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2 episodes with sounding out
Today we hear two scholars reading their recent work on artificial intelligence. Steph Ceraso studies the technology of “voice donation,” which provides AI-created custom voices for people with vocal disabilities. Hussein Boon contemplates the future of AI in music via some very short and thought-provoking fiction tales. And we start off the show with Mack reflecting on how hard the post-shutdown adjustment has been for many of us and how that might be feeding into the current AI hype. For our Patreon members we have “What's Good” recommendations from Steph and Hussein on what to read, listen to, and do. Join at Patreon.com/phantompower. About our guests: Steph Ceraso is Associate Professor of Digital Writing & Rhetoric in the English Department at the University of Virginia. She's one of Mack's go-to folks when trying to figure out how to use audio production in the classroom as a form of student composition. Steph's research and teaching interests include multimodal composition, sound studies, pedagogy, digital rhetoric, disability studies, sensory rhetorics, music, and pop culture. Hussein Boon is Principal Lecturer at the University of Westminster. He's a multi-instrumentalist, session musician, composer, modular synth researcher, and AI researcher. He also has a vibrant YouTube presence with tutorials on things like Ableton Live production. Pieces featured in this episode: “Voice as Ecology: Voice Donation, Materiality, Identity” by Steph Ceraso in Sounding Out (2022). “In the Future” by Hussein Boon in Riffs (2022). Mack also mentioned in his rant: “Embodied meaning in a neural theory of language” by Jerome Feldman and Srinivas Narayanan (2003). “The Contemporary Theory of Metaphor” by George Lakoff (1992). Today's show was produced and edited by Ravi Krishnaswami Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Today we hear two scholars reading their recent work on artificial intelligence. Steph Ceraso studies the technology of “voice donation,” which provides AI-created custom voices for people with vocal disabilities. Hussein Boon contemplates the future of AI in music via some very short and thought-provoking fiction tales. And we start off the show with Mack reflecting on how hard the post-shutdown adjustment has been for many of us and how that might be feeding into the current AI hype. For our Patreon members we have “What's Good” recommendations from Steph and Hussein on what to read, listen to, and do. Join at Patreon.com/phantompower. About our guests: Steph Ceraso is Associate Professor of Digital Writing & Rhetoric in the English Department at the University of Virginia. She's one of Mack's go-to folks when trying to figure out how to use audio production in the classroom as a form of student composition. Steph's research and teaching interests include multimodal composition, sound studies, pedagogy, digital rhetoric, disability studies, sensory rhetorics, music, and pop culture. Hussein Boon is Principal Lecturer at the University of Westminster. He's a multi-instrumentalist, session musician, composer, modular synth researcher, and AI researcher. He also has a vibrant YouTube presence with tutorials on things like Ableton Live production. Pieces featured in this episode: “Voice as Ecology: Voice Donation, Materiality, Identity” by Steph Ceraso in Sounding Out (2022). “In the Future” by Hussein Boon in Riffs (2022). Mack also mentioned in his rant: “Embodied meaning in a neural theory of language” by Jerome Feldman and Srinivas Narayanan (2003). “The Contemporary Theory of Metaphor” by George Lakoff (1992). Today's show was produced and edited by Ravi Krishnaswami Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
Today we hear two scholars reading their recent work on artificial intelligence. Steph Ceraso studies the technology of “voice donation,” which provides AI-created custom voices for people with vocal disabilities. Hussein Boon contemplates the future of AI in music via some very short and thought-provoking fiction tales. And we start off the show with Mack reflecting on how hard the post-shutdown adjustment has been for many of us and how that might be feeding into the current AI hype. For our Patreon members we have “What's Good” recommendations from Steph and Hussein on what to read, listen to, and do. Join at Patreon.com/phantompower. About our guests: Steph Ceraso is Associate Professor of Digital Writing & Rhetoric in the English Department at the University of Virginia. She's one of Mack's go-to folks when trying to figure out how to use audio production in the classroom as a form of student composition. Steph's research and teaching interests include multimodal composition, sound studies, pedagogy, digital rhetoric, disability studies, sensory rhetorics, music, and pop culture. Hussein Boon is Principal Lecturer at the University of Westminster. He's a multi-instrumentalist, session musician, composer, modular synth researcher, and AI researcher. He also has a vibrant YouTube presence with tutorials on things like Ableton Live production. Pieces featured in this episode: “Voice as Ecology: Voice Donation, Materiality, Identity” by Steph Ceraso in Sounding Out (2022). “In the Future” by Hussein Boon in Riffs (2022). Mack also mentioned in his rant: “Embodied meaning in a neural theory of language” by Jerome Feldman and Srinivas Narayanan (2003). “The Contemporary Theory of Metaphor” by George Lakoff (1992). Today's show was produced and edited by Ravi Krishnaswami Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society
Today we hear two scholars reading their recent work on artificial intelligence. Steph Ceraso studies the technology of “voice donation,” which provides AI-created custom voices for people with vocal disabilities. Hussein Boon contemplates the future of AI in music via some very short and thought-provoking fiction tales. And we start off the show with Mack reflecting on how hard the post-shutdown adjustment has been for many of us and how that might be feeding into the current AI hype. For our Patreon members we have “What's Good” recommendations from Steph and Hussein on what to read, listen to, and do. Join at Patreon.com/phantompower. About our guests: Steph Ceraso is Associate Professor of Digital Writing & Rhetoric in the English Department at the University of Virginia. She's one of Mack's go-to folks when trying to figure out how to use audio production in the classroom as a form of student composition. Steph's research and teaching interests include multimodal composition, sound studies, pedagogy, digital rhetoric, disability studies, sensory rhetorics, music, and pop culture. Hussein Boon is Principal Lecturer at the University of Westminster. He's a multi-instrumentalist, session musician, composer, modular synth researcher, and AI researcher. He also has a vibrant YouTube presence with tutorials on things like Ableton Live production. Pieces featured in this episode: “Voice as Ecology: Voice Donation, Materiality, Identity” by Steph Ceraso in Sounding Out (2022). “In the Future” by Hussein Boon in Riffs (2022). Mack also mentioned in his rant: “Embodied meaning in a neural theory of language” by Jerome Feldman and Srinivas Narayanan (2003). “The Contemporary Theory of Metaphor” by George Lakoff (1992). Today's show was produced and edited by Ravi Krishnaswami Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
Today we hear two scholars reading their recent work on artificial intelligence. Steph Ceraso studies the technology of “voice donation,” which provides AI-created custom voices for people with vocal disabilities. Hussein Boon contemplates the future of AI in music via some very short and thought-provoking fiction tales. And we start off the show with Mack reflecting on how hard the post-shutdown adjustment has been for many of us and how that might be feeding into the current AI hype. For our Patreon members we have “What's Good” recommendations from Steph and Hussein on what to read, listen to, and do. Join at Patreon.com/phantompower. About our guests: Steph Ceraso is Associate Professor of Digital Writing & Rhetoric in the English Department at the University of Virginia. She's one of Mack's go-to folks when trying to figure out how to use audio production in the classroom as a form of student composition. Steph's research and teaching interests include multimodal composition, sound studies, pedagogy, digital rhetoric, disability studies, sensory rhetorics, music, and pop culture. Hussein Boon is Principal Lecturer at the University of Westminster. He's a multi-instrumentalist, session musician, composer, modular synth researcher, and AI researcher. He also has a vibrant YouTube presence with tutorials on things like Ableton Live production. Pieces featured in this episode: “Voice as Ecology: Voice Donation, Materiality, Identity” by Steph Ceraso in Sounding Out (2022). “In the Future” by Hussein Boon in Riffs (2022). Mack also mentioned in his rant: “Embodied meaning in a neural theory of language” by Jerome Feldman and Srinivas Narayanan (2003). “The Contemporary Theory of Metaphor” by George Lakoff (1992). Today's show was produced and edited by Ravi Krishnaswami Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology
Keywords: Digital Rhetorics, Sound, Methods, Community Literacy, Digital Humanities. Trent Wintermeier is a PhD student in the Department of Rhetoric and Writing at the University of Texas at Austin. His research interests broadly include sound, digital rhetorics and digital humanities methods, and community literacy. Currently, he's an Assistant Director for the Digital Writing and Research Lab, and he's a Presentations Coordinator for UT Austin's University Writing Center. Besides his research on the hum phenomenon, which has been published by Sounding Out!, he's working on projects concerning the sound of data center cooling equipment and building DIY radio receivers with found objects. Visit thebigrhetoricalpodcast.weebly.com and follow @thebigrhet.
