Podcasts about music production

Is it wrong for a Catholic to like/love/use/appreciate AI created music? Should we ban AI produced content from our liturgy (choirs, hymns...)? And, is AI development comparable to the industrial revolution in terms of job replacement (theory)?  Henri-Pierre Koubaka chats with Dr Jeremy Kidwell who is a Senior Lecturer in Theological Ethics from the Department of Theology and Religionat the University of Birmingham. Dr Kidwell is an interdisciplinary scholar trained in ethics and constructive theology, with a background in the humanities, particularly, literature and music.Please consider supporting us with a one-off or monthly donation. It is only through the generosity of our listeners that we are able to be a Christian voice by your side.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://radiomaria.uk/donations/⁠⁠⁠⁠

Henri-Pierre KOUBAKA reviews some of the tech developments in music production from the 70's, 80's and 90's when synths and DJs took over the dance-floors. Today, can AI make us dance?Please consider supporting us with a one-off or monthly donation. It is only through the generosity of our listeners that we are able to be a Christian voice by your side.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://radiomaria.uk/donations/⁠⁠⁠

Faith Brackenbury (musician and composer) challenges Henri-Pierre Koubaka on the use of AI in creating beautiful and intense music. She argues that AI will destroy musician's dignity in an 'unCatholic' way. Faith Brackenbury studied violin and piano classically at music school, diversifying into jazz, folk, rock and improvisation at Brunel University.Please consider supporting us with a one-off or monthly donation. It is only through the generosity of our listeners that we are able to be a Christian voice by your side.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://radiomaria.uk/donations/⁠⁠⁠

Xylo Aria is a singer, producer, and entrepreneur. Xylo founded Music Production for Women to help empower and educate women music-makers. Her new album Dream will be released summer 2026. I've been following Xylo's work for some time now and it was great to speak to her about her work. We discussed building community and the creation of her new album. Xylo has collected a lot of wisdom in her journey and shares it with us today.  Music Production for Women is running SoundLab, a virtual event on July 14th and 21st, 2026 to help attendees unlock the skills of producing and mixing music. Sign up here: https://musicproductionforwomen.com/soundlab2026 Listen on Apple, Spotify, YouTube Links: Xylo Aria - https://www.xyloaria.com Music Production for Women - https://musicproductionforwomen.com MPW Podcast - https://musicproductionforwomen.com/#section-2gUK_YLsXV Free Intro to Music Production Class by MPW - https://musicproductionforwomen.com/music-production-masterclass-1535-155985 Xylo on Instagram - https://www.instagram.com/xyloaria/ MPW on Instagram - https://www.instagram.com/musicproductionforwomen MPW on Facebook - https://www.facebook.com/musicproductionforwomen MPW on YouTube - https://www.youtube.com/@musicproductionforwomen Xylo on YouTube - https://www.youtube.com/@XyloAria/videos Brian Funk Website - https://brianfunk.com Music Production Club - https://brianfunk.com/mpc  5-Minute Music Producer - https://brianfunk.com/book Intro Music Made with 16-Bit Ableton Live Pack - https://brianfunk.com/blog/16-bit Music Production Podcast - https://brianfunk.com/podcast Save 25% on Ableton Live Packs at my store with the code: PODCAST - https://brianfunk.com/store This episode was edited by Animus Invidious of PerforModule - https://performodule.com/ Thank you for listening.  Please review the Music Production Podcast on your favorite podcast provider! And don't forget to visit my site https://BrianFunk.com for music production tutorials, videos, and sound packs. Brian Funk

In today's episode of TheStockroom, we're joined by the talented household name, Louis Culture hailing from South London. Kicking off his career as a producer and developing into the talented artist we've seen today, Louis joins Eman and Michael on the pod as they speak about his journey so far as an artist, his love for fashion and footwear, and the new project he has on the way!Make sure to like & comment, and subscribe so you don't miss anything!#louisculture #ukmusic #podcastFollow Louis Culture here: https://www.instagram.com/louiscultureFollow TheStockroom: https://www.instagram.com/thestockroompodFollow our personal platforms too from left to right:Eman: https://www.instagram.com/emansgram_Michael: https://www.instagram.com/them1show00:00 - Intro00:35 - What has annoyed you today?03:15 - Why did you choose Louis Culture as your artist name?06:17 - What was it like for Louis growing up in Battersea? And what were his influences?13:49 - Louis on his production process & dealing with creative blocks19:20 - Who inspired Louis' personal style21:20 - Louis shows us his first Jordan's23:38 - Early fashion memories33:23 - What's On Foot?36:30 - Top 5 Kicks In Louis' Collection & Top 5 of All Time47:24 - When did Louis realise music was no longer just a hobby48:25 - Louis on his new music and his upcoming project51:15 - Advice to people wanting to enter the music scene

Submit your track, mix for repost or premiere? ➩promo@8day.ca Stream our Playlist on Spotify: bit.ly/8daymtl ♩ ♪ ♫ ∞ ♥ Buy link:

Gugs Mhlungu speaks to Dr. Sheldon Leal, Musicologist and Academic Registrar at the Academy of Sound Engineering, about Madonna's new album, Confessions II. They explore why critics are calling it one of her strongest releases in years, its late-'80s house music influences, and how it revisits the immersive club sound that defined the original Confessions era. Gugs Mhlungu gets you ready for the weekend each Saturday and Sunday morning on 702. She is your weekend wake-up companion, with all you need to know for your weekend. The topics Gugs covers range from lifestyle, family, health, and fitness to books, motoring, cooking, culture, and what is happening on the weekend in 702land. Thank you for listening to a podcast from 702 Weekend Breakfast with Gugs Mhlungu. Listen live on Primedia+ on Saturdays and Sundays from 06:00 and 10:00 (SA Time) to Weekend Breakfast with Gugs Mhlungu broadcast on 702 https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/u3Sf7Zy or find all the catch-up podcasts here https://buff.ly/BIXS7AL Subscribe to the 702 daily and weekly newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702 See omnystudio.com/listener for privacy information.

Modern audio mastering has shifted from a focus on sheer volume to a nuanced understanding of loudness normalization across streaming platforms like Spotify and Apple Music. The provided text explains that LUFS (Loudness Units Full Scale) serves as a vital measurement tool for human perception of sound rather than a strict creative limit. Musicians are encouraged to prioritize mix density and dynamic balance over hitting specific numerical targets, as over-processing can lead to distorted or lifeless tracks. Key technical safeguards, such as maintaining true peak headroom, ensure that audio remains clear during digital conversion and encoding processes. Ultimately, successful mastering requires volume-matched referencing and a focus on how a song translates across various listening environments. The source emphasizes that the goal of the contemporary engineer is to achieve a professional sound that feels impactful and alive regardless of platform adjustments. http://www.makingascene.org

Send us Fan Mail"Es que la ciudad es tan vacía como dicen." How do you know which language best fits a song? How do you keep your saddest stories from sounding too depressing? Where do you go for sonic inspiration?AMANDA tackles these questions and more as she sits down with Emmeline to discuss her brand new song, "Medio Oeste." They talk about the importance of pulling the right producers on board, how one riff can transform a track, and why songwriters are so tempted to tell stories that seem a smidge melancholy. Plus, hear them geek out over their favorite 90s musicians!To learn more about AMANDA, or to follow her musical journey, make sure to find her on Instagram. For more episodes of Journey of a Song, Emmeline's other show, make sure you're subscribed to Journey of a Song on all of your favorite podcasting platforms, or visit here.For behind-the-scenes information and more about Journey of an Artist, visit the Journey of Series official webpage, or follow Emmeline on social media at @EmmelineMusic.

