Podcasts about Pulitzer

Donald Trump and his Department of Justice kicked the conspiracy-theory beehive last week when they rescinded previous promises to make public the government's secret files on Jeffrey Epstein, the billionaire financier and convicted sex offender charged with the sex trafficking of minors. The Atlantic's executive editor, Adrienne LaFrance, speaks with the journalist who broke the Epstein story in 2018. Julie K. Brown is an investigative reporter for the Miami Herald and author of the book Perversion of Justice: The Jeffrey Epstein Story. They discuss the significance of Trump's reversal, the information that's still hidden from the public, and what the latest revelations mean for Epstein's hundreds of victims.  Get more from your favorite Atlantic voices when you subscribe. You'll enjoy unlimited access to Pulitzer-winning journalism, from clear-eyed analysis and insight on breaking news to fascinating explorations of our world. Atlantic subscribers also get access to exclusive subscriber audio in Apple Podcasts. Subscribe today at theAtlantic.com/listener. Learn more about your ad choices. Visit megaphone.fm/adchoices

What can Americans look forward to despite today's lack of trust in the government? Zachary and Emma welcome Garrett Graff, journalist, historian, and author of several books, including Pulitzer finalist Watergate: A New History. He also hosts the Long Shadow podcast, which covers topics from 9/11 to American far right extremists. Garrett discusses the power of telling history through the emotion of first-person experiences, the challenges of social media misinformation and government conspiracies, and hope for younger generations of Americans in addressing gun violence and other national issues. What Could Go Right? is produced by The Progress Network and The Podglomerate. For transcripts, to join the newsletter, and for more information, visit: theprogressnetwork.org Watch the podcast on YouTube: ⁠⁠⁠https://www.youtube.com/theprogressnetwork⁠⁠⁠ And follow us on X, Instagram, Facebook, TikTok: @progressntwrk Learn more about your ad choices. Visit megaphone.fm/adchoices

Mirko Zilahy"La stanza delle ombre"Mondadori Editorewww.mondadori.itTra le torbide acque del Tevere, ai piedi della basilica di San Paolo, viene ritrovato il cadavere di una donna, in posa come se fosse vittima di un misterioso rito. È allora che il commissario Zuliani convoca Nemo Sperati, giovane docente all'Accademia delle Belle Arti. Quando posa lo sguardo sulla scena del crimine, Nemo sprofonda nella Stanza delle Ombre, il teatro mentale dove è in grado di vedere l'invisibile, riconoscere la firma dell'autore e attribuire l'opera. Perché lui possiede un talento arcano per il tenebrismo, la tecnica di chiaroscuri con cui a partire da dipinti e da scene del crimine evoca particolari nascosti, anomalie impercettibili anche alle più sofisticate tecnologie di indagine. Nel corpo della “Dama delle acque”, il professore riconosce subito la celebre Ophelia di John Everett Millais – esattamente come due settimane prima aveva fatto con il cadavere del direttore di Palazzo Barberini, che riproduceva Giaele e Sisara di Artemisia Gentileschi, da poco rubato. Il caso si complica quando il quadro viene rinvenuto e Nemo scopre che non è autentico, ma opera di Rufo Speranza, il più grande falsario del Novecento morto suicida molti anni prima. E soprattutto… suo padre. È così che Miriam Tiberi, sanguigna ispettrice di polizia che affianca Zuliani, si ritrova sulla pista che conduce direttamente a lui. Per scagionarsi, Nemo dovrà scendere negli abissi del proprio passato, separare il vero dal falso e far luce sul mistero che ammanta la vita e la morte di Rufo Speranza. Ambientato in una Roma notturna e decadente, popolato da personaggi ambigui e pieni di segreti, La Stanza delle Ombre è una corsa attraverso un labirinto di menzogne e verità nel mondo dell'arte e dei falsari. Un romanzo sulle maschere che scegliamo di indossare per proteggerci, per ingannare il mondo, o per gridare la nostra verità.Mirko Zilahy è nato a Roma. Ha conseguito un Phd presso il Trinity College di Dublino, dove ha insegnato Lingua e letteratura italiana. Collabora con il “Corriere della Sera” ed è stato editor per minimum fax nonché traduttore letterario dall'inglese (sue, fra le altre, la traduzione del Cardellino di Donna Tartt, premio Pulitzer 2014, e quella del bestseller Mystic River di Dennis Lehane). È così che si uccide, il romanzo con cui ha esordito nel 2016, è stato un grande successo internazionale di pubblico e critica. Sono seguiti La forma del buio (2017), Così crudele è la fine (2018) e L'uomo del bosco (2021), editi da Longanesi, e Nostra signora delle nuvole (2023) per HarperCollins.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

All The Drama is hosted by Jan Simpson. It is a series of deep dives into the plays that have won The Pulitzer Prize for Drama. The Pulitzer Prize for Drama: “How to Succeed in Business Without Really Trying”1962 Pulitzer winner “How to Succeed in Business Without Really Trying”, by read more

Episode 563 - Judith Valente - From Journalism to Author of The Italian Soul - Add the Italian Good Life into your homeJudith Valente is an awarding-winning author, print and broadcast journalist, poet and essayist.She is a sought-after speaker and retreat leader on such subjects as living a more contemplative life, discovering inner wisdom through poetry, and finding meaning in your work. She is a lay associate of the Benedictine monastery Mount St. Scholastica in Atchison, Kansas, which is the subject of her 2013 memoir, Atchison Blue: A Search for Silence, a Spiritual Home and a Living Faith, which was chosen by Religion Newswriters Association as one of the three best spirituality books of that year.Her book, The Art Of Pausing: Meditations For The Overworked And Overwhelmed won a Best Book Award from the Catholic Press Association.More recently, she wrote How to Live: What The Rule of St. Benedict Teaches Us About Happiness, Meaning, and Community, which was followed in 2021 by How to Be: A Monk and a Journalist Reflect on Living & Dying, Purpose & Prayer, Forgiveness & Friendship.Judith and Associated Press President, Will Stevenson.She began her work in journalism at the age of 21 as a staff reporter for The Washington Post. She later joined the staff of The Wall Street Journal, reporting from that paper's Chicago and London bureaus. She was twice a finalist for the Pulitzer Prize, first in the public service category as part of a team of reporters at The Dallas Times Herald investigating airline safety. She was a finalist for the Pulitzer in the feature writing category for her front page article in The Wall Street Journal chronicling the story of a religiously conservative father caring for his son dying of AIDS.Judith was a regular contributor to the national PBS TV news program Religion & Ethics NewsWeekly. She won numerous broadcast awards for her work on the show. Her work also appeared on The PBS News Hour. She previously covered religion, interviewed poets and authors, and served as a guest essayist on National Public Radio and Chicago Public Radio, and was a senior correspondent at WGLT radio, an NPR affiliate in central Illinois.Book - The Italian Soul offers practical guidance into how we can transport a taste of the Italian “good life” into our own homes. Additionally, it explores the contemplative practices and attitudes that seem to come naturally to a people who have made an art of living and working joyfully. It is both a travel dispatch and a spirituality guide for seekers who eschew traditional religious practices but are yearning for ways to bring more balance, sanity, and a greater sense of the transcendent into their daily lives.https://www.judithvalente.com/Support the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

In the United States and many other Western countries, the decision to have children or not is sometimes framed as a political affiliation: You're either in league with conservative pronatalists, or you're making the ultimate personal sacrifice to reduce your carbon footprint. But the declining global birth rate is a fact that defies politics. Dean Spears, a co-author of the new book After the Spike: Population, Progress, and the Case for People, hopes to start a conversation about what a depopulated future might look like, why we should try to avoid it, and how to make the case for more people without undoing social progress.  Get more from your favorite Atlantic voices when you subscribe. You'll enjoy unlimited access to Pulitzer-winning journalism, from clear-eyed analysis and insight on breaking news to fascinating explorations of our world. Atlantic subscribers also get access to exclusive subscriber audio in Apple Podcasts. Subscribe today at theAtlantic.com/listener. Learn more about your ad choices. Visit megaphone.fm/adchoices

Você acha que a história de guerra dos EUA começa no Dia D? Ah, doce ilusão cinematográfica... Antes de "Band of Brothers" e das lágrimas do soldado Ryan, já havia sangue escorrendo dos campos de batalha contra povos indígenas, mórmons, vizinhos latinos e até contra a Rainha do Havaí.Neste episódio, abrimos a cartela de bingo do imperialismo: Guerra da Melancia, das Bananas, da Samoa, do Haiti, do Havaí... e claro, as guerras domésticas contra Tecumseh, Gerônimo, Touro Sentado e outros líderes que resistiram — antes de virarem mascotes de time ou atração de circo.Tem Mathew Brady clicando cadáveres, e Hearst & Pulitzer provando que dá pra fabricar uma guerra com manchetes sensacionalistas — bem antes do Twitter.No meio disso tudo, os livros tentam lembrar que a guerra tem cheiro de pólvora, mas gosto de hipocrisia.Porque quando o país mais armado do planeta fala em liberdade... é bom checar se o canhão não está apontado pra você. —------------------------------APOIE o programa: APOIA.SE - https://apoia.se/nosnahistoriaSIGA-NOS no Instagram: @nosnahistoria_@buenasideias@lucianopotter @arthurdeverdadePatrocínio:TRADUZCA - https://www.traduzca.com/LIVROS INDICADOS NO EPISÓDIO - UM LIVRO - https://www.livrarianosnahistoria.com.br

Teens are in Crisis – Some people warn that Cell Phones are to blame.  But Colorado Native and Pulitzer prize winner Matt Richtel says our tech can be a useful tool, IF we better understand the purpose of adolescence,   That's the focus of Richtel's brand new book – How We Grow Up: Understanding Adolescence … Continue reading "How We Grow Up: Understanding Adolescence by Matt Richtel"

Where the law of the land ends, the story begins. Pulitzer-prize winning journalist Ian Urbina returns with a new season of his riveting podcast anthology, The Outlaw Ocean, which explores the most lawless place on earth — the vast unpoliceable ocean.  In this episode, the Libyan Coast Guard is doing the European Union's dirty work, capturing migrants as they attempt to cross the Mediterranean into Europe and throwing them in secretive prisons. There, they are extorted, abused and sometimes killed. An investigation into the death of Aliou Candé, a young farmer and father from Gineau-Bisseau, puts the Outlaw Ocean team in the cross-hairs of Libya's violent and repressive regime. In this stunning three-part series, we take you inside the walls of one of the most dangerous prisons, in a lawless regime where the world's forgotten migrants languish. More episodes of The Outlaw Ocean are available here: https://link.mgln.ai/drilled Learn more about your ad choices. Visit megaphone.fm/adchoices

On this patriotic edition of Chris Fabry Live, hear an amazing story of a Presbyterian pastor, a seminary professor, a WWII veteran, a pistol owned by Adolph Hitler, and a Pulitzer prize winning journalist. Dr. John Woodbridge and Maurice Possley will tell of Hitler in the Crosshairs—a story of courage and faith. Featured resource:Hitler in the Crosshairs by John Woodbridge and Maurice Possley July thank you gift:Drive Through the Bible by Colin S. Smith For more information about the work of Care Net, click here. Chris Fabry Live is listener-supported. To support the program, click here.Become a Back Fence Partner: https://moodyradio.org/donateto/chrisfabrylive/partnersSee omnystudio.com/listener for privacy information.

