Individual who oversees and manages the recording of an artist's music
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Producer, sound designer and composer Jonathan Snipes joins William Stokes to explore his work with experimental hip-hop group Clipping, sharing an inside look at their unique production process, before showcasing five modules in an exclusive live performance.Chapters00:00 - Introduction01:12 - Combining Hip Hop And Experimental Sounds12:45 - Unconventional Sounds And Beats 16:52 - Annea Lockwood Piano Burning20:59 - 5U Modular Selection24:31 - Module 1: Q106 Oscillator29:43 - Module 2: Modcan Digital Delay38:51 - Module 3: Modcan Frequency Shifter 39b43:04 - Module 4: Modcan Quad Envelope 60b47:41 - Module 5: Tellun TLN-156 Neural Agoniser52:04 - Live Performance#Q106Oscillator #ModcanDigitalDelay #ModcanFrequencyShifter #ModcanQuadEnvelope #TellunTLN-156Jonathan Snipes BiogJonathan Snipes is a producer, composer and sound designer based in Los Angeles, where he teaches sound design in the theatre and film departments at UCLA. As well as his work for film, television and theatre, he is known as a member of the experimental group clipping., along with fellow producer William Hutson and rapper Daveed Diggs. Having recently released their sixth studio album Dead Channel Sky on iconic label Sub Pop Records, clipping. are an outfit in the vanguard of hip-hop, sound design, beat making and strident experimentalism.https://www.jonat8han.com/https://www.instagram.com/jonat8han/William Stokes BiogWilliam Stokes is a producer, writer and artist in three-piece avant-psych band Voka Gentle. As well as being a critic and columnist for Sound On Sound, conceiving the popular Talkback column and heading up the Modular column, he has also written on music and music technology for The Guardian, MOJO, The Financial Times, Electronic Sound and more. As an artist in Voka Gentle he has made records with producers from Gareth Jones (Depeche Mode, Grizzly Bear, Nick Cave) to Sam Petts-Davies (Radiohead, The Smile, Roger Waters), has had songs featured on franchises from FIFA Football to The Sims and has toured across the UK, Europe and the USA, playing festivals from Pitchfork Avant-Garde in Paris to SXSW in Austin, Texas. He has collaborated with artists including the Flaming Lips' Wayne Coyne, Morcheeba, Panda Bear and Sonic Boom. Alongside being a guitarist and pianist, he is a synthesis enthusiast with a particular interest in sampling and explorative sound manipulation. As a producer and engineer, he has made albums with acclaimed avant-garde musicians from composer Tullis Rennie to Mute Records artist Louis Carnell. “I'm always seeking out the most ‘out-there', experimental, risk-taking musicians I can find to work with,” he says, “to capture vibrant, detailed recordings and create three-dimensional mixes of music that might otherwise struggle to know where to begin in the studio environment.” Stokes currently lectures in Music Production at City, University of London.https://www.vokagentle.com/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts
Re-live the full 5 and a half hours of the Early Doors Club Halloween Party recorded live at theCut Newcastle on Saturday 25th October 2025.0- 60 mins RICCO60-120 mins Danny Jarvis120- 300 mins RICCO b2b Danny Jarvis300- end Danny Jarvis.
Paul Budge is a high-performance mindset coach specializing in helping pro athletes and ambitious professionals master the mental game to win consistently under pressure. A former national-level swimmer from Tasmania, now based in Berlin, Paul transitioned from a decade in business leadership to coaching after experiencing the pressures of peak performance firsthand. Through science-backed frameworks, he guides clients to transform pressure into focus, prevent burnout, and build resilient mindsets, enabling them to unlock their full potential and design a life of purpose. His approach, offered via tailored online packages, emphasizes sustainable performance and real-world strategies, making him a sought-after voice for those navigating high-stakes environments.ParentShift course 30% off with the code TRIBE. Link below:ParentShift (English): https://www.hernanchousa.com/courses/parentshift?ref=c23daa Entrena Tu Legado (Spanish): https://www.hernanchousa.com/courses/entrenatulegado?ref=c23daaConnect with Paul on LinkedIn: Paul Budge Other Social Media Links for Paul:Twitter/X: @coachpaulbudgeInstagram: @paulbudgeYou can explore more of Hernan's work on his website, https://www.hernanchousa.com/.Music Production by Sebastian Klauer
GETSPART, formerly known as Adam Talbot, is a Dublin-based DJ and producer championing the nu-school house and garage movement in the Irish capital. His sound draws from the deep, punchy, and swung textures that live in the space between house and garage, music designed for the dancefloor, but resonating on a deeper, emotional level. A graduate of the renowned DJ and dance music powerhouse Bray Institute of Further Education (BIFE), GETSPART immersed himself fully in both the DJ Techniques and Music Production programs. Under the mentorship of acclaimed artists Sunil Sharpe and Doug Cooney, he honed his craft, delving into the subtleties, nuances, and mechanics that define high-calibre electronic music. As a producer, GETSPART has already made his mark with a release on Foundations Records, and he has two more forthcoming projects lined up with Talkbox and 9 Lives. His productions reflect a distinctive voice, a blend of rhythmic depth, groove, and character, inspired by legends such as Kerri Chandler, Todd Terry, Burnski, DART, Spray, and Jeremy Sylvester. His Local Selection mix embodies these influences, serving up steppy, rolling percussion layered with glossy, chord-driven lushness. It's a masterful balance between light and dark. Unafraid to explore the gnarly, murky ends of the house and garage canon, yet equally at home in the jazzy, floating sensibilities of classic Chicago house. GETSPART moves effortlessly between these worlds, keeping his sound balanced on a knife's edge, refined yet raw. GETSPART ----------- SC: @getspart IG: www.instagram.com/getspart1 Four Four Magazine --------------------------- FB: www.facebook.com/FOURFOURDANCE/ IG: www.instagram.com/fourfourmagazine/ Web: www.fourfourmag.com/
Coming off the back of Flows sold out gig, Naughty Bear AKA Mike Dixon delivers his monthly mix for PHUK.TracklistLuna - Matador Project Dark - (Steven Flynn Remix) Back to life - (Dosem Remix)On your own - Chernov Do you remember - Naughty Bear Redwood - Cristoph Mistakes - Mags Lost - Hannes Bieger Underworld - (track ID)All or Nothing - (Lexicon Avenue Remix)Segue 2 - Kevin De Vries (Dubfire Remix)
Send us a textOn this episode of the Grow My DJ Business Podcast Cream & Gary W Discuss: It's okay to not have a full calendar.You can be picky about gigs in this climate.The market is shifting towards health and wellness.Streaming technology is the future of DJing.Having mixes ready can lead to more bookings.Silano & Cream's new single, "Light It Up" is out now on all platformsJoin the Grown My DJ Business Discord Here! Follow or subscribe wherever you are listening. Try Digital Music Pool for $9.99DMP is the ultimate record pool for pro DJs looking for the hottest exclusive tracks updated daily.Support the show
Making a Scene Presents - Mid/Side Processing in Mixing: The Secret to Width, Clarity, and ControlHave you ever listened to a pro mix and thought, “Why does this sound so wide and full, but everything still feels perfectly in place?” That's not just good EQ or compression — chances are, the engineer used a little Mid/Side processing to get that balance between focus and space.Mid/Side, or M/S, is one of those behind-the-scenes techniques that can take your mixes from sounding flat and two-dimensional to open, clear, and three-dimensional. Once you understand what it does and how to use it properly, it becomes one of the most powerful tools in your mixing toolbox. http://www.makingascene.org
On this episode of "Bringin' it Backwards," Adam and Tera Lisicky sit down with Gannon Fremin of Gannon Fremin and CCREV for an honest, down-to-earth conversation about chasing dreams, building a band from the ground up, and the realities of making it in the music industry. Gannon shares how growing up in a tight-knit, musical family in South Oklahoma shaped his early love for music—he didn't even realize playing guitar wasn't something every kid did! We dive into the roots of the band, from impromptu jams at family reunions to forming Cross County Revenue (the original CCREV), and talk about that pivotal moment when they signed with Warner Records after years of hustling as an independent act. Gannon opens up about the highs and lows: finding validation when things start picking up, the nerves of jumping into songwriting sessions with big-name writers, and learning to trust the process—even when it takes a decade. He gives us the real story behind viral hits like "Love Me Too" and "With or Without Me," and how strategic marketing combined with raw truth helped those songs reach new audiences. Whether you're an aspiring musician or just a fan of honest storytelling, Gannon's advice is simple but powerful: “The only way to lose is to quit.” Ready for the kind of music industry story you don't hear every day? Hit play, and don't forget to subscribe to "Bringin' it Backwards" for more candid conversations with legends and rising stars.
Martín A. Rossi is Professor of Economics and Vice Rector at San Andrés University, with a PhD from Oxford. His work has been published in in leading academic journals such as Quarterly Journal of Economics, Review of Economic Studies, American Economic Review: Insights, Economic Journal, Review of Economics and Statistics, American Economic Journal: Applied Economics, Journal of Public Economics, and Journal of Development Economics. Beyond academia, Martín served as Secretary of Deregulation in Argentina's Ministry of Deregulation and State Transformation under President Javier Milei, contributing to efforts to reduce bureaucracy and promote economic freedom. A competitive tennis player in his youth, he brings personal insights from the sport to discussions on discipline and motivation. As a father of two daughters, Martín balances his high-profile career with family life, offering grounded perspectives on raising resilient children in a challenging economic landscape. As an advisor to governments in Latin America and Africa, as well as international organizations like the World Bank, Asian Development Bank, Inter-American Development Bank, and UNICEF, Martín contributes to evidence-based policies on education, health, and youth development, emphasizing incentives, family involvement, and public interventions for positive outcomes.ParentShift course 30% OFF with the code "TRIBE". Link below: ParentShift (English): https://www.hernanchousa.com/courses/parentshift?ref=c23daa Entrena Tu Legado (Spanish): https://www.hernanchousa.com/courses/entrenatulegado?ref=c23daaTake a look at Martin's work on his website https://sites.google.com/a/udesa.edu.ar/mrossi/home?authuser=0You can explore more of Hernan's work on his website, https://www.hernanchousa.com/Music Production by Sebastian Klauer
Creators & Guests Early Doors Club - Guest Nick Rodger - Host The Void - Host Nathan's mix for The Void last year was one of our favourite mixes in recent memory, so we've invited him back. In his own words; "I think I've always been inspired by them (favourite time of day) but also affected by the fact that summer is over yet again so I wanted to have a 'sun going down' appreciation mix. I hope you like it."I think we will. Huge thanks to Nathan for the mix. We love it. We hope you do too.Music for lonely places and distant spaces. Welcome to The Void.Tracklist:PenseÉs – introPianoman – Pasion (Alex Kassian's mandarine dream mix)not even noticed – elongationblackfish/Maximilian Lopp – Dunia, Pt. 2Jamie Myerson – In the FirmamentVangelis – Deckard Meets RachelLast Gentleman On Playa – Khor LoThe Electric Mist Orchestra – Portal (Hokori Remix)Pig & Dan – Got A Lot To Live ForZohar – Ehad (Sunday Best Sunset Remix) Olang – Delicate NOTIONSEMOG – Jade horizonMassive Attack – Everywhen (Instrumental)The Last Atlant – Twin Of The SunBlank & Jones – Beyond Time (Ambient Mix)DJ Shadow – Mutual Slump Leon Vynehall – From The Sea/It Looms (Stylus Closing Sunset Edit)
Send us a text"I should be enough for what it is that I want." - Buddy RedHow do you make your own path as an artist when everyone is telling you to be something you're not?Buddy Red has answers. The son of famed rapper T.I. is paving his own way in the music industry as a rock-infused blues guitarist with soulful riffs and visceral vocals. His music is both an ode to his heroes--greats like Jimi Hendrix and Pink Floyd--and something that is uniquely his. In this episode, Buddy Red sits down with Emmeline live from the Launch Music Conference in Dallas to talk about finding his creative truth in a sea of voices offering advice and guidance. He shares his struggle to find a corner for himself within the industry and talks about the joy of recording his latest single, "Sold His Soul." Lastly, he asks for recommendations for the best brisket in Dallas!To learn more about Buddy Red, or to follow his musical journey, follow him on Instagram. You can also stream his music on Spotify.For behind-the-scenes information and more about Journey of an Artist, visit the Journey of Series official webpage, or follow Emmeline on social media at @EmmelineMusic.
Staring at a blank DAW is exhausting; staring at a mapped-out arrangement from a reference track is energising. Marc walks through a clear, repeatable reference track arrangement blueprint workflow that turns a single reference track into a full song structure, so you can stop looping and start finishing. From matching tempo and key to placing eight-bar markers, Marc shows how to label intros, verses, breakdowns, builds, and drops, then use that structure to guide creative choices without feeling boxed in.Marc digs into why intelligent imitation is a craft skill, not a shortcut. By reverse-engineering the reference track structural DNA, you can learn pacing, contrast, and energy flow faster than via trial and error. He goes beyond markers to analyse macro dynamics, tonal balance, and how loudness shapes a listener's journey. You'll discover where spectrum shifts create space for vocals or bass, and how micro-changes sustain attention across long sections. With stem splitting from the reference, you learn drums, bass, and instruments in isolation and translate their function into your own sound.The practical steps are simple: import your reference track, set BPM/key, add a one-bar buffer for alignment, then mark changes every eight bars. Use those signposts to automate builds, design drops, and maintain forward momentum. As your track evolves, reduce reliance on the reference and treat it as a launch pad, not a cage.Marc closes with a challenge: pick a song that grabbed your ear, map its structure today, build your arrangement, and send him a work-in-progress. If this approach helps you move faster and think clearly, subscribe, share with someone stuck in loop-land, and leave a quick review to help more producers find the show.Links mentioned in this episode:Listen to DarklightHow to Make Progressive House from Start to Finish | SpliceSend me a message Support the showWays to connect with Marc: Listener Feedback Survey - tell me what YOU want in 2026 Radio-ready mixes start here - get the FREE weekly tips Book your FREE Music Breakthrough Strategy Call Follow Marc's Socials: Instagram | YouTube | Synth Music Mastering Thanks for listening!! Try Riverside for FREE
This week we check out the Netflix original thriller/horror movie "Its Whats Inside"
This week, Darryl Ballantyne, CEO and Co-founder of LyricFind, discusses the complexities of the music business model and how LyricFind has managed to create new revenue streams by licensing lyrics and developing products like Lyric IQ. We also discuss how they've overcome challenges such as price competition and maintaining product market fit. This is a great conversation for Startups! The News! https://www.billboard.com/pro/sora-2-music-industry-pay-attention-ai-social-app/ https://www.engadget.com/spotify-canva-and-other-apps-can-now-connect-to-chatgpt-194830116.html https://www.billboard.com/pro/sora-2-music-industry-pay-attention-ai-social-app/ https://www.engadget.com/spotify-canva-and-other-apps-can-now-connect-to-chatgpt-194830116.html The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think! Get Dmitri's Rock Paper Scanner newsletter.