A listener-requested episode is back by popular demand! Dee Kei and Lu tackle one of the most common questions in the show's history — what computer should you actually buy for mixing, producing, recording, and video editing in 2026?They make the case for why Mac has become the default choice for anyone working in a collaborative environment, breaking down file compatibility issues, AirDrop convenience, and why the cost gap with PCs no longer justifies the headache. From there, they go deep on the Mac mini's rise as one of the best value computers ever made, why it became so hard to find, and how the M4 and M5 chip generations have made fan noise, overheating, and lag basically non-issues for audio work.The conversation also covers RAM and storage decisions that actually matter (versus the ones that don't), why external Thunderbolt drives are now just as fast and far more affordable than maxing out internal storage, and surprising GPU improvements that are changing video editing speeds for producers who dabble in content creation. They wrap with an unexpected but relevant detour into Apple's privacy stance and what that means for engineers handling sensitive, high-value sessions.If you've been putting off a computer upgrade or just don't know what specs actually matter anymore, this episode cuts through the noise.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Send us Fan MailAlyssa shares her feelings on Clive Davis passing - expresses her gratitude for her music collaborator Robby  ~ and her protective deep love for Mother OceanFeatured song ~ Purples and Blues/Get Up (Remix)Support the showInstagram

On this episode of The Bandwich Tapes, I sit down with singer, songwriter, producer, studio builder, and longtime Austin music figure Hank Alrich for a conversation about songs, sound, family, and the long arc of a creative life.Hank talks about his early years as a working folk singer, his time building a recording studio inside Armadillo World Headquarters, and eventually taking the helm of that legendary Austin venue in the late 1970s. Along the way, he reflects on the kind of musical education that comes from being surrounded by country, blues, folk, jazz, funk, and experimental music all in the same room.We spend a good bit of time with Hank's album Broken River, especially the way it balances polish and looseness. Hank shares how he approaches recording with a live band, why he values trusted collaborators, and how his daughter Shaidri has become an essential musical voice in his work.This is a conversation about writing only when the song demands it, letting musicians play together in real time, and learning to respect the crack in the performance where the light gets in.Key Takeaways • Hank's first professional gig was as a house folk singer, playing six sets a night, seven nights a week. • His work at Armadillo World Headquarters gave him a broad musical education across folk, country, blues, jazz, funk, and beyond. • Broken River brings together songs from different periods of Hank's writing life. • Hank values live recording because of the human, almost metaphysical connection between musicians in the room. • His daughter Shaidri plays an important role as a harmony singer, collaborator, and trusted set of ears. • Hank sees production as a team effort, with every musician and engineer contributing to the final shape of the song. • The conversation explores the difference between perfection and completion in making records.Music from the EpisodeI Hate to See That Evening Sun Go Down - Hank AlrichThe Perfect Hat - Hank AlrichShe Had Whiskey For Dinner - Hank AlrichBroken River - Hank AlrichAbout the PodcastThe Bandwich Tapes is a music interview podcast hosted by Brad Williams. Each episode features thoughtful conversations with musicians, songwriters, composers, producers, and artists about craft, collaboration, creative process, musical identity, and the way music actually gets made.Connect with the ShowEmail: contact@thebandwichtapes.com

Something for the H.E.A.T today.... Slxm Sol (pronounced Slim Soul) is an East London-born producer, DJ and sound engineer at the intersection of deep, soulful house and jazz-inflected electronic music. Named a must-hear emerging artist (DJ Mag), his debut EP SQR006 (2024) premiered via Mixmag, EELF and Délicieuse Musique and garnered praise from Juno Download, The Club Map and Apparel Music. Alongside his solo portfolio, Slxm Sol's regular collaborators include Rudimental, BB James and LEGZDINA. Sol also co-produced “No Better Friend” and “Fire” on House Gospel Choir's Love Is The Message (2025), which charted at #13 in the UK Official Dance Album chart. In addition to music production, Slxm Sol is co-founder and A&R of independent label Soul Quest Records, is a Point Blank Music School alumni (Music Production & Sound Engineering BA Hons) and was selected amongst ten emerging electronic musicians and producers to participate in the AVA Creators Forum advanced artist development program (March 2025). Slxm Sol is now preparing the release of his second EP, set to release in early 2026. In the meantime, he can be heard on radio stations such as Balamii, Rinse FM, EXT and Voices Radio. Be sure to check out the new release he's part of on Soul Quest called Maintain Altitude 2, you'll hear his track as the opener to this mix, very tasty! Buy: https://soulquestrecords.bandcamp.com/album/maintain-altitude-2 Enjoy! @slxm-sol

On this episode of The Bandwich Tapes, I sit down with pianist, composer, producer, and sound designer Dave Mackay for a thoughtful conversation about musical identity, touring life, and the creative possibilities that live between composition, improvisation, and sound.Dave reflects on the strange rhythm of life on the road, especially after years of near-constant touring. We talk about the physical and emotional shift from playing for massive audiences to suddenly being home, and how that quiet space can bring a different kind of reflection. He speaks honestly about performance, nerves, and why playing the piano can feel natural while speaking into a microphone can still feel unnerving.We also trace his musical path, from early piano lessons in England to his studies in London and at Berklee College of Music in Boston. Dave shares how a perceptive childhood teacher encouraged him not just to learn music, but to develop his own voice. That thread carries through the entire conversation, from his improvisational instincts as a child to the way he builds sounds, writes records, and approaches collaboration now.A major part of our conversation centers on Dave's remarkable body of original work, including his Three trilogy:  L.A., Nashville, and Utopia, and his album The Looking Chamber. We talk about the influence of the Esbjörn Svensson Trio, the creative chemistry of working in a trio format, and how sound design and composition constantly inform one another in his music. Dave also shares why he prefers creating his own keyboard patches rather than relying on presets, and how his relationship with Nord keyboards grew out of that sonic curiosity.We close by talking about his work touring with Brandi Carlile, how that opportunity came together through Lucius, and why he remains passionate about live music that breathes naturally rather than being locked to click tracks and playback. It's a conversation about artistry, listening, taste, and learning how to trust your own instincts, both on stage and in the studio.Key TakeawaysDave talks candidly about the physical and emotional reality of life on tour, and why the transition back home can feel just as intense as the touring itself.He shares how improvisation has been part of his musical voice from the very beginning, even as a young piano student.Dave reflects on the importance of great teachers and how one early mentor helped him develop his own sound rather than imposing someone else's.We discuss the origin of his Three trilogy — L.A., Nashville, and Utopia — and how those records grew out of improvisation, friendship, and experimentation.Dave offers a fascinating look at sound design, explaining how creating his own patches and textures is integral to his compositional identity.He talks about touring with Brandi Carlile and why live music feels most alive to him when musicians listen and respond in real time.The conversation becomes a broader meditation on trust: trusting your ears, your collaborators, and the artistic choices that feel most like you.Music from the EpisodeAll the Same - Dave MackayHere in the Vastness - Dave MackayImpulse - Dave MackayProphecies - Dave MackayTrust Goddess - Dave MackayAbout the PodcastThe Bandwich Tapes is my chance to sit down with musicians, composers, songwriters, and creative artists I admire for honest conversations about craft, collaboration, career, and the deeper musical ideas that shape their work. It's a show about process, perspective, and the stories behind a life in music.Connect with the ShowEmail: contact@thebandwichtapes.com

original release on YouTube.com/@eastcoastdna in 2025

Today our hosts tackle an all-timer of a question: what's the right number of knobs on a pedal? Stay tuned until the end to find out if they arrive at a definitive, unanimously agreed upon answer! They also talk a lot about Andy's exploration of the Chase Bliss Big Time, and take some listener calls. There's product development chat, time signature chat, listen it's just more chat from your favorite chatterboxes. Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

