Podcasts about indie musician

I've got the absolute pleasure of sitting down with the powerhouse trio from New Orleans' own Bad Operation: Dominic, Greg, and D-Ray.Now, if you don't know Bad Operation, you're about to get schooled! These guys are injecting a much-needed shot of adrenaline into the ska scene, bringing that classic sound with a fresh, modern twist with the phrase they've coined, New Tone. We're gonna be talking about their creative process behind their music, and what it's like to be part of a scene that's constantly evolving.Music By:Bad Operation - Peachy, Stay Inside and I Don't Wanna KnowSet The Tone - A Break In The RainThe Fullstops - What Good (AYS Exclusive) The Austin Young Show Theme - The FullstopsThe Austin Young Show Outro - Jeffboy Zen Follow The Austin Young ShowTalent Manager: Veronica Young *DISCLAIMER: I hereby declare that I do not own the rights to this music/song. All rights belong to the owner. No Copyright Infringement Intended. All bands have given permission to use their music.*

Send us a textAre you an artist or music producer dreaming of releasing your music on vinyl? In this episode of Girls Twiddling Knobs, Isobel Anderson sits down with Jenn D'Eugenio, founder of Women in Vinyl, to uncover the fascinating process behind pressing music onto records. Jenn shares expert insights on preparing your audio and artwork for vinyl, tips for selecting the right pressing plant, and how to make your vinyl release more sustainable.Whether you're an independent artist exploring physical formats, a vinyl enthusiast curious about the behind-the-scenes craftsmanship, or someone considering a career in this exciting industry, this episode is packed with invaluable tips and actionable advice.Jenn also highlights the role of women in the vinyl industry and offers a glimpse into Women in Vinyl's resources, from educational tools to career opportunities. Don't miss out on this comprehensive guide to vinyl pressing, sustainability, and innovation in analog sound.Key Topics Covered:How to prepare audio and artwork for vinyl pressingThe step-by-step process of creating a vinyl recordCommon mistakes to avoid when working with pressing plantsEco-friendly options for a sustainable vinyl releaseCareer advice for women and gender-nonconforming individuals interested in the vinyl industryLinks mentioned in this episode:Women in Vinyl >> Connect with Jenn on Instagram >>Infographic on the electroplating process >>Women in Vinyl podcast episode with Jett Galindo >>Women in Vinyl episode with Karyln King >>Vinyl Pressing Plant Directory >>Electroplating graphic >>If you loved listening to this week's episode of the podcast, leave a review wherever you're listening now and let me know

Send us a textCelebrating 100 episodes of empowering women in music, Girls Twiddling Knobs host Isobel Anderson takes listeners on a reflective journey through the evolution of the podcast, revisiting its top five most popular episodes, including conversations with Kate Nash, Orla Gartland and Victoria Witjeratne. Featuring listener Q&A, insights into key challenges for women in music technology, and plans for the future, this milestone episode highlights how the Girls Twiddling Knobs community has become a vital voice for diverse creators in music. Tune in to celebrate and explore what's next!If you loved listening to this week's episode of the podcast, leave a review wherever you're listening now and let me know

This week's guest is Luke Pyenson, a food and travel journalist and author of the new book "Taste in Music: Eating on Tour with Indie Musicians". He was the longtime drummer of the critically acclaimed indie rock band Frankie Cosmos and founding drummer of cult DIY band Krill. Hosted on Acast. See acast.com/privacy for more information.

Send us a textIn a world that's always online, how do we stay true to ourselves as artists? This week on Girls Twiddling Knobs, we tackle this question with the fiercely original electronic music producer Maria Uzor.Growing up as a Black artist in a predominantly White area of the UK, Maria often felt like an outsider. But she turned that feeling into a sound that's bold, raw, and unmistakably hers. Join us as we explore how Maria channels her unique experiences into a blend of basement grittiness and cosmic vision.In this episode, you'll discover:✨ How Maria creates from an authentic place despite social media pressures

Send us a textWhat unique facets of our existence and identity does sound allow us to explore as women and gender diverse artists? This is one of the big questions that emerges inside this conversation with three of the five 2024 Oram Award winners.Whether it be through choreography, performance art, hacking or design, Lola De La Mata, xname and The Silver Field are all artists who have come to sound through alternative pathways. Inside this episode, you'll learn about the role that sound and experimental music plays in their practice, how they harness technology to express deeply personal and sensitive experiences and we'll also listen to some of their work too. You'll also learn more from one of the 2024 judges Dr Mariam Rezaei about the Oram Awards themselves, including the judging process and how you can apply for the next round. Find out more about:The Oram Awards >>xname >>The Silver Field >>Lola De La Mata >>Dr Mariam Rezaei >>Girls Twiddling Knobs >>Isobel Anderson >>Ready to level up your music making with the powerful art of field recording? Download my new FREE Essential Gear Checklist to Start Field Recording With Your Smartphone >> Loved this week's episode? Share it with a friend

This week, we sit down with Evie McGee Colbert to talk about her latest book, co-authored with her husband, Stephen Colbert. She tells us about the dynamics in her family's kitchen, the joys and challenges of cooking together during the pandemic, Charleston food traditions, and we take a listener question from one special caller! Evie's latest book with her husband, Stephen Colbert, is Does This Taste Funny?: Recipes our Family Loves. She leaves us with her recipe for Salt and Pepper Wings. Then, we hit the road with musicians Alex Bleeker and Luke Pyenson to talk about their latest book, a collection of essays and interviews with musicians about life and eating on the road. They talk about their most memorable meals while on tour and the deep connection between musicians and food. Alex and Luke are the authors of Taste in Music: Eating on Tour with Indie Musicians. Broadcast dates for this episode:September 27, 2024 (originally aired)Generous listeners like you make The Splendid Table possible. Donate today to support the show

Cookbook author and online personality Carolina Gelen is on a mission to share her love of food, which comes into focus in a great new cookbook, Pass the Plate: 100 Delicious, Highly Shareable, Everyday Recipes. Carolina's journey began in Transylvania, Romania, where she was born and raised. In 2021, she immigrated to the United States to pursue her passion for food full time. She is a recipe developer and food content creator with work featured in the New York Times and on the Food Network and Food52. In this episode we hear about Carolina's journey to her debut cookbook and what makes her recipes unique and cookbook-able. I hope you enjoy our conversation.Also on the show, Matt covers four great books being released this fall that are about food, but not quite cookbooks. These include: Why I Cook by Tom Colicchio, Taste in Music: Eating on Tour with Indie Musicians by Alex Bleeker and Luke Pyenson, A Thousand Feasts by Nigel Slater, Be Ready When the Luck Happens: A Memoir by Ina Garten.Do you enjoy This Is TASTE? Drop us a review on Apple, or star us on Spotify. We'd love to hear from you. MORE FROM CAROLINA GELEN:Scraps [Substack]Seared Chicken Thighs With Cherry Tomatoes and Olives [NYT]Lemon Olive Oil Cake [official]This Is TASTE 396: Robert Sietsema & Luke Pyenson [TASTE]See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Another rockin' ep of AOAOAOA--or should we say "HEY! HO! HEY! HO! HEY! OH! HEY!" We sit down with some of the greatest musicians the year 2012 had ever seen, and hear what exactly goes into making the music we'd hear at grocery stores and DMVs for the rest of time, and how much tambourine is too much tambourine. For bonus post show episodes and other fun stuff join the Patreon! Special thank you to our Patrons who designed the posters behind us based on past AOAOAOA projects! patreon.com/aoaoaoapodArtists on Artists on Artists on Artists is an improvised Hollywood roundtable podcast by Kylie Brakeman, Jeremy Culhane, Angela Giarratana, and Patrick McDonald. Music by Gabriel Ponton.  Edited by Conner McCabe. Thumbnail art by Grant Moore. Hollywood's talking. Make sure you're listening. Subscribe to us on Apple Podcasts, Spotify, and Youtube! Please rate us five stars!

