Podcasts about Armenia

Donate (no account necessary) | Subscribe (account required) A landmark legal ruling closes the week as a Wisconsin judge is found guilty of obstructing federal immigration agents, becoming the first state judge convicted for blocking an ICE arrest. Meanwhile, the man behind the Brown University shooting is identified after killing himself during a police standoff, with authorities confirming he was also responsible for the murder of an MIT professor. The case raises new questions about migrant crime, visa pathways, and possible foreign intelligence angles tied to nuclear research. The White House signals a tougher stance on immigration enforcement, moving to sharply increase denaturalization cases while warning that current citizenship laws are being exploited. President Trump also advances plans to reclassify marijuana to encourage research, finalizes a deal forcing TikTok's Chinese owner to sell most of its US stake, and prepares to decide whether Chinese drone maker DJI poses a national security threat. Abroad, Venezuela deploys naval escorts to protect oil shipments amid a US blockade, raising the risk of direct confrontation. Trump's Gaza peace plan stalls as Israel continues targeting Hamas leaders, even as another US-backed peace deal between Armenia and Azerbaijan quietly holds. The episode closes with Bryan previewing a special unscripted, listener-driven series for Christmas week.    "And you shall know the truth, and the truth shall make you free." - John 8:32     Keywords: Wisconsin judge guilty obstruction ICE, Brown University shooter identified, MIT professor killing, migrant crime visas, denaturalization push, marijuana reclassification, TikTok ByteDance sale, DJI national security review, Venezuela oil blockade, Gaza peace plan, Armenia Azerbaijan agreement, Wright Report listener Q&A

Max and Maria spoke with Sergey Radchenko about the state of affairs in peace negotiations over Ukraine as we come to the close of 2025. They discuss the different parties' goals and positions, and how this current round of negotiations compares to the talks in Istanbul at the start of the full-scale invasion back in 2022. This conversation was recorded on December 12, 2025. "America's Magical Thinking About Ukraine: A Bad Deal Is Worse Than No Deal," by Sergey Radchenko (Foreign Affairs, December 2025). "The Talks That Could Have Ended the War in Ukraine: A Hidden History of Diplomacy That Came Up Short — but Holds Lessons for Future Negotiations," by Samuel Charap and Sergey Radchenko (Foreign Affairs, April 2024).

Over 35 years ago, the Gyumri earthquake left the second largest city in Armenia in shambles. Now three decades later the remnants of this disaster still remain, both visually throughout the city, and in the cruel cycle of poverty that has resulted. Through housing initiatives to permanently reduce domik, or container living, afterschool programs that provide enrichment for the future generation, and vocational training that gives people the opportunity to provide, strides are being made to not only move forward, but to thrive forward.  Learn more about the Paros Housing, After School, and Vocational Center and get involved here: https://parosfoundation.org/donations/paros-center/

Spotlight on Silence - December 18, 2025This episode examines a growing pattern of political pressure in Armenia, where journalists, lawyers, activists, and clergy are targeted through criminal prosecutions, selective justice, and coordinated propaganda. Drawing on recent cases and legal analysis, the discussion focuses on how laws such as Article 236 are used to constrain speech, protest, and independent institutions.Topics:Criminalization of Speech and Dissent in ArmeniaLegal Pressure on Lawyers, Journalists, and ClergySelective Justice and Coordinated PropagandaArticle 236 and the Policing of ProtestArmenian Center for Political Rights (ACPR) Reports:2025-10-17 Statement on case of Aleksander Kochubaev: https://bit.ly/4j7thWK 2025-10-27 Statement on case of Ruben Mkhitaryan: https://bit.ly/4aopzFR 2025-11-14 Statement on case of Antifake: http://bit.ly/48YZOtr2025-12-06 Injustice in Armenia - Part I: https://bit.ly/4qAzhtNGuest: Rafael IshkhanyanHosts:Hovik ManucharyanAsbed BedrossianEpisode 497 | Recorded: December 13, 2025SHOW NOTES: https://podcasts.groong.org/497VIDEO: https://youtu.be/-aRS_GqoCjE#SpotlightOnSilence #ArmeniaJustice #PoliticalPrisoners #FreedomOfSpeech #RuleOfLaw #HumanRights #GroongSubscribe and follow us everywhere you are: linktr.ee/groong

Groong Week in Review - December 14, 2025Topics:  - Armenia between EU and Russia  - Church–state confrontation in Armenia  - Artsakh concessions and return debate  - Economy, debt, and governance  - NSS raids Artsakh officesGuest: Arthur Khachatryan, MPHosts:  - Hovik Manucharyan  - Asbed BedrossianEpisode 496 | Recorded: December 15, 2025SHOW NOTES: https://podcasts.groong.org/496#ArmeniaPolitics #EUvsRussia #ArmenianChurch #Artsakh #GeopoliticsSubscribe and follow us everywhere you are: linktr.ee/groong

In this episode of War & Peace, Olga Oliker and Alissa de Carbonnel are joined by Joshua Kucera, Crisis Group's Senior Analyst for the South Caucasus, to discuss the increasingly difficult situation facing people displaced from Nagorno-Karabakh in Armenia after Azerbaijan regained control of the territory in a rapid 2023 offensive. They unpack the refugees' mounting challenges–from insecure housing after cuts to government assistance to discrimination–and their growing frustration with Armenia's government. They also examine the role refugees from Karabakh might play in Armenia's 2026 elections and peace efforts with Azerbaijan, their hopes of return, and what the EU can do to help Yerevan respond.For more, check out our Armenian-Azerbaijani Conflict and Europe & Central Asia pages. Hosted on Acast. See acast.com/privacy for more information.

We see the diversification mirage – one of our 2026 Outlook themes – playing out in real time with a sharp spike in global bond yields. Natalie Gill, Portfolio Strategist at the BlackRock Investment Institute, explains. FOR PUBLIC DISTRIBUTION IN THE U.S., CANADA, LATIN AMERICA, AUSTRIA, BELGIUM, DENMARK, FINLAND, FRANCE, GERMANY, IRELAND, ISRAEL, ITALY, LIECHENSTEIN, LUXEMBOURG, NETHERLANDS, NORWAY, PORTUGAL, SOUTH AFRICA, SPAIN, SWEDEN, SWITZERLAND, THE UNITED KINGDOM, HONG KONG, SINGAPORE AND AUSTRALIA. FOR INSTITUTIONAL, PROFESSIONAL, QUALIFIED CLIENTS/INVESTORS IN OTHER PERMITTED COUNTRIES. General disclosure: This document is marketing material, is intended for information and educational purposes only, and does not constitute investment advice, a recommendation or an offer or solicitation to purchase or sell any securities or any investment strategies. The opinions expressed are as of [DATE] and are subject to change without notice. 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Powered by NoFo BrewingThis week, we travel to Argentina to check in on some old friends in a finalWe see which familiar names are struggling in Guatemala and Poland- and to the latter, what a win in Armenia means playing that Polish clubA streak comes to an end in England and we're seeing double in Cameroon as AFCON is right around the corner...Around the planet in 32 minutes... it's The Roots...

Gruzja coraz mocniej dryfuje w stronę autorytaryzmu. Nowe ustawy, presja na media, ingerencja w edukację i polityka pełzającej izolacji od Zachodu przypominają dziś niepokojący „model rosyjski”. Co oznacza to dla Kaukazu, dla bezpieczeństwa regionu i dla Unii Europejskiej? Czy Gruzja świadomie staje się kolejnym państwem w orbicie wpływów Kremla, podczas gdy Armenia próbuje wyrwać się z jego uścisku? W rozmowie z Agnieszką Filipiak (Forbes Women Polska) analizujemy: czy władze Gruzji kopiują rosyjskie metody kontroli społeczeństwa, jak nowe reformy edukacyjne zmieniają młode pokolenie, dlaczego rosyjscy obywatele masowo osiedlają się w Gruzji,

Freestyle Friiday gets you started on your weekend on SDH AMWe go over the results from yesterday in Europe and preview the weekend in England- with your latest from the pressers across the PremWe also go a little into Soccer Over There territory learning about some teams that got some key wins...Vancouver World Cup Committee Lead Jessie Adcock visits as SDH continues the series on each host city's preps for the tournament in 2026We go over the discussions in the NWSL about salary cap and salaries- Soccer For USPod's Bart Keeler joins the segment and previews episode 133

In EVN Report's news roundup for the week of December 12: Armenia and Germany sign joint declaration on a new Strategic Agenda for bilateral partnership; Yerevan and Baku begin talks on potential export of Azerbaijani fuel to Armenia; Prime Minister Nikol Pashinyan proposes a joint roadmap with Azerbaijan to close two issues: the return of Armenians to Nagorno-Karabakh and Baku's so-called “Western Azerbaijan” narrative and more.

We have to seek to know what God's Plan and Purpose is for us. I've known almost from birth, from my earliest conscious days, that God had a Plan and a Purpose for my life. And all I've tried to do, all my life, is to be OBEDIENT – to hear the call and to go out and do it. It takes an enormous amount of faith, that's why I seek the Holy Spirit! There are nine gifts of the Holy Spirit – but the gift that I asked for above all others is the gift of faith in order to be able to do what God says! In my life, going to Ukraine, going to Russia, Armenia, Georgia, Poland – is only in OBEDIENCE to what God is calling me to do.  I am determined, TODAY God will pour out His Holy Spirit on ALL flesh, and ALL who call on the Name of the Lord will be delivered. He has promised, He HAS to do it… This is why I can go to any country where there has been no revival and EXPECT God to fulfil His Promise to pour out His Spirit on whoever, on ALL flesh. 'Whoever believes in me will do the works I have been doing, and they will do even greater things than these, because I am going to the Father. And I will do whatever you ask in my name, so that the Father may be glorified in the Son. You may ask me for anything in my name, and I will do it,' (John 14.12-14, NIV). 

Charles Aznavour có vị trí đặc biệt trong cuộc đời của họa sĩ Hom Nguyen và mẹ của ông, một phụ nữ Việt đến Pháp sau năm 1954. Họ đều là người nhập cư "với những khó khăn, nhưng có một khát khao, một chút điên rồ, giống như Aznavour", ca sĩ gốc Armenia. Năm 2024, chính Hom Nguyen vẽ bộ tem cây cổ thụ làng nhạc Pháp nhân 100 năm ngày sinh. Ngày 05/10/2025, toàn bộ bẩy tác phẩm, dụng cụ sáng tác của nghệ sĩ sinh năm 1972 được đưa vào bộ sưu tập cố định của Bảo tàng Bưu Chính (Musée de la Poste). Bưu điện cũng giữ một vị trí quan trọng đối với mẹ của Hom Nguyen. Ông kể lại trong cuốn tự truyện Ma vie d'Hom (Cuộc đời của Hom, NXB Robert Laffont, 2025) : “Thư từ là sợi dây liên lạc duy nhất giữa bà với gia đình ở Việt Nam. Mỗi tháng một lần, bà viết thư cho anh trai trên những tờ giấy rất mỏng để tiết kiệm bưu phí…” (tr. 95). “Mẹ” là người “truyền cảm hứng” cho thành công của một Hom Nguyen ngày nay. Bà đẹp, là người nhập cư không nói tiếng Pháp, làm mẹ đơn thân, bà bươn chải để nuôi con nhưng số phận lại buộc bà nằm liệt giường quá sớm, khiến cậu con trai trở nên “già trước tuổi”, phải nói dối và dối lòng mình để tự “vẽ” ra một điều kiện sống bình thường như những người khác : (…) Tôi từng đến những bữa tiệc nơi những người giàu có hơn tôi kể về cuộc sống tuyệt vời của họ. Tôi từng khốn khổ, nhưng tôi không muốn thừa nhận ; tôi ghét bị phán xét. Vì vậy, tôi đã phải dùng đến những lời nói dối, chỉ để tồn tại như họ”. (tr. 85) Hội họa đã giúp Hom tìm được tự do, tìm được khoảng trời riêng để trút tâm sự, để thoát khỏi thế giới thực. Từ tự học, mày mò phát minh những kỹ thuật mới, không ngại mạo hiểm, Hom Nguyen tạo được phong cách riêng “táo bạo, giàu cảm xúc”, “nổi tiếng với phong cách bốc đồng và những bức chân dung khổ lớn, nắm bắt được chiều sâu cảm xúc của con người thông qua màu sắc”, theo đánh giá của trang Artsper. Và để có được thành công này, theo Hom : “May mắn không tồn tại ; tôi là sự kết hợp của ý chí, tham vọng và sự chăm chỉ”. (tr. 180) RFI Tiếng Việt đã phỏng vấn họa sĩ Pháp gốc Việt nhân dịp anh ra cuốn tự truyện La Vie d'Hom (Cuộc đời của Hom). RFI : Trong cuốn tự truyện La vie d'Hom (Cuộc đời của Hom), anh không ngại kể lại những khó khăn, vất vả, kể cả những “tội lỗi” nhỏ thời niên thiếu. Nhưng chính những trải nghiệm và cuộc sống đó đã làm anh nhân văn hơn, dễ thấu hiểu những người yếu thế hơn. Trong cuốn tự truyện, anh cũng trích dẫn một câu nói của mẹ anh là “phải tự vạch con đường cho mình và đừng dừng lại”. Anh đã tìm con đường đó như thế nào ? Hom Nguyen : Trước tiên, tôi nghĩ là chúng ta không thể dừng lại. Tôi bắt đầu từ nguyên tắc đó, với lời khuyên của mẹ tôi : “Hãy tự vạch con đường cho mình và đừng dừng lại, con bị dồn vào chân tường nhưng con vẫn phải đi, phải luôn tiến lên phía trước”. Tôi nghĩ mẹ tôi nói đúng bởi vì nếu do dự thì chúng ta bị dừng lại. Và tôi đã không do dự. Mẹ tôi và tôi đã trải qua quá nhiều khó khăn nên đối với bà, việc tiến lên phía trước và không bao giờ dừng lại là điều thực sự quan trọng. Mẹ tôi đã truyền cho tôi khát khao và động lực đó, vượt qua khuyết tật của bà, bởi vì bà bị liệt nửa người. Bà đến Pháp lành lặn, sau đó bị tai nạn ô tô. Có lẽ qua tai nạn đó, qua những vết thương của bà, bà đã truyền cho tôi khát khao được tiến xa hơn nữa, đưa mẹ tôi và tôi đến những nơi khác, như kiểu để có thể thoát khỏi cuộc sống lúc đó. Khi có một người mẹ khuyết tật như mẹ tôi, đáng tiếc là bà không còn nữa, thì từ rất nhỏ, mới chỉ 6-7 tuổi, tôi đã biết là có nhiều việc phải làm. Thế là khi mới 10, 12 tuổi, tôi đã trưởng thành hơn những đứa trẻ khác bởi vì tôi chăm sóc mẹ. Tôi làm những việc như tháo túi chất thải để đổ vào nhà vệ sinh, tôi xoay người mẹ để vệ sinh hàng ngày cho bà, tôi giúp mẹ ăn uống. Tất nhiên là chúng tôi có một điều dưỡng viên do Nhà nước giúp đỡ, nhưng buổi tối thì tôi ở bên chăm sóc mẹ. Cho nên tôi đã trưởng thành rất sớm, việc đó giúp tôi tiến nhanh hơn, hiểu cuộc sống sớm hơn những người khác ngay khi còn rất trẻ. RFI : Chính những khó khăn đó đã thôi thúc anh đến với vẽ và anh đã tìm thấy một thế giới khác thông qua hội họa. Điều gì đã thôi thúc anh biến hội họa thành sự nghiệp nghệ thuật ? Hom Nguyen : Tôi nghĩ hội họa giúp tôi giải phóng bản thân, được mơ mộng, được kể một câu chuyện, bởi vì tôi không hẳn “văn hay chữ tốt”, tôi không đọc nhiều lắm. Vẽ là một lợi thế đối với tôi, bởi vì đó là cách tôi thể hiện bản thân theo kiểu mộng mơ, nói một chút về những gì tôi cảm thấy qua những gì được nghe, được thấy và tự nhủ rằng đó cũng là một kiểu thoát ly để nhìn thấy một thế giới tốt đẹp hơn thông qua hội họa. Và thế là ở nhà, tôi vẽ ! Ở trường, tôi cũng vẽ ! Tôi khá mộng mơ bởi vì cuộc sống ở nhà đã rất, rất khó khăn, cho nên ở trường, tôi giải phóng bản thân, không thực sự nghĩ về bất cứ điều gì khác, thậm chí có thể nói rằng tôi gần như thoát khỏi nó. Tôi tách được khỏi nó. Tôi vẫn luôn như vậy. Việc đó giúp tôi tồn tại, để tự nhủ rằng có thể làm điều gì đó trong cuộc đời mình. Qua hội họa, tôi cảm thấy như mình đang tìm lại được một niềm hạnh phúc nào đó, bởi cuộc sống ở nhà vốn dĩ rất khó khăn. Không hẳn là tôi chăm học hơn, nhưng tôi chắc chắn là cần thay đổi cuộc sống hàng ngày nhờ vẽ. Tôi nghĩ mình vẫn luôn làm như vậy, từ lúc còn nhỏ. RFI : Khi còn nhỏ, anh lui tới bệnh viện nơi mẹ anh được điều trị thường xuyên đến nỗi mỗi khi rời khỏi đó, anh cảm giác như được tự do và được giải thoát ! Hom Nguyen : Đúng vậy. Tôi thường xuyên đến bệnh viện nơi mẹ tôi điều trị. Từ khi còn rất nhỏ, tôi vẫn tới đó với dượng tôi, vào mỗi cuối tuần, vào buổi tối sau giờ học. Việc rời khỏi bệnh viện, theo một cách nào đó, cho phép tôi tự do. Sống ở bệnh viện là một gánh nặng bởi vì bệnh viện thường không dành cho trẻ em. Và chứng kiến ​​cảnh mẹ mình bị thương trong một vụ tai nạn xe hơi, không có gì kinh hoàng hơn việc nhìn thấy bà trong tình trạng nguy kịch, nằm trên giường bệnh, không thể cử động. Bị liệt nửa người có nghĩa là từ xương chậu đến bàn chân, hoàn toàn không có cảm giác gì. Vậy nên, khi còn nhỏ, tầm 6, 7, 8, 10 tuổi, đến bệnh viện là đồng nghĩa với việc gặp mẹ sau hết ca phẫu thuật này đến ca phẫu thuật khác, ghép da ở mông để giúp bà có được khuôn mặt ổn hơn. Điều đó không dễ dàng gì ! Đối với tôi, bệnh viện khắc nghiệt đến mức khi ra khỏi đó, tôi cần tìm sự giải thoát ở một điều gì đó khác. Vẽ giống như một lối thoát. Tôi giải phóng bản thân khỏi rất nhiều thứ. Tôi cần thay đổi thế giới của mình và nói về con người tôi, hoặc có thể là những điều khác. Vẽ và hội họa là tự do thực sự đối với tôi. RFI : Và sau khi trải qua những tháng năm khó khăn đó, anh đã tình nguyện dạy vẽ cho nhiều bệnh nhân nhi ở Bệnh viện Pitié-Salpêtrière, anh thấy hình ảnh của mình qua những đứa trẻ đó ! Hom Nguyen : Đúng vậy, tôi đã trải qua tất cả những năm tháng đó. Một ngày nọ, có người hỏi tôi rằng tôi có muốn dạy vẽ cho trẻ em không, một số em bị rối loạn nhân cách, bị tâm thần phân liệt, ví dụ có một câu bé nhưng tự nhận tên là Stéphanie (tên của con gái), tôi nghĩ chắc cậu bé có chút thay đổi trong tâm trí. Trong chừng mức nào đó, tôi thấy mình cũng từng giống như vậy. Lúc học tiểu học, tôi thấy các bậc phụ huynh đến trường đón con. Mẹ tôi không đến trường. Và tôi đã nói dối vì muốn bảo vệ bản thân và mẹ tôi. Tôi nói rằng mẹ tôi là thợ phụ trong một tiệm làm tóc, trên thực tế bà bị tàn tật nặng, nằm ở nhà. Lời nói dối đó đã giải phóng tôi. Và hội họa thực sự đã cho tôi sự tự do để mơ về những điều khác ngoài cuộc sống hiện tại của tôi ở nhà. Tôi tìm thấy điểm tương đồng ở những đứa trẻ này. Và khi thấy mình ở đó, cùng với giáo sư chuyên ngành Cohen, phụ trách khu vực dành cho thanh thiếu niên của Bệnh viện Pitié-Salpêtrière, tự nhiên tôi muốn giúp các em và giúp cả chính mình. Và suốt năm đó, tôi đã dạy vẽ, rất nhiều em được cấp bằng tốt nghiệp, bởi vì đó là một cơ hội tuyệt vời để giúp đỡ chúng tôi, cho họ, và tôi nghĩ là cho cả tôi nữa. Trải nghiệm đó đã thực sự giúp tôi được mở mang hơn, giúp tôi hiểu những người trẻ tuổi khác. Họ cũng hiểu được những điều khác thông qua tranh của tôi, cũng như tranh của họ. RFI : Anh cũng còn có những dự án khác ở Việt Nam nữa bởi vì anh cũng đã nhắc đến Việt Nam trong cuốn sách ? Hom Nguyen : Vâng, tôi có những dự án khác và chúng vẫn đang được giữ kín. Thực ra, có rất nhiều, rất nhiều triển lãm ngẫu nhiên ở Việt Nam. Tôi cũng có cơ hội được lên trang bìa và một bài trong tạp chí của Vietnam Airlines, hãng hàng không quốc gia Việt Nam. Điều đó rất quan trọng đối với tôi, giúp nhắc lại tuổi thơ của tôi, về chia sẻ, về chúng ta, những người Việt Nam. Và tôi rất, rất tự hào về điều đó. Tất nhiên, sẽ có những triển lãm khác ở Việt Nam. RFI : Gần cuối tự truyện, anh viết “Hom ngày nay muốn sống trong bình yên, thanh thản. Hạ cánh nghĩa là tìm thấy niềm vui trong những điều giản dị nhất. Dành thời gian cho con cái”. Nổi tiếng thế giới, công tác thường xuyên, liệu có lúc nào anh tự hỏi : Mình đang ở đâu ? Hoặc là mình cần một lịch trình làm việc bớt áp lực hơn hoặc chậm lại để tập trung vào bản thân hoặc những dự án thiện nguyện khác, dành thêm thời gian cho các hiệp hội ? Hom Nguyen : Tôi nghĩ là mình luôn có thời gian. Tôi dành thời gian cho nhiều việc. Tôi từng lùi lại một bước nhưng không hẳn tận hưởng được việc đó. Tôi nghĩ mình đang dành thời gian để hình thành ý tưởng và nhất là để trau chuốt chúng. Dĩ nhiên, tôi vẫn đang tham gia nhiều triển lãm và dự án với trẻ em, đặc biệt là trẻ em ở Việt Nam, cho đến ngày hôm nay. Không phải là tôi kìm hãm lại mà thực ra là tôi đang dành thời gian để hiểu rõ hơn về các dự án của mình. Năm nay là một năm then chốt. Tôi sẽ phải chuẩn bị cho rất nhiều triển lãm quốc tế, chắc chắn là cả ở Việt Nam. Và tôi sẽ chỉ tập trung vào việc chuẩn bị chúng tốt hơn. RFI Tiếng Việt xin chân thành cảm ơn họa sĩ Hom Nguyen.

Charles Aznavour có vị trí đặc biệt trong cuộc đời của họa sĩ Hom Nguyen và mẹ của ông, một phụ nữ Việt đến Pháp sau năm 1954. Họ đều là người nhập cư "với những khó khăn, nhưng có một khát khao, một chút điên rồ, giống như Aznavour", ca sĩ gốc Armenia. Năm 2024, chính Hom Nguyen vẽ bộ tem cây cổ thụ làng nhạc Pháp nhân 100 năm ngày sinh. Ngày 05/10/2025, toàn bộ bẩy tác phẩm, dụng cụ sáng tác của nghệ sĩ sinh năm 1972 được đưa vào bộ sưu tập cố định của Bảo tàng Bưu Chính (Musée de la Poste). Bưu điện cũng giữ một vị trí quan trọng đối với mẹ của Hom Nguyen. Ông kể lại trong cuốn tự truyện Ma vie d'Hom (Cuộc đời của Hom, NXB Robert Laffont, 2025) : “Thư từ là sợi dây liên lạc duy nhất giữa bà với gia đình ở Việt Nam. Mỗi tháng một lần, bà viết thư cho anh trai trên những tờ giấy rất mỏng để tiết kiệm bưu phí…” (tr. 95). “Mẹ” là người “truyền cảm hứng” cho thành công của một Hom Nguyen ngày nay. Bà đẹp, là người nhập cư không nói tiếng Pháp, làm mẹ đơn thân, bà bươn chải để nuôi con nhưng số phận lại buộc bà nằm liệt giường quá sớm, khiến cậu con trai trở nên “già trước tuổi”, phải nói dối và dối lòng mình để tự “vẽ” ra một điều kiện sống bình thường như những người khác : (…) Tôi từng đến những bữa tiệc nơi những người giàu có hơn tôi kể về cuộc sống tuyệt vời của họ. Tôi từng khốn khổ, nhưng tôi không muốn thừa nhận ; tôi ghét bị phán xét. Vì vậy, tôi đã phải dùng đến những lời nói dối, chỉ để tồn tại như họ”. (tr. 85) Hội họa đã giúp Hom tìm được tự do, tìm được khoảng trời riêng để trút tâm sự, để thoát khỏi thế giới thực. Từ tự học, mày mò phát minh những kỹ thuật mới, không ngại mạo hiểm, Hom Nguyen tạo được phong cách riêng “táo bạo, giàu cảm xúc”, “nổi tiếng với phong cách bốc đồng và những bức chân dung khổ lớn, nắm bắt được chiều sâu cảm xúc của con người thông qua màu sắc”, theo đánh giá của trang Artsper. Và để có được thành công này, theo Hom : “May mắn không tồn tại ; tôi là sự kết hợp của ý chí, tham vọng và sự chăm chỉ”. (tr. 180) RFI Tiếng Việt đã phỏng vấn họa sĩ Pháp gốc Việt nhân dịp anh ra cuốn tự truyện La Vie d'Hom (Cuộc đời của Hom). RFI : Trong cuốn tự truyện La vie d'Hom (Cuộc đời của Hom), anh không ngại kể lại những khó khăn, vất vả, kể cả những “tội lỗi” nhỏ thời niên thiếu. Nhưng chính những trải nghiệm và cuộc sống đó đã làm anh nhân văn hơn, dễ thấu hiểu những người yếu thế hơn. Trong cuốn tự truyện, anh cũng trích dẫn một câu nói của mẹ anh là “phải tự vạch con đường cho mình và đừng dừng lại”. Anh đã tìm con đường đó như thế nào ? Hom Nguyen : Trước tiên, tôi nghĩ là chúng ta không thể dừng lại. Tôi bắt đầu từ nguyên tắc đó, với lời khuyên của mẹ tôi : “Hãy tự vạch con đường cho mình và đừng dừng lại, con bị dồn vào chân tường nhưng con vẫn phải đi, phải luôn tiến lên phía trước”. Tôi nghĩ mẹ tôi nói đúng bởi vì nếu do dự thì chúng ta bị dừng lại. Và tôi đã không do dự. Mẹ tôi và tôi đã trải qua quá nhiều khó khăn nên đối với bà, việc tiến lên phía trước và không bao giờ dừng lại là điều thực sự quan trọng. Mẹ tôi đã truyền cho tôi khát khao và động lực đó, vượt qua khuyết tật của bà, bởi vì bà bị liệt nửa người. Bà đến Pháp lành lặn, sau đó bị tai nạn ô tô. Có lẽ qua tai nạn đó, qua những vết thương của bà, bà đã truyền cho tôi khát khao được tiến xa hơn nữa, đưa mẹ tôi và tôi đến những nơi khác, như kiểu để có thể thoát khỏi cuộc sống lúc đó. Khi có một người mẹ khuyết tật như mẹ tôi, đáng tiếc là bà không còn nữa, thì từ rất nhỏ, mới chỉ 6-7 tuổi, tôi đã biết là có nhiều việc phải làm. Thế là khi mới 10, 12 tuổi, tôi đã trưởng thành hơn những đứa trẻ khác bởi vì tôi chăm sóc mẹ. Tôi làm những việc như tháo túi chất thải để đổ vào nhà vệ sinh, tôi xoay người mẹ để vệ sinh hàng ngày cho bà, tôi giúp mẹ ăn uống. Tất nhiên là chúng tôi có một điều dưỡng viên do Nhà nước giúp đỡ, nhưng buổi tối thì tôi ở bên chăm sóc mẹ. Cho nên tôi đã trưởng thành rất sớm, việc đó giúp tôi tiến nhanh hơn, hiểu cuộc sống sớm hơn những người khác ngay khi còn rất trẻ. RFI : Chính những khó khăn đó đã thôi thúc anh đến với vẽ và anh đã tìm thấy một thế giới khác thông qua hội họa. Điều gì đã thôi thúc anh biến hội họa thành sự nghiệp nghệ thuật ? Hom Nguyen : Tôi nghĩ hội họa giúp tôi giải phóng bản thân, được mơ mộng, được kể một câu chuyện, bởi vì tôi không hẳn “văn hay chữ tốt”, tôi không đọc nhiều lắm. Vẽ là một lợi thế đối với tôi, bởi vì đó là cách tôi thể hiện bản thân theo kiểu mộng mơ, nói một chút về những gì tôi cảm thấy qua những gì được nghe, được thấy và tự nhủ rằng đó cũng là một kiểu thoát ly để nhìn thấy một thế giới tốt đẹp hơn thông qua hội họa. Và thế là ở nhà, tôi vẽ ! Ở trường, tôi cũng vẽ ! Tôi khá mộng mơ bởi vì cuộc sống ở nhà đã rất, rất khó khăn, cho nên ở trường, tôi giải phóng bản thân, không thực sự nghĩ về bất cứ điều gì khác, thậm chí có thể nói rằng tôi gần như thoát khỏi nó. Tôi tách được khỏi nó. Tôi vẫn luôn như vậy. Việc đó giúp tôi tồn tại, để tự nhủ rằng có thể làm điều gì đó trong cuộc đời mình. Qua hội họa, tôi cảm thấy như mình đang tìm lại được một niềm hạnh phúc nào đó, bởi cuộc sống ở nhà vốn dĩ rất khó khăn. Không hẳn là tôi chăm học hơn, nhưng tôi chắc chắn là cần thay đổi cuộc sống hàng ngày nhờ vẽ. Tôi nghĩ mình vẫn luôn làm như vậy, từ lúc còn nhỏ. RFI : Khi còn nhỏ, anh lui tới bệnh viện nơi mẹ anh được điều trị thường xuyên đến nỗi mỗi khi rời khỏi đó, anh cảm giác như được tự do và được giải thoát ! Hom Nguyen : Đúng vậy. Tôi thường xuyên đến bệnh viện nơi mẹ tôi điều trị. Từ khi còn rất nhỏ, tôi vẫn tới đó với dượng tôi, vào mỗi cuối tuần, vào buổi tối sau giờ học. Việc rời khỏi bệnh viện, theo một cách nào đó, cho phép tôi tự do. Sống ở bệnh viện là một gánh nặng bởi vì bệnh viện thường không dành cho trẻ em. Và chứng kiến ​​cảnh mẹ mình bị thương trong một vụ tai nạn xe hơi, không có gì kinh hoàng hơn việc nhìn thấy bà trong tình trạng nguy kịch, nằm trên giường bệnh, không thể cử động. Bị liệt nửa người có nghĩa là từ xương chậu đến bàn chân, hoàn toàn không có cảm giác gì. Vậy nên, khi còn nhỏ, tầm 6, 7, 8, 10 tuổi, đến bệnh viện là đồng nghĩa với việc gặp mẹ sau hết ca phẫu thuật này đến ca phẫu thuật khác, ghép da ở mông để giúp bà có được khuôn mặt ổn hơn. Điều đó không dễ dàng gì ! Đối với tôi, bệnh viện khắc nghiệt đến mức khi ra khỏi đó, tôi cần tìm sự giải thoát ở một điều gì đó khác. Vẽ giống như một lối thoát. Tôi giải phóng bản thân khỏi rất nhiều thứ. Tôi cần thay đổi thế giới của mình và nói về con người tôi, hoặc có thể là những điều khác. Vẽ và hội họa là tự do thực sự đối với tôi. RFI : Và sau khi trải qua những tháng năm khó khăn đó, anh đã tình nguyện dạy vẽ cho nhiều bệnh nhân nhi ở Bệnh viện Pitié-Salpêtrière, anh thấy hình ảnh của mình qua những đứa trẻ đó ! Hom Nguyen : Đúng vậy, tôi đã trải qua tất cả những năm tháng đó. Một ngày nọ, có người hỏi tôi rằng tôi có muốn dạy vẽ cho trẻ em không, một số em bị rối loạn nhân cách, bị tâm thần phân liệt, ví dụ có một câu bé nhưng tự nhận tên là Stéphanie (tên của con gái), tôi nghĩ chắc cậu bé có chút thay đổi trong tâm trí. Trong chừng mức nào đó, tôi thấy mình cũng từng giống như vậy. Lúc học tiểu học, tôi thấy các bậc phụ huynh đến trường đón con. Mẹ tôi không đến trường. Và tôi đã nói dối vì muốn bảo vệ bản thân và mẹ tôi. Tôi nói rằng mẹ tôi là thợ phụ trong một tiệm làm tóc, trên thực tế bà bị tàn tật nặng, nằm ở nhà. Lời nói dối đó đã giải phóng tôi. Và hội họa thực sự đã cho tôi sự tự do để mơ về những điều khác ngoài cuộc sống hiện tại của tôi ở nhà. Tôi tìm thấy điểm tương đồng ở những đứa trẻ này. Và khi thấy mình ở đó, cùng với giáo sư chuyên ngành Cohen, phụ trách khu vực dành cho thanh thiếu niên của Bệnh viện Pitié-Salpêtrière, tự nhiên tôi muốn giúp các em và giúp cả chính mình. Và suốt năm đó, tôi đã dạy vẽ, rất nhiều em được cấp bằng tốt nghiệp, bởi vì đó là một cơ hội tuyệt vời để giúp đỡ chúng tôi, cho họ, và tôi nghĩ là cho cả tôi nữa. Trải nghiệm đó đã thực sự giúp tôi được mở mang hơn, giúp tôi hiểu những người trẻ tuổi khác. Họ cũng hiểu được những điều khác thông qua tranh của tôi, cũng như tranh của họ. RFI : Anh cũng còn có những dự án khác ở Việt Nam nữa bởi vì anh cũng đã nhắc đến Việt Nam trong cuốn sách ? Hom Nguyen : Vâng, tôi có những dự án khác và chúng vẫn đang được giữ kín. Thực ra, có rất nhiều, rất nhiều triển lãm ngẫu nhiên ở Việt Nam. Tôi cũng có cơ hội được lên trang bìa và một bài trong tạp chí của Vietnam Airlines, hãng hàng không quốc gia Việt Nam. Điều đó rất quan trọng đối với tôi, giúp nhắc lại tuổi thơ của tôi, về chia sẻ, về chúng ta, những người Việt Nam. Và tôi rất, rất tự hào về điều đó. Tất nhiên, sẽ có những triển lãm khác ở Việt Nam. RFI : Gần cuối tự truyện, anh viết “Hom ngày nay muốn sống trong bình yên, thanh thản. Hạ cánh nghĩa là tìm thấy niềm vui trong những điều giản dị nhất. Dành thời gian cho con cái”. Nổi tiếng thế giới, công tác thường xuyên, liệu có lúc nào anh tự hỏi : Mình đang ở đâu ? Hoặc là mình cần một lịch trình làm việc bớt áp lực hơn hoặc chậm lại để tập trung vào bản thân hoặc những dự án thiện nguyện khác, dành thêm thời gian cho các hiệp hội ? Hom Nguyen : Tôi nghĩ là mình luôn có thời gian. Tôi dành thời gian cho nhiều việc. Tôi từng lùi lại một bước nhưng không hẳn tận hưởng được việc đó. Tôi nghĩ mình đang dành thời gian để hình thành ý tưởng và nhất là để trau chuốt chúng. Dĩ nhiên, tôi vẫn đang tham gia nhiều triển lãm và dự án với trẻ em, đặc biệt là trẻ em ở Việt Nam, cho đến ngày hôm nay. Không phải là tôi kìm hãm lại mà thực ra là tôi đang dành thời gian để hiểu rõ hơn về các dự án của mình. Năm nay là một năm then chốt. Tôi sẽ phải chuẩn bị cho rất nhiều triển lãm quốc tế, chắc chắn là cả ở Việt Nam. Và tôi sẽ chỉ tập trung vào việc chuẩn bị chúng tốt hơn. RFI Tiếng Việt xin chân thành cảm ơn họa sĩ Hom Nguyen.

In EVN Report's news roundup for the week of December 12: Armenia and Germany sign joint declaration on a new Strategic Agenda for bilateral partnership; Yerevan and Baku begin talks on potential export of Azerbaijani fuel to Armenia; Prime Minister Nikol Pashinyan proposes a joint roadmap with Azerbaijan to close two issues: the return of Armenians to Nagorno-Karabakh and Baku's so-called “Western Azerbaijan” narrative and more. The post Armenia and Germany Sign Strategic Partnership Declaration appeared first on EVN Report.

In 2025, a new initiative exploring cultural dialogues between Europe and the Middle East was launched, involving organizations from Italy, France, Croatia, the Netherlands and Armenia. Titled Cross-Looking, the project examines how contemporary visual artists can challenge inherited colonial frameworks and reimagine perceptions of the "Other." It brings together 22 young artists for residencies in Yerevan, Cairo, Istanbul, and Rome. In this special English-language podcast episode, we speak with the project's initiator Andrea Savorani Neri about the initiative's goals and his work in Armenia.

In this episode, I sit down with pianist and educator Mirna Lekić for a conversation that spans continents, sound worlds, and the deeper layers of what music can mean in a human life.Born and raised in Sarajevo during the Bosnian War and now based in New York City, Mirna brings a rare perspective to the piano — one shaped by resilience, migration, devotion, and an unshakable belief in music as a stabilizing, healing force.We explore her acclaimed 2023 album MIRAGE, a breathtaking collection of sonic illusions and cultural crossings that reimagines the piano as a global storyteller — moving from Azerbaijan to Spain, Armenia to Java, and beyond.This episode dives into:how early musical experiences during war shaped Mirna's artistic identitythe healing and stabilizing role music played during her family's resettlementthe depth of Bosnian and Balkan musical influenceshow cultural diversity becomes musical philosophy, not performanceMIRAGE and its groundbreaking approach to sound, resonance, and identitycollaborative work with living composers, shadow puppeteers, and multidisciplinary artistshow educators can guide young musicians toward authenticity in a rapidly changing worldIt's a conversation about healing, devotion, heritage, and the power of sound to help us make sense of where we come from — and where we're going.

Groong Week in Review - December 7, 2025Topics1988 Earthquake RememberedPashinyan's War on the Armenian ChurchEU-Armenia RelationsNagorno-Karabakh Negotiation DocumentsARAR Foundation PollGuestBenyamin PoghosyanHostsHovik ManucharyanAsbed BedrossianEpisode 494 | Recorded: December 8, 2025https://podcasts.groong.org/494Subscribe and follow us everywhere you are: linktr.ee/groong

This session will examine key considerations for leaders, senders, and international travelers/workers in the areas of duty of care, risk assessment, contingency planning, security, and common pitfalls ("lessons learned") in international mission work.

Radio International - The Ultimate Eurovision Experience is broadcast from Malta's Radio 105FM on Tuesday evenings from 2100 - 0059 hours CET. The show is broadcast live on Wednesday evenings from 1900 - 2300 hours CET on the Eurovision Radio International Mixcloud Channel as well as on the Facebook Page of Eurovision Radio International with an interactive chatroom.             AT A GLANCE - ON THE SHOW THIS WEEK  Live Interview with Djurdja (Montesong 2026, Montenegro's National Final to Eurovision Song Contest 2026) The Eurovision Song Contest 2026 National Final Season The Junior Eurovision Song Contest 2025 - Review and Preview - The Warm-Up Eurovision Spotlight: Austria's History at the Eurovision Song Contest  with Alasdair Rendall Eurovision News with Nick van Lith from www.escXtra.com Eurovision Birthday File with David Mann Eurovision Cover Spot with David Mann Eurovision Calendar with Javier Leal  National Final Update for Junior and Eurovision Song Contest with Alain Forotti  New Music Releases by Eurovision Artists  Your music requests    Live Interview with Djurdja (Montesong 2026):  Montesong is the national selection process to find the song and the artist that will represent Montenegro at the Eurovision Song Contest 2026. The winner of Montesong 2026 will go to Vienna, Austria in May waving the flag for Montenegro and of course singing the song that will be selected in Montenegro. Our very first guest of the National Final Season for Eurovision 2026 will be Djurdja. Her entry is entitled "Dominos" and is penned by a number of songwriters well known in the world of the Eurovision Song Contest: David Lindgren Zacharias, Melanie Wehbe, Patrik Jean, Herman Gardarfve and Eric Lehmann. The Interview Team of Radio International will be thrilled to have Djurdja on the show.       The Eurovision Spotlight - The history of Austria at the Eurovision Song Contest:  It is time for the traditional look at the next host country's Eurovision Song Contest entries. JJ won Eurovision 2025 and with that Austria will host the Eurovision Song Contest 2026 in the Wiener Stadthalle on 12 and 14 May 2026 for the two Semi Finals and the Grand Finale to take place on Saturday, 16 May 2026. Over the next weeks and before the National Final Season for 2026, Radio International's team members will be reviewing all the Eurovision entries from Austria. Alasdair Rendall will be continuing series of the Eurovision Spotlight looking at the history of Austria at the Eurovision Song Contest. The Junior Eurovision Song Contest 2025: The 23rd edition of the Junior Eurovision Song Contest will be held on Saturday 13 Dec 2025 from the Gymnastic Hall of the Olympic City in Tblisi in Georgia with young artists from 18 countries taking part. In the running order: Malta, Azerbaijan, Croatia, San Marino, Armenia, Ukraine, Ireland, The Netherlands, Poland, North Macedonia, Montenegro, Italy, Portugal, Spain, Georgia, Cyprus, France and Albania.  Returning countries are Azerbaijan, Croatia and Montenegro while Estonia and Germany are taking a break. The Hosts of the show are David Aladashvili and Liza Tsiklauri. The show starts at 1700 hours CET. Last year's Winner was Georgia's Andria Putkaradze who won with the song "To my mom".  To get you into the mood for the upcoming Junior Eurovision Song Contest 2025 on Sat 13 Dec 2025, 1700 hours CET via www.junioreurovision.tv, listen back to Radio International from 07 Dec 2022 which features the Galary of the Winners of the Junior Eurovision Song Contest - click here     Eurovision News, New Song Releases, Birthday File, Coverspot, Eurovision Calendar:Also JP will be joined by David Mann for the Eurovision Birthday File and Eurovision Coverspot.  Javier stands in for Nick and will be presenting the Eurovision News courtesy of escXtra.com. There will be a lot of the great new releases of Eurovision artists on the show as well as great Eurovision Classics. Javier will be updating us on the upcoming Eurovision events in the Eurovision Calendar and Alain Forotti gives us already some updates of the National Finals regarding the Junior Eurovision Song Contest 2025 and the Eurovision Song Contest 2026 and and....   For full details of this week's Show Content and Play List - click here

Something is rotten in the state of Armenia. Many know aboutthe Armenian Genocide from the early 20th Century. Few realize that the same threats continue to loom over Armenian Christians still. In recent years, Azerbaijan ethnically cleansed over 100,000 Armenians from their ethnic homeland in Nagorno-Karabakh. Is there a pattern between these actions from the last century and today?And why are there several Armenian archbishops sitting injail right now – in Armenia? Would the Armenian government really attack the Armenian Christian Church? Joining Andy to address these and other issues is Joel Veldkamp. Joel serves with Christian Solidarity International (CSI) and provides shocking insights into the sobering situation in Armenia. If you find this episode helpful, please give us a positiverating and review wherever you listen to your favorite podcasts. Also share this episode with a friend so they too can be blessed by these insights.To learn more about resources mentioned in this episode, seethe following:Christian Solidarity International (CSI) Website : https://csi-usa.org/ Link for sending a letter on behalf of Suleiman Khalil: https://www.csi-int.org/campaigns/suleiman-khalil/In Days of Darkness: A Manual for Ordinary Christians FacingUnusual Times, by Andy Coleman (Book):https://www.amazon.com/Days-Darkness-Ordinary-Christians-Unusual/dp/1636985734 Christian Emergency Alliance (Website):https://www.christianemergency.com/Christian Emergency Alliance (Twitter / X):https://x.com/ChristianEmerg1Christian Emergency Alliance (Facebook):https://www.facebook.com/christianemergencyChristian Emergency Alliance (Instagram):https://www.instagram.com/christianemergencyalliance/The Christian Emergency Podcast is a production of theChristian Emergency Alliance.Soli Deo Gloria

Curious how to build real web apps with AI without turning into a prompt robot? We sit down with developer advocate and author Emma Saroyan to unpack a practical path for using OpenAI APIs and Next.js to turn ideas into shipped projects you actually understand. From smart prompting to project structure, Emma shows how to work with AI as an assistant you guide, not a textbook to copy.Emma also takes us inside her community work in Armenia, sharing how culture shapes developer communication and adoption. We talk about how to avoid over-reliance on tools, and why accessibility matters—especially for newcomers who can use AI to prototype quickly and then deepen their skills. If you're ready to ship faster without losing your craft, tune in, subscribe for more conversations like this, and leave a comment with the next AI-powered feature you want to build.Connect with Emma on LinkedIn - https://www.linkedin.com/in/emma-saroyanCheck out Emma's book 'Generative AI for Web Development': https://link.springer.com/book/10.1007/979-8-8688-0885-2______

More than 300 children were kidnapped from a school in the Western Nigerian village of Papiri in November, but in the aftermath, accounts of the kidnappings were confused and misleading. BBC Africa's Madina Maishanu was part of a team of journalists who faced huge risk to visit the site of the kidnappings and hear the testimonies of parents. In October this year, a young Chechen woman living in Armenia, Aishat Baimuradova, was killed. She'd previously escaped a repressive life in Chechnya but is now believed to be the first Chechen woman in exile to be killed outside of Russia. BBC Russian's Zlata Onufrieva and Olga Prosvirova set out what is known about Aishat's life and death, and consider the implications of her killing for Chechen women living in exile. This episode of The Documentary comes to you from The Fifth Floor, the show at the heart of global storytelling, with BBC journalists from all around the world. Presented by Faranak Amidi. Produced by Laura Thomas, Caroline Ferguson and Hannah Dean. (Photo: Faranak Amidi. Credit: Tricia Yourkevich.)

In EVN Report's news roundup for the week of December 5: Armenia and the EU adopt a new Strategic Agenda; Church–state tensions continue to escalate as ten bishops call for the Catholicos' resignation; Government releases key OSCE Minsk Group documents from past Nagorno-Karabakh negotiations and more.

Ed and Reid are here to discuss a range of topics, like: Getting insulted at the doctor, problems with The Matrix, Steam banning the game Horses, holiday memories, and an ad hoc review of Zero Dark Thirty. This episode is brought to you by the Republic of Armenia and Daron Malakian's new centrist rallying cry, "Your Lives Burn."

This might meet with controversy, but I think Adam is correct. growing non-indigenous varietals, whether it be Armenia, Georgia or anywhere else, supports the chances of burgeoning wine regions to get any traction in the world of wine. It is tough out there where brand recognition is a tough battle to win, and consumers are inundated with messaging. Adam has taken, not sure I can call it the high road, but "A" road to getting his wines recognized as worthy of your attention. And he has done it by growing what otherwise would be sacreligious varietals.   In this special episode, I sit down with Adam Kablanian, the visionary founder and owner of Alexandria Winery in Armenia—a man whose life has spanned the worlds of microchip design and ancient terroir, bringing together the precision of Silicon Valley and the heart of Armenian soil. Our story begins with Adam Kablanian's ambitious dream: to put Armenia on the world wine map, proving that its volcanic soils and diverse terroirs can produce wines of excellence and distinct character. Raised in physics and forged in the fires of tech entrepreneurship, Adam Kablanian isn't your typical winemaker. He talks about hiring talented minds for his tech companies and learning, through trial and success, that potential is more about people and environment than just experience. This philosophy naturally transitioned when he began examining the land, the grapes, and the possibilities in Armenia—a nation with a deep but interrupted history of winemaking. Adam Kablanian shares how he could have chosen the comfort and prestige of Napa, but instead, he was drawn to the challenge and the adventure of Armenia, where land is cheaper, and the story richer. His approach is pragmatic and inspirational; recognizing the headwinds of unfamiliar grape names and unknown regions, he decided to bridge old and new by producing international varietals alongside Armenia's indigenous grapes. His winemaking isn't just about bottles—it's about creating honest wines that echo the terroir, about blending ancient vines with modern techniques, and, most importantly, about making wine accessible. From his initial days struggling with unremarkable local wines, to witnessing Armenia's transformation as technology and global culture elevated the nation's palate, Adam Kablanian reflects on the intersection of progress and tradition. He sees his winery not just as a business—"a $10 million investment in belief"—but as a proof point that Armenia, with its elevation, volcanic soils, and unique varieties, can inspire the world. This episode invites you behind the curtain—to learn not just about wine, but about vision, persistence, and the courage to marry old roots with new dreams. Whether you're a seasoned oenophile or just wine-curious, the journey of Adam Kablanian will remind you that wine is much more than a drink; it's an expression of humanity, a link between land, culture, and the boldness it takes to create something lasting. So pour a glass, settle in, and let this story inspire your next sip and next adventure. YouTube:  https://youtu.be/bJ9_r7-LYQQ #WineTalks #ArmenianWine #WinePodcast #Terroir

Spain's radically different approach to migration, how Norway is taking the fun out of gambling and a rare glimpse into an Italian prison amid a push to reform. Then: the brutal murder of journalist and environmental defender Hakan Tosun, NVIDIA's new AI hub in Armenia, and our first Age is Just a Number profile, featuring Lefteris Arapakis – a man on a mission to clean up the Mediterranean.

Jon Najarian, co-founder of Market Rebellion and TradeMonster, discusses how his first trip to Armenia and his daughters' influence have deepened his relationship to his heritage. He shares a remarkable family story, from the founding of the Lazar Najarian–Calouste Gulbenkian School in Syria to pioneering organ-transplant surgery in the United States.

We've talked a lot about Lordi and their 2006 win in Athens, and with the 20th anniversary rapidly approaching next year, we wanted our listeners to be up on one of the best contests of the otherwise not-so-great '00s era. And who better to join us in Athens than Greek pop expert and comedian Mano Agapion to talk about all the high and lowlights of the Grand Final? Jeremy taps the sign with his one rule of rock, Dimitry imagines a young Alexander Rybak getting inspired, Mano has OPINIONS about Anna Vissi, and Oscar's duty freeeeeeeee.Listen to Oscar & Mano's podcast, Drag Her: https://headgum.com/drag-her-a-rupauls-drag-race-podcastWatch the unbroadcast HD version of 2006: https://www.youtube.com/watch?v=sqxXIq5xEWkgermThis week's companion playlist: https://open.spotify.com/playlist/5oxMmEDitWpE4PAnk5WOI0 The Eurovangelists are Jeremy Bent, Oscar Montoya and Dimitry Pompée.The theme was arranged and recorded by Cody McCorry and Faye Fadem, and the logo was designed by Tom Deja.Production support for this show was provided by the Maximum Fun network.The show is edited by Jeremy Bent with audio mixing help was courtesy of Shane O'Connell.Find Eurovangelists on social media as @eurovangelists on Instagram and @eurovangelists.com on Bluesky, or send us an email at eurovangelists@gmail.com. Head to https://maxfunstore.com/collections/eurovangelists for Eurovangelists merch. Also follow the Eurovangelists account on Spotify and check out our playlists of Eurovision hits, competitors in upcoming national finals, and companion playlists to every single episode, including this one!

Groong Week in Review - November 30, 2025TopicsOSCE MG DissolvedLibaridian on Submitting to Turkey and AzerbaijanNew Constitution to be Drafted by March 2026Archbishops, Letters, Attacks on the ChurchBorder Commissions Meet in BakuComments from Jacob PursleyGuestArthur KhachikyanHostsHovik ManucharyanAsbed BedrossianEpisode 493 | Recorded: December 2, 2025https://podcasts.groong.org/493Subscribe and follow us everywhere you are: linktr.ee/groong

Es difícil abordar un tema tan delicado como el genocidio del «pueblo de la cruz». Por eso, D. Ricardo Ruiz de la Serna, profesor de Historia del Mundo Actual en CEU San Pablo (Madrid, España) y autor del libro «El genocidio armenio», pone las bases en este primer programa de «Un ancla en la tormenta», presentándonos la situación histórica, cultural y política de la Armenia histórica, para que conociendo la vida que había antes de «El genocidio armenio», podamos valorar más los acontecimientos trágicos que seguirán.

He was born into a Christian family at Nikopolis in Armenia. When he was eighteen his parents died, and with twelve other young men he established a small monastery. After a few years, much against his will he was made Bishop of Colonia, but he continued to live the ascetic life of a monk. After nine years of service as bishop, discouraged by the worldliness and intrigue around him, he secretly left for Jerusalem to live as a monk. He was divinely guided to the monastery of St Sabas, who received him and, knowing nothing of his rank, assigned him a lowly place among the new monks. Saint John cheerfully undertook whatever task was given to him and served the other monks in humility and silence. After completing his novitiate he was given a cell where he lived in total silence, fasting five days a week. On Saturdays and Sundays he joined the brethren for prayer, Communion and meals; but even at these times the other monks were edified by his silence and unceasing compunction. Saint Sabas desired to make him a priest and took him to be ordained by the Patriarch of Jerusalem. Saint John asked the Patriarch for a private meeting and explained that he could not be ordained because he was already a bishop. The Patriarch returned St John to St Sabas, telling him only that it was impossible for him to ordain John, who should be allowed to live in silence and solitude. Saint Sabas was perplexed (thinking that some sin prevented the monk from being ordained), but soon received a revelation of John's true rank.   After many years of reclusion, St John withdrew further to a cave in the desert for nine years. He became known as a divinely-enlightened counselor and a wonderworker, and cheerfully received all who came to him for guidance or prayer. In 509 he returned to the monastery, where he lived as an anchorite in his cell, communicating with the world only through one of his disciples. For many years he lived only on thin porridge, into which he would mix ashes. One day a disciple saw him pouring ashes into his food, and John abandoned the practice, not wanting to be known for the practice of any virtue.   Once he asked God for a sign revealing whether he would be granted to enter the Kingdom of Heaven. Taking a fig-seed, he placed it on a bare rock outside his cell. Without soil or water, the seed brought forth a plant, put forth leaves and flowers, and produced three figs, which St John shared with his disciples. The Saint then made ready for death. He reposed in peace, at the age of 104.

He was born into a Christian family at Nikopolis in Armenia. When he was eighteen his parents died, and with twelve other young men he established a small monastery. After a few years, much against his will he was made Bishop of Colonia, but he continued to live the ascetic life of a monk. After nine years of service as bishop, discouraged by the worldliness and intrigue around him, he secretly left for Jerusalem to live as a monk. He was divinely guided to the monastery of St Sabas, who received him and, knowing nothing of his rank, assigned him a lowly place among the new monks. Saint John cheerfully undertook whatever task was given to him and served the other monks in humility and silence. After completing his novitiate he was given a cell where he lived in total silence, fasting five days a week. On Saturdays and Sundays he joined the brethren for prayer, Communion and meals; but even at these times the other monks were edified by his silence and unceasing compunction. Saint Sabas desired to make him a priest and took him to be ordained by the Patriarch of Jerusalem. Saint John asked the Patriarch for a private meeting and explained that he could not be ordained because he was already a bishop. The Patriarch returned St John to St Sabas, telling him only that it was impossible for him to ordain John, who should be allowed to live in silence and solitude. Saint Sabas was perplexed (thinking that some sin prevented the monk from being ordained), but soon received a revelation of John's true rank.   After many years of reclusion, St John withdrew further to a cave in the desert for nine years. He became known as a divinely-enlightened counselor and a wonderworker, and cheerfully received all who came to him for guidance or prayer. In 509 he returned to the monastery, where he lived as an anchorite in his cell, communicating with the world only through one of his disciples. For many years he lived only on thin porridge, into which he would mix ashes. One day a disciple saw him pouring ashes into his food, and John abandoned the practice, not wanting to be known for the practice of any virtue.   Once he asked God for a sign revealing whether he would be granted to enter the Kingdom of Heaven. Taking a fig-seed, he placed it on a bare rock outside his cell. Without soil or water, the seed brought forth a plant, put forth leaves and flowers, and produced three figs, which St John shared with his disciples. The Saint then made ready for death. He reposed in peace, at the age of 104.

Después de habernos situado en el contexto de la Armenia histórica, el Prof. Ricardo Ruiz de la Serna, profesor de Historia del Mundo Actual en CEU San Pablo (Madrid, España) y autor del libro «El genocidio armenio», expone en este nuevo episodio de «Un ancla en la tormenta» el proceso del declive del Imperio otomano. En los intentos que hubo de reformarse y superar este declive, preguntándose por la identidad de la nación otomana, movimientos nacionalistas de panturquismo empezaban a cuestionar la posición de tolerancia que tenía hacia los cristianos, una minoría religiosa. Tras la serie de derrotas militares a los países balcánicos –mayoritariamente cristianos– empezaban a mirar a los armenios como una amenaza existencial a la estabilidad de su Imperio debilitado; el desarrollo de ese estado de alienación y sospecha de los armenios de parte de los otomanos provocaría, finalmente, «el genocidio armenio».

Radio International - The Ultimate Eurovision Experience is broadcast from Malta's Radio 105FM on Tuesday evenings from 2100 - 0059 hours CET. The show is broadcast live on Wednesday evenings from 1900 - 2300 hours CET on the Eurovision Radio International Mixcloud Channel as well as on the Facebook Page of Eurovision Radio International with an interactive chatroom.             AT A GLANCE - ON THE SHOW THIS WEEK  Interview with Cesar Sampson (Austria 2018) done at the Eurovision Club Germany's Convention 2025  The Eurovision Song Contest 2026 National Final Season The Junior Eurovision Song Contest 2025 - Review and Preview (Part 3) Eurovision Spotlight: Austria's History at the Eurovision Song Contest  with Dermot Manning Eurovision News with Dermott Manning in for Nick van Lith from www.escXtra.com Eurovision Birthday File with David Mann Eurovision Cover Spot with David Mann Eurovision Calendar with Javier Leal  National Final Update for Junior and Eurovision Song Contest with Alain Forotti  New Music Releases by Eurovision Artists  Your music requests    Cesar Sampson (Austria 2018) at EC Germany Convention 2025 Interview with Cesar Sampson (Austria 2018):  At the Eurovision Club Germany's annual convention on 22 Nov 2025 in Cologne, Germany four great Eurovision performers where invited to perform in front of an international crowd of Eurovision Fans. Radio International's JP, Marc and Salman were on location in Cologne and conduction interviews with the below artists which you will be able to listen to on the show during the upcoming weeks. Last week on Radio International we heard already the interview with Laura Thorn who represented Luxembourg at the eurovision Song Contest 2025 with the song "La poupée monte le son" coming 22nd in the Grand Final of the Eurovision Song Contest 2025. Another artist from the Eurovision 2025 was Klemen who represented Slovenia at the Eurovision Song Contest 2025 with the song "How much time do we have left" sadly not making it out of his Semi Final.  Then from the Eurovision Song Contest 2004, Jonatan Cerrada represented, as a Belgian, France at the Eurovision Song Contest with the song "A chaque pas" coming 15th.   And Cesar Sampson represented Austria at the Eurovision Song Contest in 2018 coming third with "Nobody but you".    This week on Radio International enjoy the interview and a catch-up with Cesar Sampson from Austria. The Junior Eurovision Song Contest 2025: The 23rd edition of the Junior Eurovision Song Contest will be held on Saturday 13 Dec 2025 from the Gymnastic Hall of the Olympic City in Tblisi in Georgia with young artists from 18 countries taking part. In the running order: Malta, Azerbaijan, Croatia, San Marino, Armenia, Ukraine, Ireland, The Netherlands, Poland, North Macedonia, Montenegro, Italy, Portugal, Spain, Georgia, Cyprus, France and Albania.  Returning countries are Azerbaijan, Croatia and Montenegro while Estonia and Germany are taking a break. The Hosts of the show are David Aladashvili and Liza Tsiklauri. The show starts at 1700 hours CET. Last year's Winner was Georgia's Andria Putkaradze who won with the song "To my mom".  Radio International will be introducing the songs to the listeners over the next weeks until the week on the Junior Eurovision Song Contest 2025. But also there will some highlights from past editions of the Junior Eurovision Song Contest.    The Home Composed Song Contest 2025 - We have a Winner:  Congratulations go to ConstantX who won the 34th edition of the the Home Composed Song Contest 2025 with the song "Summer Drifting". For the details visit the website of the Home Composed Song Contest - click here The Home Composed Song Contest is in its 34th year, this is a competition for Eurovision fans who write, perform and produce their own music, who enter their own original song composition (audio only) and then also take part as a jury, to help choose the winning song. This year there are 24 songs from 12 different countries, and you can listen to the songs, and read the lyrics and bios on the official website - click here   Watch the Grand Final Show on the contest's YouTube Channel. Click here to watch the Grand Final.           The Eurovision Spotlight - The history of Austria at the Eurovision Song Contest:  It is Autumn 2025 it also time for the traditional look at the next host country's Eurovision Song Contest entries. JJ won Eurovision 2025 and with that Austria will host the Eurovision Song Contest 2026 in the Wiener Stadthalle on 12 and 14 May 2026 for the two Semi Finals and the Grand Finale to take place on Saturday, 16 May 2026. Over the next weeks and before the National Final Season for 2026, Radio International's team members will be reviewing all the Eurovision entries from Austria. Dermot Manning will be continuing series of the Eurovision Spotlight looking at the history of Austria at the Eurovision Song Contest. Eurovision News, New Song Releases, Birthday File, Coverspot, Eurovision Calendar:Also JP will be joined by David Mann for the Eurovision Birthday File and Eurovision Coverspot.  Javier stands in for Nick and will be presenting the Eurovision News courtesy of escXtra.com. There will be a lot of the great new releases of Eurovision artists on the show as well as great Eurovision Classics. Javier will be updating us on the upcoming Eurovision events in the Eurovision Calendar and Alain Forotti gives us already some updates of the National Finals regarding the Junior Eurovision Song Contest 2025 and the Eurovision Song Contest 2026 and and....   For full details of this week's Show Content and Play List - click here

Max speaks with Michael Kimmage about his immediate reactions to the new 28-point peace plan for Ukraine, and the rapid-fire diplomacy taking place in response to its release. This conversation was recorded on November 24, 2025.

Conversations on Groong - December 1, 2025Topics:US and VenezuelaPotential for New War on IranIs Azerbaijan a “Middle Power”?Europe's Confused Geopolitical IdentityArmenia's Confused GeopoliticsGuest: Eldar MamedovHosts:Hovik ManucharyanAsbed BedrossianEpisode 492 | Recorded: November 29, 2025VIDEO: https://youtu.be/SjcJMIis7sgSHOW NOTES: https://podcasts.groong.org/492#IranCrisis #AzerbaijanPolitics #EuropeanGeopolitics #ArmeniaSecurity #SouthCaucasus #GlobalPowerPoliticsSubscribe and follow us everywhere you are: linktr.ee/groong

Cristiano Ronaldo BioSnap a weekly updated Biography.Cristiano Ronaldo has dominated headlines over the past several days with a mix of sports achievements, personal milestones, and high-profile political encounters. The 40-year-old footballer continues to prove his staying power both on and off the pitch.On the sporting front, Sky Sports News reports that Ronaldo avoided a ban for Portugal's World Cup campaign following his red card against the Republic of Ireland during a World Cup qualifier. A FIFA disciplinary committee imposed a three-match ban, but suspended the final two matches for one year, provided he maintains clean conduct. Ronaldo had already missed one match against Armenia, meaning he can play in the opening games of the 2026 World Cup if he stays disciplined. This decision has sparked debate among fans, with many noting Ronaldo's previously unblemished record across 226 international appearances.In club action with Saudi Arabia's Al Nassr, Ronaldo recently capped off a match with a spectacular bicycle kick against Al Khaleej, showcasing his athletic prowess remains sharp despite his age. The moment generated significant social media engagement, with Ronaldo posting a concise three-word message that resonated across platforms.Perhaps most notably, Ronaldo met with United States President Donald Trump at the White House, an encounter that captured global attention. According to Ronaldo's social media statement, he expressed gratitude for the invitation and spoke about inspiring new generations through courage and responsibility. The meeting also included Saudi Crown Prince Mohammed bin Salman, highlighting Ronaldo's unique position bridging sports, politics, and international diplomacy.On the personal front, reports indicate Ronaldo and his fiancee Georgina Rodriguez have chosen to hold their wedding on Madeira Island next summer, strategically scheduled between the 2026 World Cup and the start of the Saudi Pro League season. The couple has been actively sharing moments together on social media.Current statistics underscore Ronaldo's remarkable longevity. He now boasts approximately 954 official career goals, 143 international goals for Portugal, 140 Champions League strikes, and previously scored 35 goals in a single Saudi season. His presence on social media remains substantial, with over 669 million Instagram followers receiving regular updates on his professional and personal life.These developments paint a picture of an athlete whose influence extends far beyond the football pitch, navigating international prominence while maintaining elite athletic performance well into his fifth decade.Get the best deals https://amzn.to/3ODvOtaThis content was created in partnership and with the help of Artificial Intelligence AI

Conversations on Groong - November 27, 2025Topics: Clergy Arrests in Armenia Church Under Pressure Prayer Breakfast Controversy Western Silence on Repression CSI's Findings in YerevanGuest: Joel VeldkampHosts:Hovik ManucharyanAsbed BedrossianEpisode 490 | Recorded: November 25, 2025SHOW NOTES: https://podcasts.groong.org/490VIDEO: https://youtu.be/BGnt2feIXMs#ArmenianChurch #ReligiousFreedom #ClergyArrests #ChristianSolidarityInternational #HumanRightsInArmeniaSubscribe and follow us everywhere you are: linktr.ee/groong

We all know that huge sums of money are invested in creating new, more effective weapons of war.  Brian Abrams sees an opportunity to invest instead in what he calls "peace tech," emerging businesses using technologies and creative methods designed to prevent war from happening in the first place. He's created a new firm, B Ventures, and in this Blue Sky episode he describes with infectious optimism his exciting vision for the future.    Chapters: 00:00 Introduction to Brian Abrams  Bill Burke introduces Brian Abrams, founder of B Ventures Group, an investment fund focused on global peacebuilding and conflict resolution through "peace tech." Brian's extensive background in managing over $1 billion in assets and his human-centric investment philosophy are highlighted.  02:09 From Founder to Venture Capitalist  Brian shares his career journey, starting as an entrepreneur in India where he experienced failure, which led him to realize his strength in spotting opportunities rather than operationalizing them. He then transitioned to venture capital in Israel, building a fund from $2 million to over $1.2 billion, emphasizing the role of luck and a pivotal moment in fostering peace initiatives.  08:28 The Genesis of Peace Tech  Brian reflects on his past experiences, including a startup's condition to include Palestinian teammates during an acquisition, which planted the seed for his current work. He explains his philosophy of using money to serve people and approaching problems from a bottom-up perspective, leading him to focus on peace tech as an alternative to military tech.  10:17 The Rationale for Peace Tech  Drawing inspiration from Thich Nhat Hanh's philosophy of 'interbeing,' Brian articulates why war is illogical and a form of collective self-harm. He emphasizes the enormous economic cost of violent conflict, totaling $19 trillion annually, and how venture capital's bottom-up, experimental approach can offer innovative solutions for peacebuilding.  15:28 AI in Crisis Simulation  Brian describes an investment in a startup founded by a Harvard researcher who developed an AI-powered crisis simulation platform. This technology aims to anticipate and prevent future conflicts, like potential World War III over Taiwan, by running thousands of scenarios daily, far exceeding traditional war games.  21:32 Business Model for Peace Tech  Brian explains the twofold business model for peace tech startups: selling to friendly governments and to companies for competitive landscape analysis. He emphasizes that a for-profit model ensures scalability and continuous funding, unlike grants, allowing for exponential growth and a virtuous cycle to prevent major conflicts.  29:23 Peace Tech: Agile and Ethical  Brian highlights the agility of venture-backed peace tech companies compared to traditional government or academic initiatives, citing an example of a startup rapidly forming after the dismantling of the US Institute of Peace. He defines peace tech as anything that preempts, mitigates, or resolves violent conflict, adhering to a 'first do no harm' principle.  34:26 Peace Tech Investments and Ecosystem  Brian discusses additional investments, including a company creating digital twins of societies to understand and model civil conflicts like those between Armenia and Azerbaijan. He describes the growing Peace Tech ecosystem, drawing parallels to the private space industry's exponential growth, and aims to build a global community of founders and investors.  41:12 Conclusion and Call to Action  Bill Burke reflects on how technology's ability to show the grim reality of war might increase the fervent desire for peace. Brian encourages listeners to connect via LinkedIn and join the Peace Tech community, expressing his strong optimism for the future impact of this movement.   

Conversations on Groong - November 26, 2025Topics:Azerbaijan's war crimes and impunitySham trials of Artsakh leadersSilence of the OSCE and the WestArmenia's growing political repressionAttacks on the Armenian ChurchGuest: Garen JinbachianHosts:Hovik ManucharyanAsbed BedrossianEpisode 489 | Recorded: November 23, 2025SHOW NOTES: https://podcasts.groong.org/489VIDEO: https://youtu.be/uwn6cFzDpAo#ArtsakhJustice #HumanRights #OSCE #Armenia #Azerbaijan #PoliticalPrisonersSubscribe and follow us everywhere you are: linktr.ee/groong

Hailing from Yerevan, Armenia, Innersha is a producer and live artist who has created a fresh and sophisticated perspective on contemporary live techno. Her sound is a dense constellation of IDM intricacies, celestial textures, and deep techno grooves that drift effortlessly into the depths of mind-altering psychedelia. This unique sonic signature has already led to visionary live sets at revered institutions including Bassiani, Berghain's Säule, and Pe:rsona, alongside multiple performances at this year's Mo:Dem Festival. For this recording, Innersha moves between the physical and the ethereal, constructing a narrative that perfectly balances the tactile weight of rhythm with the weightlessness of space. It is a trip that feels both intimate and expansive, navigating through cycles of sonic construction and deconstruction. A deep cerebral excursion witnessing the formation of entirely new sonic dimensions. Reflecting on the process that shaped this session, Innersha shares: "The recording is an exploration of materials and impressions gathered throughout 2025. Across the year, I found myself working with percussive instruments, exploring the pulse and the subtle variations of repetition that come from real movement. Another part of this process was diving into ambient abstraction, constantly shifting atmospheres that reshape the context. In the dialogue between these two elements, a story began to form about collapse, rebirth, and the formation of new universes. The set was recorded in my studio in Yerevan, where most of the days drift into exploring sound." Turn the volume high and lose yourself in a new realm of sound. Follow: https://soundcloud.com/innersha https://www.instagram.com/innersha_/

Հայաստանեան եւ հայութեան հետ առնչութիւն ունեցող վերջին իրադարձութիւններու մասին լուրերը կը հաղորդէ մեր թղթակիցը Գիտա Էլիբէկեան: Latest news from Armenia, Artsakh and the Diaspora from our reporter Gita Elibekyan.

Groong Week in Review - November 23, 2025Topics:High-Stakes Ukraine TalksArmenia's Growing Political DetentionsPashinyan Honored In KazakhstanRising Pressure On The ChurchImpeachment vs. ElectionsPashinyan Seizes Power GridGuest: Hrant MikaelianHosts:Hovik ManucharyanAsbed BedrossianEpisode 488 | Recorded: November 24, 2025SHOW NOTES: https://podcasts.groong.org/488VIDEO: https://youtu.be/YA7EDq_Ve3I#ArmeniaPolitics #SouthCaucasus #HumanRights #FreeSpeech #RussiaUkraine #GroongPodcastSubscribe and follow us everywhere you are: linktr.ee/groong

It's Friday, November 21st, A.D. 2025. This is The Worldview in 5 Minutes heard on 140 radio stations and at www.TheWorldview.com.  I'm Adam McManus. (Adam@TheWorldview.com) By Adam McManus Christian ethnic cleansing survivors given new homes in Armenia Several families displaced by ethnic cleansing in their ancient Christian homeland more than two years ago were given new homes and plots of land on Tuesday through a charitable initiative seeking to help revitalize a rural Armenian mountain village, reports the Christian Post. Romans 12:15 says, “Rejoice with those who rejoice.” The Tufenkian Foundation has cut the ribbon on a pilot refugee village in Svarants, completing the first 10 of 20 new homes in the upper reaches of Armenia's mountainous Tatev Municipality, which borders Iran and Azerbaijan. The new homes, which come with adjoining plots of land and a barn, were built specifically to help families rebuild their lives around the agricultural and livestock work they were doing before Azerbaijan's 2023 invasion of Nagorno-Karabakh. It's a predominantly Armenian region known affectionately to Armenians as the Republic of Artsakh. After a months-long military blockade, more than 120,000 ethnic Artsakh Armenians were forced from their homes in September 2023, and most have lived for two years throughout Armenia with what Artsakh leaders say has been inadequate social integration.  Judge orders Trump to end National Guard deployment in DC On Thursday, U.S. District Judge Jia Cobb, a Biden appointee, ordered the Trump administration to end its monthslong deployment of National Guard troops to help police the nation's capital, reports the Associated Press. She asserted that President Donald Trump's military takeover in Washington, D.C., illegally intrudes on local officials' authority to direct law enforcement in the district. Trump had said the troops were needed to deal with rampant crime and violence in Washington and support federal immigration law enforcement efforts there. Pope Leo met with Illinois' pro-abortion, pro-perversion governor The stream of liberal clergy and scandalous public figures who are given audiences with Pope Leo XIV seemingly never comes to an end. Now comes news that pro-abortion Democratic Illinois Governor J.B. Pritzker spoke with Leo for 40 minutes at the Vatican during a private meeting on Wednesday, reports LifeSiteNews.com. In the past, Pritzker has designated Illinois a “sanctuary state” for women seeking abortions, expanded access to chemical abortion pills, and approved policies sexual perversion activists have long desired. To top it off, Pritzker may sign a bill that would legalize physician-assisted suicide. According to Proverbs 6:17, one of seven things that God hates is “hands that shed innocent blood.” A Pritzker spokesman said that the audience with Leo was arranged by pro-homosexual Chicago Cardinal Blase Cupich, a man with whom he has had a long friendship. Neither Trump nor Vance not invited to Dick Cheney's funeral Political figures from across the aisle gathered Thursday in Washington, DC, for the funeral of former Vice President Dick Cheney — a key figure of pre-MAGA Republican politics, reports CBS News. The funeral, which was attended by two former presidents and all living former vice presidents, was a bipartisan who's who of Washington dignitaries yet with the notable absence of two of the country's current leaders. Neither President Donald Trump nor Vice President J.D. Vance were invited to the funeral. Cheney received full military honors at the invitation-only memorial service at Washington's National Cathedral. Attendees included former Presidents Joe Biden and George W. Bush, former First Ladies Jill Biden and Laura Bush, as well as former Vice Presidents Kamala Harris, Mike Pence, Al Gore, and Dan Quayle. George W. Bush: Dick Cheney was a serious man Former President George W. Bush eulogized Dick Cheney, his former vice president, as a consummate public servant who could be relied on, and who “lifted the standards” of those around him. BUSH: “In a profession that attracts talkers, Dick Cheney was a thinker and a listener. And when he did speak up, conveying thoughts in that even tone of voice, that orderly, unexcitable manner, you knew you were getting the best of a highly disciplined mind. “No colleague, no legislator, no foreign leader who ever met Dick Cheney ever doubted that they were dealing with a serious man.” Cheney, who served as Bush's vice president from 2001 to 2009, died on November 3 at the age of 84. Prior to being elected vice president, Cheney served as defense secretary, White House chief of staff, and as a congressman representing Wyoming. Texas Governor slams judge who blocked redistricting map Texas Republican Governor Greg Abbott slammed the El Paso federal judge, a 2019 Trump nominee, who once worked for Abbott, for authoring the decision that blocked the state's congressional redistricting map that President Donald Trump wanted ahead of next year's elections, reports the San Antonio Express-News. ​In an appearance on Fox News, Abbott said a previous redistricting decision by U.S. District Court Judge Jeffrey Brown, who worked for Abbott when he was a Texas Supreme Court justice in the 1990s, was overturned last year. ABBOTT: “Judge Brown, who wrote that opinion, he was just reversed last year in a different redistricting decision. He was wrong last year. He's wrong this year. I have never seen an opinion so erroneous in its writing. That's something that the United States Supreme Court, I think, is just not going to tolerate.” ​Abbott said he is “confident” that the U.S. Supreme Court will side with Texas and allow the new map, which gives Republicans five more winnable seats, to be used in the 2026 midterm elections. The case has major ramifications for control of the U.S. House during the final two years of Trump's presidency. Republicans currently hold a five-seat majority in the U.S. House. If Democrats retake control of the chamber, they would have the power to stop all major legislation Trump wants passed and would be able to hold hearings to investigate the administration's policy decisions and actions. British shoe cobbler victorious in David vs. Goliath battle And finally, a British shoe cobbler in Gloucestershire, England, named Alan Macdonald, has been happily repairing shoes for thirty years at Macdonald Traditional Cobbler. MACDONALD: “Well, my father was a cobbler and my grandfather was a cobbler. So, I've been around probably since I was about five. I think my father had me doing work.” Recently, a corporate shoe repair chain wanted to open a location right across the street. Local citizens signed a petition to protect Alan McDonald, reports GoodNewsNetwork.org. The petition to reject the corporate newcomer collected 1,000 signatures from people in the area through social media, including the local Parliament member. MACDONALD: “You know, I hadn't expected this swell of support that's happened as a result of this application. I mean, I just was not expecting that.” A United Kingdom grocery chain Tesco had submitted a planning application together with another chain called Timpson, to open a new location of one of their bizarre service centers that offered combinations of dry cleaning, watch repair, key duplication, photo printing, engraving, portraiture, and shoe repair. To Macdonald's delight, when the corporate application for its new location was due to be discussed at a parish council meeting, Tesco confirmed it would not be moving forward.  However, it failed to specify whether or not the petition drive led to their decision. MACDONALD: “It was quite a worry to be honest. You know, I don't make a massive amount of money. I mean, only a small amount taken away from the income that I make here would make it very difficult to survive, to be honest.” Close And that's The Worldview on this Friday, November 21st, in the year of our Lord 2025. Follow us on X or subscribe for free by Spotify, Amazon Music, or by iTunes or email to our unique Christian newscast at www.TheWorldview.com.  I'm Adam McManus (Adam@TheWorldview.com). Seize the day for Jesus Christ.

In EVN Report's news roundup for the week of November 21: U.S. approves Nvidia chip exports to Armenia for the country's first major AI data center; PM Nikol Pashinyan urges U.S. action on Armenian detainees held in Baku; Armenia and Kazakhstan to deepen ties, planning a strategic partnership and more.

Max and Maria spoke with Nikolay Petrov and Mikhail Troitskiy, two leading experts on the contemporary Russian elite, to discuss the current status of this ruling group inside Russia today, and why it finds itself increasingly under pressure from state security organs. This conversation was recorded on November 13, 2025. "Отцы и дѣти: Генеалогическое исследование российской власти" (Proekt.media, November 2025) "Transition without a successor: The transformation of Putin's regime," by Vladimir Pastukhov and Nikolay Petrov (NEST, September 2025) "Managing multiple audiences: dual-track signals and the silencing of Russia's globalized elites before the invasion of Ukraine," by Mikhail Troitskiy (Post-Soviet Affairs, June 2025)

When the lens becomes more than a tool that captures a moment, when it becomes a way of listening, communicating and connecting, those moments add up and human stories start weaving history. For 26 years, photographer Winslow Martin has been capturing Armenia through a deeper gaze. His “Love Letter to Armenia” is a multimedia performance that invites documentary photography onto the stage as a live confession of times past and an intimate narration of one photographer's ongoing journey to a country and connection with its people.

Across Armenia today, thousands of older adults, many of them refugees from Artsakh, are facing the most challenging chapter of their lives. Uprooted from their homes, separated from familiar communities, and navigating the realities of aging under extraordinary stress, they are carrying both personal loss and the collective trauma of displacement. Yet within this struggle lies a powerful story of resilience, dignity, and the urgent need for compassionate support.   Learn more about this population and the efforts being taken to help in any way possible in our interview with Paros Executive Director, Peter Abajian.