On The South Florida Roundup for this Fourth of July weekend, we revisited our Memorial Day weekend conversation with Miami native Edda Fields-Black about her Pulitzer Prize-winning history of Harriet Tubman and a pivotal Civil War raid (01:08). We also examined Lucy's Law, which strengthens the state's boating codes after Luciana Fernandez's tragic death (19:34). And we looked at how we measure patriotism — and why Florida keeps finishing near the bottom in one patriotism survey (34:18).

The Atlantic's editor in chief Jeffrey Goldberg talks to Ken Casey, frontman for the Celtic punk band Dropkick Murphys, about the time he called out a fan in the audience who was wearing a MAGA shirt. The band has been around for three decades and has its working-class roots in Quincy, Massachusetts. At concerts, the band often dedicates its song “First Class Loser” to Donald Trump, and it sells T-shirts that say “Fighting Nazis since 1996.” Goldberg speaks with Casey about watching his fans and people he loves fall in love with Trump, and about how Democrats might be able to win them back. Get more from your favorite Atlantic voices when you subscribe. You'll enjoy unlimited access to Pulitzer-winning journalism, from clear-eyed analysis and insight on breaking news to fascinating explorations of our world. Atlantic subscribers also get access to exclusive subscriber audio in Apple Podcasts. Subscribe today at theAtlantic.com/listener. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's guest is composer Mary Kouyoumdjian who collaborated with the Kronos Quartet to release her first recording. An Armenian-American composer & Pulitzer prize finalist who deftly weaves field recordings to masterful compositions, Witness explores her own family history of surviving the Armenian genocide by moving to Lebanon, also impacted by the ravages of war. The exquisite sounds here are woven in with deeply personal stories from family testimony. Listen in to gain insight from Kouyoumdjian and hear moments from the album. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Undercurrent Stories, we sit down with Pulitzer prize winning journalist and bestselling author Gary Rivlin to explore the trillion-dollar race to dominate artificial intelligence. Gary, a former New York Times correspondent and veteran Silicon Valley reporter, shares insights from his latest book, AI Valley, which tells the behind-the-scenes story of tech giants, ambitious founders, and the complex world of AI development.From the origins of artificial intelligence in the 1950s to the ChatGPT revolution of today, Gary unpacks how we got here—and where this transformative technology might be taking us next. He also delves into the ethical dilemmas, energy demands, and the real-world impact AI could have on jobs, education, and society as a whole.Whether you're an AI optimist, skeptic, or somewhere in between, this episode offers a compelling, human-centered look at the forces shaping our digital future.

In this week's episode of The Learning Curve, co-hosts Alisha Searcy and Massachusetts civics teacher Kelley Brown interview Pulitzer Prize-winning historian Jack Rakove, Coe Professor Emeritus at Stanford University. Prof. Rakove explores the origins of the American Revolution and U.S. Constitution through the lives of the nation's Founding Era figures. Reflecting on young John Adams' […]

Wadada Leo Smith: Tradition & TransitionComposer and trumpet player Wadada Leo Smith in commentary and concert excerpts recorded at Roulette including a duo with keyboardist Amina Claudine Myers (Central Park Mosaics, 2024), passages from his Pulitzer-nominated Ten Freedom Summers (Golden Quartet and the Pacifica Coral Reef Ensemble, 2013), and a Rastafarian ceremonial ritual with vocalist Jeanne Lee (1989) An early member and proponent of the AACM and the Chicago "creative music" paradigm, Wadada taught for years at Cal Arts and has an enduring connection with Wesleyan University. Over the years his bands and collaborators have included Leroy Jenkins, Anthony Braxton, Henry Threadgill, Anthony Davis, Oliver Lake, Derek Bailey, and many more. Photo credit: Michael Jackson.https://roulette.org/

In this week's episode of The Learning Curve, co-hosts Alisha Searcy and Massachusetts civics teacher Kelley Brown interview Pulitzer Prize-winning historian Jack Rakove, Coe Professor Emeritus at Stanford University. Prof. Rakove explores the origins of the American Revolution and U.S. Constitution through the lives of the nation's Founding Era figures. Reflecting on young John Adams' vivid depiction of his schoolhouse in colonial Massachusetts, Rakove offers context for the political and social landscape of the 18th-century America. He discusses the central constitutional dispute between the British Parliament and the American colonies over political authority, which escalated after the Stamp Act crisis and the Boston Tea Party. Prof. Rakove traces the emergence of the Continental Congress as a revolutionary governing body and its role in declaring independence. He also shares the moral contradictions of liberty in a society dependent on slavery and explains how internal debates over slavery shaped politics within the Continental Congress. Additionally, Prof. Rakove highlights the contributions of Alexander Hamilton and James Madison in building a durable federal constitutional system and explains Madison's critical role in drafting the Bill of Rights. He closes with a reading from Revolutionaries: A New History of the Invention of America.

Top headlines for Wednesday, July 2, 2025In this episode, we discuss the shocking discovery of 11 child pornography videos found on a laptop belonging to a Pulitzer Prize-winning journalist at The Washington Post. Next, we explore the conviction of a Chicago man who used social media platforms to recruit operatives for ISIS and incite acts of terrorism. Finally, we reflect on the life and legacy of Jimmy Swaggart, the influential Pentecostal preacher and televangelist known for his controversial past, who has passed away at the age of 90.00:11 Most adults back chaplains in schools, oppose school prayer: Poll01:08 Ben Carson claims 'illogical' culture indicates spiritual wars02:00 Washington Post staffer charged with possessing child porn videos02:49 Chicago man recruited for ISIS, urged jihadis to 'spread terror'03:43 Televangelist Jimmy Swaggart dies at 9004:40 NT Wright defends traditional male pronouns for God05:38 Man credits cross necklace with shielding him from bulletSubscribe to this PodcastApple PodcastsSpotifyGoogle PodcastsOvercastFollow Us on Social Media@ChristianPost on TwitterChristian Post on Facebook@ChristianPostIntl on InstagramSubscribe on YouTubeGet the Edifi AppDownload for iPhoneDownload for AndroidSubscribe to Our NewsletterSubscribe to the Freedom Post, delivered every Monday and ThursdayClick here to get the top headlines delivered to your inbox every morning!Links to the NewsMost adults back chaplains in schools, oppose school prayer: Poll | PoliticsBen Carson claims 'illogical' culture indicates spiritual wars | PodcastWashington Post staffer charged with possessing child porn videos | U.S.Chicago man recruited for ISIS, urged jihadis to 'spread terror' | U.S.Televangelist Jimmy Swaggart dies at 90 | Church & MinistriesNT Wright defends traditional male pronouns for God | PodcastMan credits cross necklace with shielding him from bullet | U.S.

Pulitzer prize-winning author Anne Applebaum and Ukrainian philosopher Volodymyr Yermolenko engage in conversation about Ukraine's past, present and future. With an introduction from Ukrainian writer Andrey Kurkov.‘The bad guys are winning', Anne Applebaum wrote in an essay in The Atlantic in 2021. If the twentieth century was about the rise of liberal democracy, the twentieth-first sofar has been about the opposite. The fight for democracy is nowhere as pressing as in Ukraine. Anne Applebaum and Ukrainian philosopher and writer Volodymyr Yermolenko discuss Ukraine's ongoing struggle for freedom, and the stakes for the future – not just for Ukraine, but also for democracy in Europe. About the speakers:Anne Applebaum (1964) is a historian and writer specializing in Eastern European and Soviet history. She has written several award-winning books, including Gulag: A History, which won the Pulitzer Prize, and her latest Autocracy, Inc. The Dictators Who Want to Run the World. Applebaum is also a staff writer at The Atlantic and a senior fellow at the AGORA Institute at Johns Hopkins University. Her work provides critical insight into the rise of authoritarianism and the fragility of democracy. Volodymyr Yermolenko (1980) is a Ukrainian philosopher, writer, and journalist. He is the editor-in-chief of UkraineWorld, a multimedia platform, and author of several books on Ukrainian identity and European philosophy. He is the current president of PEN Ukraine and he has been a powerful voice for Ukraine during the ongoing war, offering a nuanced understanding of the cultural and historical context behind the conflict.Programme maker: Ianthe MosselmanModerator: Yoeri AlbrechtThis programme is part of the Forum on European Culture 2025 in Amsterdam.Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

On this episode, Mark Simon speaks to Marcela García, associate editor and columnist for the op-ed page at The Boston Globe. Marcela often writes about Latinx communities in Boston including in a newsletter she launched, ¡Mira!, that is written in English and Spanish. She also writes some of the Globe's unsigned editorials.For that, she and two of her colleagues were finalists for this year's Pulitzer Prize in editorial writing. As the Pulitzer board noted "For their politically courageous and deeply reported editorials on how Boston can humanely and effectively close underutilized schools in ways that improve student learning."We talked to Marcela about the series, the work that goes into reporting and writing, and her advice for students with aspirations of writing op-eds and editorials. If you like the former podcast, Longform, I think you'll enjoy this episode.Link to the Pulitzer series: https://www.pulitzer.org/finalists/22653Marcela's salutes: New Bedford Light and Texas TribuneThank you for listening. You can e-mail me at journalismsalute@gmail.comVisit our website: thejournalismsalute.org Mark's website (MarkSimonmedia.com)Tweet us at @journalismpod and Bluesky at @marksimon.bsky.socialSubscribe to our newsletter– journalismsalute.substack.com

This summer, the Scripps Howard Fund gave Detroit Free Press reporter M.L. Elrick an award for his column “On Guard”, in which he publishes all manner of exposes, in the muckraking tradition. Back in 2009, Elrick and his colleague Jim Schaefer shared a Pulitzer prize for covering corruption in the administration of then-Detroit mayor Kwame Kilpatrick. Elrick is also the creator of a student journalism project called Eye on Michigan at MSU. GUEST: M.L. Elrick, journalist, Detroit Free PressSee omnystudio.com/listener for privacy information.

Composer and trumpet player Wadada Leo Smith in commentary and concert excerpts recorded at Roulette including a duo with keyboardist Amina Claudine Myers (Central Park Mosaics, 2024), passages from his Pulitzer-nominated Ten Freedom Summers (Golden Quartet and the Pacifica Coral Reef Ensemble, 2013), and a Rastafarian ceremonial ritual with vocalist Jeanne Lee (1989) An early member and proponent of the AACM and the Chicago “creative music” paradigm, Wadada taught for years at  Cal Arts and has an enduring connection with Wesleyan University. Over the years his bands and collaborators have included Leroy Jenkins, Anthony Braxton, Henry Threadgill, Anthony Davis, Oliver Lake,  Derek Bailey, and many more.

Pulitzer prize-winning poet Forrest Gander discusses the Academy of American Poets Laureate Fellowships. An initiative which awards $50,000 to poets of literary merit appointed to serve in civic positions to enable them to create projects that enrich the lives of their neighbours, through responsive and interactive poetry activities.In awarding Laurie Bolger The Moth Poetry prize, Nobel Laureate Louise Glück said, "I respond to poems that surprise me". Laurie reflects on the impact of this assessment of her poetry, and explains why her first full poetry collection, Lady, is like a romcom blockbuster.Marking the arrival of this year's European Poetry Festival, its founder and director, SJ Fowler, joins The Verb to share his approach to bringing poets together to create new work. With a little help from Ian, he performs one of the poems - Levels of Care - that he co-wrote for the festival with Latvian poet Krišjānis Zeļģis. Writer and editor Rachel Segal Hamilton who specialises in photography, assesses the marriage of photography and poetry with two new examples of the form - A Difficulty Is A Light by Rebecca Norris Webb, and The Dereliction by Liz Berry and Tom Hicks.Presented by Ian McMillan Produced by Ekene Akalawu

Tens of thousands of migrants choose between life or death in a quest to leave home in hopes of a better life, even if it means spending months working for cash just to pay a smuggler who will hopefully get a small boat filled past the brim to the other side of the journey.Aliou Candé made that very decision in 2019 - in hopes of a better future for his parents, two children and pregnant wife. A bullet to the neck at a secret, Libyan prison in 2021 killed that dream. He never saw the better life. Host Maria Kestane speaks to Ian Urbina, Director of the Outlaw Ocean Project and host of the Outlaw Ocean Podcast about season two of the anthology where he details the story of Aliou Candé, and how his reporting of those secretive, migrant prisons almost cost him his life at the hands of Libyan militias. You can find more on the CBC series below:The Outlaw Ocean is an anthology podcast that plunges you into the vast and often lawless world of the open seas. In season two, Pulitzer-prize winning journalist Ian Urbina sheds light on the secretive Libyan prisons swallowing up sea-faring migrants; flagrant human rights abuses in China's massive off-shore fleet; the horrors of a shrimp processing plant in India; and the wild story of a modern-day James Bond — if he were a repo man. Urbina and his team repeatedly risk their safety to tell stories powerful people don't want you to know. As podcast reviewer Lauren Passell notes, “Ian's not relying on research, he was there [...] Outlaw Ocean makes you feel like you're there, too.” This immersive audio documentary series brings together more than eight years of reporting at sea on all seven oceans and more than three dozen countries.You can find The Outlaw Ocean wherever you get your podcasts, and here: https://link.mgln.ai/Ci678x We love feedback at The Big Story, as well as suggestions for future episodes. You can find us:Through email at hello@thebigstorypodcast.ca Or @thebigstoryfpn on Twitter

We talk with the writer Arash Azizi about what kinds of seismic changes could be coming for his home country of Iran, and whether he thinks they could make things better—or much worse. Read more from Azizi at The Atlantic here. Get more from your favorite Atlantic voices when you subscribe. You'll enjoy unlimited access to Pulitzer-winning journalism, from clear-eyed analysis and insight on breaking news to fascinating explorations of our world. Atlantic subscribers also get access to exclusive subscriber audio in Apple Podcasts. Subscribe today at theAtlantic.com/listener. Learn more about your ad choices. Visit megaphone.fm/adchoices

Historian Benjamin Nathans joins The Naked Pravda to discuss his new book, To the Success of Our Hopeless Cause: The Many Lives of the Soviet Dissident Movement (Princeton University Press, August 2024). In the post-Stalin USSR, when the regime seemed eternal and there was little tradition of resistance to totalitarianism, citizens who came up against the arbitrary Soviet justice system had to invent their own strategies for effecting change. Nathans looks beyond the familiar stories of figures like Sakharov and Solzhenitsyn to explore how the dissident movement coalesced, and what that history can tell us today.Как поддержать нашу редакцию — даже если вы в России и вам очень страшно

Maggie Freleng, Pulitzer prize winning producer, journalist and host of Wrongful Conviction with Maggie Freleng sits down for a Q&A with Gilbert King to chat about the newest season of Bone Valley. In this special episode, Gilbert shares with Maggie the latest news on Leo Schofield, Jeremy Scott, Jeremy’s son Justin, as well as answers to many questions from the millions of Bone Valley listeners. Bone Valley is a production of Lava for Good™ Podcasts in association with Signal Co. No1.See omnystudio.com/listener for privacy information.

A few years ago, Olga Khazan, author of Me, But Better, set out to change her personality, which even she found unpleasant. After consulting with experts on personality plasticity and then setting a deadline, Khazan put herself through an intense experiment intended to make herself more likeable, to herself and others.  Khazan tested and scored herself on a range of key personality traits at the beginning and end of the experiment. In this episode, Khazan and I talk about two of those traits: extroversion and neuroticism. Khazan shares how she dragged herself to improv classes and meditation lessons, and how having a baby threw a kink in her experiment.-- Get more from your favorite Atlantic voices when you subscribe. You'll enjoy unlimited access to Pulitzer-winning journalism, from clear-eyed analysis and insight on breaking news to fascinating explorations of our world. Subscribe today at TheAtlantic.com/listener. Learn more about your ad choices. Visit megaphone.fm/adchoices

Guest: W. Caleb McDaniel is associate professor of history at Rice University in Houston. He won the Pulitzer price in History in 2020 for his book, Sweet Taste of Liberty: A True Story of Slavery and Restitution in America. Photo: Henrietta Wood was enslaved at Brandon Hall in Mississippi on Wikipedia. The post Henrietta Wood: A Legacy of Slavery and Reparations in America appeared first on KPFA.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight's show is June 19th. We are all connected. We are talking with Asian and Asian American Children's book authors. PowerLeeGirls host Miko Lee talks with Chi Thai and Livia Blackburne about the power of storytelling, maternal heritage, generational trauma, and much more. Title:  We Are All Connected Show Transcripts Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Ayame Keane-Lee: [00:01:17] Welcome to Apex Express. Tonight's show is June 19th. We are all connected. We are talking with Asian and Asian American Children's book authors. PowerLeeGirls host Miko Lee talks with Chi Thai and Livia Blackburne about the power of storytelling, maternal heritage, generational trauma, and much more. First, we want to start by wishing everyone a happy Juneteenth, Juneteenth commemorates, an end to slavery and the emancipation of Black Americans after the Civil War. In 1865, 2 years after the Emancipation Proclamation, enslaved people in Galveston, Texas finally learned of their freedom. Juneteenth marks the day the last enslaved people learned of their freedom. Though outright slavery became illegal, the systematic oppression of African Americans continues to this day. We see that show up in almost every aspect of American culture, from the high rate of infant mortality to the over punishing of Black children in schools, to police brutality, to incarceration. We must continue to recognize the importance of championing Black lives and lifting up Black voices. We are all connected. June 19th is also an important day in Asian American history. In 1982 in Detroit, Vincent Chin was at a bar celebrating his bachelor party prior to his wedding the next day. Ronald Ebens, a white auto worker, and his stepson Michael Nitz taunted Vincent with racial epithets. They thought he was Japanese and were angry about the Japanese rise in the auto industry. When Vincent left the bar later, the two men attacked and killed Vincent with a baseball bat. He was 27 years old. Ronald Ebens never did time for this murder. Ronald Ebens is 85 years old now. Ebens not only skirted prosecution, he has used bankruptcy and homesteading laws in Nevada to avoid a wrongful death civil suit settlement. Ordered by the court in 1987 to pay $1.5 million to Chin's family, the Chin estate has received nothing. Lily Chin, Vincent's mom could have stayed silent about the racist attack on her son. Instead she spoke out. She took a courageous stance to highlight this most painful moment in her life. In doing so, she helped ignite a new generation of Asian American activists working for civil rights and social justice. We find ourselves in a new wave of activism as our communities band together to work against the injustices of the current regime. And what does this have to do with children's books? It is all connected. We highlight children's books by Asian and Asian American authors because we want our next generation of children to know and appreciate their own heritage. We want them to proudly represent who they are so that they can work in solidarity with other peoples. Our struggle is interwoven. As Grace Lee Boggs said, “History is a story not only of the past, but of the future.” Thank you for joining us on apex express. Enjoy the show.   Miko Lee: [00:04:24] First off. Let's take a listen to one of Byron Au Young's compositions called “Know Your Rights” This is part of the trilogy of the Activist Songbook. This multi-lingual rap, give steps to know what to do when ICE officers come to your door.    MUSIC   That was “Know Your Rights” performed by Jason Chu with lyrics by Aaron Jeffries and composed by Byron Au Yong Welcome, Chi Thai to Apex Express.    Chi Thai: [00:07:13] Hello. I'm really happy to be joining you, Miko.  Miko Lee: [00:07:16] I'm really happy to meet you and learn about you as an artist, as a filmmaker, as a children's book author. And I wanna first start with a personal question, which is, who are your people and what legacy do you carry with you? Chi Thai: [00:07:30] Ooh, what a great question. You know what? I love being asked stuff that hasn't been asked kind of before. I mean, there's a kinda really kinda natural answer to that, which is, you know, family are my people. Of course. 100%. And certainly, you know, the reason why I'm talking to you today, you know, in regard to the, to the book, you know, it's about my family's journey. But I found, and I don't know if this is. Somewhat to do with, you know, being a child of two cultures and you know, being a child of the diaspora that you really have to kind of find your own family too. 'cause I suppose I grew up feeling, I didn't quite relate to maybe my parents in a way that, you know, you normally would if you weren't part of the diaspora. And I felt estranged from my birth country and I didn't really feel like British either a lot of the time. So in terms of like, who are my people? I've gathered those people as I've kind of grown up and it's, it's a kind of strange feeling too. I feel like it's taken me a really long to grow up and to figure out who I am. And I suppose that's why, you know, the people that I have a really, a lot of people that have come, kinda later in my life, I actually have no friends in my childhood as an example of that. I've had to kind of find these people as I've grown up, but it's taken me a long time to grow up because growing up in the UK there wasn't any literature to read about what it was like to be Asian. And British, to be a refugee and things like that. So it just took me longer and I then, as a result, it just took me longer to find my tribe. but I have it now, but it's still work in progress. That was a very convoluted answer. I'm very sorry Miko.    Miko Lee: [00:09:15] No, it wasn't. No worries. It's fine. And what legacy do you carry with you?   Chi Thai: [00:09:19] Kind of an extension to that answer, I think when you're an artist, practicing your voice, figuring out your voice, can take a while. And I think I've only really started maybe the last like five to 10 years at the most really figured out what I want my legacy to be. The things I wanna talk about are really about s tories from the diaspora, certainly, and about community and healing. These are the things I think that are really important to me, especially when we talk about maybe coming from struggle. I don't feel it's enough to be an artist today and just talk about struggle. I want to talk about justice as well. And justice really is about healing, you know?    Miko Lee: [00:10:00] Oh, that's beautiful. Can you talk a little bit more about that healing and what that means to you and how that shows up in your work?    Chi Thai: [00:10:07] A couple years ago, no, not even that long ago, I produced a, a feature film. This is probably the best example for it, but I produced a feature film called Raging Grace, which we called it Horror with a small H and it. Basically took the story of what it was like to be, undocumented Filipina in the uk who was also a mother. And I think if that film had been made 10 years ago, it would just shown how hard her life was, and unrelentingly. So, and I think the reason why Raising Grace is so special is it goes beyond the trauma, it takes us to a place of justice, of being able to speak out for someone who has felt invisible, to be visible for someone who's not. Had a voice, to have a voice and to begin that kind of healing process of sticking up for herself, making a change transforming herself from maybe the good immigrant to the bad immigrant and things like that. I think that's a really great example and I think I read a really wonderful thing. It might have been in a Guardian article where we, so a lot of my work is around, inclusion representation of like diasporic stories. And I think when you have, when you exist in the poverty of like representation, I. the solution to that is plentitude. I think that Viet Thanh Nguyen probably said that, so I don't wanna take credit for it. He comes up with so many wonderful things, and that's a wonderful thing to be able to move from poverty, like to plentitude and that be the solution, is kinda really wonderful. So I enjoy being really prolific. I enjoy supporting artists to be able to do their work. So as a community, we can also be prolific and I wanna support, narratives that. Take us beyond a place of struggle and trauma to a place of like healing and justice and so forth.    Miko Lee: [00:11:57] Your work crosses so many genres. You were just mentioning how that film was kind of a horror film and, and then you've done these kind of dreamy animation pieces and then now this children's book. Do you select the genre and the format and the medium, or does it select you?   Chi Thai: [00:12:16] Oh, I think the story chooses it. I like 100% believe that. I just actually was thinking about this 'cause I was doing an interview on something else, people, often ask about the creative process and I, can only speak for my own. But usually when I get an idea for a story, the general shape of it comes almost like really well formed. There's a sense of a lready kinda what genre it'll be. There's a sense of the character, there's a sense of the journey and all these things. I felt the same about, writing The Endless Sea I knew it would be from the voice of a child. This probably sounds like my creative process is terrible, but it was just. This is how it was going to be. That kind of part was writing itself, or at least I feel that it'd been writing itself like that in my subconscious for many, many years before it kind of surfacing and writing. Like the writing bit is just the tip of the iceberg at the end of the day. there wasn't like a kind of decision about that. the story in that sense was quite intact. So I often feel like the story is demanding something about kind genre and for, for Raging Grace 'cause I've talked about this a lot, not just in listen to me, but other things. But we always said like if you are an an undocumented person, every breath you take is taken in a hostile environment. It's so natural for it to be a horror. So there's not a sense that you kinda decide that it's like that is the very reality of someone who's going, you know, that's their lived experience. And if you're going to represent that truthfully, it will be through the prism of horror. And I suppose that's how I think about genre. the story is kind of telling you what it needs to tell its emotional truth. and I felt that way, with The Endless Sea same thing with the Raging Grace, with Lullaby. And I think you talked about The Promise, I suppose I, with The Promise, which is an adaptation I had less choice about that because that was a book and it was a adapted into an animation. I've heard Nicola, who's the author of the book, talk about that and she talks about like the story coming to her in a dream and tiptoeing down her arm coming onto the page, she like describes it really beautifully. so maybe our processes are the same. It feels that way. there's not long deliberations. I mean, that's not to say the writing process isn't difficult. It is. But that, I've never found the, [genre] the difficulty or the bit that's required a lot of, I don't know soul searching with it.    Miko Lee: [00:14:28] So with that being said, how did Endless Sea your latest children's book? How did that tiptoe into your imagination?    Chi Thai: [00:14:36] This is a strange one because this is probably the closest thing to like, almost autobiographical work. What I can say is like, it's the true story o f how I and my family, which would've been at the time my mom and dad, my older sister, me, how we fled Vietnam after the fall of an Saigon. we actually left quite late we left in 1979 w hen things were tr were getting truly, truly, truly, quite terrible. And, this was very much a last resort. I think my parents would try to make things work, but realized that they couldn't. This journey that we took on these, boats that were made badly, made poorly, that many of which sank has become almost like the genesis story of our family. It's like it's a big, it has a long shadow, right? Ever since you know I, it is like the first story that I can remember. It's one of the few stories my mom would tell me again and again when we, when they see their old friends, it's something they talk about. So it's something that has happened to it to us, but it's such a big thing that it's just, echoed In my life growing up, as I've you know, got older and older, and the wonderful thing about having a story kinda live with you eventually it's in your blood and in your bones, but also if it's a thing that's kinda shared with you again and again, you actually build up this, there's something about the repetition of it, and then every time you hear it told from an uncle or a family friend or from your mom, a new little detail is embroidered that someone adds. So I've kinda lived with this story for 40 plus years and I've been collecting all these little things about it all this time and all that time it was, I think, kind of just writing itself, you know? You know, it was doing all that work before I actually put like pen to paper. Um, yeah.    Miko Lee: [00:16:31] Was there a catalyst or something that made you actually put the pen to paper?   Chi Thai: [00:16:36] That's really interesting. You know, I probably don't mind it is probably something really banal like. I think I probably wrote it during Covid and I had more time. Um, I think there are probably be some bigger forces in place. And you know what, I can tell you what it is actually if I'm, I'm forcing myself to think and examine a bit closer so when this is totally true. So I remember hearing the news about Viet Thanh Nguyen win winning the Pulitzer for The Sympathizer. And it made such a mark on me and I kind of felt, wow, someone from our community has achieved this incredible thing. And I thought, why? Why now? Like, and I was like, well, you know what? It's probably taken our community certain amount of time to come of age, to develop not just the abilities to write, to create, to make art, but also to have possibly the relationships or networks in place to be able to then make the art and get it out into the world. And I kind of felt when he was able to do that and came of age, I kind of felt there was going to be like other people from the kind of diasporic Vietnamese community that would also start to flourish. And that made me feel really good. About probably being a bit older than the average kind of artist, like making their, kinda like their pieces and everything and saying, you know what? My time can be now. It's okay. And I just find it just really inspiring that, you know our community was kind of growing, growing up, coming of age and being able to do these, these things And I kind of felt like it had given me the permission, I suppose the, the confidence to go, “Oh this story that I've been carrying my whole life, which I don't really see a version of out there I can write that and now I can write it and I'm the right person to write it.” And I had just done The Promise so I had a relationship with Walker. I was like, I have a, you know, a relationship with the publisher. I feel my writing is matured. Like I can do this. And so it was like a culmination and, you know, convergence of those things. And, but I do remember having that thought thinking, “This is a good time to be alive in our community 'cause we're actually able to make our art and get it out there now.” I, I felt it was like a real watershed moment really.   Miko Lee: [00:19:11] What made you decide to do it in this format as a Little Kid's Children's Illustrated book? We were talking earlier about how to, to me, this is the first more realistic version of a boat people experience in a very little kid's voice. What made you decide to do it in this style?    Chi Thai: [00:19:33] So interesting. At the same time, I was writing The Endless Sea. I was writing also the script for a short film, which is called Lullaby, which is takes an incident that happened on my boat but expresses it as a film, as a little kinda horror kinda drama, but a kid cannot watch that. It's like too terrifying. Um, and I wrote, you know, The Endless Sea at the same time. And again, I can't, it's really hard for me to articulate. I just knew it was gonna be a kid's book, like, and I knew it'd be written from the voice of a kid, and I didn't actually, can I say I didn't even ascribe a particular kind of value to that. It wasn't until I had started conversations with the publisher they're like, you know, we see like there's a really high, like this is really great that it's written in the voice of the kid. It somehow gives it something else. Something more is something kind of special. I didn't set out to like, overthink, like what was the most effective way to tell this story? I, I think I just told the story as honestly as I could, you know, with the words that I felt that, you know, I had in me to de, you know, to describe it. In the most authentic way to, to me. And like I say, at the same time, I knew, like I knew that was a kid's book. There was another part of that I wanted to express that was really important to me and that was survivor's guilt. But that I felt was like, that was a horror, so that was really not gonna be suitable for kids. So I was definitely thinking about lots of things to do with the same subject of the same time, but they were definitely being expressed in different ways. And again, Lullaby came to me very kind of quickly, almost fully formed. And I knew, you know, it would be a ghost story. I knew it would be the story of a mother and things like that. And I often maybe, you know, I should, I, I should interrogate more, but I kinda, I take these kinda. These ideas, which are quite well shaped and, and then I just like lean into them more and more and more. But they, the way they arrive it, I've kinda, I, I can see a lot of what is already about to unfold.   Miko Lee: [00:21:43] And do you still dream about that experience of being on the boat as a kid?    Chi Thai: [00:21:52] It's, it's a really difficult thing to explain because you know that that happened now so long ago, and I've probably heard the story thousands of times. I've watched all the terrible Hollywood movies, I've seen all the news clippings, I've watched all the archive. I've listened to, you know, people talk, and I have my own memories and I look at photographs and I have memories of looking at photographs. I feel like, you know, my memory is really unreliable, but what it is instead is it's this, this kind of, kind of tapestry of, you know, of the story of memories, of, you know, images as I grow up of hearing the story, like all coming together. One of the things I did when I wrote, I wrote The Endless Sea, is I then went back to my mom and I did a recorded interview with her 'cause I was really worried about how unreliable my memory might be. And I interviewed her and I asked a lot of questions and I said, and I, it was like, you know, in the way I would've just like listened to the story quite passively before this time I interviewed her and I asked a lot of questions about details and all sorts of things. 'cause I really wanted to be able to represent things, you know, as factually as I could. And that was kinda one of my kinda kind of fact checking kinda exercises I did 'cause I was, I was much quite worried about how unreliable my memory was about it all. And you know, what is, what is a memory of a memory of memory, like, you know, especially when it comes to thinking about that time on the boat and the feelings I had. Yeah. So, you know,    Miko Lee: [00:23:34] and you were so young also to    Chi Thai: [00:23:37] Totally 100%. And sometimes, I don't know, you know, is it a memory of a memory? Is it a dream of a dream?   Miko Lee: [00:23:44] Mm-hmm.    Chi Thai: [00:23:44] Or just some, yeah.   Miko Lee: [00:23:46] Was there anything that your mom said that surprised you?    Chi Thai: [00:23:50] Yeah. Um, she didn't realize how bad it was gonna be and she was like, “God, if it, I'd known how terrifying it was I dunno if I, we could have done it.” I think there's a certain amount of naivety involved and I suppose that surprised me. You know? 'cause we know already now how bad it was. Um, so things like that surprised me.    Miko Lee: [00:24:15] and your mom, the dedication of the book is to your mom. What does she think when she first read it?    Chi Thai: [00:24:22] I've got a funny story. My parents, you know, they, we left, they were in their early twenties and I think it was, you know, the escape was hard for them, but settling in new country was really hard for them. That's. That's been kind of their struggle. They had to work so hard, so many hours to kind of, you know, give us a great life. And, I think a lot of that meant they weren't people that could go out, enjoy, enjoy movies, look at art, read lots of literature and things like that. They're very, very simple, very working class. Simple life or working class kinda life. Very much all about, uh, the work. Um, and I remember when I had a, the publisher had made like a mockup of the book and I gave it to my mum to read 'cause I wanted her to be happy about it too, and she's probably been my toughest critic. I think everything I've done, she hasn't really liked, to be honest. Um, and when I gave her the mockup to read. She went, “Yeah,” but she said it in such a way I knew what she meant was Yeah, that's right. You know, that's the truth. That's the, you know, the book isn't the testimony, but it felt like she was saying yeah. It was like the simple kind of approval. It wasn't like a lot    Miko Lee: [00:25:50] That is the most Asian mom's approval ever.    Chi Thai: [00:25:54] It's so funny, like people say to me, oh Chi, it's such a beautiful book. Oh, the writing so lit, like lyrical. It's stripped back, it's elegant. Like, you know, Viet Thanh Nguyen , like God bless his like consults, gave me a comment to put in the book, said these wonderful things, and my mom goes, “yeah.”. You know, it made me laugh at the time, but I knew what it meant. And I also was old enough, I was mature enough, you know, God, if she'd given me that, if I'd been 20 written that I might have cried and my heart might have broken. Right. But I, I knew I had, I've so much compassion, you know, for my parents. Mm-hmm. And people like my parents, what they've been through and, you know, but    Miko Lee: [00:26:38] That was incredibly high praise for her.    Chi Thai: [00:26:40] It was, I couldn't have asked more.   Miko Lee: [00:26:47] Oh, I totally get that. I think that's such an Asian thing. That is so funny.    Chi Thai: [00:26:53] It is, it is. I didn't feel bad. I, I remember showing her Lullaby, um, and she didn't like it at all.    Miko Lee: [00:27:02] What did she say? What is her not like voice? What did she say to that?    Chi Thai: [00:27:05] Oh, she. Well, firstly, she, well, the, the film is almost silent because basically it tells a story. It's inspired by a mother that was on our boat who lost her baby on the border crossing, and I was very much ever, for as long as I knew about this woman's story, I was like, I was very much haunted by it, and I was haunted by, you know, the fact that that's how she felt and her guilt. Over losing her baby on this journey. And I knew, I knew I wanted to tell her story. 'cause one of the things I feel very strongly about is when you are on the losing side. So I'm from South Vietnam, like that's not the, you know, that's not the story that's told, the story is told of who triumphs at the end of the day. And I was just like all those people that we lost at sea, this mother, her baby. The stories kind of aren't told. So I kind of felt really strongly that this was somehow a very creative way to put down like a, an historical record like this happened. And actually I found out after making the film that five babies were lost in our boat, not just one.   Miko Lee: [00:28:24] Wow. So what did she say, your mom say?   Chi Thai: [00:28:28] Yes. So I made this film, which was for the most part, a silent film. This is a woman that's shut down. She barely speaks anymore. She is living with the guilt ever. You know, when she was on the boat before her baby died, she sang a lullaby, and ever since then, she hasn't been able to speak again. And then we find out that she has been haunted by the ghost of her child that she lost. And then a bit too, you know, to kind of free herself from that. She, she actually sings, you know, the, the film culminates in her singing the Luby one last time. S saying Goodbye finally being able to move beyond her Gild and I Griffin, saying goodbye and hoping she's able to, you know, progress. So I made a film about that was largely silence except for this lullaby, and my mum watched it. She went, next time you make a film, you know you need more words. I was just like, oh, I think my heart probably did crumple off a bit a bit at that point.    Miko Lee: [00:29:30] Aw.    Chi Thai: [00:29:31] You know? Um, but yeah. But yeah, it's okay. It's okay because you know what? My mom doesn't get to see stuff like that very often. So sometimes she doesn't have the wider, and this is why, I mean, like, the life that she's had, you know, hasn't been one where she's been able to surround herself with, oh, I'm so lucky. You know, my life has been so different, but it's been different. Different because of, you know what she's, what she's done for us, so it's okay. I can take it on the chin when she says my film doesn't have enough dialogue in it.    Miko Lee: [00:30:04] I love that. For you, have you had conversations with your mom about your life as an artist, and what are her thoughts on that?   Chi Thai: [00:30:16] Well say. So I, so my mom, I don't really like, you know, she's probably not that into it. I'll be honest about being an artist. I can understand why she wants you to have a good life. And I would say for the most part, being an artist is, is a, is a tough life because it's hard to make, you know, the, the pennies work, right?   Miko Lee: [00:30:44] She wants stability for you, right?    Chi Thai: [00:30:45] Yeah, exactly. But she's made a peace with it. And basically what happened, I think all the best story is gonna be about my mom, right? Is that she basically, I, I, um, I have a partner, we've been together for 15 years. Um, he's a really nice guy and he has a reliable job and we have two kids together and i,    Miko Lee: [00:31:08] So that makes it okay.   Chi Thai: [00:31:10] So yeah, this is what I was saying. So she said to me like. It doesn't really matter what you do now. 'cause she, you are already peaked. You're somebody's wife. We're not married. But she told everyone in Vietnam we were married 'cause she couldn't cope with this not being like having kids out of wedlock. In her head. She's rewritten that we are married. Right. She's like, you are married, you're somebody's wife and you mother, it doesn't get better than that. So if you are an artist or if you're a filmmaker, whatever, it doesn't matter. 'cause nothing can be better than that. Right. So she's accepted on the basis that I've already fulfilled, kind of my promise.   Miko Lee: [00:31:46] Wow. Interesting.    Chi Thai: [00:31:50] And she means that in the nicest possible way.    Miko Lee: [00:31:52] Yeah.    Chi Thai: [00:31:52] That she feels like you have a home, you have stability, you have someone who loves you, you know, you have a, a purpose in life, but really her value, you know, the way, I think, the way she measures my value is like, that's how she looks at it. The, the art is something else.    Miko Lee: [00:32:10] Well, I really appreciate you sharing your art with us in the world and your various, um, genres and styles. And I'm wondering how our audience can find out more about your work. Clearly we'll put links to where people can buy the book and let's see, but how do they find out more about your films?   Chi Thai: [00:32:28] Um, so that like, because it is the 50th anniversary of the end of the Vietnam War in 2025. Actually the very anniversary of that is the tomorrow, the 30th, April, right? Um, you can watch Lullaby on Altar, which is a YouTube channel. Um, and I can give you the link for it. Rating Grace is on Paramount Plus if you want to, if you've got Paramount Plus, but you can also buy it from all the usual kind of places too. Um, and you know, and we'll see us from all great book stockists, I imagine in, in the us.   Miko Lee: [00:33:07] Thank you so much. Um, I'd love to get, I'd love for you to send me the link so I could put 'em in the show notes. I really appreciate chatting with you today. Um, is there anything else you'd like to share?    Chi Thai: [00:33:19] Um, no, I think, I think that's good. Your, your questions are so good. Mika, I'm already like, kinda like processing them all. Uh, yes.    Miko Lee: [00:33:30] Well, it was a delight to chat with you and to learn more about your artistic vision, and my wishes are that you continue to grow and feel blessed no matter what your mama says, because deep down, she's still proud of you. Even if she doesn't say it out loud.    Chi Thai: [00:33:47] I believe it. I totally believe it.    Miko Lee: [00:33:50] Yay. Thank you so much for spending time with us on Apex Express.Next up, listen to stay, go from dark heart, a concert narrative by singer and songwriter Golda Sargento.   MUSIC   That was the voice of Golda Sargento from the new Filipino futurism punk rock sci-fi dark heart. Welcome, Livia Blackburne Children's book, author of Nainai's Mountain. Welcome to Apex Express.    Livia Blackburne: [00:38:56] Thank you so much for having me.    Miko Lee: [00:38:58] I wanna start with a personal question, which is, who are your people and what legacy do you carry with you?    Livia Blackburne: [00:39:05] I am Chinese American, and so I carry the stories of my grandparents who fled China to Taiwan, fled that war. And I also carry the stories of my parents and myself who immigrated. To America, and I am, I grew up in New Mexico, so I have fond memories of green chili and new Mexican food. I went to college, Harvard and MIT on the east coast. So I've got a bit of that kind of ivory tower. And now I'm in LA and, you know, my people are, my family and my community, the writing community here. So I, I'm a big mix. Yes.    Miko Lee: [00:39:44] What legacy do you carry with you?    Livia Blackburne: [00:39:47] I mentioned a bit of my grandparents and my parents. What they went through in the war in China, and then my parents and me coming here. the experience of being here in two worlds, coming from Taiwan having that cultural background and also, growing up in the United States. The culture I've been surrounded with here as well.    Miko Lee: [00:40:06] Thank you so much for sharing. Can you tell us about your new illustrated children's book? Nainai's Mountain. What inspired this work?    Livia Blackburne: [00:40:14] The story of this book actually started with another book that is coming out in a couple years that actually I can't share too much about. My grandparents fled the war in China and then my. Parents grew up in Taiwan and I wanted to preserve that family story. My parents are getting older. So I started doing oral interviews with my parents about their childhood, what it was like, growing up. I wouldn't say they weren't refugees in Taiwan. It's a very complicated political situation, but they were transplants to Taiwan, and what it was like growing up there, their daily life. What kind of things they did when they were a child, their pastimes, I wanted to preserve their stories and I got a lot of great material., A lot of that is going into a novel that I'm currently working on. But also as I worked on it, there were so many great details that I thought would be really good in a picture book as well. Also, I'm a mother now. I have an 8-year-old daughter, and she is half Caucasian, half Asian. She has never gone to Taiwan before and I. As I'm writing this, I'm thinking, it would be really great to, I do want to share Taiwan and, my own childhood, home with her at some point. And so I start imagining what would it be like to bring her back to Taiwan and show her everything. And that became the seed for Nainai's Mountain, which is a. Story of a girl visiting Taiwan for the first time with her grandmother. And her grandmother shows her around and tells her stories about her childhood, and the girl through her grandmother's eyes, sees Taiwan, you know, for the beautiful place that it is.    Miko Lee: [00:41:56] You also wrote the book I Dream of Popo. How are these companions to each other and also for audiences that might not speak Chinese. One is a grandmother on the mother's side, and the other is the grandmother on the father's side. Can you talk about how I dream of Popo is linked to Nainai's Mountain?   Livia Blackburne: [00:42:15] Thank you for pointing that out. Yes. So Popo is maternal grandmother, and Nainai is a paternal grandmother. And that is a fantastic question. So I dream of popo is kind of my story. So it's about a little girl who moves from Taiwan , to the United States and it's about her relationship with her grandmother who stays in Taiwan. And it talks about, how a close relationship, navigating long geographical distances about the language barrier that comes up. And that was very much me, Nainai's Mountain. It's kind of like Popo in reverse, you know, it's now it's someone going back to Taiwan and kind of getting in touch with those roots. That, as I mentioned, that's inspired by my daughter. And you'll see in Nainai's Mountain, I specified that the child should be, half Asian, half Caucasian. Because, I wanted more of that representation in the children's literature.    Miko Lee: [00:43:07] Thank you. I, I wonder if you could talk a little bit about the artistic style. So you are the author, but you had different illustrators for both of the books and the style is really different. The in, when I look at Nainai's Mountain, which I'm holding here, it's sort of collage and really vibrant colors. Where I Dream of Popo has a different, more. I'm almost realistic, kind of look to it. And I'm wondering what your process was like in collaborating with illustrators.    Livia Blackburne: [00:43:37] That's one of the best things about being a picture book author, is that you get to collaborate with so many illustrators and they all have such different styles, such different visions. Most of the time it's the publisher who chooses the illustrator, although they. Consult me usually. My editor for I Dream of Popo picked Julia Kuo. And she sent me samples and I loved it. And, it was great. I'm friends with Julia now and that book did really well. It was very well known, especially in kind of Taiwanese American, Asian American circles. And so when I did, Nainai's mountain, that was with a different publishing house and my editor. He very consciously said, you know, because it's also a book about Taiwan and a grandmother. We don't want to get it confused with I dream of Popo. So, we made a conscious decision to pick an artist with a very different style and Joey Chou is fantastic. He's very well known for his Disney art. You can see his art in a lot of the hotels and cruise ships. And, he, very bright, vibrant, and I, he's also from Taiwan. I think he did a fantastic job.   Miko Lee: [00:44:41] And have the artistic work ever surprised you as being really different from your imagination while you were writing?    Livia Blackburne: [00:44:48] That's a great question. I don't think they've ever surprised me. By being different. They surprised me in the specifics that they've chosen. For example, I dream of Popo. Julia, spent a lot of time in Taiwan and she put in these great, Taiwan details that, you know, if you're from Taiwan, you would know for sure. There's like a specific brand of rice cooker called the rice cooker, and she has one there and like the giant bag of rice in the corner, and the calendar on the wall.   Miko Lee: [00:45:16] Even the specificities of the food and the trays and everything is quite lovely.    Livia Blackburne: [00:45:20] Yeah, yeah. You know, every time I read that, I look at that spread, I get hungry. So surprise there. And, with Joey, I, I love how he does the different, there's kind of flashback pictures and there's, pictures now and. The thing about him, his color, I just love the color that he put in from the greens, of Taiwan to kind of the bright fluorescent lights, neon lights of Taipei, and then there's kind of the slight sepia tones of the past and he just, you know, brings it so to life so well.   Miko Lee: [00:45:49] I didn't know he was a Disney animator, but it totally makes sense because it feels very layered. It does feel animated in a way and kind of alive. So I appreciate that.   Livia Blackburne: [00:45:59] I'm not sure. If he's an animator. He does a lot of art for the theme parks and like products and the cruise ships and stuff. I'm not sure.    Miko Lee: [00:46:07] Oh, interesting.   Livia Blackburne: [00:46:07] He does like movies and  stuff.    Miko Lee: [00:46:08] Interesting. It looks like animation though. Your book.    Livia Blackburne: [00:46:13] It does look very, yeah. Lively. Mm-hmm.    Miko Lee: [00:46:16] That I'm looking forward to that series. That would be so cute. The grandmother series as a whole little mini series traveling to different places. can you tell us about your new book, Dreams to Ashes? Has that been released yet?   Livia Blackburne: [00:46:29] Dreams to Ashes? That has been released that, released about a month before Nainai's Mountain. Yeah, that one's quite a bit different. So that one is a nonfiction book and it's a picture book, and it's about the Los Angeles massacre of 1871. Whenever people, I tell people about that, they're like, wait, you wrote a picture book about a massacre? Which is slightly counterintuitive. So I never knew about the Los Angeles massacre growing up. And, and, given that I am a Chinese person in Los Angeles, that is kind of weird. Basically, it was a race massacre that occurred. One of the biggest mass lynchings in history, uh, where there was a between two rival Chinese organizations and a white bystander was killed. And because of that, , a mob formed and they rounded the Chinese population up basically. And. Blame them for that death. In the end, 18 Chinese men were killed and only one of them were involved in the original gunfight. It was a horrible tragedy. And unfortunately, as often happened with these kind of historical tragedies in our country, nobody was really punished for it. A few men were indicted and convicted, but their convictions were overturned and it just kind of disappeared into history. And it really struck me that, you know, nobody knew about this. I wanted to kind of bring this to light and unfortunately when I was writing it, it was also, during the Covid pandemic and, I was seeing a lot of anti-Asian rhetoric, anti-Asian hate crimes were going up. And I saw so many parallels between what happened. Back then, because, you know, Chinese people specifically were being vilified , they were being called immoral, stealing people's jobs. And you can see in the years before the massacre the newspapers were saying horrible things and, you know, the hate was just becoming very strong and all that exploded one night into an unspeakable tragedy. Unfortunately as an author, you want your work to be relevant, but sometimes you don't want your work to be relevant in this way. Right. Nowadays I'm seeing so much rhetoric again against immigrants and not of many ethnicities. And in some ways I'm sad. That, this is happening now. And I also hope that this book will contribute to the conversation and show how the danger of racism and xenophobia and hate and what, what can happen because of that.   Miko Lee: [00:48:55] So this occurred in the late 1800s, right? Was it before the Chinese Exclusion Act?    Livia Blackburne: [00:49:03] Yes, it was before the Chinese Exclusion Act. So you'd hope that people kinda learn from these things. And it was just kind of one of the, one of the horrible things that happened on the way to the Chinese Exclusion Act and Chinese immigrants being excluded basically Chinese laborers at least.   Miko Lee: [00:49:23] Oh wow. Okay. I'm looking this up now. And 1882 we know was the Chinese Exclusion Act and this incident actually happened in 1871. Yes. A decade beforehand, Helen Zia always talks about these moments that are missing. MIH missing in history and this is clearly another one of, another time of just wiping out a population.I'm wondering if you could speak a little bit more about how Children's Books can make a difference in the world that we're currently living in, where our government is banning books and you know that there's a narratives that they want to align with a certain kind of conservative ideology. Can you talk about the power of being a Children's Book author in this time that we're living in right now? . I'm really thinking about dreams to Ashes and even I dream of Popo and even Nainai's Mountain, which you would think, oh, they're, you, they're visiting their grandparent, their grandmothers, that would not be controversial. But now when even words like inclusion and diversity are threatened and books are being banned, I'm just wondering if you could. Share a little bit more about your superpower as a children's book author?    Livia Blackburne: [00:50:31] Yeah, that's a fantastic question. We live in a time right now, there's, a lot of hate, a lot of intolerance, a lot of fear of different people groups. And a lot of that I think is because people are unfamiliar with people unlike themselves. They see. People who are different, look differently, act differently, speak differently, and it scares them. And I think the best way to get around that is to actually get to know people of other backgrounds, to see them as human. And I think that's where children's books come in. ‘Cause we don't, children are not born. With this hate of the other. They learn it. But, if they grow up being familiar with people of different backgrounds seeing their stories seeing them as, normal human beings, which, should be obvious, but sometimes it's hard, for adults to realize. Then, I'm hoping, as a children's book author that it will lead to a more empathetic world. And perhaps that's why the government sometimes in certain groups are wanting to, censor this and control the flow of children's books because, children are the most their minds are still open. They're still able to learn.    Miko Lee: [00:51:48] And Livia, tell us what you're working on next.   Livia Blackburne: [00:51:53] So right now I am. Working on a historical middle grade. We haven't quite announced it yet, so I can't say the title or too many details, but it is based on my family history of my parents and grandparents who moved from China to Taiwan after the civil War.   Miko Lee: [00:52:12] Please check out our website, kpfa.org. To find out more about our show tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. Apex Express is created by Miko Lee, Jalena Keane-Lee, Preti Mangala-Shekar, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tanglao, Cheryl Truong and Ayame Keane-Lee.   The post APEX Express – 6.19.25 We Are All Connected appeared first on KPFA.

In this episode, Dave and Andrew explore the first experimental composer to win the Pulitzer since Charles E. Ives. With that pedigree, what will they think of Henry Brant's Ice Field? And why is this piece called a "spatial" composition? If you'd like to learn more about Henry Brant and Ice Field, we recommend: This video of the work with commentary from Michael Tilson Thomas and organist Cameron Carpenter Maria Anna Harley's article “An American in Space: Henry Brant's ‘Spatial Music.'” American Music 15, no. 1 (1997): 70–92. Frank Oteri's 2002 interview with Henry Brant in New Music Box

When was the last time you felt good about the internet? Today's online landscape is a harrowing one. People screaming at each other on social media. Violent videos going viral. Cyberbullying, racism, misogyny. Back in the day, the web gave power to the people, and going online could actually be fun.In LONG SHADOW: BREAKING THE INTERNET, Pulitzer-finalist historian, author, and journalist Garrett Graff retraces 30 years of web history — a tangle of GIFs, blogs, apps, and hashtags — to answer the bewildering question many ask when they go online today: “How did we get here?”It's the story of mankind's greatest invention, but it's also about the biggest crisis facing society today: how the web's unlimited feed of data morphed into a firehose of hoaxes, conspiracy theories, and lies that divided Americans over things we once agreed on, like science, diversity, and even democracy itself. LONG SHADOW: BREAKING THE INTERNET is produced by Long Lead and is distributed by PRX.

Sometimes monsters are real!   This week's episode is a foray into non-fiction, but no less scary for it. I'm talking to Pulitzer-winning Caroline Fraser about Murderland: Crime and Bloodlust in the Time of Serial Killers   This is no grotesque revelling in death and sadism,however. Murderland examines the extreme violence that plagued her native Pacific Northwest in the late 20th century – and posits a link with the environmental damage of heavy industry in the region.   It's a compelling argument, and a horribly fascinating book. I slip the jokes in where I can (mostly at BTK's expense), but this one is a chiller!   Enjoy!   Other books mentioned:   Praire Fires: The American Dreams of Laura Ingalls Wilder (2017), by Caroline Fraser God's Perfect Child: Living and Dying in the Christian Science Church (1999), by Caroline Fraser The Balkan Trilogy (1960), by Olivia Manning   Support Talking Scared on Patreon   Check out the Talking Scared Merch line – at VoidMerch   Come talk books on Bluesky @talkscaredpod.bsky.social on Instagram/Threads, or email direct to talkingscaredpod@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Cable travel channels are filled with haunted houses and other paranormal activity, beyond History Channel's Ancient Aliens and cryptozoology content. The more radicalized Gaia TV has close to a million paid subscribers gobbling up content about yoga, meditation, and psychedelic consciousness alongside accounts of inter-dimensional cryptids, Q-adjacent vampire reptilians, and channeled messages from benevolent ETs. Julian's talk with Pulitzer-nominated journalist Matt Hongolt-Hetling about his new book, The Ghost Lab, How Bigfoot Hunters, Mediums, and Lien Enthusiasts are Wrecking Science. In it, he explores the history of ghost hunting and asks if failing trust in educational, religious, and government institutions is fueling a burgeoning obsession with the paranormal. Learn more about your ad choices. Visit megaphone.fm/adchoices

All The Drama is hosted by Jan Simpson. It is a series of deep dives into the plays that have won The Pulitzer Prize for Drama. The Pulitzer Prize for Drama: “The Diary of Anne Frank“1956 Pulitzer winner “The Diary of Anne Frank”, by Frances Goodrich and Albert Hackett The read more The post All the Drama: “The Diary of Anne Frank”, 1956 Winner, Pulitzer Prize for Drama appeared first on BroadwayRadio.

In this bonus episode of Radio Atlantic, we talk with staff writer Tom Nichols about how all the pieces fit together: the military parade, the president's speech at Fort Bragg, and the dispatching of Marines to the protests in Los Angeles. It's not just that President Trump wants to acclimate Americans to the sight of tanks in the streets. It's not just that Trump is signaling to governors that he will use the forces at his disposal to override their wishes—the real problem is how the military begins to see itself.   Read more from The Atlantic's Tom Nichols on “The Silence of the Generals” and “Trump Is Using the National Guard as Bait.” – Get more from your favorite Atlantic voices when you subscribe. You'll enjoy unlimited access to Pulitzer-winning journalism, from clear-eyed analysis and insight on breaking news to fascinating explorations of our world. Atlantic subscribers also get access to exclusive subscriber audio in Apple Podcasts. Subscribe today at theAtlantic.com/listener. Learn more about your ad choices. Visit megaphone.fm/adchoices

Watch Call me Back on YouTube: youtube.com/@CallMeBackPodcastSubscribe to Ark Media's new podcast ‘What's Your Number?': lnk.to/DZulpYFor sponsorship inquiries, please contact: callmeback@arkmedia.orgTo contact us, sign up for updates, and access transcripts, visit: arkmedia.org/Ark Media on Instagram: instagram.com/arkmediaorgDan on X: x.com/dansenorDan on Instagram: instagram.com/dansenorToday's episode:Around 3AM in Israel, a nation-wide siren awoke Israelis to the news that the Israeli Air Force was conducting extensive strikes on the Islamic Republic of Iran. As far as we know so far, the strikes have targeted nuclear enrichment sites, military sites, the IRGC leadership, including Hussein Salammi, the head of the IRGC, the Army Chief of Staff, and leading nuclear scientists. Shortly after the blitz began, the IDF Home Front Command announced immediate changes to its guidelines, prohibiting all gatherings for educational, social, and workplace purposes. Israelis have been instructed to remain near bomb shelters as they await the Iranian response. It is an extremely tense moment for Israelis and Jews around the world. For years we've discussed the danger of Iran inching closer and closer to a nuclear weapon. The IDF said in a statement that in recent months it had accumulated evidence that Iran's nuclear program was “approaching the point of no return.” Joining us to unpack the ongoing events that are reshaping the Middle East in real time is Ronen Bergman. Ronen is a staff writer for The New York Times and Senior Correspondent for Military and Intelligence Affairs at Yedhiot Ahronot. Ronen is the recipient of a Pulitzer price for his reporting on the Israel-Hamas war. CREDITS:ILAN BENATAR - Producer & EditorMARTIN HUERGO - Sound EditorMARIANGELES BURGOS - Additional EditingMAYA RACKOFF - Operations DirectorGABE SILVERSTEIN - ResearchYUVAL SEMO - Music Composer

Pulitzer-prize winning investigative journalist and author of New York Times bestseller The Outlaw Ocean, Ian Urbina is director of non-profit The Outlaw Ocean Project based in Washington D.C., investigating human rights, environment and labour concerns. 

Explaining how Musk tanked his reputation has many ways: First, he alienated environmentalists by teaming up with Trump, and then he alienated Trump fans by insulting their hero. Another way is clear by looking at American culture's historical relationship with “genius,” and how it tends to go wrong.  In this episode, we talk with Helen Lewis, author of The Genius Myth: A Curious History of a Dangerous Idea, about what Musk has in common with Thomas Edison, how psychedelics fit into the archetype, and what the possible paths are for Musk moving forward. Get more from your favorite Atlantic voices when you subscribe. You'll enjoy unlimited access to Pulitzer-winning journalism, from clear-eyed analysis and insight on breaking news to fascinating explorations of our world. Atlantic subscribers also get access to exclusive subscriber audio in Apple Podcasts. Subscribe today at theAtlantic.com/listener. Learn more about your ad choices. Visit megaphone.fm/adchoices

In April, 250 former Israeli intelligence officers signed their names to an open letter of protest asking Prime Minister Benjamin Netanyahu not to proceed with his plans to escalate the war on Gaza. One of them was Tamir Pardo, head of Mossad, Israel's equivalent of the CIA, from 2011 to 2016. Pardo, with his decades of experience fighting terrorism, explains his perspective on how the war unfolded and what Netanyahu's real motivations are behind continuing it. -- Get more from your favorite Atlantic voices when you subscribe. You'll enjoy unlimited access to Pulitzer-winning journalism, from clear-eyed analysis and insight on breaking news to fascinating explorations of our world. Atlantic subscribers also get access to exclusive subscriber audio in Apple Podcasts. Subscribe today at theAtlantic.com/listener. Learn more about your ad choices. Visit megaphone.fm/adchoices

Leah Paulos of Press Shop PR joins Let's Talk Memoir for a conversation about 2 things writers can do right now to help launch their book successfully, how to find your targeted readers and effectively reach them through media, the dedicated focus required to promote a book,tapping into your storytelling chops to help you with marketing, tools for positioning your book with media and journalists, the lead time we need to promote our books and when to pitch, selling journalists on covering your book, finding the story and the audience for your book, the cost of publicity, your job as your own publicist, being proactive, and the classes she offers at Book Publicity School.   Also in this episode: -using spreadsheets -building a media contact list -working with in-house publicity teams   Books mentioned in this episode: -The Sounds of Life by Karen Bakker -The Latecomer by Jean Hanff Korellitz -Writing to Persuade by Trish Hall   Leah Paulos is the Founder and Director of Publicity at Press Shop PR and Book Publicity School, and has worked at the intersection of books and media for over 25 years. Twice named a top PR firm by the Observer, Press Shop PR has worked on many notable books and #1 bestsellers including MARCH by Rep. John Lewis and ON TYRANNY by Timothy Snyder, as well as books by Ruth Bader Ginsburg, Neil deGrasse Tyson, James Kirchick, and Pulitzer-finalists Samuel Freedman and Louise Aronson. Leah has spoken on book publicity at Columbia School of Journalism, CUNY Graduate Center, and as part of her regular workshop series, Book Publicity for Literary Agents.  Book publicity 101 Leah began her career as a magazine editor at a NYC-focused glossy magazine in 1998. She later worked as an editor at Conde Nast and as a freelance writer for dozens of national magazines. She made the shift to book publicity in 2006 and launched Press Shop in 2012. She graduated from Cornell University and now lives in Brooklyn with her husband and two sons.   bookpublicityschool.com https://www.linkedin.com/in/leahpaulos/ https://www.facebook.com/PressShopPR/ https://www.facebook.com/profile.php?id=100090936998502 https://x.com/PressShopPR   www.PressShopPR.com www.BookPublicitySchool.com – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

On how one wins a Pulitzer Prize. On the moment he learned of the victory. On the impact the Pulitzer has on a career.

On this week's episode: Make America Healthy Again starts to sound an awful lot like the great reset ... We start wondering why there isn't a Pulitzer for “best press conference question” ... And X hits a person like a Tesla on autopilot. To support our show on Patreon, go here: https://www.patreon.com/skepticrat To hear more from Evil Giraffes on Mars, go here: https://www.facebook.com/EvilGiraffesOnMars Get great deals while supporting the show by checking out our sponsors: policygenius.com betterhelp.com/skepticrat quince.com/skepticrat groundnews.com/skepticrat auraframes.com (code: SKEPTICRAT) Headline Sources: MAHA report is full of enormous amounts of nonsense: https://www.mcgill.ca/oss/article/medical-critical-thinking-health-and-nutrition/maha-report-mostly-data-vibes https://www.washingtonpost.com/health/2025/05/30/maha-report-ai-white-house/ Harvard wins initial court fight to keep its international students: https://www.nytimes.com/2025/05/29/us/harvard-international-students-trumps.html A hidden measure in the big beautiful bill would crown Trump king:  https://www.justsecurity.org/113529/terrible-idea-contempt-court/ Donald Trump learns about TACO trade: https://abcnews.go.com/Politics/trump-lashes-viral-taco-trade-meme-stand/story?id=122323324 Elon leaves the White House with a bunch of lies: https://www.nytimes.com/2025/05/30/us/politics/fact-check-elon-musk-trump.html Elon Musk got punched in the face by a 5-year-old: https://www.nytimes.com/2025/05/30/us/politics/elon-musk-black-eye.html

Angel Studios https://Angel.com/ToddBecome a Premium Angel Studios Guild member to watch The King of Kings, stream all fan-curated shows and movies, and get 2 free tickets to every Angel Studios theatrical release. Alan's Soaps https://www.AlansArtisanSoaps.comUse coupon code TODD to save an additional 10% off the bundle price.Bioptimizers https://Bioptimizers.com/toddEnter promo code TODD to get 10% off your order of Berberine Breakthrough today.Bizable https://GoBizable.comUntie your business exposure from your personal exposure with BiZABLE.  Schedule your FREE consultation at GoBizAble.com today.  Bonefrog https://BonefrogCoffee.com/toddThe new GOLDEN AGE is here!  Use code TODD at checkout to receive 10% off your first purchase and 15% on subscriptions.Bulwark Capital https://KnowYourRiskPodcast.comBe confident in your portfolio with Bulwark! Schedule your free Know Your Risk Portfolio review. go to KnowYourRiskPodcast.com today.Renue Healthcare https://Renue.Healthcare/ToddYour journey to a better life starts at Renue Healthcare. Visit https://Renue.Healthcare/ToddElon's Exit // The Colorado attack and God's Covenant // U2's Bono talks religion vs. GodEpisode Links:LMAO! Elon Musk just absolutely SLAYED the fake New York Times. “Oh, the New York Times? Is that the same publication which got a Pulitzer for FAKE REPORTING on the Russiagate hoax?”Daily Caller White House Correspondent @reaganreese_: "What do you think would be easier--colonizing mars or making the government efficient?" MUSK: "It's a tough call....”CNN drags on disgraced Ex-FBI Deputy Director Andrew McCabe to shame the FBI for believing an Egyptian national firebombing Jewish people might be an act of terror. In what world is firebombing a specific group intentionally not terrorism, CNN?Witness to Peal Street attack"Boulder has changed." "There's security guards at the bathrooms so people don't smoke meth in the bathrooms." "It's dirtier. It's not as safe as it used to be."Apparenlty, Bono used to believe Jesus is the Son of GodI think people would return to religion...if it wasn't so f***** up". On the Joe Rogan podcast, Bono explains why he doesn't like being around evangelicals and why he doesn't believe in "ramming religion" down his children's throats.What Does God's Word Say?Romans 9:27-28 27 Isaiah cries out concerning Israel:“Though the number of the Israelites be like the sand by the sea,    only the remnant will be saved.28 For the Lord will carry out    his sentence on earth with speed and finality.”Matthew 7:13-14 The Narrow and Wide Gates13 “Enter through the narrow gate. For wide is the gate and broad is the road that leads to destruction, and many enter through it. 14 But small is the gate and narrow the road that leads to life, and only a few find it.

Dearest Wretches, we're stepping away from the mic. But before we go, Chris and Eliana dig into Trump's legal battles with CBS and the Pulitzer board, Elon Musk's Washington exit, Democrats' hunt for lost masculinity, and the waning influence of BLM. We'll miss the community that's grown with us over the years—thanks for wretching with us. Time Stamps: 1:55 - Front Page 37:50 - Obsessions 46:51 - Reader Mail 52:24 - Favorite Items Show Notes: The Wall Street Journal: Paramount Has Offered $15 Million to Settle CBS Lawsuit. Trump Wants More. New York Post: Shari Redstone in ‘tough spot' as Paramount board fears settling with Trump will open Pandora's box on bribery lawsuits: sources The New York Times: A Disillusioned Musk, Distanced From Trump, Says He's Exiting Washington CBS News: Elon Musk says he's "disappointed" by Trump's "big, beautiful bill" and what it means for DOGE The New York Times: Trump Pardoned Tax Cheat After Mother Attended $1 Million Dinner The New York Times: Six Months Later, Democrats Are Still Searching for the Path Forward The Washington Free Beacon: EXCLUSIVE: Inside the Democratic Party's Strategic Efforts To Enhance Receptivity in Masculine-Coded Heteronormative Cohorts Through Data-Driven Holistic Outreach Vulture: Fame and Frustration On the New Media Circuit Fox News: Washington Post announces another buyout program targeting veteran staffers, other departments The Washington Post: Struggling to declutter? Try the ‘poop rule.' The New York Times: 5 Years After George Floyd's Murder, the Backlash Takes Hold The Wall Street Journal: Six Friends Tried to Plan a Girls' Trip in a Group Chat. Things Went Sideways. Law360: Pulitzer Board Can't Pause Trump Defamation Suit In Florida Semafor: Inside the identity crisis in anti-woke media The Weekly Dish: Claire Lehmann On Staying Independent Craig Newmark Graduate School of Journalism at CUNY: In Memoriam: Tom Robbins (1949-2025) The Wall Street Journal: How a Lawyer in the Hamptons Became the King of DWI Cases

Jonathan Capehart made Michael Steele put on a button-down for this interview, so you know it got real, fast. Jonathan joins the podcast to discuss his extremely awkward first encounter with Rev. Al Sharpton and the nature of their contentious relationship, Jonathan's work to save the NY Apollo Theater that led to his Pulitzer win and the time he self-sabotaged so badly that he ran out of a job interview with Bloomberg. Plus, Jonathan tells the story of coming out to his mom (and why it's important to hide your porn well, folks), his decision to resign from the Washington Post Editorial Board and the advice he'd give his younger self. If you enjoyed this podcast, be sure to leave a review or share it with a friend! Check out Jonathan Capehart's memoir here: https://www.amazon.com/Yet-Here-Am-Lessons-Search/dp/1538767066 Follow Jonathan Capehart @CapehartJ Follow Michael Steele @MichaelSteele Follow the podcast @steele_podcast Follow The Bulwark @BulwarkOnline

Brea and Mallory tick off another box on the 2025 Reading Glasses Challenge - read an award winning book by an author of color! Plus, they test out a book cart and give tips on reading beaten up paperbacks. Email us at readingglassespodcast at gmail dot com!Reading Glasses MerchRecommendations StoreSponsors -Ancient Nutritionwww.ancientnutrition.com/GLASSESTeasperiencewww.teasperience.comCODE: GLASSESLinks -Reading Glasses Facebook GroupReading Glasses Goodreads GroupAmazon Wish ListNewsletterLibro.fmTo join our Discord channel, email us proof of your Reading-Glasses-supporting Maximum Fun membership!www.maximumfun.org/joinMallory in NY in August!Book CartBooks Mentioned - Sky Daddy by Kate FolkWhy We Love and Hate Twilight by Sarah Elizabeth GallagherNatural Beauty by Ling Ling HuangThe Nickel Boys by Colson Whitehead

The Atlantic's Jocelyn Frank reports on the detailed system that may be unintentionally leading pilots to avoid the mental-health care that they need, and increasing risks to passenger safety.  Get more from your favorite Atlantic voices when you subscribe. You'll enjoy unlimited access to Pulitzer-winning journalism, from clear-eyed analysis and insight on breaking news to fascinating explorations of our world. Atlantic subscribers also get access to exclusive subscriber audio in Apple Podcasts. Subscribe today at theAtlantic.com/listener. Learn more about your ad choices. Visit megaphone.fm/adchoices

This past year, what feels like a hundred in Trump years, Gaslit Nation listeners have asked the same question: How did we get here? The answer, though deeply unsettling, is vital to understand. It's the story of a 40-year campaign waged by far-right Christian nationalists, Big Oil, and corporate power to undermine our democracy. To help us all make sense of this crisis moment, as a firehose of corruption and racist disinformation blasts from the White House, we've created a special “Best of Gaslit Nation” episode. This powerful montage connects the dots with help from some of the most tenacious experts sounding the alarm. You'll hear from Ari Berman of Mother Jones and author of Minority Rule: The Right-Wing Attack on the Will of the People—and the Fight to Resist It; Anne Nelson, author of The Shadow Network: Media, Money, and the Secret Hub of the Radical Right;  Nancy MacLean, author of Democracy in Chains: The Deep History of the Radical Right's Stealth Plan for America, Elie Mystal of The Nation and author of Bad Law: Ten Popular Laws That Are Ruining America, and more. Each voice reveals a piece of the puzzle: how the Reagan revolution, Supreme Court corruption, and dark money led us to this breaking point, unleashing Trump as their Frankenstein monster.  But this isn't just about history: it's about action. The Gaslit Nation Action Guide is your toolkit for resisting, rebuilding, and reclaiming our democracy. The darkness we face cannot withstand our collective light. So stand up. Be defiant. Shine bright. This chapter isn't the end: it's our call to build something better, together. Want to enjoy Gaslit Nation ad-free? Join our community of listeners for bonus shows, ad-free episodes, exclusive Q&A sessions, our group chat, invites to live events like our Monday political salons at 4pm ET over Zoom, and more! Sign up at Patreon.com/Gaslit! Two special events! This Thursday May 29 at 8pm ET, the Media and Democracy Forum will host Pulitzer-winning cartoonist Ann Telnaes to discuss editorial cartooning's role in democracy, press freedom, and 2025's controversy involving her rejected cartoon by Washington Post editor David Shipley. RSVP here: https://www.mobilize.us/mediademocracyproject/event/768371/ June 16 at 4pm ET, Keira Havens of Citizens' Impeachment joins the Gaslit Nation salon to discuss the growing movement to demand the impeachment of Donald Trump and why it matters. Look out for a Zoom link on Patreon the morning of the event, and be sure to visit citizensimpeachment.com. Featured Episodes: Minority Rule, featuring Ari Berman https://www.gaslitnationpod.com/episodes-transcripts-20/2024/4/23/minority-rule   Voter Suppression Emergency: The Ari Berman Interview https://www.gaslitnationpod.com/episodes-transcripts-20/2021/6/24/voter-suppression-emergency-the-ari-berman-interview   The World Must Stand Up to Trump's America, featuring Elie Mystal https://www.gaslitnationpod.com/episodes-transcripts-20/2025/2/11/the-world-must-stand-up-to-trumps-america?rq=elie%20mystal   Bad Faith, featuring filmmaker Stephen Ujlaki https://www.gaslitnationpod.com/episodes-transcripts-20/2024/4/16/bad-faith   Democracy in Chains: The Nancy MacLean Interview - Part I https://www.gaslitnationpod.com/episodes-transcripts-20/2022/6/1/nancy-maclean-interview-part-01   Can the Reagan Revolution Be Undone?, featuring Jesse Eisinger https://www.gaslitnationpod.com/episodes-transcripts-20/2023/12/13/reagan-revolution-jesse-eisinger-part-2   Project 2025 Super Special, featuring Anne Nelson https://www.gaslitnationpod.com/episodes-transcripts-20/2024/5/21/project-2025-super-specialnbsp   EVENTS AT GASLIT NATION: June 16 4pm ET – Keira Havens of Citizens Impeachment joins Gaslit Nation to discuss the Trump impeachment movement; details at citizensimpeachment.com. June 30pm ET – Book club discussion of Lillian Faderman's  The Gay Revolution: The Story of the Struggle Indiana-based listeners launched a Signal group for others in the state to join, available on Patreon. Florida-based listeners are going strong meeting in person. Be sure to join their Signal group, available on Patreon. Have you taken Gaslit Nation's HyperNormalization Survey Yet? Gaslit Nation Salons take place Mondays 4pm ET over Zoom and the first ~40 minutes are recorded and shared on Patreon.com/Gaslit for our community

Rhiannon Giddens is a folk musician who has won Grammys, a Pulitzer, and MacArthur Genius Grant. But her new album is a true love letter to her North Carolina roots and features former Carolina Chocolate Drops bandmate Justin Robinson. The album is called "What Did the Blackbird Say to the Crow."Giddens and Robinson join us to talk about North Carolina's musical past, taking the time to learn at the feet of a master, and what it means to call a place home.Want to support 1A? Give to your local public radio station and subscribe to this podcast. Have questions? Connect with us. Listen to 1A sponsor-free by signing up for 1A+ at plus.npr.org/the1a.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy