Podcasts about Oregon Shakespeare Festival

Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In this mini-episode, we sit down with author Julie Hammonds to discuss her debut novel, Blue Mountain Rose: A Novel in Five Acts. Set against the backdrop of a fictional Shakespeare festival in the Arizona mountains during the 2009 financial crisis, the story follows theater director Richard Keane, company manager Kate Morales, and enigmatic actor Peter Dunmore as they strive to save their beloved open-air stage. Julie shares insights into how Shakespeare's works inspired the novel's structure and themes, the challenges of portraying the behind-the-scenes world of theater, and the enduring relevance of the Bard's plays in times of personal and collective hardship. Whether you're a Shakespeare aficionado, a theater enthusiast, or a lover of character-driven narratives, this conversation offers a compelling look into the intersections of art, community, and resilience. Blue Mountain Rose is now available at booksellers near you and on our Bookshop.com storefront. About Julie Hammonds Julie Hammonds fell in love with Hamlet during a high school trip to the Oregon Shakespeare Festival and has nurtured her passion for Shakespeare ever since. She learned to run a light board on an Army base in South Korea, studied the plays on her own and in school, stage-managed The Winter's Tale and Much Ado About Nothing, and became the founding board president of the Flagstaff Shakespeare Festival. Along the way, she decided to complete the canon as an audience member by seeing Shakespeare's plays performed on as many different stages as she can reach. The quest has taken her from a community hall in Juneau, Alaska, to the noteworthy festivals in Stratford, Ontario, and Cedar City, Utah, to Shakespeare's Globe in London and the Royal Shakespeare Company in Stratford-upon-Avon. She has four plays to go. This is her first novel. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. For updates: join our email list, follow us on Instagram at @shakespeareanyonepod or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, buying us coffee, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod (we earn a small commission when you use our link and shop bookshop.org). Find additional links mentioned in the episode in our Linktree. Works referenced: Hammonds, Julie C. Blue Mountain Rose: A Novel in Five Acts. Soulstice Publishing, LLC, 2025.  

Blair Russell is a Tony nominated producer and developer of theatre and live performance whose experience ranges from fringe festivals to Broadway shows.​Credits include STILL (Off-Broadway); LIZARD BOY (Theatreworks Silicon Valley, Hope Mill Theatre, Edinburgh Fringe, Off-Broadway, Oregon Shakespeare Festival); POP OFF, MICHELANGELO! (Edinburgh Fringe, The Other Palace - London); For Tonight (Adelphi Theatre - London); DIVA: LIVE FROM HELL! (Edinburgh Fringe, Kings Head Theatre - London); SALEM (50k followers, Green Room 42 - New York); and SLAVE PLAY (Broadway - 12 Tony Noms, West End). Other projects include THE WIZ (Broadway/ NT 2024), Sweeney Todd (Immersive Off-Broadway 2017), and GYPSY with Imelda Staunton (West End 2014). On the board of The New Harmony Project, Goodspeed Musicals, and SPACE. VCU Graduate. ​Blair has been a guest speaker/artist at a number of institutions including the University of Maryland, University of North Carolina Greensboro, Walnut Hill School for the Performing Arts, and the York School in Monterey, CA. Blair has served as the Producer-in-Residence for the Johnny Mercer Writers Grove at Goodspeed Musicals for two years. He was also a visiting lecturer for the semester-long Atelier program at Princeton University where he collaborated with composer Georgia Stitt on her oratorio The Circling Universe. Blair has appeared as a guest on a number of podcasts (American Theatre Artists Online, A Star Is Bored, Backstage Talk, Broadway ReFocused), web series (Actors Unscripted, Awkward Conversations, Be Our Guest! - Live and In Color, Dreamland XR, In The (Home) Office - Goodspeed Musicals), and at global conferences (National Alliance for Musical Theater, Global XR Conference, Immerse Global Summit Series)Blair Russell Productions, LLC (BRP) goes beyond the confines of traditional theatrical production. Driven by a desire to put art first, we consistently create opportunities for emerging artists, aiming to broaden the scope of who gets to make theater and who gets to consume it. We focus on finding innovative financial frameworks, following non-traditional development paths, and harnessing the latest in technological advancements.Founded by Blair Russell in 2018, BRP's journey in the theatrical landscape has been marked by a commitment to challenging the status quo. With every production, we prioritize making theatre accessible, ensuring that each story resonates deeply and widely.Blair Russell Productions continues to relentlessly support artists who are reimagining the idea of contemporary theatre. Our mission is unwavering: to bring bold narratives to diverse audiences while showcasing the impact and potential of modern storytelling.

The Oregon Shakespeare Festival in Ashland is celebrating its 90th season. It’s long been one of the most prestigious professional theatres in the nation. But in recent years, it’s faced slings and arrows - from declining audiences and funding to wildfires and the pandemic. Executive Director Gabriella Calicchio began last fall after more than 25 years leading arts organizations in California and elsewhere. She joins us to talk about what OSF will do to appeal to audiences and regain financial footing - in the short and long term future.   

Looking at the names on the marquees, it may seem like almost all the sound designers on Broadway are men. But there are many women who have been working in the industry for years and it's time to shine a light on them! This is another installment of Good Show's Women in Sound Series. Today's guest is Joanna Lynne Staub. Joanna Lynne Staub is a New York City based Sound Designer & Audio Engineer. She has over two decades of experience on Broadway, Off-Broadway, Regional Theatre, Concerts, Television, Corporate, Podcasts, & Multi-Media Events. Joanna's experience as a producer and audio engineer for Television, Sporting Events, Concerts, Studio Engineering, Podcasts, Corporate Events, and Multi-media projects allows her to generate expansive ideas and ​innovative outlooks for any project.​ ​Her award-winning sound designs and original music have been heard across the United States in such places as La Jolla Playhouse, Goodman Theatre, Public Theatre, Seattle REP, ​The Alliance Theatre, The 5th Avenue Theatre, Dallas Theatre Center, Trinity Rep, Geva Theatre, and Oregon Shakespeare Festival.​ She has worked as an engineer and associate sound designer on over three-dozen Broadway Shows & National Touring Companies - Both Musicals & Plays. With a background as a classically-trained musician, coupled with extensive technological, logistical, and acoustical training, she brings a unique view ​to both artistic and technical design. www.jlssound.com Connect with GOOD SHOW! Instagram: @goodshowpodcast  Tik Tok: @goodshowpodcast   Learn more about your ad choices. Visit megaphone.fm/adchoices

Veteran Shakespearean actor Geoffrey Barnes joins the Reduced Shakespeare Company to play Yorick and Ophelia's mother in the regional theatre premiere of The Comedy of Hamlet! (a prequel). The RSC's 11th stage show marks the company's seventh appearance at Merrimack Repertory Theatre, as well as MRT's 300th production, and Geoffrey discusses how his many years at Cincinnati Shakespeare Company and Oregon Shakespeare Festival – as well as his background in musical theatre and experience performing RSC scripts at CSC – serve him well in this comic prequel to Shakespeare's greatest tragedy. Geoffrey reveals the value of a comedian not thinking he's funny; how he finds the rhythms and music of the language, whether it's Shakespeare, vaudeville, or August Wilson; and the importance of letting the music and the jokes serve the characters and the story. (Length 21:05) The post Meet Geoffrey Barnes appeared first on Reduced Shakespeare Company.

Send your questions or provocations to Adam or Budi here!In this episode, Adam and Budi continue our Grad School Series with Chair of Graduate Acting at NYU Tisch, Carl Cofield. Carl Cofield is the Chair of Graduate Acting at NYU Tisch and has served as the Associate Artistic Director of the Classical Theatre of Harlem since 2018. CTH directing credits include A Midsummer Night's Dream, Twelfth Night, Seize the King, The Bacchae, Antigone, Macbeth, The Tempest, and Dutchman. He also directed  The XIXth (The Nineteenth) at the Old Globe Theatre as well as the world premiere of Kemp Powers' One Night in Miami for Rogue Machine Theater in Los Angeles, and later iterations at Miami New Drama and Denver Center. Other directing venues include Oregon Shakespeare Festival, McCarter Theatre, and Yale Repertory. He has served on faculty at Yale School of Drama, Columbia School of the Arts, Manhattan School of Music, and the New School. Education: MFA in Directing from Columbia University.Support the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: (Intro) Jack Burmeister, (Outro) https://www.purple-planet.comAdditional compositions by @jack_burmeister

Hailing from Perth, Western Australia, Chris ‘Chalky' Chalk discovered his passion for production lighting during high school, sparking a career that began with an Advanced Diploma of Performing Arts (Lighting) at WAAPA in 2000 and an internship at the Oregon Shakespeare Festival. After joining the Festival as a lighting technician in 2003, he transitioned to film lighting in 2005, launching a successful career in the industry. A member of IATSE Locals 488 and 728, Chris has worked on acclaimed productions like WandaVision, Perry Mason, and Twin Peaks. With a foundation in theatrical lighting, Chris specializes in systems design and programming, known for his creative on-set solutions. In 2024, he returned to Australia as Sales and Marketing Manager at Omegatech, continuing his innovative work in the field. This episode is brought to you by Elation and Mainlight

