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Democracy is a big old word. But what does it actually mean? Or better yet, what does it look like? We get an answer to this with Ross Coulter's 'Picturing Democracy'. The exhibition that dove into the City of Port Phillip City archives to create a local view of democracy that spans over 100 years. That exhibition is now over but still available for viewing on www.coultercoulter.com We spoke to Ross about his experience in bringing the exhibition together and his biggest takeaways now that it's over.See omnystudio.com/listener for privacy information.
What is God really like when you actually stop and ask the question? Not the version of God you grew up with, not the one shaped by your worst memory of church, but the God who actually exists. That is the question this sermon walks straight into.Pastor Paul opens with something most of us never stop to do. He asks you to picture God in your mind. Is he a man? Does he have a beard? Is he disappointed? Is he smiling? Most of us have built a picture of God somewhere along the way, but very few of us have ever held that picture up next to what God actually says about himself in the Bible. And that gap matters, because what comes into our minds when we think about God is the most important thing about us.This message moves into Exodus 33 and 34, where Moses asks God one of the boldest questions in scripture. Show me your glory. God answers in a way nobody expects. He tells Moses he will cause all his goodness to pass in front of him and proclaim his name. Then God describes himself as compassionate and gracious, slow to anger, abounding in love and faithfulness, forgiving wickedness, rebellion, and sin, yet not leaving the guilty unpunished.Pastor Paul unpacks the tension most of us feel here. How can God be both holy and gracious? Both great and good? Both the God of thunder, lightning, and smoke on Mount Sinai in Exodus 19, and the God who speaks his name in mercy in Exodus 34? Pastor Paul holds these two truths together the way they were always meant to be held, not as a contradiction, but as a paradox that gives the Christian life its power. The greatness of God keeps us from sin. The goodness of God draws us back when we have.If you have ever wondered whether God is loving or angry, present or distant, near or far, this teaching offers a careful, pastoral, biblical answer. Pastor Paul leans on Augustine, A.W. Tozer, and the language of scripture itself to help you see a God who is both impossibly great and unbelievably good at the same time.This message is for the believer who has settled into one side of God's character and forgotten the other. It is for the skeptic who has only met an angry version of God and never the gracious one. It is for the deconstructing Christian quietly asking, who is God really. And it is for anyone in pain right now wondering if God is paying attention.
Alexi Pappas is an Olympian who holds the Greek national record over 10,000m, an author, poet, filmmaker, and a guide alongside her blind teammate Lisa together running many of the World Marathon Majors. She's spent her whole life refusing to be just one thing. We talked about why she believes your fears are really just cares, and how she traced all of hers back to one core fear before solving it with a single phone call to three friends. Picturing fear as a passenger in the car you're driving instead of something to outrun. Guiding Lisa through five Boston Marathons, learning to talk through tension in the tether so the conversation could be about feelings instead of left and right, and the time they fell clipped into a tandem bike in traffic while training for their first triathlon. Why she thinks shortcuts are poison, and how you can stand next to someone on a start line and feel whether they earned it. Keeping athlete and artist in separate rooms for years, then seeing her own handwriting on a wall at Boston. And why, after solving that one fear, she feels more fearless than she ever has. If you enjoyed this episode check out these similar episodes: #170 Grace Grove#106 Mary Fowler#91 Montana Farah-Seaton Follow Alexi Pappas: Instagram: @alexipappas Alexi's Podcast Instagram: Mentor BuffetSpotify Mentor BuffetSee omnystudio.com/listener for privacy information.
Read this Question of the Week Here: https://www.reasonablefaith.org/writings/question-answer/picturing-jesus
Daily Halacha Podcast - Daily Halacha By Rabbi Eli J. Mansour
Yir'at Shamayim – the awareness that Hashem is watching us at all times, and sees everything we do – does not come naturally. Since we do not directly perceive Hashem with our senses, it is difficult to live with this awareness. This is something that requires work and a conscious effort. One of the important things we can do to help ourselves develop Yir'at Shamayim is to pray for it. The Gemara (Shabbat 156b) relates that Rav Nahman Bar Yishak's mother was informed by astrologers that her child would grow to become a criminal. She immediately ensured that he would never go about bareheaded, and she instructed him to regularly pray to be saved from the Yeser Ha'ra (evil inclination). Sure enough, the Gemara in Masechet Sota (49b) cites Rav Nahman Bar Yishak as testifying about himself that he possessed Yir'at Shamayim. This was, undoubtedly, due at least in part to his impassioned prayers for Yir'at Shamayim. The Maharsha (1555-1631) explains that although the Talmud (Berachot 33b) teaches, "Everything is in G-d's hands, except for the fear of G-d," implying that G-d does not help us fear Him, nevertheless, one who sincerely strives for Yir'at Shamayim can certainly pray for Hashem's assistance. If Hashem sees that a person has made the decision to try to live with Yir'at Shamayim, and beseeches Him for help, then He will assist that person. Indeed, we pray in Birkat Ha'mazon, "Ha'Rahaman Hu Yita Torato Ve'ahabato Be'libenu Ve'tiheyeh Yir'ato Al Panenu Le'bilti Neheta" – "The Merciful One shall plant in our hearts the love of His Torah and the love of Him, and the fear of Him shall be upon our faces so that we do not sin." At several points during the prayer service, too, we ask Hashem to help us in our quest for Yir'at Shamayim so we conduct ourselves properly at all times. It is also critically important to pray for one's children to have Yir'at Shamayim. Rav Haim Soloveitchik of Brisk (1853-1918) said that a boy's level of Torah learning depends on how often his father studies Torah with him, and his level of Yir'at Shamayim depends on how many tears his mother sheds while praying for his Yir'at Shamayim during candle lighting on Friday evening. Additionally, many great Rabbis gave us "tips" and strategies for developing our fear of G-d. The Yafeh La'leb (Rav Rahamim Nissim Yishak Palachi, Turkey, 1813-1907) writes that we can help engender Yir'at Shamayim within ourselves by regularly saying "Be'ezrat Hashem" – "with G-d's help" – before we proceed to do something. The more we remind ourselves that nothing we try to do can succeed without Hashem's assistance, that He is with us at all times helping us to do all that we need to do, even simple tasks, the more aware we will be of His continuous presence. Rav Yisrael Bitan cites from a wide range of sources fifteen "Segulot" that help one attain Yir'at Shamayim: 1) Looking up to the sky, to heighten our awareness of Hashem. 2) Looking at one's Sisit. 3) Reciting the verses in the Book of Debarim about Yir'at Shamayim (10:12-13) while wearing Tefillin Rabbenu Tam. 4) Learning Torah while wearing Tefillin Rabbenu Tam. 5) Spending a good deal of time in the synagogue. 6) Exercising care to avoid all kinds of forbidden speech. 7) Always seeking peace and promoting peace, while avoiding conflict and fights. 8) Ensuring to fulfill the Misva of standing in honor of the elderly and of Torah scholars. The Arizal noted that right after the Torah commands us to stand to honor the elderly and the scholars, it adds, "Ve'yareta Me'Elokecha" – "You shall fear your G-d" (Vayikra 19:32), indicating that fulfilling this Misva helps one develop Yir'at Shamayim. The Gemara (Berachot 28a) tells that when Rabbi Zera grew tired, and was unable to learn Torah, he would stand by the entrance to the study hall, explaining that when the Rabbis would pass by, he would stand in their honor and thereby receive reward. The Hida (Rav Haim Yosef David Azulai, 1724-1806) explained that Rabbi Zera certainly did not fulfill Misvot for the sake of earning reward. However, he was saying that by fulfilling the Misva to honor the Torah scholars, he would be rewarded with Yir'at Shamayim, and this is how he could continue developing himself spiritually when he lacked the strength to learn Torah. 9) Picturing in one's mind the Name of "Havaya" punctuated with the vowels of the word "Yir'a." 10) Regularly studying Torah. 11) Conducting oneself with humility at all times. 12) Having the works of the Rambam in one's home. 13) Regularly studying the Tur, the Bet Yosef, and the Shulhan Aruch. 14) Eating Shabbat meals with the specific intention of giving honor to the Shabbat. 15) Speaking sparingly, and spending periods of time in silence. When we are with great people, we feel somewhat uncomfortable and therefore speak little, afraid that we might say something inappropriate or foolish. Therefore, we should accustom ourselves to avoid excessive speech, sensing that we are in the presence of the Almighty. I would humbly add another piece of advice – to study the works of the Ben Ish Hai (Rav Yosef Haim of Baghdad, 1833-1909). His works are written in a very unique style, in a way that engenders a great deal of excitement for every topic he writes about. Regularly studying these precious books can help inspire us and inject us with Yir'at Shamayim. It is told that Rav Nahman of Breslav (Ukraine, 1772-1810) would spend some time each day outdoors, alone, speaking to Hashem, thanking Him for all his blessings, expressing all his needs, concerns and wishes, and asking for His assistance. This, too, is a very effective way to develop Yir'at Shamayim – taking some time each day to speak to Hashem in our own words, without a fixed text, as though He is right in front of us, expressing our feelings of gratitude as well as our fears, our needs and our wishes. These regular "meetings" help us remain conscious of His ongoing presence in our lives. One of the most important strategies for developing and maintaining Yir'at Shamayim is ensuring to be in good company, with likeminded individuals who share our religious values and our religious commitment. We are profoundly influenced by our surroundings, and so the more time we spend with G-d-fearing people, the more likely we are to be G-d-fearing ourselves. Furthermore, Rav Chaim Soloveitchik would advise people to have a close peer, a confidant, with whom to discuss matters related to Yir'at Shamayim and work together to think of practical measures to help them live with genuine fear of Hashem.
What did Jesus actually look like, and does it matter? In this episode, professor of ancient scripture Daniel Becerra discusses his new book Picturing Christ, co‑authored with Jennifer Champoux, Mark D. Ellison, and Matthew J. Grey. The book traces how Christians, Latter-day Saints and others, have imagined and portrayed Jesus across two millennia of art and what these evolving images reveal about a shared desire to understand the divine through faith and culture. Becerra explains that while what Jesus did matters more than how He looked, the way we picture Him still shapes how we relate to God and understand the scriptures. He dives into how assumptions formed by analyzing familiar artwork can influence our spiritual interpretation in subtle ways. The conversation also highlights what archaeology and historical research can teach us about Jesus's real-world context. Insights from excavations, early Christian artifacts, and material culture help ground scriptural stories in historical reality, enriching the way listeners imagine scenese from the New Testament. Through Picturing Christ, Becerra et al. invites listeners to see the Savior through a broader historical and artistic lens by opening fresh perspectives on the scriptures and deeping our discipleship. Publications: Picturing Christ: Understanding Depictions of Jesus in History and Art, co-authored with Jennifer Champoux, Mark D. Ellison, and Matthew J. Grey, Deseret Book (2026) 3rd, 4th Nephi: The Book of Mormon: Brief Theological Introductions 9, The Neal A. Maxwell Institute for Religious Scholarship (2021) Book of Mormon Studies: An Introduction and Guide, co-authored with Amy Easton, Nicholas J. Frederick, and Joseph M. Spencer, Religious Studies Center (2022) Highlighted artwork: Jesus and the disciples at the Last Supper, Virginia Museum of Fine Arts Making Space for Us, Michelle Franzoni Thorley Early Morning with the Savior, Sopheap Nhem Homeless Jesus, Timothy P. Schmalz The Christ of the Breadlines, Fritz Eichenberg Last Supper Sculpture, National Museum of African American History & Culture Click here to learn more about Daniel Becerra
No Foolin' Around 4/1/26: DA David Sullivan & Kara McElhone, Ex Dir, Children's Advocacy Center - Hamp Co: April is Child Abuse Awareness & Prevention Month. Historic Deerfield's Lauren Whitley & Phillippa Pitts: “Picturing and Dressing the Revolution.” Sal the Salamander, Woody the Wood Frog, Pete the Peeper & Brian Adams: crossing over. Pam Victor, Head of Happiness @ Happier Valley Comedy: Yes And.
Picturing Christ tells the story of how Latter-day Saints and other Christians have imagined Jesus and portrayed him in art throughout history, as well as what the archaeological evidence suggests about what he might have looked like. Though what Jesus did is more important than how he looked, how we see him shapes us. Our assumptions about what Jesus would have looked like can have a significant impact on our relationships with Deity, ourselves, and one another. Co-written by three professors of ancient scripture and an art historian, Picturing Christ walks us through the developments in art of Jesus throughout the centuries to help us begin to see him in new and transformative ways. By studying Jesus's appearance and the long tradition of artistic efforts to reflect and appreciate his likeness, you will better understand the nature of our Savior and come closer to him. Buy the Book The post Picturing Christ – Daniel Becerra, Jennifer Champoux, Mark D. Ellison, Matthew J. Grey appeared first on The Cultural Hall Podcast.
As Lent begins this week, Father Dave welcomes back friend of the show Father Patrick Mary Briscoe to discuss his new devotional, "Witness: A Guided Lent Journal for Prayer and Meditation." Father Patrick is a Dominican friar now serving in Rome, and he was recently appointed General Promoter for Social Communication for the Order of Preachers.
This episode is part of the DEI Symposium Series, developed from the DEI Symposium presented at the 2025 NCDA Global Career Development Conference in Atlanta, Georgia.In this episode Dr. Frank Gorritz hosts Dr. Natasha Barnes-Gwynn, a clinical professor and career consultant. The conversation centers around supporting at-risk students through innovative strategies. Dr. Barnes-Gwynn discusses her unique Instagrowth concept, which uses Instagram as a framework to engage students incorporating social-emotional learning (SEL) and career development theories. She emphasizes the importance of connection, shifting the deficit-focused perspective on at-risk students to one of empowerment and strength identification. Dr. Barnes-Gwynn also examines the critical role of SEL components such as self-awareness, self-regulation, and decision-making skills in academic and personal growth. By integrating career counseling theories and practical SEL strategies, she advocates for a holistic approach to nurturing all students' potential, emphasizing the collective responsibility of educators, counselors, and parents. The podcast concludes with reflections on the need to develop tools, possibly even an app, to expand and implement these innovative strategies more broadly.Dr. Natasha Barnes-Gwynn, CCC, NCC, FCD-I is a Clinical Professor at Southern New Hampshire University. She also serves as a career consultant through her private practice, Increasing Our Understanding (I.O.U.) Consultation, LLC. Dr. Barnes-Gwynn is a newly appointed board member for the Council of Accreditation and Related Educational Programs.Dr. Frank Gorritz FitzSimons, LPC, is a counselor educator in Florida. He is a nationally recognized scholar and counselor educator on topics including providing affirmative counseling care to queer and transgender communities of color, providing multicultural supervision, utilizing diverse approaches to counseling work, as well as addressing and disrupting white supremacy in counselor education.
In this episode of The Common Creative Podcast, Chris Meredith speaks with Robin Moon, a former nurse who reinvented her life to become an accomplished wildlife photographer. Robin shares her transition from a high-pressure healthcare career to discovering photography later in life, finding connection, creativity, and meaning through the natural world. The conversation explores the role of change and crisis in personal growth, the power of storytelling through imagery, and why age can be an advantage when beginning a creative journey. Known for her light-hearted and authentic approach, Robin finds joy in nature’s unpredictability especially in wildlife photography, where humour and spontaneity keep her inspired. She is Vice President of Mosman Camera Club, a published photographer, and a Sony Imaging Advocate who regularly judges, presents, and educates for Sony. Together with her husband Timothy, Robin runs Wanderlust Imagery, offering photography education, tours, and unforgettable creative adventures. LINKS: Robin Moon- Special Guest Website: https://www.wanderlust.sydney/ Instagram: https://www.instagram.com/robin_moon_photography/ https://www.instagram.com/wanderlustimagery.sydney/ Facebook: https://www.facebook.com/RobinwMoon Paul Fairweather - Co-host https://www.paulfairweather.com Chris Meredith - Co-host https://www.chrismeredith.com.auSee omnystudio.com/listener for privacy information.
Let's look again at that example of the daily run. If you believe there's danger right behind you, you'll feel scared and focus entirely on avoiding it. If you believe there's a big reward at the end, you'll feel determined and push through your current pain — a small sacrifice for the eventual gain. If you believe this is meant to be fun, you'll feel playful and find creative new ways to entertain yourself with no pressure. Beliefs create emotions. Emotions create actions. Choose a belief for the action it creates. Picturing one future makes you quit. Picturing another future makes you jump up, full of inspiration and action. A single thought can exhaust you or motivate you. One thought makes you act selfish. Another makes you act generous. One thought makes you do something stupid. Another makes you do something smart. Which belief is right? Wrong question. Which belief leads to the action you need now?
If you see a man with three, maybe four cameras hanging around his neck, odds are you've crossed paths with Ray Di Pietro.He's literally taken millions of photos of Nashville, documenting anything from historic moments to flowers on the sidewalk. He follows three mantras in his profession: do the work, show up, and be kind. Now, he shows up in our studio to kindly share what makes him so passionate about his work in Nashville and how a visual rendition of the city's history adds to the local fabric. This episode was produced by Josh Deepan.Guest: Ray Di Pietro, photojournalist
As I brought the blade to the patient, I tried to infer the right depth, weight, and speed by matching to my pictured recollection of all the other incisions I had seen—an act, perhaps, akin to Ansel Adams's technique of photographic previsualization. Benjamin A. Freeman reflects on how studying photography can be beneficial to medical education. The essay read in this episode was published in the Teaching and Learning Moments column in the November 2025 issue of Academic Medicine. Read the essay at academicmedicine.org.
Jesus walks with His disciples and reveals His mission: the Son of Man will be delivered into the hands of men, suffer, die, and rise. But the disciples are preoccupied with arguing about who among them is the greatest.
For many reenactors using a vintage camera loaded with film is the best way to capture images at an event - they provide a more authentic and tangible record than their digital counterpart and having only 12 or 36 shots available per roll of film really focuses the mind when it comes to subject matter and composition . In this episode Chris talks to Vijay, a WW2 reenactor from Chicago who has combined his passions for both vintage photography and living history and, as a result, is making a well deserved name for himself within the hobby thanks to the quality of his images. You can view many of Vijay's stunning photographs by checking him out on Instagram... @escshift01 As ever, a very big thank you to everyone that supports the Podcast via Patreon - we really couldn't do this without you ! Why not sign up and become one of our growing band of supporters with access to all of our Patreon exclusive content for as little as $5 a month. www.patreon.com/reenactorpodcast
Witness to Yesterday (The Champlain Society Podcast on Canadian History)
Larry Ostola speaks with Don Weekes about his book, Hockey Hall of Fame Timeline of the Game: 150 Years of Hockey Stories. The players. The builders. The moments and stories that define the game. Hockey Hall of Fame Timeline of the Game is a visual catalog of hockey's history -- from the early days of a modest ice game played on ponds to today's fast-paced, global, multi-billion-dollar sport. Hockey Hall of Fame Timeline of the Game is replete with facts, stories, headlines and stats that will satiate the appetites of even the most passionate fans. Hundreds of images, from iconic photographs to obscure illustrations and rare shots, bring the history to life -- all assembled in a colorful, attention-grabbing package. This indispensable reference guides you through eight hockey-defining eras. Don Weekes is an award-winning television producer at CTV Montreal and the author of more than 20 hockey books, including Hockey Hall of Fame Book of Trivia and Picturing the Game: An Illustrated Story of Hockey. If you like our work, please consider supporting it: bit.ly/support_WTY. Your support contributes to the Champlain Society's mission of opening new windows to directly explore and experience Canada's past.
For as much as it's important to remember the difficulties and challenges of leadership it's also vital that we keep touch with the inner joy that iw the right of every leader. Christian leaders especially have the obligation to embody this joy because we serve at the pleasure of the greatest of rulers, Jesus Christ. But staying joyful in leadership is not always easy. In this first part of our new series we study the first secret to joyful leadership: casting a vision for a dream worth dreaming.
Episode #225 In this powerful Member Transformation episode, Coach Terri sits down with Kirsten Hopkinson to explore how fasting has become more than just a weight-loss tool—it's reshaped her identity, health, and outlook on life. Kirsten shares how she's lost 50 pounds since joining The Fasting Method, lowered her A1C from pre-diabetic to healthy range, and discovered the deeper “why” driving her journey. From morning walks and mindset shifts to overcoming old habits and finding strength in community support, Kirsten's story is about creating sustainable change and living with purpose. If you're ready to move beyond diets and into a lifestyle of self-care, resilience, and transformation, this conversation will inspire you to take the next step. ✨ Ready to start your own transformation? Join The Fasting Method Community today and get the tools, coaching, and support you need to create lasting change. https://www.thefastingmethod.com/community/ Transcripts of all episodes are available on the Podcast page at www.thefastingmethod.com Book a complimentary 15-minute coaching intake assessment with one of the TFM coaches https://www.thefastingmethod.com/coaching/ Connect With Us Instagram: https://www.instagram.com/fastingmethod/ Facebook Page: https://www.facebook.com/TheFastingMethod Join our FREE Facebook Group: https://bit.ly/TFMNetwork Summary Timestamps 00:00 Introduction 01:22 Starting the Journey 02:45 What's Different This Time 04:25 Finding a North Star 07:11 Power of Community 11:09 Struggles & Support 15:47 Beyond Fasting 17:35 Letting Go of Numbing Tools 19:13 Feeling Big Emotions 21:46 Transformation Beyond the Scale 23:19 Advice for Beginners 27:31 Picturing the Future 28:34 Redefining Self-Care 29:16 Closing Thoughts Disclaimer This podcast is for educational purposes only and is not a substitute for professional care by a doctor or other qualified medical professional. You should always speak with your physician or other healthcare professional before doing any fasting, changing your diet, taking or adjusting any medication or supplements, or adopting any treatment for a health problem. The use of any other products or services purchased by you as a result of this podcast does not create a healthcare provider-patient relationship between you and any of the experts affiliated with this podcast. Information and statements regarding dietary supplements have not been evaluated by the Food and Drug Administration and are not intended to diagnose, treat, cure, or prevent any disease.
Follow Him: A Come, Follow Me Podcast featuring Hank Smith & John Bytheway
What can the Kirtland Temple dedication teach us about power, angelic help, and joy? Dr. Anthony Sweat examines the historical and spiritual significance of Doctrine and Covenants 109-110, clarifies the difference between the endowment and its presentation, and shows how repentance and covenant keeping open the way to lasting spiritual strength.SHOW NOTES/TRANSCRIPTS English: https://tinyurl.com/podcastDC240EN French: https://tinyurl.com/podcastDC240FR German: https://tinyurl.com/podcastDC240DE Portuguese: https://tinyurl.com/podcastDC240PT Spanish: https://tinyurl.com/podcastDC240ESYOUTUBE: https://youtu.be/PNKlm6BOmOkALL EPISODES/SHOW NOTES followHIM website: https://www.followHIM.coFREE PDF DOWNLOADS OF followHIM QUOTE BOOKSNew Testament: https://tinyurl.com/PodcastNTBookOld Testament: https://tinyurl.com/PodcastOTBookBook of Mormon: https://tinyurl.com/PodcastBMBook WEEKLY NEWSLETTER https://tinyurl.com/followHIMnewsletter SOCIAL MEDIA Instagram: https://www.instagram.com/followHIMpodcast Facebook: https://www.facebook.com/followhimpodcastTIMECODE:00:00 Part 1 - Dr. Anthony Sweat01:45 Thoughts on the Kirtland Temple04:13 Anthony Sweat bio07:36 Come, Follow Me Manual08:58 President Nelson's challenge10:45 1836: A highlight13:56 D&C 88:68: Thesis17:19 Like a student stake20:16 “Walking in darkness at noonday”23:32 Temple is the point25:55 Ordinances in Kirtland Temple?28:36 Did they understand work for the dead yet?30:36 Third floor rooms34:20 Unanswered questions37:28 Dedicatory prayer was given by revelation39:46 Picturing the dedication44:08 Introduction and plea46:14 Fulfillment of promise49:10 Sweat's “We Need an Endowment”51:37 Learn, grow, and become54:55 Seeing the Savior in the temple57:44 Intended to bring you inside the temple59:52 Repent, return, restored, and reverence1:00:17 Armed with power and delegation1:04:45 Angels and family on the other side of the veil1:07:10 Eternal family BBQ and work from the other side1:12:25 Seven blessings1:14:27 Ordinances as doors to power1:17:03 Difference between presenting concepts and receiving power1:21:40 End of Part 1 - Dr. Anthony SweatThanks to the followHIM team:Steve & Shannon Sorensen: Cofounder, Executive Producer, SponsorDavid & Verla Sorensen: SponsorsDr. Hank Smith: Co-hostJohn Bytheway: Co-hostDavid Perry: ProducerKyle Nelson: Marketing, SponsorLisa Spice: Client Relations, Editor, Show NotesWill Stoughton: Video EditorKrystal Roberts: Translation Team, English & French Transcripts, WebsiteAriel Cuadra: Spanish TranscriptsAmelia Kabwika: Portuguese TranscriptsHeather Barlow: Communications DirectorSydney Smith: Social Media, Graphic Design "Let Zion in Her Beauty Rise" by Marshall McDonaldhttps://www.marshallmcdonaldmusic.com
“Oh, 'twas love, 'twas wondrous love…” In Wondrous Love, world-renowned evangelist Dwight L. Moody delivers a series of powerful gospel messages originally preached in London during his late 19th-century evangelistic campaigns. With heartfelt urgency and Christ-centered compassion, Moody speaks directly to the lost, the backslider, and the spiritually hungry, calling all to experience the life-transforming love of God through Jesus Christ. This compelling collection of sermons brings the reader face-to-face with Christ's boundless mercy – from His healing touch to His saving grace for sinners, skeptics, and saints alike. With vivid storytelling, biblical illustrations, and unwavering conviction, Moody reminds us that no soul is beyond the reach of God's wondrous love. Except a man be born again, he cannot see the kingdom of God. – John 3:3 About the Author Dwight L. Moody, determined to make a fortune, arrived in Chicago and started selling shoes. But Christ found him and his energies were redirected into full-time ministry. And what a ministry it was. Today, Moody's name still graces a church, a mission, a college, and more. Moody loved God and men, and the power of a love like that impacts generations.
In this episode of the To Birth and Beyond podcast, Anita and Jessie talk belly band support garments: the myths, the expectations, and how they could benefit you postpartum.- - - - - - - - -If you liked this episode of To Birth and Beyond, tell your friends! Find us on iTunes and Spotify to rate/review/subscribe to the show.Want more? Visit www.ToBirthAndBeyond.com, join our Facebook group (To Birth and Beyond Podcast), and follow us on Instagram @tobirthandbeyondpodcast! Thanks for listening and joining the conversation!Show Notes 0:55 - What we are talking about today!1:47 - What we have heard from our clients regarding wearing abdominal support to help “pull abs back together” or “get waist back”3:06 - Where did this idea of abdominal wrapping come from?6:55 - Why are we thinking we need to bring our abs “back together”, anyways?8:29 - How abdominal support - as well as how we talk about it - has changed13:57 - On listening to yourself and what is working for you at any given moment15:59 - Picturing your abdomen/core canister, and what you want to be looking for in support, or a support garment16:41 - Anita's brand recommendations for wraps and other abdominal support garments27:52 - How abdominal support could help with mental health29:33 - Wrap up
"That is the main difference between storytelling for the ear and writing, is that the cost of revisions is so much higher," says Julia Barton.We have Julia Barton. Julia was the third hire, I think I have that right, with Pushkin Industries, the podcast giant founded by Malcolm Gladwell. She's the executive editor of Pushkin and helped develop Revisionist History and Against the Rules, the latter by the journalist and uber best seller Michael Lewis. She, quite literary, edits with her ears.I met Julia briefly at the Power of Narrative Conference in Boston, where she's also a Nieman Fellow, as her talk followed mine. I did not attend her talk and I feel great shame about that, but my battery was in the negative after my talk and I just needed to disappear, the plight of the introvert. I could have learned a LOT since her talk was about the grammar of audio stories. I atoned by inviting her on the podcast to talk about her auditory journey.So Julia has a cool newsletter called Continuous Wave, which is a weekly newsletter exploring the forgotten history of broadcast and all electronic media. It's very specific, which is what you want from a newsletter. She's the founder of RadioWright, she is @bartona104 on IG. We talk about: Editing audio stories and how it's different than print What's the ideal length for a podcast be it narrative or interview The cost of revisions Scratch mixes and dry mixes Animal vs. Mineral editing Picturing the ideal interview in your head And more!Order The Front RunnerNewsletter: Rage Against the AlgorithmWelcome to Pitch ClubShow notes: brendanomeara.com
Behind the braided wigs, buckskins, and excess bronzer that typified the mid-century "filmic Indian" lies a far richer, deeper history of Indigenous labor, survival, and agency. This history takes center stage in historian Liza Black's new book, Picturing Indians: Native Americans in Film, 1941-1960 (University of Nebraska Press, 2020), which looks at Indigenous peoples' experiences in the American film industry that so often relied upon and reproduced racialized stereotypes of "authentic Indians" to produce profit. Black shows how non-Native film producers, in producing monolithic and historically static Native caricatures for profit, reinforced settler colonial narratives on screen while simultaneously denying Indigenous actors, extras, and staff of their modernity. Thorough in detail and innovative in analysis, Black incorporates film studies, Native and Indigenous studies, and history, shedding new light on the mid-century film industry and Native peoples' roles in it. Black chronicles the contours of American settler colonialism and its cultural and economic manifestations both on- and off-screen, giving the "authentic Indian" so familiar to non-Native audiences a much-needed dose of historical context. The result is an engaging story of Indigenous talent, labor, and livelihood that transcends critical moments in Native and U.S. histories alike. Listeners can now purchase Picturing Indians using code 6AF20 for a 40% discount on the University of Nebraska Press' site. Annabel LaBrecque is a PhD student in the Department of History at UC Berkeley. You can find her on Twitter @labrcq. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Behind the braided wigs, buckskins, and excess bronzer that typified the mid-century "filmic Indian" lies a far richer, deeper history of Indigenous labor, survival, and agency. This history takes center stage in historian Liza Black's new book, Picturing Indians: Native Americans in Film, 1941-1960 (University of Nebraska Press, 2020), which looks at Indigenous peoples' experiences in the American film industry that so often relied upon and reproduced racialized stereotypes of "authentic Indians" to produce profit. Black shows how non-Native film producers, in producing monolithic and historically static Native caricatures for profit, reinforced settler colonial narratives on screen while simultaneously denying Indigenous actors, extras, and staff of their modernity. Thorough in detail and innovative in analysis, Black incorporates film studies, Native and Indigenous studies, and history, shedding new light on the mid-century film industry and Native peoples' roles in it. Black chronicles the contours of American settler colonialism and its cultural and economic manifestations both on- and off-screen, giving the "authentic Indian" so familiar to non-Native audiences a much-needed dose of historical context. The result is an engaging story of Indigenous talent, labor, and livelihood that transcends critical moments in Native and U.S. histories alike. Listeners can now purchase Picturing Indians using code 6AF20 for a 40% discount on the University of Nebraska Press' site. Annabel LaBrecque is a PhD student in the Department of History at UC Berkeley. You can find her on Twitter @labrcq. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
Behind the braided wigs, buckskins, and excess bronzer that typified the mid-century "filmic Indian" lies a far richer, deeper history of Indigenous labor, survival, and agency. This history takes center stage in historian Liza Black's new book, Picturing Indians: Native Americans in Film, 1941-1960 (University of Nebraska Press, 2020), which looks at Indigenous peoples' experiences in the American film industry that so often relied upon and reproduced racialized stereotypes of "authentic Indians" to produce profit. Black shows how non-Native film producers, in producing monolithic and historically static Native caricatures for profit, reinforced settler colonial narratives on screen while simultaneously denying Indigenous actors, extras, and staff of their modernity. Thorough in detail and innovative in analysis, Black incorporates film studies, Native and Indigenous studies, and history, shedding new light on the mid-century film industry and Native peoples' roles in it. Black chronicles the contours of American settler colonialism and its cultural and economic manifestations both on- and off-screen, giving the "authentic Indian" so familiar to non-Native audiences a much-needed dose of historical context. The result is an engaging story of Indigenous talent, labor, and livelihood that transcends critical moments in Native and U.S. histories alike. Listeners can now purchase Picturing Indians using code 6AF20 for a 40% discount on the University of Nebraska Press' site. Annabel LaBrecque is a PhD student in the Department of History at UC Berkeley. You can find her on Twitter @labrcq. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Behind the braided wigs, buckskins, and excess bronzer that typified the mid-century "filmic Indian" lies a far richer, deeper history of Indigenous labor, survival, and agency. This history takes center stage in historian Liza Black's new book, Picturing Indians: Native Americans in Film, 1941-1960 (University of Nebraska Press, 2020), which looks at Indigenous peoples' experiences in the American film industry that so often relied upon and reproduced racialized stereotypes of "authentic Indians" to produce profit. Black shows how non-Native film producers, in producing monolithic and historically static Native caricatures for profit, reinforced settler colonial narratives on screen while simultaneously denying Indigenous actors, extras, and staff of their modernity. Thorough in detail and innovative in analysis, Black incorporates film studies, Native and Indigenous studies, and history, shedding new light on the mid-century film industry and Native peoples' roles in it. Black chronicles the contours of American settler colonialism and its cultural and economic manifestations both on- and off-screen, giving the "authentic Indian" so familiar to non-Native audiences a much-needed dose of historical context. The result is an engaging story of Indigenous talent, labor, and livelihood that transcends critical moments in Native and U.S. histories alike. Listeners can now purchase Picturing Indians using code 6AF20 for a 40% discount on the University of Nebraska Press' site. Annabel LaBrecque is a PhD student in the Department of History at UC Berkeley. You can find her on Twitter @labrcq. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
What steps can you take now to start moving in the right direction of what matters most?In this episode, Jeff and Nick discuss: Trying new, difficult things and bringing value in all areas of business.The power of one-on-one conversations and asking “why”.Praying for guidance and strength in hard times.Picturing your perfect life and taking steps to meet those goals. Key Takeaways: When all you do is worry, you're not present.Let people know what you do, then put it in God's hands.People of all ages can pour into one another, just as 30-year-olds can learn from 60-year-olds, the reverse is also true.Write out the things in your life that are valuable. Then write down what is priceless. Compare those lists, and talk about them with someone you love. How are you spending your day reflecting on those things? "You can't sell coaching to somebody. Coaching only works if somebody realizes they have a gap between where they are and where they want to be, and they have a burning desire to do something about it." — Niko Lorentzatos Episode References: Halftime by Bob Buford: https://halftime.org/books/ About Niko Lorentzatos: Niko Lorentzatos spent his career in the energy industry, most recently as a public company executive, lawyer, and director. His day-to-day focus was helping solve business problems, but it was the one-on-one discussions with colleagues and friends who wanted to talk about deeper issues or who needed help, whether personal or professional, that were most fulfilling. During a conversation about purpose and faith, a colleague recommended the book Halftime. Years later, when Niko left the company after a merger, another colleague mentioned the Halftime Fellows program. Halftime and the Fellows Program had a profound effect on Niko. He learned that his passion and purpose lie in helping others find and live out God's calling in their lives. He now serves as a Certified Halftime Coach and also mentors professionals and social entrepreneurs.Niko and his wife, Jenny, have been married for 23 years and have two adult children, Luke and Rebecca. Niko serves on the Boards of the HAY Center Foundation, which assists youth in Harris County as they age out of the foster system, and the Houston Area Parkinson Society, which provides programs, support, and services free of charge. He also serves on the Parish Council of Annunciation Greek Orthodox Cathedral in Houston, Texas. Connect with Niko Lorentzatos:LinkedIn: https://www.linkedin.com/in/niko-lorentzatos Connect with Jeff Thomas: Website: https://www.arkosglobal.com/Podcast: https://www.generousbusinessowner.com/Book: https://www.arkosglobal.com/trading-upEmail: jeff.thomas@arkosglobal.comTwitter: https://twitter.com/ArkosGlobalAdvFacebook: https://www.facebook.com/arkosglobal/LinkedIn: https://www.linkedin.com/company/arkosglobaladvisorsInstagram: https://www.instagram.com/arkosglobaladvisors/YouTube: https://www.youtube.com/channel/UCLUYpPwkHH7JrP6PrbHeBxw
Picturing Aura: A Visual Biography (MIT Press, 2025) by Dr. Jeremy Stolow is the first book of its kind: an extended historical, anthropological, and philosophical study of modern efforts to visualize the hidden radiant force encompassing the living body known as our aura. This rich, interdisciplinary study by Dr. Stolow chronicles the rise and global spread of modern instruments and techniques of picturing aura, from the late nineteenth century to the present day, exploring how its images are put to work in the diverse realms of psychical research, esotericism, art photography, popular culture, and the New Age alternative medical and spiritual marketplace.At their core, pictures of auras are boundary objects that operate simultaneously in multiple conceptual and practical realms, serving varying goals of making art, healing bodies, and exploring the cosmos. Drawing on extensive archival as well as field research, Stolow reconstructs a global history of this boundary-crossing enterprise through its evolving media technologies, markets, and cultural arenas. It is a story shaped through exchanges among professionals and amateurs, scientists and occultists, countercultural artists and entrepreneurs, metropolitans and hinterland figures. With more than 60 full-color illustrations, Picturing Aura brings to light a remarkable, entangled history of picture-making that challenges settled assumptions about religion, art, and science. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Picturing Aura: A Visual Biography (MIT Press, 2025) by Dr. Jeremy Stolow is the first book of its kind: an extended historical, anthropological, and philosophical study of modern efforts to visualize the hidden radiant force encompassing the living body known as our aura. This rich, interdisciplinary study by Dr. Stolow chronicles the rise and global spread of modern instruments and techniques of picturing aura, from the late nineteenth century to the present day, exploring how its images are put to work in the diverse realms of psychical research, esotericism, art photography, popular culture, and the New Age alternative medical and spiritual marketplace.At their core, pictures of auras are boundary objects that operate simultaneously in multiple conceptual and practical realms, serving varying goals of making art, healing bodies, and exploring the cosmos. Drawing on extensive archival as well as field research, Stolow reconstructs a global history of this boundary-crossing enterprise through its evolving media technologies, markets, and cultural arenas. It is a story shaped through exchanges among professionals and amateurs, scientists and occultists, countercultural artists and entrepreneurs, metropolitans and hinterland figures. With more than 60 full-color illustrations, Picturing Aura brings to light a remarkable, entangled history of picture-making that challenges settled assumptions about religion, art, and science. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
Picturing Aura: A Visual Biography (MIT Press, 2025) by Dr. Jeremy Stolow is the first book of its kind: an extended historical, anthropological, and philosophical study of modern efforts to visualize the hidden radiant force encompassing the living body known as our aura. This rich, interdisciplinary study by Dr. Stolow chronicles the rise and global spread of modern instruments and techniques of picturing aura, from the late nineteenth century to the present day, exploring how its images are put to work in the diverse realms of psychical research, esotericism, art photography, popular culture, and the New Age alternative medical and spiritual marketplace.At their core, pictures of auras are boundary objects that operate simultaneously in multiple conceptual and practical realms, serving varying goals of making art, healing bodies, and exploring the cosmos. Drawing on extensive archival as well as field research, Stolow reconstructs a global history of this boundary-crossing enterprise through its evolving media technologies, markets, and cultural arenas. It is a story shaped through exchanges among professionals and amateurs, scientists and occultists, countercultural artists and entrepreneurs, metropolitans and hinterland figures. With more than 60 full-color illustrations, Picturing Aura brings to light a remarkable, entangled history of picture-making that challenges settled assumptions about religion, art, and science. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology
Picturing Aura: A Visual Biography (MIT Press, 2025) by Dr. Jeremy Stolow is the first book of its kind: an extended historical, anthropological, and philosophical study of modern efforts to visualize the hidden radiant force encompassing the living body known as our aura. This rich, interdisciplinary study by Dr. Stolow chronicles the rise and global spread of modern instruments and techniques of picturing aura, from the late nineteenth century to the present day, exploring how its images are put to work in the diverse realms of psychical research, esotericism, art photography, popular culture, and the New Age alternative medical and spiritual marketplace.At their core, pictures of auras are boundary objects that operate simultaneously in multiple conceptual and practical realms, serving varying goals of making art, healing bodies, and exploring the cosmos. Drawing on extensive archival as well as field research, Stolow reconstructs a global history of this boundary-crossing enterprise through its evolving media technologies, markets, and cultural arenas. It is a story shaped through exchanges among professionals and amateurs, scientists and occultists, countercultural artists and entrepreneurs, metropolitans and hinterland figures. With more than 60 full-color illustrations, Picturing Aura brings to light a remarkable, entangled history of picture-making that challenges settled assumptions about religion, art, and science. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
Picturing Aura: A Visual Biography (MIT Press, 2025) by Dr. Jeremy Stolow is the first book of its kind: an extended historical, anthropological, and philosophical study of modern efforts to visualize the hidden radiant force encompassing the living body known as our aura. This rich, interdisciplinary study by Dr. Stolow chronicles the rise and global spread of modern instruments and techniques of picturing aura, from the late nineteenth century to the present day, exploring how its images are put to work in the diverse realms of psychical research, esotericism, art photography, popular culture, and the New Age alternative medical and spiritual marketplace.At their core, pictures of auras are boundary objects that operate simultaneously in multiple conceptual and practical realms, serving varying goals of making art, healing bodies, and exploring the cosmos. Drawing on extensive archival as well as field research, Stolow reconstructs a global history of this boundary-crossing enterprise through its evolving media technologies, markets, and cultural arenas. It is a story shaped through exchanges among professionals and amateurs, scientists and occultists, countercultural artists and entrepreneurs, metropolitans and hinterland figures. With more than 60 full-color illustrations, Picturing Aura brings to light a remarkable, entangled history of picture-making that challenges settled assumptions about religion, art, and science. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society
Picturing to his fellow monkeys the said plight of Sita, and feeling that it behoved them all to see Sri Rama only after recovering Sita from Lanka, recounting the past heroic exploits of Jambavan and others, Hanuman incites them all to have recourse to the arbitrament of war.Recitation: 00:00 - 05:33Translation: 05:37 - 13:41
The mark of the beast. Signs and portents. A whole dang book about the "apocalypse" at the end of the Bible.What on EARTH do we do with Revelation? Is it a literal guidebook for surviving hell? Is it a wacky political cartoon we've overblown? Or is it ... something more? (Spoiler alert: it is much more. It is a book about the end of the world - but that's not what you might think it means). Join us with the fantastic Rev. Brian Fox, longtime friend of both of us and friend of the pod, as we do a deep and wide dive into this book and what good news it has for us as we face our own end times fears.MORE ABOUT OUR GUEST:Brian Fox is an Episcopal priest and the rector of St. Paul's Episcopal Church & Montessori School in San Antonio, TX. A graduate of Sarah Lawrence College, Princeton Theological Seminary, and the Seminary of the Southwest, Brian was real-life friends with Laura and Lizzie (and attended both of their ordinations!) before they became internet friends. You can follow his church on Instagram (@stpauls-satx), and read some of his writing at Earth & Altar (https://earthandaltarmag.com/posts?author=5e703169cdb56336186f3add)If you want to read more about Revelation, Brian commends Revelation and the End of All Things by Craig Koester and Picturing the Apocalypse by Natasha and Anthony O'Hear.+++Like what you hear? We are an entirely crowd-sourced, you-funded project. SUPPORT US ON PATREON: https://www.patreon.com/AndAlsoWithYouPodcastThere's all kinds of perks including un-aired live episodes, Zoom retreats, and mailbag episodes for our Patreons!OUR HOTLINE - call in your questions! - 262.229.9763+++Our Website: https://andalsowithyoupod.comOur Instagram: https://www.instagram.com/andalsowithyoupodcast/++++MERCH: https://www.bonfire.com/store/and-also-with-you-the-podcast/++++More about Father Lizzie:BOOK: https://www.penguinrandomhouse.com/books/762683/god-didnt-make-us-to-hate-us-by-rev-lizzie-mcmanus-dail/RevLizzie.comhttps://www.instagram.com/rev.lizzie/https://www.tiktok.com/@rev.lizzieJubilee Episcopal Church in Austin, TX - JubileeATX.org ++++More about Mother Laura:https://www.instagram.com/laura.peaches/https://www.tiktok.com/@mother_peachesSt. Paul's Episcopal Church in Pittsburgh, PA++++Theme music:"On Our Own Again" by Blue Dot Sessions (www.sessions.blue).New episodes drop Mondays at 7am EST/6am CST!
Witness to Yesterday (The Champlain Society Podcast on Canadian History)
Larry Ostola speaks with Don Weekes about his book, Picturing the Game: An Illustrated Story of Hockey. Hockey has a long, surprising connection to editorial cartooning and sports illustration—one as storied as the game itself. While writers and photographers have captured the action on the ice, cartoonists have offered a rawer, more mischievous take on the sport. Picturing the Game dives into this satirical world, highlighting the rough drafts of hockey history by artists like Bruce MacKinnon, Aislin, Serge Chapleau, Susan Dewar, Brian Gable, and more. Through sharp wit and keen observation, they not only make us laugh but often expose deeper truths—especially about those running the show. The collection begins with anonymous early artists who sketched the game's first moments and spectators. Their work evolved into the illustrations of Arthur Racey and Lou Skuce, whose cartoons thrived when newspapers dominated public opinion and the printed word held great authority. These dailies helped elevate hockey to its place as Canada's national sport. Later, artists like Franklin Arbuckle, Duncan Macpherson, and Len Norris brought even more depth, using allegory, irreverence, and cultural commentary to give their work lasting power. Weekes brings together these visionary cartoonists whose sharp lines and sharper minds made satire an essential lens on hockey. Their work, both groundbreaking and quintessentially Canadian, left a lasting imprint on sports journalism—and the game itself. Don Weekes is an award-winning television producer and the author of numerous hockey books. He lives in Montreal and shoots left. Image Credit: McGill-Queen's University Press If you like our work, please consider supporting it: bit.ly/support_WTY. Your support contributes to the Champlain Society's mission of opening new windows to directly explore and experience Canada's past.
How many clients do you actually need to take home a six-figure paycheck? In this episode, I'm breaking down the exact formula I share with my High Profit Society clients to help them reach their income goals—without jeopardizing their wellbeing. We'll walk through a simple three-step process to calculate the right business plan for your specific needs, factoring in taxes, expenses, and team costs. Yes, there's a little math involved (as always), but stick with it, and you'll see how my clients have reached their goals faster than they ever expected. Plus, I'll give you key questions to ask yourself along the way to ensure you're building a sustainable, profitable business. Let's dive in!
Primary sources can often feel irrelevant and difficult to navigate for students. In this episode, Jessamyn Neuhaus joins us to discuss how student-created photographs can provide a personalized learning experience and foster a deeper connection to history and the university archives. Jessamyn is the Director of the Center for Teaching and Learning Excellence and Professor in the School of Education at Syracuse University. Prior to this, she served as Director of the SUNY Plattsburgh Center for Teaching Excellence and was also a Professor in the History Department at SUNY Plattsburgh. Jessamyn is the author of Geeky Pedagogy: a Guide for Intellectuals, Introverts, and Nerds Who Want to be Effective Teachers and the editor of Picture a Professor: Interrupting Biases about Faculty and Increasing Student Learning. See is also the editor of Teaching History: A Journal of Methods. Jessamyn also regularly serves as keynote speaker and workshop facilitator. A transcript of this episode and show notes may be found at http://teaforteaching.com.
Above Photograph © Claudio Edinger When it comes to photography, Claudio Edinger has a Midas touch. Equally celebrated for his immersive photo series, the intimacy of his portraits, and his aerial views that conjure a sense of the eternal through selective focus, his compulsion for research drives adjustments to his photographic strategy from one project to the next. In today's show, we unpack the many facets of Claudio's storied career, from his arrival in New York and early documentation of Brooklyn's Hasidic community in the late 1970s to the environmental portraits he made inside Manhattan's infamous Chelsea Hotel, and beyond. Learn the backstory to his fortuitous connection with master portraitist Philippe Halsman, and the influence this had on his photographic vocabulary. We also discuss Claudio's aerial imagery made from helicopters and drones, and debate the slippery slope between noteworthy content, image quality, and resolution. As a longtime disciple of meditation, Claudio's approach to photography is equally influenced by the underlying flow of energy essential to life on this planet, which led him to state, “I'm open to whatever the universe brings my way. But the universe has to conspire in your favor. My whole life has been like that. I've been guided. My intuition brings me to places, and the place drags me into it.” Guest: Claudio Edinger Episode Timeline: 3:03: Claudio's beginnings in photography while studying economics in Sao Paulo, and his first exhibit at the Sao Paulo Museum of Art. 4:55: A move to New York in 1976 and a two-year project on Brooklyn's Hasidic community. 8:42: Connecting with master portrait photographer Philippe Halsman, and how this expanded Claudio's vocabulary as a photographer. 15:35: A move to the Chelsea Hotel and a new photographic strategy to make environmental portraits of the building and its residents. 19:52: The influence of August Sander's work, and Claudio's pursuit of intimacy to create images with universal meaning. 25:22: The organic path of Claudio's photographic approach, and how he developed his selective focus technique. 28:15: Episode Break 29:06: The predictable visual effect of a Hasselblad's square frame, combined with a tripod and flash for portraits of patients in a Brazilian insane asylum. 33:06: Using the same techniques to capture the insanity inside an institution, as well as to photograph the institutionalized insanity of Brazilian Carnival. 37:51: Claudio's assignment work, plus his time as a New York paparazzo and the lessons this taught him. 39:28: Claudio's experience as a war photographer in El Salvador, and the urgency of living connected to war. 43:42: Shifting to a 4x5 Toyo camera to further explore the tilt-shift look of selective focus. 48:57: The shortcomings of large format that forced Claudio to shift to digital and then discover aerial photography. 54:17: Comparing aerial photos from a helicopter with those made from a drone, plus Claudio's thoughts on viewing the world from the point of view of eternity. Guest Bio: Claudio Edinger is one of Brazil's preeminent photographers. After studying economics at Mackenzie University in São Paulo in the early 70s, he turned his attention to photography, and he hasn't stopped since. Edinger moved to New York City in 1976, and during the 20 years he spent in the US, he completed immersive photo essays about the Hasidic community of Brooklyn, the denizens of Manhattan's Chelsea Hotel, and habitués of LA's Venice Beach. He also freelanced for Brazilian and North American publications such as Veja, Time, Life, Rolling Stone, and The New York Times Magazine, among many others. The author of more than twenty books, Edinger's photographs have been collected worldwide and exhibited by institutions such as New York's International Center of Photography, the Los Angeles County Museum of Art, the Maison Europeénne de la Photographie in Paris, and the São Paulo Museum of Art, to name but a few. Edinger has received many honors for his work, including the Ernst Haas Award, the Hasselblad Award, the Higashikawa Award, and the Leica Medal of Excellence, which he received twice. Always seeking new approaches to his work, Edinger has explored a wide range of camera formats and photographic techniques over the course of his career. In 2000, he began working with a large format camera, using selective focus to approximate human vision, and in 2015, he started an exploration of aerial photography—a theme that continues to this day. Stay Connected: Claudio Edinger Website: https://www.claudioedinger.com/ Claudio Edinger Instagram: https://www.instagram.com/claudioedinger/ Claudio Edinger Facebook: https://www.facebook.com/claudio.edinger/ Claudio Edinger Wikipedia page: https://en.wikipedia.org/wiki/Claudio_Edinger Claudio Edinger Chelsea Hotel book: https://www.abbeville.com/collections/just-released/products/the-chelsea-hotel End Credits: Host: Derek Fahsbender Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens
Send us a textA funny childhood story, finding pennies in the street, and finding ways to picture love in the mundane or everyday actions are some of the topics touched on in this short, heartfelt episode with host Kris LeDonne. What are some of the messages that you've been getting, that if you're not paying attention, they may be overlooked? Finding joy in synchronicities is one of the ways you'll picture love in this delightful episode. "Welcome to the Picture Love podcast! I'm your host Kris LeDonne and it's my purpose to see the good in others and mirror the love back to them, and photos are one of the ways I love to do this. You'll hear a mix of solo episodes with lessons I love to share and heartfelt interviews and valuable resources to support you with the parts that resonate. As an encourager, it's my joy to help you picture love better in your life and if you need help curating photo evidence of lives well lived… I You can help other optimists and storytellers find this podcast by sharing and leaving us a rating/review.Find me on Social @KrisReminisce or visit my website krisledonne.comGrab Kris's freebie HERE: Obliterate The OverwhelmHappy Reminiscing!
https://Art2Life.com - Have you ever wondered what happens when an artist decides to let curiosity lead the way? This week, we're diving deep into the world of photographic exploration with Arthur Drooker, a visual anthropologist who's made it his mission to capture the essence of diverse communities and environments. From photographing skies in Sea Ranch, California, that evoke the paintings of Mark Rothko to documenting the unique gatherings of furries, Santa Claus impersonators, and even mermaids, Arthur's work is a testament to the power of curiosity—isn't it amazing how following your curiosity can lead to extraordinary creative journeys? Arthur's work encourages us to see the world through a lens of curiosity and open-minded exploration. Join us as we explore the profound impact of curiosity and discover how this seemingly simple act can turn ordinary moments into extraordinary art. ================================ LISTEN IF YOU ARE INTERESTED IN… [6:16] Art as a valuable form of personal expression and identity [12:59] The inspiration for photographic creativity [14:34] Photographing conventions builds unique community experiences [20:03] Capturing spontaneous humanity in photographed moments [24:57] Being consciously present and detached to capture meaningful moments [34:22] The revelation that led to creating his Twilight book [39:31] Curiosity leads to understanding and anticipation [43:43] Unique Golden Gate Bridge photographs that show unseen perspectives [47:45] Painters appreciate unique window reflection perspectives ================================ RESOURCES MENTIONED Elliott Erwitt: https://www.elliotterwitt.com/ Conventional Wisdom by Arthur Drooker: https://www.arthurdrooker.com/conventional-wisdom-book/ Pie Town Revisited by Arthur Drooker: https://www.arthurdrooker.com/pie-town-revisited-2/ Twilight: https://www.arthurdrooker.com/twilight-2/ City Hall: https://www.arthurdrooker.com/city-hall-3/ 36 Views of the Golden Gate Bridge: https://www.arthurdrooker.com/the-bridge/ ================================= CONNECT WITH ARTHUR DROOKER Arthur's Website: https://www.arthurdrooker.com// Follow on Instagram: https://www.instagram.com/arthur_drooker/ ============================= CONNECT WITH NICHOLAS WILTON AND ART2LIFE: Get the Free COLOR TIPS PDF: https://workshop.art2life.com/color-tips-pdf-podcasts/ Follow the Sunday Art2Life Vlog: https://art2life.lpages.co/sign-up-for-the-a2l-vlog/ Follow Nicholas Wilton's Art on Instagram: https://www.instagram.com/nicholaswilton/ Follow Art2Life on Instagram: https://www.instagram.com/art2life_world/?hl=en Subscribe on Youtube: https://www.youtube.com/c/Art2Life #Art2Life #FineArt #AbstractArt #ModernArt #Contemporary
Music scanning technology, or optical music recognition (OMR) if you like, has been around for decades, and yet in many ways is still barely out of infancy. But that could soon change as classic algorithm-based desktop programs converge with newer mobile apps and web-based machine learning tools. Steve Morell joins Philip Rothman and David MacDonald to discuss his review of six of those products that run the gamut of those technologies: Newzik, Soundslice, PlayScore 2, Sheet Music Scanner, SmartScore 64 Pro 64 NE, and ScanScore Professional. He takes on through his process of testing each of them from the common perspective of a user wanting to get a quick and accurate scan for exporting via MusicXML to other software such as Sibelius, Dorico, or MuseScore. However, those applications have many other use cases. We explore those as well, and how each of the products may be suited to one particular use or another in their own way. We also envision where the industry is headed and how these technologies could potentially evolve in the future. Read the full Scoring Notes review: Scanning the current OMR landscape
Photographers have a magical ability to transport us to hidden worlds, giving us intimate access to facets of society that would otherwise go unnoticed. Above photograph © Marcela Taboada In today's podcast, we sit down with Mexican photographer Marcela Taboada, whose long-term documentary projects offer revealing glimpses into underrecognized communities, for Picturing World Cultures. Combining a passion for making pictures that let her “see backstage,” with a knack for “knocking doors” and the tenacity to win over resistant subjects, Marcela gained rare access to photograph the daily lives of Mexico's cloistered nuns. Follow her painstaking process and learn the secret to her acceptance as the nuns' photography godmother during our chat. We also discuss her series “Women of Clay,” documenting the enterprising women of a Mixtec village, who singlehandedly rebuilt their homes after an earthquake using Adobe bricks and a process taught by a Mexican architect. Along the way, Marcela shares insights about the challenges of pursuing a photography career as a single mother with young children and reveals the lessons she learned from seeing aspects of her own story reflected in the lives of her subjects. If you haven't already listened, check out all the episodes of our Picturing World Cultures podcast series here. Guest: Marcela Taboada Episode Timeline: 2:21: Marcela's process in making pictures that let her “see backstage.” 5:15: A childhood memory and her fascination with viewing the stars from an observatory built by her great uncle. 10:16: Marcela's introduction to cameras and the darkroom by photographing family trips. 13:24: University studies and a photo series inspired by her great aunt entering a Mexican nursing home. 18:13: Marcela's photo gear and juggling her early photo career while raising two children as a single mother. 22:52: Marcela's photo series Women of Clay, about a community of enterprising women who rebuilt their homes after an earthquake. 35:19: Episode Break 36:30: Marcela's project Consecrated, and some background on Catholic monasteries in Mexico. 43:46: The seven orders of Mexican cloistered nuns, Marcela's long process to gain access to photograph, and the miracle that finally convinced the nuns to let her in. 53:51: Marcela's role as photography godmother for the Conceptionist order, and her approach to photographing the lives of the nuns. 1:00:38: The decision to photograph in color with a lightweight Sony RX camera for quiet operation and a contemporary look. 1:02:31: The nuns' reaction to Marcela's pictures and the ways in which they've adapted to 21st century life. 1:08:09: Marcela Taboada answers our PWC Visual Questionnaire. Guest Bio: Marcela Taboada is a freelance photographer based in Oaxaca, Mexico since 1986. After initial studies in graphic design, she became drawn to photographing diverse communities for long-term stories that let her see backstage. Marcela has received both national and international accolades, including a Hasselblad Foundation scholarship, a National Geographic All Roads Photography Award, and Mexico's most prestigious art grant, the National System of Art Creators Award, which she received twice. Her photographs have been featured in solo and group exhibitions within Mexico and the United States, Europe, and Asia. Marcela has taught photography at universities, in high schools and in specialized workshops. Additionally, for 16 years she served as producer for American photographer Mary Ellen Mark's Annual Oaxaca Photo Workshops. Stay Connected: Marcela Taboada Website: https://www.marcelataboada.com/ Marcela Taboada's National Geographic story: https://www.nationalgeographic.com/magazine/article/photo-story-consecrated-mexico-monasteries/ End Credits: Senior Creative Producer & Host: Jill Waterman Senior Technical Producer: Mike Weinstein Theme Music: Gabriel Richards Executive Producer: Richard Stevens
In today's podcast, we sit down with Mark Leong, a fifth-generation Chinese-American photographer, for Picturing World Cultures. Above photograph © Mark Leong From his arrival in 1980s Beijing on a one-year travel fellowship, to his decision to live and work there long-term over the following decades, we follow Mark's path from his ancestral village to the Beijing art scene, and beyond. He walks us through his experiences in documenting the massive cultural shifts as Chinese society transitioned from uniformity and limited choice to a realm of consumerism and increasing globalization. We also discuss Mark's long-term photographic project featuring China's Post-90's generation, the young adults born under the country's one-child policy. As Mark points out toward the end of our chat, “What's interesting to me about this generation I'm photographing is that they have this kind of creativity, and they have the resources to use this creativity to make something.” If you haven't already listened, check out all the episodes of our Picturing World Cultures podcast series here. Guest: Mark Leong For more information about our guest and the gear he uses, see: https:/www.bhphotovideo.com/explora/podcasts/photography/picturing-world-cultures-mark-leong-china Stay Connected: Mark Leong Website: https://www.markleongphotography.com/ Mark Leong on Instagram: https://www.instagram.com/markleongphotography/ Mark Leong on Redux Website: https://reduxpictures.com/artist/mark-leong Mark Leong's book China Obscura: https://www.amazon.com/China-Obscura-Mark-Leong/dp/0811844617 Mark Leong's Award from Center: https://centersantafe.org/comingofage
Today's podcast has us sitting down with Venezuelan photographer and investigative journalist Fabiola Ferrero to discuss her long-term photographic projects in Venezuela, for Picturing World Cultures. Above photograph © Fabiola Ferrero Fabiola walks us through her childhood memories of Venezuela and describes how this period contrasts significantly with the country's current climate. We also discuss how she got started in photography, and how her time spent both in and out of Venezuela helped grow her photography and more. If you haven't already listened, check out all the episodes of our Picturing World Cultures podcast series here. Guest: Fabiola Ferrero Episode Timeline: 2:20: Fabiola discusses Venezuelan culture, and questions using the word resiliency in relation to the country's ongoing crisis. 5:39: How she got started in photography. 8:20: Fabiola talks about overcoming shyness, learning how to photograph people as an introvert, and the advantages of slowly building a connection with subjects. 11:12: On being the last of her family to leave Caracas. 14:43: Fabiola's early long term projects, Blurred in Despair and I Can't Hear the Birds, and the importance of image selection to building different narratives. 19:57: The impact of leaving Venezuela and how this shifted her perspective as a photographer. 24:11: The importance of Fabiola's assignment work in Venezuela and its impact on her personal work. 25:30: Episode Break 27:04: On migrating to Columbia in 2020, and her eventual return to Venezuela in 2022. 37:04: Fabiola runs us through her gear and setup. 38:09: Collaborating with other journalists in her latest project, The Wells Run Dry 44:10: The challenging topic of hope when discussing the future of Venezuela 46:50: We ask Fabiola about her mentorship program, Semillero Migrante 54:39: Fabiola Ferrero answers our PWC Visual Questionnaire. Guest Bio: Fabiola Ferrero was born in Caracas, Venezuela in 1991. Her personal work reflects how her childhood memories contrast with her country's current crisis. Using her background in writing and investigative journalism, she develops long term visual projects focused on collaborative ways to speak about the human condition under hostile contexts. To bring opportunities to other emerging photographers, Fabiola founded Semillero Migrante in 2021. This mentorship program on the topic of migration empowers Venezuelans and Colombians and promotes the integration of both cultures. A 2018 Magnum Foundation Fellow in Social Justice, her additional recognition includes a 2021 Inge Morath Award, a 2022 Carmignac Photojournalism Award, and a World Press Photo award for Long Term Projects, which she received in 2023. Most recently, Fabiola completed a one-year fellowship at Columbia University's Institute for Ideas and Imagination in Paris. Stay Connected: Fabiola Ferrero Website: https://www.fabiolaferrero.com/ Fabiola Ferrero on Instagram: https://www.instagram.com/fabiolaferrero/ Fabiola Ferrero on Facebook: https://www.facebook.com/fabiola.ferrero/ Fabiola Ferrero on Twitter: https://x.com/FabiolaFerrero/ Fabiola Ferrero, I Can't Hear the Birds Video: https://www.youtube.com/watch?v=m_AmKsv_OTM Fabiola Ferrero, Fondation Carmignac: https://www.fondationcarmignac.com/en/fabiola-ferrero-en/ Fabiola Ferrero, Institute of Ideas & Imagination: https://ideasimagination.columbia.edu/fellows/fabiola-ferrero/ Semillero Migrante Instagram: https://www.instagram.com/semilleromigrante/ End Credits: Senior Creative Producer & Host: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens Theme Music: Gabriel Richards
In today's podcast, we'll be talking with Norwegian photographer Naina Helén Jåma about her documentation of indigenous South Sami culture in Norway and her career as a press photographer in Scandinavia. Jåma details her childhood growing up in the small rural village of Snasa, where, at the age of 15, she began her career while working as a cultural interpreter and archivist at the Saemien Sijte Museum. From there, Naina takes us on a journey through her fascinating career as a photographer, from her training at the Nordic School of Photography to her work for world-renowned publications such as The New York Times, Bloomberg, and The Guardian Alongside her journalistic work, Naina maintains a close relationship with the traditional Sami arts of Duodji. Documenting the ongoing development of this art form pays tribute to oral knowledge and silent tradition, which is learned and transmitted visually. Above photograph © Naina Helén Jåma If you haven't already listened, check out all the episodes of our Picturing World Cultures podcast series here. For more information on our guests and the gear they use, see: www.bhphotovideo.com/explora/podcasts Guest: Naina Helén Jåma Episode Timeline: 2:23: Naina's early childhood and growing up in Snåsa, a small village in Norway with approximately 2,000 inhabitants. 6:14: Naina's first job and the start of her career, working as a cultural archivist at the Saemien Sijite Museum. 10:44: How photographing handcrafted Sami items became Naina's thesis while enrolled at the Nordic School of Photography 14:45: Discussing different aspects and signifiers of traditional Sami clothing. 19:40: The eight different seasons of Sami culture. 22:06: Discussing the role and influence of animism and other traditional Sami belief systems. 28:18: Episode Break 29:40: Naina's go-to kit for cameras and lenses 33:10: Tips for shooting in cold climates and extreme conditions 35:14: Structuring documentation when working as a photojournalist 39:49: Naina's diverse reportage, from documenting the NATO summit to Sami youth protests due to windmill farms violating traditional reindeer hunting lands. 46:30: What Naina learned from her time working on the other side of the lens as a Director of Photography 49:26: “Man Borrows the Land from Future Generations” 53:06: Naina Helén Jåma answers our PWC Visual Questionnaire. Guest Bio: Naina Helén Jåma is a South Sami photographer and storyteller from Snaasa in Norway, currently based in Oslo. After starting her career at the Saemien Sijte Museum at age 15, where she worked to interpret and preserve South Sami culture. Naina has maintained a close relationship with the traditional Sami arts of Duodji. Documenting the ongoing development of this art form pays tribute to oral knowledge and silent tradition, which is learned and transmitted visually. Trained at the Nordic School of Photography in Sweden, Naina has worked as both a photojournalist and a photo editor for various Scandinavian newspapers and agencies, as well as major international publications such as The New York Times, Bloomberg and The Guardian. Naina is a member of the Sami Artists Association, and in 2020 she received a working grant from the Sami Council. Most recently, she was selected by the Norwegian Journal of Photography as one of nine photographers to work on a two-year heritage project, where she will be photographing and doing in-depth interviews to investigate the evolving legacy of Sami culture. Stay Connected: Naina Helén Jåma Website: https://www.nainahelen.com/ Naina Helén Jåma on Instagram: https://www.instagram.com/nainahelen/ Naina Helén Jåma on Facebook: https://www.facebook.com/nainahelen.photography/ Naina Helén Jåma on Twitter: https://x.com/nainahelenwj/ Naina Helén Jåma in the Norwegian Journal of Photography: https://njp.no/2024/naina-helen-jama/ Naina Helén Jåma on Blink: https://blink.la/u/nainahelen End Credits: Senior Creative Producer & Host: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens Theme Music: Gabriel Richards
Above photograph © Tailyr Irvine For more information on our guest and the gear she uses, see: https://www.bhphotovideo.com/explora/podcasts/photography/picturing-world-cultures-tailyr-irvine-native-american
A photographer's success hinges on access. This is an underlying thread in the tapestry woven in this week's show. Our discussion covers multiple facets and cultural attributes of Indian society, as seen through the eyes of a photographer with a knack for being in the right place at the right time. In this month's episode of the series, Picturing World Cultures, we speak with Indian photographer Pablo Bartholomew about his long career as a documentarian and photojournalist. From his early intimate views of 60s-era hippies launching a counterculture invasion from the West to his photojournalistic coverage of historic events, Bartholomew shares insights about dynamics at work behind the scenes. We also discuss changes to the marketplace for pictures over time, and whether an iconic picture is still able to affect a change in the world. As an antidote to a life chasing the news, Bartholomew embarked on a ten-year documentation of India's remote Naga tribes. In the show's second half, he walks us through his background research and the permissions process involved in photographing tribespeople and their customs with professional lighting gear. There's also a personal motivation behind Bartholomew's Naga Project. As a child, he had heard many stories about goodwill the Naga showed his father's family during their flight from Burma to India during World War II. “Principally, what I couldn't wrap my head around was that headhunters, they're supposed to be these ferocious people. Why would they let fair game pass through their backyard, to the degree where they would provide food and shelter?” he says. “So, there was in this savage something very kind. And I wanted to find out what the contradiction was.” Tune in today for more on the Naga tribes and other stories from India! If you haven't already listened, check out all the episodes of our Picturing World Cultures podcast series here. Guest: Pablo Bartholomew Episode Timeline: 2:16: Pablo describes how the caste system functions as a defining aspect of Indian culture. 7:18: The influx of the Western hippy counterculture in India as recorded in Pablo's earliest pictures. 12:27: Capturing life on the streets of Delhi, Bombay, and Calcutta, a photo essay on Calcutta's Chinatown, and Pablo's work with the renowned Indian film director Satyajit Ray. 17:05: The rise of Pablo's photojournalism career, the dynamics of a photographer's access, and his iconic images of the tragic gas leak at Bhopal. 29:09: Pablo discusses how the work of a photojournalist has changed in the past 40 years. 32:53: Go-to camera gear, the various cameras Pablo's used over the years, and his transition from analog to digital. 36:37: Tips for mitigating the heat and humidity of India, plus equipment for image storage and film scanning. 40:10: Episode Break 41:23: Pablo's long-term project documenting the Naga tribes in Northeast India, his preliminary ethnographic research on the tribes, and gaining permission to photograph with full lighting gear. 51:43: Animist practices within the Naga tribes, and distinctions between tribes within the Naga identity. 1:00:05: Naga rituals it may be too late to photograph, and a memorable festival held by the Konyak tribe. 1:04:09: Pablo's cross-cultural project documenting economic emigres from India who have resettled in the US, France, England, Madagascar, and Portugal. 1:14:38: Pablo Bartholomew answers our PWC Visual Questionnaire. Guest Bio: Pablo Bartholomew, a self-taught photographer born in New Delhi in 1955. His father Richard was a noted art critic as well as a photographer, allowing Pablo to learn photography at home at a very young age. In his subsequent career of nearly fifty years, Pablo has documented societies in conflict and transition, while also recording intimate details of his own generation maturing amid a changing India. From 1983 to 2004, his photojournalistic work was featured in every major international publication, from National Geographic to Paris Match and beyond. Pablo's photographs have been recognized by World Press Photo on three different occasions, including a 1985 ‘Picture of the Year' award for his riveting image from the Bhopal gas tragedy. In 2013, he was awarded the Padma Shri by the Government of India for his contributions to photography, and in 2014, he was honored with the status of Chevalier de L'Ordre des Arts et des Lettres by the French government. For more information on our guest and the gear he uses, see: https://www.bhphotovideo.com/explora/podcasts/photography/picturing-world-cultures-pablo-bartholemew-india Stay Connected: Pablo Bartholomew Instagram: https://www.instagram.com/pablobartholomew/ Pablo Bartholomew Facebook page: https://www.facebook.com/parabart Pablo Bartholomew Bhopal photo from World Press Photo 1985: https://www.worldpressphoto.org/collection/photocontest/1985 Pablo Bartholomew Wikipedia page: https://en.wikipedia.org/wiki/Pablo_Bartholomew Pablo Bartholomew Nagaland Project: https://ninefish.in/viewing-room/the-nagas/ TEDxIIMRanchi: Pablo Bartholomew - A Life in Photography https://www.youtube.com/watch?v=zBldVr4YIBE Kishor Parekh: https://en.wikipedia.org/wiki/Kishor_Parekh
Documenting a culture can be a daunting process, especially when it involves a history of conquest and colonialism. Synthesizing such a complex and traumatic past in a contemporary narrative is a formidable task, requiring extensive researchh and dedicated planning. This is the back story to today's podcast. Above photograph © Juan Brenner For the seventh chapter in our monthly series, Picturing World Cultures, we speak with Guatemalan photographer Juan Brenner about his recent projects in the country's Western Highlands. Our chat begins with Brenner's introduction to photography as a youth, and the protective bubble surrounding him during the country's brutal civil war. He left Guatemala at age 20 to forge a career as a fashion photographer in New York, which filters into our discussions about portraiture and photo gear. But our primary focus is on Brenner's recent personal projects, created after his return to Guatemala, and an epiphany he had about the idea of “Indigenous Power.” Listen in as he describes how this concept was subsequently called into question. You'll gain insight into the unequal power quotient that comes with being a “Mickey Mouse” photographer and discover how critical aspects of communication extend well beyond the basic structure of language. As Brenner notes during our chat, “You have to be really careful just being a photographer. It's so colonialist, you know, having a camera. You have this big robot that you stick in people's faces. You have this advantage. And, for me, it's really important to think about that a lot.” If you haven't already listened, check out all the episodes of our Picturing World Cultures podcast series here. Guest: Juan Brenner For more information on our guest and the gear he uses, see: https://www.bhphotovideo.com/explora/podcasts/photography/picturing-world-cultures-juan-brenner-guatemala Stay Connected: Juan Brenner Website: https://www.juanbrenner.com Juan Brenner Instagram: https://www.instagram.com/juan_brenner Juan Brenner Twitter: https://www.twitter.com/JuanBrenner5/ Artist talk with Juan Brenner: https://www.youtube.com/watch?v=FPiwQXWUMJ8&t=40s Juan Brenner's book Tonatiuh: https://editorialrm.com/en/producto/tonatiuh/
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