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3 episodes with Jerry Reed
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Sean is running on empty while Todd shares frustrations about emails from Meta and the chaos surrounding people's photos and videos. They delve into topics like the differences between phone photography and 35mm, space management on services like OneDrive and Google Drive, and maintenance challenges with pre-diagnostics. The episode takes a detour into pop culture with Todd's thoughts on the new Superman, BS raps, and nostalgic tales about video stores.Keycon 2025 also gets its due: from Doc's vocals and singing "Kickapoo" to panels, a new venue, and tales of Sean accidentally stumbling into a Live Action Role Play. Music discussions include Ghostfires, Chaz Charles, Jerry Reed, and Sean's old band Salty Bear on BandCamp. They also dive into the controversies surrounding Soundcloud, Spotify's treatment of creators, and the broader struggles faced by artists and podcasters in the industry.#Podcast #Keycon2025 #MetaEmails #Photography #MusicIndustry #Soundcloud #Spotify #Artists #PopCulture #VideoStores #Superman #BSRapsLinktree: https://linktr.ee/seangeekpodcastPatreon: https://www.patreon.com/c/meetthegeeksMerch: Tee Public: https://www.teepublic.com/seangeekpodcastRed Bubble: https://www.redbubble.com/people/seangeekpodcast/shop@seangeekpodcast on Twitter, Instagram and FacebookMentioned in this episode:New Merch AdAn ad that incorporates Red Bubble and Tee Public
Tools are for humans (and super-smart animals, apparently), garages are for cars, countertops are for food, and rollaways are for organizing! This esoteric episode is all (mostly) about embracing the perfectionist - just a little - and making your tools and shop space match your intellect and style. Because so many good projects and necessary repairs get hog-tied by bad organization, and a lack of operable tool enhancement can be submarined by a lack of organization, we want you to scratch that itch and embrace the OCD (if just long enough to put the nut drivers in the correct drawer). While we're at it, there's Jerry Reed and "Amos Moses", Herb Alpert and the Tijuana Brass, Ninja Tune and Funkungfusion, Electronic Excursions in Hi-Fi and Meat Beat Manifesto, and more "Kashmir' covers than you can shake a two-headed guitar at.
Tools are for humans (and super-smart animals, apparently), garages are for cars, countertops are for food, and rollaways are for organizing! This esoteric episode is all (mostly) about embracing the perfectionist - just a little - and making your tools and shop space match your intellect and style. Because so many good projects and necessary repairs get hog-tied by bad organization, and a lack of operable tool enhancement can be submarined by a lack of organization, we want you to scratch that itch and embrace the OCD (if just long enough to put the nut drivers in the correct drawer). While we're at it, there's Jerry Reed and "Amos Moses", Herb Alpert and the Tijuana Brass, Ninja Tune and Funkungfusion, Electronic Excursions in Hi-Fi and Meat Beat Manifesto, and more "Kashmir' covers than you can shake a two-headed guitar at.
Six String Hayride Classic Country Podcast, Episode 57. The Ringo Starr Episode. Ringo Starr, Born Richard Starkey in July 1940, is one of the finest and most influential drummers of the last 65 years. Growing up in post war Liverpool as a Gene Autry and Hank Williams fan, Ringo becomes the drummer for The Beatles and they create one of the greatest catalogues in music history. In 1970, Ringo records Beaucoups of Blues with Pete Drake, Scotty Moore, Jerry Reed, Charlie Daniels, and DJ Fontana. In 2025, Ringo releases LOOK UP with T-Bone Burnett, Billy Strings, Molly Tuttle, Larkin Poe, Alison Krauss and gets inducted into the Grand Old Opry. In the years between these two fine albums, Ringo performs and records with Buck Owens, Carl Perkins, Willie Nelson, Billy Preston, and George Harrison. Chris and Jim discuss Ringo's musical influences, drumming style, and love of Country Music. Chris reviews the new album, LOOK UP and offers up a classic Fish and Chips recipe. Jim discusses Ringo's time in the Beatles and his unique drumming style. Join us on the Six String Hayride Podcast for all your musical needs and beyond.
【节目简介】乘用车是生活资料商用车是生产资料生活资料可以电动生产资料也可以咯？本期《孤岛车谈》我和三位卡车方向的专家朋友一起聊聊飞速发展的中国电动重卡。欧洲各国的电力碳排放中国卡车运营的角色中国的卡车拖车分类中国重卡的TCO成本对比中国重卡TCO吨公里成本对比欧洲卡车税费【话题成员】许新熠 自动驾驶卡车系统工程师亦达 卡友地带社区运营主管胡雯婷 电动卡车电池包集成工程师孙晨露 电车整车系统工程师剪辑 猫又，PSC，许新熠，罗新雨片尾曲 East Bound and Down by Jerry Reed (1977)【时刻文稿】2:19 前摇4:15 为什么中国需要电动重卡10:14 中国重卡的运营模式28:28 中国重卡的法规38:59 中美欧运营成本对比51:19 中美欧 购车，电价，基础设施，维修保养，保险对比1:0:38 中美欧重卡司机薪资对比【参考链接】【【专属】乘用车底盘系统开发 车辆动力学原理应用与正向开发工程实践 吴旭亭 系统构建车身动力学底盘知识体系书籍】#小程序://机械工业出版社旗舰店/商品/I4N8mLuPmjWkmRt【官网 车用动力电池系统设计与制造 中国汽车工程学会 电芯产品设计 电池系统产品设计 动力电池产品设计制造方法技术书籍】#小程序://机械工业出版社旗舰店/商品/P8isKji8jO5DkNc【汽车创新：前沿技术背后的科技原理】#小程序://机械工业出版社旗舰店/商品/7tltQzCQfJUWRVi【官网 广义车规级电子元器件可靠性设计与开发实践 左成钢 系统介绍汽车电子零部件的可靠性设计与开发 汽车电子 汽车工业技术书籍】#小程序://机械工业出版社旗舰店/商品/dBujAN68sEk1Rzl【智能驾驶：产品设计与评价】#小程序://机械工业出版社旗舰店/商品/Q8KWriuNDGdzlSs【官网 智能底盘关键技术及应用 线控执行 融合控制 失效运行 张俊智 智能底盘核心线控执行系统关键技术书籍】#小程序://机械工业出版社旗舰店/商品/5R5ZjdGhScib14A
It's taken a bit of time for Chris to get on board with the year of the Stitch-up, but this week he's fully on board with the pick, Smokey and the Bandit 3. The production of Smokey and the Bandit Part 3 (1983) was plagued by confusion, last-minute changes, and a noticeable lack of direction—both literally and creatively. Initially conceived as Smokey IS the Bandit, the film was supposed to center entirely around Jackie Gleason playing both Sheriff Buford T. Justice and the Bandit himself. Universal even shot a version of the film under this premise, but test audiences were so baffled by the concept that the studio pulled the plug and hastily reshot large portions of the film, reinstating Jerry Reed's Cledus "Snowman" Snow as the new Bandit. Burt Reynolds, whose charisma had anchored the first two entries, wanted no part of the third film and only appeared in a brief cameo, further cementing the sense that the magic of the original was long gone.Behind the scenes, the budget was slashed and the enthusiasm of the cast and crew matched it. Gleason, a comedic titan, was reportedly frustrated with the rewrites and changes, and his performance suffered under the weight of a poorly conceived script. The film's tone teetered awkwardly between slapstick and tired repetition, and critics pounced on it for lacking the heart, fun, and chemistry of its predecessors. Despite all this, Smokey and the Bandit Part 3 did manage to close out the trilogy—albeit with a screech rather than a roar—serving as a cautionary tale of how a franchise can run out of gas when it loses its original spark.If you enjoy the show we have a Patreon, so become a supporter.www.patreon.com/thevhsstrikesbackTrailer Guy Plot SummaryIn a world where bootlegging beer is out and hauling stuffed fish is in, one retired sheriff is about to hit the road... one last time. When Big Enos and Little Enos cook up a cross-country prank, Sheriff Buford T. Justice takes the bait—literally—hauling a prized fish from Florida to Texas. But there's a twist... Cledus “Snowman” Snow steps into the Bandit's boots to turn the tables and reclaim the legend. Now, it's a high-octane race filled with car crashes, barroom brawls, and enough denim to clothe a small town. Smokey and the Bandit Part 3—because when the Bandit's away, the Smokey will play.thevhsstrikesback@gmail.comhttps://linktr.ee/vhsstrikesback
Chois, Jeff, and Josh discussed Florida winning the National championship, elite programs they'd like to play for if they were incoming recruits, the return of the dire wolf, their love of Jerry Reed, and the final AP top 25.