Send us a textThis week I had the pleasure of having a fascinating conversation with Allison Gregory on this recent episode of Playwright's Spotlight and her approach of writing about historical and mythological characters and exploring outside their known stories. We delved into the philosophy of "when we are", letting the story find us, the power of the #2 pencil and writing longhand, stealing from the best, obtaining the rights to other's works and public domain. We also discuss commissioning adaptations, tried and true material, embracing constructs, and knowing the audience of children's theatre. It's a wonderful chat I hope everyone feels motivated and inspired by. Enjoy!Allison Gregory's work has been produced nationally and internationally for multigenerational audiences by a fusion of professional theaters, academic stages, and nontraditional spaces. She has received commissions and development from the Oregon Shakespeare Festival, the Kennedy Center, South Coast Repertory, Indiana Repertory Theatre, the Playwrights' Center, the Skirball Foundation, Geva Theatre, Seattle Rep, ACT Theater, Orlando Shakes, the National New Play Network (NNPN), Hedgebrook, the New Harmony Project, and Banff Playwrights Lab. Her plays range from satires centering on underrepresented historical figures to contemporary interpretations of mythology, intimate dramas, and exuberant, innovative theatre for young people. Her plays are published by Dramatic Publishing, Playscripts, Concord Theatricals, Smith & Krauss, and Rain City Press and include – Not Medea, Junie B. Jones is Not a Crook, and Judy Moody & Stink: The Mad, Mad, Mad Treasure Hunt.To watch the video format of this episode, visit -https://youtu.be/B9pW5OH7L14Links to resources mentioned in this episode -Child's Play -https://www.childsplayaz.orgSeattle's Children's Theare -www.sct.orgWebsite and Socials for Allison Gregory - Website-www.allisongregoryplays.comFacebook-https://www.facebook.com/allison.gregory.71Websites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show

In 2012, photographer Matika Wilbur sold everything in her Seattle apartment and set off to document the 562 federally recognized indigenous tribes in the country. Over a decade and hundreds of thousands of miles later, she released a book called “Project 562.” We talked to Wilbur in June 2023 about her journey, her book, and her mission to provide Native Americans images that are more “useful, truthful, and beautiful.” The Native American sketch comedy group, the 1491s, initially said "no" when the Oregon Shakespeare Festival approached them about writing a play. But eventually the five-member group relented, and tackled Native American history with humor in the play "Between Two Knees" in October of 2019. We listen back to a conversation from that time with Bobby Wilson, a member of the 1491s, and Robert Franklin, the Native American Student and Community Center at PSU, which sent students down to Ashland to see the play.    

Check out this podcast replay of the SDCF Virtual Panel: Demystifying Pre-Production with Knud Adams, Maija García, and Delicia Turner Sonnenberg. This conversation focuses on the pre-production process, giving insights and a better understanding of all the things that happen between when a director signs a contract and first rehearsal. The panelists talked about what they have discovered over the years makes for the strongest pre-production process for them before rehearsals begin. Transcript available upon request. We hosted this panel in June 2024. Knud Adams is an Obie-winning director of artful new plays, based in New York. This season, he's directing English on Broadway. His work has been featured on "Best of the Year" lists by The New York Times, New York Magazine, The New Yorker, and The Washington Post. An avid developer of new work, his world-premiere productions include: Primary Trust (Roundabout), English (Atlantic/Roundabout), Bodies They Ritual (Clubbed Thumb), Private (Mosaic), The Headlands (LCT3), Paris (Atlantic), and The Workshop (Soft Focus). Knud also directed the radio play Vapor Trail, which premiered at the Tribeca Film Festival. Maija García is a theater director, cultural innovator and advocate for equity in the arts. She recently directed I am Betty, a world premiere hit new musical at History Theater by Cristina Luzarrága and Denise Prosek; VALOR, a Spanish golden-age play by Ana Caro; and OUR HOOD, a bi-lingual cineplay by John Leguizamo. Director of Movement for Spike Lee's Oscar award-winning Blackkklansman, CHI-RAQ and She's Gotta Have It on Netflix, and Executive Producer of Art of Dance, a documentary film, García's Theater Directing credits include Bill T. Jones' FELA! World Tour; CRANE: on earth in sky by Heather Henson and Ty Defoe and Salsa Mambo Cha Cha Cha in La Habana Cuba. Regional Theater credits include original choreography for West Side Story at the Guthrie Theater; Kiss My Aztec by John Leguizamo and Tony Toccone at Berkeley Rep, and La Jolla Playhouse; Snow in Midsummer by Frances Ya-Chu Cowhig at Oregon Shakespeare Festival; Cuba Libre by Carlos Lacámara at Artists Repertory Theater (PAMTA Award); and Fats Waller Dance Party with Jason Moran and Meshell N'degeocello at Harlem Stage, SF Jazz and the Kennedy Center. Garcia founded Organic Magnetics to generate urban folklore for the future. She wrote, produced and directed Ghosts of Manhattan: 1512-2012, an interactive history and I am New York: Juan Rodriguez. Director of Education and Professional Training at Guthrie Theater, Maija served on the Tony Award Nominating Committee and is a proud member of SDC since 2008.  Delicia Turner Sonnenberg is a director, artistic leader, teacher, and mother. She is a founder and the former Artistic Director of MOXIE Theatre, which she helmed for twelve acclaimed seasons. Delicia has directed plays for the Old Globe Theatre, San Diego REP, La Jolla Playhouse, Actors Theatre of Louisville Humana Festival, Cygnet Theatre, New Village Arts, and Diversionary Theatre, among others. Delicia has directed countless workshops and staged readings of new plays for National New Play Network, Old Globe, Bay Area Playwrights Festival, San Diego REP, and Arena Stage. Delicia was twice a recipient of the Van Lier Directing Fellowship through Second Stage Theatre in New York and is an alumna of the New York Drama League's Directors Program, as well as Theatre Communication Group's New Generations Program.

In this episode of The Early Link Podcast, we explore what the city of Ashland, Oregon is doing to improve access to child care and early learning in the city and the region. Ashland is located in Southern Oregon, not far from the California border, and has a population of about 22,000 residents. It is known for being one of the best small towns in America and for the world-famous Oregon Shakespeare Festival. But in this interview, we'll raise some visibility for the work happening in the city to support young children and their families. Paula Hyatt, an Ashland city councilor, has taken a lead role in this work. With a background in finance and banking, national defense and healthcare, she's been keenly interested in the importance of a diversified economy and the need to bring people together to create solutions for kids and working families. "So why did the council do that? Why did we feel that that was a good use of our resources? It's largely because when you do these investments, you are investing in families, but you're also investing in your local economy. If you have folks who have quality care for their kids, they can pursue the employment they're seeking, they can pursue higher education, which in turn means there's a greater labor pool for folks to hire from, less turnover for employers. So, it tends to be symbiotic in that it helps the families, but it also helps our local business."

Tessa Brickman is one half of the bi-coastal duo Caballito Negro, along with multi-percussionist Terry Longshore, it is known for its creative and compelling performances, and draws their name (“dark little horse”) from Federico García Lorca's poem, Canción de Jinete (1860). Their first recording, the EP Songlines (2016), was praised for its “absolutely gorgeous tone”, “understated virtuosity” (Joshua Cheek) and being “expertly produced and played” (NFA Quarterly), featuring the music of William Kraft, David P. Jones and Ivan Trevino. Their work features numerous music collaborations, commissions and arrangements. However, Caballito Negro also composes as a duo, synthesizing their eclectic musical dialects. Their work as resident artists has been featured at the Ashland Independent Film Festival, Oregon Shakespeare Festival, Festival of New American Music, Britt Music & Arts Festival, as well as in many university, theater, and house concerts in the U.S. www.caballitonegro.com

Gabriella Calicchio joins the Jefferson Exchange to discuss her new role in leading the Oregon Shakespeare Festival into its 90th season.

Jenna's Website: https://www.jennabainbridge.com/Jenna on Instagram: https://www.instagram.com/bainbridgejenna/Episode Highlights

Send us a Text Message.I had a chance to see standup comic Dan St. Paul (out of the S.F. Bay Area) perform live right before this interview; Dan St. Paul has been a successful Actor, comic, writer and more, for over 40 years. From being to part of the comedy team "Murphy-St. Paul" and opening concerts for Bands ("Ringo Starr" & "Chicago") to Corporate Events and One-Man Shows...Dan has done it all!Good stories, and a funny set at the end, Listen, Laugh, & Share!Dan St. Paul began his stand-up comedy career at the age of 29 after being inspired by a performance at the Oregon Shakespeare Festival. Initially an actor in Bay Area plays, he quickly transitioned into comedy, becoming known for his clean and humorous style. St. Paul believes that stand-up comedy offers a unique allure and financial fulfillment, but emphasizes the importance of mastering the trade and enduring tough times to succeed in the industry. His extensive experience, from corporate events to cruise ships and his acclaimed one-man show, underscores his commitment to connecting with audiences and finding diverse paths within the comedy landscape.(00:01:03) Dan St. Paul: A Journey in Comedy(00:04:20) From Teaching to Comedy: A Comedian's Journey(00:07:10) Transitioning from Acting to Stand-Up Comedy(00:19:37) Adaptable Stand-Up Comedy for All Ages(00:23:02) "Dad's Stand-Up Comedy Tour: Parenting Humor"(00:33:50) "Comedians Transitioning to TV and Commercial Writing"(00:34:57) Comedic Writers: Diverse Paths to SuccessSupport the Show.Standup Comedy Podcast Network.co www.StandupComedyPodcastNetwork.comFree APP on all Apple & Android phones....check it out, podcast, jokes, blogs, and More!For short-form standup comedy sets, listen to: "Comedy Appeteasers" , available on all platforms.New YouTube site: https://www.youtube.com/@standupcomedyyourhostandmc/videosVideos of comics live on stage from back in the day.Please Write a Review: in-depth walk-through for leaving a review.Interested in Standup Comedy? Check out my books on Amazon..."20 Questions Answered about Being a Standup Comic""Be a Standup Comic...or just look like one"

Of all the tasks to undertake in the current arts climate, leading a brand-new multimillion-dollar performing-arts center through its opening and first season must be one of the most daunting. Yet, Bill Rauch, the inaugural artistic director of the Perelman Arts Center (usually referred to as PAC NYC) in Lower Manhattan managed to launch with a bang through an astonishing array of music, dance, theater and opera performances. He also capped the first season with a personal triumph, co-directing with Zhailon Levingston an inventive reimagining of the musical “Cats” set in New York's drag ballroom scene. The production, titled “Cats: The Jellicle Ball,” garnered enthusiastic reviews and was immediately extended.Although Bill has decades of experience as an artistic director and producer, his previous posts were markedly different from the current. Right out of college, he founded Cornerstone Theater Company, a firmly community-centered company that was initially nomadic, creating theater with and for small and often rural towns before it put down roots in Los Angeles in 1992. Cornerstone continued to make homegrown community-partnered theater in Los Angeles as well as in satellite projects around the country. Then in 2007 Bill became the artistic director of Oregon Shakespeare Festival, which is a bit of a unicorn in the American theater ecosystem as one of the very few theaters in the U.S. with a full-time acting company. It is also one of a handful of destination theaters in North America, with patrons traveling from all over the country to rural Southern Oregon to enjoy a theatrical vacation. At OSF, while still centering Shakespeare's works, Bill diversified the theater's offerings and bolstered its new-play development program.“Art Restart” was eager to speak with Bill to learn how he has adapted his heavily community-centered vision to the demands of leading New York's newest cultural landmark, which opened during a particularly perilous time for so many of the city's performing-arts institutions. Here he describes why and how PAC can thrive in today's New York as a singularly welcoming hub for the countless communities throughout New York City and its environs.https://pacnyc.org/https://pacnyc.org/bio/bill-rauch/

The house in Harrisville, Rhode Island is not clean. In fact it's filthy, lousy with supernatural yuck. That's bad news for whoever inhabits it, and no one's going to have it worse than the Perrons—father Roger (Ron Livingston), mother Carolyn (Lili Taylor), and their five daughters. When the otherworldly rumblings get out of hand, who they gonna call? In this case, it's the OG Ghostbusters, Ed and Lorraine Warren (Patrick Wilson and Vera Farmiga). To say what happens next would be a spoiler, and we don't do that without a warning. But after our forays into James Wan's Dead Silence and Insidious, allow us to say that The Conjuring is a cool breath of delightfully fetid air. Director, dramaturg, and Columbia University professor Christian Parker joins us for academically incisive commentary. Intro, Debate Society, To Sir With Love (spoiler-free): 00:00-29:12Honor Roll and Detention (spoiler-heavy): 29:13-1:01:32Superlatives (spoiler-heavier): 1:01:33-1:20:57 Director James WanScreenplay Chad Hayes & Carey W. HayesFeaturing Joseph Bishara, John Brotherton, Shanley Caswell, Kyla Deaver, Vera Farmiga, Mackenzie Foy, Joey King, Hayley McFarland, Shannon Kook, Ron Livingston, Patrick Wilson, Lili Taylor Christian Parker is a director, dramaturg, and former Chair of the graduate Theatre Program at Columbia University, where he is currently a professor of Professional Practice, leading the MFA concentration in Dramaturgy.  His work has been on view at the Steppenwolf Theatre, Gulfshore Playhouse, the Rattlestick, the New Harmony Project, the Oregon Shakespeare Festival, and many others. Christian has served as the Associate Artistic Director of Atlantic Theater Company, was on the Tony Awards Nominating Committee for four years, and was a resident at the American Academy in Rome in Spring 2024.  Our theme music is by Edward Elgar and Sir Cubworth.  Music from The Conjuring by Joseph Bishara. For more information on this film, writing by your hosts (on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠our blog⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), and other assorted bric-a-brac, visit our website, ⁠⁠⁠⁠⁠⁠scareupod.com⁠⁠⁠⁠⁠⁠⁠⁠. Please subscribe to this podcast via Apple Podcasts, Spotify, or wherever you get yours. If you like what you hear, please leave us a 5-star rating. Join our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook group⁠⁠⁠⁠⁠⁠⁠⁠⁠. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Across two decades Idris Goodwin has forged an impactful and diverse career as a multiple award-winning playwright, breakbeat poet, director, educator, and culturist. Idris is a 2021 United States Artist Fellow, recognized as one of the most compelling artists living and working in the country, and The New York Times has hailed his work as “incisive and moving.”   Idris is the author of over 50 original plays ranging from his Hip Hop inspired breakbeat series to historical dramas to works for young audiences. Goodwin has appeared on or created content for HBO Def Poetry, Sesame Street, NPR, BBC Radio, Nickelodeon and the Discovery Channel. His plays include And In This Corner Cassius Clay, How We Got On, Hype Man and This is Modern Art. Idris is the co-host The Same Old New School Podcast on Vocalo Radio.  Idris is currently the Artist Director for the Seattle Children's Theater. Previous to that, he was the Director of The Colorado Springs Fine Arts Center at Colorado College, the first Black man to hold the position in its 100-year history and served two seasons as Producing Artistic Director at StageOne Family Theatre in Louisville, Kentucky. Supported by prestigious institutions like The Kennedy Center, The Eugene O'Neill Conference, Oregon Shakespeare Festival, Actors Theatre of Louisville, Arena Stage, and The Playwrights' Center, Goodwin uses his full creative powers to galvanize people into the community square to sculpt better tomorrows. Find him at idrisgoodwin.com. Goodwin's debut children's book YOUR HOUSE IS NOT JUST A HOUSE was published by Harper Collins on May 7, 2024. About YOUR HOUSE IS NOT JUST A HOUSE One rainy day, a kid opens their closet to discover a teleportation chamber. In the adventure of make-believe that follows, we are invited to see our homes as more than places to live—they are vessels for creativity and joy. With whimsy and musicality, Idris Goodwin calls on his theater and hip-hop backgrounds to deliver an irresistible read-aloud, inviting us to see that our homes are more than places to live—they are vessels for creativity and joy. It's a rainy summer day, and one child is about to go on an adventure of the imagination, as illustrated by Lorraine Nam's beautiful and vivid cut-paper artwork.   Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

Listen to 57 Future Now - We are on a roadtrip to Seattle and doing our podcast from AirB&B’s for the next couple of shows. This week is on the road in Ashlandfrom Ashland, a cultural hotspot known for great art galleries, theaters, restaurants, and the home of the world famous Oregon Shakespeare Festival.  We saw the opening production of MacBeth, and Dune, part 2.  Much to discuss and explore this week, as the future is happening now at an increasingly exponential rate, from space adventures  to musical  AI, and human behavior insights.  Enjoy!

Oregon Shakespeare Festival's Tim Bond on 2024 season.

Welcome to an unexpected journey into the haunted mysteries of Lithia Park, discovered in the pages of the classic book "Oregon's GHOSTS & Monsters" by Mike Helm. Join us as we unfold tales that defy explanation and delve into the shadows where the supernatural meets reality.Venture with us to the “crown jewel” of Ashland - Lithia Park, home to the Oregon Shakespeare Festival. Beyond the theaters at the park's entrance lies 93 acres of nature's wonders - walking trails, rose and Japanese gardens, duck ponds, and the iconic Butler-Perozzi Fountain. The fountain, once crafted from Italian marble, now stands as a meticulous replica requiring ongoing upkeep. Follow this link if you'd like to join us in supporting the beautiful fountain's maintenance!But, Lithia Park's allure extends beyond its Shakespearian shows and scenic beauty. Cometh along to heareth tales of a spectral critic, a whistling lumberjack, whispers of a “blue girl,” and the unexplained disappearance of an undeserved outcast. You'll definitely want to grab ahold of something warm and hold on tight to your wine, these stories are sure to leave you with a haunting chill!This week we shared the podcast Murder & Mimosas!Visit our website!Find us on Facebook, Instagram, TikTok, Patreon, & more! If you have any true crime, paranormal, or witchy stories you'd like to share with us & possibly have them read (out loud) on an episode, email us at pnwhauntsandhomicides@gmail.com or use this link. There are so many ways that you can support the show: BuyMeACoffee, Apple Podcasts, or by leaving a rating & review on Apple Podcasts. Become a supporter of this podcast: https://www.spreaker.com/show/pnw-haunts-homicides/support. This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5955451/advertisementPastebin: for sources.

Justin Lucero is artistic director of Theater Latté Da, in Minneapolis. In addition to nearly a dozen works directed for El Paso Opera,  Justin enjoys a robust freelance directing career for professional and academic stages, including past work with Abingdon Theatre Company, Pittsburgh Festival Opera, City Theatre (Pittsburgh), Creede Repertory Theatre, University of Texas El Paso, UTEP Dinner Theatre, the University of Houston, and Scaffolding Theatre, of which he was also Co-Founding Artistic Director.  As an assistant and associate director, he has worked with such major institutions as Oregon Shakespeare Festival, South Coast Rep, and Asolo Repertory Theatre under the mentorship of industry leaders including artistic director-producer Bill Rauch, director-playwright Lisa Peterson, director-choreographer Art Manke, artistic director Michael Donald Edwards, director-choreographer Peter Amster, Olivier-winning artistic director Timothy Sheader, Tony-winning playwright-director Mark Medoff, and Tony®-winning director-playwright Frank Galati.  Justin succeeded Theater Latté Da's founding artistic Director Peter Rothstein, who departed the organization at the end of June after 25 years of leadership, to assume a new role as producing artistic director of Asolo Repertory Theatre in Sarasota.

Christmas came early this year! We are dropping this episode a few days ahead of schedule to commemorate the 180th anniversary of the release of A Christmas Carol by Charles Dickens.   The multi-talented Lavina Jadhwani stops by to discuss her adaptation of A Christmas Carol, which was first produced when her script was discovered on New Play Exchange. In this episode, we discuss:Adapting a well-known story for the stage, making it unique, and being faithful to the original textLavina's approach to adapting for the stageHow surviving cancer gave her a different perspective of her workthe Bollywood film list Lavina curated for Melissa on the spotAnd more!Resources MentionedA Christmas Carol by Lavina Jadhwani is playing at the Guthrie and Penobscot Theatre during the 2023 holiday season.New Play Exchange Nothing For the Group substackAbout Our GuestLavina Jadhwani is a Chicago-based director, playwright, and activist. Directing credits include Guthrie Theater, Oregon Shakespeare Festival, PlayMakers Rep, the Rep of St. Louis, Asolo Rep, Mixed Blood, the Neo-Futurists, the Gift, Teatro Vista, Silk Road Rising, and Rasaka Theatre Company, where she served as Artistic Director for seven years. As a playwright, her work has been seen at the Guthrie, the Goodman, the Gift, East West Players, Cincinnati Shakes, and Indianapolis Shakes, and more. Lavina serves on the boards of the National New Play Network and the Chicago Inclusion Project. She is a proud cancer survivor, dog mom, and child of immigrants. She got her BFA/MA at Carnegie Mellon School of Drama and her MFA at The Theatre School at DePaul University.Connect with Our Guestlavinajadhwani.comRead & Recommend Lavina's plays on New Play ExchangeFacebookInstagramConnect with host Melissa Schmitz***Sign up for the 101 Stage Adaptations Newsletter***101 Stage AdaptationsFollow the Podcast on Facebook & InstagramRead Melissa's plays on New Play ExchangeConnect with Melissa on LinkedInWays to support the show:- Buy Me a Coffee- Tell us your thoughts in our Listener Survey!- Give a 5-Star rating- Write a glowing review on Apple Podcasts - Send this episode to a friend- Share on social media (Tag us so we can thank you!)Creators: Host your podcast through Buzzsprout using my affiliate link & get a $20 credit on your paid account. Let your fans directly support you via Buy Me a Coffee (affiliate link).

How are institutional leaders navigating the warring tides of politics and public opinion—tides that may steer them toward uncertain futures? Can organizations help artists, patrons, and the public find common ground, or productive ways to discuss their differences, in this moment of deep democratic and cultural conflict? And, even as they themselves struggle to stay afloat, how do arts institutions serve as spaces of civic engagement, community, and inclusion? MOCA director Johanna Burton, Center Theatre Group artistic director Snehal Desai, former Oregon Shakespeare Festival executive artistic director Nataki Garrett, and Whitney Museum director emeritus Adam D. Weinberg discuss how the culture wars have impacted their work, and where they see institutions, and the arts at large, going next. Moderated by Kristin Sakoda, Director of the Los Angeles County Department of Arts and Culture. This program was co-presented with the Thomas Mann House and Los Angeles Review of Books as part of “Arts in Times of Crises: The Role of Artists in Weakened Democracies,” on November 18, 2023. Follow Zócalo: X: twitter.com/thepublicsquare Instagram: www.instagram.com/thepublicsquare/ Facebook: www.facebook.com/ LinkedIn: www.linkedin.com/company/z-calo-public-square

When “Roe,” the play, premiered at the Oregon Shakespeare Festival in 2016, Roe vs. Wade, the landmark Supreme Court case, was the law of the land. A lot has changed since then, especially in the Gulf South. As Aubri Juhasz reports, an updated version of the play is being staged in an unexpected place — the capitol of a state with a near-total abortion ban.  And just a note, this story contains descriptions of abortion methods that may be disturbing for some listeners. When Governor-elect Jeff Landry won the race outright in October, many Democrats were left wondering, “Is it just too hard for a candidate on the left to win in a state that's increasingly red?” Doubters can look to Tyrin Truong. The mayor of Bogalusa won the election one year ago this month. At 23 years old, he became the youngest – and first Black – mayor in the city's history. Mayor Truong joins us to discuss his first year in office and his thoughts on the state of the Democratic Party in Louisiana.  A new study from Tulane University and published in the journal Nature Food shows how simple diet changes can reduce the average American's carbon footprint. Examples include switching from beef to chicken or drinking plant-based milk instead of cow's milk. Diego Rose, the study's author and professor and director of nutrition  at Tulane University's School of Public Health & Tropical Medicine joins us for more on climate-friendly eating habits. Today's episode of Louisiana Considered was hosted by Karen Henderson. Our managing producer is Alana Schreiber and assistant producer is Aubry Procell. Our engineer is Garrett Pittman. You can listen to Louisiana Considered Monday through Friday at 12 and 7 p.m. It's available on Spotify, Google Play and wherever you get your podcasts.  Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to. Louisiana Considered is made possible with support from our listeners. Thank you!See omnystudio.com/listener for privacy information.

For many arts organizations in Portland and across the nation, recovery from the pandemic has been painfully slow or downright elusive. Lagging box office sales are forcing companies like the Oregon Shakespeare Festival and Artists Repertory Theatre to layoff staff and cancel or scale back entire seasons. So it’s all the more surprising to see an arts venue in the region that has drawn more than 70,000 people since it opened last year for musical performances, art exhibits, community events and classes. The Patricia Reser Center for the Arts opened in March 2022 in downtown Beaverton and features a 550-seat theater, art gallery, outdoor plaza, meeting and rehearsal spaces. Executive director Chris Ayzoukian joins us to talk about the new season which launched last month and his hopes for the future amid uncertainty around arts funding and audience demand. 

When Nataki Garrett became the artistic director of Oregon Shakespeare Festival, the future looked bright. That was 2019. Garrett's tenure was marred by COVID 19, and wildfires that forced the shutdown of OSF's large outdoor theater. OSF, like most nonprofit arts organizations, suffered from revenue losses that challenged Garrett and her colleagues. Unfortunately, the pressures finally pushed Garrett to resign her post. Co-hosts Marcie Sillman and Vivian Phillips talked with Garrett about what happened to her in Ashland, and whether she has hope for the future of American theater.

In this episode, Adam and Budi have a great conversation with director, public speaking coach, and podcaster Adriana BaerAdriana has directed for Alley Theatre, Portland Center Stage, Artists Repertory Theatre, Portland Playhouse, Profile Theatre (Artistic Director, 2012-2015), The Cutting Ball Theater (Associate Artistic Director, 2004-2007), and others. She has worked with the Oregon Shakespeare Festival, Opera Boston, The Public Theater, Berkeley Repertory Theatre, San Francisco Circus Center/Pickle Circus, California Shakespeare Theater, and American Conservatory Theater. Among other institutions, she has taught for Portland State University, Columbia University School of the Arts, The Acting Company, and Berkeley Repertory Theatre. She has lectured as a guest speaker at dozens of colleges and universities nationwide. Adriana holds a Bachelor of Arts from Sarah Lawrence College and a Masters of Fine Arts in Directing from Columbia University. She is a member of SDC, the professional union of stage directors and choreographers.She is the cohost of The Wellbeing Workshop's podcast and offers online courses and coaching through Adriana Baer Creative.Adriana lives on a two-acre farm just outside Portland, Oregon with her husband and child, and spends most of her free time digging in the dirt, practicing yoga, and reading.Special offer for Theatre of Others listeners! When you purchase Audition Master Class, you'll get free access to Get In: How to Rock Your MFA & URTA Auditions.* https://www.adrianabaercreative.com/others Support the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Support the Theatre of Others - Check out our Merch!Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister

Tim Bond will become Oregon Shakespeare Festival’s newest artistic director at the end of this week.  He takes over at a time of turmoil for the company, which is still fundraising millions of dollars to cover the costs of the 2023 season. OSF’s executive director left in January. The previous artistic director, Nataki Garrett, left in April after leading the organization through the pandemic and multiple fires, and facing death threats for her play choices. Bond joins us to talk about what comes next for the nearly 100 year old organization. 

Fonseca talks with Daisuke (pronounced Dice-Kay) is a Series Regular on Apple TV's new thriller INVASION, from creators Simon Kinberg and David Weil, inspired by HG Wells' WAR OF THE WORLDS. He recurred on IFC's comedy BROCKMIRE, Amazon's period drama THE MAN IN THE HIGH CASTLE, and he voices a character in Netflix's animated series LOVE, DEATH & ROBOTS. In the world of Video Games, he is the lead character of the hit game GHOST OF TSUSHIMA from Sucker Punch Productions. Daisuke comes from the world of theatre. He was a company member of the Oregon Shakespeare Festival for 6 seasons, has performed in theatres around the country, and also trained and performed with Cirque du Soleil.The Salt Lake City Tribune thinks a new Marvel movie may be shooting in secret this Summer in Utah. The Utah Film Commission says the movie is titled "Oops All Berry". Its executive producer, Brian Chapick, has worked on several Thor movies and the Black Widow film. Many believe "Oops All Berry" is the secret code name for the new Thunderbolts movie, which stars all villains and no superheroes. Supermarket Spider Could Cause Men To Be Aroused: The Daily Mail says an Austrian supermarket was evacuated and closed down yesterday because a manager spotted a Brazilian Wandering Spider in a bunch of bananas. Men are being warned to stay away from the store because a bite by the Brazilian Wandering Spider can lead to painful, long-term arousal. Exterminators spent yesterday fumigating the store People magazine says Mattel is launching their own theme park in Glendale, Arizona in 2024. They will have rides and attractions inspired by Barbie, Hot Wheels, Thomas & Friends and Masters of the Universe. Fans will also be able to dine at the Barbie Beach House and ride a Hot Wheels roller coaster KGTV says William Shatner is being inducted into the San Diego Air and Space Museum's International Hall of Fame. His induction is the result of him being the oldest person to go into space. William and several others hovered above Earth on October 13, 2021 aboard Jeff Bezos' Blue Origin rocket The Daily Mail says a rare Batmobile toy was recently auctioned off for $149,000.The red tin convertible was made in 1966. It has a Batman action figure in the driver's seat. The toy was only supposed to sell for $14,000.The New York Post recently revealed that the Ken doll's real name is Kenneth Sean Carson. Time for 'What's The Doll's Real Name?' G.I. Joe is based on a man named: A. General Joseph ColtonB. Gerald Ignatius JoeC. Gordon Indigo Joseph Barbie's actual name is: A. Barbra Ann PerfectionB. Barbara Millicent RobertsC. Barbra Jo Salem Polly Pocket's actual name is: A. Popular PockingtonB. Polly Alice Kingston PocketC. Polly Guile Anderson Barbie's sister Skipper's full name is: A. Skipping MorganB. Madeline SkipperC. Skipper Roberts Stretch Armstrong's actual name is: A. Stretcher McArthurB. Casey ArmstrongC. Jake Armstrong

In this epsiode, Budi and Adam sit down with Eugene Ma to discuss his practice spanning many decades, and many countries and continents. Eugene Ma is a theatre director, actor and teacher with an inter-disciplinary background. Born in Toronto, brought up in Hong Kong and based primarily in New York - Eugene continues to perform, direct, and teacher internationally.Enchanted many years ago by the ingenuity of the Clown and virtuosic transformations in Commedia dell'Arte, Eugene embarked on and completed a two-year teaching apprenticeship with Christopher Bayes, making him one of a selected few "Bayes-certified" physical acting teachers in America. During the apprenticeship, Eugene served as Chris' teaching assistant and musical director for Clown and Commedia classes as well as student productions at Yale School of Drama, the Juilliard School as well as summer and corporate workshops, infusing more musicality into the curriculum as a tool to open up the actor's imagination and sensitivity.Eugene is currently on faculty at Columbia School of the Arts, where he teaches clown in the MFA Acting program.  Spring 2020 he will be teaching clown at Yale School of Drama, to the second year MFA actors.  Previous teaching engagements include workshops and classes at Yale's Undergraduate Theater Studies Program, Professional Performing Arts School (Arts High School) in Midtown Manhattan, St. Andrew's College in Canada.  He has also served as an advisor on several directing projects at New York University.Eugene is Resident Director at the Flea Theatre, developing works with the robust resident acting company under the mentorship of Artistic Director Niegel Smith. His acting credits include Theatre for a New Audience, Oregon Shakespeare Festival, and Berkely Rep.Having been trained as a pianist (ABRSM Gr. 8), organist and composer at a young age at the Yamaha Music Foundation in Hong Kong, Eugene still recalls his first composition assignment being motific explorations inspired by a picture of a large zoo on the music stand as he captured the journey of zoo-going as well as channeling the essence of different animals. As a result of his very aural-based training, impulsively framing and supporting a story with relatable motifs -- not the most complex and intricate musical structures -- has always been the priority and strength in Eugene's musical work. At age 9, he was selected to represent Hong Kong to attend the Junior Original Accessible travel podcast Accessible travel podcasts are the place to be to listen to all things relative to...Listen on: Apple Podcasts SpotifySupport the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Support the Theatre of Others - Check out our Merch!Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister

Melissa was thrilled to chat with Karen Zacarías about her world premiere adaptation of Shane, based on the novel by Jack Schaefer, which is now playing (in August 2023) at the Guthrie Theater.  In this episode, we discuss:How this co-commission and co-production came to beThe challenges of adapting a Western for the stageCreating a more complete and accurate picture of the American WestBeach Karen!And more!Resources MentionedCincinnatti Playhouse in the ParkGuthrie TheaterShane at the GuthrieAbout Our GuestKAREN ZACARÍAS was recently hailed by American Theater Magazine as one of the most produced playwrights in the US. Her plays include The Copper Children, Destiny of Desire, Native Gardens, The Book Club Play, Legacy of Light, Mariela in the Desert, The Sins of Sor Juana, and the adaptations of Just Like Us, The Age of Innocence, Into the Beautiful North, How the Garcia Girls Lost Their Accent and a bilingual Romeo y Juliet. She has been produced at The Kennedy Center, The Goodman, The Guthrie, Arena Stage, Oregon Shakespeare Festival, GALA Hispanic Theater, Cincinnati Playhouse, Old Globe, The Alliance Theater, Repertorio Español, The Latino Theater Company, Milagro Theater, and many more. She is the author of ten renowned TYA musicals and the librettist of several Ballets. She is one of the inaugural resident playwrights at Arena Stage, a core founder of the Latinx Theatre Commons- a large national organization of artists seeking to update the American narrative with Latinx stories-, and she is the founder of the award-winning Young Playwrights' Theater (YPT), noted as one of the best arts educational programs by the Obama White House. Karen was voted a 2019 Washingtonian of the Year for her arts advocacy by Washingtonian Magazine. She was awarded the 2019 Sine Fellowship at the American University School of Public Policy for connecting art with policy making. She is a recipient of 2019 Lee-Reynolds-Award for “social, cultural, or political change with theater” awarded by the League of ProfessioConnect with host Melissa Schmitz***Sign up for the 101 Stage Adaptations Newsletter***101 Stage AdaptationsFollow the Podcast on Facebook & InstagramRead Melissa's plays on New Play ExchangeConnect with Melissa on LinkedInWays to support the show:- Buy Me a Coffee- Tell us your thoughts in our Listener Survey!- Give a 5-Star rating- Write a glowing review on Apple Podcasts - Send this episode to a friend- Share on social media (Tag us so we can thank you!)Creators: Host your podcast through Buzzsprout using my affiliate link & get a $20 credit on your paid account. Let your fans directly support you via Buy Me a Coffee (affiliate link).

Shukri reflects on his time at the Oregon Shakespeare Festival. From the importance of live theatre, to an analysis of Twelfth Night, this podcast explores the importance of Shakespeare and why going to live theatre is vital for individuals who enjoy the arts. --- Send in a voice message: https://podcasters.spotify.com/pod/show/classxpodcast/message

We're Baaaack! It's been about a month since you've heard from present-day Meagan and Sarah and we have lots to share. Find out where we've traveled this summer (so far), how Sarah has done some outdoor adventuring in spite of herself, what the status of Meagan's small town bookstore venture is, and what else we have planned before the new school year begins. Join us for a friendly catch-up episode!LINKS MENTIONED:Meagan started off the summer getting hitched! If you missed it, we discuss it in More Than Mom: Weddings.Meagan visited Oswald's Bear Ranch in the Upper Peninsula with Clara.Sarah and her family enjoyed visiting the Oregon Shakespeare Festival in Ashland Oregon this summer.Meagan is utilizing 23andme and Ancestry for filling in some unknowns about her family.Meagan's book store is opening in Upper Michigan late summer/early fall! Have a listen to learn more about it.MORE HELPFUL LINKS:Visit our websiteCheck out deals from our partnersFollow us on InstagramJoin our private listener group on Facebook (be sure to answer the membership questions!)Sign up for our newsletterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The actor, director, teacher, and author, John Shepard, began his professional career at the Oregon Shakespeare Festival where he was a company member for 4 seasons. Subsequently moving to New York, he worked in regional theatres like The Long Wharf, Yale Rep, Barter Theatre, Actors Theatre of Louisville, and many others. Off Broadway, he performed at The Manhattan Theatre Club, Soho Rep, The Public Theatre, Lamb's Theatre, and others. On Broadway, he worked in American Buffalo with Al Pacino, in which he also toured the U.S. and played on London's West End, and John also appeared in A View from the Bridge.             Career highlights include the stage version of George Orwell's 1984, in which John played Winston Smith, at the Wilma Theatre, Kennedy Center and Joyce Theatre, and the world premiere of Eduardo Machado's Fabiola at the Theatre for a New City.            John spent time in L.A. pursuing TV and Film work, appearing in many episodic TV series including L.A. Law, Spenser: For Hire, Dallas, Quantum Leap and others. John's feature film credits include Sneakers and Patriot Games.             After receiving an MFA in Acting from Cal State University, Long Beach, John became a faculty member at the University of Wisconsin, Stevens Point, the University of Illinois, Urbana-Champaign, and finally at Point Park University, where he taught for over 20 years and was the Theatre Department Chair for 10 years. John's book “Auditioning and Acting for the Camera” is used throughout the country. Backstage Magazine named it one of “11 Amazing Books for the On-Camera Actor.”            John remains active in the Pittsburgh theater and film community, appearing in many plays for The REP, City Theatre, Quantum, PICT and the Pittsburgh Public Theatre. Highlights include playing Willy Loman in Death of a Salesman for the REP, (for which the Pittsburgh Post-Gazette named him Performer of the Year), and Ralph in A Christmas Story at the Pittsburgh Public Theatre.             John has also directed numerous productions, including August Osage County for Point Park's professional theatre company, The REP, and Tamara for Quantum; both were named best productions in their respective years by the Post-Gazette.            While in Pittsburgh, he's appeared in TV shows like: A League of Their Own and The Chair, and in Films like The Race, Fathers and Daughters, Homemakers, and The Deliverance directed by Lee Daniels.

For episode 066 of Actorcast, we chat with James Bundy, Dean at the Yale School of Drama (recently renamed the David Geffen School of Drama at Yale). I actually borrowed this episode from my previous podcast, Relate with Patrick McAndrew, because it was so chock full of wisdom for actors that I had to bring it over to Actorcast. We chat about common traps for actors, the types of actors Yale's program looks for, and why acting is so helpful in understanding our own humanity. You can learn more about Yale's acting program by visiting https://www.drama.yale.edu/ James Bundy has served as Dean of Yale School of Drama and Artistic Director of Yale Repertory Theatre since 2002. He teaches in the Acting program at the School and in the Theater Studies program in Yale College. During his tenure, Yale Rep has produced more than thirty world, American, and regional premieres, nine of which have been honored by the Connecticut Critics Circle as Best Production of the year and two of which have been Pulitzer Prize finalists. James has directed productions at Theater for a New Audience, Oregon Shakespeare Festival, Great Lakes Theater Festival, The Acting Company, California Shakespeare Festival, Alabama Shakespeare Festival, and The Juilliard School Drama Division.  James is a graduate of Harvard College; he trained at the London Academy of Music and Dramatic Art and Yale School of Drama. Follow my work at https://patrick-mcandrew.com.

Esther Williamson graduated from SPU in 1998 with a double major in Theatre and English, then earned her Masters of Fine Arts from The Academy for Classical Acting at The Shakespeare Theatre Company in Washington, DC. Now, she's an actor and teaching artist based in Brooklyn, New York. A proud member of Taffety Punk Theatre Company, Esther has been praised by The Washington Post and numerous local critics for her deft handling of heightened text and her grounded, soulful onstage presence. With Taffety Punk, she has performed over half of Shakespeare's canon as well as several new and classic works. She has also acted and taught with the Oregon Shakespeare Festival; Seattle Shakespeare Company; Book-It Repertory Theatre; Opera House Arts in Stonington, ME; and many others.  Find her at estherwilliamson.com

We discussed a few things including:1. Their DEI and entrepreneurial journeys  2. Lessons learned3. Randal's insights on data and diversity + new book4. Gina's experience in the nonprofit, arts world  5. Trends, opportunities and challenges in diversity space Dr. Randal Pinkett, author of DATA-DRIVEN DEI, is an entrepreneur, innovator, and DEI expert. He is the co-founder, chairman, and CEO of BCT Partners, a global research, training, and data analytics firm whose mission is to provide insights about diverse people that lead to equity.An international public speaker, Dr. Pinkett is the author or co-author of Black Faces in High Places, Black Faces in White Places, Campus CEO, and No-Money Down CEO. He holds a B.S. in electrical engineering from Rutgers University; an M.S. in computer science from the University of Oxford; and an M.S in electrical engineering, plus an MBA and Ph.D. from MIT.  The first African American to receive a Rhodes Scholarship at Rutgers University, he was inducted into the Academic All-America Hall of Fame as a high jumper, long jumper, sprinter, and captain of the Rutgers men's track and field team. Dr. Pinkett was also the Season 4 winner of the reality television show, The Apprentice.----Gina Pisasale (she/her) is a dramaturg, educator, and Director of Equity and Organizational Culture, a newly created position, at McCarter. She has been engaged in formal EDI work within American theater institutions for almost 20 years, and is an alum of TCG's EDI Institute and artEquity's National Facilitator Training program. As an EDI Facilitator, she has designed and implemented trainings and workshops at People's Light, the Oregon Shakespeare Festival, West Chester University, and Drexel University.Previously, she was the Resident Dramaturg at People's Light, which involved facilitating the company's EDI work and practices of inclusive making. As a freelance dramaturg, she has worked with companies such as the Oregon Shakespeare Festival, GoKash Productions, PlayPenn, Arden Theatre Company, Harrisburg Shakespeare Festival, and A&E Biographies. She is an occasional Senior Lecturer at University of the Arts and her areas of research include Asian American theater and performance, Korean diasporic performance, American dramaturgy, and representations of race within the American Theatre.She has presented her research and organized panels at numerous conferences including IFTR in Seoul, South Korea, LMDA, ASTR, AAA, PTRS, and CAATA and has given lectures at Villanova University, the University of Maryland, and Temple University. She received a BA from the Univ of Richmond, an MA from Villanova Univ, and is ABD PhD at the Univ of Maryland.#DEI #diversity #culture #talent#podcast #AFewThingsPodcast

Luke Hogan Laurenson graduated with a straight As from Ashland High School and gave a valedictorian speech at his graduation earlier this month. His high achievements are especially remarkable given the challenges he overcomes every day. Laurenson was born with a form of cerebral palsy that makes speech and movement difficult. Doctors told his mother that he would never be able to walk and would likely spend most of his life in an institution. But as he said in his graduation speech, he just “never believed that.” He walked by himself at age 12 and shortly thereafter, danced by himself. A video of him dancing to Taylor Swift’s “Shake It Off” went viral. Laurenson has also acted in roles with the Oregon Shakespeare Festival and at his high school. We talk with Laurenson and his mother, Jane Hogan, about his life and his post-high school plans, which include traveling the country to share his experience and what inspires him.

The Oregon Shakespeare Festival has suffered the same pandemic setbacks as many other big theatres in the country. Seasons have shrunk, as has the staff. Earlier this year, former Artistic Director and Interim Executive Director Nataki Garrett stepped away after a staff shakeup and an emergency $2.5 million funding campaign. Shortly thereafter, the company announced it would need in excess of $7 million in order to finish the current season. OSF is unique in the nation, says American Theatre Editor-in-Chief Rob Weinert-Kendt. There are plenty of other big theatres in urban centers, but Ashland is not in an urban center. It’s the main cultural draw in Southern Oregon, and the scope and depth of its offerings appeal to a national audience. Despite its name, the Oregon Shakespeare Festival has been known for decades for its commitment to creating new plays and supporting groundbreaking work. Weinert-Kendt joins us to discuss some of the slings and arrows American theatre and OSF are facing.

Erin Michelle Washington is a Creative, Scholar, and Waymaker from Montgomery, AL. She attended Florida Agricultural and Mechanical University and obtained her MFA in Acting from American Conservatory Theater. In 2009, Erin started Soul Productions, a company that crafts new approaches to music and theatre. Washington has participated as a Digital and Creative Producer at Arena Stage, Oregon Shakespeare Festival, The Public Theater, Penumbra Theater, Howlround, and The Curran Theater. In 2016, Washington served as Interim Associate Artistic Director at American Conservatory Theatre where she was a producer and strategist for the Women's Leadership Conference and Creator and Producer of the Bayview Arts Festival. In 2018 Washington joined the faculty of Spelman College teaching in the Theater + Performance Department. She has since founded her second arts collective, SoulCenter, a content development space centering blk creatives 18-35. Washington's work continues to deepen in the South, with the co-creation of a legacy-based organization with her sister, Erica Washington, known as the Clarke Street Fund, which centers art, food sovereignty, and tech on the Westside of Montgomery, Alabama.

In this episode, Adam and Budi speak with the Co-Head of Acting at UC Irvine's Clair Trevor School of the Arts, Andrew Borba. As a stage performer, Andrew has appeared in numerous productions at South Coast Repertory; the Pasadena Playhouse; The Old Globe; the Theatre @ Boston Court; The Antaeus Company and Chalk Rep.; The Rubicon; La Mirada Theatre for the Performing Arts; Laguna Playhouse; Berkeley Repertory Theatre and the title role in Richard III at the Shakespeare Festival of St. Louis. He has spent twelve seasons with The Chautauqua Theatre Company and four seasons with the Oregon Shakespeare Festival. He has also worked with Dallas Theater Center; Portland Stage Company in Maine; Long Wharf Theatre in New Haven, Conn.; Delaware Theatre Company in Wilmington; Hudson Valley Shakespeare Festival; and Hangar Theatre, in Ithaca, N.Y., among others.Borba's film credits include The Sweet Life (2016); F. Gary Gray's Straight Outta Compton (2015); Taken 3 (2014); Interstellar (2014); Answers to Nothing (2011); Charlie Wilson's War (2007); Nine Lives (2005); Live from Baghdad (2002), Path to War (2002) and A Bright Shining Lie (1998). He also starred in the 2011 short film Dead in the Room.His TV credits include recurring roles on ABC's Modern Family, CBS's Criminal Minds and Jericho, FX's The Shield, Lifetime's The Client List, UPN's Star Trek: Enterprise, and guest appearances on more than 30 television series.As a director, Borba helmed Go West! The Mythology of American Expansion, a multidisciplinary piece with more than 400 performers (dance, opera, theater, visual arts, and a full symphony orchestra) presented in the historic 4000-seat Amphitheater at The Chautauqua Institution, Chautauqua, NY. He created and directed a multidisciplinary piece around Gorecki's 3rd Symphony, Symphony of Sorrowful Songs (2016), and directed Peter Boyer's Ellis Island (2015) both with Maestro Rossen Milanov and the Chautauqua Symphony Orchestra; He has directed Hamlet: The First Quarto at Los Angeles' Theatre of Note (multiple awards including Los Angeles Times: Critics Best 2003, 2 Garland awards (5 nominations), Ovation award nominee. Photos of this production, citations, and quotes from Mr. Borba appear in the current New Cambridge edition of Hamlet: The First Quarto and are referenced in The Arden's most recent edition of Hamlet: The First Quarto; He has served on the faculty of the University of Southern California; University of California, Los Angeles; University of California, Irvine; Juilliard; University of Tennessee; and New York University. Andrew is the Artistic Director of the prestigious Chautauqua Theater Company and is a member of The Antaeus Theater Company. He is a cum laude graduate of Brown University and received his MFA from New York University.Support the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Support the Theatre of Others - Check out our Merch!Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister

This week on the show we welcome Nataki Garrett and Scarlett Kim of Oregon Shakespeare Festival and Latoya Peterson of Glow Up Games to talk about Hella Iambic the collaboration between the famed theatre company and the game studio that has previously worked with the likes of HBO on creating original games based on existing works.The existing work in this case is Shakespeare's best known play Romeo & Juliet, and the Hella Iambic app is adding a whole new dimension later this month to OSF's currently running production of the play. SHOW NOTESRomeo & Juliet at OSFNataki GarrettScarlett KimGlow Up GamesThe Next Stage Immersive Summit Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Actor, director, & producer Román Zaragoza currently stars in CBS' award nominated comedy series “Ghosts.” Zaragoza instantly became a fan favorite as Sasappis, a blunt troublemaker who tries to fill eternity by having a little fun & creating some drama. The series debuted on CBS in October 2021 to critical acclaim, with media calling it “charming” (Paste Magazine), stating that a “CBS comedy about the diverse spirits haunting an upstate manor is scary good” (The Wall Street Journal) & declaring that “it's a superb cast full of fresh faces dropping quotable one-liners left & right” (TVLine). The Television Critics Association Awards also h&ed the comedy two nominations: Outst&ing New Program, & Outst&ing Achievement in Comedy in 2022. “Ghosts” premiered season two on September 29, 2022. In film Zaragoza serves as a producer on the short “This Is Their Land,” which premiered at the Dances with Films Festival in New York City on December 2, 2022. The film takes place during the Modoc War of 1872-73, follows the brave Modoc Civic Leader Captain Jack as he negotiates for peace in his homeland against the U.S. army, & the sacrifices he makes for the sake of his people. “This Is Their Land” is currently on the festival circuit. As a director Zaragoza most recently co-directed a music video entitled “Change Your Name” for artist Raye Zaragoza, one of his two sisters, which was inspired by their mother's life & the intersectionality of changing names during the immigration process. Born in New York City, Zaragoza was raised in a melting pot of culture. He identifies as mixed race, being of Akimel O'otham & Mexican descent on his father's side & Japanese & Taiwanese descent on his mother's side. His father, acclaimed actor Gregory Zaragoza & mother, college business professor Shirley supported Zaragoza's love for the arts from a very young age, with one of his earliest childhood memories spending time backstage watching his father star in the 1999 Broadway revival of Annie Get Your Gun, alongside the legendary Bernadette Peters. Zaragoza & his family moved to Hell's Kitchen when he was nine, where he would take the subway to school & pass by all of the major Broadway shows, which would become a huge influence on his future career. By the time Zaragoza turned eleven, his parents moved the family to the west coast, settling in southern California where he continued taking acting, dance, singing, & improv lessons. When Zaragoza was fifteen, he began working with Native Voices at the Autry, the only Equity Native American Theatre company. It was there that he met his mentor, R&y Reinholz, who made an influential impact on Zaragoza's life as well his show “Off the Rails” at Native Voices which was later selected to go to the Oregon Shakespeare Festival. Zaragoza attended Cal State University Northridge where he graduated with a degree in Film Production. He is a proud member of CSUN's American Indian Student Association & continues his involvement post-graduation. While in college, he took time to go work with the prestigious Oregon Shakespeare Festival (OSF - 2017, 2018, 2019) where he was able to further hone his craft. Zaragoza notes that his time working with the company aided in discovering more about his identity, specifically his racial identity, bringing characters to life that were a vessel for Native, Asian, & mixed identities. Upon graduation & finishing his time with OSF, Zaragoza landed his biggest role to date, starring on CBS' “Ghosts.” Zaragoza writes essays & poetry focusing on mixed representation in film, television, & theatre. On the charity front Zaragoza has supported a h&ful of organizations over the years including Seeding Sovereignty, Black Lives Matter, Return to the Heart Foundation, & IllumiNative, an initiative created & led by Natives to challenge the negative narrative that surrounds Native communities & ensure accurate & authentic portrayals of Native communities are present in pop culture & media.

NFL Sunday Ticket is moving; The cost of TVs; In The News, featuring the Oregon Shakespeare Festival asking for your money

The Winter's Tale; Act 3, Scene 2 HermioneMarch 23, 2023 Photo: Jenny Graham. Photo: Jenny Graham. For Miriam Laube, 16 is a magic number. 16 years at Oregon Shakespeare Festival and 16 years away from court in Winter's Tale (for her featured character, Hermione). With a dash of humor and a fierce sense of self, Miriam has breathed life into countless Shakespeare characters both on stage and through Play On Podcasts. Finding the honor in Hermione was both a professional and personal journey. Click here to follow along with the text. Click here for a First Folio version of the text. Click here for a scanned version of the text. Below are two songs from Miriam inspired by Shakespeare! https://vimeo.com/472695614/28291ad3f3 https://vimeo.com/414838224/52084c59e3

To Be Heard, To Be Seen, To MatterShaunda McDill is the newly appointed Managing Director of the Pittsburgh Public Theater. She is a rare type of new leader coming of age in the modern American Theater – black women who are ascending to top roles in major theatrical institutions across the country. She joins the ranks of theatrical trailblazers like Nataki Garrett, Artistic Director at the Oregon Shakespeare Festival; Dominique Morisseau, Executive Artistic Producer at Detroit Public Theater; Patricia McGregor, Artistic Director at New York Theater Workshop; and Hana Sharif, the Augustin Family Artistic Director at Repertory Theater of St. Louis. All wrestling with that question of how do we create space within the canon of the theater to make as much room as possible for a multitude of voices, perspectives, and stories to emerge that are as diverse and as expansive as is the landscape of the country today. Because in the final analysis, it comes down to Representation. And whose stories get to be heard, to be seen and to matter.For Shaunda, her answer to that question has its roots in her nontraditional journey to the Pittsburgh Public Theater. As a young girl her life as an artist began by performing in skits at the local Red Cross to highlight HIV/AIDS for kids, and reciting Bible verses in the Easter Pageants at her church. Along the way, she was mentored by such theater and literary luminaries as Ntozake Shange and August Wilson, and influenced by the words of Langston Hughes, James Baldwin, and Toni Morrison. She formed her own theater company called Demaskus – that unapologetically creates space for the underserved and underrepresented people in the theater to have the artistic license to succeed and fail, and to explore freely their artistry on their own terms. For as Shaunda says, “It is necessary for us to tell our own stories if they are going to be told. We must bear witness to what happens and what has transpired in our lives.” She has built a life buttressed by her strong, unshakeable faith and her belief that her approach to creativity isn't about struggling to convince others of her humanity, but rather a struggle to produce work and art that reflects her vision of the world. Her life and her career are not exercises in looking outward, rather they are the result of Shaunda looking inward into her innermost soul.At the Podium WebsiteAt the Podium on IGPatrick on IGFor more information contact Patrick at patrick@patrickhueyleadership.com

Andy Einhorn (LI:@andy-einhorn) has directed concerts with the Boston Pops, Cincinnati Pops Orchestra, Calgary Philharmonic Orchestra, National Arts Centre Orchestra, and the National Symphony Orchestra. He has worked as the Music Supervisor and Musical Director for the Broadway productions of Carousel and Hello Dolly!  Einhorn's previous Broadway credits include Holiday Inn, Woody Allen's Bullets Over Broadway, Rodgers + Hammerstein's Cinderella, Evita, Brief Encounter, The Light in the Piazza, and Sondheim on Sondheim. He recently served as music director and conductor for the Châtelet Theatre's production of Sondheim's Passion in Paris and Einhorn made his New York Philharmonic debut with world-renowned trumpeter Chris Botti. Since 2011 Einhorn has served as music director and pianist for Six-Time Tony Award Winner, Audra McDonald, performing with her at such prestigious orchestras and venues including The Philadelphia Orchestra, San Francisco Symphony, National Symphony Orchestra, Los Angeles Opera, Avery Fisher Hall, Carnegie Hall, Walt Disney Concert Hall and Teatro Real, Madrid. They recently recorded performances for an upcoming telecast with the Sydney Symphony at the Sydney Opera House in Australia. Einhorn has also music directed for Barbara Cook at Feinstein's and Toronto's Royal Conservatory of Music. His tour work includes Sweeney Todd, The Light in the Piazza, Mamma Mia!, and The Lion King. Einhorn's work can be heard on the current touring production of Rodgers & Hammerstein's The Sound of Music. Einhorn has worked at Goodspeed Opera House, Signature Theatre, Oregon Shakespeare Festival and PaperMill Playhouse. He was principal vocal coach and pianist for Houston Grand Opera's An Evening with Audra McDonald, a double-bill of Poulenc's La Voix Humaine and LaChiusa's Send. Recording credits include Bullets Over Broadway, Cinderella, Evita, Sondheim on Sondheim (Grammy Nom) Stage Door Canteen and McDonald's newest release, Go Back Home. He served as the music director for HBO's Peabody Award winning documentary Six by Sondheim and music supervisor for Great Performances Peabody Award winning special “Broadway Musicals: A Jewish Legacy” on PBS. Andy Einhorn is an honors graduate of Rice University in Houston, Texas.

Andy Einhorn (LI:@andy-einhorn) has directed concerts with the Boston Pops, Cincinnati Pops Orchestra, Calgary Philharmonic Orchestra, National Arts Centre Orchestra, and the National Symphony Orchestra. He has worked as the Music Supervisor and Musical Director for the Broadway productions of Carousel and Hello Dolly!  Einhorn's previous Broadway credits include Holiday Inn, Woody Allen's Bullets Over Broadway, Rodgers + Hammerstein's Cinderella, Evita, Brief Encounter, The Light in the Piazza, and Sondheim on Sondheim. He recently served as music director and conductor for the Châtelet Theatre's production of Sondheim's Passion in Paris and Einhorn made his New York Philharmonic debut with world-renowned trumpeter Chris Botti. Since 2011 Einhorn has served as music director and pianist for Six-Time Tony Award Winner, Audra McDonald, performing with her at such prestigious orchestras and venues including The Philadelphia Orchestra, San Francisco Symphony, National Symphony Orchestra, Los Angeles Opera, Avery Fisher Hall, Carnegie Hall, Walt Disney Concert Hall and Teatro Real, Madrid. They recently recorded performances for an upcoming telecast with the Sydney Symphony at the Sydney Opera House in Australia. Einhorn has also music directed for Barbara Cook at Feinstein's and Toronto's Royal Conservatory of Music. His tour work includes Sweeney Todd, The Light in the Piazza, Mamma Mia!, and The Lion King. Einhorn's work can be heard on the current touring production of Rodgers & Hammerstein's The Sound of Music. Einhorn has worked at Goodspeed Opera House, Signature Theatre, Oregon Shakespeare Festival and PaperMill Playhouse. He was principal vocal coach and pianist for Houston Grand Opera's An Evening with Audra McDonald, a double-bill of Poulenc's La Voix Humaine and LaChiusa's Send. Recording credits include Bullets Over Broadway, Cinderella, Evita, Sondheim on Sondheim (Grammy Nom) Stage Door Canteen and McDonald's newest release, Go Back Home. He served as the music director for HBO's Peabody Award winning documentary Six by Sondheim and music supervisor for Great Performances Peabody Award winning special “Broadway Musicals: A Jewish Legacy” on PBS. Andy Einhorn is an honors graduate of Rice University in Houston, Texas.

Welcome to this week's True Fiction Project Podcast. Today we are joined by award-winning playwright and actor, Ellen McLaughlin. Ellen joins me to discuss her many pieces of work throughout her career and the project she just completed with the Play On Podcasts series. She describes the incredible experiences of being around someone while they encounter extraordinary joy and the impact of that on individuals. Ellen talks about the connection she believes all artists should have to their work. At the end of the episode, we get the pleasure of listening to Ellen's short story titled Witness to the Joy of Strangers. IN THIS EPISODE: [1:11] Introducing Ellen McLaughlin and her work with Play On Podcasts. [6:52] What about the Shakespeare play Ellen worked on that resonated with her? [13:05] When Ellen is creating her art, is she always thinking about a real-life moment or is it happenstance?  [17:45] Ellen gives us an insight into her short story.  [22:07] Short Story Witness to the Joy of Strangers by Ellen McLaughlin KEY TAKEAWAYS: People need to recognize that they are privileged to be a bystander and to witness a revelation that one has when they discover their passion. To take in their joy even without necessarily being a part of it is a memorable experience.  Someone cannot make something worthwhile unless they have something on the line. If the story means something to them, you can feel the passion in the piece. Without it being worthwhile to them, it risks falling flat.  A person will work harder and be more involved in a project if they have passion behind it. If there is no passion, choose a different project that will showcase the passion for the work.   Fiction Credits: Short story written and read by: Ellen McLaughlin BIO: Ellen McLaughlin's plays have received numerous national and international productions. They include Days and Nights Within, A Narrow Bed, Infinity's House, Iphigenia, and Other Daughters, Tongue of a Bird, The Trojan Women, Helen, The Persians, Oedipus, Ajax in Iraq, Kissing the Floor, Septimus and Clarissa, and Penelope. Producers include: the Public Theater, The National Actors' Theater and New York Theater Workshop in NYC, Actors' Theater of Louisville, The Actors' Gang L.A., Classic Stage Co., N.Y., The Intiman Theater, Seattle, Almeida Theater, London, The Mark Taper Forum, L.A., The Oregon Shakespeare Festival, The Getty Villa, California., and The Guthrie Theater, Minnesota, among other venues. Grants and awards include Helen Merrill Award for Playwriting, Great American Play Contest, Susan Smith Blackburn Prize, the NEA, the Writer's Award from the Lila Wallace-Reader's Digest Fund, the Berilla Kerr Award for playwriting. T.C.G./Fox Residency Grant -- for Ajax in Iraq, written for the A.R.T. Institute. She has taught playwriting at Barnard College since 1995. Other teaching posts include Breadloaf School of English, Yale Drama School, and Princeton University, among others. Ms. McLaughlin is also an actor. She is most well known for having originated the part of the Angel in Tony Kushner's Angels in America, appearing in every U.S. production from its earliest workshops through its Broadway run. Ellen McLaughlin Website Ellen McLaughlin Facebook  This episode is sponsored by Magic Mind: Try it today by going to https://www.magicmind.co/tfp and use my code "TFP20" for 20% off all orders or for a limited time 40% off a subscription.Our Sponsors:* Check out HelloFresh and use my code 50truefictionproject for a great deal: https://www.hellofresh.com/Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy