Podcasts about clags the center

This field-defining volume of queer anthropology foregrounds both the brilliance of anthropological approaches to queer and trans life and the ways queer critique can reorient and transform anthropology.  Consisting of fourteen original essays by both distinguished and new voices, Unsettling Queer Anthropology: Foundations, Reorientations, and Departures (Duke UP, 2024) advances a vision of queer anthropology grounded in decolonial, abolitionist, Black feminist, transnational, postcolonial, Indigenous, and queer of color approaches. Critically assessing both anthropology's queer innovations and its colonialist legacies, contributors highlight decades of work in queer anthropology; challenge the boundaries of anthropology's traditional methodologies, forms, and objects of study; and forge a critical, queer of color, decolonizing queer anthropology that unsettles anthropology's normative epistemologies. At a moment of revitalized calls to reckon with the white supremacist and settler colonial logics that continue to shape anthropology, this volume advances an anthropology accountable to the vitality of queer and trans life. Contributors. Jafari Sinclair Allen, Tom Boellstorff, Erin L. Durban, Elijah Adiv Edelman, Lyndon K. Gill, K. Marshall Green, Brian A. Horton, Nikki Lane, Martin F. Manalansan IV, Shaka McGlotten, Scott L. Morgensen, Kwame Otu, Juno Salazar Parreñas, Lucinda Ramberg, Sima Shakhsari, Savannah Shange, Anne Spice, Margot Weiss, Ara Wilson Margot Weiss is Associate Professor of American Studies and Anthropology at Wesleyan University, where she directs the cluster in Queer Studies. Her research, teaching, and writing move between queer theory and anthropology. She is the author of the award-winning Techniques of Pleasure: BDSM and the Circuits of Sexuality and editor of Queer Then and Now and Unsettling Queer Anthropology: Foundations, Reorientations, and Departures. Past president of the Association for Queer Anthropology (AQA), she serves on the board of CLAGS: The Center for LGBT/Queer Studies and the Society for Cultural Anthropology (SCA). She is a founding member of the Wesleyan University Chapter of the AAUP. Clayton Jarrard is an incoming graduate student at NYU's XE: Experimental Humanities & Social Engagement program and a Research Project Coordinator at the University of Kansas Center for Research. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies. Clayton is also a host for the Un/Livable Cultures podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This field-defining volume of queer anthropology foregrounds both the brilliance of anthropological approaches to queer and trans life and the ways queer critique can reorient and transform anthropology.  Consisting of fourteen original essays by both distinguished and new voices, Unsettling Queer Anthropology: Foundations, Reorientations, and Departures (Duke UP, 2024) advances a vision of queer anthropology grounded in decolonial, abolitionist, Black feminist, transnational, postcolonial, Indigenous, and queer of color approaches. Critically assessing both anthropology's queer innovations and its colonialist legacies, contributors highlight decades of work in queer anthropology; challenge the boundaries of anthropology's traditional methodologies, forms, and objects of study; and forge a critical, queer of color, decolonizing queer anthropology that unsettles anthropology's normative epistemologies. At a moment of revitalized calls to reckon with the white supremacist and settler colonial logics that continue to shape anthropology, this volume advances an anthropology accountable to the vitality of queer and trans life. Contributors. Jafari Sinclair Allen, Tom Boellstorff, Erin L. Durban, Elijah Adiv Edelman, Lyndon K. Gill, K. Marshall Green, Brian A. Horton, Nikki Lane, Martin F. Manalansan IV, Shaka McGlotten, Scott L. Morgensen, Kwame Otu, Juno Salazar Parreñas, Lucinda Ramberg, Sima Shakhsari, Savannah Shange, Anne Spice, Margot Weiss, Ara Wilson Margot Weiss is Associate Professor of American Studies and Anthropology at Wesleyan University, where she directs the cluster in Queer Studies. Her research, teaching, and writing move between queer theory and anthropology. She is the author of the award-winning Techniques of Pleasure: BDSM and the Circuits of Sexuality and editor of Queer Then and Now and Unsettling Queer Anthropology: Foundations, Reorientations, and Departures. Past president of the Association for Queer Anthropology (AQA), she serves on the board of CLAGS: The Center for LGBT/Queer Studies and the Society for Cultural Anthropology (SCA). She is a founding member of the Wesleyan University Chapter of the AAUP. Clayton Jarrard is an incoming graduate student at NYU's XE: Experimental Humanities & Social Engagement program and a Research Project Coordinator at the University of Kansas Center for Research. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies. Clayton is also a host for the Un/Livable Cultures podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

This field-defining volume of queer anthropology foregrounds both the brilliance of anthropological approaches to queer and trans life and the ways queer critique can reorient and transform anthropology.  Consisting of fourteen original essays by both distinguished and new voices, Unsettling Queer Anthropology: Foundations, Reorientations, and Departures (Duke UP, 2024) advances a vision of queer anthropology grounded in decolonial, abolitionist, Black feminist, transnational, postcolonial, Indigenous, and queer of color approaches. Critically assessing both anthropology's queer innovations and its colonialist legacies, contributors highlight decades of work in queer anthropology; challenge the boundaries of anthropology's traditional methodologies, forms, and objects of study; and forge a critical, queer of color, decolonizing queer anthropology that unsettles anthropology's normative epistemologies. At a moment of revitalized calls to reckon with the white supremacist and settler colonial logics that continue to shape anthropology, this volume advances an anthropology accountable to the vitality of queer and trans life. Contributors. Jafari Sinclair Allen, Tom Boellstorff, Erin L. Durban, Elijah Adiv Edelman, Lyndon K. Gill, K. Marshall Green, Brian A. Horton, Nikki Lane, Martin F. Manalansan IV, Shaka McGlotten, Scott L. Morgensen, Kwame Otu, Juno Salazar Parreñas, Lucinda Ramberg, Sima Shakhsari, Savannah Shange, Anne Spice, Margot Weiss, Ara Wilson Margot Weiss is Associate Professor of American Studies and Anthropology at Wesleyan University, where she directs the cluster in Queer Studies. Her research, teaching, and writing move between queer theory and anthropology. She is the author of the award-winning Techniques of Pleasure: BDSM and the Circuits of Sexuality and editor of Queer Then and Now and Unsettling Queer Anthropology: Foundations, Reorientations, and Departures. Past president of the Association for Queer Anthropology (AQA), she serves on the board of CLAGS: The Center for LGBT/Queer Studies and the Society for Cultural Anthropology (SCA). She is a founding member of the Wesleyan University Chapter of the AAUP. Clayton Jarrard is an incoming graduate student at NYU's XE: Experimental Humanities & Social Engagement program and a Research Project Coordinator at the University of Kansas Center for Research. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies. Clayton is also a host for the Un/Livable Cultures podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

This field-defining volume of queer anthropology foregrounds both the brilliance of anthropological approaches to queer and trans life and the ways queer critique can reorient and transform anthropology.  Consisting of fourteen original essays by both distinguished and new voices, Unsettling Queer Anthropology: Foundations, Reorientations, and Departures (Duke UP, 2024) advances a vision of queer anthropology grounded in decolonial, abolitionist, Black feminist, transnational, postcolonial, Indigenous, and queer of color approaches. Critically assessing both anthropology's queer innovations and its colonialist legacies, contributors highlight decades of work in queer anthropology; challenge the boundaries of anthropology's traditional methodologies, forms, and objects of study; and forge a critical, queer of color, decolonizing queer anthropology that unsettles anthropology's normative epistemologies. At a moment of revitalized calls to reckon with the white supremacist and settler colonial logics