National Ravioli day. Entertainment from 2000. Republican party formed, Kentucky Fried Chicken founded by the Colonel, 1st aircraft carrier. Todays birthdays - Carl Reiner, Fred Rogers, Hal Linden, Jerry Reed, William Hurt, Spike Lee, Holly Hunter, Chester Bennington. Kenny Rogers died.Intro - God did good - Dianna Corcoran https://www.diannacorcoran.com/ Ravioli - GoNoodleSay my name - Destiny's ChildHow do you like me now - Toby KeithBirthdays - In da club - 50 Cent http://50cent.com/The Dick Van Dyke Show TV themeBeautiful day in the neighborhood - Mr. RogersBarney Miller TV themeEas bound & down - Jerry ReedIn the end - Linkin ParkThe Gambler - Kenny RogersExit - Damn good story - Melanie Meriney https://www.melaniemeriney.com/countryundergroundradio.comHistory & Factoids website
Barry and Abigail discuss Who's Next by The Who (submitted to our Jukebox by the late great Todd Sider, Barry's brother-in-law and Abigail's uncle) and sample Afternoon Showers, Sold Out, and PB Chess Pie from Orchestrated Minds Brewing in Fort Lauderdale, Florida.Many thanks to Davy Martin, Owner and Head Brewer of Orchestrated Minds, for sitting down with us to discuss his brewing philosophy and his impressive collaboration and distribution strategy!Barry mentioned the 1979 Who concert in Cincinnati where people lost their lives and the WKRP episode that referenced this event.Barry saw The Who play in Raleigh, North Carolina, in 1989! See the setlist here, or listen to the full concert here! Barry's concert highlight that night was Boris the Spider.Read about the re-launched Who tour after John Entwistle's death.Barry recommended Love Reign O'er Me as an example of Roger Daltrey's vocal prowess.Abigail entered Getting In Tune into the Abigail Hummel School of Speaking Smartly About Music with a comparison to Wings' Live and Let Die. Subsequently, Barry entered Going Mobile into the AHSOSSAM with a comparison to East Bound and Down by Jerry Reed.We briefly discussed Rock of Ages (2012), the movie musical filmed in South Florida while Abigail was in high school. Read about the filming and the landfill mountain that got the Hollywood sign treatment!Listen to John Entwistle's isolated bass track from a live performance of Won't Get Fooled Again.Our next Jukebox episode will be Phobia by Breaking Benjamin, submitted by Barry's brother and Abigail's uncle, Derek Hummel, Sr. This episode is scheduled to drop on May 16, 2025.Up next… Animal by Ke$haJingles are by our friend Pete Coe.Visit Anosmia Awareness for more information on Barry's condition.Follow Barry or Abigail on Untappd to see what we're drinking when we're not on mic!Leave us a rating or a review on Apple Podcasts or Spotify!Facebook | Instagram | Bluesky | YouTube | Website | Email us | Virtual Jukebox | Beer Media Group
What can claim the Georgia crown from 'Troop Zero'? Will it be the Burt Reynolds/Hal Needham movie with an intro song from Jerry Reed or the Burt Reynolds/Hal Needham movie with an intro song from Jerry Reed? Let's hope nobody barbecues are asses in molasses Learn more about your ad choices. Visit megaphone.fm/adchoices
Send us a textMy guest is Sean Gallant-Londin, son of legendary drummer Larrie Londin. In this episode Sean and I do a deep dive into Larrie Londin's incredible and prolific career, including tracks from Jerry Reed, Dolly Parton, England Dan and John Ford Coley, Adrian Belew, Steve Perry, Journey, and a few surprises! Some come along for the ride, and thanks for watching! And please subscribe! Live From My Drum Room Hoodies are now available! https://youtu.be/hVbvDQKEjNw?si=Kgn2t6fSk5YHHjyS Made of a soft 52% cotton 48% polyester blend. Sizes: MD, LG & XL = $50 USD (including shipping) *Size 2XL = $55 USD (including shipping) * US orders only. Venmo payment only. Live From My Drum Room T-shirts are made of soft 60%cotton/40% polyester. Available in XS-2XL = $25 (including shipping) * Venmo only. 100% of the proceeds from Live From My Drum Room merchandise goes toward a Live From My Drum Room Scholarship with the Percussive Arts Society! https://pas.org/pasic/scholarships/ Payment with Venmo: @John-DeChristopher-2. Be sure to include your size and shipping address. Very important! Email: livefrommydrumroom@gmail.com. Thank you to everyone who's bought a shirt and or hoodie to help support this endeavor!Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!https://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom
Bill Belichick showed up at the NFL Honors last night with his 24-year-old granddaughter — oops, his 24-year-old girlfriend. Josh Allen took home the NFL MVP award. Meanwhile, Eli Manning was not voted into the Pro Football Hall of Fame. We look at the winners and losers from the evening. More info is revealed surrounding the tragic aircraft disaster over the Potomac. Garry, the turkey call maker, stops by the studio. And Rick recalls the time in his life when he was friends with Jerry Reed.See omnystudio.com/listener for privacy information.
“I was the highest paid actor in Hollywood -- if you were counting by the word.” - actor Eric Brown THE CONVERSATIONTAKING THE PIPPIN BUS: Nine-year-old Eric played the lead in the original touring company of Bob Fosse's Pippin! “It was 1974. I was the only child in a cast of adults. One-and-two-night stands. In a bus. Thirty states. Six months.”PRIVATE LESSONS: The lead got fired -- so Eric was promoted to star!15 GOING ON 30: In Private Lessons, Fifteen year-old Eric Brown, played a fifteen-year-old -- being seduced by a thirty-year-old woman! “My wife is still mad at my mother for letting me play that role!”KICKED OUT OF SCHOOL: Eric was kicked out of St. Francis Prep School for being in Private Lessons: “They said, “We think you'd do better at another school considering your career goals.” It was a very Franciscan way of saying, “Get out”.”MAMA'S FAMILY: “You know the rumors that Betty White had a dirty streak? All true.”On working with Carol Burnett, Vicki Lawrence, Dorothy Lyman, Betty White, Rue McClanahan and Harvey Korman: “Everyone was so funny -- you were always laughing. They were constantly futzing, because they knew what was funny -- and if it wasn't, they would fix it."DIRECTOR SPLIT: Mama's Family had TWO directors: Harvey Korman worked with the actors, while someone else blocked out the camera moves (Roger Beatty).THE METAVERSE OF MAMA'S FAMILY: Vicki Lawrence started playing the at least 63-year-old “Mama” when she was in her late 20's!THE EPISODE THAT NEVER WAS: Eric pitched an episode where he and Ken Barry -- both tap dancers -- could dance together in a talent show. But it never happened.TAKE THE TOUPEE: Carol Burnett would do anything for a laugh -- including pulling the hairpiece off a certain co-star during taping -- when no one was expecting it!BAD NEWS, GOOD NEWS, WORSE NEWS -- Mama's Family gets cancelled. Then it comes back! But not with Eric.LOVING LAURA HOLT: After Private Lessons, Eric did a replay on Remington Steele -- playing a kid with a crush on an “older woman”: “I was head over heels in love with Stephanie Zimbalist. In real life!”BE KIND, REWIND: After jobs dried up in Hollywood, Eric moved to Monterey and got a job in a video store: “I was renting movies to people that I WAS IN.”FIRST RULE OF COMMUNICATION: For the MacArthur Foundation or a lost chicken in Queens: Know your goal.WHAT CAN ONE PERSON DO TO HELP THE WORLD? Find what you love and offer that.So, join Susan and Sharon -- and Eric -- as they talk Listerine commercials, the Clinton campaign, Jon de Bont, Sarah Jessica Parker, Howard Hessman, Barry Williams, On Golden Pond, Ian Ziering, curfew “double standards”, working with women directors, Jerry Reed, Emmanuelle, Fred Willard -- and evil twins! AUDIO-OGRAPHYWatch Mama's Family for free on Pluto TV.Listen to Eric Brown's podcast about philanthropy, Let's Hear it. Or on Apple. Check out what Eric Brown is doing now at Brownbridgestrategies.com.Enjoy Eric's blog about traveling the world with his wife at Eat, Bicker, Love.PLUS -- AN “80's TV LADIES” HOLIDAY SALE!Get 15% off on all merch at 80s TV Ladies Shop on Fourthwall.Make sure to use promo code “Festive80s”! CONNECTVisit 80sTVLadies.com for transcripts.Sign up for the 80s TV Ladies mailing list.Support us and get ad-free episodes on PATREON.This year is the 45th anniversary of President Carter's Crisis of Confidence speech. Get Susan's new play about it: Confidence (and the Speech) at Broadway Licensing.
Chasing Tone - Guitar Podcast About Gear, Effects, Amps and Tone
Brian, Blake, and Richard are back for Episode 542 of the Chasing Tone Podcast - and this week they have a special guest as the legendary Brent Mason is in the house!This week we are joined by Nashville legend Brent Mason - one of the world's finest guitar players and one of Brian's guitar heroes - and he takes us on a detailed journey through his career. Brent tells us the utterly insane story about how he got his first break in music after being literally thrust at one of the most famous players of his era when he was a youngster. Brent then regales us with colorful tales of his early session playing career, how his talent was picked up, and how some of his early encounters with legendary musicians played out. He gives us a fascinating insight into how hard he had to work to get to his big break and has some great insights for all guitar players to learn from. There is also plentiful gear talk too as Brent breaks down how his rig has evolved from the 90's to today. There are some amusing tales about library music including something that blows Richard and Blake's tiny minds when they discover just how widespread Brent's talents can be found. The guys get deep into Brent's creative process and learn about how he comes up with his solos and Brian makes a confession. Oh, and we might mention the new Wampler ReWired pedal and its topology. Hint - it is not a tubescreamer. This is an episode not to be missed, and we are very grateful to Brent for spending this time with us - enjoy! Mariachi, Jerry Reed, Mark Knopfler, Perfectionism is a disease, Mourning a guitar, Family Guy...it's all in this week's Chasing Tone!We are on Patreon now too!Support the show (https://www.patreon.com/chasingtonepodcast)Find out more about Brent Mason hereAwesome Course, Merch and DIY mods:https://www.guitarpedalcourse.com/https://www.wamplerdiy.com/Find us at:https://www.wamplerpedals.com/https://www.instagram.com/WamplerPedals/https://www.facebook.com/groups/wamplerfanpage/Youtube:https://www.youtube.com/channel/UCdVrg4Wl3vjIxonABn6RfWwContact us at: podcast@wamplerpedals.comSupport the show
Episode 215 of Tom Clark's 6M Podcast focuses on Gator. Tom Clark and Chris Patton look back at the classic film starring Burt Reynolds and Jerry Reed, complete with a full cast breakdown, as well as story discussion. Would a Gator remake work today? Dive into that, and much more! Visit the Boink Studios Website Follow the show on social media: Twitter Facebook Instagram For more from Boink Studios, check out the links below: Tom Clark's Main Event Two Nations Under Ted: A Ted Lasso Podcast © Boink Studios 2024
For the first time ever on the internet, hear bread machine. Sonic contributors to this bonus Lightnin' Licks Radio content include: Deon, Slaunchwise, Bread, and Bob Green & Jay Glysz as bread machine. Snippet taken from Lightnin' Licks Radio Bonus #23: Band Canyon, fake Zombies, and HHM. Tracklist: (1) introduction (2) Everything I Own (3) Guitar Man (4) If Tracks 2 and 4 written by David Gates. Track 3 written by Jerry Reed.
National Burnt ends day. Entertainment from 2021. 1st female telephone operators hired, Germany started WW2 by invading Poland, 1st San Francisco cable car began running. Todays birthdays - Engelbert Humperdinck (composer), Yvonne De Carlo, Conway Twitty, Lily Tomlin, Barry Gibb, Gloria Estefan. Jerry Reed died.ntro - Pour some sugar on me - Def Leppard http://defleppard.com/Burnt ends - Starlings TNStay - Kid Laroi Justin BieberWe didn't have much - Justin MooreBirthdays - In da club - 50 Cent http://50cent.com/Ami I that easy to forget - Engelbert HumperdinckOpera of Hanzel and Gretel - Engelbert HumperdinckI'll follow you - Yvonne De CarloIt's only make believe - Conway TwittyStayin alive - Bee GeesGet on your feet - Gloria EstefanExit - It's not love - Dokken Follow Jeff Stampka on facebook and cooolmedia.com
This week, Ozark original singer, multi-instrumentalist and hit song writing powerhouse Shawn Camp recorded live at the Ozark Folk Center State Park. Also, interviews with this #1 country song writing genius. Some careers can be described with a couple of words but Shawn Camp's isn't one of them. A bold and distinctive singer, a songwriter who's provided material for artists ranging from Ralph Stanley, Del McCoury and Ricky Skaggs to Garth Brooks, Alan Jackson, Porter Wagoner, Loretta Lynn and Brooks & Dunn with hits such as “Two Pina Coladas” (Garth Brooks,) “Nobody But Me” (Blake Shelton,) “Would You Go With Me” (Josh Turner,) “River Of Love” (George Strait) and Billy Currington's hit single “Love Done Gone.” Along with being a hit writer, he is a gifted multi-instrumentalist who's played as a touring/recording musician with everyone from Jerry Reed, Trisha Yearwood, Shelby Lynn, and Alan Jackson to the Osborne Brothers, Guy Clark and John Prine. - https://shawncamp.com/bio Shawn is joined in this performance by fiddle champion and multi-instrumentalist Tim Crouch. A bluegrass and country fiddle player from Strawberry, Arkansas, Tim got his start fiddling with Jim & Jesse as a Virginia Boy when he was 19 years old. He has since worked with a long list of country and bluegrass artists including Alan Jackson, Dolly Parton and Alison Krauss. He is a former staff fiddle player for Nashville's "Grand Ole Opry" and has also performed on numerous television programs including "Late Night with David Letterman," “The Conan O'Brien Show," "CBS This Morning," "Austin City Limits," "Hee Haw" and others. In this week's “From the Vault” segment, OHR producer Jeff Glover offers an archival recording of Ozark original fiddle master Tim Crouch playing the tune “Tom and Jerry” at the 1981 SPBGMA Fiddle Contest held at the Ozark Folk Center State Park. In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins discusses the Ozarks' influence at the “Festival of Festivals,” the first National Folk Festival held in St. Louis, Missouri in 1934. (Part 1)
Send us a Text Message.Our double-feature drive-in special continues with our first feature from 1977, Smokey and the Bandit. Sure this was a little before our time but we remember loving it as kids when it was rented or appeared on TV. How can this movie go wrong? It has Burt Reynolds, Sally Field, Jerry Reed, and of course, the most quotable Sheriff to ever grace the big screen, Buford T. Justice played by the late and great Jackie Gleason. Throw in a 70s Trans-AM, car chases, and stunts and we're sold. So please join us as we go back and watch the highest-grossing comedy of the 70s, Smokey and the Bandit. Do You Remember Liking This Movie?
Send us a Text Message.We look at Trivia from Smokey and the Bandit which includes improv lines, actors singing, and one or two wrecked Trans Ams.Do You Remember Liking This Movie?
On this episode Tim Batts & Josh Williams talk about bluegrass news, Rhonda Vincent's new single, Wagon Wheel, and Josh's love/hate relationship of the song. Josh also plays the classic Jerry Reed song called The Likes of Me. Then they talk to bluegrass gospel singer and former band leader for Lee Greenwood, Eric Horner. Music has always been a major part of Eric Horner's life. Born and raised in Paducah KY, he grew up with a guitar in his hands playing and singing Gospel music all over Western KY, Southern IL and Southeast MO. Eric's first big musical influence was a young man by the name of Steven Curtis Chapman. The two met when Steven became Eric's first guitar teacher in the 6th grade. Learning the “Chapman Method” of guitar playing prepared Eric well for what the Lord had in store down the road.Eric moved to Nashville TN at the age of 19 to pursue his dream of becoming a professional songwriter and musician. It didn't take long for the doors to open and over the next 17 years Eric toured the world playing with such artists as Lee Greenwood, Shania Twain, Wynonna Judd and Brad Paisley. In 2002, all of that changed. Eric began to feel a call on his life to return to his Gospel music roots and to use his talents for a higher purpose. Thanks to our sponsors. Allen Music, Puckett's Jewelry, Custom Automotive, Mimmie's Pizza & Subs and The Lakehouse Inn.
On this episode of Tent Show Radio, experience a heartwarming presentation of Glen Campbell's biggest hits and the stories behind them, delivered by the music legend's band leader and guitarist of 15 years, Jeff Dayton. Nashville artist Jeff Dayton's career is a success story built on hard work, faith and professionalism. The Minnesota native grew up heavily influenced by the music of guitar greats like Eric Clapton, Jerry Reed, Jimi Hendrix and, naturally, Glen Campbell. He formed the Jeff Dayton Band in Phoenix, Arizona in 1980. With a regional #1 hit under his belt, they opened shows for countless artists and major tours that passed through the city, eventually catching the eye of Glen Campbell who would quickly change his career forever. Dayton became Glen Campbell's right-hand man, spending 15 years as the legendary musician's guitarist and band leader. From the 1980's to the 2000's, they toured around the world and across all 50 states, performed at the White House, and appeared together on The Today Show and Glen's PBS special with the South Dakota Orchestra. In the years that followed, Dayton had the honor of backing artists including Vince Gill, Willie Nelson, Toby Keith, Buck Owens, Tracy Byrd, Bo Diddley, Dizzy Gillespie, Gene Autry, Mac Davis and would tour with megastar Kenny Chesney, Lee Greenwood, Sarah Darling, Tammy Cochran and others. After Glen Campbell's passing in 2017, Jeff got so many requests for a show of the icon's music that he launched “Salute to Glen Campbell,” an intimate, upbeat presentation of his hits and the first-person stories of their years together. Dayton has created a truly uplifting and sentimental first-person tribute to one of the greatest artists of all time; he shares the stories behind the songs, the records Glen played on as a member of the Wrecking Crew in his LA studio days, and of course, some of Campbell's classic country humor. Jeff Dayton continues to lead the band, which includes original drummer Tom Benton, as they perform to sold-out crowds across the country, playing hits like “Wichita Lineman,” “Gentle On My Mind,” “Rhinestone Cowboy,” and all the rest, just as they were performed with Glen Campbell. EPISODE CREDITSMichael Perry - Host Phillip Anich - Announcer Keenan McIntyre - Engineer Gina Nagro - Marketing Support FOLLOW BIG TOP CHAUTAUQUA https://www.facebook.com/bigtopchautauqua/ https://www.instagram.com/bigtopchautauqua/ https://www.tiktok.com/@bigtopchautauqua https://twitter.com/BigBlueTent FOLLOW HOST MICHAEL PERRYhttps://sneezingcow.com/ https://www.facebook.com/sneezingcow https://www.instagram.com/sneezingcow/ https://twitter.com/sneezingcow/ 2024 TENT SHOW RADIO SPONSORSAshland Area Chamber of Commerce - https://www.visitashland.com/ Bayfield Chamber and Visitor Bureau - https://www.bayfield.org/ Bayfield County Tourism - https://www.bayfieldcounty.wi.gov/150/Tourism The Bayfield Inn - https://bayfieldinn.com/ Cable Area Chamber of Commerce - https://www.cable4fun.com/ SPECIAL THANKSWisconsin Public Radio - https://www.wpr.org/
The incredible guitarist Duke Levine joins me on the show today. Back in the 90's and early 2000's when I was just getting started, Duke was putting out all these really amazing twangy instrumental guitar records. He actually started out as almost a fusion guy on his first album, but pretty quickly veered off into this highly original guitar style that has elements of blues, jazz, country, bebop and influences like Roy Buchanan, Ray Flacke, Albert Lee, I hear Wes Montgomery and Jerry Reed in there as well. The first record I heard of his was called “Country Soul Guitar” and I feel like at that time, the early 90's, no one was really playing anything like that. He's primarily a tele player and just has an incredible touch and tone that makes him a totally unique player. He put out a couple more records in that vein, but pretty quickly got scooped up as a sideperson, playing guitar for artists like Shawn Colvin, Peter Wolf, J Geils, Bill Morrissey, Mary Chapin Carpenter, Slaid Cleaves, Jonatha Brooke, and eventually his current employer, the untouchable Bonnie Raitt. The hired gun gigs really became his bread and butter and he spent the better part of the last 25 years touring with alot of those folks. Duke came up in the New England club scene, and has basically stayed in the area his whole life. During the pandemic, he put out a string of really interesting videos featuring stellar guitar playing that you can watch, and some of those videos became what makes up his most recent and amazing EP “Left To My Own Devices”.You can get info on all of Duke's activities as well as his tour dates with Bonnie Raitt over at dukelevine.com - Enjoy my conversation with Duke Levine!This season is brought to you by our sponsors Larivée Guitars and Fishman AmplificationYou can join our Patreon here to get all episodes ad-free, as well as access to all early episodesThe show's website can be found at www.makersandshakerspodcast.com Get ad-free episodes and access to all early episodes by subscribing to Patreon. Hosted on Acast. See acast.com/privacy for more information.
Dave and Milt take listeners on a nostalgic journey through the Billboard Top 10 hits from July 3, 1971. The duo discusses and critiques songs like Ringo Starr's 'It Don't Come Easy', The Rolling Stones' classic ‘Brown Sugar', and The Carpenters' 'Rainy Days and Mondays', while also spotlighting tracks by Jerry Reed, James Taylor, Cornelius Brothers & Sister Rose, The Raiders, and Carole King. Amidst playful banter, Milt's love-hate relationship with certain tracks and Dave's critique of James Taylor's style surface. By the way, a robot wrote this recap. Could you tell? I bet you couldn't. The robots are winning. Kneel before us, humans. You have no chance. Anyway, the episode teems with humorous anecdotes, fascinating trivia—including John Loudermilk's fabricated story—an AI-generated musical playdate, and even a song substitution challenge featuring The James Gang. Listeners are treated to a vibrant mix of music history, critical assessments, and engaging storytelling.Topics:00:52 Milt's Mysterious Disappearance and Catching Up01:55 Listener Feedback and Summer Songs05:17 Time Machine: July 3rd, 197114:42 Ringo Starr's Solo Success24:28 Jerry Reed's 'When You're Hot, You're Hot'33:04 James Taylor's 'You've Got a Friend'39:44 AI and Music: A Fun Experiment42:12 Guessing the Song Lyrics43:05 Struggling with Song Recognition43:24 More Song Challenges44:46 Tough Song Lyrics45:32 Iconic Bands and Tough Lyrics47:51 Television Theme Songs48:21 Final Song Challenge49:22 Reflecting on the Challenge50:36 Discussing 'Brown Sugar'52:27 Bad Remake Alert54:19 The Want Ads01:02:14 Hamilton, Joe Frank, and Reynolds01:08:15 Rainy Days and Mondays01:16:03 Treat Her Like a Lady01:17:08 Introduction to Cornelius Brothers and Sister Rose01:17:13 The Story Behind the Band Name01:17:50 Musical Success and Disappearance01:18:23 Anchorman and the Iconic Song01:20:44 Discussing the Raiders and Native American Themes01:24:25 The Controversial Story of 'Indian Reservation'01:30:16 Carole King's 'It's Too Late'01:38:35 Recap and Reflections on the Top Songs01:54:54 Final Thoughts and Sign-Off
In this episode we have Alice In Chains featured in our track by track album challenge. Another round of musical Family Feud. And this week for Jimmy's Trucker Clock Summer we got Jerry Reed's classic "East Bound and Down" from the 1977 movie classic "Smokey & The Bandit".
Label: RCA 9904Year: 1970Condition: MPrice: $14.00Here's a beautiful Mint copy of one of the essential "swamp rock" hits of rock'n'roll. Note: This copy comes in a vintage RCA Victor Records factory sleeve. This powerful 45 has no notable flaws, grading Mint across the board (Labels, Vinyl, Audio).
On this week's episode: Money management Credit lines & markers Paying your bookies Customer service & quality control We also touch on Dave from Same Bet, Koganinja, rum, pirates & cruises, Jerry Reed's weed and why Ed will never pay anyone to gamble Call The Casino Tears Vent Line 229-NO SEVEN (667-3836) Now! Leave a message, ask a question or simply get something off your mind - We might even play it on air!! NEW EPISODES DROP WEEKLY ON TUESDAYS - Please visit our home page at casinotears.com for more info, merch, and host contacts Extended versions will also drop Tuesdays on Patreon - Don't miss out :) Email: noseven@casinotears.com Patreon: https://www.patreon.com/CasinoTears
Episode 018: Hit the gas on this week's road trip episode with special guest Brad Sucks! We've got a playlist built for the open highway featuring My Morning Jacket, Radiohead, Wilco, Led Zeppelin, and even a little Jerry Reed. Buckle up and get ready to cruise! Apple Podcasts Watch The Full Animated Episode Instagram Spotify Playlist YouTube Playlist Official Site
Howdy Folks, DJ Matador is embarking on a road trip to the pacific north west and that is the inspiration for the show. All road trip songs country, punk, hip hop and and metal for the mega drive to Seattle. Gower and Matador talk about their new roofs in another thrilling edition of Rhyme and Treason. We keep it coming with all road songs 14 years later... So strap on that seat belt and blast this, MATADOR Artist include: Lag Wagon, Highway Men, Jerry Reed and Many more.
On this episode of Tent Show Radio, Midwest folk group Good Morning Bedlam showcases their exciting sound & soaring three-part harmonies, then, acoustic musician Gareth Pearson, known for his distinctive fingerstyle techniques, captivates with his creative and innovative arrangements. Good Morning Bedlam has become an innovative force in the Midwest folk scene. Their shows are known for their contagious energy, with members careening about the stage. With tight soaring three-part harmonies, and thumping kick-drum, they captivate their audience night after night. Every song is a unique twist on what is generally dubbed as folk music. In 2019, the folk-rock band from Minneapolis, MN claimed the first-place title at the John Hartford Memorial Festival Band Competition and were finalists at the NWSS Band Competition. Their shows are known for their wild energy and stunning harmonies. They have played at festivals alongside artists such as Shakey Graves, Sam Bush, Jason Isbell, The Infamous Stringdusters, Trampled By Turtles and others. In 2021, the band ran a successful Kickstarter in July of 2021 for their much anticipated third full-length record ‘Lulu' where fans from around the world pledged a total of $34,000. Good Morning Bedlam has been featured on Bluegrass Today, Relix Magazine, Glide Magazine, and Paste Magazine. Now in 2023 the band is gearing up to release a brand-new EP titled Dear Day, Dear Darling in the Fall of this year. Referred to as "The Welsh Tornado," Gareth Pearson has emerged as one of the most exciting acoustic musicians of his generation. His distinctive style can be heard through his creative and innovative arrangements which cover a wide spectrum of genres including country/folk/classical/pop/rock/jazz/swing and bluegrass music, along with his own beautiful and often intricate original compositions, which serve in showcasing an enthusiasm and musical intuition well beyond his years. Influenced by guitar greats like Chet Atkins, Jerry Reed, Tommy Emmanuel and Merle Travis, Gareth Pearson strays from the traditional style of the seated and motionless acoustic performances. An extremely entertaining and inspiring performer, Pearson exhibits immense love for the music he performs while he combines fingerstyle pyrotechnics, with explosive lead runs as his exuberant style denotes a mastery of the instrument very few possess. EPISODE CREDITSMichael Perry - Host Phillip Anich - Announcer Matt Jugeinhemer - Engineer Gina Nagro - Marketing Support FOLLOW BIG TOP CHAUTAUQUA https://www.facebook.com/bigtopchautauqua/ https://www.instagram.com/bigtopchautauqua/ https://www.tiktok.com/@bigtopchautauqua https://twitter.com/BigBlueTent FOLLOW HOST MICHAEL PERRYhttps://sneezingcow.com/ https://www.facebook.com/sneezingcow https://www.instagram.com/sneezingcow/ https://twitter.com/sneezingcow/ 2024 TENT SHOW RADIO SPONSORSAshland Area Chamber of Commerce - https://www.visitashland.com/ Bayfield Chamber and Visitor Bureau - https://www.bayfield.org/ Bayfield County Tourism - https://www.bayfieldcounty.wi.gov/150/Tourism The Bayfield Inn - https://bayfieldinn.com/ Cable Area Chamber of Commerce - https://www.cable4fun.com/ Kylmala Truss - https://www.kylmalatruss.com/ SPECIAL THANKSWisconsin Public Radio - https://www.wpr.org/
732. Make yourself a "crazy date" with that wild Aztec Werewolf™, DJ Del Villarreal and his mondo-loco radio program-o, "Go Kat, GO! The Rock-A-Billy Show!" as he broadcasts LIVE over the airwaves of WCBN FM & on Tuesday nites! Originating from the fabulous Motorbilly Studios, the "Aztec Werewolf" is always spinning the latest wax from the BEST rockin' acts! Dig deep the twangy tones of Dixie Fried, Union Avenue, Marcel Bontempi, Mike Bell and the Belltones, Darrel Higham, Dylan Kirk, Satan's Pilgrims, Flash Cadillac & The Continental Kids, Shakedown Tim, EIGHTBOMB, The Soapbox Saints, Apache Crotale, The Supersonics, The Caezars & MORE (whew!)! Always a bonanaza of boss retro sounds to enjoy in these epic broadcasts: wail with the raucous rhythms of Kenny Baker, Carl Perkins, Glen Glenn, Buddy Holly, Jerry Reed, Pat Cupp and his Flying Saucers, Aubrey Cagle, Eddie Cochran, Wink Lewis, Sonny Burgess, Roy Orbison & MORE! Don't miss a single second! TUESDAY NIGHTS ROCK with DJ Please follow on FaceBook, Instagram & Twitter!
Our first episode returning from paternity leave takes us back to 1983, and one of two sequel bombs Universal made with Jackie Gleason that year, Smokey and the Bandit Part 3. ----more---- TRANSCRIPT From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today. On this episode, we'll be covering one of the oddest Part 3 movies to ever be made. Smokey and the Bandit 3. But before we do, I owe you, loyal listener an apology and an explanation. Originally, this episode was supposed to be about the movies of H.B. “Toby” Halicki, who brought car chase films back to life in the mid-70s with his smash hit Gone in 60 Seconds. Part of the reason I wanted to do this episode was to highlight a filmmaker who doesn't get much love from film aficionados anymore, and part because this was the movie that literally made me the person I became. My mom was dating Toby during the making of the movie, a spent a number of days on the set as a five year old, and I even got featured in a scene. And I thought it would be fun to get my mom to open up about a part of her life after my parents' divorce that I don't remember much of. And it turned into the discussion that made me question everything I became. Much of which I will cover when I find the courage to revisit that topic, hopefully in time for the 50th anniversary this July. So, for now, and to kind of stick with the car theme this episode was originally going to be about, we're going to do a quick take on one of the most bizarre, and most altered, movies to ever come out of Hollywood. As you may remember, Smokey and the Bandit was a 1977 hit film from stuntman turned director Hal Needham. Needham and Burt Reynolds has become friends in the early 1960s, and Needham would end up living in Reynolds' pool house for nearly a dozen years in the 60s and 70s. Reynolds would talk director Robert Aldrich into hiring Needham to be the 2nd unit director and stunt coordinator for the car chase scene Aldrich's 1974 classic The Longest Yard, and Reynolds would hire Needham to be his 2nd Unit Director on his own 1976 directorial debut, Gator. While on the set of Gator, the two men would talk about the movie Needham wanted to make his own directorial debut on, a low-budget B movie about a cat and mouse chase between a bootlegger and a sheriff as they tried to outwit each other across several state lines. As a friend, Reynolds would ask Needham to read the script. The “script” was a series of hand-written notes on a legal pad. He had come up with the idea during the making of Gator, when the Teamster transportation captain brought some Coors beer to the production team. And, believe it or not, in 1975, it was illegal to sell or transport Coors beer out of states West of the Mississippi River, because the beer was not pasteurized and needed constant refrigeration. Reynolds would read the “script,” which, according to Reynolds' 1994 autobiography My Life, was one of the worst things he had ever read. But Reynolds promised his friend that if he could get a studio involved and get a proper budget and script for the film, he would make it. Needham would hire a series of writers to try and flesh out the notes from the legal pad into a coherent screenplay, and with a verbal commitment from Reynolds to star in it, he would soon get Universal Studios to to agree to make Smokey and the Bandit, to the tune of $5.3m. After all, Reynolds was still one of the biggest box office stars at the time, and $5.3m was small potatoes at the time, especially when Universal was spending $6.7m on the Super Bowl assassin thriller Two-Minute Warning, $9m on a bio-pic of General Douglas MacArthur, and $22m on William Friedkin's Sorcerer, an English-language version of the 1950 French novel The Wages of Fear. Reynolds would take the lead as The Bandit, the driver of the chase car meant to distract the authorities from what the truck driver is hauling. Jerry Reed, a country and western star, would get cast as The Snowman, the truck driver who would be hauling the Coors beer from Texarkana TX to Atlanta. Reed has only co-starred in two movies before, both starring Burt Reynolds, and even if they have almost no scenes together in the final film, their rapport on screen is obvious. Sally Field, a television star who needed a big movie on her resume, would take the role of Carrie, the runaway bride who joins the Bandit in his chase car. Field had just completed Sybil, the dramatic television movie about a woman with multiple personality disorder, which would break Field out of the sitcom world she had been stuck in for the past decade. Richard Boone, the star of the long-time television Western Have Gun - Will Travel, would be considered as the sheriff, Buford T. Justice, in pursuit of the Bandit throughout the movie, but Reynolds wanted some who was a bit more crazy, a bit more dangerous, and a heck of a lot funnier. And who wouldn't think of comedy legend Jackie Gleason? Shooting on the film would begin in Georgia on August 30th, 1976, but not before some pencil pusher from Universal Studios showed up two days before the start of production to inform Needham and Reynolds that they needed to cut $1m from the budget by any means necessary. And the guys did exactly that, reducing the number of shooting locations and speaking roles. The film would finish shooting eights weeks later, on schedule and on budget… well, on reduced budget, and when it was released in May 1977, just six days before the initial release of Star Wars, it bombed. For some reason, Universal Studios decided the best way to open a movie about a bunch of good old boys in the South was to give it a big push at the world famous Radio City Music Hall in the heart of Manhattan, along with an hour long Rockets stage spectacular between shows. The Radio City Music Hall could accommodate 6,000 people per show. Tickets for the whole shebang, movie and stage show, were $5, when the average ticket price in Manhattan at the time was $3.50. And in its first six days, Smokey and the Bandit grossed $125,000, which sounds amazing, until your told the cost of running Radio City Music Hall for a week, stage show and all, was $186,000. And in its second week, the gross would fall to $102,000, and to $90,000 in week three. And Universal would be locked in to Radio City for several more weeks. But it wouldn't all bad news. Universal quickly realized its error in opening in New York first, and rushed to book the film into 381 theatres in the South, including 70 in the Charlotte region, 78 in and around Jacksonville, 97 theatres between Oklahoma City and Dallas, another 57 between Memphis and New Orleans, and 79 in Atlanta, near many of the locations the film was shot. And in its first seven days in just those five regions, the film would gross a cool $3.8m. Along with the $102k from Radio City, the film's $3.9m gross would be the second highest in the nation, behind Star Wars. And despite bigger weekends from new openers like The Deep, The Exorcist II and A Bridge Too Far, Smokey and the Bandit would keep going and going and going, sticking around in theatres for more than two years in some areas, grossing more than $126m. Naturally, there would be a sequel. But here's the funny part. Smokey and the Bandit II, a Universal movie, would be shot back to back with Cannonball Run, produced by the Hong Kong film company Golden Harvest as a vehicle to break their star Jackie Chan into the American market, which would also star Burt Reynolds and be directed by Hal Needham. Filming on Smokey and the Bandit II was supposed to start in August 1979, but would be delayed until January 1980, because the film Reynolds was working on in the late summer of 1979, Rough Cut, went way over schedule. While the budget for the sequel would be $10m, more than double the cost of the original film, the overall production was not a very pleasant experience for most involved. Needham was feeling the pressure of trying to finish the film ahead of schedule so he'd have some kind of break before starting on Cannonball Run in May 1980, because several of the other actors, including Roger Moore, were already locked into other movies after shooting completed on that film. Burt Reynolds and Sally Field had started dating during the making of Smokey and the Bandit in 1976, and both of them signed their contracts to appear in the sequel in 1979, but by the time shooting started in 1980, the pair had broken up, and they were forced to pretend to be in love and be side by side in the Bandit's Trans Am for a couple months. One of the few things that would go right on the film was a complex chase scene that could only be shot one time, for the end of the sequence would be the destruction of a 64 year old rollercoaster in suburban Atlanta. They got the shot. Needham would get a few weeks between the end of shooting Smokey and the Bandit II and the start of Cannonball Run, but the production on the latter film would be put on hold a couple times for a few days each, as Needham would have to go back to Los Angeles to supervise the editing of the former film. Smokey and the Bandit II would make its planned August 15th, 1980 release, and would have a spectacular opening weekend, $10.8m from 1196 theatres, but would soon drop off, barely grossing half of the first film's box office take. That would still be profitable, but Needham, Reynolds and Field all nixed the idea of teaming up for a third film. Reynolds had been wanting to distance himself from his good old boy 1970s persona, Field was now an Oscar winning dramatic actress, and Needham wanted to try something different. We'll talk about that movie, Megaforce, another time. But despite losing the interest of the main principles of the first two movies, Universal was still keen on making a third film. The first mention would be a line item in the Los Angeles Times' Calendar section on August 28th, 1981, when, within an article about the number of sequels that were about to gear up, including Grease 2 and Star Wars 3, aka Return of the Jedi, that Universal was considering a third Smokey movie as a cable television movie. In May 1982, Variety noted that the reduced budget of the film, estimated at under $5m, would not accommodate Reynolds' asking price at that time, let alone the cost of the entire production, and that the studio was looking at Dukes of Hazzard star John Schneider as a possible replacement as The Bandit. In the end, it was decided that Jackie Gleason would return not only as Sheriff Buford T. Justice, but that he would also be, in several scenes, playing The Bandit as well. Thus would begin the wild ride of the third film in the Smokey and the Bandit Cinematic Universe, Smokey IS the Bandit: Part 3. It would take 11 different versions of the script written over the course of six months to get Gleason to sign off, because, somehow, he was given script approval before filming would begin. Paul Williams and Pat McCormick would return for a third time as Little Enos and Big Enos, and the storyline would find the Burdette father and son making a bet with Sheriff Justice. Justice and his son Junior must deliver a big stuffed swordfish from Florida to a new seafood restaurant they are opening in Texas. If Justice can get the big stuffed swordfish from Point A to Point B in the time allotted, the Burdettes will give him $250,000, which Justice could use towards his impending retirement. If he doesn't, however, Justice will have to surrender his badge to the Burdettes, and he'd retire in disgrace. Dick Lowry, who had been directed episodic television and TV movies for several years, including three episodes of Buck Rogers in the 25th Century and the TV movie adaptation of Kenny Rogers' hit song The Gambler, would make his feature directing debut on Smokey Is the Bandit Part 3. Production on the film would begin in Florida on October 25, 1982, and lasted two months, ending two days after Christmas, mostly in Florida. Lowry and his team would assemble the film over the course of the next three months, before Universal held its first test screening on the studio lot in March 1983. To say the screening was a disaster would be an understatement. The audience didn't understand what the hell was going on here. They wondered how Justice, as The Bandit, could bed a character credited only as Blonde Bombshell, who looks at him the way women in 1982 would have looked at Burt Reynolds. They wondered why a plot twist in the very last scene was presented, that Dusty was really Big Enos's daughter, when it affected nothing in the story before or after its reveal. But, mostly, they were confused as to how one actor could play both title characters at the same time. Like, is Justice seeing himself as The Bandit, seeing himself behind the wheel of the Bandit's signature black and gold Pontiac Trans Am, and a beautiful country music DJ played by Colleen Camp as his companion, all while actually driving his signature sheriff's car with his son Junior as his constant companion? The studio had two choices… One, pony up a few extra million dollars to rewrite the script, and try to lure Reynolds back to play The Bandit… Or, two, bury the movie and take the tax write off. The second choice was quickly ruled out, as a teaser trailer for the film had already been released to theatres several weeks earlier, and there seemed to be some interest in another Smokey and the Bandit movie, even though the trailer was just Gleason, as Justice, standing in a military-style uniform, standing in front of a large America flag, and giving a speech to the camera not unlike the one George C. Scott gave at the start of the 1970 Best Picture winner, Patton. You can find a link to the teaser trailer for Smokey is the Bandit Part 3 on our website, at The80sMoviePodcast.com. So the studio goes down to Jupiter, FL, where Reynolds had been living for years, and made him a sizable offer to play The Bandit for literally a couple of scenes. Since Gleason as Bandit only had one line in the film, and since most of the shots of Gleason as Bandit were done with wide lenses to hide that it wasn't Gleason doing any of the driving during the number of scenes involving the Trans Am and stunts, they could probably get everything they needed with Reynolds in just a day or two. Reynolds would say “no” to that offer, but, strangely, he would agree to come back to the film, as The Bandit, for an extended sequence towards the end of the film. We'll get to that in a moment. So with Reynolds coming back, but not in the capacity they wanted him in, the next thought was to go to Jerry Reed, the country singer and actor who had played Bandit's partner, The Snowman, in the first two films. Reed was amiable to coming aboard, but he wanted to play The Bandit. Or, more specifically, Cledus pretending to be The Bandit. The film's screenwriters, Stuart Birnbaum and David Dashev, were called back in to do yet another rewrite. They would have only three weeks, as there was only a short window in April for the production team to get back together to do the new scenes with Reed and Colleen Camp. Dusty would go from being a country radio station DJ to a car dealership employee who literally walks off the job and into Cledus as Bandit's Trans Am. Reed's role as Cledus as Bandit was greatly expanded, and Dusty's dialogue would be altered to reflect both her new career and her time in the car with Cledus. The reshoots would only last a few weeks, and Lowry would have a final cut ready for the film's planned August 12th theatrical release. It is often stated, on this podcast and other sources, that in the 1980s, August was mostly the dumping ground of the studio's dogs, hoping to get a little bit of ticket sales before Labor Day, when families look at going on a vacation before the kids go back to school. And the weekend of August 12th through 14th in 1983 was certainly one way to prove this argument. Smokey and the Bandit Part 3 would be the second highest grossing new release that weekend, which is surprising in part because it would have a smaller percentage of prints out in the market compared to its competition, 498 prints, almost exclusively in the southern US. The bad news is that the film would barely make it into the Top Ten that weekend. Cujo, the adaptation of the 1981 Stephen King novel, would be the highest grossing new opener that weekend, grossing $6.11m, barely missing the top spot, which was held for a third week by the Chevy Chase film Vacation, which had earned $6.16m. Risky Business, which was making its young lead actor Tom Cruise a movie star, would take third place, with $4.58m. Then there was Return of the Jedi, which had been out three months by this point, the Sylvester Stallone-directed Saturday Night Fever sequel Staying Alive, the Eddie Murphy/Dan Aykroyd comedy Trading Places, the god-awful Jaws 3-D, WarGames and Krull, which all had been out for three to eleven weeks by now, all grossing more than Smokey and the Bandit 3, with $1.73m in ticket sales. Having it much worse was The Curse of the Pink Panther, Blake Edwards' attempt to reboot the Inspector Clouseau series with a new American character who may or may not have been the illegitimate son of Clouseau, which grossed an anemic $1.64m from 812 theatres. And then there was The Man Who Wasn't There, the 3-D comedy featuring Steve Guttenberg that was little more than a jumbled copy of Foul Play and North by Northwest that arrived too late in theatres to ride the now-dead stereoptic movie craze, which took in $1.38m from 980 theatres. In its second week, Smokey and the Bandit Part 3 would only lose five screens, but lose 52% of its opening weekend audience, bringing in just $830k that weekend. Week three would see the film lose nearly 300 screens, bringing in just $218k. Week four was Labor Day weekend itself, with its extra day of ticket sales, and you'd think Universal would just cut and run since the film was not doing great with audiences or critics. Yet, they would expand the film back to 460 theatres, including 47 theatres in the greater Los Angeles metro area. The gambit worked a little bit, with the film bringing in $1.3m during the extended holiday weekend, bringing the film's four week total gross to $5.02m. And it would slowly limp along for a few more weeks, mostly in dollar houses, but Universal would stop tracking it after its fifth weekend in theatres, giving the film a final box office total of $5,678,950. Oh, I almost forgot about Burt Reynolds. Burt did film his scene, a four minute or so cameo towards the end of the film, where Justice finally catches up to Cledus as The Bandit, but in Justice's mind's eye, he sees Cledus as Burt as The Bandit, where Burt as The Bandit does nothing more than half-ass read off his lines while sitting behind the wheel of the Trans Am. I watched the movie on Paramount Plus back in January, when I originally planned on recording this episode. But it's no longer available on Paramount Plus. Nor is it available on Peacock, which is owned and operated by Universal, and where the film was once available. In May 2024, the only way to see Smokey and the Bandit is on long out-of-print low quality DVDs and Blu-Rays. JustWatch.com says the film is available on Apple TVs Showtime channel, but I can't find any Showtime channel on Apple TV, nor can I find the movie doing a simple search on Apple TV. The first two are on Apple TV, as part of the AMC+ channel. It's all so darn complicated. But like I said, I watched it for the first and probably last time earlier this year. And, truth be told, it's not a totally painful film. It's not a good film in any way, shape or form, but what little good there is in it, it's thanks to Colleen Camp, who was not only gorgeous but had an amazing sense of comic timing. Anyway who saw her as Yvette the Maid in the 1985 comedy Clue already knows that. Like a handful of film buffs and historians, I am still wildly interested in seeing the original cut of the film after more than forty years. If Universal can put out three different versions of Orson Welles' Touch of Evil, including a preview cut that was taken away from Welles and re-edited without his consent, in the same set, certainly they can release both versions of Smokey and the Bandit Part 3. But let's face facts. Dick Lowry is no Orson Welles, and there is practically zero calls for this kind of special treatment for the film. I just find it odd that in this day and age, the only thing that's escaped from the original version of the film after all this time is a single image of Gleason as The Bandit, which you can find on this episode's page at our website. Thank you for joining us. We'll talk again soon. Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about Smokey and the Bandit Part 3, including links to Smokey and the Bandit fan sites that have their own wealth of materials relating to the movie, and a video on YouTube that shows about 20mins of deleted and alternate scenes used in the television version of the movie, which may include an additional shot from the original movie that shows Dusty riding in the back of Big Enos's red Cadillac convertible. The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment. Thank you again. Good night.
727. Twang is tha THANG! Git with it and sling some git strings with that ol' Aztec Werewolf™, DJ Del Villarreal, LIVE in the Motorbilly Studio and WILD over the FREE airwaves of Rockabilly Radio! Even a cold can't stop the "hot rod hispanic mechanic," as we race along enjoying an invigorating mix of old school + new cool rockin' billy music. Truly, only the VERY BEST in rockin' sounds for the most discriminating kats in the scene! Celebrating Duane Eddy's birthday a few days early with a ton o' twang in addition to all the regular rockin' we do here on "Go Kat, GO! The Rock-A-Billy Show!" Go feral with La Perra Blanco, get primitive with The Sirocco Bros., go instro-mental with Chris Casello, talk at twice-the-speed with Darrel Higham, stay close with Frank Jacket all the while you're getting wild with Rose Maddox, go stompin' with Johnny Horton, get movin' with Glen Glenn and go crazy Gator Rockin' with legendary guitarist/singer-songwriter Jerry Reed! Three solid hours of vintage 50's rock'n'billy music mixed with the coolest modern roots-rock Ameripolitan action. Always an audio treat -DJ Del's "Go Kat, GO! The Rock-A-Billy Show!" -good to the last bop!™Please follow on FaceBook, Instagram & Twitter!
Who better than the story teller himself TOM T HALL to start things off about what he loves? BOB LUMAN, CHARLIE RICH and FARON YOUNG tell it in a different way. BILL ANDER SON and DOLLY had smash hits about love. I believe you're gonna love RODNEY CARRINGTON as well as JERRY REED'S and to cap it all off you'll hear ELVIS and BARBRA STREISAND in a duet that believe it or not was done after ELVIS died. Hope you enjoy. Please share.
This week Karen L. Cox swings by to talk about the South, the 70s, and why Burt Reynolds was so damn cool. This is probably the first time you've heard Smokey and the Bandit on a history podcast, but that's what we are here for. This one is fun. About our guest:Karen L. Cox is an award-winning historian and a Distinguished Lecturer for the Organization of American Historians. She is the author of four books, the editor or co-editor of two volumes on southern history and has written numerous essays and articles, including an essay for the New York Times best seller Myth America: Historians Take on the Biggest Legends and Lies About Our Past. Her books include Dixie's Daughters: The United Daughters of the Confederacy and the Preservation of Confederate Culture, Dreaming of Dixie: How the South Was Created in American Popular Culture, Goat Castle: A True Story of Murder, Race, and the Gothic South, and most recently, No Common Ground: Confederate Monuments and the Ongoing Fight for Racial Justice, which was published in April 2021 and won the Michael V.R. Thomason book prize from the Gulf South Historical Association.
Welcome to The Old Dog Pack Show — the world's premier podcast regarding the mind, body, soul, and money of the middle-aged man. What do you do when you have the opportunity to interview your country music hero? Well, you do the interview and then you fuck it up by going into a funk and not releasing it for six months. In episode 100 the boys interview Dale Watson. If you know Dale's work, then you know he does it all: the guitar chops of Jerry Reed; the songwriting ability of Kris Kristofferson; and the onstage charisma of a traveling medicine man. On top of all that, he has the voice of God. Dale is a country music singer's country music singer. He has been touring and recording for thirty plus years, and based on my personal experience, he just keeps getting better. Dale, if you read this, I can't thank you enough for indulging us, but I am sorry it took so long to get this released. It won't happen again if you darken our door again. You can check out Dale's fine work and tour schedule at dalewatson.com. As an added bonus, joining the regular crew is none other than Pete, a/k/a Uncle Lunchbox, a/k/a Puerto Rican Santa. Thanks for joining us, and I apologize to you, as well, for the delay in releasing this (but my apology to you is less sincere than the one to Dale). If you would like to do us a big favor, go on over to Apple Podcasts or Spotify and leave a 5 star rating and/or a short review. We may not deserve it yet, but we will one of these days. Click ‘subscribe' while you're there. You can also check us out at olddogpack.com, where you can sign up for The Old Dog Pack newsletter. It may not be great, but it don't cost nothing. Most importantly, we'd greatly appreciate if you would share us with a friend. We are nothing without you, and we would love to have a lot more yous out there.
Signature Songs, Novelty Songs, and One Hit Wonders, All of the Above. Music from Carl Perkins, Patsy Montana, David Frizzell, Jerry Reed, Shelly West, The Monster Mash, CONVOY, and a shot of Tequila. Why the label "One Hit Wonder" often fails to see the whole story of a musician and the song, Some Silly Songs, The John Wayne Cocktail Guide, and the usual shenanigans with Chris and Jim.
The boys comfort themselves with RJ's take on Shepherd's Pie. Johnny is growing tired of generic cynicism, Jimmy has never been to the Jockey Club, and RJ introduces Jimmy to Jerry Reed. https://2charactersandaclown.comhttps://www.buymeacoffee.com/2CandaC
Is Taylor prepared to save America, or does she resent you for hating on her for her 38 seconds of air time in an NFL game? We discuss this as we also dive into other important topics like master guitar player/actor Jerry Reed and the meaning of life and assisted suicide. Call someone today if you need help, otherwise...enjoy!
On this episode of Tent Show Radio, experience a heartwarming presentation of Glen Campbell's biggest hits and the stories behind them, delivered by the music legend's band leader and guitarist of 15 years, Jeff Dayton. Nashville artist Jeff Dayton's career is a success story built on hard work, faith and professionalism. The Minnesota native grew up heavily influenced by the music of guitar greats like Eric Clapton, Jerry Reed, Jimi Hendrix and, naturally, Glen Campbell. He formed the Jeff Dayton Band in Phoenix, Arizona in 1980. With a regional #1 hit under his belt, they opened shows for countless artists and major tours that passed through the city, eventually catching the eye of Glen Campbell who would quickly change his career forever. Dayton became Glen Campbell's right-hand man, spending 15 years as the legendary musician's guitarist and band leader. From the 1980's to the 2000's, they toured around the world and across all 50 states, performed at the White House, and appeared together on The Today Show and Glen's PBS special with the South Dakota Orchestra. In the years that followed, Dayton had the honor of backing artists including Vince Gill, Willie Nelson, Toby Keith, Buck Owens, Tracy Byrd, Bo Diddley, Dizzy Gillespie, Gene Autry, Mac Davis and would tour with megastar Kenny Chesney, Lee Greenwood, Sarah Darling, Tammy Cochran and others. After Glen Campbell's passing in 2017, Jeff got so many requests for a show of the icon's music that he launched “Salute to Glen Campbell,” an intimate, upbeat presentation of his hits and the first-person stories of their years together. Dayton has created a truly uplifting and sentimental first-person tribute to one of the greatest artists of all time; he shares the stories behind the songs, the records Glen played on as a member of the Wrecking Crew in his LA studio days, and of course, some of Campbell's classic country humor. Jeff Dayton continues to lead the band, which includes original drummer Tom Benton, as they perform to sold-out crowds across the country, playing hits like “Wichita Lineman,” “Gentle On My Mind,” “Rhinestone Cowboy,” and all the rest, just as they were performed with Glen Campbell. EPISODE CREDITSMichael Perry - Host Phillip Anich - Announcer Keenan McIntyre - Engineer Gina Nagro - Marketing Support FOLLOW BIG TOP CHAUTAUQUA https://www.facebook.com/bigtopchautauqua/ https://www.instagram.com/bigtopchautauqua/ https://www.tiktok.com/@bigtopchautauqua https://twitter.com/BigBlueTent FOLLOW HOST MICHAEL PERRYhttps://sneezingcow.com/ https://www.facebook.com/sneezingcow https://www.instagram.com/sneezingcow/ https://twitter.com/sneezingcow/ 2024 TENT SHOW RADIO SPONSORSAshland Area Chamber of Commerce - https://www.visitashland.com/ Bayfield Chamber and Visitor Bureau - https://www.bayfield.org/ Bayfield County Tourism - https://www.bayfieldcounty.wi.gov/150/Tourism The Bayfield Inn - https://bayfieldinn.com/ Cable Area Chamber of Commerce - https://www.cable4fun.com/ SPECIAL THANKSWisconsin Public Radio - https://www.wpr.org/
Date: December 27, 2023Name of podcast: Backstage Pass RadioEpisode title and number: S5: E14: Sam Banks - (Craig Morgan) Local Gigs to Legendary StagesBIO:From a local club in Grain Valley to the neon glow of Nashville, Sam's guitar has strummed the chords of an incredible journey. As he sits down with us, his tale unfolds, revealing the grit behind the glamour of the music industry. Sam's narrative bridges his early days jamming with family to the thrill of sharing the stage with country stars like Craig Morgan. He brings us along for the ride, from selling merch to mastering his six-string on some of the most legendary stages, like the Grand Ole Opry. Nashville's evolution over the past decade takes center stage, as Sam peels back the curtain on the city's transformation through a musician's eyes. He reminisces about the intimate connection forged in venues like the Ryman Auditorium and the Bluebird Cafe, where the walls are steeped in history and the birth of iconic songs. Our conversation with Sam turns to the art of songwriting, the intricate dance of lyrics and melody, and the anticipation that bubbles up when new music is ready to be unveiled to the world. The resonance of a beloved guitar transcends its strings as Sam shares his passion for the instrument, including the poignant story of how a surprise payment plan from his then-girlfriend led to acquiring his prized guitar. We explore the influences that have shaped his unique sound, including guitar greats like Jerry Reed, and the importance of both lyrics and melody in crafting songs that capture the heart. Join us as we step into Sam's shoes and experience the life of a musician intimately woven into the fabric of Nashville's storied music community.Sponsor Link:WWW.ECOTRIC.COMWWW.SIGNAD.COMWWW.RUNWAYAUDIO.COMBackstage Pass Radio Social Media Handles:Facebook - @backstagepassradiopodcast @randyhulseymusicInstagram - @Backstagepassradio @randyhulseymusicTwitter - @backstagepassPC @rhulseymusicWebsite - backstagepassradio.com and randyhulsey.comArtist(s) Web PageInstagram - @SamBanksMusicCall to actionWe ask our listeners to like, share, and subscribe to the show and the artist's social media pages. This enables us to continue pushing great content to the consumer. Thank you for being a part of Backstage Pass RadioYour Host,Randy Hulsey
The guys catch up after the interloper made it so they couldn't record, they literally talk turkey, being a dad, and there is some weird news of 2023.
Gurdip and Justin dig into the September 1967 and January 1968 sessions that brought country singer-songwriter Jerry Reed into Elvis' circle for a brief moment, until business interests got in the way. Through spread out across various singles, soundtracks as bonus tracks, and budget compilations, these sessions collectively show Elvis already embracing material that returns him to his blues and country roots, leading him to his comeback. Justin also provides some context on Jerry Reed's early career before his breakout hit "Guitar Man," famously covered by Elvis during these sessions. For Song of the Week, Justin takes the opportunity of covering these sessions to talk about "The Prisoner's Song," a deeply important pivotal 1924 recording in more ways than one, which Elvis, Jerry and the band attempted to comedically subvert during these sessions, only for their jam to have been partly recorded by Felton Jarvis, surfacing decades later on bootlegs re-titled as "Wings of an Angel", revealing in hindsight a disappointing moment of casual carelessness on Elvis' behalf. Gurdip, on the other hand, spotlights the fantastic #1 1958 hit "Hard Headed Woman" from the King Creole soundtrack... a hit that barely features in the movie it's from! If you enjoy TCBCast, please consider supporting the show over at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music/movie history enthusiast.
Date: October 11, 2023Name of podcast: Backstage Pass RadioEpisode title and number: S5: E8 - Dave Roe (Johnny Cash, Dwight Yoakum, John Mellencamp, Jerry Reed, Chet Atkins) - The Legacy Lives OnBIO:Born David Roe Rorick, bassist/vocalist/songwriter Dave Roe grew up in Hawaii and started playing bass in funk and R&B bands in the late '60s and '70s. After moving to Nashville in the early '80s, he joined Jerry Reed's band. Over the next several years Dave toured the world with several country artists including Mel Tillis, Vern Gosdin, Charlie Louvin, Dottie West, Chet Atkins, Vince Gill, and others.In the early '90s, Johnny Cash hired Dave to play in his band the Tennessee Three. Dave has said ‘That started my love affair with the upright bass, and slap bass in particular, that lingers till this day.' Dave worked with Cash for eleven years, and toward the end, he played bass on most of the American Recordings sessions produced by Rick Rubin.After Cash passed away, Dave toured and recorded for five years with Dwight Yoakam. He got off the road after that, since his recording session work had picked up substantially. Coinciding with this, he was a member of the Don Kelley Band for 13 years, considered one of America's best honky-tonk bands.With over 500 album credits, including numerous platinum, gold, and Grammy-winning records, over the years Dave has worked with such diverse artists as John Mellencamp, Sturgill Simpson, Chrissie Hynde, Taj Majal, Loretta Lynn, Merle Haggard, Kris Kristofferson, Ian Hunter, Brian Setzer, Dan Auerbach, CeeLo Green, Kurt Vile, Yola, John Anderson, Carrie Underwood, Marcus King, Malcolm Holcombe, Brandy Clark, Joe Ely, Gretchen Peters, Ray LaMontagne, Jake Bugg, Richard Lloyd, Don Schlitz, Faith Hill, Duane Eddy, Kathy Mattea, Rodney Crowell and others.These days, Dave continues to work sessions and play live regionally with a few artists. He has his own band, the SloBeats, formed with guitar great from Marty Stuart's band Kenny Vaughan, and drummer Pete Abbott from the Average White Band. Dave also regularly books sessions in his own studio, Seven Deadly Sins, located right outside Nashville in Goodlettsville, TN. He is a life member of AFM Local 257 in Nashville, TN.Sponsor Link:WWW.ECOTRIC.COMWWW.SIGNAD.COMWWW.RUNWAYAUDIO.COMBackstage Pass Radio Social Media Handles:Facebook - @backstagepassradiopodcast @randyhulseymusicInstagram - @Backstagepassradio @randyhulseymusicTwitter - @backstagepassPC @rhulseymusicWebsite - backstagepassradio.com and randyhulsey.comArtist(s) Web Pagewww.daveroe.comCall to actionWe ask our listeners to like, share, and subscribe to the show and the artist's social media pages. This enables us to continue pushing great content to the consumer. Thank you for being a part of Backstage Pass RadioYour Host,Randy Hulsey
We've got 2 in a row from the great Herb Alpert in our Two-nami segment this hour...including a NEW tune (a cover of a Jerry Reed classic). We've got a fun track from a compilation called Hot Rod Rally celebrating it's 60th anniversary in our Good Time segment. Beth Riley has a deep track from The Beach Boys in her Surf's Up: Beth's Beach Boys Break and we drop a coin in the Jammin' James Jukebox to hear our selection of the week! Plus, there's some rockin' tunes from Cameronoise, The Surfin' Lungs, Draculina, The Anderson Council, The Fuzillis, The McCharmlys, Dave Del Monte & The Cross County Boys, BreakTime, The Delta Ring, Mayer Hawthorne, Jaguar Jets, Shark Beach 2 and The Frigidaires! Intro music bed: "Catch A Wave"- The Beach Boys Dave Del Monte & The Cross County Boys- "Hang On" The Surfin' Lungs- "Z-Cars" BreakTime- "She's The One" The Delta Ring- "Frenchman Bay (Mono)" The Frigidaires- "Draggin'" "Good Time" segment: Various artists 60th Anniversary of Hot Rod Rally (1963) Hot Rod Rog- "Little Street Machine" Draculina- "Our Kingdoms" The Anderson Council- "This Is Where I Belong" Surf's Up: Beth's Beach Boys Break: The Beach Boys- "Our Team" Follow "Surf's Up: Beth's Beach Boys Break" HERE The Fuzillis- "KABLOOIE!" Shark Beach 2- "Everybody Surf Now" Jaguar Jets- "Rail Ripper" Mayer Hawthorne- "The Pool" Two-nami: Herb Alpert- "East Bound & Down" Herb Alpert & The Tijuana Brass- "Surfin' Senorita" Jammin' James Jukebox selection of the week: The Surfaris- "Surf Scene" The McCharmlys- "Love Me Too" Cameronoise- "Beautiful Human" Outro music bed: Eddie Angel- "Deuces Wild"
You're in for a treat! You are about to learn how to take your guitar playing to the next level - and bonus, at the end you'll hear John play a beautiful original song! In this episode you'll learn from master guitarist John Knowles, CGP (Certified Guitar Player). He discusses and demonstrates several techniques and skills that you'll want to try right away. His humble, down-to-earth style makes it fun and easy to learn. All About John... Grammy Award winner and two time Emmy nominated guitarist, John Knowles is also a two time National Thumb Pickers Hall of Fame Inductee. He was awarded the National Thumb Pickers Recording of the Year for his album of duets with Tommy Emmanuel, Heart Songs. John has authored 7 books on the music of Chet Atkins, Jerry Reed and Lenny Breau and his music has been recorded by such artists as Chet Atkins and Tommy Emmanuel, to name a few. His international hit Gorilla Song, co-written with his son Jay, has been recorded by Raffi and XUXA, He earned his PhD in Physics from Texas Christian University. Links for John Knowles: FingerStyle Quarterly TrueFire Tommy Emmanuel Guitar Camp Nashville Puget Sound Guitar Camp Rocky Mountain Guitar Camp YouTube Website Marlene's Guitar Courses & Learning Resources Learn to Play Guitar in a Day! Coaching Sessions Marlene's Tips For Guitar Playing Success book Thursday Tips blog Thank you to our sponsors! GatorCo.com LevysLeathers.com Celebrate Guitar Month! at... Sweetwater.com We are a Sweetwater.com affiliate. So. when you purchase your guitar, guitar gear or anything else you might need from you are also helping to support this show - thank you! Available on... @applepodcasts @applemusic @spotify @spotifypodcasts @podbean #JohnKnowles #CGP #ChetAtkins #TommyEmmanuel #JerryReed #LennyBreau #HeartSongs #GorillaSong #Howto #guitar #learnguitar #playguitar #guitartips #guitarpodcast #playon Credits: Creator, Host, Producer: Marlene Hutchinson This podcast was made possible in part by: Gator Cases Sweetwater.com I Create Sound - For help getting your best sound go to www.icreatesound.com
Shane and The Howler discuss Shane's family reunion. Shane shares two stories he heard from his family and it reminds the Howler about a fishing trip with a dead uncle.The Midweek Howl Disclaimer: The Skeptic of the From The Shadows Podcast crew, aka the Ozark Howler, joins Shane each week, to share a story or two and discuss current events. This episode may not be for the ears of children and may contain some mature language and adult subject matter. Just a little midweek humor to brighten your day. We like to call this segment “The Midweek Howl.” Enjoy! From The Shadows Podcast is a program where we seriously discuss the supernatural, the paranormal, cryptozoology as well as ufology. Anything that cannot be rationally explained has a platform for discussion here on the From The Shadows Podcast.https://www.fromtheshadowspodcast.comhttps://www.facebook.com/fromtheshadowspodcasthttps://www.instagram.com/shanegroveauthorhttps://www.instagram.com/fromtheshadowspodcastThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5839686/advertisement
On today's Big Screen Sports we're talking about the great American sport of bootlegging. Ryan Nanni, Alex McDaniel, and Kyle Bandujo talk the sex appeal of Jerry Reed, Big Enos' occupation, the merits of Buford T Justice's crusade, and everything else in "Smokey and the Bandit," with a special drop-in from Caroline Darney. Follow Ryan on Twitter @celebrityhottub, Alex @alexmcdaniel, Caroline @cwdarney and Kyle @kylebandujo Help out by filling Big Screen Sports Patron teacher wishlists! Aaron's list: https://www.amazon.com/hz/wishlist/ls/3VUM7SRGG6LL?ref_=wl_share Mike's list: https://www.amazon.com/hz/wishlist/ls/5YQTHBP6LPFJ?ref_=wl_share You can support Big Screen Sports, get schedule updates, and pick movies to be covered in upcoming episodes by joining our Patreon at https://www.patreon.com/bigscreensports. Big Screen Sports is hosted/edited by Kyle Bandujo, and produced by Aaron Figueroa, Mike Schubert, Steve Rogers, Kevin Frost, Mike Dries, Ryan "Nigel" Yager, Mike D, Chris Mycoskie, Andrew Tuegel, John Craig, Zach Rich, Jason Alba, Stephen DeBow, Kevin Enkelmann, Dan McFall, Mac Lindsey, Curt Ritchie, Robert Dove, Andrew Tuegel, Rilwan Balogun, Jeff Estes, Anthony Scafone, and Classic Stadium Fire. Art for Big Screen Sports was created by Riki Prosper. Learn more about your ad choices. Visit podcastchoices.com/adchoices
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