also learn the workflow most producers ignore: poor project organisation. Marc and Tim share practical tips on track naming, grouping, and DAW session structure that boost efficiency, and no new gear is required.Whether on your first track or your fiftieth, this candid, tip-packed conversation will help you overcome common mixing hurdles, avoid overprocessing, and finally achieve that clean, professional sound you've been chasing.Tune in to transform your studio sessions and start producing music that truly translates.Links mentioned in this episode: Got a question? We'd love to hear from you! Submit a question, share your social media handles or website, and get featured in a future episode. Plus, one lucky person will win a Starbucks voucher each month!Send me a message Support the showWays to connect with Marc: Master with confidence - join the Pro Home Mastering waitlist - If you grab the course using my link, I may earn a commission at no extra cost to you Radio-ready mixes start here - get the FREE weekly tips Grab exclusive access to BONUS content Book your FREE 20 Minute Discovery Call Follow Marc's Socials: Instagram | YouTube | Synth Music Mastering Thanks for listening!!

Buy the New Edition of our Deconstructed Logo Merch from June 14th to June 23rd here ► https://corridordigital.storeOur videos are made possible by Members of CorridorDigital, our Exclusive Streaming Service! Try a membership yourself with a 14-Day Free Trial ► http://corridordigital.com/We took two weeks off, so a lot of topics to touch on. Wren experienced the recent unrest in LA first-hand. He also got a switch 2. His Render also got 155M+ views on Instagram. Sam talks about some Music Production and all the boys weigh in on the current response to the ICE initiative. This episode was recorded LIVE, exclusively for our website subscribers. Look out for updates on our website homepage, YT Community, and social media to find out about our next live recording session!SUPPORT ►Join Our Website: https://bit.ly/Crew_MembershipInstagram: http://bit.ly/_Corridor_InstagramBuy Merch: http://bit.ly/Corridor_StoreSub-Reddit: http://bit.ly/_Corridor_Sub-Reddit

It is a pleasure to welcome Maya Kuriel as a guest to The Jake's Take with Jacob Elyachar Podcast.  Born and raised in Seattle and now based in Los Angeles, Maya is a first-generation Korean American artist redefining the landscape of pop music. She's a sonic architect crafting a world where eerie synths, raw emotion, and grungy production collide. Maya embraces the underrepresented, carving out a space for Asian voices in a genre that's long overdue for a shake-up. Her music drips with moody textures and cinematic tension, luring listeners into a hypnotic haze of haunting melodies and pulsating beats.  Since her debut in 2020, Maya has amassed over 2.5 million streams across all platforms, captivating audiences worldwide with her powerful vocal melodies and introspective lyrics. With a voice that floats between ethereal beauty and unfiltered grit, she's the storm brewing on the edge of pop's horizon—one that refuses to be ignored.  Her diverse discography has attracted the attention of Stardust, Ones to Watch, and Medium.In March 2023, she earned a Bachelor of Music degree in Songwriting and Music Production from the Musicians Institute in Hollywood. With her degree in hand, Maya is poised to take her career to the next level.   On this episode of The Jake's Take with Jacob Elyachar Podcast, Maya Kuriel spoke about the stories behind some of her songs, including “Dead Weight,” “Bittersweet,” and her latest single, “Alibi,” and her dream collaborators.Become a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.

”Create a flurry of content.   But do not put $10,000 aside for a celebrity to come in and talk about your brand. I want you to go after thirty smaller creators with followings between ten and thirty thousand.” Today we hear from Adam McHeffey, the former CMO of Artiphon and current Chief Creative Officer at Rock Paper Scissors to discuss effective strategies for marketing musical instruments. Key points include the significance of IRL networking, the importance of strategic planning, and the role of traditional PR. Adam also provides some very clear step-by-step marketing strategies. This episode is a must for anyone looking to launch a new product or musical instrument.   News! Events-tech firm Fever raises its latest nine-digit funding round   AI, bot farms and innocent indie victims: how music streaming became a hotbed of fraud and fakery   Do not settle.   AM Radio Mandate is Moving in Congress — But Should It Pair with Performance Royalty Requirements?   ‘Ethical' AI Music Firms React to the Majors' Suno-Udio Licensing Talks: ‘We Just Get Left Behind'   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

This week, Emmeline sits down with Jonathan and Christian from The Creatives Factory, a Dallas-based development company that provides marketing and recording services to independent musicians. In this episode, Jonathan and Christian talk about becoming partners, building a business, and making intentional decisions about which projects to join. They also share how their childhood backgrounds have impacted their artistic journeys.To learn more about The Creatives Factory, visit the official website. To learn more about the Downtown Dallas Arts & Music Festival, visit the festival's official website.For behind-the-scenes information and more about Journey of an Artist, visit the Journey of Series official webpage, or follow Emmeline on social media at @EmmelineMusic.

Today we bring you the recording from our latest on-line Seismic Event, “Artist Careers in a Parallel Universe.” It was an exploration into the livelihood of three working artists; Clara Venice, Vivek Agrawal, and The Phronetic. RPS Chief Creative Officer, Adam McHeffey talks with them about how they are using new technology to fuel their creative visions, how they've built brand relationships, and importantly, how they're monetizing their networks. Great insight into how they make it work. Also! stick around for the news.   Seismic Activity Guests Vivek Agrawal The Cassette Speaker The Oasis   Clara Venice Locket   The Phronetic   Sign up for the next Seismic Activity!   Links to the News What Is Going On With the Chaos At the Copyright Office? Fake Podcasts EU artists generated more than $1.8 billion on Spotify in 2024, up 15% YoY   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!  Get Dmitri's Rock Paper Scanner newsletter.

