Podcast appearances and mentions of emily neumeier

The Hagia Sophia is a landmark that has stood for 1500 years, and that players can clamber all over in Assassin's Creed Revelations. It is remarkable not only for its longevity, but also for its blending of multiple cultures: their art, architecture, languages and faiths.To unpack this complex history, Matt Lewis is joined by Emily Neumeier, Assistant Professor of of Islamic art and architecture at Temple University.Echoes of History is a Ubisoft podcast, brought to you by History Hit. Hosted by: Matt LewisEdited by: Alex JonesProduced by: Matt Lewis, Robin McConnellSenior Producer: Anne-Marie LuffProduction Coordinator: Beth DonaldsonExecutive Producers: Etienne Bouvier, Julien Fabre, Steve Lanham, Jen BennettMusic:Altair and Darim by Lorne BalfeConstantinopolis by Lorne BalfeWelcome to Kostantiniyye by Jesper KydArrocco by Lorne BalfeIf you liked this podcast please subscribe, share, rate & review. You can take part in our listener survey here: https://uk.surveymonkey.com/r/6FFT7MKTell us your favourite episode or Assassin's Creed game at echoes-of-history@historyhit.com Hosted on Acast. See acast.com/privacy for more information.

A conversation with Emily Neumeier (Temple University) about Ali Pasha of Ioannina (d. 1822), a powerful Ottoman governor of Albanian origin who created a quasi-independent realm at a time when the Ottoman empire was feared to be collapsing. We talk about how he crated his own brand-image, in part by forging closer relations with his Christian Greek subjects and also through archaeological work and use of antiquities. His was an almost post-imperial world, but the nation-state had not yet arrived. We also talk about the concept of the "post-Byzantine," which is used, especially in art history, for works of this period. The conversation is based on three of Emily's articles -- "Mediating Legacies of Empire," "Rivaling Elgin," and "Spoils for the New Pyrrhus" -- that you can find on her academia webpage.

In this episode, Emily Neumeier is joined by Özlem Yıldız and Nicole Emser Marcel to discuss podcasting in the classroom, reflecting on the unique challenges and benefits of taking on a research project whose final product is geared for a more general audience—the wider public. They also offer some more practical advice and insights for listeners who are interested in using podcasting in their own pedagogy. The podcast series under discussion is forthcoming. You can visit and listen to the STELLA ONLINE: Monument Biography podcast here: https://www.stellaonline.art/monument-bio Emily Neumeier is Assistant Professor of Islamic Art and Architecture at Temple University. She aims to encourage her students to explore emerging technologies in their own research and engage in public scholarship. Özlem Yıldız is a Ph.D. student in art history at Temple University in Philadelphia, focusing on cross-cultural exchanges in Ottoman and Safavid illustrated manuscripts from the sixteenth and seventeenth centuries. She holds an MA in history of Islamic art from SOAS University of London, an MA in history and a BA in political sciences from Sabancı University in Istanbul. Nicole Emser Marcel studies modern and contemporary Caribbean art at Temple University in Philadelphia. Her research interests include iconoclasm, geography, feminist theory, and religion. She holds a M.A. in Art History from American University and a B.A. in History from Xavier University. She previously taught at IUPUI in Indianapolis and worked at the National Women's History Museum in Washington, DC.

"Professors Alex Dika Seggerman (Rutgers University-Newark) and Emily Neumeier (Temple University) discuss their experience incorporating Wikipedia in the classroom, suggesting different types of assignments, the feminist origins of the “edit-a-thon” and how teaching students about the reliability and structure of online knowledge is perhaps one of the most pressing issues of our day. For more information about working with Wiki Edu in your classroom go to: https://wikiedu.org/teach-with-wikipedia/ Emily Neumeier is assistant professor of Art History at Temple University. She specializes in the visual and spatial cultures of the Eastern Mediterranean, with a focus on the Ottoman Empire. Alex Dika Seggerman is assistant professor of Islamic art history at Rutgers University-Newark. She is author of Modernism on the Nile: Art in Egypt between the Islamic and the Contemporary (UNC Press, 2019) and co-editor of Making Modernity in the Islamic Mediterranean (Indiana University, 2022).

