The #1 podcast for female identifying musicians eager to start self-recording their music, hosted by Isobel Anderson, and featuring fascinating guest episodes with women making music with technology.
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Send us a textIf you've ever felt overwhelmed by music PR, you're not alone! In this episode of Girls Twiddling Knobs, Isobel chats with Rachel White, music PR expert and founder of BRIC and House of DIY, to break down the real, actionable steps independent artists can take to promote their music effectively—without the stress.
Send us a textWhat happened to jungle music? How did a genre born from Black British culture, reggae sound systems, and 90s rave scenes become dominated by white, male audiences—and where are the women who helped shape it?In this episode of Girls Twiddling Knobs, Isobel explores these questions with Julia Toppin, a lecturer, music entrepreneur, and self-proclaimed “Junglist Historian.” Julia takes us through jungle's vibrant origins, its evolution into drum and bass, and the systemic challenges that sidelined both women and Black voices in the scene.They discuss trailblazers like DJ Rap and EQ50, the barriers women faced breaking into male-dominated spaces, and the exciting resurgence of jungle led by a new generation of diverse artists. Along the way, you'll discover the unique sounds that define jungle and the enduring impact of reggae sound system culture.Tune in for an eye-opening exploration of jungle's history, its cultural shifts, and its bold future—plus a playlist of tracks that showcase its iconic legacy.Listen to the What Makes Something Playlist (specially curated for GTK by Julia) >> Find out more about Julia's research >> Connect with Julia on X >>Nzinga Sound >>EQ 50 Collective >>If you loved listening to this week's episode of the podcast, leave a review wherever you're listening now and let me know
Send us a textWhat does it really mean to be a producer, and why do so many women hesitate to claim the title?In this episode of Girls Twiddling Knobs, we sit down with Fran & Flora—an innovative violin and cello duo blending Yiddish, Romanian, and Transylvanian folk music with improvisation, electronics, and sound experimentation. We dive into their co-production journey on Precious Collection, navigating self-perception as producers, and the evolving landscape for independent artists. Expect candid insights on gender in music, creative collaboration, and the art of crafting immersive soundscapes. A must-listen for musicians, producers, and folk music lovers!Stream and download Precious Collection >> Fran & Flora website >>Connect with Fran & Flora on Instagram >>If you loved listening to this week's episode of the podcast, leave a review wherever you're listening now and let me know
Send us a textAre you an artist or music producer dreaming of releasing your music on vinyl? In this episode of Girls Twiddling Knobs, Isobel Anderson sits down with Jenn D'Eugenio, founder of Women in Vinyl, to uncover the fascinating process behind pressing music onto records. Jenn shares expert insights on preparing your audio and artwork for vinyl, tips for selecting the right pressing plant, and how to make your vinyl release more sustainable.Whether you're an independent artist exploring physical formats, a vinyl enthusiast curious about the behind-the-scenes craftsmanship, or someone considering a career in this exciting industry, this episode is packed with invaluable tips and actionable advice.Jenn also highlights the role of women in the vinyl industry and offers a glimpse into Women in Vinyl's resources, from educational tools to career opportunities. Don't miss out on this comprehensive guide to vinyl pressing, sustainability, and innovation in analog sound.Key Topics Covered:How to prepare audio and artwork for vinyl pressingThe step-by-step process of creating a vinyl recordCommon mistakes to avoid when working with pressing plantsEco-friendly options for a sustainable vinyl releaseCareer advice for women and gender-nonconforming individuals interested in the vinyl industryLinks mentioned in this episode:Women in Vinyl >> Connect with Jenn on Instagram >>Infographic on the electroplating process >>Women in Vinyl podcast episode with Jett Galindo >>Women in Vinyl episode with Karyln King >>Vinyl Pressing Plant Directory >>Electroplating graphic >>If you loved listening to this week's episode of the podcast, leave a review wherever you're listening now and let me know
Send us a textCelebrating 100 episodes of empowering women in music, Girls Twiddling Knobs host Isobel Anderson takes listeners on a reflective journey through the evolution of the podcast, revisiting its top five most popular episodes, including conversations with Kate Nash, Orla Gartland and Victoria Witjeratne. Featuring listener Q&A, insights into key challenges for women in music technology, and plans for the future, this milestone episode highlights how the Girls Twiddling Knobs community has become a vital voice for diverse creators in music. Tune in to celebrate and explore what's next!If you loved listening to this week's episode of the podcast, leave a review wherever you're listening now and let me know
Send us a textWhat do sound and knitting have in common? You'd be forgiven for thinking not much, but both have been constant companions across the life and career of sound artist and knitter, Felicity Ford also know as Felix. Join sobel as she visits Felix in her St Leonard's home to talk about her journey into field recording, soundscape composition and using this skillset to document the process of wool production. Felix also shares her perspective on why celebrating domestic sounds is a feminist pursuit, her maverick approach to disruption traditional notions of sonic art and how all of us can find a little magic in the everyday. In fact, isn't that what art is all about? Felix would argue. Felix also runs her own online knitting school called Kitsonik, so it only felt right for Isobel to be taught some knitting while we were there. LINKSListen to Felicity Ford's sound works >>Find out more about Knitsonik >>Read Felicity Ford's PhD Thesis on the Domestic Soundscape >>If you loved listening to this week's episode of the podcast, leave a review wherever you're listening now and let me know
Send us a textFeeling stuck in your music production journey? Struggling with self-doubt or tempted to buy more gear in the hopes it will transform your sound? This episode is for you.In today's episode of Girls Twiddling Knobs, we're exploring how visualisation—a powerful mental tool used by top performers—can help you:✨ Unlock your creative confidence.
Send us a textLuckily, there's far more conversations happening about musicians' mental health these days. But how might gender impact our experience of things like depression and anxiety? And how might this differ in a music technology setting, specifically? Because, while this is something that's often touched upon in wider conversations around gender and music technology, it's rarely fully explored in its own right.Inside this conversation, Isobel chats with musicians' therapist and counsellor, Denise Devenis about the intricacies and complexities of being a woman or gender minority in music tech spaces and how this can contribute to burnout specifically. They also discuss what the industry can do better to prevent these challenges, how Denise works specifically with musicians in her private practice and how you can access support if you're affected by any of the issues we discuss in this episode. Links to resources mentioned in this episode:Denise Devenish Counselling >>Follow Denise on Instagram >> Therapy & Counselling SupportMind Charity >>The Black, African and Asian Therapy Network >> British Association of Performing Arts Medicine >>Sexual Harassment & AbuseWomen's Aid >>Help Musicians' Bullying & Harassment Helpline >> Musicians' Union Safe Space Scheme >>Musicians' Mental HealthMusic Minds Matter >>Music Support >>Musicians' Union Mental Health Support Line >>Ready to level up your music making with the powerful art of field recording? Download my new FREE Essential Gear Checklist to Start Field Recording With Your Smartphone >> Loved this week's episode? Share it with a friend
Send us a textIn a world that's always online, how do we stay true to ourselves as artists? This week on Girls Twiddling Knobs, we tackle this question with the fiercely original electronic music producer Maria Uzor.Growing up as a Black artist in a predominantly White area of the UK, Maria often felt like an outsider. But she turned that feeling into a sound that's bold, raw, and unmistakably hers. Join us as we explore how Maria channels her unique experiences into a blend of basement grittiness and cosmic vision.In this episode, you'll discover:✨ How Maria creates from an authentic place despite social media pressures
Send us a textWhat unique facets of our existence and identity does sound allow us to explore as women and gender diverse artists? This is one of the big questions that emerges inside this conversation with three of the five 2024 Oram Award winners.Whether it be through choreography, performance art, hacking or design, Lola De La Mata, xname and The Silver Field are all artists who have come to sound through alternative pathways. Inside this episode, you'll learn about the role that sound and experimental music plays in their practice, how they harness technology to express deeply personal and sensitive experiences and we'll also listen to some of their work too. You'll also learn more from one of the 2024 judges Dr Mariam Rezaei about the Oram Awards themselves, including the judging process and how you can apply for the next round. Find out more about:The Oram Awards >>xname >>The Silver Field >>Lola De La Mata >>Dr Mariam Rezaei >>Girls Twiddling Knobs >>Isobel Anderson >>Ready to level up your music making with the powerful art of field recording? Download my new FREE Essential Gear Checklist to Start Field Recording With Your Smartphone >> Loved this week's episode? Share it with a friend
Send us a textJoin Isobel for all the juicy details on what you can expect to find inside of Season 06 of the podcast, dropping on October 24th. Listen and subscribe to the podcast: https://femalediymusician.com/podcastAnd share the podcast with a friend so we can spread the word, and making music technology a better place for women and gender diverse people.Ready to level up your music making with the powerful art of field recording? Download my new FREE Essential Gear Checklist to Start Field Recording With Your Smartphone >> Loved this week's episode? Share it with a friend
Join us for the first ever Live Girls Twiddling Knobs episode, recorded at Towner Gallery on August 2nd, 2024. inside, Isobel talks with sound and lino artist, Daisy Stewart-Darling about her new project Lino Waves: Soundscapes of the Living Coast, which documents the changing East Sussex coastline through field recordings and large scale lino works.We touch on critical acoustic ecology, recording non-human voices, combining sound with visual mediums and how to present this democratically in a gallery context all with sound examples from the project. We also take a tour of one of Towner's current exhibitions, Rising Tides, Melting Ice by Emma Stibbon, and discuss the synergies between this and Daisy's project. This epsiode is sponsored by our fabulous Knob Twiddler merch, of which all proceeds go towards us making and sharing the podcast. Get yours here >>Ready to level up your music making with the powerful art of field recording? Download my new FREE Essential Gear Checklist to Start Field Recording With Your Smartphone >> Loved this week's episode? Share it with a friend
Following last week's epic binaural finale episode, Isobel is back for one last music tech chat to bring Season 05 of Girls Twiddling Knobs to a close.This final wrap up episode is the perfect way to get a whistle stop tour of any episodes you might have missed and glean any final little golden nuggets from the last few weeks.This season, we've had some of the most amazing guests including NYX, DJ Paulette, Cathy Lane, Josephine Zwaan and many more, and they've all shared their skills, expertise, music and immense amounts of personal vulnerability and insight. We've also covered some really important topics through my solo deep dive episodes, including the power of community over confidence when it comes to women using music technology and choosing the right software for you.All together, these episodes make a powerful statement of women taking control of their own path in music and sound.And while this is the end of another season of Girls Twiddling Knobs, this final wrap up episode also reflects on 2023 coming to a close, and our intentions and hopes for the New Year ahead. Thank you for listening to Season 05 of Girls Twiddling Knobs, we have some really exciting plans being hatched for the podcast next year, and we're looking forward to sharing more with you soon.See you in 2024! GTK HQ xxYou can pre-order DJ Paulette's book here >>And you can check out all of Season 05 (and all the previous seasons) here >>Ready to level up your music making with the powerful art of field recording? Download my new FREE Essential Gear Checklist to Start Field Recording With Your Smartphone >> Love Girls Twiddling Knobs? Leave a review wherever you're listening and let me know!Girls Twiddling Knobs is hosted by Isobel Anderson, produced by Isobel Anderson and Jade Bailey and is a Female DIY Musician Production.Explore more episodes here.Listen on Spotify.Join the Girls Twiddling Knobs Podcast Community here >>
Ready for a binaural sound adventure?We're wrapping up S05 of Girls Twiddling Knobs with an extra-special episode where, together, we take an immersive binaural deep dive into the ecosystem that is NYX.NYX are often described as an electronic drone choir and are a group of women and non-binary vocalists and non-vocalists who use music technology to create dense, musical creations and performance experiences with artists such as GTK alumni Gazelle Twin, amongst many others.Recorded live at Hidden Notes festival in September, Isobel accompanied the collective over two days to document not just their use of music technology, but also how this is informed by a deep personal connection and somatic practices.This episode also required a different editing approach than usual, so expect to hear lots of sound design and soundscape composition throughout!We've got an hour of immersive sonic goodness waiting for you - which is of course, what we're all about here at Girls Twiddling Knobs - so sit back, relax and remember to grab some headphones for the best audio experience.You can check out NYX here >>You can check out Hidden Notes festival here >> Featuring the voices of NYX: Sian O'Gorman, Philippa Neels, Alicia Jane Turner, Ruth Corey, Phoebe Pimlott, Shireen Qureshi, Cecilia Morgan (Cil) and Laura MischRecorded, edited, produced and narrated by Isobel Anderson.Additional composition and sound design also by Isobel Anderson.Girls Twiddling Knobs is hosted by Isobel Anderson, produced by Isobel Anderson and Jade Bailey and is a Female DIY Musician Production.Explore more episodes here.Listen on Spotify.Join the Girls Twiddling Knobs Podcast Community here >>
Have you ever questioned the way that music technology software is designed? And how the tech tools and gear we use might look and feel completely different if they were designed by different humans (i.e. not just predominantly white, cis, heterosexual men living in the West). Well, this question didn't just bother today's guest, producer and researcher, Josephine Zwaan. It led her to write a masters thesis that totally reimagines how a DAW could behave through the lens of African philosophy, exploring ways to ‘decolonise the loop'. Josephine is a multifaceted, creative force who uses research as a tool to challenge and rethink existing frameworks and practices and creates music under the moniker of Suzooki Swift. She also co-founded rosetta, a Netherlands based initiative supporting female and nonbinary music producers, with an emphasis on education and community building. EPISODE HIGHLIGHTS{00:00} Intro{03:25} Josephine on her alter-ego, SUZOOKI SWIFT{06:06} Josephine on her track SWIMMIN'{12:56} Josephine on discovering her strengths in collaborations{15:49} What brought Josephine into music production?{20:15} Josephine on setting up her platform rosetta.{22:15} Inside Josephine's research on decolonising the loop{57:10} Episode SummaryCheck out Josephine's Website >>Connect with Josephine on Instagram >> Check out Josephine's platform rosetta >> rosetta on Instagram >> Suzooki Swift on Instagram >>Boss it in the recording studio
Feeling overwhelmed by all the recording software choices? Been using the same DAW for a while and feel like it's time to switch it up? Haven't started recording your music because you don't have the right gear? If so, this episode is a MUST LISTEN because we're breaking down the pros and cons of a variety of recording softwares and demystifying this often overwhelming decision.If you're curious what software Isobel uses, you also won't be disappointed because inside you'll learn her top favourite 3 DAWs and why, when and what she uses them for. And if you're not even sure what a DAW is, don't worry! We're breaking all of this down, and more :)EPISODE HIGHLIGHTS{02:31} What is a DAW?{04:37} Why does it feel so hard to choose a DAW?{13:24} Isobel's run-through of 7 popular DAWs{36:58} Isobel's Top 3 DAWs{39:21} Episode SummaryCheck out Ableton Live >> Check out Logic Pro X >> Check out Pro Tools >> Check out FL Studio >> Check out Cubase >> Check out Cakewalk >> Check out GarageBand >> Boss it in the recording studio
It's not easy growing a career in the arts but it's down right tough if you're living with a disability too. In this episode, Isobel is joined by journalist, digital producer and disabled rights activist Meg Fozzard to discuss the challenges disabled artists can face, the things the industry can do better and strategies Meg has developed over the years to grow her career whilst having a disability.Inside, you'll gain some really practical knowledge on things like access riders and funding but also hear how it felt for Meg to become disabled right after she'd graduated from university and was starting her career in the arts. Whether you're a disabled artist, temporarily able artist or working to make music and the creative arts more inclusive, this episode is a must listen.EPISODE HIGHLIGHTS{00:00} Intro{05:02} Meg's experience as a Producer{06:51} The importance of recognising disability as being fluid{10:16} Meg's story of becoming disabled after graduating university{19:18} Meg on how becoming disabled has impacted her work{22:36} Meg's advice to freelancers navigating the creative industries{30:06} What is an access rider and how to write one{33:57} Where are the creative industries getting things right in relation to disability access?{35:24} Meg on her experience producing the podcast Equal Too{39:28} How can able-bodied individuals support their disabled peers? {42:16} Meg on the Access to Work scheme{44:08} Organisations helping people with disabilities in the creative sector{46:35} Episode SummaryFind out more about Meg Fozzard >> Check out the charity Drake Music >> Find out more about the UK government's Access to Work scheme >>Check out the Disabled Artists Networking Community >>Boss it in the recording studio
If you've ever wondered what music mastering is, how to get your music mastered or even get into mastering yourself, this podcast episode is for you because Isobel is joined by Weird Jungle mastering engineers Katie Tavini and Izzy McPhee. Between them, they've racked up credits with We Are Scientists, Bloc Party, Frankie Morrow, Ash, Waverly, Arlo Parks and so many more. But what's also interesting about Katie and Izzy is that they met through the amazing Saffron studios' mentoring scheme. So, not only will you hear them demystifying the mastering process in their discussion with Isobel, but also their experience of mentoring and how it's enriched both their lives and their practice. EPISODE HIGHLIGHTS{00:00} Intro{04:15} What is Mastering?{08:31} Why is Mastering so mystifying for so many people?{11:14} Izzy takes us through her Mastering chain{15:22} What brought Katie and Izzy to Mastering?{29:27} Izzy on the benefits of having a music-industry mentor{32:07} Katie on the importance of being a mentor to others{36:40} Katie on setting up her group 2% Rising with musician Rookes{39:22} Being the ‘token woman' in music technology spaces{49:14} How do you go about getting your music mastered?{52:23} How should musicians work with mastering engineers?{58:43} Izzy's advice for budding mastering engineers{1:01:55} Katie's advice for those wanting to get started in Mastering{1:04:13} Episode SummaryFind out more about Weird Jungle Mastering >>Check out Katie Tavini >>Check out Izzy McPhee >>Check out Saffron Music >>Listen to Episode 61: Art, Activism and Music Production: In Conversation with Rookes/Jenny Bulcraig >>Boss it in the recording studio
It's common to hear people make the case for initiatives and spaces that help women become more confident with music tech. And many women will say they wished they had more confidence when it comes to music production, mixing and the whole recording process. But what if this pursuit for more confidence was actually further sabotaging the progress of women with music technology? What if, instead, we need to be questioning the whole focus on confidence itself?In this solo episode, Isobel explores some of the reasons she doesn't focus on confidence when it comes to her unique approach for teaching women recording and production and she draws from wider theories and research to help better understand concepts such as confidence in the context of gender. This episode asks what else might we need to change if not women's confidence if more women and girls are to truly thrive in music technology spaces. EPISODE HIGHLIGHTS{00:00} Intro{02:28} Previous episodes and resources relating to confidence vs assertiveness{04:33} Is confidence really the missing link towards music tech spaces becoming more inclusive?{10:01} Why has confidence become so highly valued in music tech spaces?{12:58} Isobel on why community is more important than confidence in music tech{15:13} Student testimonials on the strength and importance of the community insideHome Recording Academy{17:46} Why it's important to re-evaluate community culture as a whole, rather than help individual women to become more confident with music tech{19:37} Episode SummaryListen to Episode 18: Gender and Music Tech Education with Dr Eddie Dobson >> Listen to Episode 56: Being Assertive In Music Tech Spaces >>Listen to Teaching Women Music Technology [Pt1] Why Have We Failed (So Far)?? >>Listen to Teaching Women Music Technology [Pt 2] My Unique Approach >>Read Rhetoric of Masculinity >>Boss it in the recording studio
If you've ever felt stumped as to what to do with all those field recordings you've been making… Or like experimental music sometimes lacks a human touch… this episode is a must listen because Isobel is joined by Cathy Lane, an artist, composer and academic inspired by everyday experiences and, in particular, how ‘hidden histories' can be investigated from a feminist perspective. Inside, Cathy shares so many gems from her vast experience and knowledge as one of the most highly regarded artists and academics in her field.Cathy has worked with composed sound for the last three decades and has developed a practice that combines oral history, archival recordings, spoken word and environmental recordings in formats ranging from gallery installations to books, essays and concert presentations. A Professor of Sound Arts at University of the Arts London and directs Creative Research in Sound Arts Practice (CRiSAP), Cathy shares how this work is also deeply influenced by her beginnings in grass-roots community-run learning spaces.This episode is a real treat so get comfy and plug in!EPISODE HIGHLIGHTS{00:00} Intro{05:08} How Cathy got started using music technology{09:29} Cathy on the women-only groups she was involved in, and the acceptability of these spaces.{14:55} Her PhD and access to technology{18:59} What is electroacoustic music?{27:06} Cathy's PhD thesis, on using space in composition{34:47} Using field recordings in composition to convey meaning{38:37} Her discovery of field recording{45:07} Cathy on her piece, Am I Here?{51:43} Cathy on her piece, Here We All Are{59:41} Using field recordings as part of the compositional process{01:09:09} Cathy's technology setup{01:16:05} Episode SummaryCheck out Cathy's Website >> Cathy's CRiSAP profile >> Find Cathy on Facebook >> Say hello to Cathy on Instagram >>Boss it in the recording studio
Have you ever recorded in a studio and felt like time just slipped away? Or maybe you wished you'd felt more comfortable or like you were using the time better? If so, this episode is not to be missed because Isobel is joined by Brighton based producer and engineer, Phoebe Bentham, who's sharing her top tips on preparing like a pro for your next recording studio session. Inside, Phoebe also discusses her route into production and engineering, her love of microtonal music, how she went about recording a choir, live drums and guitar in just one day and her advice for any trans listeners wanting to work in recording studios. EPISODE HIGHLIGHTS{00:00} Intro{03:43} How Phoebe got started in sound engineering{15:43} Phoebe explains her love of microtonal music{20:40} Phoebe's advice on how to prepare for a studio session and how to effectively work with an engineer{26:31} Her definition of a producer vs an engineer{34:04} More tips on how to prepare for a studio session{43:20} How Phoebe engineered and mixed a live performance of Lambrini Girls' track Help Me I'm Gay{56:50} How Phoebe recorded an 18-person choir for Angel Maxine's track Be Yourself{01:09:58} Phoebe's advice for trans women forging careers in sound engineering{01:17:09} Episode SummaryConnect with Phoebe on Instagram >> Listen to EP#55 Are You a Music Producer? >> Boss it in the recording studio
Do you struggle with perfectionism? We totally get it - it can be easy to put off recording your music out of the belief that every single element of it needs to be perfect. It can also be tricky to find time to dedicate solely to making music; so perfectionism combined with limited time can make it really difficult to actually sit down and get the music made. Inside this episode Isobel discusses the importance of taking ‘imperfect action' when making music, and explains how using the ‘assignment method' helped her ditch the perfectionism and spend meaningful time making music. Remember, done is better than perfect!EPISODE HIGHLIGHTS{00:00} Intro{02:39} Why Isobel started using the assignment method{05:29} What is the assignment method?{13:18} How you can start using the assignment method in your music-making{17:39} Episode SummaryJoin the Home Recording Kickstarter on September 8-12 and transform your opportunities in music in 2023 >> https://femalediymusician.com/kickstarter Love Girls Twiddling Knobs? Leave a review wherever you're listening and let me know!Girls Twiddling Knobs is hosted by Isobel Anderson, produced by Isobel Anderson and Jade Bailey and is a Female DIY Musician Production.Explore more episodes here.Listen on Spotify.Join the Girls Twiddling Knobs Podcast Community here >>
DJing is still a pretty white, male industry, but when this week's guest, DJ Paulette, first began spinning vinyl in Manchester's nightclubs in the 90s, black women DJs were few and far between. Winner of the DJ Mag's Top 100 Lifetime Achievement Award, DJ Paulette's career has spanned over two decades and multiple locations. But inside this candid conversation, Paulette also shares the personal path she's trodden along the way.Paulette shares the real sense of threat she felt DJing as a black woman in the clubs in 90's Manchester, her time doing PR for some of the 90s and 00s most influential dance music artists and setting Paris on fire with her iconic flavour of House music selections. But perhaps just as interesting is Paulette's experience of losing her mojo with DJing, packing it all in and moving back to Manchester and how she's rebuilt her career and reconnected with the DJ artform. EPISODE HIGHLIGHTS{00:00} Intro{04:26} Paulette's early memories of music and introduction to DJing{10:50} Her experience as a black woman DJ in the early 90s{13:17} Inside DJ Paulette's first gig{17:16} What it was like being one of the only female DJs in the 90s UK club scene{24:30} Paulette's experience working in music PR alongside DJing{36:23} Moving to Paris to pursue her DJing career{46:03} Losing her mojo for dance music and DJing{01:04:43} How moving back to Manchester helped Paulette fall back in love with DJing{01:08:05} The importance of speaking out against discrimination in order to help the younger generation{01:11:11} The meaning and inspiration behind her track “Sheroes”{01:26:47} Episode SummaryDJ Paulette's Website >>DJ Paulette on Instagram >>Listen to ‘Sheroes' >>Pre-Order ‘Welcome to the Club' >>Join the Home Recording Kickstarter on September 8-12 and transform your opportunities in music in 2023 >> https://femalediymusician.com/kickstarter Love Girls Twiddling Knobs? Leave a review wherever you're listening and let me know!Girls Twiddling Knobs is hosted by Isobel Anderson, produced by Isobel Anderson and Jade Bailey and is a Female DIY Musician Production.Explore more episodes here.Listen on Spotify.Join the Girls Twiddling Knobs Podcast Community here >>
With Season 05 of Girls Twiddling Knobs dropping on August 17th, Inside this trailer Isobel gives you a teaser of what you can expect inside each episode over the next few weeks.Remember to subscribe to the podcast so you never miss an episode and don't forget to enter our Season 05 competition where you could win an audio interface and some of our exclusive Girls Twiddling Knobs merch line too. Full details on how to enter >> https://femalediymusician.com/s05-competitionEnter the Season 05 Competition now >> https://femalediymusician.com/s05-competitionAnd win an audio interface and an exclusive swag bag from our brand new Girls Twiddling Knobs merch line. Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️
What if fame and commercial success weren't as great as the industry leads many artists to believe? This weeks guest, Kate Nash, had to face this question from an early age after her debut album found overnight success during the naughties. Because, even though there were good times and a few great people, burn out, industry sharks and misogyny were in abundance too. Kate was dropped from her label and, while many artists might understandably call it a day, Kate picked herself up and entered a new phase as a independent musician. And, as Kate shares inside this BONUS Special episode, while it's meant making music on her terms, it's also brought new challenges - between negotiating terms, building a trustworthy team and balancing the books - it's been far from an easy ride. But as you'll hear in this candid conversation, Kate has passion, courage and oodles of heart and has created a career encompassing music, acting and activism. This one's a must listen for any independent women in music!EPISODE HIGHLIGHTS{03:52} Introducing Kate Nash{12:44} Kate's journey to signing a record deal {27:23} Maintaining a work-life balance as an independent artist{34:48} Her personal experience as a woman in the industry {43:06} The meaning behind her track 'Conventional Girl'{46:41} Kate's experience of music technology and working with producers{01:00:30} Kate stars in new film 'Coffee Wars''Kate Nash: Underestimate The Girl' Documentary >>Watch the Official Trailer for 'Coffee Wars' >> Follow Kate on Instagram >>Visit Kate's website >> Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️
[Headphones Advised] Listen to the shifting, singing Antarctic sea ice in mesmerising binaural audio to mark the end of another incredible season of Girls Twiddling Knobs. For this Season Finale, Isobel travels to University College London's Bartlett Sch. of Architecture to meet composer and lecturer Emma-Kate Matthews. Follow Emma and Isobel on a binaural tour of this incredible hive of architectural and engineering exploration and deep into The Sound Lab. There, Emma shares her journey into sound, music and academia and gives us a binaural sneak peak of her incredible new composition, Conversations at the Edge of the World. In this electroacoustic delight, Emma Kate shares how the sea ice recordings inside “appear to breathe and sing” and we think they provide the perfect finale to Season 04.EPISODE HIGHLIGHTS{0:00} Intro{03:36} A binaural tour of the University College London's Bartlett School of Architecture{23:50} Exploring how sound and space work together {44:46} Emma-Kate's journey into sound, music and academia{01:16:58} A binaural preview of her work 'Conversations at the Edge of the World'{01:38:54} Episode SummaryEmma Kate Matthews Website >>More info about Conversations at the Edge of the World >>The Bartlett Sch. of Architecture >>Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️
Orla Gartland's career started out as a DIY artist on Youtube and has since seen her music rise in success and synced on both the hit TV shows Normal People and Heart Stopper. Inside this episode, she shares why recording and production has become integral to her creative process, especially in the creation of her debut album, Woman On The Internet.Over the last 5-10 years, recording and production gear has become affordable and intuitive enough that many musicians and songwriters have started integrating it into their creative process. Inside this week's episode, Isobel is joined by one of the most exciting artists to have emerged from the UK and Ireland in recent years, Orla Gartland, and hears how she has adopted this approach herself. Orla joins us from her studio space in London where she is writing a new album. EPISODE HIGHLIGHTS{0:00} Intro{03:30} Orla's experience as a DIY artist{15:15} Creating her artistic world {20:02} Orla's journey into recording and production and the moment she began to take more control of the process{29:00} Owning the title of ‘producer' and investing in her skills in recording and production{34:40} The process of creating her debut album, Woman on the Internet{45:00} Writing and recording her track ‘You're Not Special Babe' {53:14} Why Orla preferred the process of recording to tape for her track ‘Left Behind'{01:07:34} How her recording process has changed for her next album{01:16:12} What's coming up for Orla in 2023{01:19:00} Episode SummaryOrla's website >>Listen to Woman on the Internet >>Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️
Whether you're in a band, have a team or are a totally DIY, solo musician, you'll likely need to work with other people from time-to-time to get your music out into the world. But it doesn't always feel easy or rewarding and, even worse, sometimes – especially if you're a woman in music – collaborative relationships can be disrespectful. So, inside this episode, Isobel shares three steps you can take to ensure your collaborative relationships are respectful, rewarding and successful. Isobel also shares her own past experiences of disrespectful collaborations and how destructive they can be, not only to our self-esteem, but also our enthusiasm for following a career in music. This episode will show you how to make collaborating in music feel awesome.EPISODE HIGHLIGHTS{0:00} Intro{03:34} What Forms Does Collaboration Take In Music?{05:32} Why Collaboration Can Be Tricky (Especially For Women In Music){10:48} Isobel's Experiences Of Disrespectful Collaborations{15:26} 3 Steps To Respectful Collaborations As A Woman In Music{35:39} What To Do When A Collaboration Turns Sour{38:11} Why You Don't Need To Collaborate With An Ar*E H*Le, Even If They Say You Should{40:22} Episode SummaryListen to EP#17 with Neeta Sarl >>Listen to EP#51 with Emily Nash >>Listen to {BONUS EPISODE} Why Music Technology Education Has (Largely) Failed Women >>Read the House of Commons Women and Equalities Committee Misogyny in Music Inquiry >>SUPPORT FOR UK MUSICIANSMusician's Union Bullying and Harassment Helpline: 0800 088 2045Help Musicians Music Minds Matter Support Line: 0808 802 8008 Music Support helpline: 0800 030 6789Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️
There have never been so many initiatives fostering marginalised talent in electronic music and sound, and one such platform is the UK's Oram Awards. Established in 2017, the Oram Awards is a partnership between The Radiophonic Institute, PRS Foundation & The Daphne Oram Trust, and elevates the work and voices of women, Trans and Non-Binary music creators working in sound innovation, music and related technologies.Inside this episode, Isobel gets the chance to chat with 2022 winners Kelly Jayne Jones and Amble Skuse to discuss their artistic practice and what winning an Oram Award means to them as women in music. Isobel is also joined by judge and Senior Lecturer of Sonic Arts at Goldsmiths University, Iris Garrelfs, who shares why Daphne Oram is such an inspirational figure and how you can apply for the 2023 awards yourself. Find out more about the Oram Awards >>Follow the Oram Awards on Instagram >>Links to the websites of this week's guests:Amble Skuse >>Kelly Jayne Jones >>Iris Garrelfs >>Check out Daphne Oram's An Individual Note >>Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️
Now, you might have heard about this production technique in the context of compression. You may already be using this technique in your own projects but even if you're not just yet, you might have heard someone talk about adding sidechain compression either in a studio or on a YouTube video.But, if you're totally new to sidechaining, today's episode will break it down so you're no longer in the dark. And if you're already using sidechaining in your music, perhaps we'll just fill in any gaps in your knowledge or confirm that you've got this whole sidechaining thing wrapped up. EPISODE HIGHLIGHTS{0:00} Intro{02:34} Side chaining in a nutshell{02:49} Why we use it in music production{04:25} 3 of the most common uses of side chaining{10:43} The best way to start using side chaining in your tracks{11:00} Episode SummaryRead Sage Audio's blog post, What is Sidechaining >>Read Ledger Note's article What is Sidechaining >>Read iZotope's blog post 5 Essential Tips for Mixing Reverb >>Watch @mikerussell's ‘Sidechain Compression to Duck Music W/ Voice' video tutorial >>Watch @mastering.com's ‘Vocal Reverb Sidechaining' Logic video tutorial >>Watch @whatsupimforrest's ‘Silent Sidechaining / Ghost Compression' Tutorial for Ableton Live 11 >>Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️
It's easy to feel tied down or boxed in as a woman in the music industry, and many artists use a pseudonym to create separation between their personal and creative lives. But today's guest, Riz Maslen, has been releasing electronic music under multiple musical identities for the past three decades.Inside this episode, Riz shares how she's used different monikers to play with different genres, contexts and identities, what it was like getting into production during the ‘90s in London and her new ambient release, Stairway 13. Riz also shares the important qualities she thinks women bring to the field of production and why less can be more when it comes to music tech gadgets and gear.EPISODE HIGHLIGHTS{0:00} Intro{03:00} How Riz got started in music{09:54} Forging her way in the London music scene and getting started with music production{16:55} The women that shaped Riz's own confidence in music{21:15} The process of recording her first track released on Ninja Tune and her experience of life on the road{28:38} Why Riz decided to release music under different monikers and a walkthrough of her creative process{44:32} The unique qualities women bring to music production{48:28} A look into Riz's recording setup and her top tips for getting started for free!{56:35} Riz's advice for releasing music under a different moniker {01:01:17} Episode SummaryCheck out Riz's music here >>Listen to Stairway 13 here >>Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️
What culture would enable women to learn and thrive with music technology? And how might this be fostered in music tech learning spaces? Inside this BONUS podcast episode Isobel shares the unique teaching approach she's developed over the past five years, and why it's set over 400 women (and counting) up to win with music technology.This practical discussion continues on from last week's BONUS episode all about how music technology education has (so far) been failing women. But inside this episode, Isobel gives some progressive and helpful tips for cultivating a more gender inclusive culture where women truly thrive. Whether you're a teacher, facilitator, studio owner or women wanting a better space to learn recording and production, this episode will help you find and create a music tech space that women love to be a part of. EPISODE HIGHLIGHTS{0:00} Intro{05:17} Influences that have shaped my approach{06:30} The 3 pillars of my teaching approach{07:05} Pillar #1: Community{12:55} Pillar #2: Artistry{18:33} Pillar #3: Respect{23:58} What this means for wider music tech{27:29} What this means for you{30:06} Next week's teaserEnrolment in Home Recording Academy closes Feb 7th @ 6pm GMT. GRAB YOUR SPOT NOW >> [So they are easier to navigate, these references are not academically formatted]Listen to last week's BONUS episode – Teaching Women Music Technology [PART 1]: Why Have We Failed So Far? >>‘Permission to Play: Practice principles for collaborative learning in music technology' >>‘Talk for collaborative learning in computer-based music production' >>Women Make Music 5 Year Report >>Dignity at Work 2: Discrimination in the music sector >>Listen to EP#18 with Dr Eddie Dobson >>Listen to EP#43 on what's inside Home Recording Academy >>Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️
If you've ever struggled to own the title of ‘Musician' this episode's for you. Every single person has a slightly different definition of what actually makes a musician, but the reality of how and why we *feel* like one is often complex and even pretty misunderstood.Inside this episode, Isobel sits down with pianist and Home Recording Academy alumni student, Lois Lelland, about why she struggled to feel like a ‘proper' musician in the past and why that's now totally changed. In fact, Lois is set to release an amazing new EP of compositions she has lovingly recorded and produced herself and she's never felt so excited and confident as a musician. EPISODE HIGHLIGHTS{0:00} Intro{03:43} Why Lois struggled to feel like a ‘proper' musician{09:11} When this began to change for Lois|{12:43} Starting to record her music from home{17:18} Why Lois took part in Home Recording Academy not just once, but twice.{26:09} The process of self-recording, producing and releasing her stunning debutEP, Sepia.{50:42} Collaborating with other musicians{54:16} Episode SummaryListen to Lois' new album, Sepia >>Follow Lois on Instagram >>Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️
“Surely if women *really* wanted to record and produce music, they'd just get on with it like their male peers, right?” Well… Sadly it's not that simple. Today in 2023, women still are considerably outnumbered on music production programmes and in recording studios and are less likely to learn through free online resources, like YouTube, compared to their male contemporaries.It's true that women, in theory, aren't banned from taking part in these spaces. So, inside this BONUS podcast episode Isobel explores why the problem might not be lack of access. Instead, could it be a culture that lacks an inclusive approach? If so, what culture would enable women to better learn and thrive with music technology? EPISODE HIGHLIGHTS{0:00} Intro{07:47} How most music tech spaces have traditionally operated{19:55} Episode SummaryGrab your spot on Isobel's FREE Live masterclass ‘5 Simple Steps to Record Your Music from Home' >>[So they are easier to navigate, these references are not academically formatted]Annenberg Inclusion Initiative – Inclusion in the Recording Studio? >>Music Teacher Magazine – Only a quarter of A Level Music Technology students are female >>House of Commons Women and Equalities Committee Misogyny in Music Inquiry >>Written evidence from the Music Producer's Guild >>Technology and the Gendering of Music Education >>‘Women in Audio: contributions and challenges in music technology and production' >>Women Make Music 5 Year Report >>Register for the Home Recording Kickstarter: A LIVE 5 Day Challenge for Women In Music (Jan 27-31) >> https://femalediymusician.com/kickstarter Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️
If your first few attempts at self-producing your music have left you feeling like throwing in the towel, this episode is for you. Jess Magoch is an award winning Philadelphia based Hip Hop/Jazz artist who decided it was time to become more independent through developing her skills in recording and production. But as Jess shares in her chat with Isobel, it wasn't a straightforward process. It took patience, practice and self-compassion for Jess to gradually build up her production chops and, eventually, she and other people couldn't believe how good her recordings were sounding. In fact, a major sync exec for brands like Vogue and Vanity Fair was blown away by Jess' production skills. What's even better is that Jess now feels 100 X more confident, independent and excited about her music moving forward.EPISODE HIGHLIGHTS{0:00} Intro{06:40} How Jess got started in music and how she used it to find her voice{11:30} Why you're never ‘too old' to pursue your music{18:00} The moment when a major sync exec was blown away by Jess's production skills{24:39} The process of learning and taking action is more important than the ‘perfect' outcome{34:24} The most important lessons Jess has learned from recording and and producing her music {40:45} How learning these skills has allowed Jess to communicate her ideas with confidence and produce her music on her terms{58:07} Jess shares the plans for her forthcoming album, Trivial Pursuit, and her advice for other DIY musicians{01:03:36} Episode SummaryPre-order Jess's new album, Trivial Pursuit >>Download Jess's unreleased song for FREE >>Find out more about Jess and follow her journey >> Register for the Home Recording Kickstarter: A LIVE 5 Day Challenge for Women In Music (Jan 27-31) >> https://femalediymusician.com/kickstarter Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️
Most musicians will have to make a big, bold, scary decision at some point in their career if they're going to keep growing and developing as an artist. But how do you know when it's time to take a risk, take the plunge and get out of your comfort zone? Inside this special BONUS episode, Isobel unpacks the types of big decisions you might face as a woman in music and when to know if it's time to be brave and just go for it!LINKSListen to EP#56: Being Assertive in Music Tech Spaces >>Check out the 2022 Misogyny In Music, Parliamentary Committee Inquiry >>Read USC Annenberg's Inclusion Initiative's 2021 Inclusion in the Studio? report >>Read the 2017 PRSF Women Make Music 5 Year Report >>Register for the Home Recording Kickstarter: A LIVE 5 Day Challenge for Women In Music (Jan 27-31) >> https://femalediymusician.com/kickstarter Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️
Have the last few months of financial insecurity made you question if you can keep investing in your music? Many musicians are having to make some tough decisions when it comes to basic living costs, let alone their music careers. But inside this episode, Isobel shares how having the ability to record and produce yourself will not only save you money but can make you money too.No, this isn't some pie in the sky, “Let's make a hit record, baby!” stuff. Making an income from your music isn't always straightforward and there's no sugar coating that. But having basic skills in recording and production is one of the best ways you can keep showing up as an artist, regardless of a global recession. Keep listening to find out how. EPISODE HIGHLIGHTS{0:00} Intro{06:06} What is the financial situation here in the UK right now?{08:59} What are the financial challenges musicians are facing right now?{11:40} How does this affect women specifically?{17:26} How can you recession-proof your music?{23:42} Episode summary{24:34} How can you get financial help if you're struggling right now?{25:52} Next week's teaserRead about the music gender pay gap in Music Business Weekly >>Read about Counting the Music Industry >>Get support from Help Musicians >>Get support from the Musicians Union >> Funding from Arts Council England >>Fund your music through the PRSF >>Fund your music through Help Musicians >>Register for the Home Recording Kickstarter: A LIVE 5 Day Challenge for Women In Music (Jan 27-31) >> https://femalediymusician.com/kickstarter Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️
There's nothing more frustrating than being creatively restricted by the skills and tools at your disposal, and oftentimes this leads to musicians being overly-reliant on others to get our music out into the world. But this week's podcast guest, VOLTA HYMN (AKA Delali Zevon-Aniakwah), decided to develop her music tech know-how in order to forge her own artist project and become fully independent.Inside this conversation, Delali shares how attending one of Isobel's 5 day recording challenges helped her record her new release, INCOGNITO MODE, and we get the chance to hear two tracks off the record and the concepts behind them. EPISODE HIGHLIGHTS{0:00} Intro{02:55} How Delali got started in music and the artists that influence her{13:20} What led Delali to form her artist identity, VOLTA HYMN{18:07} Learning to record and produce herself as an independent musician{22:03} How attending one of Isobel's 5 day challenges helped Delali record her new album, INCOGNITO MODE{30:39} The process of writing and producing her album{42:30} What's next for Delali?{44:45} Episode SummaryRegister for the Home Recording Kickstarter: A LIVE 5 Day Challenge for Women In Music (Jan 27-31) >> https://femalediymusician.com/kickstarter Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️
If you want to make 2023 the year you finally have amazing recordings of your music without breaking the bank, this episode is for you. Inside, Isobel shares 5 Key Strategies to Home Record Your Music Like a Pro!Even if you've worried that recording your music at home will automatically make it sound amateur in comparison to paying for commercial studio time, this episode will show you how amazing sounding tracks are in fact, well within your grasp. All you need is a little insider know-how, and Isobel is pulling back the curtain and giving you exactly that - these are the strategies she's honed from years of recording and producing music and helping thousands of other women do the same.EPISODE HIGHLIGHTS{0:00} Intro{03:35} First-and-foremost, record good quality audio{05:35} Have a project map{11:58} Make a to-do list when you recording{15:20} Save presets{16:50} Organise your session{18:50} Episode SummaryDownload my FREE 3 Steps to Sound Treating your Home Recording Space PDF Guide >> Speed Up Your Production Process with my 6 Music Production Hacks To Save You Time checklist >>'Tis the season to be giving, so why not gift the Girls Twiddling Knobs podcast to a friend or loved one?
Adversity can be one of the most creativity-enhancing experiences for many musicians, but when you're faced with chronic illness that may dictate your energy and ability to work, it's a whole different story.Inside this episode Isobel chats to musician and producer April Rose Gabrielli about her experience developing epilepsy, totally out of nowhere, and how it informed her debut album, I Woke Up Alive. April also shares her journey into recording and production and the BTS scoop on her professional team and promotion strategy too. EPISODE HIGHLIGHTS{0:00} Intro{03:51} How April got started in music production{16:44} Getting signed with BMG and becoming a full time musician and producer{23:51} The difference between engineering and producing{27:20} The difference between a publishing deal and record deal{34:40} The process of recording her debut album, I Woke Up Alive, after getting diagnosed with Epilepsy {46:50} How living with Epilepsy impacted how April wrote, produced and promoted her album {55:17} April's advice for musicians who aren't in full health{01:00:37} Episode SummaryListen to I Woke Up Alive on Spotify >>Check out April's website >>Follow April on Instagram >>'Tis the season to be giving, so why not gift the Girls Twiddling Knobs podcast to a friend or loved one?
How many times have you been given advice on your music, recording or production, even though you didn't ask for it? Or perhaps you're always looking for advice rather than trusting your own internal resources and instincts? For many women in music, getting advice can feel like a tricky terrain to traverse without getting mansplained at, stereotyped or thrown a unhelpful red herring.So, inside this episode, Isobel examines the types of advice we might receive as musicians, if women really are more likely to receive unsolicited advice than their male counterparts and the effects this might have on our careers. Crucially, Isobel outlines three questions to ask yourself before seeking out advice and one principle to stick by if you're on the receiving end of it.EPISODE HIGHLIGHTS{0:00} Intro{03:41} The most common types of advice musicians might receive{05:54} Are women in music *really* more likely to receive unsolicited advice?{10:32} How might this affect our confidence and careers?{13:40} How to respond to unsolicited advice{15:39} Women can also give bad advice {18:41} How to get good quality advice on your music{23:00} Next week's teaserREFERENCESA Study of Unsolicited Advice >>8 Types of Advice >>How the gender bias in performance reviews impact womens' careers >>Women in Music: 9 Female Producers on the Challenges They Face and How We Can All Support Women Beatmakers in Today's Industry >>The Best Advice to Women in Music from Female Musicians >>Music Feedback: When to Take the Opinions of Others Seriously and When Not to Care >>Check out Jeia here >>Check out SADIVA here >>Check out Saaaz here >>'Tis the season to be giving, so why not gift the Girls Twiddling Knobs podcast to a friend or loved one?
It's not uncommon for musicians to feel disheartened by recording and releasing their music when they don't receive the recognition or respect they'd like. But inside this episode, Penny White (AKA Jenny Welch) shares how this all changed once she became more involved in the process of recording and production.This is a journey that has resulted in Jenny recording and releasing two EPs, being made track of the week on BBC Introducing: Midlands and feeling more fulfilled than ever before in the process. Penny shares her past experiences recording and releasing, how learning to record and produce helped her fall back in love with her music and how she produced a bigger sound on her new EP, TWO. EPISODE HIGHLIGHTS{0:00} Intro{04:08} How Jenny got into music{13:42} Why Jenny fell out of love with music and had to take a break {24:20} How she regained control of her music again{33:24} Recording and releasing her music for the first time{37:21} Her experience of learning about recording and production in a women-only space{43:55} What success looks like now for Jenny{48:09} The process of recording her second EP, TWO.{01:05:07} Jenny's advice for getting started with recording{01:09:03} Episode SummaryPenny Music Artist Website >>Listen to TWO on Spotify >>Watch the video for ‘Better Than This' >>Ready to level up your music making with the powerful art of field recording? Download my new FREE Essential Gear Checklist to Start Field Recording With Your Smartphone >> Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️
Recording and producing as a woman in music is still pretty nonconformist, but in the context of the Middle East, it's a down-right act of resistance, as this week's guest Blu Fiefer explains.The Lebanese based artist has had to face many of the familiar challenges regarding accessing safe-spaces in which to record, being taken seriously as a female artist and forging a career in a competitive industry. But she's also had to do this in a time of conflict, revolution and collective trauma and in a society that has told her even just being a woman following her music definitely isn't OK. Despite this, Blu has become one of the only female Hip Hop producers and label owners in the Middle East today. This episode will inspire you to follow your heart, take bold steps and chase meaning rather than hollow success in your music.EPISODE HIGHLIGHTS{0:00} Intro{03:40} Blu Fiefer's experience of moving from Lebanon to London to start her journey in music{16:21} How Blu's pursuit of a music career is an act of revolution in Lebanon{34:16} How feeling unsafe as a woman in music led Blu to set up her own label{52:39} The meaning behind her track “Shut Up” and a walkthrough of her creative process{1:03:19} Her favourite part of the recording and production process{01:08:50} Blu's forthcoming album{01:31:41} Episode SummaryListen to Blu Feifer on Spotify >>Follow Blu on Instagram >>Ready to level up your music making with the powerful art of field recording? Download my new FREE Essential Gear Checklist to Start Field Recording With Your Smartphone >> Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️
Nowadays, pretty much everyone feels busy, but for musicians this can really start to eat into vital music making time. Urgent tasks can seem to dominate your schedule, and before you know it, the day's gone and your music's been left to the bottom of your to-do list. Inside this episode, Isobel shares how she's managed to make time for her music, even though her diary seems busier than ever. Between running a business, holding space for (literally) thousands of other women in music and all the usual day-to-day chores, it's not always felt easy, but Isobel has been making the time to record and produce some of her favourite music to date. Keep listening to find out how.EPISODE HIGHLIGHTS{0:00} Intro{04:17} Business vs feeling overwhelmed{06:19} Why I wasn't making music as much (if at all){07:43} What made me want to prioritise it more{09:58} What batching is and how it helped{20:32} 3 other time-hacks that Isobel swears by{22:01} Why it matters to you{23:43} Episode SummaryGrab your spot on my new workshop, 3 Time Hacks To *Actually* Make Your Music Happen in 2023, on Wednesday 7 December >>NEW LIVE WORKSHOP, DEC 7 @ 6PM GMT - ⏰ 3 Time Hacks To *Actually* Make Your Music Happen in 2023 ⏰Find out more and grab your spot >> Loved this week's episode? Share it with a friend
If you're someone who loves a good concept album, this episode is for you because Isobel is joined by musician and producer, Miss Grit, to discuss their new album Follow The Cyborg. Combining both grit and cleanliness in equal measure, Miss Grit's music is an exploration of what it means to be human and then reframe this on our terms.But this doesn't mean Follow The Cyborg was made in a big, flashy studio. Miss Grit prefers to record and produce music in the privacy of their own home in order to fully embrace the intimacy of making music. Inside this episode. Miss Grit shares the process of making their new album, their experience of learning music tech in a male dominated environment and why they're so fascinated by cyborgs too!**CORRECTION: Miss Grit releases the SINGLE, Follow The Cyborg in November 2022. The album of the same title will be released in Spring, 2023**EPISODE HIGHLIGHTS{0:00} Intro{03:15} Miss Grit's journey into music technology{11:27} Forming the ‘Miss Grit' identity and navigating social media as an artist{17:36} What Cyborgs represent in Miss Grit's music{23:43} A walkthrough of their creative process{31:04} Why Miss Grit prefers to record in their home studio{40:57} Their advice for home-recording musicians{46:34} Episode SummaryListen to Miss Grit's new single ‘Follow The Cyborg' >>Check out Miss Grit's website >> Follow Miss Grit on Instagram and FacebookListen to the episode hereListen on SpotifyEager to listen to the amazing music composed and produced by our fabulous Girls Twiddling Knobs guests? Don't blame you! Take a listen to the Girls Twiddling Knobs Spotify playlist >> Love Girls Twiddling Knobs? Leave a review wherever you're listening and let me know!Girls Twiddling Knobs is hosted and produced by Isobel Anderson with production support from Jade Bailey and Francesca O'Connor and is a Female DIY Musician Production.Explore more episodes here.Listen on Spotify.Join the Girls Twiddling Knobs Podcast Community here >>
Recording studios are wonderful spaces where real magic can happen, but it's also so liberating to have the skills and set up to create music and experiment with your creative ideas from the comfort of your own home.Inside this Golden Nugget Episode we're going back to #57 where Isobel chatted to musician and producer, Flaming June (AKA Louise Eatock), about how much more freely she has been able to make music through learning to record and produce herself. Inside, Louise dissects exactly how this has helped her shape her own vision and make an album she's truly proud of (which has also gone on to win an award, BTW). It's an important reminder of the freedom and creative possibilities home recording can afford.EPISODE HIGHLIGHTS{00:00} Intro{02:01} How Louise used EQ to transform her music{05:10} The techniques and equipment Louise used to depict living with ADHD {08:04} OutroListen to the full, original episode HERE >>And don't forget to subscribe to the podcast and share it with a friend.Eager to listen to the amazing music composed and produced by our fabulous Girls Twiddling Knobs guests? Don't blame you! Take a listen to the Girls Twiddling Knobs Spotify playlist >> Love Girls Twiddling Knobs? Leave a review wherever you're listening and let me know!Girls Twiddling Knobs is hosted and produced by Isobel Anderson with production support from Jade Bailey and Francesca O'Connor and is a Female DIY Musician Production.Explore more episodes here.Listen on Spotify.Join the Girls Twiddling Knobs Podcast Community here >>
Do you ever worry about how other people perceive you as an artist? This question is particularly loaded for women and gender expansive musicians because there's so much tied up with how femininity should be presented and received (and even what it is).It's for this reason that Isobel is sharing a Golden Nugget from EP#30 when she chatted with the amazing London based musician and producer, BISHI who spoke so candidly and articulately about how she's been received over the years.BISHI has always had a very strong visual element to her music, which has sometimes led to intense scrutiny and judgement. But it's interesting hearing how growing up surrounded by London's queer community helped her to approach her visual identity with a sense of boldness and play.EPISODE HIGHLIGHTS{00:00} Intro{01:57} Receiving a passive aggressive response from people {04:47} Feeling free and confident to explore her artistic identity{07:28} Outro Listen to the full, original episode HERE >>And don't forget to subscribe to the podcast and share it with a friend.Eager to listen to the amazing music composed and produced by our fabulous Girls Twiddling Knobs guests? Don't blame you! Take a listen to the Girls Twiddling Knobs Spotify playlist >> Love Girls Twiddling Knobs? Leave a review wherever you're listening and let me know!Girls Twiddling Knobs is hosted and produced by Isobel Anderson with production support from Jade Bailey and Francesca O'Connor and is a Female DIY Musician Production.Explore more episodes here.Listen on Spotify.Join the Girls Twiddling Knobs Podcast Community here >>
One of the biggest drains on many a musician's time, self-esteem and mental energy is social media - you've probably found yourself both loving and hating it in equal measure. So today we're going waaay back to episode #44 where Isobel shares her best tips for getting more intentional about how we use social media so it stops being a vanity scale and starts actually adding to our creative self expression - I know WHAT a novel idea, right?!And Isobel will be walking you through a mini artist branding exercise too, so grab a pen and paper if you want to take notes!Listen to the full, original episode HERE >>And don't forget to subscribe to the podcast and share it with a friend.Eager to listen to the amazing music composed and produced by our fabulous Girls Twiddling Knobs guests? Don't blame you! Take a listen to the Girls Twiddling Knobs Spotify playlist >> Love Girls Twiddling Knobs? Leave a review wherever you're listening and let me know!Girls Twiddling Knobs is hosted and produced by Isobel Anderson with production support from Jade Bailey and Francesca O'Connor and is a Female DIY Musician Production.Explore more episodes here.Listen on Spotify.Join the Girls Twiddling Knobs Podcast Community here >>
People always wax lyrical about how much warmer or better analogue technology sounds, but what are the practicalities of recording in this format as opposed to digital?Inside this Golden Nugget episode, Isobel delves back to EP#07 when she chatted to engineer and owner of Analogue Catalogue recording studio, Julie McLarnon about how preparation really takes on a whole new meaning in an analogue studio. Even if you're working mainly or solely with digital software, there's a lot we can still take from Julie's approach.EPISODE HIGHLIGHTS{00:00} Intro{01: 48} Why Julie set up her studio, Analogue Catalogue{04:58} What are the benefits of using analogue technology?{07:00} The process of recording in analogue{09:09} How Julie sound-treated the studio{14:48} OutroListen to the full original episode HERE >> And don't forget to subscribe to the podcast and share it with a friend.—----------------------------Girls Twiddling Knobs is hosted and produced by Isobel Anderson with production support from Jade Bailey and Francesca O'Connor and is a Female DIY Musician Production.Explore more episodes here.Listen on SpotifyJoin the Girls Twiddling Knobs Podcast Community here >>Eager to listen to the amazing music composed and produced by our fabulous Girls Twiddling Knobs guests? Don't blame you! Take a listen to the Girls Twiddling Knobs Spotify playlist >> Love Girls Twiddling Knobs? Leave a review wherever you're listening and let me know!Girls Twiddling Knobs is hosted and produced by Isobel Anderson with production support from Jade Bailey and Francesca O'Connor and is a Female DIY Musician Production.Explore more episodes here.Listen on Spotify.Join the Girls Twiddling Knobs Podcast Community here >>
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