Send me a messageWhy do some mixes, even with top plugins and techniques, still sound off? The answer might lie in a step you're overlooking: the static mix.In this episode of Inside The Mix, Marc Matthews talks with mix engineer Nate Kelmes to explore: What is a static mix in audio mixing? And why is a static mix important before adding effects? Nate explains how balancing levels and panning, before any processing, can account for 70–80% of a great mix. “If the plugins disappear, the song should still work,” he says.You'll learn how long to spend on a static mix (hint: 2–3 hours is a sweet spot), what the benefits of starting with a static mix are, and how a static mix improves overall mix quality by building emotion and clarity from the start. Nate also shares how a strong static mix can reduce the need for heavy processing later, making your workflow faster and more intentional.From native DAW tools to vocal automation and top-down mixing, this episode is packed with actionable insights for producers at any level. If you want more cohesive, impactful mixes, this is where it starts.Links mentioned in this episode: Follow Nate KelmesListen to the Sound Discussion PodcastListen to Microphones and Recording Audio with Mike SeniorListen to Music, the Industry and Everything Else with Warren Huart Support the showWays to connect with Marc: Radio-ready mixes start here - get the FREE weekly tips Grab exclusive access to BONUS content Book your FREE 20 Minute Discovery Call Follow Marc's Socials: Instagram | YouTube | Synth Music Mastering Thanks for listening!!

Photo of Missy by: Roberto Badillo Photography We chat with Missy and Ryan of Obsidian about the lack of deathrock in the goth scene, their personal experiences with death, and what it means to live a meaningful life.  Mental Crises Support Sponsers: Amulet Mentallo and the Fixer If you enjoy the podcast please support us on Patreon.  Intro 00:00 Amulet's New Single 2:50 Mentallo and the Fixer 3:15 Getting into Goth 3:45 Deathrock and Music Production 11:40 Dealing with Death 33:20 Depression and Suicide 1:02:30 Post Show Musings 2:08:10   References: -Deathrock -What is the Measure of Nothingness -Suffering and Buhddism  -Dukkah -Death in Taoist Thought -Who Decides What a Mental Illness is? -Meta Selling Relationship AI -Lacan's The Real -Are We Modern? -Latour

Photo of Missy by: Roberto Badillo Photography We chat with Missy and Ryan of Obsidian about the lack of deathrock in the goth scene, their personal experiences with death, and what it means to live a meaningful life.  Mental Crises Support If you enjoy the podcast please support us on Patreon.  Intro 00:00 Amulet's New Single 2:50 Metallo and the Fixer 3:15 Getting into Goth 3:45 Deathrock and Music Production 11:40 Dealing with Death 33:20 Depression and Suicide 1:02:30 Post Show Musings 2:08:10 References: -Deathrock -What is the Measure of Nothingness -Suffering and Buddhism  -Dukkah -Death in Taoist Thought -Who Decides What a Mental Illness is? -Meta Selling Relationship AI -Lacan's The Real -Are We Modern?

Andy has recently dove deeper into his fandom for Andrew McMahon and came to share his thoughts on a newer song. Find out what he has to say about this song, and Andrew's music in general as a fan that's still discovering the music. We dive deep into the meaning of the song- what it means to us, and what it may have meant to the songwriters. Official Music Video: https://youtu.be/4VWzY-fUWlE?si=Mkqv3qKxAoLPJbW7 Piano-only version (visualizer): https://youtu.be/U17-aNbB_tU?si=IgFmdIUKedju-WnB Live (full-band) in Anaheim, 2023: https://youtu.be/mG58yA9yAyU?si=5fk92rNsZdg3C8br Live (piano-only) at PNC Studio Session, 2023: https://youtu.be/-3kzdv1VJ60?si=X3r38PrWbjG01kYN Consequence of Sound article, 2023: https://consequence.net/2023/03/andrew-mcmahon-in-the-wilderness-tilt-at-the-wind-no-more-track-by-track/4/ American Songwriter article, 2023: https://americansongwriter.com/review-andrew-mcmahon-sifts-through-his-past-in-tilt-at-the-wind-no-more/

Catch Afro House DJ and producer Keyloud live in our studios, getting hyped with Wanjira Longauer, sharing stories behind his music and upcoming show on June 7th! 

On today's news roundup show Dmitri and Eleanor tackle the week's music tech news. They discuss Spotify's app store changes, Apple Music's new transfer tool, and so many AI music industry developments, including the $10 million AI music fraud case.    News you might want to read: Spotify says App Store changes have boosted its subscriptions   Apple Music's new transfer tool simplifies switching from other streaming services   Martina McBride Speaks Out Against AI Deepfakes at Senate Hearing: ‘It's Just Terrifying'   Udio launches mobile app using Apple's in-app purchases system   OpenAI has hardware ambitions – and a $6.5bn deal to ignite them   ‘A Billion Streams and No Fans': Inside a $10 Million AI Music Fraud Case   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.