How to think about the contradictory figure of R. Murray Schafer? A renegade scholar who used sound technology to create an entirely new field of study, even as he devalued the very tools of its trade. A gifted composer who claimed a sincere appreciation for indigenous cultures, yet one who, perhaps, could only love them on his own terms, only as they fit into his sweeping vision for Canadian music. An erudite reader with a deep knowledge of world cultures, who nevertheless dismissed Canada's most multicultural areas as less than truly Canadian. And a man, who despite a bomb-throwing persona on the page, is described by those who knew him as a kind and generous person. Today we speak to Jonathan Sterne, Mitchell Akiyama, and Hildegard Westerkamp to learn the critiques and contradictions of Schafer. Perhaps the greatest testament to his lasting legacy is the fact that we aren't done arguing with him. Works discussed in this episode: Jonathan Sterne's first book, The Audible Past, includes critiques of Schafer's work, especially his concept of schizophonia. His chapter “Soundscape, Landscape, Escape” (PDF, in the edited volume Soundscapes of the Urban Past) traces the intellectual and audiophile histories of Schafer's term soundscape. Listen, a short film on Schafer directed by David New, includes Shafer's claim that recorded sounds are not “real sound.” Hildegard Westerkamp's Kits Beach Sound Walk presents a subtler way of thinking about “schizophonic” sounds. Her chapter “The Disruptive Nature of Listening: Today, Yesterday, Tomorrow” (in the edited volume Sound Media Ecology) reexamines the World Soundscape Project through the political lenses of the 1970s and today. An episode of the CBC radio program “Soundscapes of Canada” is available at the Canadian Music Centre's music library. Rafael de Oliveira, Patrícia Lima, and Alexsander Duarte‘s interview with Schafer in Corfu, Greece is available on YouTube. Mitchell Akiyama's critique of the World Soundscape Project appears in “Unsettling the World Soundscape Project: Soundscapes of Canada and the Politics of Self-Recognition” (on the sound studies blog Sounding Out) and in his chapter “Nothing Connects Us but Imagined Sound” (in the edited volume Sound, Music, Ecology). The program notes (PDF) to Schafer's North/White contain his dismissal of urban Canadians (page 43). Dylan Robinson's book Hungry Listening opens with Schafer's insulting words about “Eskimo music” and contains a critique of the way Schafer appropriates indigenous music to create his “Canadian” music. The Vancouver Chamber Choir shares this performance of Schafer's “Miniwanka” complete with a side scrolling presentation of the graphic score. Today's music was by R. Murray Schafer, Vireo, and Blue the Fifth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
How to think about the contradictory figure of R. Murray Schafer? A renegade scholar who used sound technology to create an entirely new field of study, even as he devalued the very tools of its trade. A gifted composer who claimed a sincere appreciation for indigenous cultures, yet one who, perhaps, could only love them on his own terms, only as they fit into his sweeping vision for Canadian music. An erudite reader with a deep knowledge of world cultures, who nevertheless dismissed Canada's most multicultural areas as less than truly Canadian. And a man, who despite a bomb-throwing persona on the page, is described by those who knew him as a kind and generous person. Today we speak to Jonathan Sterne, Mitchell Akiyama, and Hildegard Westerkamp to learn the critiques and contradictions of Schafer. Perhaps the greatest testament to his lasting legacy is the fact that we aren't done arguing with him. Works discussed in this episode: Jonathan Sterne's first book, The Audible Past, includes critiques of Schafer's work, especially his concept of schizophonia. His chapter “Soundscape, Landscape, Escape” (PDF, in the edited volume Soundscapes of the Urban Past) traces the intellectual and audiophile histories of Schafer's term soundscape. Listen, a short film on Schafer directed by David New, includes Shafer's claim that recorded sounds are not “real sound.” Hildegard Westerkamp's Kits Beach Sound Walk presents a subtler way of thinking about “schizophonic” sounds. Her chapter “The Disruptive Nature of Listening: Today, Yesterday, Tomorrow” (in the edited volume Sound Media Ecology) reexamines the World Soundscape Project through the political lenses of the 1970s and today. An episode of the CBC radio program “Soundscapes of Canada” is available at the Canadian Music Centre's music library. Rafael de Oliveira, Patrícia Lima, and Alexsander Duarte‘s interview with Schafer in Corfu, Greece is available on YouTube. Mitchell Akiyama's critique of the World Soundscape Project appears in “Unsettling the World Soundscape Project: Soundscapes of Canada and the Politics of Self-Recognition” (on the sound studies blog Sounding Out) and in his chapter “Nothing Connects Us but Imagined Sound” (in the edited volume Sound, Music, Ecology). The program notes (PDF) to Schafer's North/White contain his dismissal of urban Canadians (page 43). Dylan Robinson's book Hungry Listening opens with Schafer's insulting words about “Eskimo music” and contains a critique of the way Schafer appropriates indigenous music to create his “Canadian” music. The Vancouver Chamber Choir shares this performance of Schafer's “Miniwanka” complete with a side scrolling presentation of the graphic score. Today's music was by R. Murray Schafer, Vireo, and Blue the Fifth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
How to think about the contradictory figure of R. Murray Schafer? A renegade scholar who used sound technology to create an entirely new field of study, even as he devalued the very tools of its trade. A gifted composer who claimed a sincere appreciation for indigenous cultures, yet one who, perhaps, could only love them on his own terms, only as they fit into his sweeping vision for Canadian music. An erudite reader with a deep knowledge of world cultures, who nevertheless dismissed Canada's most multicultural areas as less than truly Canadian. And a man, who despite a bomb-throwing persona on the page, is described by those who knew him as a kind and generous person. Today we speak to Jonathan Sterne, Mitchell Akiyama, and Hildegard Westerkamp to learn the critiques and contradictions of Schafer. Perhaps the greatest testament to his lasting legacy is the fact that we aren't done arguing with him. Works discussed in this episode: Jonathan Sterne's first book, The Audible Past, includes critiques of Schafer's work, especially his concept of schizophonia. His chapter “Soundscape, Landscape, Escape” (PDF, in the edited volume Soundscapes of the Urban Past) traces the intellectual and audiophile histories of Schafer's term soundscape. Listen, a short film on Schafer directed by David New, includes Shafer's claim that recorded sounds are not “real sound.” Hildegard Westerkamp's Kits Beach Sound Walk presents a subtler way of thinking about “schizophonic” sounds. Her chapter “The Disruptive Nature of Listening: Today, Yesterday, Tomorrow” (in the edited volume Sound Media Ecology) reexamines the World Soundscape Project through the political lenses of the 1970s and today. An episode of the CBC radio program “Soundscapes of Canada” is available at the Canadian Music Centre's music library. Rafael de Oliveira, Patrícia Lima, and Alexsander Duarte‘s interview with Schafer in Corfu, Greece is available on YouTube. Mitchell Akiyama's critique of the World Soundscape Project appears in “Unsettling the World Soundscape Project: Soundscapes of Canada and the Politics of Self-Recognition” (on the sound studies blog Sounding Out) and in his chapter “Nothing Connects Us but Imagined Sound” (in the edited volume Sound, Music, Ecology). The program notes (PDF) to Schafer's North/White contain his dismissal of urban Canadians (page 43). Dylan Robinson's book Hungry Listening opens with Schafer's insulting words about “Eskimo music” and contains a critique of the way Schafer appropriates indigenous music to create his “Canadian” music. The Vancouver Chamber Choir shares this performance of Schafer's “Miniwanka” complete with a side scrolling presentation of the graphic score. Today's music was by R. Murray Schafer, Vireo, and Blue the Fifth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