that continue to shape anthropology, this volume advances an anthropology accountable to the vitality of queer and trans life. Contributors. Jafari Sinclair Allen, Tom Boellstorff, Erin L. Durban, Elijah Adiv Edelman, Lyndon K. Gill, K. Marshall Green, Brian A. Horton, Nikki Lane, Martin F. Manalansan IV, Shaka McGlotten, Scott L. Morgensen, Kwame Otu, Juno Salazar Parreñas, Lucinda Ramberg, Sima Shakhsari, Savannah Shange, Anne Spice, Margot Weiss, Ara Wilson Margot Weiss is Associate Professor of American Studies and Anthropology at Wesleyan University, where she directs the cluster in Queer Studies. Her research, teaching, and writing move between queer theory and anthropology. She is the author of the award-winning Techniques of Pleasure: BDSM and the Circuits of Sexuality and editor of Queer Then and Now and Unsettling Queer Anthropology: Foundations, Reorientations, and Departures. Past president of the Association for Queer Anthropology (AQA), she serves on the board of CLAGS: The Center for LGBT/Queer Studies and the Society for Cultural Anthropology (SCA). She is a founding member of the Wesleyan University Chapter of the AAUP. Clayton Jarrard is an incoming graduate student at NYU's XE: Experimental Humanities & Social Engagement program and a Research Project Coordinator at the University of Kansas Center for Research. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies. Clayton is also a host for the Un/Livable Cultures podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

In this Pride Month podcast, we hear from the director and associate director of the CUNY LGBTQI+ Consortium, which advocates for and celebrates the CUNY LGBTQ community. Director Jacqueline Brashears (she/hers), a.k.a. Dr. Unicorn, is a biology professor at LaGuardia Community College. She is an LGTQ advocate and trans woman who has blogged about her transition. Associate Director JC Carlson (they/them) is a student life events manager and LGBTQI+ programs coordinator at Queens College. In 2018, they founded CUNY Pridefest, which returns to Queens College this year on Friday, June 10. Brashears and Carlson discuss the history and recent expansion of the CUNY LGBTQI+ Consortium, which began at Queens College in 2017. The consortium now includes 14 CUNY campuses across all five boroughs. The CUNY Graduate Center is the latest campus to join the consortium and is collaborating with CLAGS: The Center for LGBTQ Studies to host a program during Pride Month. Listen in to learn more.

Vous écoutez, un hors-série du Maquis, un podcast de l'AMECAS (Amicale des étudiants africains caribéens et sympathisants de la Sorbonne). Dans ce hors-série sur les sexualités et genre afros, nous recevons Joao Gabriel doctorant en histoire à l' université Johns - Hopkins à Baltimore aux Etats-Unis et fondateur du blog de Joao, un espace de réflexion politique. Dans cet épisode (2/2), nous aborderons la question diasporique dans la lutte contre l'homonationalisme et l'hétéronationalisme, l'autodétermination radicale des minorités sexuelles et de genre et du panafricanisme. L'entretien : 3. Dans la diaspora Comment penser la condition des LGBT afros dans un contexte occidental et français par exemple ? Comment à partir de cette position LGBT ou queer afro diasporique en occident est-il possible de lutter contre l'impérialisme ? Comment distinguer le rejet de l'homonationalisme de l'homophobie ? N'y aurait-il pas un risque que le rejet de l'homonationalisme ne devienne une intellectualisation de l'homophobie ? 4. La libération des minorités sexuelles et de genre et la question du panafricanisme La libération des MSG afros est-elle compatible avec le panafricanisme ? Les références : Une Afrique homophobe ? Sur quelques trajectoires de politisation de l'homosexualité : Cameroun, Ouganda, Sénégal et Afrique du Sud, Patrick Awondo, Peter Geschiere, Graeme Reid, Alexandre Jaunait, Amélie Le Renard, Élisabeth Marteu, Dans Raisons politiques 2013/1 (n° 49), pages 95 à 118 Les nationalismes sexuels et l'histoire raciale de l'homosexualité, Stefan Dudink, Traduit par Alexandre Jaunait, Dans Raisons politiques 2013/1 (n° 49), pages 43 à 54, Traduit de l'anglais par Alexandre Jaunait Homo-mobilités, du Cameroun vers la France, Fred Eboko, Patrick Awondo, Dans Africultures 2013/6 (n° 96), pages 188 à 203 Nationalismes sexuels ? Reconfigurations contemporaines des sexualités et des nationalismes, Alexandre Jaunait, Amélie Le Renard, Élisabeth Marteu, Dans Raisons politiques 2013/1 (n° 49), pages 5 à 23 Judith Butler : La matrice hétérosexuelle et la mélancolie du genre, Animé par Frédéric Baitinger, philosophe, Chaire de Philosophie à l'Hôpital Chapitre 3 - Mondialisations queers, Bruno Perreau, Dans Qui a peur de la théorie queer ? (2018), pages 165 à 214 Sur la binarité coloniale homo/hétéro : une ébauche de réflexion, Joao Gabriel, Le blog de Joao, 29 Juin 2017 Les nationalismes et les impérialismes sexuels, Liko Imalet, AMECAS, 28 Decembre 2021 La conférence Kessler, Jasbir Puar, CLAGS: The Center for LGBTQ Studies, 2019 The Queer Politics of Postcoloniality, Rahul Rao Pour continuer la conversation vous pouvez nous retrouver sur tous nos réseaux sociaux et via le hashtag #Lemaquis. Amicalement vôtre ! --- Send in a voice message: https://anchor.fm/amecas/message

Today's guest is Elvis Bakaitis, interim head of reference at the Graduate Center's Mina Rees Library. They serve on the CUNY LGBTQ Council and are a member of the board of CLAGS: the Center for LGBTQ Studies at the Graduate Center. They are also the library liaison to Women's and Gender Studies master's program at the Graduate Center. Bakaitis is the author and illustrator of Homos in Herstory and co-founder and co-lead of the New York City Feminist Zine fest. In this Pride Month episode of The Thought Project, Bakaitis talks about queer librarianship and their project to research and create new queer and feminist bibliographies, plus an oral history project about Bluestockings Bookstore. We discuss current LGBTQ activism at CUNY, and Bakaitis talks about their roles as interim head of reference at the Mina Rees Library and board member of the CUNY LGBTQ Council and CLAGS: The Center for LGBTQ Studies.

Dr. Kevin Nadal is a Professor of Psychology at John Jay College of Criminal Justice and The Graduate Center at the City University of New York (CUNY). He is the former Executive Director of CLAGS: The Center for LGBTQ Studies, past President of the Asian American Psychological Association; and the founder of the LGBTQ Scholars of Color National Network. He has published 10 books, including Microaggressions and Traumatic Stress (APA, 2018) and That’s So Gay! (APA, 2013). His most recent book, Queering Law and Order: LGBTQ Communities and the Criminal Justice System, examines the state of LGBTQ people within the criminal justice system. Intertwining legal cases, academic research, and popular media, Nadal reviews a wide range of issues—ranging from historical heterosexist and transphobic legislation to police brutality to the prison industrial complex to family law. Grounded in Queer Theory and intersectional lenses, each chapter provides recommendations for queering and disrupting the justice system. This book serves as both an academic resource and a call to action for readers who are interested in advocating for LGBTQ rights.

In Part 2 of my conversation with Gothic Queer Culture writer Laura Westengard, we get into BDSM as both haunting and time travel, and take a close look at the contemporary queer performance artists M Lamar, Zackary Drucker and Cassils. Laura also gives us a tease of her upcoming book on historical medical horrors, and how that might connect to SfSx the comic book. //Laura Westengard (she/her/hers) is an Associate Professor of English at the City University of New York where she serves as point person of the Gender & Sexuality Studies concentration and as a board member for CLAGS: The Center for LGBTQ Studies. She is the author of Gothic Queer Culture: Marginalized Communities and the Ghosts of Insidious Trauma and co-editor of The 25 Sitcoms that Changed Television: Turning Points in American Culture. She writes about popular culture, performance art, and contemporary U.S. literature and recently published an illustrated essay on Cold War-era lesbian pulp fiction for Morbid Anatomy. She is currently researching medical archives for an upcoming book on lesser known 19th and early 20th century medical devices that have shaped contemporary understandings of gender and sexuality. See acast.com/privacy for privacy and opt-out information.

Just in time for the nights to get longer, CUNY professor and author of the new book Gothic Queer Culture Laura Westengard discusses insidious trauma: from Castle of Otranto to True Blood, how vampires create their own erotic holes, and why monster desire is always queer desire. // Laura Westengard (she/her/hers) is an Associate Professor of English at the City University of New York where she serves as point person of the Gender & Sexuality Studies concentration and as a board member for CLAGS: The Center for LGBTQ Studies. She is the author of Gothic Queer Culture: Marginalized Communities and the Ghosts of Insidious Trauma and co-editor of The 25 Sitcoms that Changed Television: Turning Points in American Culture. She writes about popular culture, performance art, and contemporary U.S. literature and recently published an illustrated essay on Cold War-era lesbian pulp fiction for Morbid Anatomy. She is currently researching medical archives for an upcoming book on lesser known 19th and early 20th century medical devices that have shaped contemporary understandings of gender and sexuality. See acast.com/privacy for privacy and opt-out information.

Justin T. Brown is the executive director of CLAGS: The Center for LGBTQ Studies at The Graduate Center. He is also an assistant professor of health sciences at LaGuardia Community College, CUNY where his teaching primarily centers on courses in public health and human services. His collaborative research focuses on addressing health inequities among persons of color, LGBTQ, youth, and those populations at the intersection. Brown completed his doctoral training with a health concentration in the Critical Social-Personality Psychology program at The Graduate Center, CUNY in 2017.

Have you ever watched a futuristic movie and wondered if there will actually be any black people in the future? Have you ever been surprised, disappointed, or concerned with the lack of diversity demonstrated in many science fiction stories? In Speculative Blackness: The Future of Race in Science Fiction (University of Minnesota Press, 2016) the author analyzes the highly racialized genre of speculative fiction including science fiction, fantasy, and utopian works, along with their fan culture to illustrate the relationship between genre conventions in media and the meanings ascribed to blackness in the popular imagination. Speculative Blackness: The Future of Race in Science reveals new understandings of the significance of blackness in twentieth-century American literature and culture and interrogates the meanings of race and genre through studies of science fiction, fanzines, comics, film and television, and other speculative fiction texts. Author and professor Andre Carrington earned his bachelors degree in African American Studies from Macalester College and a Ph.D. in American Studies from New York University. He is now an assistant professor of English at Drexel University, where he teaches courses on African American Literature, Comics & Graphic Novels, LGBT Literature and Culture, Global Black Literature and Literary Theory. His research focuses on the cultural politics of race, gender, and genre in 20th century Black and American literature and the arts. Carrington has devoted particular attention to considerations of cultural production and identity, especially those articulated in feminist criticism, critical race theory, performance studies and Marxism. In addition to his book Speculative Blackness: The Future of Race in Science Fiction, Dr. Carringtons writings have appeared in the journals Present Tense, Sounding Out!, Callaloo, and African & Black Diaspora. In 2015, he organized the first international Queers & Comics conference through CLAGS: The Center for LGBTQ Studies in New York. His current research project, “Audiofuturism,” explores literary adaptation and sound studies through the analysis of science fiction radio plays based on the work of black authors. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you ever watched a futuristic movie and wondered if there will actually be any black people in the future? Have you ever been surprised, disappointed, or concerned with the lack of diversity demonstrated in many science fiction stories? In Speculative Blackness: The Future of Race in Science Fiction (University of Minnesota Press, 2016) the author analyzes the highly racialized genre of speculative fiction including science fiction, fantasy, and utopian works, along with their fan culture to illustrate the relationship between genre conventions in media and the meanings ascribed to blackness in the popular imagination. Speculative Blackness: The Future of Race in Science reveals new understandings of the significance of blackness in twentieth-century American literature and culture and interrogates the meanings of race and genre through studies of science fiction, fanzines, comics, film and television, and other speculative fiction texts. Author and professor Andre Carrington earned his bachelors degree in African American Studies from Macalester College and a Ph.D. in American Studies from New York University. He is now an assistant professor of English at Drexel University, where he teaches courses on African American Literature, Comics & Graphic Novels, LGBT Literature and Culture, Global Black Literature and Literary Theory. His research focuses on the cultural politics of race, gender, and genre in 20th century Black and American literature and the arts. Carrington has devoted particular attention to considerations of cultural production and identity, especially those articulated in feminist criticism, critical race theory, performance studies and Marxism. In addition to his book Speculative Blackness: The Future of Race in Science Fiction, Dr. Carringtons writings have appeared in the journals Present Tense, Sounding Out!, Callaloo, and African & Black Diaspora. In 2015, he organized the first international Queers & Comics conference through CLAGS: The Center for LGBTQ Studies in New York. His current research project, “Audiofuturism,” explores literary adaptation and sound studies through the analysis of science fiction radio plays based on the work of black authors. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you ever watched a futuristic movie and wondered if there will actually be any black people in the future? Have you ever been surprised, disappointed, or concerned with the lack of diversity demonstrated in many science fiction stories? In Speculative Blackness: The Future of Race in Science Fiction (University of Minnesota Press, 2016) the author analyzes the highly racialized genre of speculative fiction including science fiction, fantasy, and utopian works, along with their fan culture to illustrate the relationship between genre conventions in media and the meanings ascribed to blackness in the popular imagination. Speculative Blackness: The Future of Race in Science reveals new understandings of the significance of blackness in twentieth-century American literature and culture and interrogates the meanings of race and genre through studies of science fiction, fanzines, comics, film and television, and other speculative fiction texts. Author and professor Andre Carrington earned his bachelors degree in African American Studies from Macalester College and a Ph.D. in American Studies from New York University. He is now an assistant professor of English at Drexel University, where he teaches courses on African American Literature, Comics & Graphic Novels, LGBT Literature and Culture, Global Black Literature and Literary Theory. His research focuses on the cultural politics of race, gender, and genre in 20th century Black and American literature and the arts. Carrington has devoted particular attention to considerations of cultural production and identity, especially those articulated in feminist criticism, critical race theory, performance studies and Marxism. In addition to his book Speculative Blackness: The Future of Race in Science Fiction, Dr. Carringtons writings have appeared in the journals Present Tense, Sounding Out!, Callaloo, and African & Black Diaspora. In 2015, he organized the first international Queers & Comics conference through CLAGS: The Center for LGBTQ Studies in New York. His current research project, “Audiofuturism,” explores literary adaptation and sound studies through the analysis of science fiction radio plays based on the work of black authors. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you ever watched a futuristic movie and wondered if there will actually be any black people in the future? Have you ever been surprised, disappointed, or concerned with the lack of diversity demonstrated in many science fiction stories? In Speculative Blackness: The Future of Race in Science Fiction (University of Minnesota Press, 2016) the author analyzes the highly racialized genre of speculative fiction including science fiction, fantasy, and utopian works, along with their fan culture to illustrate the relationship between genre conventions in media and the meanings ascribed to blackness in the popular imagination. Speculative Blackness: The Future of Race in Science reveals new understandings of the significance of blackness in twentieth-century American literature and culture and interrogates the meanings of race and genre through studies of science fiction, fanzines, comics, film and television, and other speculative fiction texts. Author and professor Andre Carrington earned his bachelors degree in African American Studies from Macalester College and a Ph.D. in American Studies from New York University. He is now an assistant professor of English at Drexel University, where he teaches courses on African American Literature, Comics & Graphic Novels, LGBT Literature and Culture, Global Black Literature and Literary Theory. His research focuses on the cultural politics of race, gender, and genre in 20th century Black and American literature and the arts. Carrington has devoted particular attention to considerations of cultural production and identity, especially those articulated in feminist criticism, critical race theory, performance studies and Marxism. In addition to his book Speculative Blackness: The Future of Race in Science Fiction, Dr. Carringtons writings have appeared in the journals Present Tense, Sounding Out!, Callaloo, and African & Black Diaspora. In 2015, he organized the first international Queers & Comics conference through CLAGS: The Center for LGBTQ Studies in New York. His current research project, “Audiofuturism,” explores literary adaptation and sound studies through the analysis of science fiction radio plays based on the work of black authors. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you ever watched a futuristic movie and wondered if there will actually be any black people in the future? Have you ever been surprised, disappointed, or concerned with the lack of diversity demonstrated in many science fiction stories? In Speculative Blackness: The Future of Race in Science Fiction (University of Minnesota Press, 2016) the author analyzes the highly racialized genre of speculative fiction including science fiction, fantasy, and utopian works, along with their fan culture to illustrate the relationship between genre conventions in media and the meanings ascribed to blackness in the popular imagination. Speculative Blackness: The Future of Race in Science reveals new understandings of the significance of blackness in twentieth-century American literature and culture and interrogates the meanings of race and genre through studies of science fiction, fanzines, comics, film and television, and other speculative fiction texts. Author and professor Andre Carrington earned his bachelors degree in African American Studies from Macalester College and a Ph.D. in American Studies from New York University. He is now an assistant professor of English at Drexel University, where he teaches courses on African American Literature, Comics & Graphic Novels, LGBT Literature and Culture, Global Black Literature and Literary Theory. His research focuses on the cultural politics of race, gender, and genre in 20th century Black and American literature and the arts. Carrington has devoted particular attention to considerations of cultural production and identity, especially those articulated in feminist criticism, critical race theory, performance studies and Marxism. In addition to his book Speculative Blackness: The Future of Race in Science Fiction, Dr. Carringtons writings have appeared in the journals Present Tense, Sounding Out!, Callaloo, and African & Black Diaspora. In 2015, he organized the first international Queers & Comics conference through CLAGS: The Center for LGBTQ Studies in New York. His current research project, “Audiofuturism,” explores literary adaptation and sound studies through the analysis of science fiction radio plays based on the work of black authors. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you ever watched a futuristic movie and wondered if there will actually be any black people in the future? Have you ever been surprised, disappointed, or concerned with the lack of diversity demonstrated in many science fiction stories? In Speculative Blackness: The Future of Race in Science Fiction (University of Minnesota Press, 2016) the author analyzes the highly racialized genre of speculative fiction including science fiction, fantasy, and utopian works, along with their fan culture to illustrate the relationship between genre conventions in media and the meanings ascribed to blackness in the popular imagination. Speculative Blackness: The Future of Race in Science reveals new understandings of the significance of blackness in twentieth-century American literature and culture and interrogates the meanings of race and genre through studies of science fiction, fanzines, comics, film and television, and other speculative fiction texts. Author and professor Andre Carrington earned his bachelors degree in African American Studies from Macalester College and a Ph.D. in American Studies from New York University. He is now an assistant professor of English at Drexel University, where he teaches courses on African American Literature, Comics & Graphic Novels, LGBT Literature and Culture, Global Black Literature and Literary Theory. His research focuses on the cultural politics of race, gender, and genre in 20th century Black and American literature and the arts. Carrington has devoted particular attention to considerations of cultural production and identity, especially those articulated in feminist criticism, critical race theory, performance studies and Marxism. In addition to his book Speculative Blackness: The Future of Race in Science Fiction, Dr. Carringtons writings have appeared in the journals Present Tense, Sounding Out!, Callaloo, and African & Black Diaspora. In 2015, he organized the first international Queers & Comics conference through CLAGS: The Center for LGBTQ Studies in New York. His current research project, “Audiofuturism,” explores literary adaptation and sound studies through the analysis of science fiction radio plays based on the work of black authors. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies