Podcast appearances and mentions of james o neill

Business owner James O Neill joined me & talked about his mindset around starting a business so young and his outlook on life

God In The Flesh - James O’Neill

Children of God - James O’Neill

You Don’t Leave It Behind - James O’Neill

Hope in God - James O’Neill

One Message for All - James O’Neill

Does It Matter What You Believe? - James O’Neill

Does It Matter What You Believe? - James O’Neill

Harvest of the Heart - James O’Neill

Jack and David are back after a successful move and we complete our James O’Neill and Paul Freeman appreciation with Part 4 of “The Hum” and B.I.L.I. It’s Audio Drama Time! Learn more about your ad choices. Visit megaphone.fm/adchoices

Jack and David muse about the upcoming Sonic move and we get a hum-dinger of a time with James O’Neill and Paul Freeman’s The Hum. It’s Audio Drama Time! Learn more about your ad choices. Visit megaphone.fm/adchoices

Hope For The World - James O’Neill

Blessed are those who hunger and thirst for righteousness - James O’Neill

‘Blessed are the Poor in Spirit’ James O’Neill

‘Are You Blessed?’ James O’Neill

8am hour April 5th: Former Police Commissioner James O’Neill  

Monte Cristo Cottage has gone down in theatrical history as the setting for Eugene O’Neill’s masterpiece, Long Day’s Journey Into Night, as well as his comedy Ah, Wilderness! Once the family’s summer residence—and the closest thing to a real home for peripatetic actor James O’Neill and his wife and sons—it’s now part of the Eugene O’Neill Theater Center. This week, we’re joined by Anne G. Morgan, literary manager and dramaturg at the O'Neill. Anne introduces us to the cottage and talks about how a historic site helps us to better understand O’Neill’s life and work.

Please note, this episode discusses crimes against children.Was a man convicted of the murder of a nine year old boy in Tasmania in 1975 responsible for some of Australia’s most well known unsolved crimes?Investigation by retired detective Gordon Davie uncovered that wherever James O’Neill went, children seemed to go missing. After years of investigation and interviews with O’Neill, Davie uncovered evidence linking O’Neill with crimes not only in Tasmania, but in Victoria, Western Australia, and South Australia – including the abduction of the Beaumont children and the Adelaide Oval abductions, as well as the murders of two Indigenous boys in the remote Kimberly region of WA.Is it possible that a serial killer got away with an unknown number of child murders for nearly ten years before being convicted? Or is it just a coincidence that O’Neill was in town when these kids went missing?EPISODE NOTES:Ricky Smith and Bruce Wilson were murdered in Tasmania in 1975 by a man by the name of James Ryan O’Neill. He was convicted for Ricky’s murder, and spent a fair chunk of his sentence in Hayes Prison Farm, where he was allowed to look after animals, do farm work, and occasionally go fishing completely unsupervised outside of the prison walls.A child murderer being allowed to go on a jaunty little fishing trip would probably grab anyone’s attention, but that wasn’t what fascinated retired detective Gordon Davie when he read an article about O’Neill in the newspaper. It was the fact that he had claimed to have a completely clean criminal record before murdering two boys in the mid 70s.By now it was 1998, and Davie had long since retired. But something about O’Neill didn’t sit right to him. He wrote to O’Neill, to ask to interview him, and what followed was four years of a kind of friendship, where Davie would record hundreds of hours of conversation between the two, where they would discuss fishing, their lives, and of course, the possibility that O’Neill was responsible for dozens of other child murders across Australia.This week, our main source was the absolutely stellar documentary The Fisherman, available on Youtube. This documentary includes interviews with James O’Neill, and also, Gordon Davie has the most ocker accent known to man, so it is definitely worth a watch.Have a squiz at the inquest into Jimmy Taylor’s death and see if you think the evidence stacks up against O’Neillhttps://www.coronerscourt.wa.gov.au/_files/Taylor%20(James)%20finding.pdfInformation about Jimmy Taylor, whose body has never been found, can be located here http://www.australianmissingpersonsregister.com/JamesTaylor.htmMurderpedia’s always good. http://murderpedia.org/male.O/o/oneill-james-ryan.htmIf you like what we do please consider supporting us on PATREONSubscribe to the podcast on ITUNES, STITCHER, SPOTIFY or your podcatcher of choice.Find us on FACEBOOK, TWITTER, INSTAGRAM or EMAIL us on murderinthelandofoz@gmail.comwww.thatsnotcanonproductions.com

Episode 039 - Rondo Hatton: The Pearl of Death (1944) / House of Horrors (1946) / The Brute Man (1946)     NOTES, SOURCES, & FURTHER READING For an overview of Universal Horror in general, the bible remains Tom Weaver, Michael Brunas, and John Brunas’ Universal Horrors: The Studio’s Classic Films, 1931-1946 (second edition, McFarland & Company, Inc., 2007) For more on the workings of Universal during the Classical Hollywood era, we recommend chapters 1, 6, 13, 18, and 23 of Thomas Schatz’s The Genius of the System: Hollywood Filmmaking in the Studio Era (1988) Very few scholars have devoted much ink to Rondo Hatton over the years.  Aside from the Weaver/Brunas/Brunas tome, our main source of information on the reluctant thespian has been Cory Legassic’s ‘“The Perfect Neanderthal Man”: Rondo Hatton as The Creeper and the Cultural Economy of 1940s B-Films’ in Recovering 1940s Horror Cinema: Traces of a Lost Decade (Lexington Books, 2015). For more on Martin Kosleck, consult Harry M. Benshoff’s Monsters in the Closet: Homosexuality and the horror film (Manchester University Press, 1997).  There’s not much there, but the quality of the information surpasses its brevity. James O’Neill’s Terror on Tape (Billboard Books, 1994) includes capsule reviews of The Pearl of Death and The Brute Man, but inexplicably omits House of Horrors despite mentioning it in the other reviews. John Stanley’s Creature Features: The Science Fiction, Fantasy, and Horror Movie Guide (updated edition, Berkley Boulevard, 2000) includes capsule reviews of all three Creeper films discussed in this episode.   Intro Music: The Pearl of Death Main Titles by Paul Sawtell Outro Music: The Bute Man Main Titles

Ramsey Baghdadi, Michael McCaughan, and Cole Werble discuss the names meeting with President-elect Trump for high level positions at FDA, James O’Neill and Bajali Srinivasan.

Green Party Vice Presidential Candidate Ajamu Baraka Here on Law and Disorder we continue our interviews with candidates other than the two major parties. This week we talk with Green Party Vice Presidential Candidate Ajamu Baraka. Guest â?? Ajamu Baraka is a longtime activist, veteran of Black Liberation Movement, Human Rights defender, Former founding director of US Human Rights Network, currently Public Intervenon for Human Rights with Green Shadow Cabinet, member of Coordinating Committee of Black Left Unity Network and Associate Fellow at IPS. Heâ??s on a long time board member of the Center for Constitutional Rights and a human rights defender whose experience spans three decades of domestic and international education and activism, Ajamu Baraka is a veteran grassroots organizer whose roots are in the Black Liberation Movement and anti-apartheid and Central American solidarity struggles. Black Agenda Report The Connecticut Four More than ten years ago four librarians in Connecticut fought back after FBI agents handed them National Security Letters seeking library records under the PATRIOT Act, and warned them it was a criminal offense to discuss it with anyone. The letter demanded that the librarians identify patrons who had used library computers online at a specific time a year earlier. Four librarians challenged the legality of the request in a lawsuit, represented by the ACLU. A year later the government withdrew the demand for information and the gag order. The media dubbed them â??the Connecticut Four.â?? Recently they have reunited to draw attention to attempts by the U.S. Senate to expand the amount and kinds of information that the government may compel libraries and others to divulge. It could force librarians to give the FBI transaction records, such as email metadata, links clicked on to access other websites and the length and time of Internet search sessions. Guest â?? George Christian, executive director of the Library Connection and one of the four Connecticut librarians gagged by the FBI. The four librarians, members of the Library Connection, sought help from the ACLU after the FBI demanded patron records through a National Security Letter. The Bronx 120 Just before 5 in the morning on April 27, 700 law enforcement officers conducted the largest gang raid in NY history in the Williamsbridge section of the North Bronx. Prosecutors used the 1970 RICO Act, and 78 young men averaging 24 years in age were arrested and indicted 120 on conspiracy charges. All are being detained collectively for 8 murders and firearms and drug charges dating back two decades. In one apartment, more than a dozen police threw flash-bang grenades and broke down the front door with assault weapons aimed at Paula Clarke and her two daughters, then forced them to crawl down their hall on all fours toward the officers. At a press conference, police characterized the young men as â??the epitome of organized crime today.â?? Cooperating federal agencies included the DEA, the ATF, the US attorney general, and ICEâ??s Homeland Security Investigations. Community members question this portrayal, saying the young men were not highly organized gangsters terrorizing a community; they lacked money and weapons and were living at home with their parents. Critics claim that applying RICO to to street gangs has racist implications. Under RICO, individuals can be found guilty by association. Despite gang-related crime accounting for less than 2 percent of city crime, two weeks after the raid, James Oâ??Neill, now NYPD Commissioner, promised 20 more raids before July 4. The department quadrupled its gang division by launching Operation Crew Cut in 2012. A 2014 initiative has spent over $64.6 million on surveillance cameras and singled out 15 projects as high-crime zones; at least ten of those projects have experienced police raids. Guest â?? Cindy Gorn is a former teacher of Urban Studies at Hunter College and a member of the Incarcerated Workers Organizing Committee.

We caught up with the Matchstick Architects as they waited for the first shipment of CDs of their latest effort, "All That's In Between," to arrive. I don't know about you, but I LOVE that "new LP smell." We spoke with Dar Maloney and Tom Conklin (Diane Davis was unavailable) about the what the guts of the music are made of. Answer: raw stories. In addition to busting out the discs at their CD release party this Saturday, they'll be helping First Fridays Artswalk break new ground as they inaugurate the addition of live music to the collection of arts offerings in Pittsfield, Mass. The Matchstick Architects are (from left), Diane DDD, Tom Conklin, and Dar Maloney (submitted photo). First Fridays ArtswalkThe Matchstick Architects, LiveFriday, August 5, 2016, 5:00 – 7:30 p.m.Downtown Pittsfield, Inc.33 Dunham Mall, Pittsfield, Mass.Free AND THEN: CD Release Party, "All That's In Between"The Matchstick Architects, LiveSaturday, August 6, 2016; 7:00 p.m. – 10:00 p.m.Whitney Center for the Arts42 Wendell Ave, Pittsfield, Mass.Free About the Matchstick Architects The Matchstick Architects are a New England based original rock band with strong country, blues, and folk influences. The band plays in and around New York, Massachusetts, Vermont, and Connecticut in support of their debut CD entitled "All That's In Between." Their music has also been featured on several regional radio stations including WEXT 97.7 FM in Troy, NY and WTBR 89.7 FM in Pittsfield, MA. The band is fronted by Dar Maloney (Canaan, NY) on guitar and lead vocals. The band features Maloney; Tom Conklin (Pittsfield, MA) on lead guitar, harmonica and vocals; Diane Davis (Barkhamsted, CT) on bass, and until recently Paul Unsworth (Canton, CT) on drums. About Tom Conklin Tom Conklin (submitted photo). Tom Conklin is a local musician, voiceover talent and radio news voice. He has been playing guitar for more than three decades and is the lead guitarist for The Matchstick Architects. Tom does voiceover work for clients all over the world from his home studio in Pittsfield, Massachusetts, and is the news voice for several radio stations in Berkshire County. He is also a founding member of Berkshire Organization for Original Music, or BOOM, which is a Berkshire County based organization that supports the local original music scene in the Berkshires.     About Dar Maloney Dar Maloney (submitted photo). Dar Maloney is the lead singer, songwriter, and rhythm guitarist for The Matchstick Architects. She has been playing music professionally in the area for more than three decades. Her band has just released their debut CD  "All That's in Between".She also sits on the board of Berkshire Organization for Original Music, or BOOM, which is a Berkshire County based organization that supports the local original music scene in the Berkshires. You can find The Matchstick Architects on: Their website Facebook Bandcamp REVERBNATION Artswalk Goes Boom! As Music Is Added to the Mix First Fridays Artswalk in Pittsfield, MA will now showcase another kind of art: music! Berkshire Organization for Original Music – BOOM – will bring original music to several venues at the August 5th Artswalk, including the Crowne Plaza Hotel, Crawford Square, and Downtown Pittsfield, Inc. Musical styles and instrumentation abound: the 4-piece blues, country and folk based rock band, The Matchstick Architects (at Downtown Pittsfield); Sherry Steiner’s ukulele group, The Tuesday Trio plus Two; and progressive/acoustic rock from solo artist James O’Neill. BOOM’s mission is to nurture and broaden opportunities for original music in the Berkshires, and Artswalk is a natural fit. Partnering with Pittsfield community leaders Mary McGinnis of Artswalk and Kristine Hurley, Executive Director of Downtown Pittsfield, Inc., BOOM is excited to place talented original songwriters and bands every month along Pittsfield’s “booming” downtown dist...

One of the cool things about the Oregon Shakespeare Festival, the current season of which I have been reporting on lately, is the way it often programs shows that cleverly comment on each other in interesting ways. This year’s festival, which runs through November 1st up in Ashland, Oregon, has one particularly creative pairing of shows, though to the casual theatergoer, the connection might not seem obvious. I’m talking about Charles Fechter’s melodramatic 1868 adaptation of "The Count of Monte Cristo," now playing on the big outdoor Allen Elizabethan theater, and Eugene O’Neil’s Pulitzer-winning drama "A Long Day’s Journey Into Night," running in the intimate indoor Thomas Theater. What does a popcorn-level swashbuckling adventure about revenge and swordfights have to do with a theatrical masterpiece about drug addiction and chronic self-destruction? Keep listening. O’Neill’s autobiographical tale tells a painfully personal family story, thinly disguised as fiction, but burning with the raw anguish, and dark comedy of truth. Impressively directed by Christopher Liam Moore - putting the “long” into Long Day’s Journey by using the full text, all four hours of it - the OSF production pulls off something truly spectacular, presenting a lushly real look at the gorgeously ugly inner lives of one very troubled, but occasionally kind-of-loving American family, circa 1912. Edmund Tyrone (a masterful Danforth Comins) is young, alcoholic, and sick of body. He’s probably dying of consumption. He’s also sick of heart, after learning that his drug addicted mother has just started using again. Over the course of one very long day and night, Edmund will learn his own fate - spoiler: Eugne O’Neil did NOT die of consumption - and will go on to confront each member of his family in turn, as they all pound back enough whiskey to fill an inflatable swimming pool. The exception, of course, is Mom, who prefers shooting up to whiskey shots. Edmund’s father, James (Michael Winters, also excellent), is terrified of ending up in the poor house, despite having made a fortune as a stage actor in a popular adventure (he calls it “the moneymaker”) which he considered beneath him, but couldn’t stop performing for fear of losing his sizable income. Guess what that real-life “money-maker was? Yep. "The Count of Monte Cristo," the very same adaptation OSF is presenting this year, being careful to retain the script changes made in the early 1900’s by James O’Neill, the real-life actor father of Eugene O’Neill. This adaptation emphasizes the fun parts of Dumas’ classic novel while diminishing or eliminating its, um, boring parts. It accomplishes this largely by establishing an over-the-top melodramatic tone that has little resemblance to the serious historical melancholy of the original, but works well with the help of some big, entertaining stagecraft, courtesy of director Marcella Lorca. You probably know the story. Edmond Dantes is a ship’s captain framed by a trio of businessmen and politicians who all have something to gain by getting rid of the gentle, kindhearted captain. His years-long imprisonment in an island hellhole is condensed here, using some storytelling trickery. After escaping and locating a buried treasure, he returns home as the mysterious Count of Monte Cristo, planning to exact revenge on all who betrayed him. The performances are tuned a tad bigger than life, but just short of having the villains twirl their mustaches. Thanks to OSF’s clever programming, audiences can catch 'Monte Cristo,' then go see 'A Long Day’s Journey,' and when the drunken patriarch talks about his love-hate relationship with “the Money-maker,” everyone will know exactly what he’s talking about. Thanks OSF. That’s kind of cool. The Oregon Shakespeare Festival runs through November 1st. www.OSFAsland.org. I’m David Templeton, Second Row Center, for KRCB.

James O Neill (QUB). Half-moons and villainous work - Gaelic fortifications and the Nine Years war

James O Neill (QUB). Trailing pikes and turning kern - military acculturation in the Nine Years War.