How to think about the contradictory figure of R. Murray Schafer? A renegade scholar who used sound technology to create an entirely new field of study, even as he devalued the very tools of its trade. A gifted composer who claimed a sincere appreciation for indigenous cultures, yet one who, perhaps, could only love them on his own terms, only as they fit into his sweeping vision for Canadian music. An erudite reader with a deep knowledge of world cultures, who nevertheless dismissed Canada's most multicultural areas as less than truly Canadian. And a man, who despite a bomb-throwing persona on the page, is described by those who knew him as a kind and generous person. Today we speak to Jonathan Sterne, Mitchell Akiyama, and Hildegard Westerkamp to learn the critiques and contradictions of Schafer. Perhaps the greatest testament to his lasting legacy is the fact that we aren't done arguing with him. Works discussed in this episode: Jonathan Sterne's first book, The Audible Past, includes critiques of Schafer's work, especially his concept of schizophonia. His chapter “Soundscape, Landscape, Escape” (PDF, in the edited volume Soundscapes of the Urban Past) traces the intellectual and audiophile histories of Schafer's term soundscape. Listen, a short film on Schafer directed by David New, includes Shafer's claim that recorded sounds are not “real sound.” Hildegard Westerkamp's Kits Beach Sound Walk presents a subtler way of thinking about “schizophonic” sounds. Her chapter “The Disruptive Nature of Listening: Today, Yesterday, Tomorrow” (in the edited volume Sound Media Ecology) reexamines the World Soundscape Project through the political lenses of the 1970s and today. An episode of the CBC radio program “Soundscapes of Canada” is available at the Canadian Music Centre's music library. Rafael de Oliveira, Patrícia Lima, and Alexsander Duarte‘s interview with Schafer in Corfu, Greece is available on YouTube. Mitchell Akiyama's critique of the World Soundscape Project appears in “Unsettling the World Soundscape Project: Soundscapes of Canada and the Politics of Self-Recognition” (on the sound studies blog Sounding Out) and in his chapter “Nothing Connects Us but Imagined Sound” (in the edited volume Sound, Music, Ecology). The program notes (PDF) to Schafer's North/White contain his dismissal of urban Canadians (page 43). Dylan Robinson's book Hungry Listening opens with Schafer's insulting words about “Eskimo music” and contains a critique of the way Schafer appropriates indigenous music to create his “Canadian” music. The Vancouver Chamber Choir shares this performance of Schafer's “Miniwanka” complete with a side scrolling presentation of the graphic score. Today's music was by R. Murray Schafer, Vireo, and Blue the Fifth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
Produced by Wayne Hall, Joseph Cottrell, Jeffrey Crecelius and Ken Fuller Mark and I had a lot of fun talking about a remarkable video suggested by Rachel Hadaway this week. From a BBC programme called Sounding Out, it features live show footage and interviews with the band from 1971, shortly after Rick Wakeman joined. It's full of period charm, as they say, and thankfully available on YouTube now. You might want to watch it before listening to Mark and me banging on about it - or you might not. If you do, there's a video embedded in the show notes below. https://youtu.be/sr9j5pbKHGA?si=XBIfp51Dz8sh3nUT How does the band sound? What is the venue like? What did each band member say in their interview? Let us know if you agree with us! Gonzo Multimedia DVD of the BBC Sounding Out programme There are only 100 of these packs available, so buy yours now! (Opens in a new window) Check out the progress on my other podcast - https://anthem52.com/ In Production: Tales from Topographic OceansListening guide Sign up to the e-newsletter updates! TormatoBook.com Yes - The Tormato Story Available now! TormatoBook.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Jim Morrison Jon Pickles Declan Logue Gary Betts Aaron SteelmanMichael Handerhan Barry Gorsky Steve Perry Doug Curran Martin Kjellberg Todd Dudley Rachel Hadaway Lind Paul Hailes Craig Estenes Mark James Lang Steve Rode David Bob Martilotta John Holden Stephen LambeDem Fred Barringer Scott Colombo Chris Bandini David Heyden John Thomson Mark Baggs John Cowan John Parry Dave Owen Simon Barrow Steve Scott Terence Sadler Steve Dill Robert Nasir Fergus Cubbage William Hayes Geoff Bailie Steven Roehr Lobate Scarp Geoffrey Mason David Watkinson Tim Stannard Robert VandiverBrian Sullivan David Pannell Jamie McQuinnMiguel Falcão Paul Tomei Michael O'ConnorBrian HarrisHogne Bø PettersenGuy DeRome Become a Patron! Our Facebook YMP Discussion Group is open to anyone to join. One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from: archive.org
This episode, we talk with Jennifer Lynn Stoever–editor of the influential sound studies blog Sounding Out!–about her new book, The Sonic Color Line: Race and the Cultural Politics of Listening (NYU Press, 2016). We tend to think of race and racism as visual phenomena, but Stoever challenges white listeners to examine how racism can infect our ears, altering the sound of the world and other people. We discuss the history of American prejudicial listening since slavery and learn how African American writers and musicians have pushed back against this invisible “sonic color line.” Works discussed include Richard Wright's Native Son and music by Huddie Ledbetter (Lead Belly), Fishbone, and Lena Horne. Additional music by Graeme Gibson and Blue the Fifth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
This episode, we talk with Jennifer Lynn Stoever–editor of the influential sound studies blog Sounding Out!–about her new book, The Sonic Color Line: Race and the Cultural Politics of Listening (NYU Press, 2016). We tend to think of race and racism as visual phenomena, but Stoever challenges white listeners to examine how racism can infect our ears, altering the sound of the world and other people. We discuss the history of American prejudicial listening since slavery and learn how African American writers and musicians have pushed back against this invisible “sonic color line.” Works discussed include Richard Wright's Native Son and music by Huddie Ledbetter (Lead Belly), Fishbone, and Lena Horne. Additional music by Graeme Gibson and Blue the Fifth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
This episode, we talk with Jennifer Lynn Stoever–editor of the influential sound studies blog Sounding Out!–about her new book, The Sonic Color Line: Race and the Cultural Politics of Listening (NYU Press, 2016). We tend to think of race and racism as visual phenomena, but Stoever challenges white listeners to examine how racism can infect our ears, altering the sound of the world and other people. We discuss the history of American prejudicial listening since slavery and learn how African American writers and musicians have pushed back against this invisible “sonic color line.” Works discussed include Richard Wright's Native Son and music by Huddie Ledbetter (Lead Belly), Fishbone, and Lena Horne. Additional music by Graeme Gibson and Blue the Fifth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
This episode, we talk with Jennifer Lynn Stoever–editor of the influential sound studies blog Sounding Out!–about her new book, The Sonic Color Line: Race and the Cultural Politics of Listening (NYU Press, 2016). We tend to think of race and racism as visual phenomena, but Stoever challenges white listeners to examine how racism can infect our ears, altering the sound of the world and other people. We discuss the history of American prejudicial listening since slavery and learn how African American writers and musicians have pushed back against this invisible “sonic color line.” Works discussed include Richard Wright's Native Son and music by Huddie Ledbetter (Lead Belly), Fishbone, and Lena Horne. Additional music by Graeme Gibson and Blue the Fifth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
This episode, we talk with Jennifer Lynn Stoever–editor of the influential sound studies blog Sounding Out!–about her new book, The Sonic Color Line: Race and the Cultural Politics of Listening (NYU Press, 2016). We tend to think of race and racism as visual phenomena, but Stoever challenges white listeners to examine how racism can infect our ears, altering the sound of the world and other people. We discuss the history of American prejudicial listening since slavery and learn how African American writers and musicians have pushed back against this invisible “sonic color line.” Works discussed include Richard Wright's Native Son and music by Huddie Ledbetter (Lead Belly), Fishbone, and Lena Horne. Additional music by Graeme Gibson and Blue the Fifth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
This episode, we talk with Jennifer Lynn Stoever–editor of the influential sound studies blog Sounding Out!–about her new book, The Sonic Color Line: Race and the Cultural Politics of Listening (NYU Press, 2016). We tend to think of race and racism as visual phenomena, but Stoever challenges white listeners to examine how racism can infect our ears, altering the sound of the world and other people. We discuss the history of American prejudicial listening since slavery and learn how African American writers and musicians have pushed back against this invisible “sonic color line.” Works discussed include Richard Wright's Native Son and music by Huddie Ledbetter (Lead Belly), Fishbone, and Lena Horne. Additional music by Graeme Gibson and Blue the Fifth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
This episode, we talk with Jennifer Lynn Stoever–editor of the influential sound studies blog Sounding Out!–about her new book, The Sonic Color Line: Race and the Cultural Politics of Listening (NYU Press, 2016). We tend to think of race and racism as visual phenomena, but Stoever challenges white listeners to examine how racism can infect our ears, altering the sound of the world and other people. We discuss the history of American prejudicial listening since slavery and learn how African American writers and musicians have pushed back against this invisible “sonic color line.” Works discussed include Richard Wright's Native Son and music by Huddie Ledbetter (Lead Belly), Fishbone, and Lena Horne. Additional music by Graeme Gibson and Blue the Fifth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
In this unabridged audio narration, I read my article for The Journal of Perpetrator Research (2019) Vol: 2 Issue: 2. There were only three actual “shots” in Dealey Plaza on that dark day, of course. They were the bullets fired by Lee Harvey Oswald from the sixth floor of the Texas School Book Depository building. … Continue reading Sounding Out! “Six ‘Shots”in Dallas: ‘Framing' the Perpetrator of the Kennedy Assassination through the Zapruder Film, 1963-2013:” Read by the Author →
In the early aughts, Manhattan became a breeding ground for the post-punk revival when bands like The Strokes, The Yeah Yeah Yeahs, and Interpol ushered in a new era of indie rock. On today's episode of "Sounding Out with Izzy," I am joined by my good friend Hollye Bynum, the lead singer of Razor Braids, to revisit this iconic era of rock and roll by sharing our thoughts on the recently released 'Meet Me In The Bathroom' documentary. Discover bonus eps, playlists, and more on Patreon: https://www.patreon.com/agrrrlstwosoundcents✨ MORE ABOUT RAZOR BRAIDS ✨Razor Braids is a queer, all-female/non-binary rock band from Brooklyn combining the vulnerable self-awareness of indie rock with dynamic instrumentation anchored in a 90s alternative ethos. Through soaring harmonies and a driving rhythm section, the band has honed a magnetic sound that is a testament to the healing power and catharsis of community. Following their warmly-received debut album 'I Could Cry Right Now If You Wanted Me To,' the band released two singles in Spring 2022, weaved together during the pandemic and bringing to life the memories – from terrible parties to secret make-out spots – that bubble to the surface when the world has been forced to a halt. ✨ KEEP UP TO DATE WITH RAZOR BRAIDS ✨Tour Tickets: https://www.razorbraids.com/tourWeb: https://www.razorbraids.com/homeInstagram: https://www.instagram.com/razorbraids/Facebook: https://www.facebook.com/razorbraids/Twitter: https://twitter.com/RazorBraidsTikTok: https://www.tiktok.com/@razorbraids✨ CONNECT WITH IZZY ✨YouTube: https://www.youtube.com/channel/UCv6SBgiYCpYbx9BOYNefkIgWebsite: https://agrrrlstwosoundcents.comInstagram: https://www.instagram.com/agrrrlstwosoundcents/Twitter: https://twitter.com/grrrlsoundcents
Hello, stars! Welcome back to another episode of the pod. In today's episode, I reveal my Seattle roots while asking what the hell is up with Tacocat? I school fellow music podcaster Isabel Corp on this pop-punk feminist iconic group. Izzy hosts the podcast Sounding Out with Izzy: A Grrrl's Two Sound Cents Podcast and runs a blog where she highlights non-binary, women, and queer femme people in the music industry. Izzy invited me into a collaboration to each introduce the other to a band from our home towns. I chose the sparkly, feminist palindromic Tacocat, who carried me through shitty coming of age moments, and inspired me to dream of more. Stay tuned for my feature on Izzy's show to learn about Boston's The Modern Lovers. Listen to Tacocat: https://www.youtube.com/watch?v=lvbtJLKe7Fo https://tacocat.bandcamp.com/ Follow Izzy and listen to her podcast: https://agrrrlstwosoundcents.com/ https://www.instagram.com/agrrrlstwosoundcents/ CREDS// Pod Logo: Callan Moore Intro music: Afterspace Editing/mixing: me
In the premiere episode of Season 3 of “Sounding Out with Izzy,” Isabel Corp interviews first-wave punk pioneer, author, and self-proclaimed troublemaker Alice Bag. Izzy and Alice discuss Alice's life story and how she successfully managed to thrive in the music industry while maintaining her independent DIY ethos. Their conversation also tackles the art of survival, Alice's legacy in punk history, and preserving the historical memory of unrecognized women who have made invaluable contributions to rock. ✨ MORE ABOUT ALICE BAG ✨Alice Bag is an American punk rock singer, author, educator, and feminist archivist. She is a founding member of proto-hardcore band The Bags, a foundational group in the first wave of LA punk whose legacy was immortalized in the Penelope Spheeris-directed punk documentary, The Decline of Western Civilization along with Black Flag, X, Circle Jerks, and The Germs.✨ KEEP UP TO DATE WITH ALICE BAG ✨Web: https://alicebag.comInstagram: https://www.instagram.com/alice_bag/Facebook: https://www.facebook.com/AliceBagYouTube: https://www.youtube.com/c/AliceBag1/featuredTwitter: https://twitter.com/AliceBag✨ CONNECT WITH IZZY ✨YouTube: https://www.youtube.com/channel/UCv6SBgiYCpYbx9BOYNefkIgWebsite: https://izzyshutup.comInstagram: https://www.instagram.com/agrrrlstwosoundcents/Twitter: https://twitter.com/missannthropei