This episode of The Unstarving Musician explores how independent musicians can effectively use donations as a viable income stream. The conversation covers: The historical precedent and modern relevance of fan support Crafting compelling donation requests Popular donation platforms and payment options Creating a dedicated donation page Offering incentives to encourage support Tips for successful crowdfunding campaigns Whether you're just starting out or looking to diversify your income, this episode provides practical strategies to engage your fanbase and help sustain your musical journey through donations. Learn how to communicate your needs, maintain transparency, and build stronger connections with your audience while supporting your artistic endeavors. Get the FREE companion download for this episode! Support the Unstarving Musician The Unstarving Musician exists solely through the generosity of its listeners, readers, and viewers. Learn how you can offer your support. This episode was powered by Music Marketing Method, a program for independent musicians looking to grow their music career. Music Marketing Method was created by my good friend Lynz Crichton. I'm in the program and I'm learning tons! I'm growing my fan base and learning about many ways that I'll be earning money in the new year. It's also helping me grow this podcast. How cool is that? To lean more and find out if Music Marketing Method can help your music career, visit UnstarvingMusician.com/MusicMarketing. This episode of the was powered by Liner Notes. Learn from the hundreds of musicians and industry pros I've spoken with for the Unstarving Musician on topics such as marketing, songwriting, touring, sync licensing and much more. Sign up for Liner Notes. Liner Notes is an email newsletter from yours truly, in which I share some of the best knowledge gems garnered from the many conversations featured on the Unstarving Musician. You'll also be privy to the latest podcast episodes and Liner Notes subscriber exclusives. Sign up at UnstarvingMusician.com. It's free and you can unsubscribe at anytime. Mentions and Related Episodes FREE episode companion download  House Concert Tours & Community – Shannon Curtis  288 Johnny Burgin – Queretaro Mexico, The Queretablues Festival, His Guitar Masterclass And YouTube Channel, Moving to Memphis, Leaving Chicago, And His Forthcoming Album  We Are All Musicians Now – Zack O'Malley Greenburg (Ep 226)  Resources The Unstarving Musician's Guide to Getting Paid Gigs, by Robonzo Music Marketing Method – The program that helps musicians find fans, grow an audience and make consistent income Bandzoogle – The all-in-one platform that makes it easy to build a beautiful website for your music Dreamhost – See the latest deals from Dreamhost, save money and support the UM in the process. More Resources for musicians Pardon the Interruption (Disclosure)  Some of the links in this post are affiliate links. This means I make a small commission, at no extra charge to you, if you purchase using those links. Thanks for your support! Visit UnstarvingMusician.com to sign up for Liner Notes to learn what I'm learning from the best indie musicians and music industry professionals. Stay in touch! @RobonzoDrummer on Twitter  and  Instagram @UnstarvingMusician on Facebook  and  YouTube  

"If I got money every time you're on my mind, I swear I'd have more money than a single dime."Do lyrics need to rhyme? Can a song be both funny and profound? Is there a right way to build a composition?In this episode, Emmeline sits down with urban boy band, The Kid Brothers (TKB), to tackle these questions and more through the lens of their brand new single, "Divine." Comprised of Eddie, Shawn, and Sasha, TKB has been releasing fun, dance-able jams since 2021--but the release of "Divine" marks the beginning of a new chapter for the band. They talk about learning instruments from YouTube videos, using social media to connect with fans, and taking performance far more seriously than they take themselves. They also share some of the challenges of writing songs as a collaborative unit, and how they've learned to empower each other and play to each member's strengths. Plus, hear how one groovy bass line can be the beginning of the next summer hit--and why Sabrina Carpenter might be the inspiration behind "Divine."To learn more about The Kid Brothers, or to follow their musical journey, follow the band on Instagram or check out their official website.For behind-the-scenes info and more about Journey of a Song, follow @EmmelineMusic on social media or visit the Journey of Series official webpage. You can hear songs from previous episodes through the Journey of a Song Official Spotify Playlist.

Bobby Borg joined me on TAXI TV a couple weeks ago and after the show ended, I realized how much more we could have covered. Specifically, I felt that we could have gone more in-depth on the subject of marketing for musicians. He's the perfect person to talk about it because he's the author of, Music Marketing for The DIY Musician. But, he's much more than the author of that book!

I interviewed Detachment director Roman Rappak remotely after the SXSW XR Experience 2024. See more context in the rough transcript below. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

Label Mate FCC dropped his new EP 'Somewhere Boy' last week, we're sitting down with him, discussing his release and looking at some of his sound design techniques. Plus Limitations are the key to creativity... how? Also Spotify released a new Loud and Clear report... Is it good news for Indie musicians, or something much worse? Join our positive space on the internet to talk gear, music production and more: https://discord.gg/sRKAmRg4Gb Check out "Somewhere Boy" by FCC Help Support the Channel: Patreon: https://www.patreon.com/audionautic Thanks to our Patrons who support what we do: Audionauts: Abby, Bendu, David Svrjcek, Josh Wittman, Paul Ledbrook, Matt Donatelli and Stephen Setzepfandt, MARO Lars Haur - Audionaut Producer Jonathan Goode - Audionaut Producer Join the conversation:

S4 Ep 5 of the popular talk show The Awake Space Astrology Podcast, host Laurie Rivers invites music industry expert Jenn Ortega (host of Gemini Baby Podcast) to discuss UMG removing the music catalog from TikTok and what Indie Musicians can take forward as we move into the Pluto in Aquarius era. As always host Laurie Rivers guides you through the astrology of the week, gives shout out to patrons, and answers astrology & metaphysical questions this time with Astrologer Mackenzie. Check out the Gemini Baby Podcast Join The Awake Space Patreon Astrology Readings Book Here

As part of the Cascadia Music Summit in Boise, Idaho, Emily Fox speaks with the rapper, singer, and writer, Dessa, the Denver-based duo N3ptune, and Rusty Steve and Eric Gilbert who run Boise's Treefort Music Festival and Duck Club. They talk about how to make things work on a shoestring budget, how to work smarter together, and how to create opportunities that didn't exist before. Support the show: https://www.kexp.org/sound/See omnystudio.com/listener for privacy information.

https://www.billabernathy.com/

In this week's broadcast, we're looking at Spotify's latest potential reform of royalties and what that means for the Indie Musician. Intech Studio has some wonderfully interesting MIDI modules, and Ableton turns 22! ========================== Help Support the Channel: Patreon: https://www.patreon.com/audionautic ========================== Thanks to our Patrons who support what we do: Audionauts: Abby, Bendu, David Svrjcek, Josh Wittman, Paul Ledbrook, Matt Donatelli and Stephen Setzepfandt Lars Haur - Audionaut Producer ========================== Time Stamps: 0:00 - hello // what we're talking about today 3:00 - spotify royalty changes incoming 5:00 - breaking down the potential changes 43:00 - MIDI MODULAR Intech Studio 57:00 - Ableton's Birthday/DAW discussion ========================== Join the conversation:

Have you ever questioned the way that music technology software is designed? And how the tech tools and gear we use might look and feel completely different if they were designed by different humans (i.e. not just predominantly white, cis, heterosexual men living in the West). Well, this question didn't just bother today's guest, producer and researcher, Josephine Zwaan. It led her to write a masters thesis that totally reimagines how a DAW could behave through the lens of African philosophy, exploring ways to ‘decolonise the loop'. Josephine is a multifaceted, creative force who uses research as a tool to challenge and rethink existing frameworks and practices and creates music under the moniker of Suzooki Swift. She also co-founded rosetta, a Netherlands based initiative supporting female and nonbinary music producers, with an emphasis on education and community building. EPISODE HIGHLIGHTS{00:00} Intro{03:25} Josephine on her alter-ego, SUZOOKI SWIFT{06:06} Josephine on her track SWIMMIN'{12:56} Josephine on discovering her strengths in collaborations{15:49} What brought Josephine into music production?{20:15} Josephine on setting up her platform rosetta.{22:15} Inside Josephine's research on decolonising the loop{57:10} Episode SummaryCheck out Josephine's Website >>Connect with Josephine on Instagram >>  Check out Josephine's platform rosetta >> rosetta on Instagram >> Suzooki Swift on Instagram >>Boss it in the recording studio

"We're coming after Pitchfork. We got you." - Kelsey DESCRIPTION: In this episode of the Bops & Bangers podcast, hosts Ashley and Kelsey dive deep into the challenges of artist compensation in the music industry, shining a light on the lack of fair payment and the dominance of streaming. But just when it seems like a solution might be on the horizon, a shocking twist leaves them questioning everything. How will they navigate this difficult situation? Find out on the next episode of Bops & Bangers. PRINCIPLE TOPICS: Discover the inside scoop on the Bops & Bangers podcast, packed with exciting episodes that will keep you grooving.Uncover the challenges that independent musicians face when it comes to fair compensation for their incredible music. Dive into the vibrant Australian music scene and explore the unique sounds and talents that make it so special. Get ready to expand your musical horizons with insightful recommendations and thrilling discoveries for your playlist. Engage with your fans and listeners like never before by utilizing a variety of platforms to connect and share your music in new and exciting ways. HIGHLIGHTS/SEGMENTS Intro New Season Summer Recap The Shit List Pay for Play Traditional Marketing Missing PR Music Discovery Kelsey Picks - ‘Death By Laundry' - Sarah Crean / ‘Struggler' Genesis Owusu Ashley Picks - “If You're Hurting” Single - Trousdale /“No Peace” EP - Jada Weazel Find Our Playlist Here: https://shorturl.at/vQRX6 KEY MOMENTS: 00:00:01 - Introduction to Season Four 00:01:19 - New Segments 00:07:18 - Summer Highlights 00:08:41 - Press at Outside Lands 00:09:17 - Conclusion 00:13:11 - Showcasing Incredible Talent on Instagram 00:14:08 - Introducing "The Shit List" Segment 00:14:30 - Lack of Payment in the Music Industry 00:16:05 - Deezer's Attempt to Fix Streaming 00:19:03 - Cracking Down on Fraud in Streaming 00:27:22 - The Challenge of Paying Artists 00:28:22 - Skepticism towards Deezer and UMG's Partnership 00:29:34 - Optimism for Finding a Solution 00:32:25 - Music Discovery: Sarah Creen's "Death by Laundry" 00:33:50 - Music Discovery: Genesis Awusu's "Struggler" 00:42:46 - Introduction and Australian Artists 00:43:19 - Playlist and Wrap-up 00:43:38 - Housekeeping and Social Media 00:44:17 - Excitement for the Future 00:45:14 - Conclusion and Farewell Find us on Instagram, TikTok, & Discord: https://www.instagram.com/grrrlmusic/ https://www.tiktok.com/@grrrlmusic https://discord.gg/QYG9tCX5

Feeling overwhelmed by all the recording software choices? Been using the same DAW for a while and feel like it's time to switch it up? Haven't started recording your music because you don't have the right gear? If so, this episode is a MUST LISTEN because we're breaking down the pros and cons of a variety of recording softwares and demystifying this often overwhelming decision.If you're curious what software Isobel uses, you also won't be disappointed because inside you'll learn her top favourite 3 DAWs and why, when and what she uses them for. And if you're not even sure what a DAW is, don't worry! We're breaking all of this down, and more :)EPISODE HIGHLIGHTS{02:31} What is a DAW?{04:37} Why does it feel so hard to choose a DAW?{13:24} Isobel's run-through of 7 popular DAWs{36:58} Isobel's Top 3 DAWs{39:21} Episode SummaryCheck out Ableton Live >> Check out Logic Pro X >> Check out Pro Tools >> Check out FL Studio >> Check out Cubase >> Check out Cakewalk >> Check out GarageBand >> Boss it in the recording studio

It's not easy growing a career in the arts but it's down right tough if you're living with a disability too. In this episode, Isobel is joined by journalist, digital producer and disabled rights activist Meg Fozzard to discuss the challenges disabled artists can face, the things the industry can do better and strategies Meg has developed over the years to grow her career whilst having a disability.Inside, you'll gain some really practical knowledge on things like access riders and funding but also hear how it felt for Meg to become disabled right after she'd graduated from university and was starting her career in the arts. Whether you're a disabled artist, temporarily able artist or working to make music and the creative arts more inclusive, this episode is a must listen.EPISODE HIGHLIGHTS{00:00} Intro{05:02} Meg's experience as a Producer{06:51} The importance of recognising disability as being fluid{10:16} Meg's story of becoming disabled after graduating university{19:18} Meg on how becoming disabled has impacted her work{22:36} Meg's advice to freelancers navigating the creative industries{30:06} What is an access rider and how to write one{33:57} ​​Where are the creative industries getting things right in relation to disability access?{35:24} Meg on her experience producing the podcast Equal Too{39:28} How can able-bodied individuals support their disabled peers? {42:16} Meg on the Access to Work scheme{44:08} Organisations helping people with disabilities in the creative sector{46:35} Episode SummaryFind out more about Meg Fozzard >> Check out the charity Drake Music >> Find out more about the UK government's Access to Work scheme >>Check out the Disabled Artists Networking Community >>Boss it in the recording studio

If you've ever wondered what music mastering is, how to get your music mastered or even get into mastering yourself, this podcast episode is for you because Isobel is joined by Weird Jungle mastering engineers Katie Tavini and Izzy McPhee. Between them, they've racked up credits with We Are Scientists, Bloc Party, Frankie Morrow, Ash, Waverly, Arlo Parks and so many more. But what's also interesting about Katie and Izzy is that they met through the amazing Saffron studios' mentoring scheme. So, not only will you hear them demystifying the mastering process in their discussion with Isobel, but also their experience of mentoring and how it's enriched both their lives and their practice. EPISODE HIGHLIGHTS{00:00} Intro{04:15} What is Mastering?{08:31} Why is Mastering so mystifying for so many people?{11:14} Izzy takes us through her Mastering chain{15:22} What brought Katie and Izzy to Mastering?{29:27} Izzy on the benefits of having a music-industry mentor{32:07} Katie on the importance of being a mentor to others{36:40} Katie on setting up her group 2% Rising with musician Rookes{39:22} Being the ‘token woman' in music technology spaces{49:14} How do you go about getting your music mastered?{52:23} How should musicians work with mastering engineers?{58:43} Izzy's advice for budding mastering engineers{1:01:55} Katie's advice for those wanting to get started in Mastering{1:04:13} Episode SummaryFind out more about Weird Jungle Mastering >>Check out Katie Tavini >>Check out Izzy McPhee >>Check out Saffron Music >>Listen to Episode 61: Art, Activism and Music Production: In Conversation with Rookes/Jenny Bulcraig >>Boss it in the recording studio

It's common to hear people make the case for initiatives and spaces that help women become more confident with music tech. And many women will say they wished they had more confidence when it comes to music production, mixing and the whole recording process. But what if this pursuit for more confidence was actually further sabotaging the progress of women with music technology? What if, instead, we need to be questioning the whole focus on confidence itself?In this solo episode, Isobel explores some of the reasons she doesn't focus on confidence when it comes to her unique approach for teaching women recording and production and she draws from wider theories and research to help better understand concepts such as confidence in the context of gender. This episode asks what else might we need to change if not women's confidence if more women and girls are to truly thrive in music technology spaces. EPISODE HIGHLIGHTS{00:00} Intro{02:28} Previous episodes and resources relating to confidence vs assertiveness{04:33} Is confidence really the missing link towards music tech spaces becoming more inclusive?{10:01} Why has confidence become so highly valued in music tech spaces?{12:58} Isobel on why community is more important than confidence in music tech{15:13} Student testimonials on the strength and importance of the community insideHome Recording Academy{17:46} Why it's important to re-evaluate community culture as a whole, rather than help individual women to become more confident with music tech{19:37} Episode SummaryListen to Episode 18: Gender and Music Tech Education with Dr Eddie Dobson >> Listen to Episode 56: Being Assertive In Music Tech Spaces >>Listen to Teaching Women Music Technology [Pt1] Why Have We Failed (So Far)?? >>Listen to Teaching Women Music Technology [Pt 2] My Unique Approach >>Read Rhetoric of Masculinity >>Boss it in the recording studio

If you've ever felt stumped as to what to do with all those field recordings you've been making… Or like experimental music sometimes lacks a human touch… this episode is a must listen because Isobel is joined by Cathy Lane, an artist, composer and academic inspired by everyday experiences and, in particular, how ‘hidden histories' can be investigated from a feminist perspective. Inside, Cathy shares so many gems from her vast experience and knowledge as one of the most highly regarded artists and academics in her field.Cathy has worked with composed sound for the last three decades and has developed a practice that combines oral history, archival recordings, spoken word and environmental recordings in formats ranging from gallery installations to books, essays and concert presentations. A Professor of Sound Arts at University of the Arts London and directs Creative Research in Sound Arts Practice (CRiSAP), Cathy shares how this work is also deeply influenced by her beginnings in grass-roots community-run learning spaces.This episode is a real treat so get comfy and plug in!EPISODE HIGHLIGHTS{00:00} Intro{05:08} How Cathy got started using music technology{09:29} Cathy on the women-only groups she was involved in, and the acceptability of these spaces.{14:55} Her PhD and access to technology{18:59} What is electroacoustic music?{27:06} Cathy's PhD thesis, on using space in composition{34:47} Using field recordings in composition to convey meaning{38:37} Her discovery of field recording{45:07} Cathy on her piece, Am I Here?{51:43} Cathy on her piece, Here We All Are{59:41} Using field recordings as part of the compositional process{01:09:09} Cathy's technology setup{01:16:05} Episode SummaryCheck out Cathy's Website >> Cathy's CRiSAP profile >> Find Cathy on Facebook >> Say hello to Cathy on Instagram >>Boss it in the recording studio

Have you ever recorded in a studio and felt like time just slipped away? Or maybe you wished you'd felt more comfortable or like you were using the time better? If so, this episode is not to be missed because Isobel is joined by Brighton based producer and engineer, Phoebe Bentham, who's sharing her top tips on preparing like a pro for your next recording studio session. Inside, Phoebe also discusses her route into production and engineering, her love of microtonal music, how she went about recording a choir, live drums and guitar in just one day and her advice for any trans listeners wanting to work in recording studios. EPISODE HIGHLIGHTS{00:00} Intro{03:43} How Phoebe got started in sound engineering{15:43} Phoebe explains her love of microtonal music{20:40} Phoebe's advice on how to prepare for a studio session and how to effectively work with an engineer{26:31} Her definition of a producer vs an engineer{34:04} More tips on how to prepare for a studio session{43:20} How Phoebe engineered and mixed a live performance of Lambrini Girls' track Help Me I'm Gay{56:50} How Phoebe recorded an 18-person choir for Angel Maxine's track Be Yourself{01:09:58} Phoebe's advice for trans women forging careers in sound engineering{01:17:09} Episode SummaryConnect with Phoebe on Instagram >> Listen to EP#55 Are You a Music Producer? >> Boss it in the recording studio

Do you struggle with perfectionism? We totally get it - it can be easy to put off recording your music out of the belief that every single element of it needs to be perfect. It can also be tricky to find time to dedicate solely to making music; so perfectionism combined with limited time can make it really difficult to actually sit down and get the music made. Inside this episode Isobel discusses the importance of taking ‘imperfect action' when making music, and explains how using the ‘assignment method' helped her ditch the perfectionism and spend meaningful time making music. Remember, done is better than perfect!EPISODE HIGHLIGHTS{00:00} Intro{02:39} Why Isobel started using the assignment method{05:29} What is the assignment method?{13:18} How you can start using the assignment method in your music-making{17:39} Episode SummaryJoin the Home Recording Kickstarter on September 8-12 and transform your opportunities in music in 2023 >> https://femalediymusician.com/kickstarter Love Girls Twiddling Knobs? Leave a review wherever you're listening and let me know!Girls Twiddling Knobs is hosted by Isobel Anderson, produced by Isobel Anderson and Jade Bailey and is a Female DIY Musician Production.Explore more episodes here.Listen on Spotify.Join the Girls Twiddling Knobs Podcast Community here >>

DJing is still a pretty white, male industry, but when this week's guest, DJ Paulette, first began spinning vinyl in Manchester's nightclubs in the 90s, black women DJs were few and far between. Winner of the DJ Mag's Top 100 Lifetime Achievement Award, DJ Paulette's career has spanned over two decades and multiple locations. But inside this candid conversation, Paulette also shares the personal path she's trodden along the way.Paulette shares the real sense of threat she felt DJing as a black woman in the clubs in 90's Manchester, her time doing PR for some of the 90s and 00s most influential dance music artists and setting Paris on fire with her iconic flavour of House music selections. But perhaps just as interesting is Paulette's experience of losing her mojo with DJing, packing it all in and moving back to Manchester and how she's rebuilt her career and reconnected with the DJ artform. EPISODE HIGHLIGHTS{00:00} Intro{04:26} Paulette's early memories of music and introduction to DJing{10:50} Her experience as a black woman DJ in the early 90s{13:17} Inside DJ Paulette's first gig{17:16} What it was like being one of the only female DJs in the 90s UK club scene{24:30} Paulette's experience working in music PR alongside DJing{36:23} Moving to Paris to pursue her DJing career{46:03} Losing her mojo for dance music and DJing{01:04:43} How moving back to Manchester helped Paulette fall back in love with DJing{01:08:05} The importance of speaking out against discrimination in order to help the younger generation{01:11:11} The meaning and inspiration behind her track “Sheroes”{01:26:47} Episode SummaryDJ Paulette's Website >>DJ Paulette on Instagram >>Listen to ‘Sheroes' >>Pre-Order ‘Welcome to the Club' >>Join the Home Recording Kickstarter on September 8-12 and transform your opportunities in music in 2023 >> https://femalediymusician.com/kickstarter Love Girls Twiddling Knobs? Leave a review wherever you're listening and let me know!Girls Twiddling Knobs is hosted by Isobel Anderson, produced by Isobel Anderson and Jade Bailey and is a Female DIY Musician Production.Explore more episodes here.Listen on Spotify.Join the Girls Twiddling Knobs Podcast Community here >>

Join the movement and broaden your understanding of how to honor the digital platform. This FREE download, Whoever Owns The Traffic, Rules The Road, will help you understand and adjust your tactics to grow your traffic and get paid on a digital platform. Go to GiftFromJohnny.com and tell him where to send it. If you'd like some one-on-one coaching to better understand your assets and how to use them to get paid, schedule a  consultation with Johnny today. Email him at info@daredevilproduction.com and put CONSULTATION in the subject line.  New Free Download, 6 Simple Ways To Make Your Songs More Commercial.  Go to 6simpleways.songwritingpro.comGet Brent's free ebook! Go to GiftFrom Brent.com and tell him where to send it.If you would like to do a private Song Title Challenge or get private coaching, go to SongwritingPro.com/coaching and schedule your appointment today.

 New Free Download, 6 Simple Ways To Make Your Songs More Commercial.  Go to 6simpleways.songwritingpro.com Get Brent's free ebook! Go to 6simpleways.songwritingpro.com and tell him where to send it.If you would like to do a private Song Title Challenge or get private coaching, go to SongwritingPro.com/coaching and schedule your appointment today.Join the movement and broaden your understanding of how to honor the digital platform. This FREE download, Whoever Owns The Traffic, Rules The Road, will help you understand and adjust your tactics to grow your traffic and get paid on a digital platform. Go to GiftFromJohnny.com and tell him where to send it. If you'd like some one-on-one coaching to better understand your assets and how to use them to get paid, schedule a  consultation with Johnny today. Email him at info@daredevilproduction.com and put CONSULTATION in the subject line. 

"In Episode 1005 of Set Lusting Bruce Jesse welcomes Olivia Frances to the podcast! From being a musician, writer, and performer, to being someone who just loves the Nashville vibes. Olivia has a story that you'll never forget! Tune in to hear just how she is always having fun with music, and so much more this time only on Set Lusting Bruce!!!" Learn more about your ad choices. Visit megaphone.fm/adchoices

What if fame and commercial success weren't as great as the industry leads many artists to believe? This weeks guest, Kate Nash, had to face this question from an early age after her debut album found overnight success during the naughties. Because, even though there were good times and a few great people, burn out, industry sharks and misogyny were in abundance too. Kate was dropped from her label and, while many artists might understandably call it a day, Kate picked herself up and entered a new phase as a independent musician. And, as Kate shares inside this BONUS Special episode, while it's meant making music on her terms, it's also brought new challenges - between negotiating terms, building a trustworthy team and balancing the books - it's been far from an easy ride. But as you'll hear in this candid conversation, Kate has passion, courage and oodles of heart and has created a career encompassing music, acting and activism. This one's a must listen for any independent women in music!EPISODE HIGHLIGHTS{03:52} Introducing Kate Nash{12:44} Kate's journey to signing a record deal {27:23} Maintaining a work-life balance as an independent artist{34:48} Her personal experience as a woman in the industry {43:06} The meaning behind her track 'Conventional Girl'{46:41} Kate's experience of music technology and working with producers{01:00:30} Kate stars in new film 'Coffee Wars''Kate Nash: Underestimate The Girl' Documentary >>Watch the Official Trailer for 'Coffee Wars' >> Follow Kate on Instagram >>Visit Kate's website >> Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️

Join the movement and broaden your understanding of how to honor the digital platform. This FREE download, Whoever Owns The Traffic, Rules The Road, will help you understand and adjust your tactics to grow your traffic and get paid on a digital platform. Go to GiftFromJohnny.com and tell him where to send it. If you'd like some one-on-one coaching to better understand your assets and how to use them to get paid, schedule a  consultation with Johnny today. Email him at info@daredevilproduction.com and put CONSULTATION in the subject line.  New Free Download, 6 Simple Ways To Make Your Songs More Commercial.  Go to 6simpleways.songwritingpro.comGet Brent's free ebook! Go to GiftFrom Brent.com and tell him where to send it.If you would like to do a private Song Title Challenge or get private coaching, go to SongwritingPro.com/coaching and schedule your appointment today.

Better Help: Go to https://www.betterhelp.com/musicspeaks to save 10% off your first month! Bones Coffee: Get 10% any order on bonescoffee.com with code: MUSICSPEAKS Website - www.whenwordsfailmusicspeaks.com YouTube - www.youtube.com/whenwordsfailmusicspeaks Facebook - www.facebook.com/WWFMSPodcast Instagram - https://www.instagram.com/when_words_fail_podcast/ Twitter - @WhenWordsFailMS Link to our merchandise: http://tee.pub/lic/WhenWordsFailMusicSpeaksMerch Email Us! james@whenwordsfailmusicspeaks.com or blake@whenwordsfailmusicspeaks.com

New Free Download, 6 Simple Ways To Make Your Songs More Commercial.  Go to 6simpleways.songwritingpro.com Get Brent's free ebook! Go to 6simpleways.songwritingpro.com and tell him where to send it.If you would like to do a private Song Title Challenge or get private coaching, go to SongwritingPro.com/coaching and schedule your appointment today.Join the movement and broaden your understanding of how to honor the digital platform. This FREE download, Whoever Owns The Traffic, Rules The Road, will help you understand and adjust your tactics to grow your traffic and get paid on a digital platform. Go to GiftFromJohnny.com and tell him where to send it. If you'd like some one-on-one coaching to better understand your assets and how to use them to get paid, schedule a  consultation with Johnny today. Email him at info@daredevilproduction.com and put CONSULTATION in the subject line. 

New Free Download, 6 Simple Ways To Make Your Songs More Commercial.  Go to 6simpleways.songwritingpro.com Get Brent's free ebook! Go to 6simpleways.songwritingpro.com and tell him where to send it.If you would like to do a private Song Title Challenge or get private coaching, go to SongwritingPro.com/coaching and schedule your appointment today.Join the movement and broaden your understanding of how to honor the digital platform. This FREE download, Whoever Owns The Traffic, Rules The Road, will help you understand and adjust your tactics to grow your traffic and get paid on a digital platform. Go to GiftFromJohnny.com and tell him where to send it. If you'd like some one-on-one coaching to better understand your assets and how to use them to get paid, schedule a  consultation with Johnny today. Email him at info@daredevilproduction.com and put CONSULTATION in the subject line. 

[Headphones Advised] Listen to the shifting, singing Antarctic sea ice in mesmerising binaural audio to mark the end of another incredible season of Girls Twiddling Knobs. For this Season Finale, Isobel travels to University College London's Bartlett Sch. of Architecture to meet composer and lecturer Emma-Kate Matthews. Follow Emma and Isobel on a binaural tour of this incredible hive of architectural and engineering exploration and deep into The Sound Lab. There, Emma shares her journey into sound, music and academia and gives us a binaural sneak peak of her incredible new composition, Conversations at the Edge of the World. In this electroacoustic delight, Emma Kate shares how the sea ice recordings inside “appear to breathe and sing” and we think they provide the perfect finale to Season 04.EPISODE HIGHLIGHTS{0:00} Intro{03:36} A binaural tour of the University College London's Bartlett School of Architecture{23:50} Exploring how sound and space work together {44:46} Emma-Kate's journey into sound, music and academia{01:16:58} A binaural preview of her work 'Conversations at the Edge of the World'{01:38:54} Episode SummaryEmma Kate Matthews Website >>More info about Conversations at the Edge of the World >>The Bartlett Sch. of Architecture >>Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️

Orla Gartland's career started out as a DIY artist on Youtube and has since seen her music rise in success and synced on both the hit TV shows Normal People and Heart Stopper. Inside this episode, she shares why recording and production has become integral to her creative process, especially in the creation of her debut album, Woman On The Internet.Over the last 5-10 years, recording and production gear has become affordable and intuitive enough that many musicians and songwriters have started integrating it into their creative process. Inside this week's episode, Isobel is joined by one of the most exciting artists to have emerged from the UK and Ireland in recent years, Orla Gartland, and hears how she has adopted this approach herself. Orla joins us from her studio space in London where she is writing a new album. EPISODE HIGHLIGHTS{0:00} Intro{03:30} Orla's experience as a DIY artist{15:15} Creating her artistic world {20:02} Orla's journey into recording and production and the moment she began to take more control of the process{29:00} Owning the title of ‘producer' and investing in her skills in recording and production{34:40} The process of creating her debut album, Woman on the Internet{45:00} Writing and recording her track ‘You're Not Special Babe' {53:14} Why Orla preferred the process of recording to tape for her track ‘Left Behind'{01:07:34} How her recording process has changed for her next album{01:16:12} What's coming up for Orla in 2023{01:19:00} Episode SummaryOrla's website >>Listen to Woman on the Internet >>Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️

Whether you're in a band, have a team or are a totally DIY, solo musician, you'll likely need to work with other people from time-to-time to get your music out into the world. But it doesn't always feel easy or rewarding and, even worse, sometimes – especially if you're a woman in music – collaborative relationships can be disrespectful. So, inside this episode, Isobel shares three steps you can take to ensure your collaborative relationships are respectful, rewarding and successful. Isobel also shares her own past experiences of disrespectful collaborations and how destructive they can be, not only to our self-esteem, but also our enthusiasm for following a career in music. This episode will show you how to make collaborating in music feel awesome.EPISODE HIGHLIGHTS{0:00} Intro{03:34} What Forms Does Collaboration Take In Music?{05:32} Why Collaboration Can Be Tricky (Especially For Women In Music){10:48} Isobel's Experiences Of Disrespectful Collaborations{15:26} 3 Steps To Respectful Collaborations As A Woman In Music{35:39} What To Do When A Collaboration Turns Sour{38:11} Why You Don't Need To Collaborate With An Ar*E H*Le, Even If They Say You Should{40:22} Episode SummaryListen to EP#17 with Neeta Sarl >>Listen to EP#51 with Emily Nash >>Listen to {BONUS EPISODE} Why Music Technology Education Has (Largely) Failed Women >>Read the House of Commons Women and Equalities Committee Misogyny in Music Inquiry >>SUPPORT FOR UK MUSICIANSMusician's Union Bullying and Harassment Helpline: 0800 088 2045Help Musicians Music Minds Matter Support Line: 0808 802 8008  Music Support helpline: 0800 030 6789Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️

There have never been so many initiatives fostering marginalised talent in electronic music and sound, and one such platform is the UK's Oram Awards. Established in 2017, the Oram Awards is a partnership between The Radiophonic Institute, PRS Foundation & The Daphne Oram Trust, and elevates the work and voices of women, Trans and Non-Binary music creators working in sound innovation, music and related technologies.Inside this episode, Isobel gets the chance to chat with 2022 winners Kelly Jayne Jones and Amble Skuse to discuss their artistic practice and what winning an Oram Award means to them as women in music. Isobel is also joined by judge and Senior Lecturer of Sonic Arts at Goldsmiths University, Iris Garrelfs, who shares why Daphne Oram is such an inspirational figure and how you can apply for the 2023 awards yourself. Find out more about the Oram Awards >>Follow the Oram Awards on Instagram >>Links to the websites of this week's guests:Amble Skuse >>Kelly Jayne Jones >>Iris Garrelfs >>Check out Daphne Oram's An Individual Note >>Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️

Now, you might have heard about this production technique in the context of compression. You may already be using this technique in your own projects but even if you're not just yet, you might have heard someone talk about adding sidechain compression either in a studio or on a YouTube video.But, if you're totally new to sidechaining, today's episode will break it down so you're no longer in the dark. And if you're already using sidechaining in your music, perhaps we'll just fill in any gaps in your knowledge or confirm that you've got this whole sidechaining thing wrapped up. EPISODE HIGHLIGHTS{0:00} Intro{02:34} Side chaining in a nutshell{02:49} Why we use it in music production{04:25} 3 of the most common uses of side chaining{10:43} The best way to start using side chaining in your tracks{11:00} Episode SummaryRead Sage Audio's blog post, What is Sidechaining >>Read Ledger Note's article What is Sidechaining >>Read iZotope's blog post 5 Essential Tips for Mixing Reverb >>Watch @mikerussell's ‘Sidechain Compression to Duck Music W/ Voice' video tutorial >>Watch @mastering.com's ‘Vocal Reverb  Sidechaining' Logic video tutorial >>Watch @whatsupimforrest's ‘Silent Sidechaining / Ghost Compression' Tutorial for Ableton Live 11 >>Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️

It's easy to feel tied down or boxed in as a woman in the music industry, and many artists use a pseudonym to create separation between their personal and creative lives. But today's guest, Riz Maslen, has been releasing electronic music under multiple musical identities for the past three decades.Inside this episode, Riz shares how she's used different monikers to play with different genres, contexts and identities, what it was like getting into production during the ‘90s in London and her new ambient release, Stairway 13. Riz also shares the important qualities she thinks women bring to the field of production and why less can be more when it comes to music tech gadgets and gear.EPISODE HIGHLIGHTS{0:00} Intro{03:00} How Riz got started in music{09:54} Forging her way in the London music scene and getting started with music production{16:55} The women that shaped Riz's own confidence in music{21:15} The process of recording her first track released on Ninja Tune and her experience of life on the road{28:38} Why Riz decided to release music under different monikers and a walkthrough of her creative process{44:32} The unique qualities women bring to music production{48:28} A look into Riz's recording setup and her top tips for getting started for free!{56:35} Riz's advice for releasing music under a different moniker {01:01:17} Episode SummaryCheck out Riz's music here >>Listen to Stairway 13 here >>Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️

If you've ever struggled to own the title of ‘Musician' this episode's for you. Every single person has a slightly different definition of what actually makes a musician, but the reality of how and why we *feel* like one is often complex and even pretty misunderstood.Inside this episode, Isobel sits down with pianist and Home Recording Academy alumni student, Lois Lelland, about why she struggled to feel like a ‘proper' musician in the past and why that's now totally changed. In fact, Lois is set to release an amazing new EP of compositions she has lovingly recorded and produced herself and she's never felt so excited and confident as a musician. EPISODE HIGHLIGHTS{0:00} Intro{03:43} Why Lois struggled to feel like a ‘proper' musician{09:11} When this began to change for Lois|{12:43} Starting to record her music from home{17:18} Why Lois took part in Home Recording Academy not just once, but twice.{26:09} The process of self-recording, producing and releasing her stunning debutEP, Sepia.{50:42} Collaborating with other musicians{54:16} Episode SummaryListen to Lois' new album, Sepia >>Follow Lois on Instagram >>Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️

“Surely if women *really* wanted to record and produce music, they'd just get on with it like their male peers, right?” Well… Sadly it's not that simple. Today in 2023, women still are considerably outnumbered on music production programmes and in recording studios and are less likely to learn through free online resources, like YouTube, compared to their male contemporaries.It's true that women, in theory, aren't banned from taking part in these spaces. So, inside this BONUS podcast episode Isobel explores why the problem might not be lack of access. Instead, could it be a culture that lacks an inclusive approach? If so, what culture would enable women to better learn and thrive with music technology? EPISODE HIGHLIGHTS{0:00} Intro{07:47} How most music tech spaces have traditionally operated{19:55} Episode SummaryGrab your spot on Isobel's FREE Live masterclass ‘5 Simple Steps to Record Your Music from Home' >>[So they are easier to navigate, these references are not academically formatted]Annenberg Inclusion Initiative – Inclusion in the Recording Studio? >>Music Teacher Magazine – Only a quarter of A Level Music Technology students are female >>House of Commons Women and Equalities Committee Misogyny in Music Inquiry >>Written evidence from the Music Producer's Guild >>Technology and the Gendering of Music Education >>‘Women in Audio: contributions and challenges in music technology and production' >>Women Make Music 5 Year Report >>Register for the Home Recording Kickstarter: A LIVE 5 Day Challenge for Women In Music (Jan 27-31) >> https://femalediymusician.com/kickstarter Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️

THIRD EDITION of How to Make It in the New Music Business here: https://book.aristake.comJason Grishkoff started a music blog called Indie Shuffle back in 2007, when music blogs were still cool. After a 3-year stint at Google, he was lucky to take the blog full-time in 2013. From 2014 to 2015 digital advertising in the music industry changed rapidly, and a number of bloggers found themselves looking for alternative sources of income. Many gave up to focus on their day jobs, but Jason decided to double-down on his coding abilities and created a website called SubmitHub, where musicians, labels and publicists could submit their songs to blogs like Indie Shuffle. Flash forward to 2022 and nearly 30 million submissions have been submitted through the platform. Jason still runs the operation as the only developer, and the product is constantly evolving to meet the needs of the modern music promotion industry.07:30 Welcome09:42 Ari's Take review of SubmitHub15:50 SubmitHub business model / where the curators come from22:46 Submitting playlist campaigns / navigating Spotify's algorithm36:13 Inside Spotify for Artists' playlist data41:39 EveryNoise.com (every genre ever)45:10 Spotify's personal, algorithmic and editorial playlists56:05 'Hot or Not' feedback feature1:06:40 Instagram / TikTok influencer marketing services1:20:26 Current state of music blogs1:31:50 Final questionSubscribe to The New Music Business: https://aristake.com/nmbAri's Take Academy (use code NMB for 10% off): https://aristakeacademy.comWatch more discussions like this: https://bit.ly/3LavMpaConnect with Ari's Take:Website: https://aristake.comAcademy: https://aristakeacademy.comInstagram: https://www.instagram.com/aristake_TikTok: https://www.tiktok.com/@aris.takeTwitter: https://twitter.com/ArisTakeYouTube: https://www.youtube.com/user/aristake1 Connect with Ari Herstand:Website: https://ariherstand.comInstagram: https://instagram.com/ariherstandTwitter: https://twitter.com/ariherstandYouTube: https://youtube.com/ariherstandConnect with Jason GrishkoffWebsite: https://www.submithub.comInstagram: https://www.instagram.com/submithubTwitter: https://www.twitter.com/submit_hubLinkedIn: https://za.linkedin.com/in/jasongrishkoffEdited and mixed by Maxton HunterMusic by Brassroots DistrictProduced by the team at Ari's Take Hosted on Acast. See acast.com/privacy for more information.

If your first few attempts at self-producing your music have left you feeling like throwing in the towel, this episode is for you. Jess Magoch is an award winning Philadelphia based Hip Hop/Jazz artist who decided it was time to become more independent through developing her skills in recording and production. But as Jess shares in her chat with Isobel, it wasn't a straightforward process. It took patience, practice and self-compassion for Jess to gradually build up her production chops and, eventually, she and other people couldn't believe how good her recordings were sounding. In fact, a major sync exec for brands like Vogue and Vanity Fair was blown away by Jess' production skills. What's even better is that Jess now feels 100 X more confident, independent and excited about her music moving forward.EPISODE HIGHLIGHTS{0:00} Intro{06:40} How Jess got started in music and how she used it to find her voice{11:30} Why you're never ‘too old' to pursue your music{18:00} The moment when a major sync exec was blown away by Jess's production skills{24:39} The process of learning and taking action is more important than the ‘perfect' outcome{34:24} The most important lessons Jess has learned from recording and and producing her music {40:45} How learning these skills has allowed Jess to communicate her ideas with confidence and produce her music on her terms{58:07} Jess shares the plans for her forthcoming album, Trivial Pursuit, and her advice for other DIY musicians{01:03:36} Episode SummaryPre-order Jess's new album, Trivial Pursuit >>Download Jess's unreleased song for FREE >>Find out more about Jess and follow her journey >> Register for the Home Recording Kickstarter: A LIVE 5 Day Challenge for Women In Music (Jan 27-31) >> https://femalediymusician.com/kickstarter Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️

Have the last few months of financial insecurity made you question if you can keep investing in your music? Many musicians are having to make some tough decisions when it comes to basic living costs, let alone their music careers. But inside this episode, Isobel shares how having the ability to record and produce yourself will not only save you money but can make you money too.No, this isn't some pie in the sky, “Let's make a hit record, baby!” stuff. Making an income from your music isn't always straightforward and there's no sugar coating that. But having basic skills in recording and production is one of the best ways you can keep showing up as an artist, regardless of a global recession. Keep listening to find out how. EPISODE HIGHLIGHTS{0:00} Intro{06:06} What is the financial situation here in the UK right now?{08:59} What are the financial challenges musicians are facing right now?{11:40} How does this affect women specifically?{17:26} How can you recession-proof your music?{23:42} Episode summary{24:34} How can you get financial help if you're struggling right now?{25:52} Next week's teaserRead about the music gender pay gap in Music Business Weekly >>Read about Counting the Music Industry >>Get support from Help Musicians >>Get support from the Musicians Union >> Funding from Arts Council England >>Fund your music through the PRSF >>Fund your music through Help Musicians >>Register for the Home Recording Kickstarter: A LIVE 5 Day Challenge for Women In Music (Jan 27-31) >> https://femalediymusician.com/kickstarter Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️

There's nothing more frustrating than being creatively restricted by the skills and tools at your disposal, and oftentimes this leads to musicians being overly-reliant on others to get our music out into the world. But this week's podcast guest, VOLTA HYMN (AKA Delali Zevon-Aniakwah), decided to develop her music tech know-how in order to forge her own artist project and become fully independent.Inside this conversation, Delali shares how attending one of Isobel's 5 day recording challenges helped her record her new release, INCOGNITO MODE, and we get the chance to hear two tracks off the record and the concepts behind them. EPISODE HIGHLIGHTS{0:00} Intro{02:55} How Delali got started in music and the artists that influence her{13:20} What led Delali to form her artist identity, VOLTA HYMN{18:07} Learning to record and produce herself as an independent musician{22:03} How attending one of Isobel's 5 day challenges helped Delali record her new album, INCOGNITO MODE{30:39} The process of writing and producing her album{42:30} What's next for Delali?{44:45} Episode SummaryRegister for the Home Recording Kickstarter: A LIVE 5 Day Challenge for Women In Music (Jan 27-31) >> https://femalediymusician.com/kickstarter Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️

Have you ever wondered how personal experiences can manifest into heartfelt music? Our latest Music Junkie episode features Brett Fitzpatrick, the compelling lead singer of the indie grunge band, Music For Sad People. Brett candidly shares the inspiration behind his music - from a toxic relationship that resulted in their hit song "Big Loud", to the emotional aftermath of a breakup, and the role of music in his journey of self-healing and expression. Brett takes us on a fascinating journey of his life, sprinkled with a tapestry of anecdotes. From his love for classic rock sparked by his parents to his memorable Halloween party that inspired the song "Fifth Day", we explore Brett's captivating world. We also delve into his past as a high school basketball star, the origin of his band's intriguing name - Music for Sad People, and his pre-performance rituals that help him get into the zone. However, not all is rosy in Brett's life. He opens up about the challenges and pressures that accompany being an independent artist, the discomfort of receiving unsolicited pictures, and the struggle of striking a balance between maintaining artistic vision and the demand for new music releases. Amid the struggles, Brett emphasizes gratitude and humility and the importance of staying true to oneself, especially in the music industry. Tune into this episode for a heartwarming, inspiring, and thought-provoking chat with Brett Fitzpatrick.You can find Brett on pretty well all streaming platforms and YouTube.  You can also find them on IG and TikTok @thisismfspListen to the playlist on SpotifyWatch the episode on YouTubeFollow Music Junkies everywhere  Make sure to HIT that LIKE BUTTON and SUBSCRIBE to our Channel to be notified of new episodes! If you love Music Junkies share it !!New Episode is out every MONDAY at 12 pm Rock on! Music JunkiesSupport the show

Click this link to register for the class: http://6figuremasterclass.lindseykirkendall.comConnect with Lindsey here:Instagram: @LindseykirkendallFacebook: @LindseyKirkendallConsultingTikTok: @RevolutionaryLindsWebsite: LindseyKirkendall.comJoin the movement and broaden your understanding of how to honor the digital platform. This FREE download, Whoever Owns The Traffic, Rules The Road, will help you understand and adjust your tactics to grow your traffic and get paid on a digital platform. Go to GiftFromJohnny.com and tell him where to send it. If you'd like some one-on-one coaching to better understand your assets and how to use them to get paid, schedule a  consultation with Johnny today. Email him at info@daredevilproduction.com and put CONSULTATION in the subject line.  Get Brent's free ebook, Think Like A Pro Songwriter! Go to GiftFromBrent.com and tell him where to send it. Brent is available for private coaching. He can help you prepare or repair your song. Maybe you'd prefer to do a private Song Title Challenge with him. Go to Songwritingpro.com/coaching and schedule your session today.