Mercedes Miguel is the Minister of Education for the City of Buenos Aires, leading transformative reforms in youth education with a focus on innovation, equity, and holistic development. A former teacher who began her career in classrooms, she advanced to roles like Planning General Director at the Buenos Aires Education Ministry, where she spearheaded national strategies for literacy improvement, curriculum reform, and digital literacy. Mercedes joined the Nord Anglia Education Advisory Board in 2022, advising on global education trends, and has been instrumental in adapting frameworks like the Learning Metrics Task Force to enhance secondary education relevance. Author of Aprendizaje Salvaje (Wild Learning, 2020), a book exploring unconventional paths to education through play and real-world experiences, she hosts the podcast Experienzaje, sharing stories of experiential learning. Her work emphasizes preparing young people for the future through technology and inclusive policies, impacting thousands in Buenos Aires and beyond.ParentShift course 30% OFF with the code "TRIBE". Link below: ParentShift: https://www.hernanchousa.com/courses/parentshift?ref=c23daa Entrena Tu Legado (Spanish): https://www.hernanchousa.com/courses/entrenatulegado?ref=c23daaConnect with Mercedes on LinkedIn: Mercedes Miguel Other Social Media Links for Mercedes:Twitter/X: https://x.com/mechimiguelInstagram: https://www.instagram.com/mmechimiguel/You can explore more of Hernan's work on his website, https://www.hernanchousa.com/.Music Production by Sebastian Klauer.
Send us a text"It's about really being 100% present." How do you reconcile the hustle of creative professionalism with the presence of mind creativity requires? Irish musician and rock/blues guitarist Paul Sherry might have an answer.In this episode, Emmeline sits down with prolific guitarist and songwriter Paul Sherry to talk about his journey towards mindfulness, his deep respect of presence, and the way his deepening spirituality manifests in his music on his new record, Peace in Mind. They talk about the beauty of being onstage and being fully present with an audience, and about Paul's intentional approach to bringing that same energy to the studio and to his collaborative music. They also have an honest conversation about how we get wiser and more present as we get older, and why we tend to create more when we put our phones down.To learn more about Paul Sherry, or to follow his musical journey, visit him on Instagram, stream his music on Spotify, or check out his official website.For behind-the-scenes information and more about Journey of an Artist, visit the Journey of Series official webpage, or follow Emmeline on social media at @EmmelineMusic.
In this episode, I shine the spotlight on The Unfaithful Servants through a conversation with singer, guitarist, and songwriter Dylan Stone From Vancouver Island's roots scene to a week immersed at IBMA in Chattanooga, the Servants have built a sound that slips past easy labels: tight three- and four-part harmonies, fearless arrangements, and a blend of bluegrass, folk, alt-country, and Americana that still feels unmistakably like one band.Dylan walks me through the Servants' arc: his partnership with mandolinist Jesse Cobb (a founding member of The Infamous Stringdusters), the jolt of energy when fiddle phenom Quinn Etheridge-Peddon joined, and the final puzzle piece in bassist Mark Johnson. We discuss the chemistry that's palpable onstage and how trust enables them to push beyond genre boundaries while always prioritizing the song.Their new album, Fallen Angel (out October 17), captures that identity. The band converted Quinn's basement into a studio. It brought in producer Adrian Dolan to keep it honest and alive, arrangements evolving in real time, performances that breathe, and the raw cohesion of a working band. We also explore their next steps: incorporating listening-led improvisation into writing (akin to jazz school rather than “endless solo”) and planning U.S. runs in 2026 from the Pacific Northwest down the coast and inland.The title track “Fallen Angel” is out now on all platforms.Band lineupDylan Stone — vocals, guitar, songwritingJesse Cobb — mandolin, instrumental writing, vocalsQuinn Etheridge-Peddon — fiddle, vocalsMark Johnson — bass, vocalsTo learn more about The Unfaithful Servants, visit their website.Music from the Episode:Fallen Angel (The Unfaithful Servants)Real to Touch (The Unfaithful Servants)Thank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com.
Joe Foster, born in 1935, is the co-founder of Reebok, established in 1958 with his late brother Jeff, continuing a family legacy in athletic footwear that began with his grandfather Joseph William Foster's pioneering spiked running shoes in 1895. Growing up in Bolton, UK, Joe was immersed in the family business J.W. Foster & Sons, which supplied shoes to Olympic athletes like Eric Liddell and Harold Abrahams. Joe and Jeff launched Reebok, starting in a small Bury factory and growing it into a $4 billion global brand by the 1980s, surpassing Nike and Adidas through aerobics trends and celebrity endorsements like Jane Fonda. Now 90, Joe authored Shoemaker: The Untold Story of the British Family Firm that Became a Global Brand, detailing the sacrifices, triumphs, and entrepreneurial spirit behind Reebok's rise. His work emphasizes believing in one's abilities, enjoying the journey, and fostering teamwork.ParentShift course 30% OFF with the code "TRIBE". Link below:ParentShift: https://www.hernanchousa.com/courses/parentshift?ref=c23daaEntrena Tu Legado (Spanish): https://www.hernanchousa.com/courses/entrenatulegado?ref=c23daaConnect with Joe on LinkedInOther Social Media Links for Joe:Instagram: @founderrbkOne Golden Nugget: Empowering Success Through Shared WisdomBooks Available in AmazonYou can explore more of Hernan's work on his website https://www.hernanchousa.com/.Music Production by Sebastian Klauer
What does a true wall of sound feel like when the vocal still breathes? We sit down with vocalist‑producer Jay Cali (DRUMxWAVE) and mixer‑producer Brian Skeel to unpack the craft behind Severed, big drums, widescreen synths, supportive guitars, and why clarity starts with a shared vision before a single plug‑in loads.We trace the journey from demo to master, beginning with an hour of alignment on emotion, references, and the “mountaintop” vocal image that sets every downstream choice. Brian breaks down how he builds commanding vocals without harshness: Revoice for doubles and harmonies that behave like real performances, meticulous cleanup, Slate's processing for character and control, FabFilter DS for precision, and a touch of L1 to pin dynamics so automation can shape arcs. Width becomes a dynamic fader, verses intimate and centred, choruses opening with MicroShift for that lift you feel more than hear. Jay and Brian also reveal the “demon” breakdown: a vocoder moment sculpted with Baby Audio's Humanoid, tamed by Soothe 2 and widened just enough to shock, then glide.If you've ever struggled to pair synths and guitars, you'll get a clear playbook. Guitars serve aggression rather than steal focus, panned L/R and low‑passed to make way for hi‑hats and vocal air. Synth choices lean on Serum 2 and ANA 2, with patches picked for fit, not flash. The top end gets the same discipline as the low: cut clutter above 10 kHz so the mix doesn't fizz, a lesson that came into focus after upgrading monitors and hearing what the old room hid. And for loudness without lifelessness - around −7.8 LUFS - Brian details a reference‑driven, top‑down chain using Metric AB, soft clipping and bus moves to reduce limiter strain, and focused multiband to keep choruses powerful without pumping.Along the way, you'll pick up collaboration habits that save weeks: arrive with a concise brief and references, label stems to spec, and send specific revision notes. Ready to test it? Grab one current track with guitars, synths, and vocals. Try widening only the chorus vocal and low‑passing rhythm guitars until the breath returns. Hear the space? That's what loud and open can sound like. If this resonates, follow, share with a friend who mixes dense productions, and leave a quick review so more producers can find these deep dives.Links mentioned in this episode:Follow DRUMxWAVEFollow Brian SkeelListen to Chroma CloudSend me a message Support the showWays to connect with Marc: Download your FREE Producer Growth Scorecard Radio-ready mixes start here - get the FREE weekly tips Book your FREE Music Breakthrough Strategy Call Follow Marc's Socials: Instagram | YouTube | Synth Music Mastering Thanks for listening!! Try Riverside for FREE
In this episode of Dream Chasers, host General Moses interviews Alexander Hume, a talented music producer and sound engineer. They discuss Hume's musical journey from his early influences in New York to his current work in Seattle. Hume shares insights on the evolution of music production, the importance of quality in today's music landscape, and the role of AI in enhancing creativity. He emphasizes the significance of networking and investing in high-quality equipment for aspiring music professionals.Follow General Moses on Instagram Listen to General Moses's MusicVisit House Of Hustle's WebsiteFollow House Of Hustle on InstagramFind the Latest Releases and more from House Of Hustle
this week we share stories of our first steps into music production and how we went ambient :)Got any questions you want answered in an upcoming episode? Email us at podcast@all-ambient.com.The all:ambient Discord server is now live! Come join the community & conversation with a bunch of like-minded artists & creators. Join us here – you'll need to create a Discord account if you've never done so – and welcome to the all:ambient family!
Joe Foster, born in 1935, is the co-founder of Reebok, established in 1958 with his late brother Jeff, continuing a family legacy in athletic footwear that began with his grandfather Joseph William Foster's pioneering spiked running shoes in 1895. Growing up in Bolton, UK, Joe was immersed in the family business J.W. Foster & Sons, which supplied shoes to Olympic athletes like Eric Liddell and Harold Abrahams. Joe and Jeff launched Reebok, starting in a small Bury factory and growing it into a $4 billion global brand by the 1980s, surpassing Nike and Adidas through aerobics trends and celebrity endorsements like Jane Fonda. Now 90, Joe authored Shoemaker: The Untold Story of the British Family Firm that Became a Global Brand, detailing the sacrifices, triumphs, and entrepreneurial spirit behind Reebok's rise. His work emphasizes believing in one's abilities, enjoying the journey, and fostering teamwork.ParentShift course 30% OFF with the code "TRIBE". Link below:ParentShift: https://www.hernanchousa.com/courses/parentshift?ref=c23daaEntrena Tu Legado (Spanish): https://www.hernanchousa.com/courses/entrenatulegado?ref=c23daaConnect with Joe on LinkedInOther Social Media Links for Joe:Instagram: @founderrbkOne Golden Nugget: Empowering Success Through Shared WisdomBooks Available in AmazonYou can explore more of Hernan's work on his website https://www.hernanchousa.com/.Music Production by Sebastian Klauer
The music industry can be hard to navigate, and harder to stomach. Sometimes, the industry seems to magnify all of your biggest insecurities, and the Imposter Syndrome is real.BUT electro-pop artist Robbie Wabi Sabi says that we artists have to stick together, and that you have to be your own biggest fan. You also have to connect meaningfully with your audience.In this episode, Emmeline sits down with Robbie Wabi Sabi, a synthesizer-obsessed drum machine lover who's been writing and producing his own music since the 1980s. While Robbie's career in music has experienced multiple iterations and transformations, he feels like THIS era is his best one yet--in part because of the enthusiasm he has for his own music and for the music community in which he exists and creates. He shares his tips for building self-confidence, keeping oneself relevant, and maintaining joy while creating. He also talks about his latest single, "Beautiful and Nerdy," and tells Emmeline why every Robbie Wabi Sabi show is actually one big party.To learn more about Robbie Wabi Sabi, or to follow his musical journey, find him on Instagram, check him out on YouTube, or stream his music on Spotify. For behind-the-scenes information and more about Journey of an Artist, visit the Journey of Series official webpage, or follow Emmeline on social media at @EmmelineMusic.
Aaron Fink is back—and he's bringing a fresh chapter to his already multi-faceted music journey. On this episode of Bringin' It Backwards, Adam and Tera Lisicky catch up with Aaron over Zoom in his third appearance on the podcast. This time, it's all about his new solo album, The Invisible Line, and the creative process behind it. Aaron pulls back the curtain on what it's really like to juggle projects—from his time with Breaking Benjamin, to reuniting with Lifer, recording with Earshot, and finding his artistic voice as a solo act. He dives into the realities of recording (including why he does almost everything himself), what inspires his songwriting, and how the industry has changed for independent artists. Plus, Aaron gets candid about the struggles of touring these days, the personal shifts that come with growing older, and why it's more important than ever to create for the love of the music. If you're an aspiring musician trying to make sense of how to thrive in today's music world, or just a fan of Aaron's work across his bands and solo material, this episode is packed with honest, hard-earned insight. Make sure you listen to the full interview and subscribe to Bringin' It Backwards for more stories straight from the artists themselves.
Jen Martensen shares her journey from a college newspaper music critic to becoming a Fractional Chief Operating Officer. Discover the behind-the-scenes world of music production, the evolution of the indie music scene, and the transferable skills that led Jen to work with top artists and manage successful projects in the digital marketing and operations world. Learn about project management, the intersection of creativity and business, and how to leverage fundamental skills across industries.▬▬▬▬▬ Resources ▬▬▬▬▬Jen Martensen: https://www.linkedin.com/in/jenmartensen/Brooke Saucier: https://www.linkedin.com/in/brookesaucier/Stage Magazine: https://www.stagemagazine.org/Barry Bongiovi: https://www.linkedin.com/in/barry-bongiovi-abb4281b/The Triangle Constraint: https://www.projectmanager.com/blog/triple-constraint-project-management-time-scope-costBackline Business Consulting: https://www.backlinebusiness.com/Instagram: https://www.instagram.com/cacklemedia/TikTok: https://www.tiktok.com/@cacklemediaX: https://x.com/CackleMediaLLCYouTube: https://www.youtube.com/@CackleMediaLinkedIn: https://www.linkedin.com/company/cacklemedia/Support the pod when signing up for Descript / SquadCast: https://get.descript.com/transferableskillSign up for our newsletter: https://shorturl.at/WDrfTWant to be a guest on the show?: https://shorturl.at/umZ2l▬▬▬▬▬ Timestamps ▬▬▬▬▬00:00 Introduction to Transferable Skills00:34 Jen Martensen's College Beginnings03:10 Early Career in New York City06:34 Learning the Recording Studio Ropes08:11 Mentorship and Growth at Power Station13:01 Project Management Fundamentals16:59 Balancing Creativity and Business17:32 The Importance of Contracts in the Music Industry20:25 Freelancing and Personal Connections22:29 Navigating the Digital Revolution25:08 Transitioning to Digital Marketing32:23 Founding Backline Business Consulting36:01 Defining Business Phases and Roles37:27 Exploring Future Career Aspirations40:42 Conclusion and Final Thoughts
The group discussed various aspects of the music and entertainment industry, including recent performances, technical challenges, and historical experiences working with famous musicians. They explored topics such as audio equipment, mixing techniques, and the evolution of live sound production, while sharing personal anecdotes and industry insights. The conversation concluded with discussions about upcoming events, the changing landscape of audio technology, and the logistics of large-scale music productions.Next stepsThe next steps section is empty, so there are no action items to summarize and rank.SummaryMusicians' Experiences and PerformancesThe group discussed various topics, including Wayne Sims's recent work with the Blues Roadshow, which involved eight guitar players performing simultaneously. They also talked about Barry Manilow's ongoing career at age 82 and his energetic performances. The conversation shifted to past experiences working with famous musicians, with Bruce and Wayne sharing stories about difficult encounters with drummers like Buddy Rich. The group also briefly discussed a fundraising event they had worked on together in the past.Challenges of Celebrity and MediaThe group discussed the challenges faced by celebrities, particularly child stars, and how fame can affect their demeanor and careers. They also talked about audio setup issues and technical adjustments for a live stream. The conversation briefly touched on the situation with Jimmy Kimmel and the role of politics in late-night talk shows, but Jan stopped the discussion before it could become too political. The conversation ended with a brief discussion about the shift towards streaming media and its impact on traditional broadcast ratings.Music Industry and Concert TrendsThe group discussed various topics including concert ticket prices, the changing music industry, and upcoming tours. Ken shared his experience attending Paul McCartney's concert in Las Vegas, while Curt explained his involvement in setting up equipment for The Who's tour. The conversation touched on the high costs of concert productions and the shift in the music industry from album sales to live performances for revenue. Jan mentioned a TikTok prediction of the world ending by September, which led to some lighthearted banter. Fred announced he would be away for a few weeks due to travel. The group also briefly discussed a potential concert by a band named Hotel California in Canada, which David Dansky clarified was not his band.Music Copyright and Tech UpdatesThe group discussed copyright issues, particularly regarding the Eagles' strict enforcement of their music rights, with Jan sharing a story about a company that could only use "Hotel California" in Japan due to licensing restrictions. Christopher explained the concept of fair use, noting that news outlets can use up to 7-8 seconds of music without permission, while Ken inquired about the rules for live performances. The conversation then shifted to technical matters, with Curt seeking advice about digital whiteboards for his shop, and Jan recommending Office Hours Global as a resource. The conversation ended with Christopher providing an update on the Pacific Palisades fire situation, noting that the permit process was taking longer than usual and land prices had dropped by 25-30% in the area.Cedar vs. Waves Noise ReductionThe group discussed noise reduction equipment, comparing the Waves WNS plugin to Cedar audio devices. Wayne explained that while the WNS is less expensive at $35, it doesn't work as well as the Cedar units, which are more expensive but offer better customization with 6 frequency bands. Bruce shared that a 2-channel Cedar unit cost around $4,000 several years ago, while Denis noted that a 2-channel 5045 unit currently costs $2,000. The discussion concluded with Denis sharing information about a DNS 8-channel Cedar unit priced at around $7,000 Canadian.Audio Technology Evolution and SolutionsThe group discussed the evolution of audio technology, with Bruce sharing his experience transitioning from analog to digital consoles and the challenges of managing multiple audio sources in corporate events. Wayne demonstrated a more cost-effective alternative to the Cedar audio noise suppressor unit, and the conversation touched on the practicalities of using EtherCon connectors and Ethernet cables in live sound applications. The discussion concluded with recommendations for adapter solutions to handle different cable types and connector standards in various audio systems.Digital vs Analog Mixing InsightsThe group discussed the differences between analog and digital mixers, with Wayne emphasizing the need for proactive thinking in digital mixing rather than reactive adjustments. Bruce shared his technique of using "home buttons" on digital consoles to navigate back to familiar settings, while Denis recounted a humorous story about a water incident at the Montreal Jazz Festival that highlighted the complexity of digital mixing. The conversation concluded with Bruce and Wayne exchanging stories about their experiences with digital consoles, including a water damage incident at a Phoenix event where Bruce was able to recover the setup using a saved configuration on a thumb drive.LCR Audio Mixing TechniquesThe group discussed mixing techniques for left-center-right (LCR) audio systems in theaters. Bruce inquired about optimal ways to pan vocals and instruments, leading to a discussion about placing vocals in the center and panning band members to the stereo sides. Denis explained the use of a "divergence" feature on LCR consoles to control how much of the center signal goes to the left and right channels. The conversation also covered the challenges of using center clusters, including coverage issues and the need for proper mixing techniques. Wayne Sims shared an experience using a matrixed LCR setup in a theater in Port Macquarie, which resulted in a seamless audio experience during a spoken word performance.Isolation Transformers in Audio SystemsThe group discussed the importance of isolation transformers in audio systems, particularly during the transition from analog to digital in the late 90s. Wayne Sims shared his experience with creating audio loops and the challenges of working without isolation transformers, while Bruce and Wayne Pierce highlighted the effectiveness of carrying heavy isolation transformers to ensure clean power for audio and lighting systems. Denis inquired about transformers with variable R or Q factors, which Wayne and Wayne Pierce researched, finding that these factors relate to insulation and impedance, though the exact details were unclear. The conversation concluded with a lighthearted mention of the Pink Panther movies and a brief discussion about transformer taps and their function in adjusting output voltage.Music Production and Event PlanningThe meeting participants discussed various topics, including WORLD Dream Day, upcoming events, and personal updates. Jan mentioned speaking with Sean, who expressed interest in participating in an unspecified activity and will follow up with Kurt. The group also talked about the logistics and scale of large music productions, with Joshua sharing experiences from recent concerts and events. Wayne Sims shared his thoughts on the increasing complexity and technology involved in modern live sound productions.Musicians' Tech Evolution and ChallengesJoshua shared his experience working with various bands and venues, highlighting how technology has changed the industry, making it easier for musicians to travel with minimal equipment. He discussed his recent show setup, including challenges with lighting and sound equipment, and how he managed to deliver a successful performance despite some technical issues. The conversation...
Today, a conversation with Tristra and Mansoor Rahimat Khan, the founder and CEO of Beatoven.ai. an ethically trained music generator that was built in partnership with hundreds of artists. They talk about the inspiration behind Beatoven and dive into the nitty gritty of how and why Beatoven works in collaboration with musicians to secure fully licensed content. News! How Visa Issues Are Threatening Artists' Careers — And the Music Companies That Work With Them Trump administration, China reach ‘framework' for deal to keep TikTok operating in the US (report) Everything Meta announced at Connect 2025: Second-gen Ray-Ban Meta, Oakley Meta Vanguard and Meta Ray-Ban Display The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think! Get Dmitri's Rock Paper Scanner newsletter.
On this episode of Bringin' It Backwards, Adam and Tera Lisicky sit down with Ivy and Mabel, the sister duo behind the stunning folk act Charm of Finches. Hailing from the heart of Melbourne, Australia, these two share what it was like growing up in a musical family—complete with a mom who led choirs and once performed electronic music standing on her head! From busking as kids outside their dad's veggie shop to recording their very first EP at just 12 and 14, and then emerging as one of Australia's most beloved new folk acts, Ivy and Mabel walk us through their remarkable journey. The sisters chat about carving their own independent path, capturing inspiration during long tours abroad, and the fairytale origins of their latest album's title—Marlinchen in the Snow. They reflect on how winning the Best Folk Album at the Australian Folk Music Awards changed things, offer real talk about sibling dynamics in music, and open up about learning the DIY side of the industry, from recording at home to editing their own videos. Plus, they've got some solid advice for aspiring artists about staying honest in your craft and doing it yourself wherever you can. Stick around to hear candid stories about life on the road, sisterhood, and why creative vulnerability matters more than ever. Whether you're gunning for your own spot in the spotlight or just want a peek into the making of today's rising indie stars, you don't want to miss this conversation with Charm of Finches. Listen and subscribe to Bringin' It Backwards wherever you get your podcasts!
Swedish singer/songwriter Peter Morén (Peter, Bjorn, and John) joins the podcast to talk about Elvis Costello's 1989 album Spike and Peter's new SunYears album The Song Forlorn. Jason and Peter talk about how Peter got started with Elvis Costello and Spike, making albums, lyrics, collaboration, how ambitious albums can remain coherent, and much more. The talk transitions to Peter's career and process, and the making of The Song Forlorn. Subscribe, rate and review wherever you listen to podcasts. Email: beforethestreampodcast@gmail.com Instagram: beforethestream linktr.ee/beforethestream
How the performing arts like opera has changed w/Susan Dormady EisenbergSusan Dormady Eisenberg is the author of two novels, “The Voice I Just Heard” in a new revised edition and “One More Seat at the Round Table: A Novel of Broadway's Camelot” in 2023. She has written extensively about the vocal arts for “Classical Singer,” “Huff Post,” and “Opera News,” and is a proud member of the Authors Guild. She grew up in Cohoes, New York, and her first career was as a publicist and marketer in the performing arts. She makes her home in Maryland with her husband, a senior care executive, and their cat.Linkhttps://www.susandeisenberg.com/index.htmhttps://www.instagram.com/susandeisenberg/Tags:Author,Books,classical music,Fiction,Musical,Music Production,opera,Performing Arts,Theatre,Vocalist,Live Video Podcast Interview,PodcastSupport PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:https://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprRSShttps://anchor.fm/s/3b31908/podcast/rssSubstackhttps://substack.com/@phantomelectricghost?utm_source=edit-profile-page
Dr. Jen Fry (she/her) is a Sports Geographer, tech founder, TEDx speaker, conflict expert, and author dedicated to transforming organizational dynamics through the intersection of conflict and culture. With a PhD in Sports Geography from Michigan State University, she owns JenFryTalks, an organizational change firm that delivers keynotes, workshops, and consulting on conflict, communication, leadership, and culture, trusted by organizations like Vanguard University. Jen is also the founder of Coordle, a B2B tech company simplifying youth sports travel logistics with features like real-time itineraries, communication, food orders, and hosting—addressing the chaos faced by parents, coaches, and athletes. A veteran volleyball coach with over 15 years at the collegiate level, she specializes in resolving conflicts to enhance team performance and well-being. Jen is the author of I Said No: The No-BS Guide to Setting Boundaries, Speaking Up, and Staying Unbothered, a culturally nuanced book helping high-achievers set boundaries without guilt, drawing from her lived experiences. Based in Baltimore, her work empowers leaders and families to navigate high-pressure environments with clarity and compassion, making her a sought-after voice in sports and personal development.ParentShift course 30% OFF with the code TRIBE. Link below:ParentShift (English): https://www.hernanchousa.com/courses/parentshift?ref=c23daaEntrena Tu Legado (Spanish): https://www.hernanchousa.com/courses/entrenatulegado?ref=c23daaConnect with Jen on LinkedInOther Social Media Links for Jen:Coordle App: https://coordleapp.com/Jen's Book on Amazon: Said No: The No-BS Guide to Setting Boundaries, Speaking Up, and Staying UnbotheredWebsite: https://jenfrytalks.com/Twitter/X: https://twitter.com/jenfrytalksInstagram: https://www.instagram.com/jenfrytalks/You can explore more of Hernan's work on his website, https://www.hernanchousa.com/.Music Production by Sebastian Klauer.
Frustrated by endless email chains, confusing file links, and clients commenting on the wrong version of a mix? In this episode of Inside the Mix, Marc Matthews explores how Mixup.audio is transforming the mix revision process for producers, mixers, and collaborators.Marc breaks down the platform's most powerful features, including timestamped comments, version comparison, and normalised level matching, which eliminates loudness bias when reviewing mixes. Listeners will discover how Mixup's intuitive design—where clients don't even need to create an account—removes the barriers to clear communication and saves hours of frustration.The episode also compares Mixup's free and paid versions, highlighting which features may be sufficient for different workflows. Marc contrasts Mixup with alternatives like FilePass and Highnote, offering his honest assessment of where each excels and how they can fit into a modern music production setup.For anyone struggling with mix revisions, vague feedback, or confusing client communication, this episode provides practical solutions to simplify collaboration. Whether producing for clients or working on personal projects, listeners will learn how to make the feedback process smoother, faster, and more professional.Links mentioned in this episode:Mixup.audioSend me a messageSupport the showWays to connect with Marc: Book your FREE Music Breakthrough Strategy Call Radio-ready mixes start here - get the FREE weekly tips Grab exclusive access to BONUS content on Patreon Try Riverside for FREE Follow Marc's Socials: Instagram | YouTube | Synth Music Mastering Thanks for listening!!
Audionautic | Covering the Latest in Music Production, Marketing and Technology
For the past few weeks we've been exploring inspiration and the creative mind. One understated form of Music Production is that of Generative Music, a world where a single piece of MIDI data can form entire compositions with the right parameters. To aid us in the exploration of this world we welcome Mike K Smith to the show, friend, patron and fellow producer who's just released his own body of work on Generative Music and it's unique qualities. Check out 'The Lazy Producer' here:https://mikeksmith.bandcamp.com/album/the-lazy-producerFor the whole of this month, enter 'FIVEYEARS' at checkout on our Patreon to get a 20% discount on Patronage:https://www.patreon.com/c/audionauticThanks to our Patrons who support what we do:Audionauts: Abby, Bendu, David Svrjcek, Josh Wittman, Paul Ledbrook, Matt Donatelli and Stephen SetzepfandtLars Haur - Audionaut ProducerJonathan Goode - Audionaut ProducerJoin the conversation:
“If it's stock music, unless you're paying, like, some libraries have exclusivity, but most of them don't. So that's what I always say to clients, like stock music. You might hear that Joe's ice cream shop also has the same music that you have. And you're Chrysler – I keep saying Chrysler, but whatever, a big brand. A good example of an audio branding that we did was the Rogers. That was huge, and when we first did that, it was for a very close friend of mine, Philippe Garneau, and Mark's brother, the astronaut, and he came to me, and he had the Rogers account. He said, ‘We want a mnemonic on the end of the spot, but we're only going to use it for three commercials.' And so they lost the business, and Rogers loved that mnemonic.” – Ted “Theo” Rosnick This episode is the second half of my conversation with music and audio director/producer Ted Rosnick, as we discuss the use of AI, especially digital voice clones, in advertising, the impact of the SAG-AFTRA strike, and the unwritten rule voice artists follow when it comes to branding. As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that. (0:00:00) - Evolution of Music Production and AIThe second half of our conversation starts with Ted's perspective on advertising in the 21st century, and one early trend that marked a turning point. “One of the main things I remember changing a lot was when Napster came along,” he recalls. “People could download a hundred songs in an hour, and I noticed it was, all of a sudden, we were expected to do seven or eight demos, because that's what they were used to, like, pulling music down all night long and hearing their stuff.” We talk about digital studios and sound design, and how AI voice cloning has transformed the industry, including a recent commercial campaign that featured a synthetic likeness of a human actor. “We asked his permission,” Ted tells us, “and so we AI'd his voice, and it worked out really well. Nobody would know. I know the difference because I just know, but you wouldn't know the difference.”(0:10:42) - The Impact of AI on CreativityTed tells us about his experience with AI-assisted brainstorming and its limitations as a content writer. “I've written them and then thrown them into ChatGTP,” he explains, “and then said, ‘Can you just make it a little warmer?' But the truth of the matter is that I've always gone back to my own, because I don't think it's as warm as or as good as what's in here, you know.” We discuss what sets human and AI creativity apart, and how what makes a work human often comes down to the very things AI would try to fix. “A lot of it is that human subtleties are mistakes,” he tells us. “When you start tearing it down for the mix, you hear all sorts of mistakes. They're not glaring mistakes that are going to ruin it, but they're not perfect, and that's what makes it human. And that's what makes it great.”(0:23:10) - The World of Audio BrandingOur conversation closes with some of Ted's most...
AI models can truly capture the essence of musical creativity. (Wait. Really?). Join us as Tristra interviews Dr. Christopher White from UMass Amherst about his new book The AI Music Problem: Why Machine Learning Conflicts with Musical Creativity. The two of them get into a really interesting question – Is AI redefining music, or is music reshaping AI? It's a great conversion about the future of music creation. The News: What Is AI Slop? Chinese social media platforms roll out labels for AI-generated material Spotify's ticketing partnerships have ‘escalated quite quickly' in 2025 EU pauses probe into Universal's $775m Downtown deal Influencers are among the winners of Trump's 'no tax on tips' policy The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think! Get Dmitri's Rock Paper Scanner newsletter.
Amaka-Virtue Nathaniel is a multifaceted parenting consultant, life coach, female ministers trainer, speaker, red carpet host, marriage counselor, and social entrepreneur dedicated to empowering families and youth. As a mother of three, she advocates for intentional parenting, impacting thousands worldwide through her coaching and training programs that focus on self-image, relationships, goal-setting, and purposeful living. With a passion for female ministers' development, Amaka has authored The Confident Female Minister, a guide to unleashing inner strength and leadership. Based in Lagos, Nigeria, she serves as an administrative officer at Glory Issachar Children School while running initiatives like webinars on parenting journeys and faith-based empowerment. Her work emphasizes transforming ordinary individuals into extraordinary leaders, fostering confidence and resilience in parents and young people alike.ParentShift course 30% OFF with the code "TRIBE". Link below:ParentShift (English): https://www.hernanchousa.com/courses/parentshift?ref=c23daaEntrena Tu Legado (Spanish): https://www.hernanchousa.com/courses/entrenatulegado?ref=c23daaConnect with Amaka-Virtue on LinkedIn:Other Social Media Links:Twitter/X: https://x.com/AmakaprInstagram: https://www.instagram.com/amakavirtuenathaniel/You can explore more of Hernan's work on his website, https://www.hernanchousa.com/Music Production by Sebastian Klauer
Author Gene Popa on the making of The Beatles' classic "A Day In The Life". Listen to Episode 317: The Beatles' Metamorphosis From Pop Stars To Cultural Icons---------- BookedOnRock.com The Booked On Rock Store The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:BLUESKYFACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com
Welcome to Season 4!!! (We keep saying S3, forgive us, we grown folks with bills lol)But we are back! Happy to welcome a new season of The Soul Qurators podcast, and helping us getting this party started is friend of the show, producer extraordinaire and man of MANY hats, the one & only Zo!!! We talk about of course his wizardry of production & composition, his collaboration with Tall Black Guy as well as the entire FE Music Group, and his approach to live shows! We also spend time discussing his thoughts on working with new talent, being a parent and of course we make sure to give him all of his much deserved flowers.What an amazing conversation with Zo! and we know that his longtime & new fans will enjoy this! We appreciate him sharing not only the artist and business owner that he is, but also sharing the man that Lorenzo is when away from the studio. Please continue to support Zo! in all ways, follow him on all social media platforms and of course, be on the lookout for new music!The SQ3 Zo! Mix will be available on the Soul Qurators SoundCloud page, make sure to run it up!Be sure to catch all episodes of The Soul Qurators Podcast on The MPN Network (www.mpn-llc.com) and everywhere podcasts are streaming.
On this episode of Bringin' It Backwards, Adam sits down with TAVE—an acclaimed London-born producer and songwriter who's now stepping boldly into the spotlight as a solo artist. You might recognize TAVE's name from his Grammy-nominated work on Black's album "Since I Have a Lover," but this episode is extra special—it's TAVE's very first interview ever. Adam leads TAVE through his story, from discovering the piano at age five thanks to an abandoned upright in his family's London home, to working the church musician circuit, eventually landing gigs on world tours with acts like Mark Morrison and All Saints—all before his 20th birthday. TAVE opens up about his struggles with sight-reading, locking into the groove of live performance, and how an IT job almost kept him from pursuing music full-time. When the pandemic hit and live gigs dried up, TAVE made a life-changing pivot: focusing on production and songwriting, dedicating himself to building a legacy that would outlast any stage. That leap of faith paid off, leading to collaborations with artists like Masego, a Grammy nod, and now the launch of his own solo project—'Difference Now' being his latest track. Honest, down-to-earth, and loaded with insight, TAVE's story is for anyone who's ever wondered what happens when you back yourself, focus on your authentic voice, and decide it's time to "leave something behind." Stick around for TAVE's advice to aspiring artists—and don't forget to subscribe to Bringin' It Backwards for more behind-the-scenes stories straight from the artists who live them.
James McLamb, known as “America's Youth Coach,” is the founder and CEO of Generation Youth, where he empowers young people through coaching, speaking, and training programs. A former high school agriculture teacher with a Master's in Youth Development Leadership, he is also the author of Tomorrow's Youth and host of the Generation Youth Podcast. Certified in Ziglar Legacy, DISC, and John Maxwell leadership, McLamb equips the next generation with confidence, skills, and purpose to thrive and lead.ParentShift course 30% OFF with the code TRIBE Link below: ParentShift (English): https://www.hernanchousa.com/courses/parentshift?ref=c23daaEntrena Tu Legado (Spanish): https://www.hernanchousa.com/courses/entrenatulegado?ref=c23daaConnect with James on LinkedInOther Social Media Links for James:Instagram: https://www.instagram.com/jmclamb92/Twitter: https://x.com/jamesmclambGeneration Youth Website https://www.generation-youth.com/You can explore more of Hernan's work on his website, https://www.hernanchousa.com/.Music Production by Sebastian Klauer. You can reach him at klauersebas@gmail.com
Should you record vocals with compression or save it for mixing? It's one of the most debated questions in music production, and in this episode of Inside The Mix, we break it down with practical advice for producers at every level.Guest Tim Benson shares why he often tracked vocals with hardware compressors in the studio, not just for sound quality, but because hearing compressed vocals in headphones helped singers perform with more confidence and precision. We discuss how compression during tracking can shape performances, highlighting the psychological and creative benefits that go far beyond managing peaks.But what if you don't want to commit compression to your recording? Thanks to modern workflows, you can now monitor with plugin compression while recording a clean signal, giving vocalists the polished sound they crave without sacrificing flexibility at mixdown.We also compare compression across instruments, exploring why it's often essential for bass but risky for acoustic guitars. Plus, discover why microphone technique, like managing distance and consistency, may solve more vocal problems than compression ever could.Whether you're asking “Should I record with compression on the way in?” or wondering which instruments benefit most, this episode gives you the clarity to make smarter tracking decisions.Links mentioned in this episode:Listen to Paradise CoveListen to Engraved DisillusionSend me a message Support the showWays to connect with Marc: Book your FREE Music Breakthrough Strategy Call Radio-ready mixes start here - get the FREE weekly tips Grab exclusive access to BONUS content on Patreon Try Riverside for FREE Follow Marc's Socials: Instagram | YouTube | Synth Music Mastering Thanks for listening!!
(First and foremost, I have to apologise for the bad quality of the music in this episode. We're still working out the kinks with the Riverside Application and unfortunatley, I have not figured out how to improve the audio quality of live shared video content. Just imgagine the production of the music in this video as amazing lol.) Kyle and Shane explore the intersection of AI and music creation. They discuss their personal experiences with AI tools, particularly the Suno app, which allows users to create music by inputting melodies and lyrics. The duo reflects on the potential of AI to inspire creativity, democratize music production, and revitalize old songs. They also share their thoughts on the evolving role of artists in a technology-driven landscape, emphasizing the importance of ideas over technical skills. The conversation is filled with humor, personal anecdotes, and insights into the future of music. In this engaging conversation, WiseDrums and Kyle Lampi delve into the transformative impact of AI on music creation. They explore the capabilities of AI in generating music, experimenting with various genres, and the implications for future music production. The discussion highlights the excitement and challenges of integrating technology into the creative process, reflecting on how it can inspire new forms of artistic expression.
We are rewinding and playing back some of our favorite guests during the month of August and today we have our own Chief Creative Officer from way back when he was the creative force at Artiphon. Adam McHeffey, CMO of Artiphon, joins us to talk about the state of musical instrument innovation. Instruments like the Orba put music creation at the fingertips of hobbyists, allowing them to focus on enjoyment and self-expression rather than traditional album releases. We discuss the fusion of music and social media, and the new generation of creators redefining the art form. Lines between listening and playing are blurring, (see Ocean Eyes remix on Logic Pro X) pointing to a future where music engagement is akin to gaming, providing endless possibilities for interactivity and connection. Shoutouts mentioned in episode: seids_ imsethdrums socialrepose The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think! Get Dmitri's Rock Paper Scanner newsletter.
https://multiplysound.com/products/chptrs-film-score-collection - 30% off the new sound pack starting August 26th with promo code John30: https://multiplysound.com/?ref=evenpbbx In this episode of the Shifting Focus podcast, host John Bunn interviews Boomer from Multiply Sound and the duo Josh and Jerad from CHPTRS. They discuss their unique collaboration in creating a new sound pack tailored for filmmakers, emphasizing the importance of music in storytelling. The conversation covers Boomer's transition from wedding filmmaking to music creation, the challenges and risks involved in pursuing one's passion, and the educational components of their new product. The episode highlights the innovative approach to music for filmmakers and the excitement surrounding the launch of their sound pack. Follow Multiply Sound: https://www.instagram.com/multiply.sound/ Follow CHPTRS: https://www.instagram.com/wearechptrs/ Takeaways Boomer transitioned from music to videography and back to music. The collaboration between Chapters and Boomer aims to revolutionize sound for filmmakers. Music is a powerful tool for storytelling in film. Boomer's sound packs offer customization for filmmakers. The importance of education in using music effectively in filmmaking. Creativity often requires taking risks and following one's passion. The sound pack includes unique, human-performed sounds. Filmmakers can use the sound pack to create cohesive musical stories. The collaboration emphasizes quality and intentionality in sound design. The launch of the sound pack is an exciting opportunity for filmmakers.
We are rewinding and playing back some of our favorite guests during the month of August. Join Dmitri and Tracy Maddux the former CEO, of AVL Digital and CD Baby as they talk through the fundamentals of what it takes to really start up. We promise that by the end of this episode, you'll have a clear understanding of the critical decisions that shape the future of your business. Whether you intend to sell your company or nurture it as a long-term venture, Tracy's wisdom on capitalization, leveraging personal funds versus investors, and recognizing your strengths and weaknesses will set you on the right path. And if you're already deep in the weeds with your company – there is still great advice to be learned from these two industry experts. Tracy Maddux Artes Management The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!
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