This week, we're talking about the subtle growth that happens over years of making music:the things we've quietly improved at without really noticing.From trusting our ears more, to simplifying workflows, finishing tracks more naturally, and becoming more comfortable creatively, this episode is about the small changes that shape us over time as producers and musicians.A more honest conversation about music production, creativity, and the reality of being stuck.Thanks to our Patrons who support what we do:Audionauts: Abby, Bendu, David Svrjcek, Josh Wittman, Paul Ledbrook, Matt Donatelli and Stephen SetzepfandtLars Haur - Audionaut ProducerJonathan Goode - Audionaut ProducerThere's a new compilation out, it deserves your attention:https://music.bonkwave.org/the-four-seasons-of-bonkwave-autumn-waves-2/Join the conversation:

On this episode of The Bandwich Tapes, I sit down with drummer, collaborator, and educator Eric Doob for a wide-ranging conversation about sound, taste, collaboration, and what it really means to make music in today's world. I first came across Eric's playing through his work on Live From Here with Chris Thile, and I've been a fan ever since. From the very beginning of our conversation, it's clear that Eric approaches music with a deep sense of curiosity and care, whether he's performing, recording, producing, or teaching.We spend time talking about his work with guitarist Matthew Stevens, including his role as both a drummer and a collaborator in shaping the sound of those records. Eric offers great insight into the importance of sonic identity, how the sound of the drums, the tuning, the cymbals, and even the engineer's perspective can shape the emotional core of a track. It's a thoughtful look at how sound itself becomes part of the composition.Our conversation also dives into collaboration and the idea of “taste” as a guiding force. Eric shares how the strongest musical relationships often come from a shared aesthetic sensibility rather than just technical ability. We talk about bands, chemistry, and the unspoken communication that happens when musicians are truly aligned.We also explore his path from growing up outside Boston to studying at Berklee College of Music and eventually building a life in New York. Along the way, Eric reflects on early musical experiences, the importance of access to live music, and how those formative years shaped his voice as a musician.Toward the end of the conversation, we get into teaching, creativity, and the challenges of making music in an age of constant distraction. Eric shares some really thoughtful perspectives on how access to everything can be both a gift and a challenge, and why focused listening and presence might be more important than ever.It's a conversation about listening, really listening, to music, to collaborators, and to the moment you're in.Key TakeawaysEric Doob discusses how sound—especially drum sound—can define the emotional identity of a track.He shares insights into his collaboration with Matthew Stevens and the importance of long-term musical relationships.We explore the idea that shared “taste” can be more important than technical ability in building great musical chemistry.Eric reflects on his early musical experiences growing up near Boston and the importance of access to live music.He talks about his evolving role in recording, producing, and shaping music beyond just playing drums.We discuss teaching and how working with students has deepened his own understanding of music.Eric offers a thoughtful perspective on modern music consumption, distraction, and the importance of focused listening.Music from the EpisodeTake Heart - Matthew StevensThree Card Molly - from Live From Here with Chris ThileEl Duelo - Diego Urcola QuartetTangled in the Endless Chain - Ryan Keberle & CatharsisAbout the PodcastThe Bandwich Tapes is my chance to sit down with musicians, composers, songwriters, and creative artists I admire for honest conversations about craft, collaboration, career, and the deeper musical ideas that shape their work. It's a show about process, perspective, and the stories behind a life in music.Connect with the ShowEmail: contact@thebandwichtapes.com

Send us Fan MailHow do we stay inspired as creatives? How do we ensure that what we're producing is in line with not only our goals, but what makes us feel happy and fulfilled? In this episode, Emmeline tackles these questions and more with Josiah Leeper! Josiah is a prolific producer and the brains behind the indie music project Indoor Swimming. Josiah is both a thoughtful, seasoned producer and an intentional student of music, and his belief in consistency and curiosity have helped him build a home studio where he produces projects in which he deeply, enthusiastically believes. He shares his plans for growth, his excitement about music and how the manifestation thereof has changed, and what inspires him most!To learn more about Josiah Leeper, or to follow his musical journey, visit his official website or follow Indoor Swimming on Instagram and Spotify. You can also check out his open mic at The Celt every first Tuesday!For behind-the-scenes information and more about Journey of an Artist, visit the Journey of Series official webpage, or follow Emmeline on social media at @EmmelineMusic.

Show Notes What happens to creativity when every song, sound, and style is a thumb-tap away? Sam Young has spent more than two decades behind the decks in London, and his answer is blunt: originality is at an all-time low. As a DJ, producer, remixer, and founder of the record label WyldCard, he sits at the exact point where taste, technology, and commerce collide, and he sees a culture increasingly content to recycle what already works. Sean Martin and Sam Young dig into how algorithms quietly shape what listeners believe they like, and how that pressure reaches the dance floor. Sam Young draws a clear line between a club night, where a crowd shows up hungry for records it has never heard, and a private event, where the real skill is reading a host's taste from the handful of songs they send and still making the room move. The throughline is judgment, the human ear that no recommendation engine has learned to replace. The conversation turns to sampling, AI, and the difference between craft and shortcut. Sam Young runs A&R for WyldCard himself, listening to demos every week, and he can hear within seconds when a producer is chasing a trend instead of setting one. His distinction is sharp: taking something obscure and making it feel new is an art, while feeding a recognizable hook into a tool and printing one more cover version is not. He is candid about AI as a cheat code, and just as candid about a near future where producers simply talk to their software and ask for ten options. This is not a lament, though. Sam Young points to the rare artists who still cut through precisely because they refuse to sound like everyone else, and to a younger generation quietly rediscovering originality. The optimistic version of the story is the one Sean Martin keeps circling back to: technology at its best clears away the busywork so the mind stays in control of what gets made. The question this episode leaves open is whether the tools that make music easier to produce will widen the gap between the familiar and the genuinely new, or finally close it. Host Sean Martin, Co-Founder at ITSPmagazine, Studio C60, and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/ Guest Sam Young, DJ, Producer, and Remixer | Founder of WyldCard Records (production aliases Vanilla Ace and Sammy Deuce) | Website: https://djsamyoung.com/ Resources DJ Sam Young | https://djsamyoung.com/ WyldCard Records on SoundCloud | https://soundcloud.com/vanillaace Music Evolves: Sonic Frontiers Newsletter | https://www.linkedin.com/newsletters/7290890771828719616/ Keywords sam young, vanilla ace, sammy deuce, wyldcard, sean martin, dj culture, music and ai, sampling, algorithms and music taste, originality in music, house music, record label a&r, nu-disco, music production, creativity, art, artist, musician, music evolves, music podcast, music and technology podcast More From Sean Martin on ITSPmagazine More from Music Evolves: https://www.seanmartin.com/music-evolves-podcast Music Evolves on YouTube: https://www.youtube.com/playlist?list=PLnYu0psdcllTRJ5du7hFDXjiugu-uNPtW On Location with Sean and Marco: https://www.itspmagazine.com/on-location ITSPmagazine YouTube Channel: https://www.youtube.com/@itspmagazine Be sure to share and subscribe! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Special Guests Rayel DJ Troy Frost Featured Discussion Topics A Troy Story event preview Purple Produce and House Blend Hip hop and wellness Creativity and storytelling AI in music production Inspiration vs. imitation Producer culture and artist development Independent music opportunities Mental health and creative expression Keep It or Cut It Beat Reviews KEEP IT C-Magic — Flipcom Soul Centric — Spooky World C-Nice — Safe Brain Got Blaps — Sick In The Brain Max Tremendous — Don't Stop Believing Magic On The Beat — Worth The Climb CUT IT RC Production — Shadows Ethics The Problem — Empty Promises Jerz Mayfield — Excuse Me Mister Live Performance Rayel performs original verses over Beat Club producer submissions. Featured Producers C-Magic Sol Centrik C-Nice Brain Got Blaps RC Production Max Tremendous EthicszThe Problem Jerz Mayfield Magik On The Beat Event Spotlight A Troy Story