Sounding Out with Izzy: A Grrrl's Two Sound Cents PodcastHosted by Isabel Corp, founder of the feminist music blog A Grrrl's Two Sound Cents,...Listen on: Apple Podcasts Spotify Smells Like HumansLike spending time with funny friends talking about curious human behavior. Listen on: Apple Podcasts SpotifySupport the show
Sounding Out with Izzy: A Grrrl's Two Sound Cents PodcastHosted by Isabel Corp, founder of the feminist music blog A Grrrl's Two Sound Cents,...Listen on: Apple Podcasts Spotify Whiskeylodeon - The Drunk Nickelodeon Rewatch PodcastYour new favorite drunk Nickelodeon rewatch podcast!Listen on: Apple Podcasts Spotify Cash vs TrashJoin us as we look at the number 1 movie and a box office bomb from 1970 to 2021!Listen on: Apple Podcasts Spotify MorganMan SportsHome of your Atlanta Falcons and Call of Duty League Content. Listen on: Apple Podcasts SpotifySupport the show
Podcast online store is open - https://letmegetmyheadphones.com/ - Shop Now!Join our online community - https://discord.gg/agka3rGRc5 - Join Now!---Join the gang as they welcome poet, minimalist, and proud tiny house owner Jazmine Jackson, into the group chat to discuss alternative living and how rewarding it can feel about going against the grain. Jazmine is a 2022 Addiction Counseling Fellow for the National Board of Certified Counselors, holds a Bachelor of Science in Special Education, and owns The Blackest Sheep, a poignantly authentic poetry blog illustrating the universal highs and lows of mental health experienced by black women.Javon, Jace, and Jasmine recap the latest in P-Valley, cosplay as FDA agents, and tap into the elite world of Formula 1 racing. Join the team as they also talk about the newly assembled Discord server and exciting additions to the online store!Guest contact informationJazmine's Instagram - @justplainjaz Haikus by The Blackest Sheep - https://www.fordepressedblackgirls.net/Creator of @fordepressedblackgirlsWant to support this podcast? (https://www.buymeacoffee.com/lmgmhp)---Playlist, social media, and more!Weekly playlist - Spotify - Apple Music Share Instagram (https://www.instagram.com/letmegetmyheadphones/) and Twitter (https://twitter.com/LMGMHP) with family, friends, and loved ones.Sounding Out with Izzy: A Grrrl's Two Sound Cents PodcastHosted by Isabel Corp, founder of the feminist music blog A Grrrl's Two Sound Cents,...Listen on: Apple Podcasts SpotifySupport the show
Jake Matter thought it was a good idea to start tweeting at celebrities to see if they liked ska or not. Surprisingly, quite a few answered. While most said yes, some did not, like Converge, who told him "Fuck No!" This exchange went viral and earned the Ska or Nah Twitter account 3,000 new followers in under 8 hours, and an article in Loudwire. Several of the people that Ska Or Nah has tweeted at have been on this very podcast, and their responses have served as part of our research for the episodes, including Ted Leo, Max Collins (Eve 6), Laura Jane Grace, John Darnielle (Mountain Goats), Elliot Babin (Touche Amore) and Arizona Ice Tea. Today we talk to Jake about Ska or Nah, his skacore band Grey Matter and why he thinks nu metal deserves to be defended. He tells us about the personal importance of tweeting at Tony Hawk and Rivers Cuomo, what it was like to release a record on Bad Time Records just before the pandemic, how amazing it was to play at this year's Stoopfest in Lansing, Michigan, and the many influences of his eclectic band, Grey Matter: La Dispute, Parquet Courts, Ceremony, We Are The Union, Blue Meanies, Flaming Tsunamis, and Fatter Than Albert. He also tweets at two celebrities during the interview (Melissa Villasenor, Bill Clinton). But do they respond before the episode is finished? Listen and find out!Sounding Out with Izzy: A Grrrl's Two Sound Cents PodcastHosted by Isabel Corp, founder of the feminist music blog A Grrrl's Two Sound Cents,...Listen on: Apple Podcasts Spotify Support the show
With trepidation, Feyre meets the rag-tag group of individuals Rhysand considers his Inner Circle. Despite their long history together and complicated relationships, Feyre feels a connection to each that convinces her she can work with them and with Rhysand. Though they experience an initial set-back during their first attempt to enter the Prison, Feyre and Rhysand face the depths of Prythian's most dangerous domain to confront the Bone Carver. Unspeakable truths are shared that bring Feyre and Rhysand closer to each other and pave the way for their next adventure.This episode of Book Talk for BookTok cover chapters 16 through 18 of Sarah J. Maas' A Court of Mist and Fury.Sounding Out with Izzy: A Grrrl's Two Sound Cents PodcastHosted by Isabel Corp, founder of the feminist music blog A Grrrl's Two Sound Cents,...Listen on: Apple Podcasts SpotifySupport the show
This week I'm talking to Dr. Liana Silva. Liana is an English teacher in Houston Texas, Chair of the https://www.mla.org/About-Us/Governance/Committees/Committee-Listings/Professional-Issues/Committee-on-K-16-Alliances (Modern Language Association's Committee on K-16 Alliances) and Managing Editor of https://soundstudiesblog.com (Sounding Out blog). We discuss: The best book she's ever read, taught or learnt A brief introduction to her career to date and her school's recent switch to IB Liana's initial impressions of the IB curriculum and how staff and students are taking to it. The ways in which the school have had to amend the previous curriculum to meet the expectations of IB Where Liana stands on teaching traditional texts that ensure cultural capital for students v.s using texts that are more representative of global identities How the MLA Committee on K-16 Alliances better informs the work she does in the English classroom The best resource Liana has come across recently that has improved her teaching practice And if she could help change one thing in the U.S. for teachers, what it would be Thanks so much to Liana for bridging the massive time difference between Houston and Hong Kong in order to offer her ideas and advice on teaching. There is a passage of audio in the recording where it sounds as if the microphone is muffled or playing up in some way but in actual fact this just a curious cat, purring at the superb observations made by Dr. Silva. It does pass quickly and doesn't obscure the dialogue too much so please bear with it! If you'd like to be made aware of when more education chat like this happens then be sure to subscribe to the podcast and/or follow me on Twitter https://twitter.com/chrisjordanhk (@chrisjordanhk ) Links: https://www.amazon.com/Writing-Rich-High-School-Classroom-Engaging/dp/1606230239 (The Writing-Rich High School Classroom) by Jennifer Berne
What sounds are deemed ‘Black' or ‘White'? What values do we assign these judgments? How far back can these ideas be traced?We discuss the cultural politics of sound with English professor Jennifer Lynn Stoever of Binghamton University, author of “The Sonic Color Line.” She has sifted through slave narratives, music, and radio dramas to dissect the connection society makes between race and sound.We discuss efforts by White listeners to limit black voices, along with examples of Black resistance, and how the sonic color line affects Black and White lives today.Check out the Sounding Out! blog. See omnystudio.com/listener for privacy information.
Real Issues. Real Conversations. An Ohio Humanities Podcast.
Host Rachel Hopkin is joined by ethnographers Dr. Lucy Long, a folklorist and ethnomusicologist who teaches at Bowling Green State University in Ohio, and Iñigo Sánchez-Fuarros, an anthropologist with the Institute of Heritage Sciences at the Spanish National Research Council in Santiago de Compostela, Spain.Dr. Long is the founder and director of The Center for Food and Culture. An online exhibition of her Covid-related foodways research is available at https://comfortfoodwaysexhibit.wordpress.com. Dr. Sánchez-Fuarros is an anthropologist with the Institute of Heritage Sciences at the Spanish National Research Council. He is also the Principal Investigator of the Sounding Out the Tourist City project based in Lisbon, Portugal, which has been documenting the soundscape of the city both prior to and during the pandemic.Covid Conversations is a podcast series from the Center for Folklore Studies at the Ohio State University in which artists and humanities professionals from Ohio and their counterparts elsewhere in the world discuss how their lives and work have been affected by the Coronavirus pandemic.The series is funded by an OSU Global Arts and Humanities Discovery Theme grant and distributed by Ohio Humanities. It is produced and presented by radio producer and folklorist Rachel Hopkin and mastered by Paul Kotheimer at OSU.Music for this podcast is provided by Pixabay.For more about the Center for Folklore Studies, where the full recordings of each episode will be archived along with contextual information about each episode, please visit cfs.osu.edu.To learn more about Ohio Humanities podcasts and other projects and programs, please visit ohiohumanities.org.
Covid Conversations Episode 5 features two scholars who specialize in ethnographic fieldwork methods and who have undertaken ethnographic fieldwork since the pandemic began early in 2020. Lucy Long is a folklorist and ethnomusicologist who teaches at Bowling Green State University in Ohio. She is the founder and director of The Center for Food and Culture. An online exhibition of her Covid-related foodways research is available at comfortfoodwaysexhibit.wordpress.com. Iñigo Sánchez-Fuarros is an anthropologist with the Institute of Heritage Sciences, Spanish National Research Council in Santiago de Compostela in Spain. He is also the Principal Investigator of the Sounding Out the Tourist City project which is based in Lisbon, Portugal and which has been documenting the soundscape of the city both prior to and during Covid. Covid Conversations is funded by an OSU Global Arts and Humanities Discovery Theme grant. It is produced and presented by radio producer and folklorist Rachel Hopkin. Episode 5 was recorded on January 5, 2021.
This episode of The EXARC Show features Finally Friday guests Lara Comis and Simon Wyatt for “Sounding Out the Past". We have two different perspectives on the topic of sounds this month, Lara focusing on collecting ambient sounds relating to archaeological open air museum activities and crafts, and Simon exploring musical instruments of the past. Host Matilda Siebrecht listens in as our guests discuss some of the cognitive underpinnings of how we process sound, the many ways that sounds and music play into lives in the past, and the value of pausing and listening to the world around us. Tune in for conversation interspersed with soundscapes and reconstructed musical instruments to give your ears a treat from the past! As always, Finally Friday starts with a conversation between our guests and wraps up with questions from participants in the EXARC Discord. More information on joining us for future events can be found on The EXARC Show website. Support the show (https://exarc.net/become-member)
Darren has the charm of the Devil and Lorraine is the love of his life. As I edited their story, I realised I was editing 'West Side Story' cut-and-pasted into the heart of East London. It is a story of love...deep, abiding love, murder in self-defence and 28 years in prison with a life-defining ending. The song 'You and Me' was written by Darren for Lorraine after one visit when she was finding life particularly hard. Performed by Darren and members of band, The Pinnacle, as part of the Sounding Out project with The Irene Taylor Trust.Darren is now working with The Message helping advise and re-settle ex-offenders.Photograph: Nigel Henderson (1917-1985) 'Gillian Alexander at play, Chisenhale Road c.1950'
Darren has the charm of the Devil and Lorraine is the love of his life. As I edited their story, I realised I was editing 'West Side Story' cut-and-pasted into the heart of East London. It is a story of love...deep, abiding love, murder in self-defence and 28 years in prison with a life-defining ending. The song 'You and Me' was written by Darren for Lorraine after one visit when she was finding life particularly hard. Performed by Darren and members of band, The Pinnacle, as part of the Sounding Out project with The Irene Taylor Trust.Darren is now working with The Message helping advise and re-settle ex-offenders.Photograph: Nigel Henderson (1917-1985) 'Gillian Alexander at play, Chisenhale Road c.1950'
Music from 'The Pinnacle' in rehearsal and interviews with band members in their dressing-room after a performance at The South Bank Centre in London. Frank speaking about what music means to them on their journey through prison and now on the outside. 'Since 2012 the Irene Taylor Trust have been running their ‘through the gate’ programme, Sounding Out. The two year traineeship aims to provide longer-term rehabilitative opportunities to previous project participants in order to help bridge the gap between life inside and outside prison. Through a combination of live music performances and paid training placements participants are able to demonstrate on a very public platform the positivity, talent and creativity locked inside our prisons, challenging the often negative perceptions of people who have spent time in prison.' https://irenetaylortrust.comArt installation by Nam June Paik 'the father of video art' seen at Tate Modern 2019
Music from 'The Pinnacle' in rehearsal and interviews with band members in their dressing-room after a performance at The South Bank Centre in London. Frank speaking about what music means to them on their journey through prison and now on the outside. 'Since 2012 the Irene Taylor Trust have been running their ‘through the gate’ programme, Sounding Out. The two year traineeship aims to provide longer-term rehabilitative opportunities to previous project participants in order to help bridge the gap between life inside and outside prison. Through a combination of live music performances and paid training placements participants are able to demonstrate on a very public platform the positivity, talent and creativity locked inside our prisons, challenging the often negative perceptions of people who have spent time in prison.' https://irenetaylortrust.comArt installation by Nam June Paik 'the father of video art' seen at Tate Modern 2019
Joshua and Valerie provide a behind-the-scenes look at how You Got Thirty gets made. As usual, the conversation returns to technology and social media. Valerie makes a personal appeal to the audience. #BeviFan Shownotes Rhetoric in Podcasting – Sounding Out the Progymnasmata, by Eric Detweiler Valerie’s #BeviFan tweet Joshua’s bed jokes Joshua’s tumblr Subscribe […]
CLICK HERE TO DOWNLOAD: Listening In with Sounding Out! (Shauna Bahssin) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join host James Tlsty in the second installment of his podcast miniseries–“Listening In with Sounding Out!” In this miniseries Tlsty and co-host Shauna Bahssin dig deep into the archives of Sounding Out! and […]
CLICK HERE TO DOWNLOAD: Listening In with Sounding Out! (feat. Pavitra Sundar) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join host James Tlsty in the second installment of his podcast miniseries–“Listening In with Sounding Out!” In this miniseries Tlsty and co-host Shauna Bahssin dig deep into the archives of Sounding Out! […]
This episode, we talk with Jennifer Lynn Stoever--editor of the influential sound studies blog Sounding Out!--about her new book, The Sonic Color Line: Race and the Cultural Politics of Listening (NYU Press, 2016). We tend to think of race and racism as visual phenomena, but Stoever challenges white listeners to examine how racism can infect our ears, altering the sound of the world and other people. We discuss the history of American prejudicial listening since slavery and learn how African American writers and musicians have pushed back against this invisible "sonic color line.”Works discussed include Richard Wright's Native Son and music by Huddie Ledbetter (Lead Belly), Fishbone, and Lena Horne.Additional music by Graeme Gibson and Blue the Fifth. Transcript [low humming playing] [CRIS CHEEK]This…is…Phantom Power. [COMPUTERIZED VOICE]Episode 5. [CRIS]Ears racing. [low humming and contemporary music fades in] [MACK HAGOOD]Race. We think of it as a visual phenomenon. [CRIS]But race has sound too. [DIFFERENT VOICES GIVING GREETINGS]Hey guys, welcome back. Hi sisters. Hey Jim, (inaudible). Hey everyone. Hey! [CRIS]When you heard those voices, did you give them a race, a class, perhaps some kind of assignation of character and if so, why do we do this? Where does this discriminating ear come from? [MACK]I’m Mack Hagood, [CRIS] and I’m cris cheek. [MACK]Today on Phantom Power we listen, to race or to put it more correctly, we examine how we are always listening to race. Our guide is Jennifer Lynn Stoever, Associate Professor of English at the State University of New York Binghamton. Stover is the author of the “Sonic Color Line: Race and the Cultural Politics of Listening” a book that argues that white racism depends just as much on the ear as it does the eye. She shows how listening has been used since slavery to distinguish and separate black and white and how African American artists and critics like Richard Wright Leadbelly and Lena Horne have identified, critiqued, and push the boundaries of this sonic color line. [techno-like music and a choir play in the background, then fade out] [MACK]Cris, when I spoke to Jennifer, she reminded me of a story that really shows how high the stakes of this kind of listening can be. [JENNIFER STOEVER]You know, I talk in the opening of the book about the case of Jordan Davis. [piano music fades in] [MALE NEWS REPORTER]It happened November 23rd, 47-year-old Michael Dunn told investigators he felt threatened at a gas station. Parked side by side with an SUV full of teenagers, the alleged gunman complained they were playing their music too loud. [JENNIFER]Jordan and his friends are playing hip hop at the gas pump. They were driving they had their music on. They were getting gas. Gas stations in theory (are) a transitory shared space where we all come in with our music we pump our gas and we leave. [MALE NEWS REPORTER]Detective say Dunn confronted Davis who was in the backseat and told him to turn the music down. [JENNIFER]The white man at question felt a proprietary access to the soundscape both it if he decided it was too loud, is too loud for everybody there, that his sensibility should be catered to. That there is a way that a gas station should sound and hip hop is not part of that. And when they said no, he saw that as as aggression. [MALE NEWS REPORTER]Dunn’s attorney says his client thought he saw a gun so he pulled his own weapon and started shooting. [last line echos a few times] [JENNIFER]Shot into the car. [MALE NEWS REPORTER]Firing at least eight shots. [JENNIFER]And killed a young man. [MALE NEWS REPORTER]Investigators never found a gun and the teen’s car. [ethereal music plays in the background] [MACK]In her book, Jennifer Stoever has a term for the way Michael Dunn heard Jordan Davis at that gas station back in 2012. The listening ear. [ethereal music cuts out] [JENNIFER]The listening ear helps us get at what’s really happening in a case li...
CLICK HERE TO DOWNLOAD: Listening In with Sounding Out! (feat. Claire Cooley) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join host James Tlsty in the second installment of his podcast miniseries–“Listening In with Sounding Out!” In this miniseries Tlsty and co-host Shauna Bahssin dig deep into the archives of Sounding Out! […]
CLICK HERE TO DOWNLOAD: Listening In with Sounding Out! (feat. Marlen Rios) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join host James Tlsty in the second installment of his podcast miniseries–“Listening In with Sounding Out!” In this miniseries Tlsty and co-host Shauna Bahssin dig deep into the archives of Sounding Out! […]
How often do you think about how you listen? What assumptions do you make about a person’s voice, their pitch or accent? What sound is desirable, and what’s rejected as noise? Prof. Jennifer Stoever thinks about these questions, a lot. And so do a growing number of scholars working in a field called Sound Studies. […] The post Podcast #132 – Sounding Out on the Cultural Politics of Sound & Listening appeared first on Radio Survivor.
How often do you think about how you listen? What assumptions do you make about a person’s voice, their pitch or accent? What sound is desirable, and what’s rejected as noise? Prof. Jennifer Stoever thinks about these questions, a lot. And so do a growing number of scholars working in a field called Sound Studies. […] The post Podcast #132 – Sounding Out on the Cultural Politics of Sound & Listening appeared first on Radio Survivor.
We often think of racism as operating solely on a visual level - judgments based on skin color or facial features. But what about sounds? What judgments of intelligence, education, and personality lie behind ideas about sounding ‘white’ or ‘black’?Jennifer Lynn Stoever is Associate Professor of English at Binghamton University in New York, and Editor-in-Chief of the blog, “Sounding Out!”. She joins us ahead of a talk she’ll give Thursday at the University of Maryland Baltimore County on her book, “The Sonic Color Line: Race and the Cultural Politics of Listening”.
CLICK HERE TO DOWNLOAD: Listening In with Sounding Out! (feat. Jenny Stoever) SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST Join host James Tlsty as he kicks off a special podcast miniseries–“Listening In with Sounding Out!” In this miniseries Tlsty and co-host Shauna Bahssin dig deep into the archives of Sounding Out! […]
Have you ever watched a futuristic movie and wondered if there will actually be any black people in the future? Have you ever been surprised, disappointed, or concerned with the lack of diversity demonstrated in many science fiction stories? In Speculative Blackness: The Future of Race in Science Fiction (University of Minnesota Press, 2016) the author analyzes the highly racialized genre of speculative fiction including science fiction, fantasy, and utopian works, along with their fan culture to illustrate the relationship between genre conventions in media and the meanings ascribed to blackness in the popular imagination. Speculative Blackness: The Future of Race in Science reveals new understandings of the significance of blackness in twentieth-century American literature and culture and interrogates the meanings of race and genre through studies of science fiction, fanzines, comics, film and television, and other speculative fiction texts. Author and professor Andre Carrington earned his bachelors degree in African American Studies from Macalester College and a Ph.D. in American Studies from New York University. He is now an assistant professor of English at Drexel University, where he teaches courses on African American Literature, Comics & Graphic Novels, LGBT Literature and Culture, Global Black Literature and Literary Theory. His research focuses on the cultural politics of race, gender, and genre in 20th century Black and American literature and the arts. Carrington has devoted particular attention to considerations of cultural production and identity, especially those articulated in feminist criticism, critical race theory, performance studies and Marxism. In addition to his book Speculative Blackness: The Future of Race in Science Fiction, Dr. Carringtons writings have appeared in the journals Present Tense, Sounding Out!, Callaloo, and African & Black Diaspora. In 2015, he organized the first international Queers & Comics conference through CLAGS: The Center for LGBTQ Studies in New York. His current research project, “Audiofuturism,” explores literary adaptation and sound studies through the analysis of science fiction radio plays based on the work of black authors. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices
Have you ever watched a futuristic movie and wondered if there will actually be any black people in the future? Have you ever been surprised, disappointed, or concerned with the lack of diversity demonstrated in many science fiction stories? In Speculative Blackness: The Future of Race in Science Fiction (University of Minnesota Press, 2016) the author analyzes the highly racialized genre of speculative fiction including science fiction, fantasy, and utopian works, along with their fan culture to illustrate the relationship between genre conventions in media and the meanings ascribed to blackness in the popular imagination. Speculative Blackness: The Future of Race in Science reveals new understandings of the significance of blackness in twentieth-century American literature and culture and interrogates the meanings of race and genre through studies of science fiction, fanzines, comics, film and television, and other speculative fiction texts. Author and professor Andre Carrington earned his bachelors degree in African American Studies from Macalester College and a Ph.D. in American Studies from New York University. He is now an assistant professor of English at Drexel University, where he teaches courses on African American Literature, Comics & Graphic Novels, LGBT Literature and Culture, Global Black Literature and Literary Theory. His research focuses on the cultural politics of race, gender, and genre in 20th century Black and American literature and the arts. Carrington has devoted particular attention to considerations of cultural production and identity, especially those articulated in feminist criticism, critical race theory, performance studies and Marxism. In addition to his book Speculative Blackness: The Future of Race in Science Fiction, Dr. Carringtons writings have appeared in the journals Present Tense, Sounding Out!, Callaloo, and African & Black Diaspora. In 2015, he organized the first international Queers & Comics conference through CLAGS: The Center for LGBTQ Studies in New York. His current research project, “Audiofuturism,” explores literary adaptation and sound studies through the analysis of science fiction radio plays based on the work of black authors. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices
Have you ever watched a futuristic movie and wondered if there will actually be any black people in the future? Have you ever been surprised, disappointed, or concerned with the lack of diversity demonstrated in many science fiction stories? In Speculative Blackness: The Future of Race in Science Fiction (University of Minnesota Press, 2016) the author analyzes the highly racialized genre of speculative fiction including science fiction, fantasy, and utopian works, along with their fan culture to illustrate the relationship between genre conventions in media and the meanings ascribed to blackness in the popular imagination. Speculative Blackness: The Future of Race in Science reveals new understandings of the significance of blackness in twentieth-century American literature and culture and interrogates the meanings of race and genre through studies of science fiction, fanzines, comics, film and television, and other speculative fiction texts. Author and professor Andre Carrington earned his bachelors degree in African American Studies from Macalester College and a Ph.D. in American Studies from New York University. He is now an assistant professor of English at Drexel University, where he teaches courses on African American Literature, Comics & Graphic Novels, LGBT Literature and Culture, Global Black Literature and Literary Theory. His research focuses on the cultural politics of race, gender, and genre in 20th century Black and American literature and the arts. Carrington has devoted particular attention to considerations of cultural production and identity, especially those articulated in feminist criticism, critical race theory, performance studies and Marxism. In addition to his book Speculative Blackness: The Future of Race in Science Fiction, Dr. Carringtons writings have appeared in the journals Present Tense, Sounding Out!, Callaloo, and African & Black Diaspora. In 2015, he organized the first international Queers & Comics conference through CLAGS: The Center for LGBTQ Studies in New York. His current research project, “Audiofuturism,” explores literary adaptation and sound studies through the analysis of science fiction radio plays based on the work of black authors. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices
Have you ever watched a futuristic movie and wondered if there will actually be any black people in the future? Have you ever been surprised, disappointed, or concerned with the lack of diversity demonstrated in many science fiction stories? In Speculative Blackness: The Future of Race in Science Fiction (University of Minnesota Press, 2016) the author analyzes the highly racialized genre of speculative fiction including science fiction, fantasy, and utopian works, along with their fan culture to illustrate the relationship between genre conventions in media and the meanings ascribed to blackness in the popular imagination. Speculative Blackness: The Future of Race in Science reveals new understandings of the significance of blackness in twentieth-century American literature and culture and interrogates the meanings of race and genre through studies of science fiction, fanzines, comics, film and television, and other speculative fiction texts. Author and professor Andre Carrington earned his bachelors degree in African American Studies from Macalester College and a Ph.D. in American Studies from New York University. He is now an assistant professor of English at Drexel University, where he teaches courses on African American Literature, Comics & Graphic Novels, LGBT Literature and Culture, Global Black Literature and Literary Theory. His research focuses on the cultural politics of race, gender, and genre in 20th century Black and American literature and the arts. Carrington has devoted particular attention to considerations of cultural production and identity, especially those articulated in feminist criticism, critical race theory, performance studies and Marxism. In addition to his book Speculative Blackness: The Future of Race in Science Fiction, Dr. Carringtons writings have appeared in the journals Present Tense, Sounding Out!, Callaloo, and African & Black Diaspora. In 2015, he organized the first international Queers & Comics conference through CLAGS: The Center for LGBTQ Studies in New York. His current research project, “Audiofuturism,” explores literary adaptation and sound studies through the analysis of science fiction radio plays based on the work of black authors. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices
Have you ever watched a futuristic movie and wondered if there will actually be any black people in the future? Have you ever been surprised, disappointed, or concerned with the lack of diversity demonstrated in many science fiction stories? In Speculative Blackness: The Future of Race in Science Fiction (University of Minnesota Press, 2016) the author analyzes the highly racialized genre of speculative fiction including science fiction, fantasy, and utopian works, along with their fan culture to illustrate the relationship between genre conventions in media and the meanings ascribed to blackness in the popular imagination. Speculative Blackness: The Future of Race in Science reveals new understandings of the significance of blackness in twentieth-century American literature and culture and interrogates the meanings of race and genre through studies of science fiction, fanzines, comics, film and television, and other speculative fiction texts. Author and professor Andre Carrington earned his bachelors degree in African American Studies from Macalester College and a Ph.D. in American Studies from New York University. He is now an assistant professor of English at Drexel University, where he teaches courses on African American Literature, Comics & Graphic Novels, LGBT Literature and Culture, Global Black Literature and Literary Theory. His research focuses on the cultural politics of race, gender, and genre in 20th century Black and American literature and the arts. Carrington has devoted particular attention to considerations of cultural production and identity, especially those articulated in feminist criticism, critical race theory, performance studies and Marxism. In addition to his book Speculative Blackness: The Future of Race in Science Fiction, Dr. Carringtons writings have appeared in the journals Present Tense, Sounding Out!, Callaloo, and African & Black Diaspora. In 2015, he organized the first international Queers & Comics conference through CLAGS: The Center for LGBTQ Studies in New York. His current research project, “Audiofuturism,” explores literary adaptation and sound studies through the analysis of science fiction radio plays based on the work of black authors. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
Have you ever watched a futuristic movie and wondered if there will actually be any black people in the future? Have you ever been surprised, disappointed, or concerned with the lack of diversity demonstrated in many science fiction stories? In Speculative Blackness: The Future of Race in Science Fiction (University of Minnesota Press, 2016) the author analyzes the highly racialized genre of speculative fiction including science fiction, fantasy, and utopian works, along with their fan culture to illustrate the relationship between genre conventions in media and the meanings ascribed to blackness in the popular imagination. Speculative Blackness: The Future of Race in Science reveals new understandings of the significance of blackness in twentieth-century American literature and culture and interrogates the meanings of race and genre through studies of science fiction, fanzines, comics, film and television, and other speculative fiction texts. Author and professor Andre Carrington earned his bachelors degree in African American Studies from Macalester College and a Ph.D. in American Studies from New York University. He is now an assistant professor of English at Drexel University, where he teaches courses on African American Literature, Comics & Graphic Novels, LGBT Literature and Culture, Global Black Literature and Literary Theory. His research focuses on the cultural politics of race, gender, and genre in 20th century Black and American literature and the arts. Carrington has devoted particular attention to considerations of cultural production and identity, especially those articulated in feminist criticism, critical race theory, performance studies and Marxism. In addition to his book Speculative Blackness: The Future of Race in Science Fiction, Dr. Carringtons writings have appeared in the journals Present Tense, Sounding Out!, Callaloo, and African & Black Diaspora. In 2015, he organized the first international Queers & Comics conference through CLAGS: The Center for LGBTQ Studies in New York. His current research project, “Audiofuturism,” explores literary adaptation and sound studies through the analysis of science fiction radio plays based on the work of black authors. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices
We wrote and recorded a guest post for Sounding Out for World Listening Month in July of 2013. You can see the post here: http://soundstudiesblog.com/2013/07/22/we-wanted-to-tell-stories-about-sound/
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