Episode 473 with Elisabeth Fraser hosted by Emily NeumeierFor centuries, people have been documenting their travels with images, which purportedly function as visual evidence for someone's experience far from home. This was no less the case for Europeans touring through Ottoman lands, who created a whole industry selling pictures from their time abroad. In this episode, Elisabeth Fraser explains how Western European artists at the turn of the eighteenth century began to create a new type of popular media, the illustrated travel volume. But these were not small guide books to tuck away in your pocket, they were large-scale luxury publications for the discerning armchair traveler. The enormous size and high production quality of these books and the accompanying images means that they were not the work of a single person but rather a large team of artists. Reflecting on these questions of authenticity, Dr. Fraser discusses how her research aims to take up a more nuanced view of the complexities of cross-cultural encounter. « Click for More »

Episode 473 with Elisabeth Fraser hosted by Emily NeumeierFor centuries, people have been documenting their travels with images, which purportedly function as visual evidence for someone's experience far from home. This was no less the case for Europeans touring through Ottoman lands, who created a whole industry selling pictures from their time abroad. In this episode, Elisabeth Fraser explains how Western European artists at the turn of the eighteenth century began to create a new type of popular media, the illustrated travel volume. But these were not small guide books to tuck away in your pocket, they were large-scale luxury publications for the discerning armchair traveler. The enormous size and high production quality of these books and the accompanying images means that they were not the work of a single person but rather a large team of artists. Reflecting on these questions of authenticity, Dr. Fraser discusses how her research aims to take up a more nuanced view of the complexities of cross-cultural encounter. « Click for More »

Episode 473 with Elisabeth Fraser hosted by Emily NeumeierFor centuries, people have been documenting their travels with images, which purportedly function as visual evidence for someone’s experience far from home. This was no less the case for Europeans touring through Ottoman lands, who created a whole industry selling pictures from their time abroad. In this episode, Elisabeth Fraser explains how Western European artists at the turn of the eighteenth century began to create a new type of popular media, the illustrated travel volume. But these were not small guide books to tuck away in your pocket, they were large-scale luxury publications for the discerning armchair traveler. The enormous size and high production quality of these books and the accompanying images means that they were not the work of a single person but rather a large team of artists. Reflecting on these questions of authenticity, Dr. Fraser discusses how her research aims to take up a more nuanced view of the complexities of cross-cultural encounter. « Click for More »

Episode 465 with Robyn Dora Radway hosted by Emily NeumeierWhat was it like to be a foreigner living in Ottoman Istanbul? In this episode, our guest Robyn Dora Radway answers this question by providing an in-depth look at an unusual type of document: alba amicorum, or friendship albums, which were essentially the social media of the sixteenth century. Produced in the Habsburg embassy (aka the “German House"), these albums functioned like yearbooks in that the owners residing in the embassy would strive to collect all manner of mementos from their time abroad, including signatures, poems, short anecdotes, and even drawings and paintings. At the German House, men from all walks of life would end up assembling their own album amicorum, from the Habsburg ambassador to the cook (who was quite popular and had the largest album by far). We discuss how these albums can thus serve as a valuable resource for historians, as they offer a full picture of the social makeup of these kinds of diplomatic spaces—information that does not often turn up in more traditional archives. « Click for More »

Episode 465 with Robyn Dora Radway hosted by Emily NeumeierWhat was it like to be a foreigner living in Ottoman Istanbul? In this episode, our guest Robyn Dora Radway answers this question by providing an in-depth look at an unusual type of document: alba amicorum, or friendship albums, which were essentially the social media of the sixteenth century. Produced in the Habsburg embassy (aka the “German House"), these albums functioned like yearbooks in that the owners residing in the embassy would strive to collect all manner of mementos from their time abroad, including signatures, poems, short anecdotes, and even drawings and paintings. At the German House, men from all walks of life would end up assembling their own album amicorum, from the Habsburg ambassador to the cook (who was quite popular and had the largest album by far). We discuss how these albums can thus serve as a valuable resource for historians, as they offer a full picture of the social makeup of these kinds of diplomatic spaces—information that does not often turn up in more traditional archives. « Click for More »

Episode 465 with Robyn Dora Radway hosted by Emily NeumeierWhat was it like to be a foreigner living in Ottoman Istanbul? In this episode, our guest Robyn Dora Radway answers this question by providing an in-depth look at an unusual type of document: alba amicorum, or friendship albums, which were essentially the social media of the sixteenth century. Produced in the Habsburg embassy (aka the “German House"), these albums functioned like yearbooks in that the owners residing in the embassy would strive to collect all manner of mementos from their time abroad, including signatures, poems, short anecdotes, and even drawings and paintings. At the German House, men from all walks of life would end up assembling their own album amicorum, from the Habsburg ambassador to the cook (who was quite popular and had the largest album by far). We discuss how these albums can thus serve as a valuable resource for historians, as they offer a full picture of the social makeup of these kinds of diplomatic spaces—information that does not often turn up in more traditional archives. « Click for More »

Episode 407with Heghnar Watenpaughhosted by Emily NeumeierDownload the podcastFeed | iTunes | GooglePlay | SoundCloudThe genre of biography usually applies to people, but could a similar approach be applied to an object? Can a thing have a life of its own? In this episode, Heghnar Watenpaugh explores this question by tracing the long journey of the Zeytun Gospels, a famous illuminated manuscript considered to be a masterpiece of medieval Armenian art. Protected for centuries in a remote church in eastern Anatolia, the sacred book traveled with the waves of people displaced by the Armenian genocide. Passed from hand to hand, caught in the chaos of the First World War, it was divided in two. Decades later, the manuscript found its way to the Republic of Armenia, while its missing eight pages came to the Getty Museum in LA. In this interview, we discuss how the Zeytun Gospels could be understood as a "survivor object," contributing to current discussions about the destruction of cultural heritage. We also talk about the challenges of writing history for a broader reading public.« Click for More »

Episode 407with Heghnar Watenpaughhosted by Emily NeumeierDownload the podcastFeed | iTunes | GooglePlay | SoundCloudThe genre of biography usually applies to people, but could a similar approach be applied to an object? Can a thing have a life of its own? In this episode, Heghnar Watenpaugh explores this question by tracing the long journey of the Zeytun Gospels, a famous illuminated manuscript considered to be a masterpiece of medieval Armenian art. Protected for centuries in a remote church in eastern Anatolia, the sacred book traveled with the waves of people displaced by the Armenian genocide. Passed from hand to hand, caught in the chaos of the First World War, it was divided in two. Decades later, the manuscript found its way to the Republic of Armenia, while its missing eight pages came to the Getty Museum in LA. In this interview, we discuss how the Zeytun Gospels could be understood as a "survivor object," contributing to current discussions about the destruction of cultural heritage. We also talk about the challenges of writing history for a broader reading public.« Click for More »

Episode 407with Heghnar Watenpaughhosted by Emily NeumeierDownload the podcastFeed | iTunes | GooglePlay | SoundCloudThe genre of biography usually applies to people, but could a similar approach be applied to an object? Can a thing have a life of its own? In this episode, Heghnar Watenpaugh explores this question by tracing the long journey of the Zeytun Gospels, a famous illuminated manuscript considered to be a masterpiece of medieval Armenian art. Protected for centuries in a remote church in eastern Anatolia, the sacred book traveled with the waves of people displaced by the Armenian genocide. Passed from hand to hand, caught in the chaos of the First World War, it was divided in two. Decades later, the manuscript found its way to the Republic of Armenia, while its missing eight pages came to the Getty Museum in LA. In this interview, we discuss how the Zeytun Gospels could be understood as a "survivor object," contributing to current discussions about the destruction of cultural heritage. We also talk about the challenges of writing history for a broader reading public.« Click for More »

Episode 407with Heghnar Watenpaughhosted by Emily NeumeierDownload the podcastFeed | iTunes | GooglePlay | SoundCloudThe genre of biography usually applies to people, but could a similar approach be applied to an object? Can a thing have a life of its own? In this episode, Heghnar Watenpaugh explores this question by tracing the long journey of the Zeytun Gospels, a famous illuminated manuscript considered to be a masterpiece of medieval Armenian art. Protected for centuries in a remote church in eastern Anatolia, the sacred book traveled with the waves of people displaced by the Armenian genocide. Passed from hand to hand, caught in the chaos of the First World War, it was divided in two. Decades later, the manuscript found its way to the Republic of Armenia, while its missing eight pages came to the Getty Museum in LA. In this interview, we discuss how the Zeytun Gospels could be understood as a "survivor object," contributing to current discussions about the destruction of cultural heritage. We also talk about the challenges of writing history for a broader reading public.« Click for More »

Episode 369with Jane Hathawayhosted by Sanja Kadrić and Emily NeumeierDownload the podcastFeed | iTunes | GooglePlay | SoundCloudFor more than three centuries, a cadre of African eunuchs were responsible for guarding the Ottoman harem at the imperial palace in Istanbul. The head of this group, the Chief Harem Eunuch, emerged as an extremely influential individual at the court. This was especially true during the crisis years of the long seventeenth century, when the palace became divided along ever-shifting lines of political factions. In this episode, we trace the long trajectory of the office of Chief Harem Eunuch, from its establishment—coinciding with the sultan's decision to begin residing full-time in the harem—until the ultimate demise of the empire. In particular, we highlight the high degree of mobility for these eunuchs, beginning with their initial journey from Ethiopia to the shores of the Bosphorus, and later on using their position to maintain strong ties to Cairo as well as the Holy Cities of Mecca and Medina. A liminal figure in every sense of the word—in terms of gender, race, and his duties at the court—the Chief Harem Eunuch offers unique insights into the nature of political life at the Ottoman palace. « Click for More »

Episode 369with Jane Hathawayhosted by Sanja Kadrić and Emily NeumeierDownload the podcastFeed | iTunes | GooglePlay | SoundCloudFor more than three centuries, a cadre of African eunuchs were responsible for guarding the Ottoman harem at the imperial palace in Istanbul. The head of this group, the Chief Harem Eunuch, emerged as an extremely influential individual at the court. This was especially true during the crisis years of the long seventeenth century, when the palace became divided along ever-shifting lines of political factions. In this episode, we trace the long trajectory of the office of Chief Harem Eunuch, from its establishment—coinciding with the sultan’s decision to begin residing full-time in the harem—until the ultimate demise of the empire. In particular, we highlight the high degree of mobility for these eunuchs, beginning with their initial journey from Ethiopia to the shores of the Bosphorus, and later on using their position to maintain strong ties to Cairo as well as the Holy Cities of Mecca and Medina. A liminal figure in every sense of the word—in terms of gender, race, and his duties at the court—the Chief Harem Eunuch offers unique insights into the nature of political life at the Ottoman palace. « Click for More »

Episode 369with Jane Hathawayhosted by Sanja Kadrić and Emily NeumeierDownload the podcastFeed | iTunes | GooglePlay | SoundCloudFor more than three centuries, a cadre of African eunuchs were responsible for guarding the Ottoman harem at the imperial palace in Istanbul. The head of this group, the Chief Harem Eunuch, emerged as an extremely influential individual at the court. This was especially true during the crisis years of the long seventeenth century, when the palace became divided along ever-shifting lines of political factions. In this episode, we trace the long trajectory of the office of Chief Harem Eunuch, from its establishment—coinciding with the sultan’s decision to begin residing full-time in the harem—until the ultimate demise of the empire. In particular, we highlight the high degree of mobility for these eunuchs, beginning with their initial journey from Ethiopia to the shores of the Bosphorus, and later on using their position to maintain strong ties to Cairo as well as the Holy Cities of Mecca and Medina. A liminal figure in every sense of the word—in terms of gender, race, and his duties at the court—the Chief Harem Eunuch offers unique insights into the nature of political life at the Ottoman palace. « Click for More »

Episode 297with Massumeh Farhad & Simon Rettighosted by Emily NeumeierDownload the podcastFeed | iTunes | GooglePlay | SoundCloudThe preeminent position of manuscript painting and poetry at the Ottoman court has been well established by historians, yet the equally important practice of commissioning and collecting sumptuously decorated copies of the Qur'an--the sacred text of Islam--has been less explored. The role of the Qur'an in the artistic culture of the Ottoman world is just one facet of the landmark exhibition The Art of the Qur'an: Treasures from the Museum of Turkish and Islamic Arts, on display at the Smithsonian Institution in Washington DC. The show traces the formal evolution of the Qur'an, especially in terms of calligraphy and manuscript illumination, with over 60 manuscripts and folios spanning a thousand years and created in an area stretching from Egypt to Afghanistan. Besides having an opportunity to appreciate the level of labor and skill invested in producing such high-quality manuscripts, visitors will also be surprised to learn about the mobility of these books, as they were avidly collected, repaired, and donated by members of the Ottoman court to various religious institutions around the empire. In this episode, curators Massumeh Farhad and Simon Rettig sit down with us to reflect both on the reception of the exhibition in the United States, as well as the process of organizing this collaborative venture between the Smithsonian and the Museum of Turkish and Islamic Arts in Istanbul. « Click for More »

Episode 297with Massumeh Farhad & Simon Rettighosted by Emily NeumeierDownload the podcastFeed | iTunes | GooglePlay | SoundCloudThe preeminent position of manuscript painting and poetry at the Ottoman court has been well established by historians, yet the equally important practice of commissioning and collecting sumptuously decorated copies of the Qur'an--the sacred text of Islam--has been less explored. The role of the Qur'an in the artistic culture of the Ottoman world is just one facet of the landmark exhibition The Art of the Qur'an: Treasures from the Museum of Turkish and Islamic Arts, on display at the Smithsonian Institution in Washington DC. The show traces the formal evolution of the Qur'an, especially in terms of calligraphy and manuscript illumination, with over 60 manuscripts and folios spanning a thousand years and created in an area stretching from Egypt to Afghanistan. Besides having an opportunity to appreciate the level of labor and skill invested in producing such high-quality manuscripts, visitors will also be surprised to learn about the mobility of these books, as they were avidly collected, repaired, and donated by members of the Ottoman court to various religious institutions around the empire. In this episode, curators Massumeh Farhad and Simon Rettig sit down with us to reflect both on the reception of the exhibition in the United States, as well as the process of organizing this collaborative venture between the Smithsonian and the Museum of Turkish and Islamic Arts in Istanbul. « Click for More »

Episode 297with Massumeh Farhad & Simon Rettighosted by Emily NeumeierDownload the podcastFeed | iTunes | GooglePlay | SoundCloudThe preeminent position of manuscript painting and poetry at the Ottoman court has been well established by historians, yet the equally important practice of commissioning and collecting sumptuously decorated copies of the Qur’an--the sacred text of Islam--has been less explored. The role of the Qur’an in the artistic culture of the Ottoman world is just one facet of the landmark exhibition The Art of the Qur’an: Treasures from the Museum of Turkish and Islamic Arts, on display at the Smithsonian Institution in Washington DC. The show traces the formal evolution of the Qur’an, especially in terms of calligraphy and manuscript illumination, with over 60 manuscripts and folios spanning a thousand years and created in an area stretching from Egypt to Afghanistan. Besides having an opportunity to appreciate the level of labor and skill invested in producing such high-quality manuscripts, visitors will also be surprised to learn about the mobility of these books, as they were avidly collected, repaired, and donated by members of the Ottoman court to various religious institutions around the empire. In this episode, curators Massumeh Farhad and Simon Rettig sit down with us to reflect both on the reception of the exhibition in the United States, as well as the process of organizing this collaborative venture between the Smithsonian and the Museum of Turkish and Islamic Arts in Istanbul. « Click for More »

with Lorenz Kornhosted by Emily Neumeier and Sotirios DimitriadisDownload the podcastFeed | iTunes | GooglePlay | SoundCloudThe fountain standing in the Hippodrome (At Meydanı) in Istanbul, located just a few steps away from some of Turkey's most famous tourist attractions like Hagia Sophia and the Blue Mosque, doesn't attract much notice these days. But wrapped up in this monument, gifted to the people of the city by the German Emperor Wilhelm II, is a story that sheds some light on the bilateral relations between the Ottoman Empire and their European neighbors before WWI. What is the role that the arts play in this diplomatic relationship? Under what conditions could such an object be inserted in the topography of Istanbul's historic monuments? In this episode, Emily Neumeier and Sotirios Dimitriadis speak with Lorenz Korn about his research on the imperial fountain, tracing the process of its design, construction and reception.« Click for More »

with Paolo Girardellihosted by Emily NeumeierDownload the podcastFeed | iTunes | GooglePlay | SoundCloudIn the classical Ottoman period, European embassies in Istanbul pretty much looked like any other residential building. At the end of the eighteenth century, however, a period of dramatic geo-political and social change, official foreign residences likewise underwent a process of transformation. Architectural designs shifted from Ottoman to Western styles, and these landmarks became increasingly prominent and visible in the urban landscape. In this episode, Emily Neumeier speaks with Paolo Girardelli about how Pera became the “district of diplomacy” in the Ottoman capital, the subject of his forthcoming book project, Landscapes of the Eastern Question: Architecture and Identity in Galata, Pera, and the Bosphorus, 1774-1919.« Click for More »

with Emine Fetvacıhosted by Emily Neumeier and Nir ShafirEmine Fetvacı discusses her research for Picturing History at the Ottoman Court (Indiana University Press) with Emily Neumeier and Nir Shafir.Download the episodePodcast Feed | iTunes | SoundcloudIn the second half of the sixteenth century, the Ottoman court became particularly invested in writing its own history. This initiative primarily took the form of official chronicles, and the court historian (şehnameci), a new position established in the 1550s, set to work producing manuscripts accompanied by lavish illustrations. However, the paintings in these texts should not be understood merely as passive descriptions of historical events. Rather, these images served as complex conveyors of meaning in their own right, designed by teams of artists to satisfy the aspirations of their patrons, which included not only the sultan but also other members of the court. In this episode, Emily Neumeier and Nir Shafir speak with Emine Fetvacı about these illustrated histories, the subject of her 2013 volume Picturing History at the Ottoman Court. « Click for More »

with Emine Fetvacıhosted by Emily Neumeier and Nir ShafirEmine Fetvacı discusses her research for Picturing History at the Ottoman Court (Indiana University Press) with Emily Neumeier and Nir Shafir.Download the episodePodcast Feed | iTunes | SoundcloudIn the second half of the sixteenth century, the Ottoman court became particularly invested in writing its own history. This initiative primarily took the form of official chronicles, and the court historian (şehnameci), a new position established in the 1550s, set to work producing manuscripts accompanied by lavish illustrations. However, the paintings in these texts should not be understood merely as passive descriptions of historical events. Rather, these images served as complex conveyors of meaning in their own right, designed by teams of artists to satisfy the aspirations of their patrons, which included not only the sultan but also other members of the court. In this episode, Emily Neumeier and Nir Shafir speak with Emine Fetvacı about these illustrated histories, the subject of her 2013 volume Picturing History at the Ottoman Court. « Click for More »

with Emine Fetvacıhosted by Emily Neumeier and Nir ShafirEmine Fetvacı discusses her research for Picturing History at the Ottoman Court (Indiana University Press) with Emily Neumeier and Nir Shafir.Download the episodePodcast Feed | iTunes | SoundcloudIn the second half of the sixteenth century, the Ottoman court became particularly invested in writing its own history. This initiative primarily took the form of official chronicles, and the court historian (şehnameci), a new position established in the 1550s, set to work producing manuscripts accompanied by lavish illustrations. However, the paintings in these texts should not be understood merely as passive descriptions of historical events. Rather, these images served as complex conveyors of meaning in their own right, designed by teams of artists to satisfy the aspirations of their patrons, which included not only the sultan but also other members of the court. In this episode, Emily Neumeier and Nir Shafir speak with Emine Fetvacı about these illustrated histories, the subject of her 2013 volume Picturing History at the Ottoman Court. « Click for More »

with Yasemin Gencerhosted by Chris Gratien and Emily NeumeierFollowing the World War I period, the founders of a new Turkish Republic sought to define and legitimize the new order as a break with the Ottoman past. In this episode, Yasemin Gencer explains the ways in which  notions such as childhood were used to construct the image of a renewed Turkish society in the nationalist press during the early years of the Republican period.« Click for More »

with Yasemin Gencerhosted by Chris Gratien and Emily NeumeierFollowing the World War I period, the founders of a new Turkish Republic sought to define and legitimize the new order as a break with the Ottoman past. In this episode, Yasemin Gencer explains the ways in which  notions such as childhood were used to construct the image of a renewed Turkish society in the nationalist press during the early years of the Republican period.« Click for More »