Think loops are cheating? Chris & Jody are ready to challenge that idea head-on. This week on Inside the Recording Studio, Chris & Jody dive into one of the most debated topics in modern music production: loops. From drum grooves and vocal chops to synth hooks and textured sound beds, loops have become a major part of how music gets made today. Yet despite how common they are, plenty of producers, musicians, and engineers still question whether using them is the creative shortcut some people claim it is. Chris & Jody break down the conversation from every angle. What exactly is a loop? Why have loops become such a powerful production tool? And perhaps most importantly, where does the line exist between creativity and convenience? The discussion explores how loops can help spark ideas, speed up workflow, and bring fresh inspiration into projects without replacing the creative decisions that make a production unique. Along the way, the guys tackle the classic question: "Are loops cheating?" As you might expect, the answer is not black and white. Their discussion offers practical perspective for musicians at every level, whether you're building tracks from scratch, layering existing elements, or searching for new ways to keep your productions moving forward. The episode also explores real-world music production tips for working with loops effectively. Chris & Jody share creative strategies that help loops feel like part of a song rather than a copy-and-paste shortcut. They discuss ways producers can reshape, edit, and integrate loops into original arrangements while maintaining a personal creative identity. Of course, creativity isn't the only concern. Legal and ethical questions come into play whenever loops, samples, and pre-recorded material are involved. Chris & Jody walk through important copyright pitfalls that creators should understand before dropping loops into a commercial release. Their straightforward explanations help demystify an area that often feels confusing for artists and producers. Whether you're creating beats in a bedroom studio, recording bands with home studio gear, or simply looking for recording setup tips that improve your workflow, this episode offers practical insights you can put to work immediately. Beginners will gain confidence in using loops creatively, while experienced engineers may discover new perspectives on tools they've used for years. You'll also catch this week's Friday Finds, hunt for the elusive Gold Star Word, and enjoy a healthy dose of loop-induced nonsense that only Chris & Jody can deliver. Tune in, rethink what you know about loops, and discover how they can become a powerful creative tool in your next production. Subscribe now and join us next week for another deep dive inside the recording studio. #LoopsInMusicProduction #MusicProductionTips #HomeStudioGear #RecordingSetupTips #CopyrightPitfalls #SamplingTechniques #AudioProduction #MusicLoops

Pat O'Grady joins the show to discuss his publication 'Bee Gees, Process and Latent Elements in Music Production', breaking down his process of constructing the text and how he has interpreted different elements of the Gibb's music, such as examining the use of space and reverb in 'New York Mining Disaster 1941', or competent layering in 'You Win Again'. To find out more about the book and Pat O'Grady's work and career: Research Publications – Dr Pat O'Grady – Music Researcher, Educator and ArtistInstagram: Pat O'Grady (@pogmusic) • Instagram photos and videosFind us on social medias @wordsbeegeespodcast. Email us: wordsbeegeespodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Can AI help you produce better music, or does it only make it easier to sound like everyone else?In this episode of AI Experience, Julien Redelsperger welcomes John von Seggern, founder and CEO of Futureproof Music School, an AI-native online school for electronic music producers. John explains what music production really means, how AI is entering the creative workflow, and why tools that can generate tracks, analyze mixes, or coach students still have clear limits. You'll hear how AI can help beginners understand technical concepts faster, where it can support mixing and mastering, and why taste, authorship, and artistic intent remain difficult to automate. The conversation also explores a bigger question for musicians, educators, and creators: if AI can do 80% of the work, what happens to the last 20% that still depends on human judgment?Hosted on Ausha. See ausha.co/privacy-policy for more information.

Overcoming Loss & Fighting Epilepsy With Music | Michael Gomoll Joey Gomoll died in 2010, just shy of his 5th birthday, after battling a rare form of epilepsy called Dravet's Syndrome his entire life. Upon his passing, his family started  a charity called Joey's Song to help raise money to fund research grants focused on finding treatments and cures for rare, intractable, pediatric epilepsies. In the 15-plus years since Joey's death, Joey's Song has grown from a few acoustic guitars in a sports bar to a multi-day concert series featuring Grammy winners and Rock n Roll Hall of Famers (Members of bands like Cheap Trick, Guns N Roses, The Go-Go's, The Bangles, Tears For Fears, Garbage, Portugal.The Man, Goo Goo Dolls, Eve 6, Everclear and many more). This amazing collection of musicians gathers every January in Madison, WI. They volunteer their time and talent, and form a series of supergroups throughout the weekend for a one-of-a-kind concert event.Since its inception, Joey's Song has been a part of over $ 2 million raised and has had over 10,000 attendees in just the last two years.Links:https://www.joeyssong.org/https://www.instagram.com/joeyssongTagspodcast for creatives,creative podcast,podcast creator interviews,professional podcast,creative podcasts,podcast host interviews,creative podcast ideas,Child Loss,epilepsy,Event Management,Family,Fundraising,Live Music,Music Festivals,Music Interviews,Music Production,Overcoming AdversitySupport PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:https://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprRSShttps://anchor.fm/s/3b31908/podcast/rssSubstackhttps://substack.com/@phantomelectricghost?utm_source=edit-profile-page

Today our hosts talk about their favorite off-label uses for pedals: an Expression Ramper as an expression splitter, a trereo overdrive pedal as a lofi tape machine, a pedal with perfectly spaced knobs as a phone holder, etc. They take calls and some comments from the Discord, all focused around pedal usage that goes beyond the marketing and expectations of the user interface into unexpected sonic corners. Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @carolinegco, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

This week on Sol Meets Heart, Hugs reconnects with his former Philadelphia neighbor JG (Justin Geller) — sound designer, light architect, music producer, and one of those rare people who just makes the world feel more alive. JG's career is built on saying yes before he knows how, learning fast, and translating the invisible into something you can walk through and feel. They cover his journey from electronic music obsession to designing immersive installations for places like Longwood Gardens and the Philadelphia Museum of Art, what it means to be creatively fulfilled by helping others realize their visions, and the 15-minute habit that reignited his own music after five years of silence. JG also previews his first new Remote Places track in nearly seven years. If you've ever wondered how to plant small seeds that grow into the life you actually want — this one's for you.Become a supporter of this podcast: https://www.spreaker.com/podcast/sol-meets-heart--3691166/support.

Back in 1962, the Tornados released "Telstar" a spaced out instrumental written and produced by Joe Meek. It was the First Record by a British Rock Group to Reach Number One in the US Hot 100 and it set Meek apart from the record producers of his time. We explore "Telstar" and the Meek's career and legacy, from ingenuity to outer space to paranoia and beyond. Plus, a jaw-clenching Mouthgarf Report and I See What You Did There! Sources: https://en.wikipedia.org/wiki/Telstar_(instrumental) https://en.wikipedia.org/wiki/Joe_Meek https://en.wikipedia.org/wiki/I_Hear_a_New_World https://www.tinymixtapes.com/news/joe-meeks-pop-masterpiece-i-hear-a-new-world-gets-the-chance-to-haunt-a-whole-new-generation-of https://open.spotify.com/album/2icihEwgiDuWvCL80YlWCb?si=7nQM4ZV8Se6gbmq-WmTVTg https://open.spotify.com/track/6W5mQNW9bBqPdZq8RmJeVm?si=b153299c18ea49c7 Please give us a 5 star rating on Apple Podcasts!  Want to ask us a question? Talk to us! Email debutbuddies@gmail.com Listen to Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster. Get some sci-fi from Spaceboy Books. Get down with Michael J. O'Connor and the Cold Family and check out his new compilation The Best of the Bad Years 2005 - 2025 Next time: First Steven Spielberg Film

On this episode of The Bandwich Tapes, I sit down with Mark Kibble of Take 6, a group whose music has been part of my life since the very beginning of my musical journey.   We start with a full-circle moment, me seeing Take 6 live as a teenager, and now getting to sit down and talk with Mark about his career, his process, and the music that continues to inspire him.We begin with his work on Pat Metheny's latest project, in which Mark contributed vocal arrangements that add an entirely new dimension to Pat's sound. Mark walks through the process, receiving tracks, interpreting harmonic language, and building a choir sound that fits seamlessly into a complex musical landscape.   From there, we zoom out and talk about what it means to be a collaborator, how Mark approaches working with other artists, what he listens for, and how he balances his own voice with the music's needs. His perspective is simple but profound: it's not about him. It's about making the music better.We spend time reflecting on the longevity of Take 6, how a group can stay together for decades, navigate challenges, and still maintain both musical excellence and deep personal relationships. Mark shares that their foundation goes far beyond music; it's rooted in purpose, faith, and a genuine commitment to each other as family.  We also talk about influence, how artists like Jacob Collier are carrying the torch forward, and how meaningful it is to see a new generation connect with the music that Take 6 has been making for decades.There are some great moments of reflection, too, working with legends like Joe Sample, collaborating with Lalah Hathaway, and the challenge (and joy) of continuing to grow as a vocalist over time.  We also get into vocal health, longevity, and what it takes to sustain a career at the highest level—physically, mentally, and creatively.This is a conversation about harmony in every sense of the word: musical, personal, and spiritual.Key TakeawaysMark Kibble breaks down how he approached arranging vocals for Pat Metheny's latest project.He shares why collaboration is about serving the artist—not showcasing yourself.The longevity of Take 6 is rooted in purpose, faith, and treating each other like family.Mark reflects on the group's influence on artists like Jacob Collier.Great arranging is about fitting into the music—not competing with it.Vocal longevity requires discipline, rest, and learning how to pace yourself.Coaching others reinforced the importance of finding your own authentic voice.Music from the EpisodeBiggest Part of Me - Take 6Don't Look Down - Pat MethenyU-Turn - Joe Sample with Take 6Someday We'll All Be Free - Take 6 with Lalah HathawayCome Unto Me - Take 6About the PodcastThe Bandwich Tapes is my chance to sit down with musicians, composers, and creative artists for honest conversations about the craft, the process, and the stories behind the music. It's about digging deeper—into how great music gets made and the people who make it.Connect with the ShowEmail: contact@thebandwichtapes.com

Today our hosts welcome Philippe Herndon of Caroline Guitar Company. He talks about their latest pedal, a self-proclaimed normie pedal called the Aaron Graves Overdrive. We talk about specific design choices, the story of its namesake, and the importance of versatility even in a fairly fundamental pedal. Plus, we get the scoop on why they use pictures instead of labels, and Philippe has a surprise for us in lieu of the traditional object talk. It's basically a two parter, so fire it up and get listening! Check out the Aaron Graves Overdrive and other pedals from Caroline: https://carolineguitar.com/ Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @carolinegco, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

Send us Fan MailIf you enjoyed this deep dive into the music industry, make sure to subscribe to the channel and leave a comment below with your favorite part of the conversation!From his roots in Evansville to building a career in Colorado and back again, DJ Wills joins The Day's Grimm to discuss the reality of the music industry. In this episode, Wills breaks down the grind of being an entertainer, the evolution of his sound, and the essential role of branding for independent artists.We dive into the highs and lows of his journey, exploring how he transitioned from a local music enthusiast to a professional DJ, and why he eventually chose to return to his hometown. Wills shares raw insights into the challenges of social anxiety, the necessity of discipline in a creative career, and his upcoming plans for animated projects and live sets. Whether you are an aspiring producer, a local music fan, or just looking for an honest conversation about the hustle, this episode covers the practical side of turning a passion into a sustainable career.KEY TOPICS COVERED:The importance of branding and marketing over raw popularity in the modern music scene.How DJ Wills transitioned from a local enthusiast to a professional DJ.Challenges of managing social anxiety while performing in the public eye.The role of discipline in maintaining a long-term music career.Why networking with the right people—not just other stars—is critical for growth.Managing multiple creative projects and the importance of saying no to preserve your brand.Insights into moving cities to pursue a career and eventually returning home.The evolution of music distribution and how artists adapt to industry changes.NOTABLE QUOTES:"It's all about branding guys, not popularity. I swear. And just be good at what you do." — Wills"It's pointless to be talented and be great at something if you don't have the discipline." — Wills"I am the brand. I know how I impact these people. I'm not Michael Jackson, but I do have people cry. I have people give me money." — WillsTIMELINE: 00:00 — Intro 00:03 — DJ Wills Joins The Day's Grimm 04:12 — Growing up in Evansville and Early Musical Memories 09:38 — High School Culture and Finding Music 19:26 — The Shift to Home Production and Engineering 24:00 — How "Wills" Got His Name 28:49 — Thoughts on Rap Beefs and Music Business 36:12 — Sampling, DJing, and Copyright Realities 42:30 — Moving to Colorado and the Music Scene 56:12 — Returning to Evansville and Future Projects 1:19:37 — Overcoming the Desire to Quit 1:26:33 — Final Thoughts and Where to Follow[The Days Grimm Podcast Links]- YouTube: https://www.youtube.com/c/TheDaysGrimm- Our link tree: linktr.ee/Thedaysgrimm- GoFundMe account for The Days Grimm: https://gofund.me/02527e7c [The Days Grimm is brought to you by]Sadness & ADHD (non-medicated)

Today our hosts welcome themselves! Andy talks about his recent show at a planetarium: the gear involved, the style of preparation, and the experience of performing with previous guest Matt Kidd. Then they take some calls with questions about a variety of things, and their answers range from "we've never heard of it" to "sorry, that was a lot of information and I don't know if I answered your question." It's another hour of unabashed whatever this is! Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

Episode SummaryOn this episode of The Bandwich Tapes, I sit down with Liam Duncan, the Winnipeg singer-songwriter, producer, and bandleader better known as Boy Golden. Liam has been carving out a distinct lane in modern roots music through records like Church of Better Daze, For Jimmy, For Eden, and now Best of Our Possible Lives, his 2026 album released by Six Shooter Records. Along the way, he has earned major recognition in Canada, including a Juno nomination for For Eden and a Canadian Folk Music Award, while continuing to grow as both an artist and a producer.  We begin with the new album itself, which feels relaxed on first listen but reveals a deeper level of craft the more time you spend with it. Liam talks about the balance between intentional songwriting and the freedom of a loose studio environment, and he explains how careful pre-production gave the band room to breathe once the red light was on. That combination of structure and openness runs through the whole conversation.We spend a good stretch of time on the making of Best of Our Possible Lives, including Liam's collaboration with co-producer Robbie Lackritz and a remarkable studio cast that includes Pino Palladino, Abe Rounds, Austin Parachoniak, FONTINE, Gabe Noel, and Joseph Shabason. Liam shares what it was like to sing and play inside a rhythm section that strong, how live the sessions really were, and why letting go of technical responsibilities helped him become a better performer in the room. The result is a record that feels warm, human, and deeply played.  From there, the conversation opens out into larger questions about communication, collaboration, songwriting, and identity. Liam talks about learning to speak differently to different musicians, the value of being both a bandleader and a sideman, and why he does not feel especially tied to recreating his records onstage. We also get into the meaning behind the name Boy Golden, the freedom of writing through an alter ego, and the way fiction, metaphor, and autobiography all live together inside a song.What I love about this conversation is that Liam is thoughtful without sounding guarded. He is clearly serious about songs, sound, and arrangement, but he also leaves room for instinct, humor, and surprise. This episode is about more than one record. It is about what happens when an artist learns to prepare deeply, trust the people around him, and leave enough space for the music to become what it wants to become.Key TakeawaysLiam built Best of Our Possible Lives through a mix of deliberate songcraft and a relaxed, collaborative studio process.Working with players like Pino Palladino and Abe Rounds gave the music a rhythmic center that made everything else feel easier to sing and play over.Sharing production duties with Robbie Lackritz allowed Liam to step away from technical tasks and focus more fully on performance.  He adjusts how he communicates musical ideas depending on the player, whether that means theory, feel-based language, or simply playing something through a few more times.The Boy Golden name gave Liam more artistic freedom than writing under his own name, especially in how he blends truth, fiction, and storytelling.He values live performance as an art form in its own right and is not especially interested in reproducing studio recordings exactly onstage.He is already thinking ahead creatively, including new writing methods and experiments with combining multiple song ideas into larger suites.Music from the EpisodeBoy Golden - You Got itBoy Golden - SufferBoy Golden - The Matter at HandBoy Golden - Best of Our Possible LivesBoy Golden - ChickadeeAbout the PodcastThe Bandwich Tapes is a podcast where I sit down with musicians, songwriters, producers, and creative thinkers for thoughtful conversations about craft, collaboration, career, and the deeper philosophy of making music. It is a space for stories, process, and the lived experience behind the work.Connect with the ShowEmail: contact@thebandwichtapes.com

The stacked We Lost The Sea, Overhead, The Albatross and Dimscûa UK tour starts tomorrow. Mr Departure Songs, Mark Owen, joins the pod from Paris to discuss playing Europe before arriving on these shores for their debut UK run. Selling out cities, sacrificing profits for crew, early load ins and bigger production and where they sit in the post rock landscape. Do not miss this tour.Buy your We Lost The Sea tickets: https://www.seetickets.com/tour/we-lost-the-seaAnd your pod merch: www.nomad-stores.com/collections/2-promoters-1-podWe go again, every Thursday morning.

In this episode, Eddie Bazil breaks down the different types of EQ, explains their most common uses in mixing and production, and demonstrates how they shape and enhance sound with practical audio examples.Chapters00:00 - Introduction00:48 - What EQ Is And Different Types01:33 - Active And Passive02:45 - Linear Phase And Minimum Phase03:46 - High-Pass and Low-Pass Filters04:36 - Example 1: Using Synth Filters06:47 - Common Functions Of EQ07:27 - Example 2: Shaping A Kick Drum10:31 - Example 3: Rebalancing An Acoustic Guitar13:48 - Selecting The Right EQ Shape15:55 - Managing Redundant Frequencies18:15 - Example 4: Rebalancing A Mix#PultecEQP-1 #XferSerum #BozDigitalTransgressor2 #EventideSplitEQ #SonibleEntropyEQ+ #SSLNativeXSaturator #SSLValveComp #TokyoDawnTDRArbiterTrack CreditsExample 2: from 'Puppet' by John Walden.Example 3: from James Perret.Example 4: from 'Another Way' by forester. Written, performed and produced by René Schneeberger.https://foresterdnb.bandcamp.com/musichttps://open.spotify.com/intl-de/artist/2BtzZiEDaReXLveskYtYkmhttps://soundcloud.com/foresterdnbhttps://cambridge-mt.com/Eddie Bazil BiogEddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands, including Art Of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra, and many more. By his 20s, he was working as a sound designer for Akai, Roland, Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie began developing libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Rob Papen, Arturia, and Propellerheads.During this time, he trained in music production. He soon gained several prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer, and was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. This led to him offering educational workshops and classes, and becoming a contributing creator and Forum moderator for Sound On Sound.Recently, he was invited by the Recording Academy to become a professional member, approved educator, and mentor for their member base. Eddie now concentrates on providing private sound design and mixing/production tuition, and creating content for Sound On Sound magazine.https://eddiebazil.co.uk/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Today our hosts welcome Phillip Carter of the 40 Watt Podcast. It takes them 45 minutes to get to his object because they're all just so good at conversing! They talk about blues, jazz, early influences, discovery of tube amps, the importance of the right speaker, and of course ask the big questions like: are guitar solos good? Check out all things 40 Watt: https://40wattpodcast.com/ Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @40wattpodcast, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

Justin reflects on a recent interview with Diplo about AI replacing singers and uses it as a doorway into a deeper conversation about art, product, beauty, and human value. He argues that art is not valuable because it sells or because it reaches technical perfection. Art matters because it comes from a human being in process. Drawing on examples from Diplo's collaborations, Billy Corgan's resistance to AI songwriting, CS Lewis on beauty, and Justin's own work coaching artists, this episode invites creators to resist the machine's value system and remember that the work is not the point. The human becoming through the work is. Links For Justin: Read Justin's Substack Order In The Low - NEW Book with Scott Erickson Coaching with Justin Order In Rest - New Book of Poems Order Sacred Strides JustinMcRoberts.com Support this podcast NEW Single - Let Go NEW Music - Sliver of Hope NEW Music - The Dood and The Bird The Book - It Is What You Make it Hearts and Minds Amazon Barnes and Noble

What happens when a musical pioneer finds himself and his artistic voice after a period of disillutionment? In this episode of TRUST ME I KNOW WHAT I'M DOING, I sit down with musician, composer, and producer Karsh Kale to discuss his latest album, DUST, and the 'silent war' of staying creative in a world driven by algorithms. Karsh opens up about feeling lost after the pandemic and shares what he had to 'unlearn' to find his way back to music—not through a studio, but through a canvas and a paintbrushWe dive deep into:  • The Creative Reset: Why Karsh started painting for "no one" to rediscover his childish curiosity.  • The 10-Year-Old Rule: How he stopped chasing trends and decided to make a record specifically for his younger self.  • Lessons from a Legend: What he learned about "permission" and identity while performing alongside Zakir Hussain.  • The Anatomy of Dust: The symbolism of the end of an era and the rebirth that follows.  Whether you're an artist feeling the weight of the "dopamine cycle" or just someone looking to find more joy in your work, Karsh's journey back to his "honest truth" is a blueprint for us all.  If you enjoyed this deep dive, please subscribe and share it with someone who may need  a creative spark.--------------------------Chapters00:00 Introduction 03:16 The Evolution of Artistic Expression05:55 Finding Personal Meaning in Music08:37 The Symbolism of 'Dust' and Rebirth11:19 Creating a Mirror for Listeners14:13 Letting Go 15:46 Sponsor Break: Travelopod17:28 The Importance of Authenticity in Art20:21 The Lost Art of the Full Album Experience24:23 Translating Moods into Live Performances27:20 Optimism in the Independent Music Industry29:49 Sponsor Break: Timberdog Ruffrest30:59 The Role of Mentorship and Legacy35:34 Knowing When a Song is Finished36:59 The Intersection of Art and Music38:14 Music as an Escape and a Place to Be FoundLearn more about Karsh Kale:https://www.instagram.com/karshkale/Big shout outs to Yashraj Akashi for connecting and building trust through Tedx and EDGE, and to 7-year-old Ishank Singh for becoming the youngest and fastest to ever swim the Palk straight between Sri Lanka and India. Support the Show: If you enjoyed this episode, please subscribe and leave a review on Spotify, Apple, or Amazon or wherever you podcast!TRUST ME I KNOW WHAT I'M DOING is proudly brought to you by TRAVELOPOD, with personalized travel support to help you explore the wonders of the world.  Start your next journey at vacation.travelopod.comThis episode is brought to you by RuffRest by Timberdog.  Learn more at https://timberdog.com/

Today our hosts welcome back Doctor John Snyder of Electronic Audio Experiments. We catch up on his latest project, released into the world today: a hybrid delay pedal made in collaboration with Chase Bliss called Big Time. He also brings with him the Caroline Guitar Company Wave Cannon, a rad distortion pedal that likely set him on the path toward being a go-to collaborator and in-demand brilliant mind of our industry. The release day energy is good and we're all just excited to talk about pedal architecture! Check out EAE: https://www.electronicaudioexperiments.com/ Check out Big Time: https://www.chasebliss.com/big-time Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @electronicaudioexperiments, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

In this episode of Everything Is Personal, Len May sits down with Fast, Naim, and Frank of Fun Lovin' Criminals for a wide-ranging conversation about creativity, chemistry, and carving out a sound that never fit neatly into one box. From the energy of the 90s music scene to the band's blend of hip-hop, rock, funk, jazz, soul, and cinematic storytelling, the conversation explores how Fun Lovin' Criminals built a style that felt effortless but was anything but accidental. Fast, Naim, and Frank open up about their early influences, songwriting process, live performance, collaboration, touring, and the moments that shaped their evolution as artists. They also reflect on how the music industry has changed, what keeps them inspired after decades of making music, and why staying creatively curious still matters. It's a conversation about sound, friendship, instinct, reinvention, and the personal stories behind a band that continues to move in its own lane. EndoDNA: Where Genetic Science Meets Actionable Patient Care EndoDNA bridges the gap between complex genomics and patient wellness. Our patented DNA analysis platforms and AI technology provide genetic insights that support and enhance your clinical expertise. Click here to check out to take control over your Personal Health & Wellness   Connect with EndoDNA on SOCIAL: IG | X | YOUTUBE | FB Connect with host, Len May, on IG     Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this episode of The Bandwich Tapes, I sit down with singer-songwriter Ryan Dart for a conversation that goes far beyond music, into growth, healing, and what it really means to live honestly as an artist.We start with Ryan's songwriting process, which is less of a routine and more of a way of life. Whether he's hiking, sitting in a restaurant, or wrapping up the day, writing has become a daily practice, one that serves as both therapy and a way to process the world around him.From there, we rewind to his early years, growing up in rural Arkansas, surrounded by music from artists like Bob Dylan, Johnny Cash, and Townes Van Zandt. That foundation shaped not only his sound but also his approach to storytelling and songwriting.Ryan shares his unique journey through the music industry, working as a producer, engineer, tour manager, and guitar tech, including time on major tours with bands like The Who, Aerosmith, and Van Halen. Seeing the industry from every angle could have pushed him away from music, but instead, it clarified his purpose.We spend a lot of time discussing something at the center of this episode: growth through hardship. Ryan opens up about going through a divorce, rebuilding his life, and how that process completely reshaped his songwriting. Rather than rushing to document heartbreak, he allowed time and healing to transform those experiences into something deeper and more honest.That same honesty carries into a conversation about sobriety, self-awareness, and learning to let go of people-pleasing. Ryan talks about how removing those layers has opened his creativity in ways he never had access to before, and how writing from a place of truth has changed everything.We also get into the practical side of his current creative life, recording his new album in Colorado, committing to writing and releasing a new song every week, and building a body of work that reflects who he is right now.This is a conversation about starting over, trusting the process, and creating from a place that's real.Key TakeawaysRyan Dart approaches songwriting as a daily practice rooted in observation and emotion.His early influences—from Bob Dylan to Johnny Cash—shaped his storytelling voice.Working behind the scenes in the music industry gave him a full perspective on the business.Growth through divorce and personal reflection led to a completely new songwriting voice.Sobriety and self-awareness have opened up a deeper level of creativity.Letting go of people-pleasing has allowed him to write more honestly.His weekly songwriting project is building both discipline and a large creative catalog.Music from the EpisodeIf Love Don't Break You - Ryan DartDirt Road Woman - Ryan DartDancin' On Your Porch - Ryan DartAbout the PodcastThe Bandwich Tapes is my chance to sit down with musicians, songwriters, and creative artists for thoughtful conversations about their craft, their journey, and the experiences that shape the music we hear.Connect with the ShowEmail: contact@thebandwichtapes.com

On this episode, I discuss my music production journey.  Getting into music as a child and now using gear which professional music producers use.  I watched the Micheal Jackson biopic and give my thoughts.  Finally a Dancehall Reggae Mixtape I've been sitting on since November 2025. Here's the tracklisting for that: 'Buff Dem' Chi Ching & Iwaata 'World A Movie' Voicemail, Essah, 808 Delavega, Energy Di Dancer 'Who Mek The Rum' Kraff Gad 'Shot E Rum' Shawn Storm 'Bare Vibes' Shane O 'Banner' Damian Jr. Gong Marley 'Savior' Chronixx Thoughts? Comments? Do so on the blog  here.   Rate, like, leave a review on Apple podcasts or wherever you're able to do so. If you've enjoyed this episode, please support this podcast by doing any, all your shopping through my affiliate link: AMAZON: https://amzn.to/4s5BwX9 or DONATE/TIP here  SUBSCRIBE Everywhere HERE  Let's keep in touch, sign up for the email list here  Thanks for listening!

Today our hosts welcome Shelby Pollard of Black Bobbin. He brings with him the city of Chicago, as well as a 65/61 Jazzmaster refin that set him on the path of Jazzmaster expertise back in his days working at Chicago Music Exchange. Today, Black Bobbin is a curated boutique of interesting guitar products, including the Black Bobbin JM, which represents the culmination of Shelby's knowledge and preferences in the world of Jazzmasters (you've also heard Dan yapping about how much he likes his). There's a lot of insight and tidbits of knowledge throughout this one - go hit play! Check out Black Bobbin: https://blackbobbin.com/ Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

Send us Fan MailIn this enlightening episode of Living the Dream with Curveball, we welcome Don Rodriguez, a visionary music producer and founder of the iandi Music Studio. Don shares his transformative journey from real estate to the music industry, where he has redefined the traditional record label model to empower independent artists. With a groundbreaking contract that allows artists to retain ownership of their masters and compositions, Don is changing the game for musicians looking to navigate the complexities of today's music landscape.Join us as we delve into the importance of having a record label, the challenges independent artists face in being heard amidst millions of new songs, and the necessity of quality production in achieving musical success. Don explains the unique features of his studio, the value of publishing, and how he is building a catalog of independent artists' music to connect them with opportunities in the entertainment industry. This episode is a must-listen for aspiring musicians and anyone interested in the evolving world of music production.What You'll Learn in This Episode:- The importance of independent artists owning their music- How to navigate the challenges of being heard in a crowded market- The role of a producer in an artist's career- Insights into the music publishing process and why it matters- How Don's innovative contract model benefits artistsSupport the show

Today the whole Object Worship world suffers a Setback - did I say suffers? I mean revels in! Our hosts are talking all about the new Old Blood Noise Endeavors Setback, a reverse pedal with all the bells and whistles. They start with some anecdotes about their personal gear journeys, then dive into Setback: the development process, control choices, art and name, and why you're gonna wanna set back and play one. Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

21-year-old composer Jeremy Abboud—aka The Rockyts—joins Caught on the Mike for a deep dive into independence, creativity, and building a sound entirely your own. From recording every instrument in his basement studio to surpassing 3.5 million streams without a label, Jeremy is proving what's possible when you fully trust your vision. We get into his latest single Wonder, the second release from his upcoming third album, and unpack the wild reality of writing songs in dreams—on what he calls “dream pianos.” Jeremy also reflects on working with legendary producer Eddie Kramer at just 16, charting in Canadian rock by 18, and making the move from Ottawa to Los Angeles to take things to the next level. This episode is all about creative control, momentum, and what it means to build something real—completely on your own terms.

Guest: Xola Malik AKA Kid Sensation https://kidsensation.com/home   Host: Serv Wahan MD DMD https://www.drwahan.com/    content  type Interview   primary  goal Educational   summary In this engaging interview, Seattle hip hop pioneer Kid Sensation shares his journey from local DJ and rapper to international performer. Discover the evolution of Seattle's hip hop scene, the impact of collaborations, and the power of music across cultures. In this engaging interview, Kid Sensation shares his journey through hip hop, from his early influences like LL Cool J and Run DMC to his collaborations with Sir Mix-A-Lot. He discusses the role of producers, his creative process, and how he balances nostalgia with new music, all while offering insights into his personal life and community work.  keywords Seattle hip hop, Kid Sensation, Sir Mix-A-Lot, music industry, hip hop history, international tours, music collaboration, Seattle music scene Hip Hop, Kid Sensation, Music Production, Seattle Rap, 90s Hip Hop, Music Industry, Personal Growth, Community Engagement, Xola Malik, back to Boom, Posse on Broadway, Rippin, Ken Griffey Jr, way I swing, rollin with number one, swass  key  topics Seattle hip hop scene development Kid Sensation's early career and collaborations Impact of 'Posse on Broadway' and 'Back to Boom' International performances and cultural exchange The evolution of music distribution and industry barriers Influences of early hip hop artists like LL Cool J and Run DMC The role of producers in music creation and their impact Balancing nostalgia with contemporary music production Kid Sensation's personal story and community work  guest  name Kid Sensation  Xola Malik  key  frameworks Music Industry Gatekeeping Collaboration and Unity in Hip Hop Evolution of Music Distribution Role of the Producer in Music Balancing Nostalgia and Innovation in Hip Hop  action  items Visit Kid Sensation's website for his latest projects Read 'Kings' to learn about youth empowerment Follow Kid Sensation on social media for updates Titles From Seattle Streets to Global Stages: Kid Sensation's Hip Hop Journey How Kid Sensation Helped Shape Seattle's Hip Hop Scene  sound bites "That song still hits on all levels" "We toured with NWA and others" "My first rap name was DJ Dangerous." Chapters 00:00 Introduction to the Journey of Music and Influence 01:39 Growing Up in Seattle and Early Musical Influences 06:23 The Rise of Kid Sensation and Collaborations with Sir Mix-A-Lot 11:31 The Impact of Iconic Songs and Music Evolution 16:05 The Changing Landscape of Music Distribution 22:03 Seattle's Hip Hop Scene: Gaps and Collaborations 23:09 Collaborative Spirit in Seattle's Music Scene 25:30 The Role of Local Radio in Music Discovery 27:01 International Experiences and Collaborations 31:34 The Power of Music and Global Connections 35:06 Influences and Inspirations in Hip Hop 36:12 Understanding the Role of Producers 39:41 The Unique Collaboration with Ken Griffey Jr. 45:03 Recording with Ken: A Memorable Experience 46:53 Freestyling: The Art and the Reality 49:05 The Evolution of Kid Sensation: From DJ to Rapper 51:26 The Inspiration Behind New Music 55:30 Relocating to Texas: A New Chapter 58:38 Community and Opportunity: A Positive Perspective 01:00:08 Giving Back: The Kings Project and Its Impact    resources Kings: Young Men Discovering Purpose and Shaping Their Destiny - https://kidsensation.com Kid Sensation Official Website - https://kidsensation.com Presently Past the Future Album - https://music.apple.com/tt/album/presently-past-the-future/1535786060  guest links Instagram - https://www.instagram.com/therealkidsensation/ Official Website - https://kidsensation.com Website - https://kidsensation.com  

Today our hosts welcome Dave Gill of Baltimore Sonic Research Institute. Dave is a long-time hog, first time guest, and we have a great time getting into a lot of specifics about Boss pedals, particularly the PS-5 Super Shifter. We ponder the historical arc of Boss' popularity, the different considerations looking at a company that size vs a company like Old Blood vs a company like BSRI, and we reiterate that the best thing about this industry is the people. It's a good hang, and you're invited! Buy some BSRI: https://www.bsriaudio.com/ Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @bsriaudio, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

A Note from James:In the Blondie song “Rapture,” which was the number-one song in 1981, Debbie Harry has this famous line: “Fab Five Freddy told me everybody's fly.”So the question is—who is Fab Five Freddy?This guy is one of the central figures in the birth of hip-hop culture. Not just rap music, but the whole ecosystem: graffiti, breakdancing, fashion, DJ culture, art, film—everything that eventually turned into a massive global industry.Hip-hop today represents hundreds of billions of dollars in music, fashion, and entertainment. But in the late '70s and early '80s it was just a small creative movement happening in New York.Fab 5 Freddy helped connect all those worlds. He bridged graffiti artists, musicians, downtown art scenes, and eventually MTV.He also just wrote a book called Everybody's Fly, and it was a huge honor for me to talk with him about the origins of hip-hop and how creativity actually grows.Episode Description:Before hip-hop became a global industry, it was a loose network of DJs, graffiti artists, dancers, and musicians creating something entirely new in New York City.Fab 5 Freddy was at the center of it.In this conversation, he explains how hip-hop emerged from a mix of street culture, art scenes, punk music, and experimentation with records and sound. He discusses the origins of graffiti tagging, the rise of DJs like Grandmaster Flash, and the cultural moment when Blondie's “Rapture” helped bring hip-hop into mainstream awareness.Freddy also shares how the first hip-hop film, Wild Style, helped unify the culture's elements—music, dance, graffiti, and fashion—and introduce them to a wider audience.The conversation then turns to the modern era: AI-generated music, the attention economy of social media, and why artists today may need to slow down and develop their work before exposing it to the world.What You'll Learn:How hip-hop emerged from a mix of music, graffiti, dance, and street cultureWhy early DJs searched old records for breakbeats to create new soundsHow the film Wild Style helped define hip-hop culture for the worldWhy artists today may need to resist posting unfinished work onlineHow creativity evolves when technology disrupts the music industryTimestamped Chapters[00:02:00] The Story Behind the Title Everybody's Fly[00:03:01] A Note from James[00:04:15] Meeting Biz Markie and the Culture of Collecting Hip-Hop History[00:05:35] How Jazz, Blues, and Soul Influenced Early Hip-Hop[00:06:22] DJs Digging Through Records to Find Breakbeats[00:07:40] Grandmaster Flash and the Science of DJing[00:08:41] Why Producers Became Central to Hip-Hop Music[00:09:54] Blondie's “Rapture” and Hip-Hop's Mainstream Breakthrough[00:11:00] The Downtown Art Scene: Basquiat, Keith Haring, and Andy Warhol[00:12:24] The Origins of Graffiti and Tagging Culture[00:13:48] Graffiti as Competition and Artistic Evolution[00:15:12] Punk Rock and Hip-Hop: Parallel Cultural Revolutions[00:17:47] The Idea for the First Hip-Hop Film Wild Style[00:19:02] Bringing Breakdancing, Graffiti, and Rap Together on Film[00:21:50] Lessons Modern Artists Can Learn from Early Hip-Hop[00:22:49] Why Posting Creative Work Too Early Can Hurt It[00:24:00] Social Media, Attention, and the Speed of Culture[00:26:00] Hip-Hop's Global Influence[00:29:00] The Birth of Conscious Rap[00:31:12] Directing KRS-One's “My Philosophy” Video[00:33:00] Finding Great Hip-Hop in the Streaming Era[00:36:00] Battle Rap and Lyrical Skill[00:37:00] Artists Who Still Push the Genre Forward[00:40:11] How Rappers Make Money Today[00:43:00] What Makes an Artist Stand the Test of Time[00:47:00] Sampling, Technology, and the Evolution of Music Production[00:54:00] AI Music and the Future of Creativity[01:02:00] What “Everybody's Fly” Really MeansAdditional Resources:Fab 5 Freddyhttps://en.wikipedia.org/wiki/Fab_Five_FreddyRapturehttps://en.wikipedia.org/wiki/Rapture_(Blondie_song)Wild Stylehttps://en.wikipedia.org/wiki/Wild_StyleGrandmaster Flashhttps://en.wikipedia.org/wiki/Grandmaster_FlashKRS-Onehttps://en.wikipedia.org/wiki/KRS-OneDebbie Harryhttps://en.wikipedia.org/wiki/Debbie_HarrySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.