Podcasts about Pulitzer

We talk with the writer Arash Azizi about what kinds of seismic changes could be coming for his home country of Iran, and whether he thinks they could make things better—or much worse. Read more from Azizi at The Atlantic here. Get more from your favorite Atlantic voices when you subscribe. You'll enjoy unlimited access to Pulitzer-winning journalism, from clear-eyed analysis and insight on breaking news to fascinating explorations of our world. Atlantic subscribers also get access to exclusive subscriber audio in Apple Podcasts. Subscribe today at theAtlantic.com/listener. Learn more about your ad choices. Visit megaphone.fm/adchoices

Historian Benjamin Nathans joins The Naked Pravda to discuss his new book, To the Success of Our Hopeless Cause: The Many Lives of the Soviet Dissident Movement (Princeton University Press, August 2024). In the post-Stalin USSR, when the regime seemed eternal and there was little tradition of resistance to totalitarianism, citizens who came up against the arbitrary Soviet justice system had to invent their own strategies for effecting change. Nathans looks beyond the familiar stories of figures like Sakharov and Solzhenitsyn to explore how the dissident movement coalesced, and what that history can tell us today.Как поддержать нашу редакцию — даже если вы в России и вам очень страшно

Maggie Freleng, Pulitzer prize winning producer, journalist and host of Wrongful Conviction with Maggie Freleng sits down for a Q&A with Gilbert King to chat about the newest season of Bone Valley. In this special episode, Gilbert shares with Maggie the latest news on Leo Schofield, Jeremy Scott, Jeremy’s son Justin, as well as answers to many questions from the millions of Bone Valley listeners. Bone Valley is a production of Lava for Good™ Podcasts in association with Signal Co. No1.See omnystudio.com/listener for privacy information.

A few years ago, Olga Khazan, author of Me, But Better, set out to change her personality, which even she found unpleasant. After consulting with experts on personality plasticity and then setting a deadline, Khazan put herself through an intense experiment intended to make herself more likeable, to herself and others.  Khazan tested and scored herself on a range of key personality traits at the beginning and end of the experiment. In this episode, Khazan and I talk about two of those traits: extroversion and neuroticism. Khazan shares how she dragged herself to improv classes and meditation lessons, and how having a baby threw a kink in her experiment.-- Get more from your favorite Atlantic voices when you subscribe. You'll enjoy unlimited access to Pulitzer-winning journalism, from clear-eyed analysis and insight on breaking news to fascinating explorations of our world. Subscribe today at TheAtlantic.com/listener. Learn more about your ad choices. Visit megaphone.fm/adchoices

Guest: W. Caleb McDaniel is associate professor of history at Rice University in Houston. He won the Pulitzer price in History in 2020 for his book, Sweet Taste of Liberty: A True Story of Slavery and Restitution in America. Photo: Henrietta Wood was enslaved at Brandon Hall in Mississippi on Wikipedia. The post Henrietta Wood: A Legacy of Slavery and Reparations in America appeared first on KPFA.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight's show is June 19th. We are all connected. We are talking with Asian and Asian American Children's book authors. PowerLeeGirls host Miko Lee talks with Chi Thai and Livia Blackburne about the power of storytelling, maternal heritage, generational trauma, and much more. Title:  We Are All Connected Show Transcripts Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Ayame Keane-Lee: [00:01:17] Welcome to Apex Express. Tonight's show is June 19th. We are all connected. We are talking with Asian and Asian American Children's book authors. PowerLeeGirls host Miko Lee talks with Chi Thai and Livia Blackburne about the power of storytelling, maternal heritage, generational trauma, and much more. First, we want to start by wishing everyone a happy Juneteenth, Juneteenth commemorates, an end to slavery and the emancipation of Black Americans after the Civil War. In 1865, 2 years after the Emancipation Proclamation, enslaved people in Galveston, Texas finally learned of their freedom. Juneteenth marks the day the last enslaved people learned of their freedom. Though outright slavery became illegal, the systematic oppression of African Americans continues to this day. We see that show up in almost every aspect of American culture, from the high rate of infant mortality to the over punishing of Black children in schools, to police brutality, to incarceration. We must continue to recognize the importance of championing Black lives and lifting up Black voices. We are all connected. June 19th is also an important day in Asian American history. In 1982 in Detroit, Vincent Chin was at a bar celebrating his bachelor party prior to his wedding the next day. Ronald Ebens, a white auto worker, and his stepson Michael Nitz taunted Vincent with racial epithets. They thought he was Japanese and were angry about the Japanese rise in the auto industry. When Vincent left the bar later, the two men attacked and killed Vincent with a baseball bat. He was 27 years old. Ronald Ebens never did time for this murder. Ronald Ebens is 85 years old now. Ebens not only skirted prosecution, he has used bankruptcy and homesteading laws in Nevada to avoid a wrongful death civil suit settlement. Ordered by the court in 1987 to pay $1.5 million to Chin's family, the Chin estate has received nothing. Lily Chin, Vincent's mom could have stayed silent about the racist attack on her son. Instead she spoke out. She took a courageous stance to highlight this most painful moment in her life. In doing so, she helped ignite a new generation of Asian American activists working for civil rights and social justice. We find ourselves in a new wave of activism as our communities band together to work against the injustices of the current regime. And what does this have to do with children's books? It is all connected. We highlight children's books by Asian and Asian American authors because we want our next generation of children to know and appreciate their own heritage. We want them to proudly represent who they are so that they can work in solidarity with other peoples. Our struggle is interwoven. As Grace Lee Boggs said, “History is a story not only of the past, but of the future.” Thank you for joining us on apex express. Enjoy the show.   Miko Lee: [00:04:24] First off. Let's take a listen to one of Byron Au Young's compositions called “Know Your Rights” This is part of the trilogy of the Activist Songbook. This multi-lingual rap, give steps to know what to do when ICE officers come to your door.    MUSIC   That was “Know Your Rights” performed by Jason Chu with lyrics by Aaron Jeffries and composed by Byron Au Yong Welcome, Chi Thai to Apex Express.    Chi Thai: [00:07:13] Hello. I'm really happy to be joining you, Miko.  Miko Lee: [00:07:16] I'm really happy to meet you and learn about you as an artist, as a filmmaker, as a children's book author. And I wanna first start with a personal question, which is, who are your people and what legacy do you carry with you? Chi Thai: [00:07:30] Ooh, what a great question. You know what? I love being asked stuff that hasn't been asked kind of before. I mean, there's a kinda really kinda natural answer to that, which is, you know, family are my people. Of course. 100%. And certainly, you know, the reason why I'm talking to you today, you know, in regard to the, to the book, you know, it's about my family's journey. But I found, and I don't know if this is. Somewhat to do with, you know, being a child of two cultures and you know, being a child of the diaspora that you really have to kind of find your own family too. 'cause I suppose I grew up feeling, I didn't quite relate to maybe my parents in a way that, you know, you normally would if you weren't part of the diaspora. And I felt estranged from my birth country and I didn't really feel like British either a lot of the time. So in terms of like, who are my people? I've gathered those people as I've kind of grown up and it's, it's a kind of strange feeling too. I feel like it's taken me a really long to grow up and to figure out who I am. And I suppose that's why, you know, the people that I have a really, a lot of people that have come, kinda later in my life, I actually have no friends in my childhood as an example of that. I've had to kind of find these people as I've grown up, but it's taken me a long time to grow up because growing up in the UK there wasn't any literature to read about what it was like to be Asian. And British, to be a refugee and things like that. So it just took me longer and I then, as a result, it just took me longer to find my tribe. but I have it now, but it's still work in progress. That was a very convoluted answer. I'm very sorry Miko.    Miko Lee: [00:09:15] No, it wasn't. No worries. It's fine. And what legacy do you carry with you?   Chi Thai: [00:09:19] Kind of an extension to that answer, I think when you're an artist, practicing your voice, figuring out your voice, can take a while. And I think I've only really started maybe the last like five to 10 years at the most really figured out what I want my legacy to be. The things I wanna talk about are really about s tories from the diaspora, certainly, and about community and healing. These are the things I think that are really important to me, especially when we talk about maybe coming from struggle. I don't feel it's enough to be an artist today and just talk about struggle. I want to talk about justice as well. And justice really is about healing, you know?    Miko Lee: [00:10:00] Oh, that's beautiful. Can you talk a little bit more about that healing and what that means to you and how that shows up in your work?    Chi Thai: [00:10:07] A couple years ago, no, not even that long ago, I produced a, a feature film. This is probably the best example for it, but I produced a feature film called Raging Grace, which we called it Horror with a small H and it. Basically took the story of what it was like to be, undocumented Filipina in the uk who was also a mother. And I think if that film had been made 10 years ago, it would just shown how hard her life was, and unrelentingly. So, and I think the reason why Raising Grace is so special is it goes beyond the trauma, it takes us to a place of justice, of being able to speak out for someone who has felt invisible, to be visible for someone who's not. Had a voice, to have a voice and to begin that kind of healing process of sticking up for herself, making a change transforming herself from maybe the good immigrant to the bad immigrant and things like that. I think that's a really great example and I think I read a really wonderful thing. It might have been in a Guardian article where we, so a lot of my work is around, inclusion representation of like diasporic stories. And I think when you have, when you exist in the poverty of like representation, I. the solution to that is plentitude. I think that Viet Thanh Nguyen probably said that, so I don't wanna take credit for it. He comes up with so many wonderful things, and that's a wonderful thing to be able to move from poverty, like to plentitude and that be the solution, is kinda really wonderful. So I enjoy being really prolific. I enjoy supporting artists to be able to do their work. So as a community, we can also be prolific and I wanna support, narratives that. Take us beyond a place of struggle and trauma to a place of like healing and justice and so forth.    Miko Lee: [00:11:57] Your work crosses so many genres. You were just mentioning how that film was kind of a horror film and, and then you've done these kind of dreamy animation pieces and then now this children's book. Do you select the genre and the format and the medium, or does it select you?   Chi Thai: [00:12:16] Oh, I think the story chooses it. I like 100% believe that. I just actually was thinking about this 'cause I was doing an interview on something else, people, often ask about the creative process and I, can only speak for my own. But usually when I get an idea for a story, the general shape of it comes almost like really well formed. There's a sense of a lready kinda what genre it'll be. There's a sense of the character, there's a sense of the journey and all these things. I felt the same about, writing The Endless Sea I knew it would be from the voice of a child. This probably sounds like my creative process is terrible, but it was just. This is how it was going to be. That kind of part was writing itself, or at least I feel that it'd been writing itself like that in my subconscious for many, many years before it kind of surfacing and writing. Like the writing bit is just the tip of the iceberg at the end of the day. there wasn't like a kind of decision about that. the story in that sense was quite intact. So I often feel like the story is demanding something about kind genre and for, for Raging Grace 'cause I've talked about this a lot, not just in listen to me, but other things. But we always said like if you are an an undocumented person, every breath you take is taken in a hostile environment. It's so natural for it to be a horror. So there's not a sense that you kinda decide that it's like that is the very reality of someone who's going, you know, that's their lived experience. And if you're going to represent that truthfully, it will be through the prism of horror. And I suppose that's how I think about genre. the story is kind of telling you what it needs to tell its emotional truth. and I felt that way, with The Endless Sea same thing with the Raging Grace, with Lullaby. And I think you talked about The Promise, I suppose I, with The Promise, which is an adaptation I had less choice about that because that was a book and it was a adapted into an animation. I've heard Nicola, who's the author of the book, talk about that and she talks about like the story coming to her in a dream and tiptoeing down her arm coming onto the page, she like describes it really beautifully. so maybe our processes are the same. It feels that way. there's not long deliberations. I mean, that's not to say the writing process isn't difficult. It is. But that, I've never found the, [genre] the difficulty or the bit that's required a lot of, I don't know soul searching with it.    Miko Lee: [00:14:28] So with that being said, how did Endless Sea your latest children's book? How did that tiptoe into your imagination?    Chi Thai: [00:14:36] This is a strange one because this is probably the closest thing to like, almost autobiographical work. What I can say is like, it's the true story o f how I and my family, which would've been at the time my mom and dad, my older sister, me, how we fled Vietnam after the fall of an Saigon. we actually left quite late we left in 1979 w hen things were tr were getting truly, truly, truly, quite terrible. And, this was very much a last resort. I think my parents would try to make things work, but realized that they couldn't. This journey that we took on these, boats that were made badly, made poorly, that many of which sank has become almost like the genesis story of our family. It's like it's a big, it has a long shadow, right? Ever since you know I, it is like the first story that I can remember. It's one of the few stories my mom would tell me again and again when we, when they see their old friends, it's something they talk about. So it's something that has happened to it to us, but it's such a big thing that it's just, echoed In my life growing up, as I've you know, got older and older, and the wonderful thing about having a story kinda live with you eventually it's in your blood and in your bones, but also if it's a thing that's kinda shared with you again and again, you actually build up this, there's something about the repetition of it, and then every time you hear it told from an uncle or a family friend or from your mom, a new little detail is embroidered that someone adds. So I've kinda lived with this story for 40 plus years and I've been collecting all these little things about it all this time and all that time it was, I think, kind of just writing itself, you know? You know, it was doing all that work before I actually put like pen to paper. Um, yeah.    Miko Lee: [00:16:31] Was there a catalyst or something that made you actually put the pen to paper?   Chi Thai: [00:16:36] That's really interesting. You know, I probably don't mind it is probably something really banal like. I think I probably wrote it during Covid and I had more time. Um, I think there are probably be some bigger forces in place. And you know what, I can tell you what it is actually if I'm, I'm forcing myself to think and examine a bit closer so when this is totally true. So I remember hearing the news about Viet Thanh Nguyen win winning the Pulitzer for The Sympathizer. And it made such a mark on me and I kind of felt, wow, someone from our community has achieved this incredible thing. And I thought, why? Why now? Like, and I was like, well, you know what? It's probably taken our community certain amount of time to come of age, to develop not just the abilities to write, to create, to make art, but also to have possibly the relationships or networks in place to be able to then make the art and get it out into the world. And I kind of felt when he was able to do that and came of age, I kind of felt there was going to be like other people from the kind of diasporic Vietnamese community that would also start to flourish. And that made me feel really good. About probably being a bit older than the average kind of artist, like making their, kinda like their pieces and everything and saying, you know what? My time can be now. It's okay. And I just find it just really inspiring that, you know our community was kind of growing, growing up, coming of age and being able to do these, these things And I kind of felt like it had given me the permission, I suppose the, the confidence to go, “Oh this story that I've been carrying my whole life, which I don't really see a version of out there I can write that and now I can write it and I'm the right person to write it.” And I had just done The Promise so I had a relationship with Walker. I was like, I have a, you know, a relationship with the publisher. I feel my writing is matured. Like I can do this. And so it was like a culmination and, you know, convergence of those things. And, but I do remember having that thought thinking, “This is a good time to be alive in our community 'cause we're actually able to make our art and get it out there now.” I, I felt it was like a real watershed moment really.   Miko Lee: [00:19:11] What made you decide to do it in this format as a Little Kid's Children's Illustrated book? We were talking earlier about how to, to me, this is the first more realistic version of a boat people experience in a very little kid's voice. What made you decide to do it in this style?    Chi Thai: [00:19:33] So interesting. At the same time, I was writing The Endless Sea. I was writing also the script for a short film, which is called Lullaby, which is takes an incident that happened on my boat but expresses it as a film, as a little kinda horror kinda drama, but a kid cannot watch that. It's like too terrifying. Um, and I wrote, you know, The Endless Sea at the same time. And again, I can't, it's really hard for me to articulate. I just knew it was gonna be a kid's book, like, and I knew it'd be written from the voice of a kid, and I didn't actually, can I say I didn't even ascribe a particular kind of value to that. It wasn't until I had started conversations with the publisher they're like, you know, we see like there's a really high, like this is really great that it's written in the voice of the kid. It somehow gives it something else. Something more is something kind of special. I didn't set out to like, overthink, like what was the most effective way to tell this story? I, I think I just told the story as honestly as I could, you know, with the words that I felt that, you know, I had in me to de, you know, to describe it. In the most authentic way to, to me. And like I say, at the same time, I knew, like I knew that was a kid's book. There was another part of that I wanted to express that was really important to me and that was survivor's guilt. But that I felt was like, that was a horror, so that was really not gonna be suitable for kids. So I was definitely thinking about lots of things to do with the same subject of the same time, but they were definitely being expressed in different ways. And again, Lullaby came to me very kind of quickly, almost fully formed. And I knew, you know, it would be a ghost story. I knew it would be the story of a mother and things like that. And I often maybe, you know, I should, I, I should interrogate more, but I kinda, I take these kinda. These ideas, which are quite well shaped and, and then I just like lean into them more and more and more. But they, the way they arrive it, I've kinda, I, I can see a lot of what is already about to unfold.   Miko Lee: [00:21:43] And do you still dream about that experience of being on the boat as a kid?    Chi Thai: [00:21:52] It's, it's a really difficult thing to explain because you know that that happened now so long ago, and I've probably heard the story thousands of times. I've watched all the terrible Hollywood movies, I've seen all the news clippings, I've watched all the archive. I've listened to, you know, people talk, and I have my own memories and I look at photographs and I have memories of looking at photographs. I feel like, you know, my memory is really unreliable, but what it is instead is it's this, this kind of, kind of tapestry of, you know, of the story of memories, of, you know, images as I grow up of hearing the story, like all coming together. One of the things I did when I wrote, I wrote The Endless Sea, is I then went back to my mom and I did a recorded interview with her 'cause I was really worried about how unreliable my memory might be. And I interviewed her and I asked a lot of questions and I said, and I, it was like, you know, in the way I would've just like listened to the story quite passively before this time I interviewed her and I asked a lot of questions about details and all sorts of things. 'cause I really wanted to be able to represent things, you know, as factually as I could. And that was kinda one of my kinda kind of fact checking kinda exercises I did 'cause I was, I was much quite worried about how unreliable my memory was about it all. And you know, what is, what is a memory of a memory of memory, like, you know, especially when it comes to thinking about that time on the boat and the feelings I had. Yeah. So, you know,    Miko Lee: [00:23:34] and you were so young also to    Chi Thai: [00:23:37] Totally 100%. And sometimes, I don't know, you know, is it a memory of a memory? Is it a dream of a dream?   Miko Lee: [00:23:44] Mm-hmm.    Chi Thai: [00:23:44] Or just some, yeah.   Miko Lee: [00:23:46] Was there anything that your mom said that surprised you?    Chi Thai: [00:23:50] Yeah. Um, she didn't realize how bad it was gonna be and she was like, “God, if it, I'd known how terrifying it was I dunno if I, we could have done it.” I think there's a certain amount of naivety involved and I suppose that surprised me. You know? 'cause we know already now how bad it was. Um, so things like that surprised me.    Miko Lee: [00:24:15] and your mom, the dedication of the book is to your mom. What does she think when she first read it?    Chi Thai: [00:24:22] I've got a funny story. My parents, you know, they, we left, they were in their early twenties and I think it was, you know, the escape was hard for them, but settling in new country was really hard for them. That's. That's been kind of their struggle. They had to work so hard, so many hours to kind of, you know, give us a great life. And, I think a lot of that meant they weren't people that could go out, enjoy, enjoy movies, look at art, read lots of literature and things like that. They're very, very simple, very working class. Simple life or working class kinda life. Very much all about, uh, the work. Um, and I remember when I had a, the publisher had made like a mockup of the book and I gave it to my mum to read 'cause I wanted her to be happy about it too, and she's probably been my toughest critic. I think everything I've done, she hasn't really liked, to be honest. Um, and when I gave her the mockup to read. She went, “Yeah,” but she said it in such a way I knew what she meant was Yeah, that's right. You know, that's the truth. That's the, you know, the book isn't the testimony, but it felt like she was saying yeah. It was like the simple kind of approval. It wasn't like a lot    Miko Lee: [00:25:50] That is the most Asian mom's approval ever.    Chi Thai: [00:25:54] It's so funny, like people say to me, oh Chi, it's such a beautiful book. Oh, the writing so lit, like lyrical. It's stripped back, it's elegant. Like, you know, Viet Thanh Nguyen , like God bless his like consults, gave me a comment to put in the book, said these wonderful things, and my mom goes, “yeah.”. You know, it made me laugh at the time, but I knew what it meant. And I also was old enough, I was mature enough, you know, God, if she'd given me that, if I'd been 20 written that I might have cried and my heart might have broken. Right. But I, I knew I had, I've so much compassion, you know, for my parents. Mm-hmm. And people like my parents, what they've been through and, you know, but    Miko Lee: [00:26:38] That was incredibly high praise for her.    Chi Thai: [00:26:40] It was, I couldn't have asked more.   Miko Lee: [00:26:47] Oh, I totally get that. I think that's such an Asian thing. That is so funny.    Chi Thai: [00:26:53] It is, it is. I didn't feel bad. I, I remember showing her Lullaby, um, and she didn't like it at all.    Miko Lee: [00:27:02] What did she say? What is her not like voice? What did she say to that?    Chi Thai: [00:27:05] Oh, she. Well, firstly, she, well, the, the film is almost silent because basically it tells a story. It's inspired by a mother that was on our boat who lost her baby on the border crossing, and I was very much ever, for as long as I knew about this woman's story, I was like, I was very much haunted by it, and I was haunted by, you know, the fact that that's how she felt and her guilt. Over losing her baby on this journey. And I knew, I knew I wanted to tell her story. 'cause one of the things I feel very strongly about is when you are on the losing side. So I'm from South Vietnam, like that's not the, you know, that's not the story that's told, the story is told of who triumphs at the end of the day. And I was just like all those people that we lost at sea, this mother, her baby. The stories kind of aren't told. So I kind of felt really strongly that this was somehow a very creative way to put down like a, an historical record like this happened. And actually I found out after making the film that five babies were lost in our boat, not just one.   Miko Lee: [00:28:24] Wow. So what did she say, your mom say?   Chi Thai: [00:28:28] Yes. So I made this film, which was for the most part, a silent film. This is a woman that's shut down. She barely speaks anymore. She is living with the guilt ever. You know, when she was on the boat before her baby died, she sang a lullaby, and ever since then, she hasn't been able to speak again. And then we find out that she has been haunted by the ghost of her child that she lost. And then a bit too, you know, to kind of free herself from that. She, she actually sings, you know, the, the film culminates in her singing the Luby one last time. S saying Goodbye finally being able to move beyond her Gild and I Griffin, saying goodbye and hoping she's able to, you know, progress. So I made a film about that was largely silence except for this lullaby, and my mum watched it. She went, next time you make a film, you know you need more words. I was just like, oh, I think my heart probably did crumple off a bit a bit at that point.    Miko Lee: [00:29:30] Aw.    Chi Thai: [00:29:31] You know? Um, but yeah. But yeah, it's okay. It's okay because you know what? My mom doesn't get to see stuff like that very often. So sometimes she doesn't have the wider, and this is why, I mean, like, the life that she's had, you know, hasn't been one where she's been able to surround herself with, oh, I'm so lucky. You know, my life has been so different, but it's been different. Different because of, you know what she's, what she's done for us, so it's okay. I can take it on the chin when she says my film doesn't have enough dialogue in it.    Miko Lee: [00:30:04] I love that. For you, have you had conversations with your mom about your life as an artist, and what are her thoughts on that?   Chi Thai: [00:30:16] Well say. So I, so my mom, I don't really like, you know, she's probably not that into it. I'll be honest about being an artist. I can understand why she wants you to have a good life. And I would say for the most part, being an artist is, is a, is a tough life because it's hard to make, you know, the, the pennies work, right?   Miko Lee: [00:30:44] She wants stability for you, right?    Chi Thai: [00:30:45] Yeah, exactly. But she's made a peace with it. And basically what happened, I think all the best story is gonna be about my mom, right? Is that she basically, I, I, um, I have a partner, we've been together for 15 years. Um, he's a really nice guy and he has a reliable job and we have two kids together and i,    Miko Lee: [00:31:08] So that makes it okay.   Chi Thai: [00:31:10] So yeah, this is what I was saying. So she said to me like. It doesn't really matter what you do now. 'cause she, you are already peaked. You're somebody's wife. We're not married. But she told everyone in Vietnam we were married 'cause she couldn't cope with this not being like having kids out of wedlock. In her head. She's rewritten that we are married. Right. She's like, you are married, you're somebody's wife and you mother, it doesn't get better than that. So if you are an artist or if you're a filmmaker, whatever, it doesn't matter. 'cause nothing can be better than that. Right. So she's accepted on the basis that I've already fulfilled, kind of my promise.   Miko Lee: [00:31:46] Wow. Interesting.    Chi Thai: [00:31:50] And she means that in the nicest possible way.    Miko Lee: [00:31:52] Yeah.    Chi Thai: [00:31:52] That she feels like you have a home, you have stability, you have someone who loves you, you know, you have a, a purpose in life, but really her value, you know, the way, I think, the way she measures my value is like, that's how she looks at it. The, the art is something else.    Miko Lee: [00:32:10] Well, I really appreciate you sharing your art with us in the world and your various, um, genres and styles. And I'm wondering how our audience can find out more about your work. Clearly we'll put links to where people can buy the book and let's see, but how do they find out more about your films?   Chi Thai: [00:32:28] Um, so that like, because it is the 50th anniversary of the end of the Vietnam War in 2025. Actually the very anniversary of that is the tomorrow, the 30th, April, right? Um, you can watch Lullaby on Altar, which is a YouTube channel. Um, and I can give you the link for it. Rating Grace is on Paramount Plus if you want to, if you've got Paramount Plus, but you can also buy it from all the usual kind of places too. Um, and you know, and we'll see us from all great book stockists, I imagine in, in the us.   Miko Lee: [00:33:07] Thank you so much. Um, I'd love to get, I'd love for you to send me the link so I could put 'em in the show notes. I really appreciate chatting with you today. Um, is there anything else you'd like to share?    Chi Thai: [00:33:19] Um, no, I think, I think that's good. Your, your questions are so good. Mika, I'm already like, kinda like processing them all. Uh, yes.    Miko Lee: [00:33:30] Well, it was a delight to chat with you and to learn more about your artistic vision, and my wishes are that you continue to grow and feel blessed no matter what your mama says, because deep down, she's still proud of you. Even if she doesn't say it out loud.    Chi Thai: [00:33:47] I believe it. I totally believe it.    Miko Lee: [00:33:50] Yay. Thank you so much for spending time with us on Apex Express.Next up, listen to stay, go from dark heart, a concert narrative by singer and songwriter Golda Sargento.   MUSIC   That was the voice of Golda Sargento from the new Filipino futurism punk rock sci-fi dark heart. Welcome, Livia Blackburne Children's book, author of Nainai's Mountain. Welcome to Apex Express.    Livia Blackburne: [00:38:56] Thank you so much for having me.    Miko Lee: [00:38:58] I wanna start with a personal question, which is, who are your people and what legacy do you carry with you?    Livia Blackburne: [00:39:05] I am Chinese American, and so I carry the stories of my grandparents who fled China to Taiwan, fled that war. And I also carry the stories of my parents and myself who immigrated. To America, and I am, I grew up in New Mexico, so I have fond memories of green chili and new Mexican food. I went to college, Harvard and MIT on the east coast. So I've got a bit of that kind of ivory tower. And now I'm in LA and, you know, my people are, my family and my community, the writing community here. So I, I'm a big mix. Yes.    Miko Lee: [00:39:44] What legacy do you carry with you?    Livia Blackburne: [00:39:47] I mentioned a bit of my grandparents and my parents. What they went through in the war in China, and then my parents and me coming here. the experience of being here in two worlds, coming from Taiwan having that cultural background and also, growing up in the United States. The culture I've been surrounded with here as well.    Miko Lee: [00:40:06] Thank you so much for sharing. Can you tell us about your new illustrated children's book? Nainai's Mountain. What inspired this work?    Livia Blackburne: [00:40:14] The story of this book actually started with another book that is coming out in a couple years that actually I can't share too much about. My grandparents fled the war in China and then my. Parents grew up in Taiwan and I wanted to preserve that family story. My parents are getting older. So I started doing oral interviews with my parents about their childhood, what it was like, growing up. I wouldn't say they weren't refugees in Taiwan. It's a very complicated political situation, but they were transplants to Taiwan, and what it was like growing up there, their daily life. What kind of things they did when they were a child, their pastimes, I wanted to preserve their stories and I got a lot of great material., A lot of that is going into a novel that I'm currently working on. But also as I worked on it, there were so many great details that I thought would be really good in a picture book as well. Also, I'm a mother now. I have an 8-year-old daughter, and she is half Caucasian, half Asian. She has never gone to Taiwan before and I. As I'm writing this, I'm thinking, it would be really great to, I do want to share Taiwan and, my own childhood, home with her at some point. And so I start imagining what would it be like to bring her back to Taiwan and show her everything. And that became the seed for Nainai's Mountain, which is a. Story of a girl visiting Taiwan for the first time with her grandmother. And her grandmother shows her around and tells her stories about her childhood, and the girl through her grandmother's eyes, sees Taiwan, you know, for the beautiful place that it is.    Miko Lee: [00:41:56] You also wrote the book I Dream of Popo. How are these companions to each other and also for audiences that might not speak Chinese. One is a grandmother on the mother's side, and the other is the grandmother on the father's side. Can you talk about how I dream of Popo is linked to Nainai's Mountain?   Livia Blackburne: [00:42:15] Thank you for pointing that out. Yes. So Popo is maternal grandmother, and Nainai is a paternal grandmother. And that is a fantastic question. So I dream of popo is kind of my story. So it's about a little girl who moves from Taiwan , to the United States and it's about her relationship with her grandmother who stays in Taiwan. And it talks about, how a close relationship, navigating long geographical distances about the language barrier that comes up. And that was very much me, Nainai's Mountain. It's kind of like Popo in reverse, you know, it's now it's someone going back to Taiwan and kind of getting in touch with those roots. That, as I mentioned, that's inspired by my daughter. And you'll see in Nainai's Mountain, I specified that the child should be, half Asian, half Caucasian. Because, I wanted more of that representation in the children's literature.    Miko Lee: [00:43:07] Thank you. I, I wonder if you could talk a little bit about the artistic style. So you are the author, but you had different illustrators for both of the books and the style is really different. The in, when I look at Nainai's Mountain, which I'm holding here, it's sort of collage and really vibrant colors. Where I Dream of Popo has a different, more. I'm almost realistic, kind of look to it. And I'm wondering what your process was like in collaborating with illustrators.    Livia Blackburne: [00:43:37] That's one of the best things about being a picture book author, is that you get to collaborate with so many illustrators and they all have such different styles, such different visions. Most of the time it's the publisher who chooses the illustrator, although they. Consult me usually. My editor for I Dream of Popo picked Julia Kuo. And she sent me samples and I loved it. And, it was great. I'm friends with Julia now and that book did really well. It was very well known, especially in kind of Taiwanese American, Asian American circles. And so when I did, Nainai's mountain, that was with a different publishing house and my editor. He very consciously said, you know, because it's also a book about Taiwan and a grandmother. We don't want to get it confused with I dream of Popo. So, we made a conscious decision to pick an artist with a very different style and Joey Chou is fantastic. He's very well known for his Disney art. You can see his art in a lot of the hotels and cruise ships. And, he, very bright, vibrant, and I, he's also from Taiwan. I think he did a fantastic job.   Miko Lee: [00:44:41] And have the artistic work ever surprised you as being really different from your imagination while you were writing?    Livia Blackburne: [00:44:48] That's a great question. I don't think they've ever surprised me. By being different. They surprised me in the specifics that they've chosen. For example, I dream of Popo. Julia, spent a lot of time in Taiwan and she put in these great, Taiwan details that, you know, if you're from Taiwan, you would know for sure. There's like a specific brand of rice cooker called the rice cooker, and she has one there and like the giant bag of rice in the corner, and the calendar on the wall.   Miko Lee: [00:45:16] Even the specificities of the food and the trays and everything is quite lovely.    Livia Blackburne: [00:45:20] Yeah, yeah. You know, every time I read that, I look at that spread, I get hungry. So surprise there. And, with Joey, I, I love how he does the different, there's kind of flashback pictures and there's, pictures now and. The thing about him, his color, I just love the color that he put in from the greens, of Taiwan to kind of the bright fluorescent lights, neon lights of Taipei, and then there's kind of the slight sepia tones of the past and he just, you know, brings it so to life so well.   Miko Lee: [00:45:49] I didn't know he was a Disney animator, but it totally makes sense because it feels very layered. It does feel animated in a way and kind of alive. So I appreciate that.   Livia Blackburne: [00:45:59] I'm not sure. If he's an animator. He does a lot of art for the theme parks and like products and the cruise ships and stuff. I'm not sure.    Miko Lee: [00:46:07] Oh, interesting.   Livia Blackburne: [00:46:07] He does like movies and  stuff.    Miko Lee: [00:46:08] Interesting. It looks like animation though. Your book.    Livia Blackburne: [00:46:13] It does look very, yeah. Lively. Mm-hmm.    Miko Lee: [00:46:16] That I'm looking forward to that series. That would be so cute. The grandmother series as a whole little mini series traveling to different places. can you tell us about your new book, Dreams to Ashes? Has that been released yet?   Livia Blackburne: [00:46:29] Dreams to Ashes? That has been released that, released about a month before Nainai's Mountain. Yeah, that one's quite a bit different. So that one is a nonfiction book and it's a picture book, and it's about the Los Angeles massacre of 1871. Whenever people, I tell people about that, they're like, wait, you wrote a picture book about a massacre? Which is slightly counterintuitive. So I never knew about the Los Angeles massacre growing up. And, and, given that I am a Chinese person in Los Angeles, that is kind of weird. Basically, it was a race massacre that occurred. One of the biggest mass lynchings in history, uh, where there was a between two rival Chinese organizations and a white bystander was killed. And because of that, , a mob formed and they rounded the Chinese population up basically. And. Blame them for that death. In the end, 18 Chinese men were killed and only one of them were involved in the original gunfight. It was a horrible tragedy. And unfortunately, as often happened with these kind of historical tragedies in our country, nobody was really punished for it. A few men were indicted and convicted, but their convictions were overturned and it just kind of disappeared into history. And it really struck me that, you know, nobody knew about this. I wanted to kind of bring this to light and unfortunately when I was writing it, it was also, during the Covid pandemic and, I was seeing a lot of anti-Asian rhetoric, anti-Asian hate crimes were going up. And I saw so many parallels between what happened. Back then, because, you know, Chinese people specifically were being vilified , they were being called immoral, stealing people's jobs. And you can see in the years before the massacre the newspapers were saying horrible things and, you know, the hate was just becoming very strong and all that exploded one night into an unspeakable tragedy. Unfortunately as an author, you want your work to be relevant, but sometimes you don't want your work to be relevant in this way. Right. Nowadays I'm seeing so much rhetoric again against immigrants and not of many ethnicities. And in some ways I'm sad. That, this is happening now. And I also hope that this book will contribute to the conversation and show how the danger of racism and xenophobia and hate and what, what can happen because of that.   Miko Lee: [00:48:55] So this occurred in the late 1800s, right? Was it before the Chinese Exclusion Act?    Livia Blackburne: [00:49:03] Yes, it was before the Chinese Exclusion Act. So you'd hope that people kinda learn from these things. And it was just kind of one of the, one of the horrible things that happened on the way to the Chinese Exclusion Act and Chinese immigrants being excluded basically Chinese laborers at least.   Miko Lee: [00:49:23] Oh wow. Okay. I'm looking this up now. And 1882 we know was the Chinese Exclusion Act and this incident actually happened in 1871. Yes. A decade beforehand, Helen Zia always talks about these moments that are missing. MIH missing in history and this is clearly another one of, another time of just wiping out a population.I'm wondering if you could speak a little bit more about how Children's Books can make a difference in the world that we're currently living in, where our government is banning books and you know that there's a narratives that they want to align with a certain kind of conservative ideology. Can you talk about the power of being a Children's Book author in this time that we're living in right now? . I'm really thinking about dreams to Ashes and even I dream of Popo and even Nainai's Mountain, which you would think, oh, they're, you, they're visiting their grandparent, their grandmothers, that would not be controversial. But now when even words like inclusion and diversity are threatened and books are being banned, I'm just wondering if you could. Share a little bit more about your superpower as a children's book author?    Livia Blackburne: [00:50:31] Yeah, that's a fantastic question. We live in a time right now, there's, a lot of hate, a lot of intolerance, a lot of fear of different people groups. And a lot of that I think is because people are unfamiliar with people unlike themselves. They see. People who are different, look differently, act differently, speak differently, and it scares them. And I think the best way to get around that is to actually get to know people of other backgrounds, to see them as human. And I think that's where children's books come in. ‘Cause we don't, children are not born. With this hate of the other. They learn it. But, if they grow up being familiar with people of different backgrounds seeing their stories seeing them as, normal human beings, which, should be obvious, but sometimes it's hard, for adults to realize. Then, I'm hoping, as a children's book author that it will lead to a more empathetic world. And perhaps that's why the government sometimes in certain groups are wanting to, censor this and control the flow of children's books because, children are the most their minds are still open. They're still able to learn.    Miko Lee: [00:51:48] And Livia, tell us what you're working on next.   Livia Blackburne: [00:51:53] So right now I am. Working on a historical middle grade. We haven't quite announced it yet, so I can't say the title or too many details, but it is based on my family history of my parents and grandparents who moved from China to Taiwan after the civil War.   Miko Lee: [00:52:12] Please check out our website, kpfa.org. To find out more about our show tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. Apex Express is created by Miko Lee, Jalena Keane-Lee, Preti Mangala-Shekar, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tanglao, Cheryl Truong and Ayame Keane-Lee.   The post APEX Express – 6.19.25 We Are All Connected appeared first on KPFA.

In this episode, Dave and Andrew explore the first experimental composer to win the Pulitzer since Charles E. Ives. With that pedigree, what will they think of Henry Brant's Ice Field? And why is this piece called a "spatial" composition? If you'd like to learn more about Henry Brant and Ice Field, we recommend: This video of the work with commentary from Michael Tilson Thomas and organist Cameron Carpenter Maria Anna Harley's article “An American in Space: Henry Brant's ‘Spatial Music.'” American Music 15, no. 1 (1997): 70–92. Frank Oteri's 2002 interview with Henry Brant in New Music Box

When was the last time you felt good about the internet? Today's online landscape is a harrowing one. People screaming at each other on social media. Violent videos going viral. Cyberbullying, racism, misogyny. Back in the day, the web gave power to the people, and going online could actually be fun.In LONG SHADOW: BREAKING THE INTERNET, Pulitzer-finalist historian, author, and journalist Garrett Graff retraces 30 years of web history — a tangle of GIFs, blogs, apps, and hashtags — to answer the bewildering question many ask when they go online today: “How did we get here?”It's the story of mankind's greatest invention, but it's also about the biggest crisis facing society today: how the web's unlimited feed of data morphed into a firehose of hoaxes, conspiracy theories, and lies that divided Americans over things we once agreed on, like science, diversity, and even democracy itself. LONG SHADOW: BREAKING THE INTERNET is produced by Long Lead and is distributed by PRX.

Sometimes monsters are real!   This week's episode is a foray into non-fiction, but no less scary for it. I'm talking to Pulitzer-winning Caroline Fraser about Murderland: Crime and Bloodlust in the Time of Serial Killers   This is no grotesque revelling in death and sadism,however. Murderland examines the extreme violence that plagued her native Pacific Northwest in the late 20th century – and posits a link with the environmental damage of heavy industry in the region.   It's a compelling argument, and a horribly fascinating book. I slip the jokes in where I can (mostly at BTK's expense), but this one is a chiller!   Enjoy!   Other books mentioned:   Praire Fires: The American Dreams of Laura Ingalls Wilder (2017), by Caroline Fraser God's Perfect Child: Living and Dying in the Christian Science Church (1999), by Caroline Fraser The Balkan Trilogy (1960), by Olivia Manning   Support Talking Scared on Patreon   Check out the Talking Scared Merch line – at VoidMerch   Come talk books on Bluesky @talkscaredpod.bsky.social on Instagram/Threads, or email direct to talkingscaredpod@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Cable travel channels are filled with haunted houses and other paranormal activity, beyond History Channel's Ancient Aliens and cryptozoology content. The more radicalized Gaia TV has close to a million paid subscribers gobbling up content about yoga, meditation, and psychedelic consciousness alongside accounts of inter-dimensional cryptids, Q-adjacent vampire reptilians, and channeled messages from benevolent ETs. Julian's talk with Pulitzer-nominated journalist Matt Hongolt-Hetling about his new book, The Ghost Lab, How Bigfoot Hunters, Mediums, and Lien Enthusiasts are Wrecking Science. In it, he explores the history of ghost hunting and asks if failing trust in educational, religious, and government institutions is fueling a burgeoning obsession with the paranormal. Learn more about your ad choices. Visit megaphone.fm/adchoices

All The Drama is hosted by Jan Simpson. It is a series of deep dives into the plays that have won The Pulitzer Prize for Drama. The Pulitzer Prize for Drama: “The Diary of Anne Frank“1956 Pulitzer winner “The Diary of Anne Frank”, by Frances Goodrich and Albert Hackett The read more The post All the Drama: “The Diary of Anne Frank”, 1956 Winner, Pulitzer Prize for Drama appeared first on BroadwayRadio.

In this bonus episode of Radio Atlantic, we talk with staff writer Tom Nichols about how all the pieces fit together: the military parade, the president's speech at Fort Bragg, and the dispatching of Marines to the protests in Los Angeles. It's not just that President Trump wants to acclimate Americans to the sight of tanks in the streets. It's not just that Trump is signaling to governors that he will use the forces at his disposal to override their wishes—the real problem is how the military begins to see itself.   Read more from The Atlantic's Tom Nichols on “The Silence of the Generals” and “Trump Is Using the National Guard as Bait.” – Get more from your favorite Atlantic voices when you subscribe. You'll enjoy unlimited access to Pulitzer-winning journalism, from clear-eyed analysis and insight on breaking news to fascinating explorations of our world. Atlantic subscribers also get access to exclusive subscriber audio in Apple Podcasts. Subscribe today at theAtlantic.com/listener. Learn more about your ad choices. Visit megaphone.fm/adchoices

Watch Call me Back on YouTube: youtube.com/@CallMeBackPodcastSubscribe to Ark Media's new podcast ‘What's Your Number?': lnk.to/DZulpYFor sponsorship inquiries, please contact: callmeback@arkmedia.orgTo contact us, sign up for updates, and access transcripts, visit: arkmedia.org/Ark Media on Instagram: instagram.com/arkmediaorgDan on X: x.com/dansenorDan on Instagram: instagram.com/dansenorToday's episode:Around 3AM in Israel, a nation-wide siren awoke Israelis to the news that the Israeli Air Force was conducting extensive strikes on the Islamic Republic of Iran. As far as we know so far, the strikes have targeted nuclear enrichment sites, military sites, the IRGC leadership, including Hussein Salammi, the head of the IRGC, the Army Chief of Staff, and leading nuclear scientists. Shortly after the blitz began, the IDF Home Front Command announced immediate changes to its guidelines, prohibiting all gatherings for educational, social, and workplace purposes. Israelis have been instructed to remain near bomb shelters as they await the Iranian response. It is an extremely tense moment for Israelis and Jews around the world. For years we've discussed the danger of Iran inching closer and closer to a nuclear weapon. The IDF said in a statement that in recent months it had accumulated evidence that Iran's nuclear program was “approaching the point of no return.” Joining us to unpack the ongoing events that are reshaping the Middle East in real time is Ronen Bergman. Ronen is a staff writer for The New York Times and Senior Correspondent for Military and Intelligence Affairs at Yedhiot Ahronot. Ronen is the recipient of a Pulitzer price for his reporting on the Israel-Hamas war. CREDITS:ILAN BENATAR - Producer & EditorMARTIN HUERGO - Sound EditorMARIANGELES BURGOS - Additional EditingMAYA RACKOFF - Operations DirectorGABE SILVERSTEIN - ResearchYUVAL SEMO - Music Composer

Pulitzer-prize winning investigative journalist and author of New York Times bestseller The Outlaw Ocean, Ian Urbina is director of non-profit The Outlaw Ocean Project based in Washington D.C., investigating human rights, environment and labour concerns. 

Explaining how Musk tanked his reputation has many ways: First, he alienated environmentalists by teaming up with Trump, and then he alienated Trump fans by insulting their hero. Another way is clear by looking at American culture's historical relationship with “genius,” and how it tends to go wrong.  In this episode, we talk with Helen Lewis, author of The Genius Myth: A Curious History of a Dangerous Idea, about what Musk has in common with Thomas Edison, how psychedelics fit into the archetype, and what the possible paths are for Musk moving forward. Get more from your favorite Atlantic voices when you subscribe. You'll enjoy unlimited access to Pulitzer-winning journalism, from clear-eyed analysis and insight on breaking news to fascinating explorations of our world. Atlantic subscribers also get access to exclusive subscriber audio in Apple Podcasts. Subscribe today at theAtlantic.com/listener. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ayer nos dejaba Brian Wilson, vocalista y fundador de una de las bandas de rock más influyentes del siglo XX, The Beach Boys. Con José Manuel Sebastián, director de 'Que parezca un accidente' en Radio 3, repasamos la historia del músico, su papel en la creación de un nuevo sonido californiano y su impacto duradero en la música popular.También nos preguntamos: ¿Se puede llegar a apagar la conciencia? ¿Todos somos susceptibles de que nos pase? 'Blaubeeren' es un texto de Moisés Kaufman y Amanda Gronich, finalista de los premios Pulitzer en Estados Unidos el año pasado, que ha llevado a escena Sergio Peris-Mencheta en los Teatros del Canal, con la participación de Víctor Clavijo. La obra parte del hallazgo de un álbum de fotos inéditas de la Segunda Guerra Mundial, enviado a Rebecca Erbelding, directora de archivos del Museo del Holocausto de EE.UU., que retrata a los oficiales de Auschwitz en momentos de ocio.Conxita Casanovas repasa los estrenos cinematográficos de la semana: dos títulos muy vinculados al orgullo LGTBIQ+, 'Tres km al fin del mundo' y 'Todo saldrá bien'. También hablamos de 'Miss Carbon', historia real de Carla Antonella Rodríguez, la primera minera trans en una región argentina. Entre los estrenos españoles destacan 'Esmorza amb mi', 'Votemos', 'Los bárbaros' y la comedia 'Algo le pasa a mi yerno'.Y con Martín Llade escuchamos parte del repertorio que sonará en la cuarta edición de Piano City Madrid, festival que llena la ciudad de música en directo con 56 conciertos gratuitos en espacios emblemáticos. Organizado por TopArtEspaña con el apoyo del Ayuntamiento de Madrid, el evento reivindica el piano como instrumento central de la vida urbana.Escuchar audio

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Edmund White (1940-2025) Edmund White. Photo: David Shankbone Edmund White (1940-2025) in conversation with Richard Wolinsky, recorded in the KPFA Studio. Part One: Recorded February 20, 2012 while on tour for the novel “Jack Holmes and His Friend.” Part Two: Recorded February 17, 2014 while on tour for the memoir “Inside a Peal, My Years in Paris.” Edmund White, who died on June 3, 2025 at the age of 85, was often called the Grandfather of gay literature. Equally at home writing novels, biographies, plays, memoirs, essays and various hybrids, he was a pioneer in the LBGT world, one of the first gay novelists to achieve literary fame, the co[author in 1977 of The Joy of Gay Sex, along with a ground breaking trilogy of novels based on his own life, several memoirs, three well received biographies, and various collections of essays. Winner of the Lambda Literary Award and nominated several times, nominated for the Pulitzer and winner of the National Book Critics Circle Award for his biography of Jean Genet, winner of the National Book Foundation Lifetime Achievement Award and the PEN/Saul Bellow Award, Edmund White has also been called the Patron Saint of Gay Literature.   Review of “The Neil Diamond Musical A Beautiful Noise” at BroadwaySF Golden Gate Theater through June 22, 2025.   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 110th Annual Bay Area Book Festival, May 31 – June 1, 2025. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley.  Summers at John Hinkel Park: Cymbeline opens July 4; The Taming of the Shrew opens August 16. See website for readings and events. Actor's Reading Collective (ARC).   See website for upcoming productions. African American Art & Culture Complex. See website for calendar. Afro-Solo Theatre Company.See website for calendar. American Conservatory Theatre Co-Founders. a world premiere hip-hop musical May 29 – July 6, Strand. Kim's Convenience by Ins Choi, Sept 18 – Oct 19, Toni Rembe Theatre. Aurora Theatre  The Search for Signs of Intelligent Life in the Universe by Jane Wagner, with Marga Gomez, July 12 – August 10.  Awesome Theatre Company. See website for information. Berkeley Rep. The Big Reveal Live Show written and performed by Sasha Velour, June 4 – 15, Roda Theatre. Who's With Me. written and performed by W. Kamau Bell, June 17-22, Roda Theatre. Berkeley Shakespeare Company Julius Caesar, June 13-21, Live Oak Theater, Berkeley. y. See website for upcoming events and productions. Boxcar Theatre. The Illusionist with Kevin Blake, live at the Palace Theatre. Brava Theatre Center: Pacific Overtures, through June 15, 2025. BroadwaySF: A Beautiful Noise: The Neil Diamond Musical, June 3-22, Golden Gate. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose:  Moulin Rouge!, The Musical. July 8-13. See website for other events. Center Rep: Happy Pleasant Valley, June 1- 29. Lesher Center. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works  The Last Goat by Gary Graves, June 28 – July 27. Cinnabar Theatre. Bright Star, June 13-29, Sonoma State. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Fiddler on the Roof June 7 – 22. See website for other events. Golden Thread   See website for upcoming events. Hillbarn Theatre: Murder for Two, a musical comedy, October 9 – November 2, 2025. Lorraine Hansberry Theatre. See website for specific workshops and events. Los Altos Stage Company. Twelfth Night by William Shakespeare, May 29 – June 22. Lower Bottom Playaz  See website for upcoming productions. Magic Theatre. Aztlan by Luis Alfaro, World Premiere, June 25 – July 13. See website for additional events. Marin Shakespeare Company: A Midsummer Night's Dream by William Shakespeare, June 13 – July 13, Forest Meadows Amphitheatre. See website for other events. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) To My Girls by JC Lee, through June 8. Pride Cabaret, June 6-21.  Ride the Cyclone, the musical, July 11 – August 15. New Performance Traditions.  See website for upcoming schedule Oakland Theater Project. Les Blancs (The Whites) by Lorraine Hansberry, July 11 – 27. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. Constellations by Nick Payne, June 27 – July 20.See website for staged readings and other events. Playful People Productions. See web page for information on summer camps. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Next to Normal. May 30 – June 21. Ross Valley Players: See website for New Works Sunday night readings and other events. San Francisco Playhouse. The Curious Incident of the Dog in the Night-Time based on the novel by Mark Haddon, adapted by Simon Stephens. May 1-June 21. SFBATCO.  See website for upcoming streaming and in- theater shows.  The Day The Sky Turned Orange by Julius Ernesto, Sept 5 – Oct. 5, Z Space. San Jose Stage Company: Sweet Charity,  June 4 – 29.. Shotgun Players.  Yellowface by David Henry Hwang, May 10 – June 14. South Bay Musical Theatre:  The Sound of Music, September 27 – October 18. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico See website for upcoming events and producctions. Theatre Rhino  Doodler by John Fisher, May 31 – July 6, The Marsh, San Francisco. The Laramie Project, June 19-29.. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Come Back to the 5 & Dime, Jimmy Dean  Jimmy Dean, A New Musical, June  18 – July 13. Mountain View Center for the Performing Arts. Word for Word.  See website for upcoming productions. Misc. Listings: BAMPFA: On View calendar for Berkeley Art Museum and Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                                   .   . The post June 12, 2025. Pride Month: Edmund White (1940-2026), The Patron Saint of Gay Literature appeared first on KPFA.

At least 57 Palestinians seeking aid have been killed and more than 363 injured in Israeli attacks in Gaza since this morning, bringing the total number of Palestinians killed at these so-called "aid distribution centres" to 224, according to Gaza's health ministry. So far, the centres ran by the Gaza Humanitarian Foundation have proven to be nothing more than death traps for Palestinians, who have likened their experiences to the movie "The Hunger Games". To discuss all this and more, Ahmed Alnaouq is joined by fellow Palestinian author from Gaza, the Pulitzer prize-winning poet and writer, Mosab Abu Toha.

MidPoint was joined by Pulitzer prize-winning columnist and local newshound, Dan Ruth for our quarterly Talk Back Town Hall where we open up the phone lines and invite our listeners to discuss whatever they want to discuss.

Prime Minister Mark Carney outlines new defence plan for Canada that is less reliant on United States for security.  California governor Gavin Newsom says he will sue US President Donald Trump for illegally deploying National Guard during ongoing immigration protests in Los Angeles.  Israeli forces seize control of Gaza-bound aid boat, detain Greta Thunberg and other activists onboard.  Closing statements begin in the sexual assault trial of 5 former World Junior hockey players.  A widow left fighting for thousands of dollars after her late husband's pension was sent to the wrong person.  "Maybe Happy Ending" wins best new musical at Tony Awards, and Pulitzer-winning playwright Branden Jacobs-Jenkins wins second Tony for "Purpose." 

Edmund White. Photo: David Shankbone Edmund White (1940-2025) in conversation with Richard Wolinsky, recorded in the KPFA Studios, September 20, 2012 while on tour for the novel “Jack Holmes and His Friend.” Edmund White, who died on June 3, 2025 at the age of 85, was often called the Grandfather of gay literature. Equally at home writing novels, biographies, plays, memoirs, essays and various hybrids, he was a pioneer in the LBGT world, one of the first gay novelists to achieve literary fame, the co[author in 1977 of The Joy of Gay Sex, along with a ground breaking trilogy of novels based on his own life, several memoirs, three well received biographies, and various collections of essays. Winner of the Lambda Literary Award and nominated several times, nominated for the Pulitzer and winner of the National Book Critics Circle Award for his biography of Jean Genet, winner of the National Book Foundation Lifetime Achievement Award and the PEN/Saul Bellow Award, Edmund White has also been called the Patron Saint of Gay Literature. There were four Bookwaves interviews with Edmund White. In this third interview, recorded on February 20, 2012, he discusses his novel Jack Holmes and His Friend, along with a collection of essays, Sacred Monsters, and various other topics. The post Edmund White (1949-2025). The Patron Saint of Gay Literature appeared first on KPFA.

In April, 250 former Israeli intelligence officers signed their names to an open letter of protest asking Prime Minister Benjamin Netanyahu not to proceed with his plans to escalate the war on Gaza. One of them was Tamir Pardo, head of Mossad, Israel's equivalent of the CIA, from 2011 to 2016. Pardo, with his decades of experience fighting terrorism, explains his perspective on how the war unfolded and what Netanyahu's real motivations are behind continuing it. -- Get more from your favorite Atlantic voices when you subscribe. You'll enjoy unlimited access to Pulitzer-winning journalism, from clear-eyed analysis and insight on breaking news to fascinating explorations of our world. Atlantic subscribers also get access to exclusive subscriber audio in Apple Podcasts. Subscribe today at theAtlantic.com/listener. Learn more about your ad choices. Visit megaphone.fm/adchoices

Leah Paulos of Press Shop PR joins Let's Talk Memoir for a conversation about 2 things writers can do right now to help launch their book successfully, how to find your targeted readers and effectively reach them through media, the dedicated focus required to promote a book,tapping into your storytelling chops to help you with marketing, tools for positioning your book with media and journalists, the lead time we need to promote our books and when to pitch, selling journalists on covering your book, finding the story and the audience for your book, the cost of publicity, your job as your own publicist, being proactive, and the classes she offers at Book Publicity School.   Also in this episode: -using spreadsheets -building a media contact list -working with in-house publicity teams   Books mentioned in this episode: -The Sounds of Life by Karen Bakker -The Latecomer by Jean Hanff Korellitz -Writing to Persuade by Trish Hall   Leah Paulos is the Founder and Director of Publicity at Press Shop PR and Book Publicity School, and has worked at the intersection of books and media for over 25 years. Twice named a top PR firm by the Observer, Press Shop PR has worked on many notable books and #1 bestsellers including MARCH by Rep. John Lewis and ON TYRANNY by Timothy Snyder, as well as books by Ruth Bader Ginsburg, Neil deGrasse Tyson, James Kirchick, and Pulitzer-finalists Samuel Freedman and Louise Aronson. Leah has spoken on book publicity at Columbia School of Journalism, CUNY Graduate Center, and as part of her regular workshop series, Book Publicity for Literary Agents.  Book publicity 101 Leah began her career as a magazine editor at a NYC-focused glossy magazine in 1998. She later worked as an editor at Conde Nast and as a freelance writer for dozens of national magazines. She made the shift to book publicity in 2006 and launched Press Shop in 2012. She graduated from Cornell University and now lives in Brooklyn with her husband and two sons.   bookpublicityschool.com https://www.linkedin.com/in/leahpaulos/ https://www.facebook.com/PressShopPR/ https://www.facebook.com/profile.php?id=100090936998502 https://x.com/PressShopPR   www.PressShopPR.com www.BookPublicitySchool.com – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

In this week's episode of The Learning Curve, co-hosts U-Arkansas Prof. Albert Cheng and Alisha Searcy interview Benjamin Moynihan, Executive Director, and, William Crombie, Director of Professional Development, for the Algebra Project, Inc. Mr. Moynihan and Mr. Crombie reflect on the life and legacy of Civil Rights era icon, and math educator, Bob Moses. They trace Moses's journey from a Harlem upbringing and elite liberal arts education to his transformative grassroots activism in 1960s Mississippi, organizing Black voter registration and co-directing the Freedom Summer Project 1964. They discuss his collaboration with Mississippi sharecropper and Civil Rights era legend Fannie Lou Hamer, and his principled departure from the U.S. to raise a family and teach math in Tanzania, where his educational vision deepened. Bob Moses later founded the Algebra Project to confront math illiteracy as a modern civil rights issue, empowering students of color through community-based Algebra instruction. Moynihan and Crombie explore the Algebra Project's enduring mission; its pioneering role advocating for Algebra I as the gateway course to all higher-level math; and the importance of local buy-in for K-12 education reform. They reflect on Bob Moses's profound, often quiet leadership; Pulitzer-winning Civil Rights Movement historian Taylor Branch's high praise of his courageous voter registration work in Jim Crow Mississippi; and how the Algebra Project's grassroots model of organizing promotes access to high-level math instruction for all American schoolchildren.

On how one wins a Pulitzer Prize. On the moment he learned of the victory. On the impact the Pulitzer has on a career.

Theatre is on the brain this week here on this video game podcast that is rapidly becoming more and more of a theatre-podcast by each episode (listen... Gay for PLAY is a double entendre; walk with me...) Our main topic this week the stunning pro-shot of the West End production of Next to Normal: the 2009 Pulitzer-prize winning musical about a woman's mental health and its impact on her and her complicated family. It's a show we forgot how much we loved and we're thrilled to have this new version to chew over and analyze. Before that, we also get into the Patti LuPone drama that shook the theatre world this week, and Eric discusses his latest theme park adventures which you can follow along with on his new YOUTUBE channel! (Watch and Subscribe HERE!)On the video game front, this week we share some more thoughts on Blue Prince now that Eric has played a good deal more & Laurence as rolled credits. We also touch on LOK Digital, a lovely little word/puzzle game we've been playing on mobile. But mainly, we're focused on the video games of days past this week as we both have been having fun with some Emulators across our various devices! We discuss Chibi-Robo, Silent Hill 2, Golden Sun, Twilight Princess, and a host of other classics that we've been revisiting with the power of technology.What Else We're Gay For:ERIC - RuPaul's Drag Race All-Stars 10LAURENCE - Vine: Six Seconds that Changed the World========Get in touch with us!EMAIL US at gayforplaypodcast@gmail.comFOLLOW G4P (& Message us on any of our socials for a link to our Discord!)Twitter: @GayForPlayPodInstagram: @GayForPlayPodTwitch: twitch.tv/gayforplaypod========CREDITSIntro and outro music by Connor Marsh (@connorjmarshmallow)Show art by Benny Kessler (@retro.spectacle.studio) 

What happens when humans try to play God? The recent bombing of a fertility clinic in Southern California by an "anti-natalist" – someone opposed to human reproduction – reveals a disturbing philosophy gaining traction. These individuals believe bringing children into the world is fundamentally wrong, with many advocating for the eventual extinction of humanity.Behind this radical position lies a godless worldview where humans, not their Creator, determine the value of life. As Pastor Bob Fleischmann observes, "When people are godless, they become god themselves—they become the arbiters of right and wrong and who lives and who dies." This core insight connects seemingly disparate headlines we examine: from anti-natalism to a controversial Georgia case of a brain-dead pregnant woman kept on life support, to the miraculous development of a CRISPR-based treatment for an infant with a rare genetic disorder.Media bias features prominently in our discussion, particularly regarding ProPublica winning a Pulitzer Prize for reporting that allegedly linked pro-life laws to negative health outcomes—reporting our panel argues contained significant factual errors. This raises crucial questions about journalism as advocacy versus objective truth-seeking, and the responsibility Christians bear in consuming and sharing information critically.Throughout our conversation, the contrast becomes clear: worldviews centered on human autonomy inevitably create impossible burdens, placing responsibility for life-and-death decisions on individuals ill-equipped to bear them. Meanwhile, scientific breakthroughs like personalized genetic treatments demonstrate both human ingenuity and the temptation to cross ethical boundaries when God is removed from the equation.Have you noticed how difficult ethical decisions become when detached from a biblical framework? Join us as we navigate these complex waters and discover how faith provides the compass we desperately need in today's moral landscape. Share your thoughts or questions at lifechallengesus or email podcast@christianliferesources.com.SHOW NOTES:https://bit.ly/4mKarpShttps://bit.ly/43roBF2https://bit.ly/43HBtFXhttps://bit.ly/455FFBJFind strength and courage in your faith at this year's FEARLESS FAITH Conference. Inspired by Joshua 1:9, “Be strong and courageous,” join us for presentations on navigating life's storms, understanding God's peace, and engaging in crucial conversations about euthanasia, anorexia, abortion, prenatal genetic testing, and more. Hear powerful journeys of faith through loss and hope. Don't miss this empowering event! $50 in person or $40 virtual. Register now: https://christianliferesources.com/resources/events/2025-conference/Friar TimeThrough meaningful interviews and heartfelt conversations, Friar Time, hosted by Fr....Listen on: Apple Podcasts SpotifySupport the show

On this week's episode: Make America Healthy Again starts to sound an awful lot like the great reset ... We start wondering why there isn't a Pulitzer for “best press conference question” ... And X hits a person like a Tesla on autopilot. To support our show on Patreon, go here: https://www.patreon.com/skepticrat To hear more from Evil Giraffes on Mars, go here: https://www.facebook.com/EvilGiraffesOnMars Get great deals while supporting the show by checking out our sponsors: policygenius.com betterhelp.com/skepticrat quince.com/skepticrat groundnews.com/skepticrat auraframes.com (code: SKEPTICRAT) Headline Sources: MAHA report is full of enormous amounts of nonsense: https://www.mcgill.ca/oss/article/medical-critical-thinking-health-and-nutrition/maha-report-mostly-data-vibes https://www.washingtonpost.com/health/2025/05/30/maha-report-ai-white-house/ Harvard wins initial court fight to keep its international students: https://www.nytimes.com/2025/05/29/us/harvard-international-students-trumps.html A hidden measure in the big beautiful bill would crown Trump king:  https://www.justsecurity.org/113529/terrible-idea-contempt-court/ Donald Trump learns about TACO trade: https://abcnews.go.com/Politics/trump-lashes-viral-taco-trade-meme-stand/story?id=122323324 Elon leaves the White House with a bunch of lies: https://www.nytimes.com/2025/05/30/us/politics/fact-check-elon-musk-trump.html Elon Musk got punched in the face by a 5-year-old: https://www.nytimes.com/2025/05/30/us/politics/elon-musk-black-eye.html

Angel Studios https://Angel.com/ToddBecome a Premium Angel Studios Guild member to watch The King of Kings, stream all fan-curated shows and movies, and get 2 free tickets to every Angel Studios theatrical release. Alan's Soaps https://www.AlansArtisanSoaps.comUse coupon code TODD to save an additional 10% off the bundle price.Bioptimizers https://Bioptimizers.com/toddEnter promo code TODD to get 10% off your order of Berberine Breakthrough today.Bizable https://GoBizable.comUntie your business exposure from your personal exposure with BiZABLE.  Schedule your FREE consultation at GoBizAble.com today.  Bonefrog https://BonefrogCoffee.com/toddThe new GOLDEN AGE is here!  Use code TODD at checkout to receive 10% off your first purchase and 15% on subscriptions.Bulwark Capital https://KnowYourRiskPodcast.comBe confident in your portfolio with Bulwark! Schedule your free Know Your Risk Portfolio review. go to KnowYourRiskPodcast.com today.Renue Healthcare https://Renue.Healthcare/ToddYour journey to a better life starts at Renue Healthcare. Visit https://Renue.Healthcare/ToddElon's Exit // The Colorado attack and God's Covenant // U2's Bono talks religion vs. GodEpisode Links:LMAO! Elon Musk just absolutely SLAYED the fake New York Times. “Oh, the New York Times? Is that the same publication which got a Pulitzer for FAKE REPORTING on the Russiagate hoax?”Daily Caller White House Correspondent @reaganreese_: "What do you think would be easier--colonizing mars or making the government efficient?" MUSK: "It's a tough call....”CNN drags on disgraced Ex-FBI Deputy Director Andrew McCabe to shame the FBI for believing an Egyptian national firebombing Jewish people might be an act of terror. In what world is firebombing a specific group intentionally not terrorism, CNN?Witness to Peal Street attack"Boulder has changed." "There's security guards at the bathrooms so people don't smoke meth in the bathrooms." "It's dirtier. It's not as safe as it used to be."Apparenlty, Bono used to believe Jesus is the Son of GodI think people would return to religion...if it wasn't so f***** up". On the Joe Rogan podcast, Bono explains why he doesn't like being around evangelicals and why he doesn't believe in "ramming religion" down his children's throats.What Does God's Word Say?Romans 9:27-28 27 Isaiah cries out concerning Israel:“Though the number of the Israelites be like the sand by the sea,    only the remnant will be saved.28 For the Lord will carry out    his sentence on earth with speed and finality.”Matthew 7:13-14 The Narrow and Wide Gates13 “Enter through the narrow gate. For wide is the gate and broad is the road that leads to destruction, and many enter through it. 14 But small is the gate and narrow the road that leads to life, and only a few find it.

Tonight: Real Life GTA, Media Cool Club, Zuck Cuucked, Trump Pulitzer, DHS Arrest, Sharia, Play-Girl-GroundWatch the Live Show on the following channels: linktapgo.com/thedumshowTHE DUM SHOW, DON'T UNFRIEND ME, POLITICS, MAGA, TRUMP, MILITARYBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-dum-show--6012883/support.

Tonight: Real Life GTA, Media Cool Club, Zuck Cuucked, Trump Pulitzer, DHS Arrest, Sharia, Play-Girl-GroundWatch the Live Show on the following channels: linktapgo.com/thedumshowTHE DUM SHOW, DON'T UNFRIEND ME, POLITICS, MAGA, TRUMP, MILITARYBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-dum-show--6012883/support.

Dearest Wretches, we're stepping away from the mic. But before we go, Chris and Eliana dig into Trump's legal battles with CBS and the Pulitzer board, Elon Musk's Washington exit, Democrats' hunt for lost masculinity, and the waning influence of BLM. We'll miss the community that's grown with us over the years—thanks for wretching with us. Time Stamps: 1:55 - Front Page 37:50 - Obsessions 46:51 - Reader Mail 52:24 - Favorite Items Show Notes: The Wall Street Journal: Paramount Has Offered $15 Million to Settle CBS Lawsuit. Trump Wants More. New York Post: Shari Redstone in ‘tough spot' as Paramount board fears settling with Trump will open Pandora's box on bribery lawsuits: sources The New York Times: A Disillusioned Musk, Distanced From Trump, Says He's Exiting Washington CBS News: Elon Musk says he's "disappointed" by Trump's "big, beautiful bill" and what it means for DOGE The New York Times: Trump Pardoned Tax Cheat After Mother Attended $1 Million Dinner The New York Times: Six Months Later, Democrats Are Still Searching for the Path Forward The Washington Free Beacon: EXCLUSIVE: Inside the Democratic Party's Strategic Efforts To Enhance Receptivity in Masculine-Coded Heteronormative Cohorts Through Data-Driven Holistic Outreach Vulture: Fame and Frustration On the New Media Circuit Fox News: Washington Post announces another buyout program targeting veteran staffers, other departments The Washington Post: Struggling to declutter? Try the ‘poop rule.' The New York Times: 5 Years After George Floyd's Murder, the Backlash Takes Hold The Wall Street Journal: Six Friends Tried to Plan a Girls' Trip in a Group Chat. Things Went Sideways. Law360: Pulitzer Board Can't Pause Trump Defamation Suit In Florida Semafor: Inside the identity crisis in anti-woke media The Weekly Dish: Claire Lehmann On Staying Independent Craig Newmark Graduate School of Journalism at CUNY: In Memoriam: Tom Robbins (1949-2025) The Wall Street Journal: How a Lawyer in the Hamptons Became the King of DWI Cases

Jonathan Capehart made Michael Steele put on a button-down for this interview, so you know it got real, fast. Jonathan joins the podcast to discuss his extremely awkward first encounter with Rev. Al Sharpton and the nature of their contentious relationship, Jonathan's work to save the NY Apollo Theater that led to his Pulitzer win and the time he self-sabotaged so badly that he ran out of a job interview with Bloomberg. Plus, Jonathan tells the story of coming out to his mom (and why it's important to hide your porn well, folks), his decision to resign from the Washington Post Editorial Board and the advice he'd give his younger self. If you enjoyed this podcast, be sure to leave a review or share it with a friend! Check out Jonathan Capehart's memoir here: https://www.amazon.com/Yet-Here-Am-Lessons-Search/dp/1538767066 Follow Jonathan Capehart @CapehartJ Follow Michael Steele @MichaelSteele Follow the podcast @steele_podcast Follow The Bulwark @BulwarkOnline

Brea and Mallory tick off another box on the 2025 Reading Glasses Challenge - read an award winning book by an author of color! Plus, they test out a book cart and give tips on reading beaten up paperbacks. Email us at readingglassespodcast at gmail dot com!Reading Glasses MerchRecommendations StoreSponsors -Ancient Nutritionwww.ancientnutrition.com/GLASSESTeasperiencewww.teasperience.comCODE: GLASSESLinks -Reading Glasses Facebook GroupReading Glasses Goodreads GroupAmazon Wish ListNewsletterLibro.fmTo join our Discord channel, email us proof of your Reading-Glasses-supporting Maximum Fun membership!www.maximumfun.org/joinMallory in NY in August!Book CartBooks Mentioned - Sky Daddy by Kate FolkWhy We Love and Hate Twilight by Sarah Elizabeth GallagherNatural Beauty by Ling Ling HuangThe Nickel Boys by Colson Whitehead

The Atlantic's Jocelyn Frank reports on the detailed system that may be unintentionally leading pilots to avoid the mental-health care that they need, and increasing risks to passenger safety.  Get more from your favorite Atlantic voices when you subscribe. You'll enjoy unlimited access to Pulitzer-winning journalism, from clear-eyed analysis and insight on breaking news to fascinating explorations of our world. Atlantic subscribers also get access to exclusive subscriber audio in Apple Podcasts. Subscribe today at theAtlantic.com/listener. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this May 29 edition of The Daily Herold, Jon Herold breaks down a flurry of bombshell developments shaking the political and legal establishment. From Cash Patel and Dan Bongino's latest revelations on the Epstein case, the D.C. pipe bomber, and the Dobbs leak, Jon walks listeners through the coded messaging and breadcrumbs hinting at imminent disclosures. He offers sharp analysis on which case might be nearing resolution—and how these threads may all lead back to the same corrupt power centers. Herold also spotlights the declassified FBI document exposing Nellie Ohr's lies to Congress, linking her directly to the Crossfire Hurricane scandal and raising new questions about DOJ integrity. Meanwhile, Elon Musk exits his government watchdog role with only a fraction of the $2 trillion in projected cuts realized, prompting Herold to call out Congressional inaction and performative praise. Additional highlights include Trump's lawsuits against CBS and the Pulitzer board, a Supreme Court ruling limiting environmental review powers, a judicial nomination shakeup, and an aggressive new move to revoke visas tied to Harvard and Chinese influence. Whether it's narrative warfare or buried FBI secrets, Jon's no-frills commentary drills straight into the heart of the collapsing regime storyline.

This past year, what feels like a hundred in Trump years, Gaslit Nation listeners have asked the same question: How did we get here? The answer, though deeply unsettling, is vital to understand. It's the story of a 40-year campaign waged by far-right Christian nationalists, Big Oil, and corporate power to undermine our democracy. To help us all make sense of this crisis moment, as a firehose of corruption and racist disinformation blasts from the White House, we've created a special “Best of Gaslit Nation” episode. This powerful montage connects the dots with help from some of the most tenacious experts sounding the alarm. You'll hear from Ari Berman of Mother Jones and author of Minority Rule: The Right-Wing Attack on the Will of the People—and the Fight to Resist It; Anne Nelson, author of The Shadow Network: Media, Money, and the Secret Hub of the Radical Right;  Nancy MacLean, author of Democracy in Chains: The Deep History of the Radical Right's Stealth Plan for America, Elie Mystal of The Nation and author of Bad Law: Ten Popular Laws That Are Ruining America, and more. Each voice reveals a piece of the puzzle: how the Reagan revolution, Supreme Court corruption, and dark money led us to this breaking point, unleashing Trump as their Frankenstein monster.  But this isn't just about history: it's about action. The Gaslit Nation Action Guide is your toolkit for resisting, rebuilding, and reclaiming our democracy. The darkness we face cannot withstand our collective light. So stand up. Be defiant. Shine bright. This chapter isn't the end: it's our call to build something better, together. Want to enjoy Gaslit Nation ad-free? Join our community of listeners for bonus shows, ad-free episodes, exclusive Q&A sessions, our group chat, invites to live events like our Monday political salons at 4pm ET over Zoom, and more! Sign up at Patreon.com/Gaslit! Two special events! This Thursday May 29 at 8pm ET, the Media and Democracy Forum will host Pulitzer-winning cartoonist Ann Telnaes to discuss editorial cartooning's role in democracy, press freedom, and 2025's controversy involving her rejected cartoon by Washington Post editor David Shipley. RSVP here: https://www.mobilize.us/mediademocracyproject/event/768371/ June 16 at 4pm ET, Keira Havens of Citizens' Impeachment joins the Gaslit Nation salon to discuss the growing movement to demand the impeachment of Donald Trump and why it matters. Look out for a Zoom link on Patreon the morning of the event, and be sure to visit citizensimpeachment.com. Featured Episodes: Minority Rule, featuring Ari Berman https://www.gaslitnationpod.com/episodes-transcripts-20/2024/4/23/minority-rule   Voter Suppression Emergency: The Ari Berman Interview https://www.gaslitnationpod.com/episodes-transcripts-20/2021/6/24/voter-suppression-emergency-the-ari-berman-interview   The World Must Stand Up to Trump's America, featuring Elie Mystal https://www.gaslitnationpod.com/episodes-transcripts-20/2025/2/11/the-world-must-stand-up-to-trumps-america?rq=elie%20mystal   Bad Faith, featuring filmmaker Stephen Ujlaki https://www.gaslitnationpod.com/episodes-transcripts-20/2024/4/16/bad-faith   Democracy in Chains: The Nancy MacLean Interview - Part I https://www.gaslitnationpod.com/episodes-transcripts-20/2022/6/1/nancy-maclean-interview-part-01   Can the Reagan Revolution Be Undone?, featuring Jesse Eisinger https://www.gaslitnationpod.com/episodes-transcripts-20/2023/12/13/reagan-revolution-jesse-eisinger-part-2   Project 2025 Super Special, featuring Anne Nelson https://www.gaslitnationpod.com/episodes-transcripts-20/2024/5/21/project-2025-super-specialnbsp   EVENTS AT GASLIT NATION: June 16 4pm ET – Keira Havens of Citizens Impeachment joins Gaslit Nation to discuss the Trump impeachment movement; details at citizensimpeachment.com. June 30pm ET – Book club discussion of Lillian Faderman's  The Gay Revolution: The Story of the Struggle Indiana-based listeners launched a Signal group for others in the state to join, available on Patreon. Florida-based listeners are going strong meeting in person. Be sure to join their Signal group, available on Patreon. Have you taken Gaslit Nation's HyperNormalization Survey Yet? Gaslit Nation Salons take place Mondays 4pm ET over Zoom and the first ~40 minutes are recorded and shared on Patreon.com/Gaslit for our community

Where the law of the land ends, the story begins. Pulitzer-prize winning journalist Ian Urbina returns with a new season of his riveting podcast anthology, The Outlaw Ocean, which explores the most lawless place on earth — the vast unpoliceable ocean. New episodes starting June 4, 2025.In season two, Urbina sheds light on the secretive Libyan prisons swallowing up sea-faring migrants; flagrant human rights abuses in China's massive off-shore fleet; the horrors of a shrimp processing plant in India; and the wild story of a modern-day James Bond — if he were a repo man.Urbina and his team repeatedly risk their safety to tell stories powerful people don't want you to know. As podcast reviewer Lauren Passell notes, “Ian's not relying on research, he was there [...] Outlaw Ocean makes you feel like you're there, too.”This immersive audio documentary series brings together more than eight years of reporting at sea on all seven oceans and more than three dozen countries.

In a time when the hope of surviving kidney failure was rare, one family refused to give up. Pulitzer prize winning journalist, Maura Casey recounts her sister's fight for life in the 1960s and the legacy of hope it left behind.  In today's episode we heard from: Maura Casey grew up in an Irish-American family in Buffalo, New York, the youngest of six children. For more than 30 years, Casey was an opinion writer for three New England newspapers and The New York Times, where she had a seat on the exalted Times editorial board. Over the course of her career, Casey won 45 state, regional and national awards for her writing. She and her husband Pete have two adult children and two grandchildren. They live on a small Connecticut farm with their two dogs and a barn cat. Casey writes a weekly column, Casey's Catch, and when the breeze is right, she coasts on Long Island Sound in her sailboat, Second Wind. “Saving Ellen” (Skyhorse Publishing, April 1, 2025) is her first book.   Additional Resources: Saving Ellen; A Memoir of Hope and Recovery   Do you have comments, questions, or suggestions? Email us at NKFpodcast@kidney.org. Also, make sure to rate and review us wherever you listen to podcasts.

Bal'more takes some heat for being a rough place, but we think in the right light it can be pretty fun.  You can keep some of the light off your face if you get the right hat, but it won't keep you from catching shots.  Leave that to the guard dogs.  

This week, we're unpacking the rollout of Original Sin, the irony of the left's search for their very own Joe Rogan, the CBS newsroom shakeup, and stick around for Eliana's experience serving on the Pulitzer jury. Wretch on! If you have a story you want to discuss with us, email us at wretches@nebulouspodcasts dot com. Time Stamps: 4:10 - Front Page 1:06:38 - Obsessions 1:19:04 - Reader Mail 1:20:57 - Favorite Items Show Notes: Jewish Insider: Two Israeli embassy employees killed in shooting outside D.C. Jewish Museum The Guardian: Jon Stewart on CNN's Biden book: ‘Selling you a book about news they should have told you' The Washington Post: Biden diagnosis draws well-wishes, questions and conspiracy theories Mediaite: Taylor Lorenz Openly Celebrates Joe Biden's Cancer Diagnosis: ‘Hopefully He Rots in Hell and Rests in Piss' The New York Times: Democrats Throw Money at a Problem: Countering G.O.P. Clout Online The Hill: Trump hits South African president with video ‘genocide' claims: 5 takeaways NBC News: White House purges transcripts of Trump's remarks from its website Mediaite: ‘What Changed Patel and Bongino's Minds?' Glenn Beck Calls Out Trump's FBI Brass Rejecting Epstein Conspiracy The Wall Street Journal: Elon Musk to Cut Back Political Spending The Daily Beast: Musk Insults Interviewer for Daring to Ask About His Big DOGE Promise The New York Times: Head of CBS News Is Forced Out Amid Tensions With Trump The New York Times: Can C-SPAN Pull Off ‘Crossfire,' but With Civility? Semafor: Shapiro solicits backers — or buyers — for a built-out Daily Wire The Hollywood Reporter: ‘Sesame Street' Saved, Inks New Streaming Deal With Netflix NBC 4: Kermit comes home: UMD commencement and NBC4 history The Washington Free Beacon: ANALYSIS: Jordon Hudson Outshined and Outclassed by Historic Transgender Contestant at So-Called Beauty Pageant The Washington Free Beacon: ‘We Occasionally Misjudge': Pulitzer Board Told Me I Was out of Line When I Asked Why the Organization Gave an Award to Palestinian ‘Poet' Who Made Hateful Comments About Israeli Hostages Politico: Two House Republicans missed the big vote Chicago Tribune: Chicago Sun-Times Sunday insert contains 10 AI-generated fake books in summer reading list

We talk with Eric Garcia, author of We're Not Broken: Changing the Autism Conversation and a political reporter at the Independent, about the myths spreading about autism under Health Secretary Robert F. Kennedy Jr. Yes, there's the one about how vaccines cause autism, which the scientific community has rejected. But there's also a more fundamental one that Kennedy references often: Is there, as he repeats, an “autism epidemic”? And if not, what explains the dramatic rise in reported cases of autism over the last few decades? Garcia also recounts his own story growing up autistic in the age of exploding diagnoses, and landing now in a moment where, for his job, he covers a health secretary's particular brand of concern.   Get more from your favorite Atlantic voices when you subscribe. You'll enjoy unlimited access to Pulitzer-winning journalism, from clear-eyed analysis and insight on breaking news to fascinating explorations of our world. Subscribe today at TheAtlantic.com/podsub. Learn more about your ad choices. Visit megaphone.fm/adchoices

Is one of the most “trusted” names in healthcare responsible for millions of deaths? This explosive interview may change everything you thought you knew about the medical system. In this eye-opening episode of The Dr. Josh Axe Show, Dr. Axe sits down with Pulitzer-nominated investigative journalist and former New York Times correspondent Gardiner Harris to expose the dark underbelly of Big Pharma—specifically the disturbing history of Johnson & Johnson. Gardiner, who has reported from the White House and covered the pharmaceutical industry for decades, joins the show to discuss revelations from his groundbreaking new book No More Tears. Drawing from sealed court documents, grand jury transcripts, and firsthand reporting, he reveals how corporate greed, government collusion, and media silence have fueled some of the deadliest medical conspiracies in American history. In this episode, you'll discover: Why Johnson & Johnson may be responsible for up to 2 million deaths—and how it was covered up. How Risperdal was marketed illegally to elderly patients, despite deadly side effects. Shocking misuse of EPO in cancer patients and the hidden studies that exposed it. The FDA's role in enabling decades of pharmaceutical harm. How Tylenol became one of the most dangerous over-the-counter drugs in America. Why many “late onset schizophrenia” diagnoses in nursing homes are completely fabricated. The frightening financial ties between drug companies, academic institutions, and your doctor. Don't miss this powerful conversation that could change how you view medicine, media, and the modern healthcare system. Whether you've suspected something was off or you're just beginning to question the mainstream narrative, this episode will arm you with truth—and hope. Watch now to uncover how to protect your health, your family, and your future. #johnsonandjohnson #healthcare #draxe ------  0:00 Introduction 5:15 Corruption in American Healthcare 16:27 The Use of Antipsychotics for Nursing Home Patients 20:44 EPO for Cancer Patients 28:08 Medical Industry as Goliath  37:50 Medical Advisory Committee: FDA 42:00 Acetaminophen Side Effects  ------  Want more of The Dr. Josh Axe Show? Subscribe to the YouTube channel. Follow Dr. Josh Axe Instagram Twitter Facebook TikTok Website Follow Gardiner Harris Twitter Website ------  Staying healthy in today's world is an upstream battle. Subscribe to Wellness Weekly, your 5-minute dose of sound health advice to help you grow physically, mentally, and spiritually. Every Wednesday, you'll get:  Holistic health news & life-hacks from a biblical world view Powerful free resources including classes, Q&As, and guides from Dr. Axe The latest episodes of The Dr. Josh Axe Show Submit your questions via voice memo to be featured on the show → speakpipe.com/drjoshaxe  ------  Links:  Check out Gardiner Harris' new book, NO MORE TEARS: The Dark Secrets of Johnson & Johnson → https://www.goodreads.com/book/show/216247552-no-more-tears

Rhiannon Giddens is a folk musician who has won Grammys, a Pulitzer, and MacArthur Genius Grant. But her new album is a true love letter to her North Carolina roots and features former Carolina Chocolate Drops bandmate Justin Robinson. The album is called "What Did the Blackbird Say to the Crow."Giddens and Robinson join us to talk about North Carolina's musical past, taking the time to learn at the feet of a master, and what it means to call a place home.Want to support 1A? Give to your local public radio station and subscribe to this podcast. Have questions? Connect with us. Listen to 1A sponsor-free by signing up for 1A+ at plus.npr.org/the1a.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Susie went to a Micky Dolenz of the Monkees concert, and the next day a stranger stopped her at the grocery store to make a comment about something Susie did at the show. We learn why medical professionals and workers at senior facilities are being trained to stop using "elderspeak" with their patients. They say that the baby talk and cutesy language infantilizes older folks and causes greater resistance to care and more anti-psychotic prescriptions. We discuss the Carter family documentary and hear how the stardom of their sons Aaron and Nick contributed to strife, addiction, and death in the family. We talk about a man who intentionally injected himself with snake venom and willingly let snakes bite him hundreds of times with the hope of becoming immune to their poison, and somehow, someway, he actually did it. And he might end up being responsible for creating a universal anti-venom. We debate whether the Pulitzer prize-winning photo of the Vietnam War victim "Napalm Girl," who is running naked after being burned, should be allowed on social media or if it's pornographic.LIVE TRIVIA NIGHT: MAY 22nd 8PM - https://www.youtube.com/@BrainCandyPodcast/LiveListen to more podcasts like this: https://wavepodcastnetwork.comBCP Instagram: https://www.instagram.com/braincandypodcastSusie's Instagram: https://www.instagram.com/susiemeisterSarah's Instagram: https://www.instagram.com/imsarahriceBCP on X: https://www.x.com/braincandypodSponsors:For 20% off your order, head to https://www.harvesthosts.com and use code BRAINCANDY.Use code BRAINCANDY at https://cozyearth.com for 40% off best-selling sheets, pajamas, and more.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

New York State's Adult Survivors Act brought a flood of lawsuits against the city by women who say they were abused at Rosie's (the women's jail) on Rikers Island. Jessy Edwards, writer and editor for Hell Gate, and Christopher Werth, senior editor at WNYC and Gothamist focusing on investigations, talk about their reporting on serial sexual abuse at the jail, which was recognized as a finalist for the Pulitzer Prize for audio reporting.

*Patreon- and Substack-only bonus episode teaser, click here for the full episode*It's Cowboy Carter SZN and we're breaking down Beyoncé's latest tour with friend of the pod and podcast host extraordinaire Sam Sanders. We talk about Queen Bey's latest tour, the good and the not so good, plus our thoughts on Blue Ivy's exposure and the future of stadium tours. We also quickly gab about the Pulitzer drama, Gwenyth Paltrow, and Lionel Richie.You can find everything we discuss on today's show on The Stacks' website:https://www.thestackspodcast.com/unabridged/2025/5/16/tsu-46-sam-sandersConnect with Sam: Twitter | InstagramConnect with The Stacks: Instagram | Twitter | Shop | Patreon | Goodreads | Substack | SubscribePurchasing books through Bookshop.org or Amazon earns The Stacks a small commission.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Lavender carpets. Golden swords. Arabian horses. President Trump arrived in the Gulf to a royal welcome. Both sides seem delighted about what they're getting out of one another. So what are they getting? And what will it mean for the future of the Middle East? We talk to Hussein Ibish,  a senior resident scholar at the Arab Gulf States Institute, about this new era of chumminess between the American president and the Gulf leaders. What does it mean that President Trump has not brought up any of Saudi Arabia's human rights violations? Is that luxury jet Qatar gifted him just norm breaking or illegal? And how might this friendship influence Trump in his dealings with Israel as its Prime Minister, Benjamin Netanyahu, threatens to escalate attacks on Gaza?.    --  Get more from your favorite Atlantic voices when you subscribe. You'll enjoy unlimited access to Pulitzer-winning journalism, from clear-eyed analysis and insight on breaking news to fascinating explorations of our world. Atlantic subscribers also get access to exclusive subscriber audio in Apple Podcasts. Subscribe today at theAtlantic.com/listener. Learn more about your ad choices. Visit megaphone.fm/adchoices

A year ago, Percival Everett published his twenty-fourth novel, “James,” and it became a literary phenomenon. It won the National Book Award, and, just this week, was announced as the winner of the Pulitzer Prize for Fiction. “James” offers a radically different perspective on the classic Mark Twain novel “The Adventures of Huckleberry Finn”: Everett centers his story on the character of Jim, who is escaping slavery. The New Yorker staff writer Julian Lucas is a longtime Everett fan, and talked with the novelist just after “James” was released. “My Jim—he's not simple,” Everett tells Julian Lucas. “The Jim that's represented in ‘Huck Finn' is simple.” This segment originally aired on March 22, 2024.

Welcome to The Not Old Better Show, Art of Living series. I'm Paul Vogelzang, and today's episode is for anyone who's ever thought, “Maybe you can joke your way through life after all.” Because our guest today—Pulitzer Prize-winning columnist, bestselling author, and unofficial king of common sense absurdity—Dave Barry—has done just that. Yes, that Dave Barry. The man who warned us about exploding toilets, tangled with telemarketers until they stopped answering their own phones, and wrote the kind of newspaper columns that made you snort coffee out your nose on a Sunday morning. He's been called “the funniest man in America” by the New York Times, and in his latest book, Class Clown, he finally turns that razor-sharp wit on himself. Today's conversation is a fun one, although, and you can hear this…I was nervous. At one point during a roundabout question from me, Dave asks: “ iwas wondering wehre you were going with that?” I left it in the edit for your enjoyment. I've talked to 100's of big time guests from all walks of life, like Smithsonian, Prevention Magazine, Good Housekeeping and have never been tongue tied or nervous…not today. That's on me as, Dave is a wonderful guest, and he shares what it was like growing up in a world before Wi-Fi, when entertainment meant throwing rocks and preparing for nuclear war by hiding under desks. He talks about his path from a rock band in the '60s to the pages of The Miami Herald, where he turned exploding Pop-Tarts and Rollerblade Barbie into Pulitzer-worthy satire. And yes—he really was almost crushed by a bale of airborne cocaine. Florida, folks. But more than just laughs, Dave opens up about his late parents, his unique upbringing, and the emotional truth behind humor that doesn't always mean happiness. It's a rich, honest, and uproarious reminder that growing older doesn't mean growing dull—and that maybe, just maybe, the class clown gets the last word. Stay with us—because the very funny, very thoughtful Dave Barry is here. And this is The Not Old Better Show, Art of Living series, with me, award-winning host Paul Vogelzang.